NGA_AR_13-14
NGA_AR_13-14
NGA_AR_13-14
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GOAL 3 maximise support for gallery operations<br />
AND PLANS<br />
KEY STRATEGIES<br />
3.1 Secure and manage the Gallery’s financial<br />
resources.<br />
3.2 Manage Gallery infrastructure and services.<br />
3.3 Further develop Gallery infrastructure.<br />
3.4 Continuously improve risk management<br />
and corporate governance.<br />
3.5 Secure and develop human resources.<br />
3.6 Develop and maintain strategic<br />
relationships.<br />
COMMERCIAL OPERATIONS<br />
The National Gallery of Australia generates revenue<br />
through commercial operations that supplement<br />
government and private funding. Commercial<br />
activities include retail and wholesale operations,<br />
venue hire and revenue from international and<br />
national distribution of Gallery publications<br />
and merchandise.<br />
A wide selection of products and range of<br />
publications related to the collection and to<br />
exhibitions enables the Gallery to engage with<br />
audiences within and beyond the Gallery,<br />
extending and expanding the Gallery experience.<br />
Commercial contracts include revenue collected for<br />
the grant of a licence to a catering contractor and<br />
revenue from venue hire at the Gallery.<br />
Total revenue earned from commercial operations<br />
in 20<strong>13</strong>–<strong>14</strong> was $7.599 million, compared with<br />
$7.342 million in the previous year.<br />
Retail<br />
The Gallery’s retail strategy seeks to position the<br />
<strong>NGA</strong> Shop as a destination book and specialist<br />
gift shop. The strategy has an emphasis on books<br />
and design in the product offering, with a range<br />
of special events for Gallery members such as<br />
the annual Christmas shopping evening and<br />
a quarterly book club that ranges from lively<br />
group discussions to in-conversation programs<br />
with authors around books with an art, design<br />
or lifestyle theme. The themed exhibition shops<br />
continue to be an integral and essential part of<br />
the strategy.<br />
The shop performed well this year, offering a<br />
range of merchandise that extended access to<br />
the Gallery’s collections and provided a lasting<br />
memento of a visit. The popularity of the Gallery’s<br />
exhibition program was reflected in strong sales of<br />
product developed for our exhibitions.<br />
The most popular merchandise continues to be<br />
Gallery-developed product, including postcards,<br />
greeting cards, magnets, posters, framed prints,<br />
place mats, coasters, T-shirts and tea towels.<br />
Exhibition catalogue sales were strong, particularly<br />
sales of Gold and the Incas: lost worlds of Peru.<br />
Sales of Turner from the Tate: the making of a<br />
master and Garden of the East: photography in<br />
Indonesia 1850s–1940s were also strong.<br />
Wholesale and distribution<br />
The Gallery continued to work with distributors,<br />
nationally and internationally, to expand the<br />
distribution of National Gallery of Australia<br />
branded merchandise.<br />
Venue hire<br />
Venue hire was popular with corporate clients.<br />
Gandel Hall provides a unique and majestic venue<br />
for conference and event organisers, with events<br />
ranging from working-breakfast seminars to gala<br />
corporate dinners. Venue hire was particularly<br />
high during the major exhibitions, with corporate<br />
clients linking their events to exhibition tours.<br />
Catering<br />
In November 20<strong>13</strong>, a three-year contract was signed<br />
with The Big Group, a Melbourne-based catering<br />
provider. The Big Group was previously operating<br />
NATIONAL GALLERY OF AUSTRALIA ANNUAL REPORT 20<strong>13</strong>–<strong>14</strong> 63