Interaction Carrara - Elephant Dental
Interaction Carrara - Elephant Dental
Interaction Carrara - Elephant Dental
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<strong>Carrara</strong> <br />
The ceramic with blend-in dynamics<br />
Photo: Hans Jürgen Joit
➊<br />
➋<br />
➊ Opalescent frit essential<br />
component for the<br />
blend-in dynamics<br />
➋ The opalescence of two<br />
natural elements<br />
➌ Cross-section of natural<br />
element in transmitting light<br />
➍ Fluorescent core layers,<br />
non-fl uorescent, transparent<br />
outer layers<br />
➌<br />
➍
Ceramics that adapt<br />
to their environment<br />
All living things adapt to their environment. So what is it that really brings artifi cial work to life?<br />
The blend-in dynamics of <strong>Interaction</strong> ceramics. The restoration adapts to any light condition, just as<br />
natural teeth do. <strong>Interaction</strong> <strong>Carrara</strong> with blend-in dynamics offers the dental technician a unique<br />
and complete series of dental solutions for both metal and full ceramic inlays, onlays and veneers.<br />
Read more about it in this brochure.<br />
Patented technology.<br />
Blend-in dynamics is a patented optical quality of <strong>Interaction</strong> ceramic.<br />
Using blend-in dynamics, the core layers of the ceramic change the<br />
brightness of the crown under the infl uence of changing light, just as<br />
natural elements would. At the same time, the transparent outer layers<br />
infl uence the appearance of the crown by leading the colours and the<br />
light in the surrounding area through the crown. Again, just like natural<br />
elements do. All of this ensures that a restoration really does ‘come to<br />
life’ in the mouth.<br />
Reducing failure costs.<br />
The use of <strong>Interaction</strong> ceramic with blend-in dynamics reduces the<br />
chance of the rejection of a restoration for aesthetic reasons. This will<br />
enable the dentist to make more effective use of his time with the patient.<br />
If the 16V Shadeguide is sorted and used in order of brightness values<br />
too, it even becomes possible to reduce failure costs to zero!<br />
Sorting by brightness.<br />
The aesthetic result wanted is often communicated incorrectly because<br />
of the way in which the 16V Shadeguide is usually ordered: in four<br />
colour groups. A different sorting method that has proved to provide a<br />
greater chance of success is the method based on brightness: B1, A1,<br />
B2, A2, C1, D2, A3, D3, C2, B3, D4, A3.5, B4, C3, A4, C4.<br />
<strong>Elephant</strong> has developed a new holder, the <strong>Interaction</strong> Value Guide,<br />
which will replace your old holder. Combined with the unique<br />
characteristics of the blend-in strategy, this method contributes to 100%<br />
aesthetic acceptance of restorations and the patient benefi ts from a<br />
perfect fi t the fi rst time round.<br />
3<br />
<strong>Elephant</strong> <strong>Interaction</strong> Value Guide<br />
with shade tabs sorted<br />
by brightness.
The right solution<br />
for every build-up on metal<br />
Whether working on crowns or bridges, suprastructures, veneers, inlays or onlays: <strong>Interaction</strong> <strong>Carrara</strong><br />
means that there is always a solution on hand. Use sub-structure material made from precious metal or<br />
cobalt-chrome alloys, according to personal preference or as required by the indication.<br />
4<br />
Conventional crowns and bridges.<br />
The <strong>Interaction</strong> <strong>Carrara</strong> ceramic serves a broad indication area in<br />
combi nation with ceramic alloys with a thermal expansion coefficient<br />
ranging from 15.8 to 16.9 μm/m.K (25-500°C). You can choose<br />
from a range of materials, depending on the patient-specific wishes<br />
applicable.<br />
Suprastructures on implants.<br />
If you opt for a ceramic build-up for implant-based solutions, <strong>Interaction</strong><br />
<strong>Carrara</strong> will produce the results envisaged for both screw retained<br />
or cemented restorations. The stability of the sub-structure material<br />
chosen will be decisive for the fit in the mouth and, as such, for patient<br />
comfort.<br />
Certainty; all from just one source.<br />
As soon as they were launched in 1984, it was possible to offer<br />
<strong>Interaction</strong> <strong>Carrara</strong> ceramic solutions in combination with alloys<br />
geared towards use with ceramics. This means that you can always<br />
be assured of a good result! These restorations have already proven<br />
themselves millions of times, over throughout the world.<br />
No deformation.<br />
Even when a restoration is implant-based, excellent alloys are available<br />
for the <strong>Interaction</strong> <strong>Carrara</strong> ceramic. Because of their combination of<br />
a high elongation strain with a high Vickers hardness after hardening,<br />
