Literature Catalogue 2009 (UK) - Routledge
Literature Catalogue 2009 (UK) - Routledge
Literature Catalogue 2009 (UK) - Routledge
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SHAKESPEARE RENAISSANCE LITERATURE 19<br />
Shakespeare Criticism Series<br />
These comprehensive critical collections are a<br />
must-have for students, libraries and scholars<br />
alike. Each volume gathers the most influential<br />
criticism, key contemporary interpretations and<br />
reviews of the most influential productions of<br />
Shakespeare’s masterworks.<br />
Macbeth<br />
New Critical Essays<br />
Edited by Nick Moschovakis, Reed College, USA<br />
This volume offers a wealth of<br />
critical analysis, supported with<br />
ample historical and<br />
bibliographical information<br />
about one of Shakespeare’s<br />
most enduringly popular and<br />
globally influential plays. Its<br />
eighteen new chapters represent<br />
a broad spectrum of current<br />
scholarly and interpretive<br />
approaches, from historicist<br />
criticism to performance theory<br />
to cultural studies.<br />
List of Contributors: Rebecca Lemon, Jonathan Baldo,<br />
Rebecca Ann Bach, Julie Barmazel, Abraham Stoll, Lois<br />
Feuer, Stephen Deng, Lisa Tomaszewski, Lynne Bruckner,<br />
Michael David Fox, James Wells, Laura Engel, Stephen<br />
Buhler, Bi-qi Beatrice Lei, Kim Fedderson and J. Michael<br />
Richardson, Bruno Lessard and Pamela Mason<br />
2008: 234x156: 384pp<br />
Hb: 978-0-415-97404-2: £65.00<br />
eBook: 978-0-203-93070-0<br />
King Lear<br />
New Critical Essays<br />
Edited by Jeffrey Kahan, University of La Verne, USA<br />
Using a variety of approaches,<br />
from postcolonialism and New<br />
Historicism to psychoanalysis<br />
and gender studies, the leading<br />
international contributors to<br />
King Lear: New Critical Essays<br />
offer major new interpretations<br />
on the conception and writing,<br />
editing, and cultural productions<br />
of King Lear. This book is an<br />
up-to-date and comprehensive<br />
anthology of textual scholarship,<br />
performance research, and<br />
critical writing on one of Shakespeare’s most important<br />
and perplexing tragedies.<br />
List of Contributors: R.A. Foakes, Richard Knowles, Tom<br />
Clayton, Cynthia Clegg, Edward L. Rocklin, Christy Desmet, Paul<br />
Cantor, Robert V. Young, Stanley Stewart and Jean R. Brink<br />
2008: 234x156: 384pp<br />
Hb: 978-0-415-77526-7: £65.00<br />
eBook: 978-0-203-09008-4<br />
NEW<br />
Reading the Nation in<br />
English <strong>Literature</strong><br />
A Critical Reader<br />
Edited by Elizabeth Sauer, Brock University, Canada<br />
and Julia M. Wright, Dalhousie University, Canada<br />
This volume contains primary materials and introductory<br />
essays on the historical, critical and theoretical study<br />
of nationalism, focusing on the period 1550-1850 and<br />
the impact of this period on contemporary literature<br />
and culture.<br />
Reading the Nation in English is a comprehensive<br />
resource, offering a coherent, accessible reader on the<br />
ideologies, discourses and practices of nationhood in<br />
the English-speaking Western World.<br />
September <strong>2009</strong>: 234x156: 224pp<br />
Hb: 978-0-415-44523-8: £65.00<br />
Pb: 978-0-415-44524-5: £18.99<br />
Engines of the Imagination<br />
Renaissance Culture and the Rise of the Machine<br />
Jonathan Sawday, University of Strathclyde, <strong>UK</strong><br />
’While few books can truly<br />
lay claim to the achievement<br />
of crossing disciplinary<br />
boundaries, Sawday’s<br />
impressive Engines of the<br />
