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I. “Song of Myself #6” by Walt Whitman a. Overview i. At the ...

I. “Song of Myself #6” by Walt Whitman a. Overview i. At the ...

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Gabrielle Rieser Period 1<br />

I. “Song <strong>of</strong> <strong>Myself</strong> #6” <strong>by</strong> <strong>Walt</strong> <strong>Whitman</strong><br />

a. <strong>Overview</strong><br />

i. <strong>At</strong> <strong>the</strong> beginning, a child has full hands <strong>of</strong> grass and questions, “What is <strong>the</strong> grass?”. <strong>Walt</strong> <strong>Whitman</strong> does not<br />

directly know how to answer but starts to deeply ponder <strong>the</strong> purpose <strong>of</strong> grass. <strong>Whitman</strong> realizes <strong>the</strong> multiple<br />

representations <strong>of</strong> grass and <strong>the</strong> ties it has to <strong>the</strong> people, nature, and <strong>the</strong> universe as a whole. He also displays<br />

grasses’ connection with <strong>the</strong> deceased and his positive view <strong>of</strong> death.<br />

b.<br />

“A child said What is <strong>the</strong> grass? Fetching it to me with full<br />

hands;”<br />

“How could I answer <strong>the</strong> child? I do not know what it is<br />

any more than he.”<br />

“I guess it must be <strong>the</strong> flag <strong>of</strong> my disposition, out <strong>of</strong><br />

hopeful green stuff woven.”<br />

“Or I guess it is <strong>the</strong> handkerchief <strong>of</strong> <strong>the</strong> Lord,”<br />

A child asks what grass is.<br />

<strong>Whitman</strong> is unsure how to answer this child’s question<br />

so he begins to ponder it deeply.<br />

Grass is a symbol <strong>of</strong> our hopeful nature.<br />

Grass is a reminder <strong>of</strong> God.<br />

“A scented gift and remembrance designedly dropt,” Grass is a gift from God.<br />

“Bearing <strong>the</strong> owner’s name someway in <strong>the</strong> corners, that<br />

we may see and remark, and say Whose?”<br />

“Or I guess <strong>the</strong> grass is itself a child, <strong>the</strong> produced babe <strong>of</strong><br />

<strong>the</strong> vegetation.”<br />

“Or I guess it is a uniform hieroglyphic,”<br />

“And it means, Sprouting alike in broad zones and narrow<br />

zones,”<br />

“Growing among black folks as among white,”<br />

“Kanuck, Tuckahoe, Congressman, Cuff, I give <strong>the</strong>m <strong>the</strong><br />

same, I receive <strong>the</strong>m <strong>the</strong> same.”<br />

<strong>Whitman</strong> wonders who <strong>the</strong> grass truly belongs to and<br />

who’s its owner.<br />

Grass is <strong>the</strong> child <strong>of</strong> all plants.<br />

Grass symbolizes <strong>the</strong> equality <strong>of</strong> all people and things; it<br />

grows <strong>the</strong> same everywhere for everyone.<br />

Grass grows everywhere no matter <strong>the</strong> space given.<br />

Grass grows <strong>the</strong> same for everyone, it is not bias<br />

towards race.<br />

Grass grows <strong>the</strong> same for all different groups <strong>of</strong> people<br />

and ethnicities.


Gabrielle Rieser Period 1<br />

“And now it seems to me <strong>the</strong> beautiful uncut hair <strong>of</strong><br />

graves.”<br />

“Tenderly will I use you curling grass,”<br />

“It may be you transpire from <strong>the</strong> breasts <strong>of</strong> young men,”<br />

“It may be if I had known <strong>the</strong>m I would have loved <strong>the</strong>m,”<br />

“It may be you are from old people, or from <strong>of</strong>fspring<br />

taken soon out <strong>of</strong> <strong>the</strong>ir mo<strong>the</strong>rs’ laps,”<br />

“And here you are <strong>the</strong> mo<strong>the</strong>rs’ laps.”<br />

“The grass is very dark to be from <strong>the</strong> white heads <strong>of</strong> old<br />

mo<strong>the</strong>rs,”<br />

“Darker than <strong>the</strong> colorless beards <strong>of</strong> old men,”<br />

