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CHUCK & LARRY - Visual Hollywood

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Everything you need<br />

to know about<br />

I NOW<br />

PRONOUNCE YOU<br />

<strong>CHUCK</strong> &<br />

<strong>LARRY</strong><br />

A call for equality<br />

and respect<br />

This presentation by<br />

David Bruce<br />

visualhollywood.com


SSYNOPSIS<br />

Movies Contain the<br />

Essence of Being Human<br />

Two best friends Chuck Levine (Adam Sandler) and<br />

Larry Valentine (Kevin James) pretend to be a gay<br />

couple to receive domestic partner benefits.


CAST<br />

The Cinematic Arts Have the<br />

Power to Transform<br />

Adam Sandler as Chuck Levine<br />

Kevin James as Larry Valentine<br />

Jessica Biel as Alex McDonough<br />

Steve Buscemi as Clinton Fitzer<br />

Dan Aykroyd as Captain P. Tucker<br />

Nick Turturro as Tony<br />

Richard Chamberlain as Councilman Banks<br />

Ving Rhames as Duncan


CREW<br />

Our Artists Are<br />

Our Liberators<br />

Directed by DENNIS DUGAN<br />

Screenplay by BARRY FANARO ,<br />

ALEXANDER PAYNE, JIM TAYLOR<br />

Produced by TOM SHADYAC<br />

Director of Photography<br />

DEAN SEMLER, ACS, ASC<br />

Film Editor JEFF GOURSON<br />

Music by<br />

RUPERT GREGSON-WILLIAMS


CAST<br />

ADAM SANDLER<br />

(Chuck Levine, Produced by)<br />

Born in Brooklyn, New York, and raised in<br />

Manchester, New Hampshire, Sandler's first<br />

brush with comedy came at age 17, with a<br />

performance at a Boston comedy club. From<br />

then on he was hooked, performing regularly<br />

in comedy clubs throughout the state, while<br />

earning a degree in fine arts from New York<br />

University.<br />

Sandler made his motion picture debut in<br />

Coneheads, opposite Dan Aykroyd and Jane<br />

Curtin. He has gone on to become an almost<br />

self-contained mini-studio, involved in all<br />

aspects of film production. Happy Gilmore<br />

was one of the most successful movies of<br />

1996.<br />

Actors are<br />

Liberators Unaware


CAST<br />

Actors help us: laugh, be happy, cry,<br />

get angry, and even think.<br />

JESSICA BIEL<br />

(Alex McDonough)<br />

In her free time, Biel is active<br />

with the Make the Difference<br />

Network, a nonprofit<br />

organization she started with<br />

her father. MTDN is a "national<br />

wish list" where people can<br />

search, find and fund specific<br />

wishes and needs that have<br />

been listed by nonprofit<br />

organizations. Through MTDN,<br />

Biel has become involved in<br />

such charities as Serving<br />

Those Who Serve, Best<br />

Friends Animal Sanctuary and<br />

PETA. Her hobbies include<br />

ballet, soccer, running, yoga<br />

and hiking with her dogs, Tina<br />

and Tevy.


DIRECTOR<br />

Filmmakers are Revolutionaries,<br />

Not Just Entertainers<br />

DENNIS DUGAN<br />

Dugan has made a career as a<br />

television and film director, and<br />

appears in cameo parts in many of his<br />

films. Films directed by Dennis Dugan<br />

include the 1990 John Ritter comedy<br />

Problem Child (with Dugan appearing<br />

as an All-American dad), the 2001<br />

comedy Saving Silverman starring Jack<br />

Black, Steve Zahn, Amanda Peet and<br />

Dugan as a referee, the 2003 Martin<br />

Lawrence/Steve Zahn comedy National<br />

Security, and the 1996 and 1999 Adam<br />

Sandler comedies Happy Gilmore (in<br />

which Dugan plays Doug Thompson,<br />

the golf tour supervisor) and Big Daddy<br />

(with Dugan as a man who reluctantly<br />

gives candy to a trick-or-treating<br />

Julian). Dugan has directed episodes of<br />

such television series as Moonlighting,<br />

Ally McBeal, and NYPD Blue.


TRIVIA AND NEWS<br />

Movie Making is the Convergence<br />

of Many Talents and Art Forms<br />

The film was screened prior to release<br />

for the Gay & Lesbian Alliance Against<br />

Defamation (GLAAD). GLAAD<br />

representative Damon Romine told<br />

Entertainment Weekly magazine:<br />

"The movie has some of the expected<br />

stereotypes, but in its own disarming<br />

way, it's a call for equality and<br />

respect.”<br />

The movie bears similarities with the<br />

Australian movie Strange Bedfellows<br />

which stars Paul Hogan about two<br />

middle-aged volunteer firemen who<br />

register as a gay couple for federal<br />

benefits, then suddenly have to prove<br />

their relationship to an Australian<br />

Taxation Office investigator.


