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Legends of Jazz Guitar - Stefan Grossman's Guitar Workshop

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Photo Courtesy <strong>of</strong> Ashley Mark Publishing Co.<br />

Gillespie and Charlie Parker came to Los Angeles in 1945.<br />

He played with Parker on a 1946 Dial Records session<br />

and became a mainstay <strong>of</strong> the Hollywood studios, backing<br />

everyone from Bird to Billie Holiday.<br />

In 1952, Kessel joined Oscar Peterson’s trio. His tenmonth<br />

stint with the group brought him greater attention<br />

and gave him the confidence to begin recording and performing<br />

as leader. Despite a busy schedule <strong>of</strong> session<br />

work, Kessel became the leading voice <strong>of</strong> jazz guitar in<br />

the 1950s. He routinely walked away with the guitar honors<br />

in down beat’s annual poll until Wes Montgomery<br />

unseated him in 1963.<br />

Kessel continued to be an active and influential force<br />

in jazz guitar throughout the 1960s-1980s. His composition,<br />

“Blue Mist,” is the springboard for stunning ‘conversations’<br />

among Kessel, Kenny Burrell, and Grant<br />

Green captured at Ronnie Scott’s in London in 1969. An<br />

example <strong>of</strong> jazz artistry at its peak, the exchange <strong>of</strong> solos<br />

culminates with each guitarist making statements<br />

brilliantly extended by the others.<br />

1974’s “BBC Blues” is a Kessel revision <strong>of</strong> “Basie’s<br />

Blues” (see <strong>Legends</strong> <strong>of</strong> <strong>Jazz</strong> <strong>Guitar</strong>, Volume One) with a<br />

title honoring the company which taped it. It’s an example<br />

<strong>of</strong> Kessel in top form exhibiting what Norman<br />

Mongan, in The History <strong>of</strong> the <strong>Guitar</strong> in <strong>Jazz</strong>, calls “His<br />

4

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