“Dark to come from under <strong>the</strong> faint red ro<strong>of</strong>s <strong>of</strong> mouths.”<br />

Grass grows from <strong>the</strong> graves beneath <strong>the</strong> ground and<br />

represents <strong>the</strong> dead.<br />

He will treat <strong>the</strong> grass carefully and respectfully since it<br />

comes from those who have passed away.<br />

Grass may grow from <strong>the</strong> grave <strong>of</strong> young men.<br />

Perhaps if he had met <strong>the</strong> people in <strong>the</strong>se graves, he<br />

could have grown to love <strong>the</strong>m.<br />

<strong>Whitman</strong> displays <strong>the</strong> unknown <strong>of</strong> who lies within <strong>the</strong>se<br />

graves, could be <strong>the</strong> old or <strong>the</strong> very young.<br />

Grass could also grow from <strong>the</strong> laps <strong>of</strong> mo<strong>the</strong>rs.<br />

Compares <strong>the</strong> grass’ dark color to <strong>the</strong> white hair <strong>of</strong> <strong>the</strong><br />

old mo<strong>the</strong>rs that could be in <strong>the</strong> graves.<br />

Compares <strong>the</strong> grass’ darkness to <strong>the</strong> white hair <strong>of</strong> <strong>the</strong><br />

old men that could be in <strong>the</strong> graves.<br />

Since grass comes from <strong>the</strong> mouths <strong>of</strong> <strong>the</strong> dead,<br />

<strong>Whitman</strong> compares <strong>the</strong> grass’ dark color to <strong>the</strong> redness<br />

<strong>of</strong> <strong>the</strong> dead people’s mouths.<br />

“O I perceive after all so many uttering tongues,” Grass comes from <strong>the</strong> mouths <strong>of</strong> dead people like<br />

tongues.<br />

“And I perceive <strong>the</strong>y do not come from <strong>the</strong> ro<strong>of</strong>s <strong>of</strong><br />

mouths for nothing.”<br />

“I wish I could translate <strong>the</strong> hints about <strong>the</strong> dead young<br />

men and women,”<br />

“And <strong>the</strong> hints about old men and mo<strong>the</strong>rs, and <strong>the</strong><br />

<strong>of</strong>fspring taken soon out <strong>of</strong> <strong>the</strong>ir laps.”<br />

<strong>Whitman</strong> believes <strong>the</strong>re is an explanation as to why<br />

grass comes from <strong>the</strong> mouths <strong>of</strong> <strong>the</strong> dead.<br />

He wishes he could speak to <strong>the</strong> people in <strong>the</strong> graves<br />

and understand <strong>the</strong>m.<br />

<strong>Whitman</strong> is once again showing <strong>the</strong> variety <strong>of</strong> people


Gabrielle Rieser Period 1<br />

“What do you think has become <strong>of</strong> <strong>the</strong> young and old<br />

men?”<br />

“And what do you think has become <strong>of</strong> <strong>the</strong> women and<br />

children?”<br />

“They are alive and well somewhere,”<br />

“The smallest sprout shows <strong>the</strong>re is really no death,”<br />

“And if ever <strong>the</strong>re was it led forward life, and does not<br />

wait at <strong>the</strong> end to arrest it,”<br />

“And ceas’d <strong>the</strong> moment life appear’d.”<br />

“All goes onward and outward, nothing collapses,”<br />

“And to die is different from what any one supposed, and<br />

luckier.”<br />

who could be in <strong>the</strong> graves.<br />

He wonders where <strong>the</strong> young and old men are and what<br />

<strong>the</strong>y are doing (wondering if afterlife exists).<br />

He wonders where <strong>the</strong> women and children are and<br />

what <strong>the</strong>y are doing (wondering if afterlife exists).<br />

He believes <strong>the</strong> dead are still a part <strong>of</strong> our universe.<br />

