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GOAL 3 maximise support for gallery operations<br />

AND PLANS<br />

KEY STRATEGIES<br />

3.1 Secure and manage the Gallery’s financial<br />

resources.<br />

3.2 Manage Gallery infrastructure and services.<br />

3.3 Further develop Gallery infrastructure.<br />

3.4 Continuously improve risk management<br />

and corporate governance.<br />

3.5 Secure and develop human resources.<br />

3.6 Develop and maintain strategic<br />

relationships.<br />

COMMERCIAL OPERATIONS<br />

The National Gallery of Australia generates revenue<br />

through commercial operations that supplement<br />

government and private funding. Commercial<br />

activities include retail and wholesale operations,<br />

venue hire and revenue from international and<br />

national distribution of Gallery publications<br />

and merchandise.<br />

A wide selection of products and range of<br />

publications related to the collection and to<br />

exhibitions enables the Gallery to engage with<br />

audiences within and beyond the Gallery,<br />

extending and expanding the Gallery experience.<br />

Commercial contracts include revenue collected for<br />

the grant of a licence to a catering contractor and<br />

revenue from venue hire at the Gallery.<br />

Total revenue earned from commercial operations<br />

in 20<strong>13</strong>–<strong>14</strong> was $7.599 million, compared with<br />

$7.342 million in the previous year.<br />

Retail<br />

The Gallery’s retail strategy seeks to position the<br />

<strong>NGA</strong> Shop as a destination book and specialist<br />

gift shop. The strategy has an emphasis on books<br />

and design in the product offering, with a range<br />

of special events for Gallery members such as<br />

the annual Christmas shopping evening and<br />

a quarterly book club that ranges from lively<br />

group discussions to in-conversation programs<br />

with authors around books with an art, design<br />

or lifestyle theme. The themed exhibition shops<br />

continue to be an integral and essential part of<br />

the strategy.<br />

The shop performed well this year, offering a<br />

range of merchandise that extended access to<br />

the Gallery’s collections and provided a lasting<br />

memento of a visit. The popularity of the Gallery’s<br />

exhibition program was reflected in strong sales of<br />

product developed for our exhibitions.<br />

The most popular merchandise continues to be<br />

Gallery-developed product, including postcards,<br />

greeting cards, magnets, posters, framed prints,<br />

place mats, coasters, T-shirts and tea towels.<br />

Exhibition catalogue sales were strong, particularly<br />

sales of Gold and the Incas: lost worlds of Peru.<br />

Sales of Turner from the Tate: the making of a<br />

master and Garden of the East: photography in<br />

Indonesia 1850s–1940s were also strong.<br />

Wholesale and distribution<br />

The Gallery continued to work with distributors,<br />

nationally and internationally, to expand the<br />

distribution of National Gallery of Australia<br />

branded merchandise.<br />

Venue hire<br />

Venue hire was popular with corporate clients.<br />

Gandel Hall provides a unique and majestic venue<br />

for conference and event organisers, with events<br />

ranging from working-breakfast seminars to gala<br />

corporate dinners. Venue hire was particularly<br />

high during the major exhibitions, with corporate<br />

clients linking their events to exhibition tours.<br />

Catering<br />

In November 20<strong>13</strong>, a three-year contract was signed<br />

with The Big Group, a Melbourne-based catering<br />

provider. The Big Group was previously operating<br />

NATIONAL GALLERY OF AUSTRALIA ANNUAL REPORT 20<strong>13</strong>–<strong>14</strong> 63

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