NGA_AR_13-14
NGA_AR_13-14
NGA_AR_13-14
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all over Australia and injected an estimated<br />
$33.5 million into the local economy.<br />
The Gallery’s collections of works by two<br />
international artists were highlighted in William<br />
Kentridge: drawn from Africa and Roy Lichtenstein:<br />
Pop remix, the latter of which returned from a<br />
highly successful national tour. Garden of the East:<br />
photography in Indonesia 1850s–1940s promoted<br />
awareness of the Gallery’s extensive heritage<br />
archive of photographs from Indonesia, while<br />
Bali: island of the gods celebrated the vibrant art<br />
of the popular Indonesian tourist destination Bali.<br />
Light moves: contemporary Australian video art was<br />
an exhibition drawn from the collection, including<br />
recent acquisitions of video art by important<br />
Australian artists.<br />
Atua: sacred gods from Polynesia opened in May<br />
and included major Polynesian works from the<br />
collections of museums and galleries worldwide,<br />
including the Gallery’s. The exhibition continued<br />
the Gallery’s commitment to showing the arts of<br />
the Pacific.<br />
Creating worlds and Toyshop were this year’s<br />
exhibitions for children. Creating worlds explored<br />
artists’ responses to issues of sustainability, the<br />
natural environment and the interconnectedness<br />
of ecological systems, while Toyshop included<br />
some works from the Gallery’s important but<br />
little‐known collection of toys. Both exhibitions<br />
included specially designed elements to engage<br />
children and their families in the art.<br />
Details on exhibitions and new displays in 20<strong>13</strong>–<strong>14</strong><br />
are in Appendix 3.<br />
Travelling exhibitions<br />
The Gallery’s travelling exhibitions program<br />
continues to be an important part of our strategy<br />
of providing access to works of art to a wide<br />
audience beyond Canberra—in regional, remote<br />
and metropolitan areas throughout Australia and<br />
internationally.<br />
Through the program, the Gallery is also able to<br />
foster professional exchange between venues and<br />
arts professionals on issues such as preventive<br />
conservation, registration and exhibition planning,<br />
display and promotion. The travelling exhibitions<br />
program plays a valuable role in enhancing<br />
the Gallery’s profile in regional centres and in<br />
establishing and strengthening national networks.<br />
Nine travelling exhibitions, including<br />
The Elaine and Jim Wolfensohn Gift suitcase<br />
kits and The 1888 Melbourne Cup, travelled<br />
to thirty‐four venues regional, remote and<br />
metropolitan communities throughout Australia<br />
and overseas. The Wolfensohn Gift suitcase kits<br />
continue to travel to schools and community<br />
groups throughout Australia and incorporate<br />
remote-access and disability-access components.<br />
Two additional suitcase kits are in development.<br />
From the time the travelling exhibitions program<br />
commenced in February 1988 to June 20<strong>14</strong>,<br />
9 620 277 people have visited 123 travelling<br />
exhibitions at 750 locations other than the Gallery<br />
in Canberra, including 690 592 visitors who have<br />
viewed the Wolfensohn Gift suitcase kits, which<br />
have toured 777 schools and community groups<br />
since 1990.<br />
During the year, visitors to the Gallery’s travelling<br />
exhibitions totalled 428 733.<br />
Details on travelling exhibitions in 20<strong>13</strong>–<strong>14</strong> are<br />
included in Appendix 3.<br />
Works of art on loan<br />
The Gallery continued to have a very active<br />
program of lending works of art from the national<br />
art collection and did this through the provision<br />
of works to travelling exhibitions and to exhibition<br />
by others and through the loan of works to<br />
official residences.<br />
The Gallery loaned <strong>13</strong>95 works of art from the<br />
national art collection, continuing the significant<br />
rise in requests in this area of collection<br />
management in recent years.<br />
Details on outward loans are included in<br />
Appendix 9. Details of inward loans are included<br />
in Appendix 10.<br />
Collection Study Room<br />
Works of art in the national art collection that are<br />
not currently on display are available for viewing<br />
in the Collection Study Room. In 20<strong>13</strong>–<strong>14</strong>, 1108<br />
visitors viewed 7839 works of art in the Collection<br />
Study Room. Visitors included artists, academics,<br />
NATIONAL GALLERY OF AUSTRALIA ANNUAL REPORT 20<strong>13</strong>–<strong>14</strong> 47