RAS 2013 June Newsletter - Royal Asiatic Society in Shanghai
RAS 2013 June Newsletter - Royal Asiatic Society in Shanghai
RAS 2013 June Newsletter - Royal Asiatic Society in Shanghai
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<strong>Royal</strong> <strong>Asiatic</strong> <strong>Society</strong> Ch<strong>in</strong>a - <strong>Newsletter</strong> Vol 4 No 6 – <strong>June</strong> <strong>2013</strong><br />
<strong>RAS</strong> Ch<strong>in</strong>a <strong>in</strong> <strong>Shanghai</strong><br />
Monograph Series<br />
with Hong Kong University Press<br />
Both Lao She <strong>in</strong> London by Anne Witchard and Knowledge is Pleasure by L<strong>in</strong>dsay Shen are<br />
now available on Amazon K<strong>in</strong>dle.<br />
Hard copies are available for purchase at <strong>RAS</strong> events and dur<strong>in</strong>g library open<strong>in</strong>g hours. To<br />
reserve your copies email enquiry@royalasiaticsociety.org.cn putt<strong>in</strong>g “Monographs” <strong>in</strong> the<br />
subject box.<br />
The monographs have achieved wide acclaim s<strong>in</strong>ce their publication last year. Reviews of<br />
Lao She <strong>in</strong> London <strong>in</strong>clude:<br />
"A beautifully written book that comb<strong>in</strong>es literary biography with a remarkably succ<strong>in</strong>ct account of British<br />
modernism and an evocative portrait of <strong>in</strong>terbellum London, as viewed through Ch<strong>in</strong>ese eyes. Anne<br />
Witchard rem<strong>in</strong>ds us eloquently of the key role played by Ch<strong>in</strong>ese <strong>in</strong>fluences - both classical and modern -<br />
<strong>in</strong> literary modernism, and makes a great contribution to our understand<strong>in</strong>g of Lao She's London years."<br />
and for Knowledge is Pleasure:<br />
Julia Lovell, Birkbeck College, University of London<br />
“This is a sensitive and elegantly written biography of one of the most passionate S<strong>in</strong>ologists of the late<br />
n<strong>in</strong>eteenth and early twentieth centuries. The author moves fluidly between closely shadow<strong>in</strong>g Florence<br />
Ayscough’s remarkable life and immersion <strong>in</strong> Ch<strong>in</strong>ese culture and stepp<strong>in</strong>g back to illum<strong>in</strong>ate her sett<strong>in</strong>g and<br />
k<strong>in</strong>dred spirits. Those previously familiar with only a few of Ayscough’s pioneer<strong>in</strong>g achievements will f<strong>in</strong>d<br />
<strong>in</strong> this monograph a coherent narrative unfold<strong>in</strong>g before them; those for whom she is an unknown name are<br />
<strong>in</strong> for the delight of discovery. L<strong>in</strong>dsay Shen is to be admired for recogniz<strong>in</strong>g that this impressive story is<br />
worth tell<strong>in</strong>g and for giv<strong>in</strong>g it such vividly human character. “<br />
El<strong>in</strong>or Pearlste<strong>in</strong>, Associate Curator of Ch<strong>in</strong>ese Art, Art Institute of Chicago<br />
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