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Interaction Carrara - Elephant Dental

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<strong>Carrara</strong> <br />

The ceramic with blend-in dynamics<br />

Photo: Hans Jürgen Joit


➊<br />

➋<br />

➊ Opalescent frit essential<br />

component for the<br />

blend-in dynamics<br />

➋ The opalescence of two<br />

natural elements<br />

➌ Cross-section of natural<br />

element in transmitting light<br />

➍ Fluorescent core layers,<br />

non-fl uorescent, transparent<br />

outer layers<br />

➌<br />


Ceramics that adapt<br />

to their environment<br />

All living things adapt to their environment. So what is it that really brings artifi cial work to life?<br />

The blend-in dynamics of <strong>Interaction</strong> ceramics. The restoration adapts to any light condition, just as<br />

natural teeth do. <strong>Interaction</strong> <strong>Carrara</strong> with blend-in dynamics offers the dental technician a unique<br />

and complete series of dental solutions for both metal and full ceramic inlays, onlays and veneers.<br />

Read more about it in this brochure.<br />

Patented technology.<br />

Blend-in dynamics is a patented optical quality of <strong>Interaction</strong> ceramic.<br />

Using blend-in dynamics, the core layers of the ceramic change the<br />

brightness of the crown under the infl uence of changing light, just as<br />

natural elements would. At the same time, the transparent outer layers<br />

infl uence the appearance of the crown by leading the colours and the<br />

light in the surrounding area through the crown. Again, just like natural<br />

elements do. All of this ensures that a restoration really does ‘come to<br />

life’ in the mouth.<br />

Reducing failure costs.<br />

The use of <strong>Interaction</strong> ceramic with blend-in dynamics reduces the<br />

chance of the rejection of a restoration for aesthetic reasons. This will<br />

enable the dentist to make more effective use of his time with the patient.<br />

If the 16V Shadeguide is sorted and used in order of brightness values<br />

too, it even becomes possible to reduce failure costs to zero!<br />

Sorting by brightness.<br />

The aesthetic result wanted is often communicated incorrectly because<br />

of the way in which the 16V Shadeguide is usually ordered: in four<br />

colour groups. A different sorting method that has proved to provide a<br />

greater chance of success is the method based on brightness: B1, A1,<br />

B2, A2, C1, D2, A3, D3, C2, B3, D4, A3.5, B4, C3, A4, C4.<br />

<strong>Elephant</strong> has developed a new holder, the <strong>Interaction</strong> Value Guide,<br />

which will replace your old holder. Combined with the unique<br />

characteristics of the blend-in strategy, this method contributes to 100%<br />

aesthetic acceptance of restorations and the patient benefi ts from a<br />

perfect fi t the fi rst time round.<br />

3<br />

<strong>Elephant</strong> <strong>Interaction</strong> Value Guide<br />

with shade tabs sorted<br />

by brightness.


The right solution<br />

for every build-up on metal<br />

Whether working on crowns or bridges, suprastructures, veneers, inlays or onlays: <strong>Interaction</strong> <strong>Carrara</strong><br />

means that there is always a solution on hand. Use sub-structure material made from precious metal or<br />

cobalt-chrome alloys, according to personal preference or as required by the indication.<br />

4<br />

Conventional crowns and bridges.<br />

The <strong>Interaction</strong> <strong>Carrara</strong> ceramic serves a broad indication area in<br />

combi nation with ceramic alloys with a thermal expansion coefficient<br />

ranging from 15.8 to 16.9 μm/m.K (25-500°C). You can choose<br />

from a range of materials, depending on the patient-specific wishes<br />

applicable.<br />

Suprastructures on implants.<br />

If you opt for a ceramic build-up for implant-based solutions, <strong>Interaction</strong><br />

<strong>Carrara</strong> will produce the results envisaged for both screw retained<br />

or cemented restorations. The stability of the sub-structure material<br />

chosen will be decisive for the fit in the mouth and, as such, for patient<br />

comfort.<br />

Certainty; all from just one source.<br />

As soon as they were launched in 1984, it was possible to offer<br />

<strong>Interaction</strong> <strong>Carrara</strong> ceramic solutions in combination with alloys<br />

geared towards use with ceramics. This means that you can always<br />

be assured of a good result! These restorations have already proven<br />

themselves millions of times, over throughout the world.<br />

No deformation.<br />

Even when a restoration is implant-based, excellent alloys are available<br />

for the <strong>Interaction</strong> <strong>Carrara</strong> ceramic. Because of their combination of<br />

