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Everything you need<br />
to know about<br />
I NOW<br />
PRONOUNCE YOU<br />
<strong>CHUCK</strong> &<br />
<strong>LARRY</strong><br />
A call for equality<br />
and respect<br />
This presentation by<br />
David Bruce<br />
visualhollywood.com
SSYNOPSIS<br />
Movies Contain the<br />
Essence of Being Human<br />
Two best friends Chuck Levine (Adam Sandler) and<br />
Larry Valentine (Kevin James) pretend to be a gay<br />
couple to receive domestic partner benefits.
CAST<br />
The Cinematic Arts Have the<br />
Power to Transform<br />
Adam Sandler as Chuck Levine<br />
Kevin James as Larry Valentine<br />
Jessica Biel as Alex McDonough<br />
Steve Buscemi as Clinton Fitzer<br />
Dan Aykroyd as Captain P. Tucker<br />
Nick Turturro as Tony<br />
Richard Chamberlain as Councilman Banks<br />
Ving Rhames as Duncan
CREW<br />
Our Artists Are<br />
Our Liberators<br />
Directed by DENNIS DUGAN<br />
Screenplay by BARRY FANARO ,<br />
ALEXANDER PAYNE, JIM TAYLOR<br />
Produced by TOM SHADYAC<br />
Director of Photography<br />
DEAN SEMLER, ACS, ASC<br />
Film Editor JEFF GOURSON<br />
Music by<br />
RUPERT GREGSON-WILLIAMS
CAST<br />
ADAM SANDLER<br />
(Chuck Levine, Produced by)<br />
Born in Brooklyn, New York, and raised in<br />
Manchester, New Hampshire, Sandler's first<br />
brush with comedy came at age 17, with a<br />
performance at a Boston comedy club. From<br />
then on he was hooked, performing regularly<br />
in comedy clubs throughout the state, while<br />
earning a degree in fine arts from New York<br />
University.<br />
Sandler made his motion picture debut in<br />
Coneheads, opposite Dan Aykroyd and Jane<br />
Curtin. He has gone on to become an almost<br />
self-contained mini-studio, involved in all<br />
aspects of film production. Happy Gilmore<br />
was one of the most successful movies of<br />
1996.<br />
Actors are<br />
Liberators Unaware
CAST<br />
Actors help us: laugh, be happy, cry,<br />
get angry, and even think.<br />
JESSICA BIEL<br />
(Alex McDonough)<br />
In her free time, Biel is active<br />
with the Make the Difference<br />
Network, a nonprofit<br />
organization she started with<br />
her father. MTDN is a "national<br />
wish list" where people can<br />
search, find and fund specific<br />
wishes and needs that have<br />
been listed by nonprofit<br />
organizations. Through MTDN,<br />
Biel has become involved in<br />
such charities as Serving<br />
Those Who Serve, Best<br />
Friends Animal Sanctuary and<br />
PETA. Her hobbies include<br />
ballet, soccer, running, yoga<br />
and hiking with her dogs, Tina<br />
and Tevy.
DIRECTOR<br />
Filmmakers are Revolutionaries,<br />
Not Just Entertainers<br />
DENNIS DUGAN<br />
Dugan has made a career as a<br />
television and film director, and<br />
appears in cameo parts in many of his<br />
films. Films directed by Dennis Dugan<br />
include the 1990 John Ritter comedy<br />
Problem Child (with Dugan appearing<br />
as an All-American dad), the 2001<br />
comedy Saving Silverman starring Jack<br />
Black, Steve Zahn, Amanda Peet and<br />
Dugan as a referee, the 2003 Martin<br />
Lawrence/Steve Zahn comedy National<br />
Security, and the 1996 and 1999 Adam<br />
Sandler comedies Happy Gilmore (in<br />
which Dugan plays Doug Thompson,<br />
the golf tour supervisor) and Big Daddy<br />
(with Dugan as a man who reluctantly<br />
gives candy to a trick-or-treating<br />
Julian). Dugan has directed episodes of<br />
such television series as Moonlighting,<br />
Ally McBeal, and NYPD Blue.
TRIVIA AND NEWS<br />
Movie Making is the Convergence<br />
of Many Talents and Art Forms<br />
The film was screened prior to release<br />
for the Gay & Lesbian Alliance Against<br />
Defamation (GLAAD). GLAAD<br />
representative Damon Romine told<br />
Entertainment Weekly magazine:<br />
"The movie has some of the expected<br />
stereotypes, but in its own disarming<br />
way, it's a call for equality and<br />
respect.”<br />
The movie bears similarities with the<br />
Australian movie Strange Bedfellows<br />
which stars Paul Hogan about two<br />
middle-aged volunteer firemen who<br />
register as a gay couple for federal<br />
benefits, then suddenly have to prove<br />
their relationship to an Australian<br />
Taxation Office investigator.
