Perceptual Bases for Rules of Thumb in Photography

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Wide-field Distortion With short focal length, eccentric spheres in picture perceived as ellipsoidal when viewed (binocularly) from CoP. 32
Focal Length & Field of View This image cannot currently be displayed. w = width of film f = focal length ⎮ = angular subtense of photo from CoP Recommended focal length for naturalistic photography: 50 mm for 35-mm film 33
Page 1: Perceptual Bases for Rules of Thumb
Page 5 and 6: Photographic Effects • Wide-angle
Page 7 and 8: The Camera This image cannot curren
Page 9 and 10: Wide-angle Distortions in Pictures
Page 11 and 12: Photography Texts • Wide-angle ef
Page 13 and 14: Perspective Projection Scene Center
Page 15 and 16: Oblique Viewing of Scenes & Picture
Page 17 and 18: Oblique Viewing of Scenes & Picture
Page 19 and 20: Ovoid Stimulus Vishwanath, Girshick
Page 21 and 22: Experimental Task Stimulus: simulat
Page 23 and 24: Predictions & Results Compensation:
Page 25 and 26: Predictions Aspect Ratio (screen co
Page 27 and 28: Results Aspect Ratio (screen coords
Page 29 and 30: Experiment: Local or Global? • In
Page 31: Results Head-centric Azimuth (deg)
Page 35 and 36: Preferred Focal Length This image c
Page 37 and 38: Different Focal Lengths short focal
Page 39 and 40: Depth Compression & Expansion Short
Page 41 and 42: Focal Length & Portraits Long focal
Page 43 and 44: Focal Length & Field of View
Page 45 and 46: Focal Length & Field of View image
Page 47 and 48: Focal Length & Field of View image
Page 49 and 50: Viewing Captured Image θ v photogr
Page 51 and 52: Viewing from Wrong Distance photogr
Page 53 and 54: Depth Interpretation vanishing poin
Page 55 and 56: Our Hypothesis • Depth compressio
Page 57 and 58: Pictures with Different Focal Lengt
Page 59 and 60: Pictures with Different Croppings w
Page 61 and 62: Viewing Pictures For subset with pr
Page 63 and 64: Viewing Pictures For subset with f
Page 65 and 66: Recommended Focal Length
Page 67 and 68: Depth-of-Field Blur
Page 69 and 70: Resolving Perceptual Ambiguity Cour
Page 71: Blur as Cue to Absolute Distance
Page 75 and 76: Blur in Cinematography Small camera
Page 77 and 78: Image Formation & Blur This image c
Page 79 and 80: Distance Information from Blur X pu
Page 81 and 82: Estimating Relative Distance from P
Page 83 and 84:
Probabilistic Model Depth-from-blur
Page 85 and 86:
Accuracy of Blur-distance Signals B
Page 87 and 88:
Experimental Results Held, Cooper,
Page 89 and 90:
Blur Geometry This image cannot cur
Page 91 and 92:
Photographic Effects • Wide-angle
Page 93 and 94:
Page 95 and 96:
Page 97 and 98:
Picture in a Picture From Pirenne (
Page 99 and 100:
Anamorphic Art Julian Beever: Glasg
Page 101 and 102:
Architectural Photography scene 101
Page 103 and 104:
Rotated Projection Plane N view fro
Page 105 and 106:
Predictions Aspect Ratio (screen co
Page 107 and 108:
Results Aspect Ratio (screen coords
Page 109 and 110:
Viewing Pictures For subset with f
Page 111 and 112:
Distance Estimate with Aligned Grad
Page 113:
Recommended Focal Length
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Perceptual Bases for Rules of Thumb in Photography

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