EXTENDED SYNOPSIS<br />

Stories are<br />

Transforming<br />

The pride of their Brooklyn fire station, Chuck Levine<br />

(Sandler) and Larry Valentine (James) are two guys'<br />

guys-always side-by-side and willing to do anything for<br />

each other. Salt-of-the-earth widower Larry wants just<br />

one thing: to protect his family.


EXTENDED SYNOPSIS<br />

His buddy Chuck also wants one thing: to<br />

enjoy the single life. Grateful Chuck owes<br />

Larry for saving his life on the job, and Larry<br />

calls in that favor big time when civic red<br />

tape prevents him from naming his own two<br />

kids as his life insurance beneficiaries. All<br />

that Chuck has to do is claim to be Larry's<br />

domestic partner on some city forms. Easy.


EXTENDED SYNOPSIS<br />

Stories Embody the<br />

Essence of Being Human<br />

Nobody will ever know. But when an overzealous, spotchecking<br />

bureaucrat becomes suspicious, the new<br />

couple's arrangement becomes a citywide issue and<br />

goes from confidential to front-page news.


EXTENDED SYNOPSIS<br />

Cinematic Story Telling is a<br />

Profoundly Humanizing endeavor.<br />

Forced to improvise as love-struck newlyweds, Chuck and<br />

Larry must now fumble through a hilarious charade of<br />

domestic bliss under one roof. And after surviving their<br />

mandatory honeymoon and dodging the threat of exposure,<br />

the well-intentioned con men discover that sticking<br />

together in your time of need is what truly makes a family.


EXTENDED SYNOPSIS<br />

Film making is a<br />

Community Event.<br />

JESSICA BIEL (Blade: Trinity, The Illusionist) also stars<br />

in the film as Alex McDonough, the attorney who both<br />

assists Chuck and Larry with their precarious situation<br />

and proves irresistible to Chuck.


CRITICAL OPINION<br />

Lame sit-com that will deter no<br />

one who loves Adam Sandler.<br />

--Kirk Honeycutt, <strong>Hollywood</strong><br />

Reporter<br />

Tremendously savvy in its<br />

stupid way<br />

--Nathan Lee, Village Voice<br />

The film is embarrassing at best,<br />

--Harvey S. Karten, Compuserve<br />

Their vulgar self-congratulation<br />

compromises their goodwill.<br />

--Ed Gonzalez, Slant Magazine<br />

Free Artistic Expression is<br />

a Mark of a Free Society


FILM REVIEW<br />

By David Bruce<br />

So what is the bottom line in this<br />

comedy about gay marriage between to<br />

straight men?<br />

A GLAAD representative Damon Romine<br />

said:<br />

"The movie has some of the expected<br />

stereotypes, but in its own disarming<br />

way, it's a call for equality and respect.”<br />

Similarly Nathan Lee of the Village Voice<br />

comments that it “exploits gay<br />

stereotypes even as it mounts (from<br />

behind) an ingenious dismantling of<br />

homophobia.”<br />

Art is the Language<br />

of Liberation<br />

In the midst of lack luster reviews,<br />

perhaps the greatest contribution this<br />

film can make is in its challenge to<br />

respect those who are different from us,<br />

---regardless of who that might be.


DEALING WITH HOMOPHOBIA<br />

“Evil is the shadow of angel. Just as there are<br />

angels of light, support, guidance, healing and<br />

defense, so we have experiences of shadow angels.<br />

And we have names for them: racism, sexism,<br />

homophobia are all demons - but they're not out<br />

there.”<br />

--Matthew Fox, Episcopal priest and author<br />

“Homophobia is like racism and anti-<br />

Semitism and other forms of bigotry in<br />

that it seeks to dehumanize a large group<br />

of people, to deny their humanity, their<br />

dignity and personhood.”<br />

--Coretta Scott King<br />

Society is only as free as its arts.<br />

Art is the voice of human freedom.


RESPECTING<br />

DIFFERENCES<br />

Art is a<br />

Liberating Force<br />

The costumes illustrate a point: In the end we are all<br />

separate: our stories, no matter how similar, come to a<br />

fork and diverge. We are drawn to each other because<br />

of our similarities, but it is our differences we must<br />

learn to respect.


WE ALL HAVE<br />

UNIQUE LIFE STORIES<br />

To Restrict Creativity is to Restrict<br />

the very Nature of the Creator<br />

The multicultural<br />

minister at the<br />

wedding chapel seems<br />

to have mixed, but fun,<br />

background story. It<br />

should reminds us:<br />

“Their story, yours and<br />

mine - it's what we all<br />

carry with us on this<br />

trip we take, and we<br />

owe it to each other to<br />

respect our stories and<br />

learn from them”


visual review by<br />

visualhollywood.com<br />

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