EXTENDED SYNOPSIS<br />
Stories are<br />
Transforming<br />
The pride of their Brooklyn fire station, Chuck Levine<br />
(Sandler) and Larry Valentine (James) are two guys'<br />
guys-always side-by-side and willing to do anything for<br />
each other. Salt-of-the-earth widower Larry wants just<br />
one thing: to protect his family.
EXTENDED SYNOPSIS<br />
His buddy Chuck also wants one thing: to<br />
enjoy the single life. Grateful Chuck owes<br />
Larry for saving his life on the job, and Larry<br />
calls in that favor big time when civic red<br />
tape prevents him from naming his own two<br />
kids as his life insurance beneficiaries. All<br />
that Chuck has to do is claim to be Larry's<br />
domestic partner on some city forms. Easy.
EXTENDED SYNOPSIS<br />
Stories Embody the<br />
Essence of Being Human<br />
Nobody will ever know. But when an overzealous, spotchecking<br />
bureaucrat becomes suspicious, the new<br />
couple's arrangement becomes a citywide issue and<br />
goes from confidential to front-page news.
EXTENDED SYNOPSIS<br />
Cinematic Story Telling is a<br />
Profoundly Humanizing endeavor.<br />
Forced to improvise as love-struck newlyweds, Chuck and<br />
Larry must now fumble through a hilarious charade of<br />
domestic bliss under one roof. And after surviving their<br />
mandatory honeymoon and dodging the threat of exposure,<br />
the well-intentioned con men discover that sticking<br />
together in your time of need is what truly makes a family.
EXTENDED SYNOPSIS<br />
Film making is a<br />
Community Event.<br />
JESSICA BIEL (Blade: Trinity, The Illusionist) also stars<br />
in the film as Alex McDonough, the attorney who both<br />
assists Chuck and Larry with their precarious situation<br />
and proves irresistible to Chuck.
CRITICAL OPINION<br />
Lame sit-com that will deter no<br />
one who loves Adam Sandler.<br />
--Kirk Honeycutt, <strong>Hollywood</strong><br />
Reporter<br />
Tremendously savvy in its<br />
stupid way<br />
--Nathan Lee, Village Voice<br />
The film is embarrassing at best,<br />
--Harvey S. Karten, Compuserve<br />
Their vulgar self-congratulation<br />
compromises their goodwill.<br />
--Ed Gonzalez, Slant Magazine<br />
Free Artistic Expression is<br />
a Mark of a Free Society
FILM REVIEW<br />
By David Bruce<br />
So what is the bottom line in this<br />
comedy about gay marriage between to<br />
straight men?<br />
A GLAAD representative Damon Romine<br />
said:<br />
"The movie has some of the expected<br />
stereotypes, but in its own disarming<br />
way, it's a call for equality and respect.”<br />
Similarly Nathan Lee of the Village Voice<br />
comments that it “exploits gay<br />
stereotypes even as it mounts (from<br />
behind) an ingenious dismantling of<br />
homophobia.”<br />
Art is the Language<br />
of Liberation<br />
In the midst of lack luster reviews,<br />
perhaps the greatest contribution this<br />
film can make is in its challenge to<br />
respect those who are different from us,<br />
---regardless of who that might be.
DEALING WITH HOMOPHOBIA<br />
“Evil is the shadow of angel. Just as there are<br />
angels of light, support, guidance, healing and<br />
defense, so we have experiences of shadow angels.<br />
And we have names for them: racism, sexism,<br />
homophobia are all demons - but they're not out<br />
there.”<br />
--Matthew Fox, Episcopal priest and author<br />
“Homophobia is like racism and anti-<br />
Semitism and other forms of bigotry in<br />
that it seeks to dehumanize a large group<br />
of people, to deny their humanity, their<br />
dignity and personhood.”<br />
--Coretta Scott King<br />
Society is only as free as its arts.<br />
Art is the voice of human freedom.
RESPECTING<br />
DIFFERENCES<br />
Art is a<br />
Liberating Force<br />
The costumes illustrate a point: In the end we are all<br />
separate: our stories, no matter how similar, come to a<br />
fork and diverge. We are drawn to each other because<br />
of our similarities, but it is our differences we must<br />
learn to respect.
WE ALL HAVE<br />
UNIQUE LIFE STORIES<br />
To Restrict Creativity is to Restrict<br />
the very Nature of the Creator<br />
The multicultural<br />
minister at the<br />
wedding chapel seems<br />
to have mixed, but fun,<br />
background story. It<br />
should reminds us:<br />
“Their story, yours and<br />
mine - it's what we all<br />
carry with us on this<br />
trip we take, and we<br />
owe it to each other to<br />
respect our stories and<br />
learn from them”
visual review by<br />
visualhollywood.com<br />
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