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Guns 2012-08.pdf - Jeffersonian

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STORY: Massad Ayoob<br />

Trigger Control<br />

Part V: The Back to Basics Series<br />

Trigger control is a non-negotiable key to accurate<br />

shots, and there are different ways to accomplish it,<br />

at different speeds. The first World Champion of Combat<br />

Pistol Shooting, Ray Chapman, was one of my mentors. He<br />

famously said, “Pistol shooting is simple… it just isn’t easy.”<br />

In all the years since I was privileged to work with him, I’ve<br />

never seen anything to credibly contradict his statement.<br />

If you ever saw my video<br />

StressFire, Part I, Handgun, you<br />

heard me say trigger control was<br />

“the heart of the beast” in terms of<br />

getting good hits under pressure with<br />

a pistol or revolver. I haven’t seen<br />

anything lately to contradict that,<br />

either.<br />

Once the firearm is aligned with<br />

the target, we need to bring the<br />

trigger straight back without exerting<br />

pressure in any direction that will<br />

deviate the muzzle from point-ofaim,<br />

until the shot “breaks.” Over the<br />

years, lots of folks have experimented<br />

with “staging” the trigger, a 2-step<br />

event in which the finger first takes<br />

up most of the trigger’s movement,<br />

and then performs a second,<br />

separate press to break the shot. It<br />

sounded great in theory, but doesn’t<br />

have a great history in practice. We<br />

in the gun world all seem to agree<br />

that once the decision to fire the shot<br />

has been made, the exact instant of<br />

the shot should come as a surprise,<br />

so we don’t subconsciously say to<br />

ourselves, “Now!” and convulsively<br />

jerk the trigger, pulling the muzzle—<br />

and the shot—away from where we<br />

intended it to hit.<br />

In earlier segments of this “back<br />

to basics” series, we’ve talked about<br />

grasp, trigger finger placement, etc.<br />

At the moment, we’re talking about<br />

that simple-but-not-easy rearward<br />

press of the trigger that allows the<br />

shot to fire while the gun is aligned<br />

with what we want to hit.<br />

Three Approaches<br />

Bearing in mind that under stress<br />

we experience vasoconstriction, a<br />

redirection of blood flow away from<br />

the extremities and into the major<br />

muscle groups and internal organs, it<br />

has long been understood fine motor<br />

coordination will go down the toilet,<br />

but physical strength will increase<br />

to levels we just can’t duplicate in<br />

training. We have to keep this in<br />

mind when we consider how we’ll<br />

fire a handgun at the range, or at a<br />

match, versus in defense of human life<br />

including our own under predictably<br />

high stress. Let’s look at three ways to<br />

“pull a trigger.”<br />

Trigger slap is generally considered<br />

the mark of the rank amateur. The<br />

shot is fired… you can almost hear<br />

the psychic scream of “Eek! It went<br />

bang!” … and the finger flies forward<br />

away from the trigger, occasionally<br />

bouncing off the front of the<br />

triggerguard. Now, for the next shot, it<br />

comes back with impact, and jerks the<br />

muzzle violently off target, causing a<br />

bad hit at best and a miss at worst.<br />

However, there is such a thing as a<br />

“controlled trigger slap.” You can see<br />

Bill Wilson doing it, back when he was<br />

a kick-butt pistol champion before<br />

he devoted himself to gunmaking,<br />

in ESPN videotapes of Bianchi Cup<br />

from the 1980s. World champion Rob<br />

Leatham pioneered the controlled<br />

trigger slap on close, fast targets<br />

in matches where hundredths of a<br />

second distinguished the winner.<br />

However, Rob is also famous for<br />

using a 1-pound trigger pull 1911 in<br />

competition, a trigger pull he himself<br />

has publicly admitted one would have<br />

to be nuts to have on a self-defense<br />

pistol.<br />

“Riding the link,” also known as<br />

“riding the sear,” is at the opposite<br />

end of the trigger pull bell curve.<br />

When “riding the link,” (above) the finger<br />

comes just far enough forward from the last<br />

shot to feel the trigger “reset.” Daylight<br />

between finger and trigger show “slap” (below)<br />

about to take place. Useful very close and<br />

fast, but the technique is hard to learn to do<br />

with control.<br />

Developed for match shooting, this is<br />

a technique in which we allow the auto<br />

pistol’s trigger to come just far enough<br />

forward to reset the sear. In theory—<br />

and in calm coolness—it’s a great idea.<br />

Unfortunately, it’s incompatible with<br />

that whole “fight or flight response”<br />

thing and the vasoconstriction: stressnumbed<br />

fingers will no longer have<br />

the fine motor coordination to bring<br />

the trigger exactly so far forward, and<br />

no farther. I’ve seen world champions<br />

try to do this and blow it—the trigger<br />

not coming far enough forward to<br />

reset—and futilely pull on something<br />

that wasn’t ready to be pulled yet.<br />

They lost their matches. On the street,<br />

they might have lost their lives.<br />

Trigger weld is the third option,<br />

which at least from the defensive side<br />

of things seems to make the most<br />

sense. Allow the trigger to return<br />

all the way forward—which is “do-<br />

20<br />

WWW.GUNSMAGAZINE.COM • AUGUST <strong>2012</strong>

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