these ceramics are particularly suitable for use in implant supported<br />
restorations.<br />
Ceramic alloys for crowns and bridges<br />
Alloy: CTE Colour Gold Platinum Palladium Silver<br />
<strong>Carrara</strong> PdF 15,8 rich<br />
yellow<br />
75,0 9,0 - 12,5<br />
Cera H 16,1 yellow 73,1 1,5 5,8 16,0<br />
Cera F 16,3 yellow 58,0 3,0 7,0 27,3<br />
Cera R Plus 16,8 yellow 58,0 2,0 8,0 27,9<br />
Cera E 16,5 white 0,1 - 39,9 51,8<br />
Cera Aurum 16,8 light<br />
yellow<br />
Cera Star 16,9 light<br />
yellow<br />
38,4 - 15 37,5<br />
42 - 15 32,9<br />
Colour Cobalt Chrome Molybdenum Other<br />
Vi-Comp LFC 15,9 white 33,5 29,5 5,0<br />
Fe, Si,<br />
Mn, N, C<br />
The following alloys are the most suitable for suprastructures<br />
Alloy: CTE Colour Gold Platinum Palladium Silver<br />
Cera H 16,1 yellow 73,1 1,5 5,8 16,0<br />
Cera E 16,5 white 0,1 - 39,9 51,8
➊<br />
➋<br />
➊ Finished <strong>Interaction</strong> <strong>Carrara</strong> crowns in the laboratory ➋ Light adaptation in a natural environment Photo’s: Norbert Pack<br />
➌<br />
➎<br />
➍<br />
5<br />
➌ Fitting the sub-structure<br />
➍ The finished and fitted piece<br />
➎ Perfect fit with the lips and aesthetically pleasing result<br />
Photo’s: Jürgen Gebhardt<br />
➏ ➐ ➑<br />
➒<br />
➏ Situation in the mouth<br />
➐ Fitting after the first firing phase<br />
➑ Natural result, the fitted piece in<br />
the patient’s mouth<br />
➒ Extremely natural result<br />
Photo’s: Hans Jürgen Joit
➊ ➋ ➌<br />
➍<br />
➊ Gypsum cast with model<br />
analogues<br />
➋ Finished restoration on the<br />
working model<br />
➌ Even with different indications,<br />
<strong>Interaction</strong> <strong>Carrara</strong> provides<br />
a very aesthetically pleasing<br />
result<br />
➍ Extremely natural result<br />
6<br />
Photo’s: Norbert Pack<br />
➎<br />
➏<br />
➎ Preparation of the front teeth<br />
➏ Applying <strong>Interaction</strong> <strong>Carrara</strong><br />
on specially prepared <strong>Interaction</strong><br />
Veneering Investment<br />
➐ Beautiful result, the fixed veneers<br />
in the mouth<br />
Photo’s: Norbert Pack<br />
➐
Metal ceramic or full-ceramic?<br />
Restorations are often challenging where combined indications are<br />
required. <strong>Interaction</strong> <strong>Carrara</strong> enables you to use the same material<br />
for mixed indications. The result: the very best aesthetic result possible.<br />
Metal ceramic crowns used beside veneers in a frontal restoration,<br />
when produced from the same ceramic, guarantee a good solution.<br />
The same is possible for posterior teeth by placing bridges next to<br />
ceramic inlays. All of these can be created from the same materials<br />
and all benefit from the advantages offered by blend-in dynamics!<br />
Platinum foil for veneer technique<br />
Article number<br />
Platinum foil 0.020 mm 544501102<br />
Platinum foil 0.025 mm 544501125<br />
Veneering Investment for veneers, inlays and onlays<br />
Article number<br />
<strong>Interaction</strong> Veneering Investment 233050010<br />
<strong>Interaction</strong> Veneering Investment Liquid 233512010<br />
Silflex Orange Speed duplicating material A + B 8021565<br />
High quality aesthetic results for decades.<br />
Beautiful restorations are possible as part of an effective, simple and<br />
very economic procedure, in which the blend-in dynamics make<br />
themselves felt as soon as <strong>Interaction</strong> <strong>Carrara</strong> is used to produce<br />
veneers, inlays and onlays. The original material produced was first<br />
used for these solutions in 1984.<br />
Platinum foil and investment.<br />
Depending on the method preferred, high-quality aesthetic restorations<br />
are possible using a platinum-foiled based technique or the technique<br />
involving a special heat-resistant investment. For both techniques, the<br />
<strong>Interaction</strong> solutions combine all of the auxiliary material needed with<br />
the easiest approach to and optimal fit for veneers, inlays and onlays.<br />
Total solution from taking the impression to cementing.<br />
Perfectly coordinated materials guarantee the achievement of a perfect<br />
result. For every indication for which <strong>Interaction</strong> <strong>Carrara</strong> can be used,<br />
the materials recommended contribute to an optimal and perfect end<br />
result.<br />
Suggestion for optimal process<br />
Impression material<br />
DENTSPLY Aquasil<br />
Temporary provision<br />
DENTSPLY Integrity<br />
Adhesive<br />
DENTSPLY SmartCem2<br />
7<br />
Veneer build-up based on<br />
the platinum foil technique
BASIC<br />
ADVANCED<br />
The build-up<br />
The core layers:<br />
<strong>Interaction</strong> <strong>Carrara</strong> paste opaque<br />
(V1/B1 – V16/C4 and bleach)<br />
These are ready-for-use, fluorescent<br />
opaques and can be applied directly<br />
to the prepared metal sub-structure.<br />