a high elongation strain with a high Vickers hardness after hardening,<br />

these ceramics are particularly suitable for use in implant supported<br />

restorations.<br />

Ceramic alloys for crowns and bridges<br />

Alloy: CTE Colour Gold Platinum Palladium Silver<br />

<strong>Carrara</strong> PdF 15,8 rich<br />

yellow<br />

75,0 9,0 - 12,5<br />

Cera H 16,1 yellow 73,1 1,5 5,8 16,0<br />

Cera F 16,3 yellow 58,0 3,0 7,0 27,3<br />

Cera R Plus 16,8 yellow 58,0 2,0 8,0 27,9<br />

Cera E 16,5 white 0,1 - 39,9 51,8<br />

Cera Aurum 16,8 light<br />

yellow<br />

Cera Star 16,9 light<br />

yellow<br />

38,4 - 15 37,5<br />

42 - 15 32,9<br />

Colour Cobalt Chrome Molybdenum Other<br />

Vi-Comp LFC 15,9 white 33,5 29,5 5,0<br />

Fe, Si,<br />

Mn, N, C<br />

The following alloys are the most suitable for suprastructures<br />

Alloy: CTE Colour Gold Platinum Palladium Silver<br />

Cera H 16,1 yellow 73,1 1,5 5,8 16,0<br />

Cera E 16,5 white 0,1 - 39,9 51,8


➊<br />

➋<br />

➊ Finished <strong>Interaction</strong> <strong>Carrara</strong> crowns in the laboratory ➋ Light adaptation in a natural environment Photo’s: Norbert Pack<br />

➌<br />

➎<br />

➍<br />

5<br />

➌ Fitting the sub-structure<br />

➍ The finished and fitted piece<br />

➎ Perfect fit with the lips and aesthetically pleasing result<br />

Photo’s: Jürgen Gebhardt<br />

➏ ➐ ➑<br />

➒<br />

➏ Situation in the mouth<br />

➐ Fitting after the first firing phase<br />

➑ Natural result, the fitted piece in<br />

the patient’s mouth<br />

➒ Extremely natural result<br />

Photo’s: Hans Jürgen Joit


➊ ➋ ➌<br />

➍<br />

➊ Gypsum cast with model<br />

analogues<br />

➋ Finished restoration on the<br />

working model<br />

➌ Even with different indications,<br />

<strong>Interaction</strong> <strong>Carrara</strong> provides<br />

a very aesthetically pleasing<br />

result<br />

➍ Extremely natural result<br />

6<br />

Photo’s: Norbert Pack<br />

➎<br />

➏<br />

➎ Preparation of the front teeth<br />

➏ Applying <strong>Interaction</strong> <strong>Carrara</strong><br />

on specially prepared <strong>Interaction</strong><br />

Veneering Investment<br />

➐ Beautiful result, the fixed veneers<br />

in the mouth<br />

Photo’s: Norbert Pack<br />


Metal ceramic or full-ceramic?<br />

Restorations are often challenging where combined indications are<br />

required. <strong>Interaction</strong> <strong>Carrara</strong> enables you to use the same material<br />

for mixed indications. The result: the very best aesthetic result possible.<br />

Metal ceramic crowns used beside veneers in a frontal restoration,<br />

when produced from the same ceramic, guarantee a good solution.<br />

The same is possible for posterior teeth by placing bridges next to<br />

ceramic inlays. All of these can be created from the same materials<br />

and all benefit from the advantages offered by blend-in dynamics!<br />

Platinum foil for veneer technique<br />

Article number<br />

Platinum foil 0.020 mm 544501102<br />

Platinum foil 0.025 mm 544501125<br />

Veneering Investment for veneers, inlays and onlays<br />

Article number<br />

<strong>Interaction</strong> Veneering Investment 233050010<br />

<strong>Interaction</strong> Veneering Investment Liquid 233512010<br />

Silflex Orange Speed duplicating material A + B 8021565<br />

High quality aesthetic results for decades.<br />

Beautiful restorations are possible as part of an effective, simple and<br />

very economic procedure, in which the blend-in dynamics make<br />

themselves felt as soon as <strong>Interaction</strong> <strong>Carrara</strong> is used to produce<br />

veneers, inlays and onlays. The original material produced was first<br />

used for these solutions in 1984.<br />

Platinum foil and investment.<br />

Depending on the method preferred, high-quality aesthetic restorations<br />

are possible using a platinum-foiled based technique or the technique<br />

involving a special heat-resistant investment. For both techniques, the<br />

<strong>Interaction</strong> solutions combine all of the auxiliary material needed with<br />

the easiest approach to and optimal fit for veneers, inlays and onlays.<br />

Total solution from taking the impression to cementing.<br />

Perfectly coordinated materials guarantee the achievement of a perfect<br />

result. For every indication for which <strong>Interaction</strong> <strong>Carrara</strong> can be used,<br />

the materials recommended contribute to an optimal and perfect end<br />

result.<br />

Suggestion for optimal process<br />

Impression material<br />

DENTSPLY Aquasil<br />

Temporary provision<br />

DENTSPLY Integrity<br />

Adhesive<br />

DENTSPLY SmartCem2<br />

7<br />

Veneer build-up based on<br />

the platinum foil technique


BASIC<br />

ADVANCED<br />

The build-up<br />

The core layers:<br />

<strong>Interaction</strong> <strong>Carrara</strong> paste opaque<br />

(V1/B1 – V16/C4 and bleach)<br />

These are ready-for-use, fluorescent<br />

opaques and can be applied directly<br />

to the prepared metal sub-structure.<br />

<strong>Interaction</strong> <strong>Carrara</strong> paste opaque<br />

ensures bonding with all of the sub-structures within the indication area and<br />

