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causing their closure. The first benefit is<br />

cost. Sound City’s Neve Board cost them<br />

over $75,000, while Pro Tools costs a mere<br />

$1,000. Pro Tools also drove the cost of<br />

producing a record way down, from the<br />

standard cost of $200,000-$400,000 to about<br />

$200. Assuming an artist already owns their<br />

equipment and only plans to release their<br />

music digitally, they could essentially create<br />

an album for free.<br />

In addition to lesser costs, Pro Tools made<br />

the craft of producing a record much easier.<br />

In the pre-digital era of Sound City, engineers<br />

had to slice tape by hand in order to<br />

create an album, a skill not many possessed.<br />

Pro Tools put all recordings on a grid on a<br />

computer screen, and with a couple of clicks<br />

the user could do what had previously taken<br />

years of work for an engineer to perfect. Because<br />

of the cost benefits and ease of use<br />

Pro Tools offered, in the ‘90s many recording<br />

studios and some tape manufacturers were<br />

forced to shut their doors, signaling the beginning<br />

of a tumultuous time for the music<br />

industry as a whole. 1<br />

ILLEGAL DOWNLOADING<br />

In addition to new recording technology,<br />

the music industry faced another big hit with<br />

digitalization; piracy. The internet allowed<br />

multitudes of people to upload files to various<br />

servers where other users could download<br />

files free of charge. This is obviously a<br />

copyright violation issue, however there has<br />

been little progress in stopping it.<br />

The first well known example of piracy sites<br />

is Napster, which began in 1999. There was<br />

legal recourse against Napster from artists,<br />

such as Metallica and Dr. Dre, for copyright<br />

violations. Due to pressures from these suits<br />

and the government, Napster shut down in<br />

2001. 2 However, this was far from the end of<br />

online piracy. Since Napster’s closure, there<br />

have been a multitude of other online peerto-peer<br />

file sharing services that have began,<br />

with very little legal repercussions.<br />

In an article published by Computers in<br />

Human Behavior, researchers found that<br />

almost all young adults have illegally downloaded<br />

music. They stated in their conclusion<br />

that, “This clearly shows that some<br />

individuals, despite the high associated<br />

risks with piracy, have a favorable attitude<br />

for piracy because of their optimism bias.”<br />

Optimism bias is the irrational belief that one<br />

is less likely to suffer consequences then<br />

their equals. This is the main issue with piracy.<br />

3 Although some distributors of illegally<br />

downloaded content are being prosecuted,<br />

very few consumers are being punished.<br />

This dilemma, paired with the issue of cheap<br />

production, has left the industry looking for<br />

a new model of income in the digital era.<br />

CAN DIGITAL WORK<br />

Although the situation may seem dire, there<br />

is hope. There have been new ways found<br />

in the digital realm to recoup lost profits. Additionally,<br />

this marketplace may suit consumers<br />

better, as cheaper production tools and<br />

sites such as Bandcamp or YouTube make<br />

it immensely easier for new or obscure artists<br />

to reach their fanbase<br />

Two fitting examples of band success in the<br />

digital era are Pomplamoose and Death.<br />

Pomplamoose had great success primarily<br />

as a cover band that recorded and uploaded<br />

their music to YouTube. Being that many<br />

believe the music industry is crashing, when<br />

an independent band has success they look<br />

<strong>MIC</strong> // Research // Thesis Paper

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