The fact that grass grows from <strong>the</strong> dead shows that<br />

death does not exist and that even from death comes<br />

life.<br />

Although, if death does exist, it does not end life but it<br />

leads life forward.<br />

The moment a life ends is also <strong>the</strong> moment ano<strong>the</strong>r life<br />

begins.<br />

Life goes on.<br />

<strong>Whitman</strong> expresses his positive view <strong>of</strong> death and his<br />

belief that death is not as bad as it seems.<br />

c. Literary devices<br />

i. Symbolization- used to show grass’ relation to people, nature, and <strong>the</strong> universe.<br />

1. “Or I guess it is <strong>the</strong> handkerchief <strong>of</strong> <strong>the</strong> Lord,”<br />

2. “Or I guess <strong>the</strong> grass is itself a child, <strong>the</strong> produced babe <strong>of</strong> <strong>the</strong> vegetation.”<br />

3. “Or I guess it is a uniform hieroglyphic,”<br />

4. “And now it seems to me <strong>the</strong> beautiful uncut hair <strong>of</strong> graves.”<br />

ii. Allusion- used to convey <strong>the</strong> idea <strong>of</strong> diversity using examples <strong>of</strong> different groups.<br />

1. “Kanuck, Tuckahoe, Congressman, Cuff, I give <strong>the</strong>m <strong>the</strong> same, I receive <strong>the</strong>m <strong>the</strong> same.”


Gabrielle Rieser Period 1<br />

iii. Imagery- used to create a mental picture in <strong>the</strong> mind <strong>of</strong> a reader.<br />

1. “Dark to come from under <strong>the</strong> faint red ro<strong>of</strong>s <strong>of</strong> mouths.”<br />

iv. Parallel Structure- creates a satisfying rhythm used to emphasize key points in a poem.<br />

1. “It may be you transpire from <strong>the</strong> breasts <strong>of</strong> young men,<br />

It may be if I had known <strong>the</strong>m I would have loved <strong>the</strong>m,<br />

It may be you are from old people, or from <strong>of</strong>fspring taken soon out <strong>of</strong> <strong>the</strong>ir mo<strong>the</strong>rs’ laps,”<br />

v. Repetition- reiterates a certain point to draw emphasis.<br />

1. “The grass is very dark to be from <strong>the</strong> white heads <strong>of</strong> old mo<strong>the</strong>rs,<br />

Darker than <strong>the</strong> colorless beards <strong>of</strong> old men,<br />

Dark to come from under <strong>the</strong> faint red ro<strong>of</strong>s <strong>of</strong> mouths.”<br />

vi. Alliteration- used to call attention to a set <strong>of</strong> words or make a sentence smoo<strong>the</strong>r.<br />

1. “The smallest sprout shows <strong>the</strong>re is really no death,”<br />

d. Tone<br />

i. Hopeful and optimistic attitude is shown. <strong>Walt</strong> <strong>Whitman</strong> displays his positive view <strong>of</strong> death so <strong>the</strong>re is no<br />

sense <strong>of</strong> sorrow or idea <strong>of</strong> mourning. Instead, <strong>Whitman</strong> is just curious <strong>of</strong> <strong>the</strong> lives <strong>of</strong> <strong>the</strong> deceased and wishes<br />

he could have known <strong>the</strong>m.<br />

e. Theme<br />

i. The positive view <strong>of</strong> death and <strong>the</strong> idea that perhaps it is not as bad as people believe it to be. That even in <strong>the</strong><br />

event <strong>of</strong> a death, life goes on and that person will still be alive and well in some part <strong>of</strong> <strong>the</strong> universe. There is<br />

also a <strong>the</strong>me <strong>of</strong> diversity in age, gender, and race.<br />

f. Citations<br />

i. "Section 6 Summary." Song <strong>of</strong> <strong>Myself</strong>. Shmoop, n.d. Web. 10 Dec. 2012.<br />

.<br />

ii. Vijaen1919. "Critical Analysis <strong>of</strong> <strong>Walt</strong> <strong>Whitman</strong> Song <strong>of</strong> <strong>Myself</strong>." Scribd. N.p., n.d. Web. 11 Dec. 2012.<br />

.

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