its fluorescent effect assures the ability of the restoration to vary in clarity in<br />

changing light.<br />

8<br />

<strong>Interaction</strong> <strong>Carrara</strong> value dentin<br />

(V1/B1 – V16/C4)<br />

These are dentines that are ordered by level of clarity.<br />

In terms of translucence and colour pigmentation. These<br />

value dentines have been adapted to ensure the correct<br />

achievement of the appearance required when used in<br />

combination with the corresponding paste opaque and<br />

incisal. The fluorescent effect of the dentin also contributes<br />

to the active interaction of the restoration with changing<br />

light conditions.<br />

<strong>Interaction</strong> <strong>Carrara</strong> action-i dentin<br />

(1V4/1B2, 4V8/1A2, 8V13/3B4, 13V16/3C4)<br />

These are strong-fluorescence dentines, ordered by<br />

colour and clarity, and used to apply characteristics in<br />

the incisal part of the element (mamelons, for example)<br />

and to influence the chroma of the restoration<br />

(i=incisal, i=individual, i=intensive and i=interactive).<br />

Physical qualities<br />

CTE ceramic (25°C - Tg)<br />

µm/m.K 14,2<br />

Tg = 460°C<br />

Baked on ceramic alloys with a CTE value (25-500°C) µm/m.K 15,8 - 16,9<br />

Firing temperature °C 795 - 860<br />

Layer-thickness limit µm 0,8 – 4,0 *<br />

* Avoid strong layer-thickness differences and transitions in the ceramic layer.<br />

May taper off to 0 towards the crown edge.


Transparent outer layers:<br />

Individualization:<br />

<strong>Interaction</strong> <strong>Carrara</strong> incisal<br />

(57 – 60)<br />

These are transparent incisals that are used to<br />

achieve a high-quality aesthetic outer layers for the<br />

fired restoration. Thanks to consistent applicated<br />

opalising properties, the crown has a natural, aesthetic<br />

appearance in changing light conditions. In this way,<br />

the crown blends in with adjacent elements in a natural<br />

manner.<br />

<strong>Interaction</strong> <strong>Carrara</strong> x-tra incisal<br />

(x-tra i bright, x-tra i medium, x-tra i dark)<br />

These are opalescent, transparent materials that can<br />

be used to precisely adjust the value of a crown. For<br />

example, when the cervical area of a tooth needs to<br />

be slightly darker in colour, in line with the processing<br />

instructions provided by the dentist, this can be achieved<br />

using x-tra i dark. If a crown is ‘too dark’ after the first<br />

firing, x-tra i bright makes it possible to correct this without<br />

any cutback.<br />

<strong>Interaction</strong> <strong>Carrara</strong> x-tra-incisal<br />

(x-tra i blue, x-tra i red, x-tra i grey, x-tra i orange, x-tra i white)<br />

These are opalescent, transparent materials that ensure<br />

an additional colour transparency in tooth surfaces. This<br />

makes it easy to individualise the incisal part of the crown.<br />

<strong>Interaction</strong> <strong>Carrara</strong> x-tra-incisal<br />

(clear)<br />

This is a neutral, transparent, non-opalescent material.<br />

<strong>Interaction</strong> <strong>Carrara</strong> margin<br />

(1A2, 3A4, Booster, 1B2, 3B4, 1C2, 3C4, gum)<br />

These are materials that are used to fire ceramic<br />

shoulders onto shoulder or chamfer preparations.<br />

<strong>Interaction</strong> margins can also be used in situations where<br />

a very limited layer thickness requires a dentine colour<br />

with better coverage.<br />

<strong>Interaction</strong> <strong>Carrara</strong> action-i dentin<br />

(221 – 240, for individual use)<br />

These are special coloured dentines, arranged by colour<br />

and clarity, that are used to apply characteristics to the<br />

incisal part of the element (mamelons, for example) and to<br />

influence the chroma of the restoration. They are ready for<br />

use and can be used unmixed.<br />

<strong>Interaction</strong> <strong>Carrara</strong> correction<br />

This is a colourless, lower-melting, transparent correction<br />

material for the correction of contact points and occlusal<br />

or incisal edges, or for the improvement of the crown<br />

surface shape.<br />

<strong>Interaction</strong> <strong>Carrara</strong> gumshades<br />

(211 Violet, 212 Dark, 213 Light, 214 Translu-violet,<br />

215 Translu-dark, 216 Translu-light, 217 Extra Translu-light,<br />

paste opaque gum)<br />

These are materials that can be used to create high-quality<br />

and aesthetic ceramic reconstructions of lost gingival<br />

material/gums. This may be necessary in the event of<br />

significant implants and suprastructure works, for example.<br />

9<br />

<strong>Interaction</strong> Antagon ® +<strong>Carrara</strong> glaze<br />

This is a mass that can be used, where required,<br />

to increase the gloss level of a crown.


