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all over Australia and injected an estimated<br />

$33.5 million into the local economy.<br />

The Gallery’s collections of works by two<br />

international artists were highlighted in William<br />

Kentridge: drawn from Africa and Roy Lichtenstein:<br />

Pop remix, the latter of which returned from a<br />

highly successful national tour. Garden of the East:<br />

photography in Indonesia 1850s–1940s promoted<br />

awareness of the Gallery’s extensive heritage<br />

archive of photographs from Indonesia, while<br />

Bali: island of the gods celebrated the vibrant art<br />

of the popular Indonesian tourist destination Bali.<br />

Light moves: contemporary Australian video art was<br />

an exhibition drawn from the collection, including<br />

recent acquisitions of video art by important<br />

Australian artists.<br />

Atua: sacred gods from Polynesia opened in May<br />

and included major Polynesian works from the<br />

collections of museums and galleries worldwide,<br />

including the Gallery’s. The exhibition continued<br />

the Gallery’s commitment to showing the arts of<br />

the Pacific.<br />

Creating worlds and Toyshop were this year’s<br />

exhibitions for children. Creating worlds explored<br />

artists’ responses to issues of sustainability, the<br />

natural environment and the interconnectedness<br />

of ecological systems, while Toyshop included<br />

some works from the Gallery’s important but<br />

little‐known collection of toys. Both exhibitions<br />

included specially designed elements to engage<br />

children and their families in the art.<br />

Details on exhibitions and new displays in 20<strong>13</strong>–<strong>14</strong><br />

are in Appendix 3.<br />

Travelling exhibitions<br />

The Gallery’s travelling exhibitions program<br />

continues to be an important part of our strategy<br />

of providing access to works of art to a wide<br />

audience beyond Canberra—in regional, remote<br />

and metropolitan areas throughout Australia and<br />

internationally.<br />

Through the program, the Gallery is also able to<br />

foster professional exchange between venues and<br />

arts professionals on issues such as preventive<br />

conservation, registration and exhibition planning,<br />

display and promotion. The travelling exhibitions<br />

program plays a valuable role in enhancing<br />

the Gallery’s profile in regional centres and in<br />

establishing and strengthening national networks.<br />

Nine travelling exhibitions, including<br />

The Elaine and Jim Wolfensohn Gift suitcase<br />

kits and The 1888 Melbourne Cup, travelled<br />

to thirty‐four venues regional, remote and<br />

metropolitan communities throughout Australia<br />

and overseas. The Wolfensohn Gift suitcase kits<br />

continue to travel to schools and community<br />

groups throughout Australia and incorporate<br />

remote-access and disability-access components.<br />

Two additional suitcase kits are in development.<br />

From the time the travelling exhibitions program<br />

commenced in February 1988 to June 20<strong>14</strong>,<br />

9 620 277 people have visited 123 travelling<br />

exhibitions at 750 locations other than the Gallery<br />

in Canberra, including 690 592 visitors who have<br />

viewed the Wolfensohn Gift suitcase kits, which<br />

have toured 777 schools and community groups<br />

since 1990.<br />

During the year, visitors to the Gallery’s travelling<br />

exhibitions totalled 428 733.<br />

Details on travelling exhibitions in 20<strong>13</strong>–<strong>14</strong> are<br />

included in Appendix 3.<br />

Works of art on loan<br />

The Gallery continued to have a very active<br />

program of lending works of art from the national<br />

art collection and did this through the provision<br />

of works to travelling exhibitions and to exhibition<br />

by others and through the loan of works to<br />

official residences.<br />

The Gallery loaned <strong>13</strong>95 works of art from the<br />

national art collection, continuing the significant<br />

rise in requests in this area of collection<br />

management in recent years.<br />

Details on outward loans are included in<br />

Appendix 9. Details of inward loans are included<br />

in Appendix 10.<br />

Collection Study Room<br />

Works of art in the national art collection that are<br />

not currently on display are available for viewing<br />

in the Collection Study Room. In 20<strong>13</strong>–<strong>14</strong>, 1108<br />

visitors viewed 7839 works of art in the Collection<br />

Study Room. Visitors included artists, academics,<br />

NATIONAL GALLERY OF AUSTRALIA ANNUAL REPORT 20<strong>13</strong>–<strong>14</strong> 47

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