<strong>Interaction</strong> <strong>Carrara</strong> paste opaque<br />
ensures bonding with all of the sub-structures within the indication area and<br />
its fluorescent effect assures the ability of the restoration to vary in clarity in<br />
changing light.<br />
8<br />
<strong>Interaction</strong> <strong>Carrara</strong> value dentin<br />
(V1/B1 – V16/C4)<br />
These are dentines that are ordered by level of clarity.<br />
In terms of translucence and colour pigmentation. These<br />
value dentines have been adapted to ensure the correct<br />
achievement of the appearance required when used in<br />
combination with the corresponding paste opaque and<br />
incisal. The fluorescent effect of the dentin also contributes<br />
to the active interaction of the restoration with changing<br />
light conditions.<br />
<strong>Interaction</strong> <strong>Carrara</strong> action-i dentin<br />
(1V4/1B2, 4V8/1A2, 8V13/3B4, 13V16/3C4)<br />
These are strong-fluorescence dentines, ordered by<br />
colour and clarity, and used to apply characteristics in<br />
the incisal part of the element (mamelons, for example)<br />
and to influence the chroma of the restoration<br />
(i=incisal, i=individual, i=intensive and i=interactive).<br />
Physical qualities<br />
CTE ceramic (25°C - Tg)<br />
µm/m.K 14,2<br />
Tg = 460°C<br />
Baked on ceramic alloys with a CTE value (25-500°C) µm/m.K 15,8 - 16,9<br />
Firing temperature °C 795 - 860<br />
Layer-thickness limit µm 0,8 – 4,0 *<br />
* Avoid strong layer-thickness differences and transitions in the ceramic layer.<br />
May taper off to 0 towards the crown edge.
Transparent outer layers:<br />
Individualization:<br />
<strong>Interaction</strong> <strong>Carrara</strong> incisal<br />
(57 – 60)<br />
These are transparent incisals that are used to<br />
achieve a high-quality aesthetic outer layers for the<br />
fired restoration. Thanks to consistent applicated<br />
opalising properties, the crown has a natural, aesthetic<br />
appearance in changing light conditions. In this way,<br />
the crown blends in with adjacent elements in a natural<br />
manner.<br />
<strong>Interaction</strong> <strong>Carrara</strong> x-tra incisal<br />
(x-tra i bright, x-tra i medium, x-tra i dark)<br />
These are opalescent, transparent materials that can<br />
be used to precisely adjust the value of a crown. For<br />
example, when the cervical area of a tooth needs to<br />
be slightly darker in colour, in line with the processing<br />
instructions provided by the dentist, this can be achieved<br />
using x-tra i dark. If a crown is ‘too dark’ after the first<br />
firing, x-tra i bright makes it possible to correct this without<br />
any cutback.<br />
<strong>Interaction</strong> <strong>Carrara</strong> x-tra-incisal<br />
(x-tra i blue, x-tra i red, x-tra i grey, x-tra i orange, x-tra i white)<br />
These are opalescent, transparent materials that ensure<br />
an additional colour transparency in tooth surfaces. This<br />
makes it easy to individualise the incisal part of the crown.<br />
<strong>Interaction</strong> <strong>Carrara</strong> x-tra-incisal<br />
(clear)<br />
This is a neutral, transparent, non-opalescent material.<br />
<strong>Interaction</strong> <strong>Carrara</strong> margin<br />
(1A2, 3A4, Booster, 1B2, 3B4, 1C2, 3C4, gum)<br />
These are materials that are used to fire ceramic<br />
shoulders onto shoulder or chamfer preparations.<br />
<strong>Interaction</strong> margins can also be used in situations where<br />
a very limited layer thickness requires a dentine colour<br />
with better coverage.<br />
<strong>Interaction</strong> <strong>Carrara</strong> action-i dentin<br />
(221 – 240, for individual use)<br />
These are special coloured dentines, arranged by colour<br />
and clarity, that are used to apply characteristics to the<br />
incisal part of the element (mamelons, for example) and to<br />
influence the chroma of the restoration. They are ready for<br />
use and can be used unmixed.<br />
<strong>Interaction</strong> <strong>Carrara</strong> correction<br />
This is a colourless, lower-melting, transparent correction<br />
material for the correction of contact points and occlusal<br />
or incisal edges, or for the improvement of the crown<br />
surface shape.<br />
<strong>Interaction</strong> <strong>Carrara</strong> gumshades<br />
(211 Violet, 212 Dark, 213 Light, 214 Translu-violet,<br />
215 Translu-dark, 216 Translu-light, 217 Extra Translu-light,<br />
paste opaque gum)<br />
These are materials that can be used to create high-quality<br />
and aesthetic ceramic reconstructions of lost gingival<br />
material/gums. This may be necessary in the event of<br />
significant implants and suprastructure works, for example.<br />
9<br />
<strong>Interaction</strong> Antagon ® +<strong>Carrara</strong> glaze<br />
This is a mass that can be used, where required,<br />
to increase the gloss level of a crown.