<strong>Interaction</strong> <strong>Carrara</strong>.<br />

Your best choice<br />

Besides the exceptional ease of use that the blend-in dynamics provide from an aesthetic point<br />

of view, there are many aspects that make the <strong>Interaction</strong> ceramic easy to work with too:<br />

10<br />

Faster result.<br />

<strong>Interaction</strong> ceramic is form stable for at least five firing stages. After the<br />

normal first sinter shrinkage, the material is form stable, which means<br />

that fewer corrections will be necessary during the rest of the process.<br />

Besides a homogeneous firing result, the unique particle build-up<br />

also results in a reduced risk of breakage and cracks. An additional<br />

advantage of the particle size build-up chosen is that the ceramic is<br />

stable in wet conditions too, which makes the material pleasant and<br />

easy to work with.<br />

Simplicity of use.<br />

The <strong>Interaction</strong> assortment for the various sub-structure materials are<br />

identical in terms of build-up. Experience gained with the material can<br />

be applied again and again, regardless of the sub-structure used.<br />

Added to this, the names used for the materials often indicate their<br />

function within the build-up.<br />

Healthy elements retained.<br />

The basic material (the frits) for <strong>Interaction</strong> ceramic is produced using<br />

a hydrothermal production process 1) . As a result, a hydroxil effect is<br />

ultimately achieved in the mouth. Upon first contact with the saliva, the<br />

crown reacts by creating a smooth, softer outer layer, resulting in a<br />

reduced risk of antagonist abrasion.<br />

Trust.<br />

<strong>Interaction</strong> ceramics always consist of two components (so-called frits)<br />

made from 100% natural feldspar material. During firing, the glass frit<br />

changes to a liquid form before the leucite frit does. As a result, the<br />

sub-structure is ‘wetted’ better, which results in better adhesion. In this<br />

way, the risk of cracks or material breaking away is kept to a minimum.<br />

This also results in a demonstrably better bond for both precious metal<br />

sub-structures and cobalt-chrome substructures.<br />

Economic advantage.<br />

The complete range consists of relatively few different materials, yet it<br />

is still possible to produce any of the various restorations from them. As<br />

a result, there is a smaller risk that a high level of unusable materials will<br />

be accumulated in the laboratory.<br />

History since 1984.<br />

<strong>Interaction</strong> <strong>Carrara</strong> was developed from the FlexoCeram system,<br />

which was introduced in 1984. The basis for the recipe used for<br />

the material has remained virtually unchanged. This means that by<br />

choosing <strong>Interaction</strong>, you are opting for a material that has already<br />

been used in millions of restorations over the last 25 years.<br />

1) See the reading list for details of the hydrothermal production process


➊<br />

11<br />

➊ Detailed shot of hydrothermal<br />

production: 1400°C hot<br />

ceramic cools down quickly<br />

in water<br />

➋ Hydrothermal frit production<br />

➌ End product and raw<br />

material, 100% natural<br />

feldspathic material<br />

➍ Determination of optimal<br />

grain size<br />

➎ Microscope magnification<br />

(300 x) of ceramic on alloy<br />

shows very good bond<br />

➋<br />

➍<br />

➌<br />

➎<br />

Photo 3: Hans Jürgen Joit


Starting to use <strong>Interaction</strong> <strong>Carrara</strong>:<br />

Wide choice of sets<br />

<strong>Interaction</strong> <strong>Carrara</strong> Starter Kit<br />

<strong>Interaction</strong> <strong>Carrara</strong> Add-On Kit<br />

12<br />

Article number: 489999800<br />

For new users, the <strong>Interaction</strong> <strong>Carrara</strong> Starter Kit is an ideal,<br />

