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The$Aesthe(cs$of$Exhibi(onism$ - Arcadia Missa

The$Aesthe(cs$of$Exhibi(onism$ - Arcadia Missa

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And artists are most definitely asking this question within those frameworks that<br />

provide opportunity for various faces, or cells. This form of performance across<br />

platforms, in order to outline social constraints, can be seen in many artists’<br />

processes.<br />

Questioning their altered context is achieved in a big part through the distribution<br />

of the digital image – whether that contains text or direct images of the body, these<br />

images travel to various places, and also are often not be the final artwork per se,<br />

but act to add towards the production of the artist-self and conceptual<br />

underpinning, or narrative of a practice.<br />

Above is one of the artist Jesse Darling’s tweets that she also uploaded as an image<br />

to her tumblr.<br />

As a side note, it is worth reading Jesse’s work on the gif – and how this operates<br />

as performance, as an object in limbo on a url,<br />

http://rhizome.org/editorial/2013/may/14/performance-gifs-1/<br />

(and see next page)

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