<strong>Interaction</strong> <strong>Carrara</strong>.<br />
Your best choice<br />
Besides the exceptional ease of use that the blend-in dynamics provide from an aesthetic point<br />
of view, there are many aspects that make the <strong>Interaction</strong> ceramic easy to work with too:<br />
10<br />
Faster result.<br />
<strong>Interaction</strong> ceramic is form stable for at least five firing stages. After the<br />
normal first sinter shrinkage, the material is form stable, which means<br />
that fewer corrections will be necessary during the rest of the process.<br />
Besides a homogeneous firing result, the unique particle build-up<br />
also results in a reduced risk of breakage and cracks. An additional<br />
advantage of the particle size build-up chosen is that the ceramic is<br />
stable in wet conditions too, which makes the material pleasant and<br />
easy to work with.<br />
Simplicity of use.<br />
The <strong>Interaction</strong> assortment for the various sub-structure materials are<br />
identical in terms of build-up. Experience gained with the material can<br />
be applied again and again, regardless of the sub-structure used.<br />
Added to this, the names used for the materials often indicate their<br />
function within the build-up.<br />
Healthy elements retained.<br />
The basic material (the frits) for <strong>Interaction</strong> ceramic is produced using<br />
a hydrothermal production process 1) . As a result, a hydroxil effect is<br />
ultimately achieved in the mouth. Upon first contact with the saliva, the<br />
crown reacts by creating a smooth, softer outer layer, resulting in a<br />
reduced risk of antagonist abrasion.<br />
Trust.<br />
<strong>Interaction</strong> ceramics always consist of two components (so-called frits)<br />
made from 100% natural feldspar material. During firing, the glass frit<br />
changes to a liquid form before the leucite frit does. As a result, the<br />
sub-structure is ‘wetted’ better, which results in better adhesion. In this<br />
way, the risk of cracks or material breaking away is kept to a minimum.<br />
This also results in a demonstrably better bond for both precious metal<br />
sub-structures and cobalt-chrome substructures.<br />
Economic advantage.<br />
The complete range consists of relatively few different materials, yet it<br />
is still possible to produce any of the various restorations from them. As<br />
a result, there is a smaller risk that a high level of unusable materials will<br />
be accumulated in the laboratory.<br />
History since 1984.<br />
<strong>Interaction</strong> <strong>Carrara</strong> was developed from the FlexoCeram system,<br />
which was introduced in 1984. The basis for the recipe used for<br />
the material has remained virtually unchanged. This means that by<br />
choosing <strong>Interaction</strong>, you are opting for a material that has already<br />
been used in millions of restorations over the last 25 years.<br />
1) See the reading list for details of the hydrothermal production process
➊<br />
11<br />
➊ Detailed shot of hydrothermal<br />
production: 1400°C hot<br />
ceramic cools down quickly<br />
in water<br />
➋ Hydrothermal frit production<br />
➌ End product and raw<br />
material, 100% natural<br />
feldspathic material<br />
➍ Determination of optimal<br />
grain size<br />
➎ Microscope magnification<br />
(300 x) of ceramic on alloy<br />
shows very good bond<br />
➋<br />
➍<br />
➌<br />
➎<br />
Photo 3: Hans Jürgen Joit
Starting to use <strong>Interaction</strong> <strong>Carrara</strong>:<br />
Wide choice of sets<br />
<strong>Interaction</strong> <strong>Carrara</strong> Starter Kit<br />
<strong>Interaction</strong> <strong>Carrara</strong> Add-On Kit<br />
12<br />
Article number: 489999800<br />
For new users, the <strong>Interaction</strong> <strong>Carrara</strong> Starter Kit is an ideal,<br />
economic initial introduction to the colours used most in practice:<br />
B1, A2, A3, B3, A3.5 and A4.<br />
The range structure means that the restorations required can be<br />
reproduced using the effective two-layer system or individual<br />
colour build-up.<br />
Contents:<br />
•• <strong>Interaction</strong> <strong>Carrara</strong> paste opaque<br />
(B1, A2, A3, B3, A3.5, A4)<br />
•• <strong>Interaction</strong> <strong>Carrara</strong> value dentin<br />
(B1, A2, A3, B3, A3.5, A4)<br />
•• <strong>Interaction</strong> <strong>Carrara</strong> action-i dentin<br />
(1A2, 1B2, 3B4, 3C4)<br />
•• <strong>Interaction</strong> <strong>Carrara</strong> incisal<br />
(57, 58, 59, 60)<br />
•• <strong>Interaction</strong> <strong>Carrara</strong> x-tra incisal<br />
(bright, medium, dark, clear)<br />
•• <strong>Interaction</strong> <strong>Carrara</strong> correction<br />
•• <strong>Interaction</strong> <strong>Carrara</strong> glaze<br />
•• <strong>Interaction</strong> carving liquid<br />
•• <strong>Interaction</strong> paint liquid<br />
•• <strong>Interaction</strong> pencil (brush) cleaner<br />
•• <strong>Interaction</strong> pencil (brush)<br />
•• <strong>Interaction</strong> <strong>Carrara</strong> manual<br />
