Literature Catalogue 2009 (UK) - Routledge
Literature Catalogue 2009 (UK) - Routledge
Literature Catalogue 2009 (UK) - Routledge
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LITERARY AND CULTURAL THEORY POSTCOLONIAL STUDIES 13<br />
NEW<br />
Haunting and Displacement in<br />
African American <strong>Literature</strong><br />
and Culture<br />
Marisa Parham, Amherst College, USA<br />
Looking at texts including Jean Toomer’s Cane, Toni<br />
Morrison’s Beloved, James Baldwin’s Another Country,<br />
and Beat poetry by Bob Kaufmann, in this original study,<br />
Parham describes the phenomena of haunting,<br />
displacement, and ghostliness as endemic to modern<br />
African American literature and culture. Not only does<br />
memory – conscious and unconscious, individual and<br />
collective – often drive African American cultural<br />
production, but such memory often arrives to artists from<br />
elsewhere, from other times, spaces, and experiences.<br />
2008: 234x156: 165pp<br />
Hb: 978-0-415-99094-3: £60.00<br />
NEW<br />
Misery’s Mathematics<br />
Mourning, Compensation, and Reality in<br />
Antebellum American <strong>Literature</strong><br />
Peter Balaam, Carleton College, USA<br />
Misery’s Mathematics reveals the strain of a moment in<br />
American cultural history that led several remarkable<br />
writers – including Emerson, Warner, Melville and<br />
Hawthorn – to render the stark rupture of loss in<br />
innovative ways.<br />
January <strong>2009</strong>: 234x156: 192pp<br />
Hb: 978-0-415-96807-2: £60.00<br />
eBook: 978-0-203-50400-0<br />
NEW<br />
Modern American Counter Writing<br />
Beats, Outriders, Ethnics<br />
A. Robert Lee, Nihon University, Japan<br />
The dissident voice in US culture might almost be said<br />
to have been born with the territory. Its span runs from<br />
Roger Williams to Thoreau, Anne Bradstreet to Gertrude<br />
Stein, Ambrose Bierce to the New Journalism, The Beats<br />
to the recent Bad Subjects cyber-crowd. This new study<br />
analyzes three recent literary tranches in the tradition: a<br />
re-envisioning of the whole Beat web or circuit; a<br />
consortium of postwar ‘outrider’ voices – Hunter<br />
Thompson to Frank Chin, Joan Didion to Kathy Acker;<br />
and a latest purview of what, all too casually, has been<br />
designated ‘ethnic’ writing. The aim is to set up and<br />
explore these different counter-seams of modern<br />
American writing, those which sit outside, or at least<br />
awkwardly within, agreed literary canons.<br />
August <strong>2009</strong>: 234x156: 256pp<br />
Hb: 978-0-415-99811-6: £60.00<br />
NEW<br />
The Politics of Identity in Irish Drama<br />
W.B. Yeats, Augusta Gregory and J.M. Synge<br />
George Cusack, University of Oklahoma, USA<br />
This study examines the early dramatic works of Yeats,<br />
Synge, and Gregory in the context of late colonial<br />
Ireland’s unique socio-political landscape. By<br />
contextualizing each author’s work within the artistic<br />
and political discourses of their time, Cusack<br />
demonstrates the complex negotiation of nationalism,<br />
class, and gender identities undertaken by these three<br />
authors in the years leading up to Ireland’s revolution<br />
against England. Furthermore, by focusing on a few<br />
plays written by each author in the context of the<br />
ongoing debates over Irish national identity which were<br />
taking place throughout Irish public life in this period,<br />
Cusack examines in more depth than previous studies<br />
the ways Yeats, Gregory, and Synge adapted<br />
conventional dramatic and linguistic forms to<br />
accommodate the conflicting claims of Irish nationalism.<br />
In so doing, he demonstrates the contribution these<br />
authors made not only to the development of Irish<br />
nationalism but also to modern and postcolonial<br />
literature as we understand them today.<br />
January <strong>2009</strong>: 234x156: 256pp<br />
Hb: 978-0-415-99003-5: £60.00<br />
Ruined by Design<br />
Shaping Novels and Gardens in the Culture of<br />
Sensibility<br />
Inger Sigrun Brodey, University of North Carolina,<br />
