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Literature Catalogue 2009 (UK) - Routledge

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SHAKESPEARE RENAISSANCE LITERATURE 19<br />

Shakespeare Criticism Series<br />

These comprehensive critical collections are a<br />

must-have for students, libraries and scholars<br />

alike. Each volume gathers the most influential<br />

criticism, key contemporary interpretations and<br />

reviews of the most influential productions of<br />

Shakespeare’s masterworks.<br />

Macbeth<br />

New Critical Essays<br />

Edited by Nick Moschovakis, Reed College, USA<br />

This volume offers a wealth of<br />

critical analysis, supported with<br />

ample historical and<br />

bibliographical information<br />

about one of Shakespeare’s<br />

most enduringly popular and<br />

globally influential plays. Its<br />

eighteen new chapters represent<br />

a broad spectrum of current<br />

scholarly and interpretive<br />

approaches, from historicist<br />

criticism to performance theory<br />

to cultural studies.<br />

List of Contributors: Rebecca Lemon, Jonathan Baldo,<br />

Rebecca Ann Bach, Julie Barmazel, Abraham Stoll, Lois<br />

Feuer, Stephen Deng, Lisa Tomaszewski, Lynne Bruckner,<br />

Michael David Fox, James Wells, Laura Engel, Stephen<br />

Buhler, Bi-qi Beatrice Lei, Kim Fedderson and J. Michael<br />

Richardson, Bruno Lessard and Pamela Mason<br />

2008: 234x156: 384pp<br />

Hb: 978-0-415-97404-2: £65.00<br />

eBook: 978-0-203-93070-0<br />

King Lear<br />

New Critical Essays<br />

Edited by Jeffrey Kahan, University of La Verne, USA<br />

Using a variety of approaches,<br />

from postcolonialism and New<br />

Historicism to psychoanalysis<br />

and gender studies, the leading<br />

international contributors to<br />

King Lear: New Critical Essays<br />

offer major new interpretations<br />

on the conception and writing,<br />

editing, and cultural productions<br />

of King Lear. This book is an<br />

up-to-date and comprehensive<br />

anthology of textual scholarship,<br />

performance research, and<br />

critical writing on one of Shakespeare’s most important<br />

and perplexing tragedies.<br />

List of Contributors: R.A. Foakes, Richard Knowles, Tom<br />

Clayton, Cynthia Clegg, Edward L. Rocklin, Christy Desmet, Paul<br />

Cantor, Robert V. Young, Stanley Stewart and Jean R. Brink<br />

2008: 234x156: 384pp<br />

Hb: 978-0-415-77526-7: £65.00<br />

eBook: 978-0-203-09008-4<br />

NEW<br />

Reading the Nation in<br />

English <strong>Literature</strong><br />

A Critical Reader<br />

Edited by Elizabeth Sauer, Brock University, Canada<br />

and Julia M. Wright, Dalhousie University, Canada<br />

This volume contains primary materials and introductory<br />

essays on the historical, critical and theoretical study<br />

of nationalism, focusing on the period 1550-1850 and<br />

the impact of this period on contemporary literature<br />

and culture.<br />

Reading the Nation in English is a comprehensive<br />

resource, offering a coherent, accessible reader on the<br />

ideologies, discourses and practices of nationhood in<br />

the English-speaking Western World.<br />

September <strong>2009</strong>: 234x156: 224pp<br />

Hb: 978-0-415-44523-8: £65.00<br />

Pb: 978-0-415-44524-5: £18.99<br />

Engines of the Imagination<br />

Renaissance Culture and the Rise of the Machine<br />

Jonathan Sawday, University of Strathclyde, <strong>UK</strong><br />

’While few books can truly<br />

lay claim to the achievement<br />

of crossing disciplinary<br />

boundaries, Sawday’s<br />

impressive Engines of the<br />

Imagination must certainly be<br />

numbered as one of them.’<br />

– The British Society for<br />