Article number: 489999810<br />
Where required, the Starter Kit can be complemented with the Add-On Kit,<br />
making it possible to reproduce all 16V colours.<br />
Contents:<br />
•• <strong>Interaction</strong> <strong>Carrara</strong> paste opaque<br />
(A1, B2, C1, D2, D3, C2, D4, B4, C3 C4)<br />
•• <strong>Interaction</strong> <strong>Carrara</strong> value dentin<br />
(A1, B2, C1, D2, D3, C2, D4, B4, C3 C4)<br />
•• <strong>Interaction</strong> <strong>Carrara</strong> x-tra incisal<br />
(white, blue, orange, grey, red)<br />
•• <strong>Interaction</strong> superwet liquid<br />
•• <strong>Interaction</strong> superform liquid<br />
•• <strong>Interaction</strong> pencil (brush) cleaner<br />
•• <strong>Interaction</strong> pencil (brush)<br />
•• <strong>Interaction</strong> <strong>Carrara</strong> manual
<strong>Interaction</strong> <strong>Carrara</strong> Convert Kit<br />
<strong>Interaction</strong> <strong>Carrara</strong> Margin & Gum Kit<br />
13<br />
Article number: 482795840<br />
The <strong>Interaction</strong> <strong>Carrara</strong> Convert Kit, which contains all 16V colours,<br />
makes it easy and affordable for existing Antagon ® <strong>Interaction</strong> users to<br />
switch to a two-layer approach.<br />
Contents:<br />
•• <strong>Interaction</strong> <strong>Carrara</strong> value dentin<br />
(B1,A1,B2,A2,C1,D2,A3,D3,C2,B3,D4,A3,5,B4,C3,A4,C4)<br />
•• <strong>Interaction</strong> <strong>Carrara</strong> x-tra incisal<br />
(clear & white)<br />
•• <strong>Interaction</strong> carving liquid<br />
•• <strong>Interaction</strong> <strong>Carrara</strong> manual<br />
Article number: 482195810<br />
The <strong>Interaction</strong> <strong>Carrara</strong> Margin & Gum Kit enables you to fit<br />
high-quality, aesthetic ceramic shoulders and also to compensate lost<br />
gingival tissue. As a result, this kit will be a particularly welcome addition<br />
to the range for anyone working on complex implant cases.<br />
Contents:<br />
•• <strong>Interaction</strong> <strong>Carrara</strong> margin<br />
(1A2, 3A4, 1B2, 3B4, 1C2, 3C4, Booster, gum, margin correction<br />
bright, -medium & -dark)<br />
•• <strong>Interaction</strong> <strong>Carrara</strong> gum<br />
(211 Violet, 212 Dark, 213 Light, 214 Translu-violet, 215 Translu-dark,<br />
216 Translu-light, 217, Extra Translu-light, paste opaque)<br />
•• <strong>Interaction</strong> pencil (brush)<br />
•• <strong>Interaction</strong> margin liquid<br />
•• <strong>Interaction</strong> <strong>Carrara</strong> margin manual<br />
•• <strong>Interaction</strong> <strong>Carrara</strong> gumshades manual<br />
NB: All existing <strong>Interaction</strong> <strong>Carrara</strong> ceramic materials can be worked with<br />
the new <strong>Interaction</strong> <strong>Carrara</strong> value dentin without any problems at all.
<strong>Interaction</strong> <strong>Carrara</strong> Esthetic Kit<br />
<strong>Carrara</strong> Paint Kit<br />
14<br />
Article number: 482695830<br />
The Esthetic Kit is recommended for anyone seeking to achieve the far<br />
reaching individualisation of an <strong>Interaction</strong> blend-in dynamics restoration.<br />
The masses in this set make it simple to achieve most individual colourapplication<br />
wishes.<br />
Contents:<br />
•• <strong>Interaction</strong> <strong>Carrara</strong> action-i dentin<br />
(221 Sunny, 222 Camel, 223 Toffee, 224 Cashmere,<br />
225 Corn, 226 Butter, 227 Honey, 228 Caramel,<br />
229 Amber, 230 Mocca, 231 Chocolat, 232 Crème,<br />
233 Sand, 234 Ivory, 235 Sahara, 236 Marble,<br />
237 Khaki, 238 Polar, 239 Lavender, 240 Aqua)<br />
•• <strong>Interaction</strong> pencil (brush)<br />
•• <strong>Interaction</strong> carving liquid<br />
•• Shadeguide action-i dentin individual use<br />
•• <strong>Interaction</strong> <strong>Carrara</strong> action-i dentin manual<br />
Article number: 435095070<br />
Using the paint it is not only possible to apply individual characteristics<br />
to the ceramic surface during the glaze firing phase, but, using the inside<br />
outside and inside only, it is also possible to apply internal characteristics<br />
such as cracks in the enamel. This way, you can, for example, emphasise<br />
fissures or apply final colour nuances.<br />
Contents:<br />
•• <strong>Interaction</strong> <strong>Carrara</strong> paints<br />
(Outside only Onyx ,Outside only Chalk, Outside only Plaque,<br />
Outside only Halo, Outside only Havannah, Inside/Outside Blue,<br />
Inside/Outside White, Inside/Outside Orange, Inside/Outside Olive,<br />
Inside/Outside Khaki, Inside only, Grey/Violet, Inside only white,<br />
Inside only Orange, Inside only Olive, Inside only Pink)<br />
•• <strong>Interaction</strong> pencil (brush)<br />
•• <strong>Interaction</strong> paint liquid<br />
•• <strong>Interaction</strong> Sakura paint shadeguide<br />
•• <strong>Interaction</strong> Sakura paint manual<br />
NB: All existing <strong>Interaction</strong> <strong>Carrara</strong> ceramic materials can be worked with<br />
the new <strong>Interaction</strong> <strong>Carrara</strong> value dentin without any problems at all.
