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E<strong>AR</strong>LES, Chester<br />

England 1821 – Australia c 1905<br />

Australia from 1864<br />

Feather pickers—a pause in the work<br />

1876<br />

oil on canvas<br />

60.5 x 50.5 cm<br />

20<strong>13</strong>.4212<br />

EATON, Janenne<br />

born Australia 1950<br />

Untitled 2008<br />

oil on canvas<br />

183 x 260 cm<br />

Gift of the artist, 20<strong>14</strong><br />

20<strong>14</strong>.751.A-B<br />

EMMERICHS, Bern<br />

born Australia 1961<br />

Friendship or foe? 20<strong>13</strong><br />

painted ceramic tile<br />

30 x 120 cm<br />

20<strong>14</strong>.673<br />

FRANK, Dale<br />

born Australia 1959<br />

lived and worked United States of<br />

America, Austria, The Netherlands,<br />

Italy and United Kingdom<br />

Being just a liver the virgo, portrait<br />

1982<br />

synthetic polymer paint on canvas<br />

<strong>13</strong>0 x 97 cm<br />

The Dale Frank Gift, 20<strong>14</strong><br />

20<strong>14</strong>.43<br />

The bearded woman and the recorded<br />

discreteness 1982<br />

synthetic polymer paint on canvas<br />

<strong>14</strong>1 x 101 cm<br />

The Dale Frank Gift, 20<strong>14</strong><br />

20<strong>14</strong>.42<br />

The key to ships at the gate 1982<br />

synthetic polymer paint on canvas<br />

<strong>13</strong>6 x 90 cm<br />

The Dale Frank Gift, 20<strong>14</strong><br />

20<strong>14</strong>.41<br />

Self portrait candles to pity perception<br />

1982<br />

synthetic polymer paint on canvas<br />

180 x 300 cm<br />

The Dale Frank Gift, 20<strong>14</strong><br />

20<strong>14</strong>.19<br />

And the painting of the painting that<br />

was justly so afraid, it stuck to the<br />

frame of the inner light and guiding<br />

light of the virgin painting (the studio<br />

eye) 1984<br />

synthetic polymer paint on canvas<br />

200 x 305 cm<br />

The Dale Frank Gift, 20<strong>14</strong><br />

20<strong>14</strong>.15<br />

The skinny man with too much a<br />

decorative gift. To the self portrait as I<br />

would like 1985<br />

synthetic polymer paint, rope on<br />

canvas<br />

230 x 200 cm<br />

The Dale Frank Gift, 20<strong>14</strong><br />

20<strong>14</strong>.20<br />

Art #2 1986<br />

synthetic polymer paint, fired plastic<br />

on canvas<br />

150 x 120 cm<br />

The Dale Frank Gift, 20<strong>14</strong><br />

20<strong>14</strong>.21<br />

Untitled 1988<br />

synthetic polymer paint, pillow, cake<br />

mould on canvas<br />

150 x 120 x 10 cm<br />

The Dale Frank Gift, 20<strong>14</strong><br />

20<strong>14</strong>.44<br />

not titled (Orange white abstraction)<br />

1989<br />

printed vinyl, varnish, synthetic<br />

polymer paint on linen<br />

250 x 200 cm<br />

The Dale Frank Gift, 20<strong>14</strong><br />

20<strong>14</strong>.56<br />

Classicism 1990<br />

commercially produced printed<br />

acrylic mink fabric<br />

216 x 191 cm<br />

The Dale Frank Gift, 20<strong>14</strong><br />

20<strong>14</strong>.22<br />

Did the parrot have something to do<br />

with it? 1990<br />

paper (pages of Tension), contact,<br />

varnish, synthetic polymer paint on<br />

canvas<br />

200 x 300 cm<br />

The Dale Frank Gift, 20<strong>14</strong><br />

20<strong>14</strong>.46<br />

Heroism and the dilemma of<br />

the disillusioned soldier in the<br />

illusionistic world 1990<br />

synthetic polymer paint, moulded<br />

metal disc on woven Onkaparinga<br />

wool blanket<br />

240 x 200 cm<br />

The Dale Frank Gift, 20<strong>14</strong><br />

20<strong>14</strong>.25<br />

Welcome to the high chaperral of<br />

modern art 1990<br />

synthetic polymer paint, varnish,<br />

welcome mats on canvas<br />

200 x 280 cm<br />

The Dale Frank Gift, 20<strong>14</strong><br />

20<strong>14</strong>.26<br />

What is it that makes today’s homes<br />

so different, so appealling … 1991<br />

synthetic polymer paint, roller print<br />

on printed cotton sheet<br />

200 x 300 cm<br />

The Dale Frank Gift, 20<strong>14</strong><br />

20<strong>14</strong>.47<br />

The fall of pointless intercourse<br />

(the warped canvas) 1992<br />

oil on canvas<br />

280 x 200 cm<br />

The Dale Frank Gift, 20<strong>14</strong><br />

20<strong>14</strong>.23<br />

Self-portrait—(the secret) Frank love<br />

and understanding 1993<br />

oil, varnish, synthetic polymer paint<br />

on canvas<br />

260 x 200 cm<br />

The Dale Frank Gift, 20<strong>14</strong>. 100 Works<br />

for 100 Years<br />

20<strong>14</strong>.10<br />

All men have enemies but really good<br />

men have many enemies. With the<br />

rush of a good head job: self-portrait.<br />

Dan Falzon. To have Dan Falzon<br />

inside me and Rio on the rim. The<br />

clenching prostate and dead pupil.<br />

1993<br />

synthetic polymer paint on canvas<br />

240 x 200 cm<br />

The Dale Frank Gift, 20<strong>14</strong><br />

20<strong>14</strong>.27<br />

NATIONAL GALLERY OF AUSTRALIA ANNUAL REPORT 20<strong>13</strong>–<strong>14</strong> <strong>13</strong>1

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