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Design & Build Magazine May/June 2015

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the mandolin<br />

behind every<br />

great man...<br />

The concept for this mandolin was originally conceived<br />

in Denver as a commission for a customer.<br />

This one, he started building for himself in 2007.<br />

Put on the back burner until he had time to devote to<br />

a personal project, Baxendale simply couldn’t find<br />

time to finish it. Inspired by the F5 mandolin design,<br />

which is characterized by f holes instead of the<br />

traditional, circular sound holes, the design was, according<br />

to Baxendale, “complicated and difficult.”<br />

But finish it he did, and admits he finds himself<br />

taking it home and playing it frequently. With his<br />

friend Jack Logan writing and performing the lyrics<br />

that Baxendale sets to music, the duo are recording<br />

an album.<br />

the craft<br />

Now located in Athens, Baxendale’s shop<br />

constructs and reworks guitars, and here is<br />

where Baxendale’s Luthier Academy teaches<br />

students the mechanics of guitars in two intense,<br />

six-month sessions. His students do a<br />

re-build, and then create a new guitar from a<br />

kit, or build their own in the advanced class. If<br />

making a guitar is not of interest, students can<br />

opt to develop skills with restorations, or train<br />

to be guitar tech.<br />

Comparable to a full-time job, the Academy<br />

requires a commitment of five days a week<br />

from 11:00 a.m. to 6:00 p.m. Robert Motes,<br />

the very first student of the Luthier Academy<br />

in 2010, how he would rate the program. “Out<br />

of one-to-ten, you mean?” he asked. “About<br />

a 30. Scott FAR exceeded my expectations.”<br />

ASSEMBLED WITH SCRAPS OF WOOD from the<br />

custom guitars that her husband makes, Pamela Baxendale<br />

is an artist in her own right. Aside from the inherent coolness<br />

of owning a piece of art that was made from the same<br />

piece of wood from which a guitar was constructed for, say,<br />

Mike Cooley, Jimmy Herring, Patterson Hood or Luther<br />

Dickinson, the wood is often valuable or exotic. Ebony,<br />

Brazilian or Indian rosewood, and curly maple are used, as<br />

are remnants of mother of pearl or abalone accents.<br />

Each face is unique and individual, created “in the moment”<br />

by inspiration. Bits and pieces are collected by Pamela<br />

as if she’s on a scavenger hunt. Sometimes they are<br />

found in scrap piles, sometimes<br />

they are simply old buttons,<br />

used guitar picks, or bowties<br />

fashioned from pieces of spruce<br />

found in an old garage.<br />

“This face (shown right) was<br />

inspired by Mike Cooley of<br />

the Drive-by Truckers. It was<br />

donated to Nuci’s Space for a<br />

Silent Auction at the 40 Watt<br />

Club in Athens. This face has<br />

scraps of wood Scott used to<br />

build the original Cooleycaster<br />

guitar and the Cooleybird<br />

Acoustic guitar. I also included<br />

one of Cooley’s used guitar<br />

picks, and a patch cord from his<br />

pedal board. Spenser Frye, of<br />

Athens Area Habitat, donated<br />

the lovely piece of weathered<br />

pine.<br />

The bottom image is a sculpture<br />

of a Whippet face, mounted<br />

on a nice weathered board<br />

from the Habitat ReStore, made<br />

from scraps of Baxendale Custom<br />

Rosewood, Slope D Acoustic Guitar, that Scott built<br />

for Ken Latimer, who rescues Whippets. When Ken told us<br />

about his Whippets, I knew I had<br />

to make this face for him to hang<br />

in his cabin in Virginia.<br />

The piece shown at left was<br />

also donated to Nuci’s Space for<br />

a Fund Raiser. He is made with<br />

scraps from Jimmy Herring’s<br />

Baxendale Superlative custom<br />

guitar. His hair is from the Indian<br />

Rosewood back, and the Spruce<br />

from the top, as is the right eyebrow.<br />

Ebony weights for the<br />

bracing were cut from the little<br />

piece on top of his head. The<br />

block in the left hand corner is<br />

the form that Scott cut his pearl<br />

for the headstock inlay. I used it<br />

for my Baxendale signature.<br />

The last sculpture was my donation<br />

to the silent auction for<br />

Breastfest Athens, 2014. I started<br />

with a piece of wood shelving<br />

bought from Athens Area Habitat.<br />

Her hair is cut from a rosewood<br />

guitar back, her nose is<br />

mahogany, lips are curly maple.<br />

Her left eye and eyebrow are<br />

rosewood scraps, and there are mother of pearl highlights<br />

on her eyes. The lock of hair on her left side is a top brace,<br />

cut and shaped from spruce. I thought it was befitting to<br />

include a pair of spruce guitar top, sound holes, as breasts,<br />

and topped her off with the perfect accessory, a pink bow,<br />

made from spruce, for her hair. “<br />

Pamela and Scott can be reached through the company<br />

website at www.baxendaleguitar.com.<br />

DB Written by Tracey Buckalew<br />

36<br />

MAY/JUNE <strong>2015</strong> • DESIGN&BUILD MAGAZINE DESIGN&BUILD MAGAZINE • MAY/JUNE <strong>2015</strong> 37

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