Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
the mandolin<br />
behind every<br />
great man...<br />
The concept for this mandolin was originally conceived<br />
in Denver as a commission for a customer.<br />
This one, he started building for himself in 2007.<br />
Put on the back burner until he had time to devote to<br />
a personal project, Baxendale simply couldn’t find<br />
time to finish it. Inspired by the F5 mandolin design,<br />
which is characterized by f holes instead of the<br />
traditional, circular sound holes, the design was, according<br />
to Baxendale, “complicated and difficult.”<br />
But finish it he did, and admits he finds himself<br />
taking it home and playing it frequently. With his<br />
friend Jack Logan writing and performing the lyrics<br />
that Baxendale sets to music, the duo are recording<br />
an album.<br />
the craft<br />
Now located in Athens, Baxendale’s shop<br />
constructs and reworks guitars, and here is<br />
where Baxendale’s Luthier Academy teaches<br />
students the mechanics of guitars in two intense,<br />
six-month sessions. His students do a<br />
re-build, and then create a new guitar from a<br />
kit, or build their own in the advanced class. If<br />
making a guitar is not of interest, students can<br />
opt to develop skills with restorations, or train<br />
to be guitar tech.<br />
Comparable to a full-time job, the Academy<br />
requires a commitment of five days a week<br />
from 11:00 a.m. to 6:00 p.m. Robert Motes,<br />
the very first student of the Luthier Academy<br />
in 2010, how he would rate the program. “Out<br />
of one-to-ten, you mean?” he asked. “About<br />
a 30. Scott FAR exceeded my expectations.”<br />
ASSEMBLED WITH SCRAPS OF WOOD from the<br />
custom guitars that her husband makes, Pamela Baxendale<br />
is an artist in her own right. Aside from the inherent coolness<br />
of owning a piece of art that was made from the same<br />
piece of wood from which a guitar was constructed for, say,<br />
Mike Cooley, Jimmy Herring, Patterson Hood or Luther<br />
Dickinson, the wood is often valuable or exotic. Ebony,<br />
Brazilian or Indian rosewood, and curly maple are used, as<br />
are remnants of mother of pearl or abalone accents.<br />
Each face is unique and individual, created “in the moment”<br />
by inspiration. Bits and pieces are collected by Pamela<br />
as if she’s on a scavenger hunt. Sometimes they are<br />
found in scrap piles, sometimes<br />
they are simply old buttons,<br />
used guitar picks, or bowties<br />
fashioned from pieces of spruce<br />
found in an old garage.<br />
“This face (shown right) was<br />
inspired by Mike Cooley of<br />
the Drive-by Truckers. It was<br />
donated to Nuci’s Space for a<br />
Silent Auction at the 40 Watt<br />
Club in Athens. This face has<br />
scraps of wood Scott used to<br />
build the original Cooleycaster<br />
guitar and the Cooleybird<br />
Acoustic guitar. I also included<br />
one of Cooley’s used guitar<br />
picks, and a patch cord from his<br />
pedal board. Spenser Frye, of<br />
Athens Area Habitat, donated<br />
the lovely piece of weathered<br />
pine.<br />
The bottom image is a sculpture<br />
of a Whippet face, mounted<br />
on a nice weathered board<br />
from the Habitat ReStore, made<br />
from scraps of Baxendale Custom<br />
Rosewood, Slope D Acoustic Guitar, that Scott built<br />
for Ken Latimer, who rescues Whippets. When Ken told us<br />
about his Whippets, I knew I had<br />
to make this face for him to hang<br />
in his cabin in Virginia.<br />
The piece shown at left was<br />
also donated to Nuci’s Space for<br />
a Fund Raiser. He is made with<br />
scraps from Jimmy Herring’s<br />
Baxendale Superlative custom<br />
guitar. His hair is from the Indian<br />
Rosewood back, and the Spruce<br />
from the top, as is the right eyebrow.<br />
Ebony weights for the<br />
bracing were cut from the little<br />
piece on top of his head. The<br />
block in the left hand corner is<br />
the form that Scott cut his pearl<br />
for the headstock inlay. I used it<br />
for my Baxendale signature.<br />
The last sculpture was my donation<br />
to the silent auction for<br />
Breastfest Athens, 2014. I started<br />
with a piece of wood shelving<br />
bought from Athens Area Habitat.<br />
Her hair is cut from a rosewood<br />
guitar back, her nose is<br />
mahogany, lips are curly maple.<br />
Her left eye and eyebrow are<br />
rosewood scraps, and there are mother of pearl highlights<br />
on her eyes. The lock of hair on her left side is a top brace,<br />
cut and shaped from spruce. I thought it was befitting to<br />
include a pair of spruce guitar top, sound holes, as breasts,<br />
and topped her off with the perfect accessory, a pink bow,<br />
made from spruce, for her hair. “<br />
Pamela and Scott can be reached through the company<br />
website at www.baxendaleguitar.com.<br />
DB Written by Tracey Buckalew<br />
36<br />
MAY/JUNE <strong>2015</strong> • DESIGN&BUILD MAGAZINE DESIGN&BUILD MAGAZINE • MAY/JUNE <strong>2015</strong> 37