economic initial introduction to the colours used most in practice:<br />

B1, A2, A3, B3, A3.5 and A4.<br />

The range structure means that the restorations required can be<br />

reproduced using the effective two-layer system or individual<br />

colour build-up.<br />

Contents:<br />

•• <strong>Interaction</strong> <strong>Carrara</strong> paste opaque<br />

(B1, A2, A3, B3, A3.5, A4)<br />

•• <strong>Interaction</strong> <strong>Carrara</strong> value dentin<br />

(B1, A2, A3, B3, A3.5, A4)<br />

•• <strong>Interaction</strong> <strong>Carrara</strong> action-i dentin<br />

(1A2, 1B2, 3B4, 3C4)<br />

•• <strong>Interaction</strong> <strong>Carrara</strong> incisal<br />

(57, 58, 59, 60)<br />

•• <strong>Interaction</strong> <strong>Carrara</strong> x-tra incisal<br />

(bright, medium, dark, clear)<br />

•• <strong>Interaction</strong> <strong>Carrara</strong> correction<br />

•• <strong>Interaction</strong> <strong>Carrara</strong> glaze<br />

•• <strong>Interaction</strong> carving liquid<br />

•• <strong>Interaction</strong> paint liquid<br />

•• <strong>Interaction</strong> pencil (brush) cleaner<br />

•• <strong>Interaction</strong> pencil (brush)<br />

•• <strong>Interaction</strong> <strong>Carrara</strong> manual<br />

Article number: 489999810<br />

Where required, the Starter Kit can be complemented with the Add-On Kit,<br />

making it possible to reproduce all 16V colours.<br />

Contents:<br />

•• <strong>Interaction</strong> <strong>Carrara</strong> paste opaque<br />

(A1, B2, C1, D2, D3, C2, D4, B4, C3 C4)<br />

•• <strong>Interaction</strong> <strong>Carrara</strong> value dentin<br />

(A1, B2, C1, D2, D3, C2, D4, B4, C3 C4)<br />

•• <strong>Interaction</strong> <strong>Carrara</strong> x-tra incisal<br />

(white, blue, orange, grey, red)<br />

•• <strong>Interaction</strong> superwet liquid<br />

•• <strong>Interaction</strong> superform liquid<br />

•• <strong>Interaction</strong> pencil (brush) cleaner<br />

•• <strong>Interaction</strong> pencil (brush)<br />

•• <strong>Interaction</strong> <strong>Carrara</strong> manual


<strong>Interaction</strong> <strong>Carrara</strong> Convert Kit<br />

<strong>Interaction</strong> <strong>Carrara</strong> Margin & Gum Kit<br />

13<br />

Article number: 482795840<br />

The <strong>Interaction</strong> <strong>Carrara</strong> Convert Kit, which contains all 16V colours,<br />

makes it easy and affordable for existing Antagon ® <strong>Interaction</strong> users to<br />

switch to a two-layer approach.<br />

Contents:<br />

•• <strong>Interaction</strong> <strong>Carrara</strong> value dentin<br />

(B1,A1,B2,A2,C1,D2,A3,D3,C2,B3,D4,A3,5,B4,C3,A4,C4)<br />

•• <strong>Interaction</strong> <strong>Carrara</strong> x-tra incisal<br />

(clear & white)<br />

•• <strong>Interaction</strong> carving liquid<br />

•• <strong>Interaction</strong> <strong>Carrara</strong> manual<br />

Article number: 482195810<br />

The <strong>Interaction</strong> <strong>Carrara</strong> Margin & Gum Kit enables you to fit<br />

high-quality, aesthetic ceramic shoulders and also to compensate lost<br />

gingival tissue. As a result, this kit will be a particularly welcome addition<br />

to the range for anyone working on complex implant cases.<br />

Contents:<br />

•• <strong>Interaction</strong> <strong>Carrara</strong> margin<br />

(1A2, 3A4, 1B2, 3B4, 1C2, 3C4, Booster, gum, margin correction<br />

bright, -medium & -dark)<br />

•• <strong>Interaction</strong> <strong>Carrara</strong> gum<br />

(211 Violet, 212 Dark, 213 Light, 214 Translu-violet, 215 Translu-dark,<br />

216 Translu-light, 217, Extra Translu-light, paste opaque)<br />

•• <strong>Interaction</strong> pencil (brush)<br />

•• <strong>Interaction</strong> margin liquid<br />

•• <strong>Interaction</strong> <strong>Carrara</strong> margin manual<br />

•• <strong>Interaction</strong> <strong>Carrara</strong> gumshades manual<br />

NB: All existing <strong>Interaction</strong> <strong>Carrara</strong> ceramic materials can be worked with<br />

the new <strong>Interaction</strong> <strong>Carrara</strong> value dentin without any problems at all.


<strong>Interaction</strong> <strong>Carrara</strong> Esthetic Kit<br />

<strong>Carrara</strong> Paint Kit<br />

14<br />

Article number: 482695830<br />

The Esthetic Kit is recommended for anyone seeking to achieve the far<br />

reaching individualisation of an <strong>Interaction</strong> blend-in dynamics restoration.<br />

The masses in this set make it simple to achieve most individual colourapplication<br />

wishes.<br />

Contents:<br />

•• <strong>Interaction</strong> <strong>Carrara</strong> action-i dentin<br />

(221 Sunny, 222 Camel, 223 Toffee, 224 Cashmere,<br />

225 Corn, 226 Butter, 227 Honey, 228 Caramel,<br />

229 Amber, 230 Mocca, 231 Chocolat, 232 Crème,<br />

233 Sand, 234 Ivory, 235 Sahara, 236 Marble,<br />

237 Khaki, 238 Polar, 239 Lavender, 240 Aqua)<br />

•• <strong>Interaction</strong> pencil (brush)<br />

•• <strong>Interaction</strong> carving liquid<br />

•• Shadeguide action-i dentin individual use<br />

•• <strong>Interaction</strong> <strong>Carrara</strong> action-i dentin manual<br />

Article number: 435095070<br />

Using the paint it is not only possible to apply individual characteristics<br />

to the ceramic surface during the glaze firing phase, but, using the inside<br />

outside and inside only, it is also possible to apply internal characteristics<br />

such as cracks in the enamel. This way, you can, for example, emphasise<br />

fissures or apply final colour nuances.<br />

Contents:<br />

•• <strong>Interaction</strong> <strong>Carrara</strong> paints<br />

(Outside only Onyx ,Outside only Chalk, Outside only Plaque,<br />

Outside only Halo, Outside only Havannah, Inside/Outside Blue,<br />

Inside/Outside White, Inside/Outside Orange, Inside/Outside Olive,<br />

Inside/Outside Khaki, Inside only, Grey/Violet, Inside only white,<br />

Inside only Orange, Inside only Olive, Inside only Pink)<br />

•• <strong>Interaction</strong> pencil (brush)<br />

•• <strong>Interaction</strong> paint liquid<br />

•• <strong>Interaction</strong> Sakura paint shadeguide<br />

•• <strong>Interaction</strong> Sakura paint manual<br />

NB: All existing <strong>Interaction</strong> <strong>Carrara</strong> ceramic materials can be worked with<br />

the new <strong>Interaction</strong> <strong>Carrara</strong> value dentin without any problems at all.