Chapel Hill, USA<br />
‘Inger Brodey has written a book of remarkable<br />
vitality about the fascination with ruins across<br />
eighteenth-century Europe. The book is both<br />
interdisciplinary and international. Instead of<br />
focusing on a single field like poetry, painting, or<br />
garden design in isolation, she uncovers their<br />
shared penchant for fragmentation which defines<br />
the culture of sensibility. Few authors writing on<br />
the fashion of ruins have penetrated this<br />
well-known phenomenon so deeply and<br />
intelligently.’ – Wu Hung, Harrie A. Vanderstappen<br />
Distinguished Professor, University of Chicago, USA<br />
By examining the motif of ruination in a variety of<br />
late-eighteenth-century domains, this book portrays the<br />
moral aesthetic of the culture of sensibility in Europe,<br />
particularly its negotiation of the demands of tradition<br />
and pragmatism alongside utopian longings for<br />
authenticity, natural goodness, self-governance, mutual<br />
transparency, and instantaneous kinship.<br />
2008: 234x156: 298pp<br />
Hb: 978-0-415-98950-3: £60.00<br />
NEW SERIES<br />
The <strong>Routledge</strong> Concise History of<br />
Southeast Asian Writing in English<br />
Rajeev Patke and Philip Holden, National<br />
University of Singapore<br />
Series: <strong>Routledge</strong> Concise Histories<br />
The <strong>Routledge</strong> Concise History<br />
traces the development of the<br />
literature within its historical and<br />
cultural contexts, establishing<br />
connections from the colonial<br />
activity of the early modern<br />
period through to contemporary<br />
writing across nations such as<br />
Thailand, China, Malaya,<br />
Singapore and Hong Kong.<br />
This handy guide:<br />
• interweaves text and context<br />
to provide an engaging and<br />
accessible overview of the area<br />
• introduces language use and variation across<br />
Southeast Asia with examples from speech, poetry<br />
and prose<br />
• traces the impact of historical, political and cultural<br />
events<br />
• engages with current debates about national<br />
consciousness, globalization and postmodernism<br />
• contains useful features such as a glossary, further<br />
reading section and chapter summaries.<br />
Direct and lucid, this book guides readers through the<br />
key topics and presents an original synthesis on the<br />
history and practice of the subject. It is the ideal starting<br />
point for students new to the subject or anyone wanting<br />
an overview of Southeast Asian <strong>Literature</strong> in English.<br />
Selected Contents: 1. Introduction 2. Southeast Asia:<br />
Historical Contexts 3. Linguistic Contexts 4. Malaysian and<br />
Singaporean Writing to 1965 5. Filipino Writing to 1965<br />
6. Narrative Fiction 1965-90 7. Poetry 1965-90 8. Drama<br />
1965-90 9. Expatriate, Diasporic and Minoritarian Writing<br />
10. Contemporary Fiction 11. Contemporary Poetry<br />
12. Contemporary Drama 13. From the Contemporary to<br />
the Future<br />
April <strong>2009</strong>: 216x138: 256pp<br />
Hb: 978-0-415-43568-0: £55.00<br />
Pb: 978-0-415-43569-7: £15.99<br />
BESTSELLER<br />
2ND EDITION<br />
Imperial Eyes<br />
Travel Writing and Transculturation<br />
Mary Louise Pratt, New York University, USA<br />
’Imperial Eyes is a seminal<br />
work in the study of travel<br />
writing, demonstrating an<br />
inventive use of canonical<br />
and non-canonical sources<br />
from the archive of European<br />
travel writing, and from the<br />
colonial ‘contact zone’. Its<br />
critical insights are drawn<br />
eclectically from discourse<br />
analysis, gender criticism,<br />
postcolonialism,<br />
anthropology, and literary<br />
theory, drawn together with unflagging political<br />
energy. It remains a model of its kind.’<br />
– Nigel Leask, Glasgow University, <strong>UK</strong><br />
2007: 234x156: 296pp<br />
Hb: 978-0-415-43816-2: £75.00<br />
Pb: 978-0-415-43817-9: £19.99<br />
eBook: 978-0-203-10635-8<br />
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