<strong>Interaction</strong> <strong>Carrara</strong> article number overview:<br />
<strong>Interaction</strong> <strong>Carrara</strong> paste opaque<br />
A1 3,5 g 481205001<br />
A2 3,5 g 481205002<br />
A3 3,5 g 481205003<br />
A3,5 3,5 g 481205004<br />
A4 3,5 g 481205005<br />
B1 3,5 g 481205006<br />
B2 3,5 g 481205007<br />
B3 3,5 g 481205008<br />
B4 3,5 g 481205009<br />
C1 3,5 g 481205010<br />
C2 3,5 g 481205011<br />
C3 3,5 g 481205012<br />
C4 3,5 g 481205013<br />
D2 3,5 g 481205014<br />
D3 3,5 g 481205015<br />
D4 3,5 g 481205016<br />
Bleach 3,5 g 481205017<br />
Gum 3,5 g 483005200<br />
<strong>Interaction</strong> <strong>Carrara</strong> value dentin<br />
V1/B1 25 g 482735001<br />
V2/A1 25 g 482735002<br />
V3/B2 25 g 482735003<br />
V4/A2 25 g 482735004<br />
V5/C1 25 g 482735005<br />
V6/D2 25 g 482735006<br />
V7/A3 25 g 482735007<br />
V8/D3 25 g 482735008<br />
V9/C2 25 g 482735009<br />
V10/B3 25 g 482735010<br />
V11/D4 25 g 482735011<br />
<strong>Interaction</strong> <strong>Carrara</strong> value dentin<br />
V12/A3.5 25 g 482735012<br />
V13/B4 25 g 482735013<br />
V14/C3 25 g 482735014<br />
V15/A4 25 g 482735015<br />
V16/C4 25 g 482735016<br />
<strong>Interaction</strong> <strong>Carrara</strong> action-i dentin<br />
1A2 25 g 483935001<br />
3A4 25 g 483935003<br />
1B2 25 g 483935006<br />
3B4 25 g 483935008<br />
1C2 25 g 483935010<br />
3C4 25 g 483935012<br />
<strong>Interaction</strong> <strong>Carrara</strong> incisal<br />
56 25 g 483235056<br />
57 25 g 483235057<br />
58 25 g 483235058<br />
59 25 g 483235059<br />
60 25 g 483235060<br />
<strong>Interaction</strong> <strong>Carrara</strong> x-tra incisal<br />
Bright 25 g 484135060<br />
Medium 25 g 484135061<br />
Dark 25 g 484135062<br />
Blue 25 g 484135063<br />
Red 25 g 484135064<br />
Grey 25 g 484135065<br />
Orange 25 g 484135066<br />
Clear 25 g 484135067<br />
White 25 g 484135068<br />
<strong>Interaction</strong> <strong>Carrara</strong> correction<br />
Correction 25 g 484435081<br />
<strong>Interaction</strong> <strong>Carrara</strong> margin<br />
1A2 10 g 482125001<br />
3A4 10 g 482125003<br />
1B2 10 g 482125006<br />
3B4 10 g 482125008<br />
1C2 10 g 482125010<br />
3C4 10 g 482125012<br />
Booster 10 g 482125017<br />
Correction Bright 10 g 482125018<br />
Correction Medium 10 g 482125019<br />
Correction Dark 10 g 482125020<br />
<strong>Interaction</strong> <strong>Carrara</strong> paint<br />
Inside Only Grey/Violet 3 g 435003311<br />
Inside Only White 3 g 435003312<br />
Inside Only Orange 3 g 435003313<br />
Inside Only Olive 3 g 435003314<br />
Inside Only Pink 3 g 435003315<br />
Inside/Outside Blue/Violet 3 g 435003316<br />
Inside/Outside White 3 g 435003317<br />
Inside/Outside Orange 3 g 435003318<br />
Inside/Outside Olive 3 g 435003319<br />
Inside/Outside Khaki 3 g 435003320<br />
Outside Only Onyx 3 g 435003321<br />
Outside Only Plaque 3 g 435003322<br />
Outside Only Chalk 3 g 435003323<br />
Outside Only Halo 3 g 435003324<br />
Outside Only Havannah 3 g 435003325<br />
Intearction <strong>Carrara</strong> gumshade<br />
Gum 211 Violet 10 g 483025211<br />
Gum 212 Dark 10 g 483025212<br />
Gum 213 Light 10 g 483025213<br />
Gum 214 Translu-violet 10 g 483025214<br />
Gum 215 Translu-dark 10 g 483025215<br />
Gum 216 Translu-light 10 g 483025216<br />
Gum 217 Extra<br />
translu-light<br />
10 g 483025217<br />
Margin gum 10 g 482025100<br />
Margin gum correction 10 g 482125019<br />
<strong>Interaction</strong> Antagon ® +<strong>Carrara</strong> glaze<br />
Glaze 15 g 484228071<br />
Spray Glaze 238 ml 484275071<br />
<strong>Carrara</strong> Shade paint<br />
SP1 3 g 435003401<br />
SP2 3 g 435003402<br />
SP3 3 g 435003403<br />
SP4 3 g 435003404<br />
SP5 3 g 435003405<br />
SP6 3 g 435003406<br />
SP7 3 g 435003407<br />
SP8 3 g 435003408<br />