<strong>Interaction</strong> <strong>Carrara</strong> article number overview:<br />

<strong>Interaction</strong> <strong>Carrara</strong> paste opaque<br />

A1 3,5 g 481205001<br />

A2 3,5 g 481205002<br />

A3 3,5 g 481205003<br />

A3,5 3,5 g 481205004<br />

A4 3,5 g 481205005<br />

B1 3,5 g 481205006<br />

B2 3,5 g 481205007<br />

B3 3,5 g 481205008<br />

B4 3,5 g 481205009<br />

C1 3,5 g 481205010<br />

C2 3,5 g 481205011<br />

C3 3,5 g 481205012<br />

C4 3,5 g 481205013<br />

D2 3,5 g 481205014<br />

D3 3,5 g 481205015<br />

D4 3,5 g 481205016<br />

Bleach 3,5 g 481205017<br />

Gum 3,5 g 483005200<br />

<strong>Interaction</strong> <strong>Carrara</strong> value dentin<br />

V1/B1 25 g 482735001<br />

V2/A1 25 g 482735002<br />

V3/B2 25 g 482735003<br />

V4/A2 25 g 482735004<br />

V5/C1 25 g 482735005<br />

V6/D2 25 g 482735006<br />

V7/A3 25 g 482735007<br />

V8/D3 25 g 482735008<br />

V9/C2 25 g 482735009<br />

V10/B3 25 g 482735010<br />

V11/D4 25 g 482735011<br />

<strong>Interaction</strong> <strong>Carrara</strong> value dentin<br />

V12/A3.5 25 g 482735012<br />

V13/B4 25 g 482735013<br />

V14/C3 25 g 482735014<br />

V15/A4 25 g 482735015<br />

V16/C4 25 g 482735016<br />

<strong>Interaction</strong> <strong>Carrara</strong> action-i dentin<br />

1A2 25 g 483935001<br />

3A4 25 g 483935003<br />

1B2 25 g 483935006<br />

3B4 25 g 483935008<br />

1C2 25 g 483935010<br />

3C4 25 g 483935012<br />

<strong>Interaction</strong> <strong>Carrara</strong> incisal<br />

56 25 g 483235056<br />

57 25 g 483235057<br />

58 25 g 483235058<br />

59 25 g 483235059<br />

60 25 g 483235060<br />

<strong>Interaction</strong> <strong>Carrara</strong> x-tra incisal<br />

Bright 25 g 484135060<br />

Medium 25 g 484135061<br />

Dark 25 g 484135062<br />

Blue 25 g 484135063<br />

Red 25 g 484135064<br />

Grey 25 g 484135065<br />

Orange 25 g 484135066<br />

Clear 25 g 484135067<br />

White 25 g 484135068<br />

<strong>Interaction</strong> <strong>Carrara</strong> correction<br />

Correction 25 g 484435081<br />

<strong>Interaction</strong> <strong>Carrara</strong> margin<br />

1A2 10 g 482125001<br />

3A4 10 g 482125003<br />

1B2 10 g 482125006<br />

3B4 10 g 482125008<br />

1C2 10 g 482125010<br />

3C4 10 g 482125012<br />

Booster 10 g 482125017<br />

Correction Bright 10 g 482125018<br />

Correction Medium 10 g 482125019<br />

Correction Dark 10 g 482125020<br />

<strong>Interaction</strong> <strong>Carrara</strong> paint<br />

Inside Only Grey/Violet 3 g 435003311<br />

Inside Only White 3 g 435003312<br />

Inside Only Orange 3 g 435003313<br />

Inside Only Olive 3 g 435003314<br />

Inside Only Pink 3 g 435003315<br />

Inside/Outside Blue/Violet 3 g 435003316<br />

Inside/Outside White 3 g 435003317<br />

Inside/Outside Orange 3 g 435003318<br />

Inside/Outside Olive 3 g 435003319<br />

Inside/Outside Khaki 3 g 435003320<br />

Outside Only Onyx 3 g 435003321<br />

Outside Only Plaque 3 g 435003322<br />

Outside Only Chalk 3 g 435003323<br />

Outside Only Halo 3 g 435003324<br />

Outside Only Havannah 3 g 435003325<br />

Intearction <strong>Carrara</strong> gumshade<br />

Gum 211 Violet 10 g 483025211<br />

Gum 212 Dark 10 g 483025212<br />

Gum 213 Light 10 g 483025213<br />

Gum 214 Translu-violet 10 g 483025214<br />

Gum 215 Translu-dark 10 g 483025215<br />

Gum 216 Translu-light 10 g 483025216<br />

Gum 217 Extra<br />

translu-light<br />

10 g 483025217<br />

Margin gum 10 g 482025100<br />

Margin gum correction 10 g 482125019<br />

<strong>Interaction</strong> Antagon ® +<strong>Carrara</strong> glaze<br />

Glaze 15 g 484228071<br />

Spray Glaze 238 ml 484275071<br />

<strong>Carrara</strong> Shade paint<br />

SP1 3 g 435003401<br />

SP2 3 g 435003402<br />

SP3 3 g 435003403<br />

SP4 3 g 435003404<br />

