Legends of Jazz Guitar - Stefan Grossman's Guitar Workshop
Legends of Jazz Guitar - Stefan Grossman's Guitar Workshop
Legends of Jazz Guitar - Stefan Grossman's Guitar Workshop
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Photo Courtesy <strong>of</strong> Ashley Mark Publishing Co.<br />
Gillespie and Charlie Parker came to Los Angeles in 1945.<br />
He played with Parker on a 1946 Dial Records session<br />
and became a mainstay <strong>of</strong> the Hollywood studios, backing<br />
everyone from Bird to Billie Holiday.<br />
In 1952, Kessel joined Oscar Peterson’s trio. His tenmonth<br />
stint with the group brought him greater attention<br />
and gave him the confidence to begin recording and performing<br />
as leader. Despite a busy schedule <strong>of</strong> session<br />
work, Kessel became the leading voice <strong>of</strong> jazz guitar in<br />
the 1950s. He routinely walked away with the guitar honors<br />
in down beat’s annual poll until Wes Montgomery<br />
unseated him in 1963.<br />
Kessel continued to be an active and influential force<br />
in jazz guitar throughout the 1960s-1980s. His composition,<br />
“Blue Mist,” is the springboard for stunning ‘conversations’<br />
among Kessel, Kenny Burrell, and Grant<br />
Green captured at Ronnie Scott’s in London in 1969. An<br />
example <strong>of</strong> jazz artistry at its peak, the exchange <strong>of</strong> solos<br />
culminates with each guitarist making statements<br />
brilliantly extended by the others.<br />
1974’s “BBC Blues” is a Kessel revision <strong>of</strong> “Basie’s<br />
Blues” (see <strong>Legends</strong> <strong>of</strong> <strong>Jazz</strong> <strong>Guitar</strong>, Volume One) with a<br />
title honoring the company which taped it. It’s an example<br />
<strong>of</strong> Kessel in top form exhibiting what Norman<br />
Mongan, in The History <strong>of</strong> the <strong>Guitar</strong> in <strong>Jazz</strong>, calls “His<br />
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