SP9 3 g 435003409<br />
<strong>Interaction</strong> <strong>Carrara</strong> Kits<br />
Starter Kit 489999800<br />
Add-on Kit 489999810<br />
Convert Kit 482795840<br />
Margin & Gum Kit 482195810<br />
Esthetic Kit 482695830<br />
Guaranteed substructure and auxiliary material for <strong>Interaction</strong> <strong>Carrara</strong><br />
For crowns and bridges:<br />
For suprastructures:<br />
15<br />
CAM produced sub-structures:<br />
Article number:<br />
IND #1 <strong>Carrara</strong> PdF sub-structures 1 - 6 unit 595320005010 t/m 060<br />
IND #1 Cera E sub-structures 1 - 6 unit 595320027010 t/m 060<br />
( #1 = Industriell gegossen)<br />
Alloys for own casting process:<br />
Article number:<br />
<strong>Carrara</strong> PdF 25 g 540406050<br />
Cera H 25 g 540106100<br />
Cera F 25 g 540306120<br />
Cera R Plus 25 g 540306030<br />
Cera E 25 g 540706021<br />
Cera Aurum 25 g 540306131<br />
Cera Star 25 g 540306140<br />
Vi-Comp LFC 250 g 005010055<br />
Article number:<br />
Cera H 25 g 540106100<br />
Cera E 25 g 540706021<br />
For full ceramic inlays, onlays and veneers:<br />
Platinum foil technique:<br />
Article number:<br />
Platinum foil 0.020 mm 100 x 50 mm 544501102<br />
Platinum foil 0.025 mm 100 x 33 mm 544501125<br />
Investment technique:<br />
Article number:<br />
<strong>Interaction</strong> Veneering Investment 1 kg 233050010<br />
<strong>Interaction</strong> Veneering Investment Liquid 200 ml 233512010<br />
Silflex Orange Speed duplicating material A+B 2 x 1 kg 8021565<br />
All of the materials have been tested extensively and have been the ideal combination partners for the<br />
<strong>Interaction</strong> <strong>Carrara</strong> solutions for years now. Detailed process information is available on the production<br />
of these combinations and the achievement of an optimal result.<br />
Bibliography:<br />
Value based shade taking:<br />
■ Albers J, <strong>Interaction</strong> of Color, Yale University Press, 1963 ■ Clark, EB, Selection of Tooth Color. J. Am. Dent. Assoc. 25: 787-793,1947 ■ Sproull RC, Color matching in dentistry. Part II. Practical applications of the organization of color. J. Prosthet. Dent. May, 1973 ■ Preston JD, Bergen SF. Color<br />
science and dental art. St. Louis: Mosby; 1980. P6 ■ Paravina RD, Problems in Standard Shade Matching and Reproduction Procedure in Dentistry: A Review of the State of the Art. Facta Universitatis, Medicine and Biology Vol. 4, No 1, 1997 pp. 12-16 ■ McLaren EA. The 3D-Master Shade-Matching<br />
System and the Skeleton Buildup Technique: Science meets Art and Intuition. Quintessence <strong>Dental</strong> Technolology, 1999;22:55-68 ■ McLaren EA. Provisionalization and the 3-D Communication of Shade and Shape. Contemporary Esthetics 2000;4(5):48-60 ■ Barret AA et al. Infl uence of tab and disk<br />
design on shade matching of dental porcelain. J Prosthet Dent 2002;88:591-97 ■ McLaren EA, Radz G, Murray PE, Coz CF. The Statistical Evaluation of Two Shade Guide Systems. J Dent Res 2003;82:125. (abstr # 899) ■ Hammad IA, Intrarater repeatability of shade selections with two shade guides.<br />
J Prosthet Dent 2003;89:50-3 ■ Marcucci B, A shade selection technique. J Prothet Dent. 2003 May;89(5):518-21 ■ Baltzer A, The Determination of the Tooth Colors. Quintessenz Zahntech 30, 7, 726-740 2004 ■ Paravina RD, Powers JM. Esthetic Color Training in Dentistry. : Mosby;<br />
2004. P165 ■ Chu SJ, Devigus A, Mieleszko AJ. <strong>Dental</strong>e Farbenlehre, Farbbestimmung und Farbkommunikation in der ästhetischen Zahnmedizin. Quintessenz Verlags-GmbH; 2005. P61 ■ Hassel AJ et al., Clinical Effect of Different Shade Guide Systems on the Tooth Shades of Ceramic-<br />
Veneered Restorations. Int J Prothodont 2005; 18:422-426 ■ Ditzinger T, Color Perception and Tooth Shade, Part II. dental-lab international, Vol. I, No. 2/2005 ■ Park JH et al., Infl uence of illuminants on the color distribution of shade guides. J Prosthet Dent 2006 Dec;96(6):402-11<br />