SP5 3 g 435003405<br />

SP6 3 g 435003406<br />

SP7 3 g 435003407<br />

SP8 3 g 435003408<br />

SP9 3 g 435003409<br />

<strong>Interaction</strong> <strong>Carrara</strong> Kits<br />

Starter Kit 489999800<br />

Add-on Kit 489999810<br />

Convert Kit 482795840<br />

Margin & Gum Kit 482195810<br />

Esthetic Kit 482695830<br />

Guaranteed substructure and auxiliary material for <strong>Interaction</strong> <strong>Carrara</strong><br />

For crowns and bridges:<br />

For suprastructures:<br />

15<br />

CAM produced sub-structures:<br />

Article number:<br />

IND #1 <strong>Carrara</strong> PdF sub-structures 1 - 6 unit 595320005010 t/m 060<br />

IND #1 Cera E sub-structures 1 - 6 unit 595320027010 t/m 060<br />

( #1 = Industriell gegossen)<br />

Alloys for own casting process:<br />

Article number:<br />

<strong>Carrara</strong> PdF 25 g 540406050<br />

Cera H 25 g 540106100<br />

Cera F 25 g 540306120<br />

Cera R Plus 25 g 540306030<br />

Cera E 25 g 540706021<br />

Cera Aurum 25 g 540306131<br />

Cera Star 25 g 540306140<br />

Vi-Comp LFC 250 g 005010055<br />

Article number:<br />

Cera H 25 g 540106100<br />

Cera E 25 g 540706021<br />

For full ceramic inlays, onlays and veneers:<br />

Platinum foil technique:<br />

Article number:<br />

Platinum foil 0.020 mm 100 x 50 mm 544501102<br />

Platinum foil 0.025 mm 100 x 33 mm 544501125<br />

Investment technique:<br />

Article number:<br />

<strong>Interaction</strong> Veneering Investment 1 kg 233050010<br />

<strong>Interaction</strong> Veneering Investment Liquid 200 ml 233512010<br />

Silflex Orange Speed duplicating material A+B 2 x 1 kg 8021565<br />

All of the materials have been tested extensively and have been the ideal combination partners for the<br />

<strong>Interaction</strong> <strong>Carrara</strong> solutions for years now. Detailed process information is available on the production<br />

of these combinations and the achievement of an optimal result.<br />

Bibliography:<br />

Value based shade taking:<br />

■ Albers J, <strong>Interaction</strong> of Color, Yale University Press, 1963 ■ Clark, EB, Selection of Tooth Color. J. Am. Dent. Assoc. 25: 787-793,1947 ■ Sproull RC, Color matching in dentistry. Part II. Practical applications of the organization of color. J. Prosthet. Dent. May, 1973 ■ Preston JD, Bergen SF. Color<br />

science and dental art. St. Louis: Mosby; 1980. P6 ■ Paravina RD, Problems in Standard Shade Matching and Reproduction Procedure in Dentistry: A Review of the State of the Art. Facta Universitatis, Medicine and Biology Vol. 4, No 1, 1997 pp. 12-16 ■ McLaren EA. The 3D-Master Shade-Matching<br />

System and the Skeleton Buildup Technique: Science meets Art and Intuition. Quintessence <strong>Dental</strong> Technolology, 1999;22:55-68 ■ McLaren EA. Provisionalization and the 3-D Communication of Shade and Shape. Contemporary Esthetics 2000;4(5):48-60 ■ Barret AA et al. Infl uence of tab and disk<br />

design on shade matching of dental porcelain. J Prosthet Dent 2002;88:591-97 ■ McLaren EA, Radz G, Murray PE, Coz CF. The Statistical Evaluation of Two Shade Guide Systems. J Dent Res 2003;82:125. (abstr # 899) ■ Hammad IA, Intrarater repeatability of shade selections with two shade guides.<br />

J Prosthet Dent 2003;89:50-3 ■ Marcucci B, A shade selection technique. J Prothet Dent. 2003 May;89(5):518-21 ■ Baltzer A, The Determination of the Tooth Colors. Quintessenz Zahntech 30, 7, 726-740 2004 ■ Paravina RD, Powers JM. Esthetic Color Training in Dentistry. : Mosby;<br />

2004. P165 ■ Chu SJ, Devigus A, Mieleszko AJ. <strong>Dental</strong>e Farbenlehre, Farbbestimmung und Farbkommunikation in der ästhetischen Zahnmedizin. Quintessenz Verlags-GmbH; 2005. P61 ■ Hassel AJ et al., Clinical Effect of Different Shade Guide Systems on the Tooth Shades of Ceramic-<br />