<strong>Literature</strong> and Science<br />

‘Jonathan Sawday’s<br />

pioneering and thoughtful<br />

work can change the course<br />

of the study of the Early<br />

Modern period … This illuminating book enlarges<br />

our sense of the Renaissance, redirects our focus,<br />

and shows us a world elsewhere we have not seen<br />

before.’ – Arthur Kinney, University of Massachusetts,<br />

Amherst, USA<br />

Challenging the artificial divide between technological<br />

studies and cultural history, Engines of the Imagination<br />

traces the story of the imaginative encounter with<br />

machines and machinery in the European Renaissance.<br />

2007: 234x156: 424pp<br />

Hb: 978-0-415-35061-7: £70.00<br />

Pb: 978-0-415-35062-4: £19.99<br />

eBook: 978-0-203-69615-6<br />

Reading Renaissance Ethics<br />

Edited by Marshall Grossman, University of<br />

Maryland, USA<br />

Bringing together some of the best current practitioners<br />

of historical and formal criticism, Reading Renaissance<br />

Ethics assesses the ethical performance of renaissance<br />

texts as historical agents in their time and in ours.<br />

2007: 216x138: 304pp<br />

Hb: 978-0-415-40634-5: £60.00<br />

Pb: 978-0-415-40635-2: £18.99<br />

eBook: 978-0-203-96264-0<br />

NEW IN PAPERBACK<br />

The Renaissance World<br />

Edited by John Jeffries Martin, Trinity University,<br />

USA<br />

Series: <strong>Routledge</strong> Worlds<br />

Collating thirty-four essays from the field’s leading<br />

scholars, John Jeffries Martin shows that this period of<br />

rapid and complex change resulted from a convergence<br />

of a new set of social, economic and technological<br />

forces alongside a cluster of interrelated practices<br />

including painting, sculpture, humanism and science, in<br />

which the elites engaged.<br />

List of Contributors: Albert Russell Ascoli, Francisco<br />

Bethencourt, David Bevington, Douglas Biow, Susan R.<br />

Boettcher, Peter Burke, Caroline Castiglione, Samuel K.<br />

Cohn, Jr., Alexander Cowan, Thomas Dandelet, N.S.<br />

Davidson, Robert C. Davis, Constantin Fasolt, Joanne M.<br />

Ferraro, Paula Findlen, David Gentilcore, Meredith J. Gill,<br />

Daniel Goffman, Kenneth Gouwens, Anthony Grafton, Brad<br />

S. Gregory, John A. Marino, Lyle Massey, Alida C. Metcalf,<br />

Jacqueline Marie Musacchio, Franáois Rigolot, Ingrid<br />

Rowland, David Harris Sacks, Regina Mara Schwartz,<br />

Randolph Starn, Michael Tworek, Katherine Elliot van Liere<br />

and Bronwen Wilson<br />

2007: 246x174: 728pp<br />

Hb: 978-0-415-33259-0: £150.00<br />

Pb: 978-0-415-45511-4: £29.00<br />

BESTSELLER<br />

2ND EDITION<br />

Classical and Christian Ideas in<br />

English Renaissance Poetry<br />

Isabel Rivers, Queen Mary, University of London, <strong>UK</strong><br />

1994: 216x138: 248pp<br />

Hb: 978-0-415-10646-7: £60.00<br />

Pb: 978-0-415-10647-4: £20.99<br />

eBook: 978-0-203-35995-2<br />

• AVAILABLE AS AN INSPECTION COPY<br />

The <strong>Routledge</strong> Anthology of<br />

Renaissance Drama<br />

E-mail: literature@routledge.com www.tandf.co.uk/eupdates<br />

www.ebookstore.tandf.co.uk<br />

for more information for e-mail updates in your field<br />

eBooks are only available to order online<br />

Edited by Simon Barker and Hilary Hinds,<br />

University of Nottingham, <strong>UK</strong><br />

This anthology offers an introduction to Renaissance<br />

theatre in its historical and political contexts, along with<br />

newly edited texts of ten plays and a masque.<br />

2002: 246x189: 480pp<br />

Hb: 978-0-415-18733-6: £80.00<br />

Pb: 978-0-415-18734-3: £19.99<br />

eBook: 978-0-203-44658-4

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