■ McLaren EA. The Art of Passion: a photographic journey... teeth, ceramics, faces, and places. 2008 ■ Sidney Kina & August Bruguera. Invisible: Esthetic Ceramic Restorations. 2009. Artes Medicas<br />
<strong>Interaction</strong> ceramics:<br />
■ P. Bertolaso. Tecnica di stratifi cazione con materiali innovative ed interattivi. 2003. Laboratorio Odontotecnico ■ N. Wichnalek. Die große Kunst des Minimalisierens. 2003. Das <strong>Dental</strong> Labor ■ F. Bolzani. Ein besonderer Fall. 2004. Quintessenz Zahntechnik ■ J. van der Zel.<br />
Antagon <strong>Interaction</strong> – Natuurlijke esthetiek. 2004. Tandtechnisch Magazine ■ H. Joit. Einfach schön. 2005. Das <strong>Dental</strong> Labor ■ N. Pack. Die wirtschaftliche Realisierung dentaler Ästhetik. 2005. Quintessenz Zahntechnik ■ J. Schünemann. Lifestyle dentistry - More than only teeth.<br />
2005. Quintessenza Odontotecnica ■ J. Schünemann. Farbe ist Nebensache. 2005. Quintessenz Zahntechnik ■ J. van der Zel. Ergebnisse mit einem neuen Verblendsystem für Zirkonoxidgerüste. 2005. DZW ■ H. Joit. Exzellente dentale Ästhetik. 2006. Quintessenz Zahntechnik<br />
■ F. Bolzani. Combined Dentures: A Special Case. 2006. Quintessence Journal of <strong>Dental</strong> Technology ■ B. Troczyński. Wykonanie korony i licowski kosmetycznej w odcinku przednim. 2006. <strong>Dental</strong> Labor Poland ■ F. Bolzani. Personalizzazione del colore della ceramic su zirconio.<br />
2006. Quintessenza Odontecnica ■ N. Pack. Erfahrungen und Überlegungen zum Einstieg in die zirkondioxid-basierte Keramik. 2007. <strong>Dental</strong> Dialogue ■ F. Bolzani. Individuelle Schichttechnik für höchste Ästhetik. 2008. Das <strong>Dental</strong> Labor ■ N. Pack. Veneers und Kronen in approximaler<br />
Nachbarschaft. 2008. DWZ Spezial ■ B. Troczyński. Kosmetyczna odbudowa cyrkonowo – ceramiczna w odcinku przednim. 2008. <strong>Dental</strong> Labor Poland ■ H. Joit. Deep Light Movement. 2009. <strong>Dental</strong> Dialogue ■ H. Joit. Farbanaloge Schichtung einer Zirkoniumoxidkrone neben einem<br />
Veneer. 2009. Quintessez ■ F.Bolzani. Najwyz·sza estetyka w indywidualnej technice warstwowej. 2009. <strong>Dental</strong> Labor Poland ■ H. Joit. Sakura Live in Action. 2009. Das <strong>Dental</strong> Labor ■ H. Joit. Short ways, big action. 2009. <strong>Dental</strong> Dialogue ■ H. Joit. Krótka droga – duz·a akcja.<br />
2009. <strong>Dental</strong> Labor Poland ■ N. Pack. Vollkeramik ohne apparativen Aufwand. 2009. <strong>Dental</strong> Dialogue ■ N. de Jager, A. van Dalen en C. Klever. Porseleinchipping van volledig keramische kronen en bruggen. 2009. Tandartspraktijk ■ H. Joit. Inzisale Refl ektionen. 2009. Quintessenz<br />
■ H. Joit. Learning by burning. 2009. <strong>Dental</strong> Dialogue ■ H. Joit. Ein zuverlässiger Partner. 2010. <strong>Dental</strong> Labor<br />
Hydrothermal production process:<br />
■ Nijnatten PA, Onderzoek van OH-groepen in translucente glasmonsters (<strong>Carrara</strong> Dentine) ■ Seghi RR, The effect of ion exchange on fl exural strength of feldspathic porcelains ■ Komma O, Hydrothermal <strong>Dental</strong> Ceramic Systems ■ Anusavice KJ, Strengthening of porcelain by ion exchange<br />
subsequent to thermal tempering<br />
Vitapan ® classical A1 – D4 Shade Guide and Vita Lumin ® Vacuum A1–D4 Shade Guide are registered trademarks of Vita Zahnfabrik H. Rauter GmbH & Co. KG
<strong>Elephant</strong> <strong>Dental</strong> B.V.<br />
Verlengde Lageweg 10<br />
1628 PM Hoorn, The Netherlands<br />
Tel.: +31 229 25 90 00<br />
Fax: +31 229 25 90 99<br />
E-mail: interaction@dentsply.com<br />
www.interaction-ceramics.com<br />
0344<br />
rev. apr-2011<br />
Rx only ISO 9693 + 6872