Veneered Restorations. Int J Prothodont 2005; 18:422-426 ■ Ditzinger T, Color Perception and Tooth Shade, Part II. dental-lab international, Vol. I, No. 2/2005 ■ Park JH et al., Infl uence of illuminants on the color distribution of shade guides. J Prosthet Dent 2006 Dec;96(6):402-11<br />

■ McLaren EA. The Art of Passion: a photographic journey... teeth, ceramics, faces, and places. 2008 ■ Sidney Kina & August Bruguera. Invisible: Esthetic Ceramic Restorations. 2009. Artes Medicas<br />

<strong>Interaction</strong> ceramics:<br />

■ P. Bertolaso. Tecnica di stratifi cazione con materiali innovative ed interattivi. 2003. Laboratorio Odontotecnico ■ N. Wichnalek. Die große Kunst des Minimalisierens. 2003. Das <strong>Dental</strong> Labor ■ F. Bolzani. Ein besonderer Fall. 2004. Quintessenz Zahntechnik ■ J. van der Zel.<br />

Antagon <strong>Interaction</strong> – Natuurlijke esthetiek. 2004. Tandtechnisch Magazine ■ H. Joit. Einfach schön. 2005. Das <strong>Dental</strong> Labor ■ N. Pack. Die wirtschaftliche Realisierung dentaler Ästhetik. 2005. Quintessenz Zahntechnik ■ J. Schünemann. Lifestyle dentistry - More than only teeth.<br />

2005. Quintessenza Odontotecnica ■ J. Schünemann. Farbe ist Nebensache. 2005. Quintessenz Zahntechnik ■ J. van der Zel. Ergebnisse mit einem neuen Verblendsystem für Zirkonoxidgerüste. 2005. DZW ■ H. Joit. Exzellente dentale Ästhetik. 2006. Quintessenz Zahntechnik<br />

■ F. Bolzani. Combined Dentures: A Special Case. 2006. Quintessence Journal of <strong>Dental</strong> Technology ■ B. Troczyński. Wykonanie korony i licowski kosmetycznej w odcinku przednim. 2006. <strong>Dental</strong> Labor Poland ■ F. Bolzani. Personalizzazione del colore della ceramic su zirconio.<br />

2006. Quintessenza Odontecnica ■ N. Pack. Erfahrungen und Überlegungen zum Einstieg in die zirkondioxid-basierte Keramik. 2007. <strong>Dental</strong> Dialogue ■ F. Bolzani. Individuelle Schichttechnik für höchste Ästhetik. 2008. Das <strong>Dental</strong> Labor ■ N. Pack. Veneers und Kronen in approximaler<br />

Nachbarschaft. 2008. DWZ Spezial ■ B. Troczyński. Kosmetyczna odbudowa cyrkonowo – ceramiczna w odcinku przednim. 2008. <strong>Dental</strong> Labor Poland ■ H. Joit. Deep Light Movement. 2009. <strong>Dental</strong> Dialogue ■ H. Joit. Farbanaloge Schichtung einer Zirkoniumoxidkrone neben einem<br />

Veneer. 2009. Quintessez ■ F.Bolzani. Najwyz·sza estetyka w indywidualnej technice warstwowej. 2009. <strong>Dental</strong> Labor Poland ■ H. Joit. Sakura Live in Action. 2009. Das <strong>Dental</strong> Labor ■ H. Joit. Short ways, big action. 2009. <strong>Dental</strong> Dialogue ■ H. Joit. Krótka droga – duz·a akcja.<br />

2009. <strong>Dental</strong> Labor Poland ■ N. Pack. Vollkeramik ohne apparativen Aufwand. 2009. <strong>Dental</strong> Dialogue ■ N. de Jager, A. van Dalen en C. Klever. Porseleinchipping van volledig keramische kronen en bruggen. 2009. Tandartspraktijk ■ H. Joit. Inzisale Refl ektionen. 2009. Quintessenz<br />

■ H. Joit. Learning by burning. 2009. <strong>Dental</strong> Dialogue ■ H. Joit. Ein zuverlässiger Partner. 2010. <strong>Dental</strong> Labor<br />

Hydrothermal production process:<br />

■ Nijnatten PA, Onderzoek van OH-groepen in translucente glasmonsters (<strong>Carrara</strong> Dentine) ■ Seghi RR, The effect of ion exchange on fl exural strength of feldspathic porcelains ■ Komma O, Hydrothermal <strong>Dental</strong> Ceramic Systems ■ Anusavice KJ, Strengthening of porcelain by ion exchange<br />

subsequent to thermal tempering<br />

Vitapan ® classical A1 – D4 Shade Guide and Vita Lumin ® Vacuum A1–D4 Shade Guide are registered trademarks of Vita Zahnfabrik H. Rauter GmbH & Co. KG


<strong>Elephant</strong> <strong>Dental</strong> B.V.<br />

Verlengde Lageweg 10<br />

1628 PM Hoorn, The Netherlands<br />

Tel.: +31 229 25 90 00<br />

Fax: +31 229 25 90 99<br />

E-mail: interaction@dentsply.com<br />

www.interaction-ceramics.com<br />

0344<br />

rev. apr-2011<br />

Rx only ISO 9693 + 6872

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