Imagination must certainly be<br />
numbered as one of them.’<br />
– The British Society for<br />
<strong>Literature</strong> and Science<br />
‘Jonathan Sawday’s<br />
pioneering and thoughtful<br />
work can change the course<br />
of the study of the Early<br />
Modern period … This illuminating book enlarges<br />
our sense of the Renaissance, redirects our focus,<br />
and shows us a world elsewhere we have not seen<br />
before.’ – Arthur Kinney, University of Massachusetts,<br />
Amherst, USA<br />
Challenging the artificial divide between technological<br />
studies and cultural history, Engines of the Imagination<br />
traces the story of the imaginative encounter with<br />
machines and machinery in the European Renaissance.<br />
2007: 234x156: 424pp<br />
Hb: 978-0-415-35061-7: £70.00<br />
Pb: 978-0-415-35062-4: £19.99<br />
eBook: 978-0-203-69615-6<br />
Reading Renaissance Ethics<br />
Edited by Marshall Grossman, University of<br />
Maryland, USA<br />
Bringing together some of the best current practitioners<br />
of historical and formal criticism, Reading Renaissance<br />
Ethics assesses the ethical performance of renaissance<br />
texts as historical agents in their time and in ours.<br />
2007: 216x138: 304pp<br />
Hb: 978-0-415-40634-5: £60.00<br />
Pb: 978-0-415-40635-2: £18.99<br />
eBook: 978-0-203-96264-0<br />
NEW IN PAPERBACK<br />
The Renaissance World<br />
Edited by John Jeffries Martin, Trinity University,<br />
USA<br />
Series: <strong>Routledge</strong> Worlds<br />
Collating thirty-four essays from the field’s leading<br />
scholars, John Jeffries Martin shows that this period of<br />
rapid and complex change resulted from a convergence<br />
of a new set of social, economic and technological<br />
forces alongside a cluster of interrelated practices<br />
including painting, sculpture, humanism and science, in<br />
which the elites engaged.<br />
List of Contributors: Albert Russell Ascoli, Francisco<br />
Bethencourt, David Bevington, Douglas Biow, Susan R.<br />
Boettcher, Peter Burke, Caroline Castiglione, Samuel K.<br />
Cohn, Jr., Alexander Cowan, Thomas Dandelet, N.S.<br />
Davidson, Robert C. Davis, Constantin Fasolt, Joanne M.<br />
Ferraro, Paula Findlen, David Gentilcore, Meredith J. Gill,<br />
Daniel Goffman, Kenneth Gouwens, Anthony Grafton, Brad<br />
S. Gregory, John A. Marino, Lyle Massey, Alida C. Metcalf,<br />
Jacqueline Marie Musacchio, Franáois Rigolot, Ingrid<br />
Rowland, David Harris Sacks, Regina Mara Schwartz,<br />
Randolph Starn, Michael Tworek, Katherine Elliot van Liere<br />
and Bronwen Wilson<br />
2007: 246x174: 728pp<br />
Hb: 978-0-415-33259-0: £150.00<br />
Pb: 978-0-415-45511-4: £29.00<br />
BESTSELLER<br />
2ND EDITION<br />
Classical and Christian Ideas in<br />
English Renaissance Poetry<br />
Isabel Rivers, Queen Mary, University of London, <strong>UK</strong><br />
1994: 216x138: 248pp<br />
Hb: 978-0-415-10646-7: £60.00<br />
Pb: 978-0-415-10647-4: £20.99<br />
eBook: 978-0-203-35995-2<br />
• AVAILABLE AS AN INSPECTION COPY<br />
The <strong>Routledge</strong> Anthology of<br />
Renaissance Drama<br />
E-mail: literature@routledge.com www.tandf.co.uk/eupdates<br />
www.ebookstore.tandf.co.uk<br />
for more information for e-mail updates in your field<br />
eBooks are only available to order online<br />
Edited by Simon Barker and Hilary Hinds,<br />
University of Nottingham, <strong>UK</strong><br />
This anthology offers an introduction to Renaissance<br />
theatre in its historical and political contexts, along with<br />
newly edited texts of ten plays and a masque.<br />
2002: 246x189: 480pp<br />
Hb: 978-0-415-18733-6: £80.00<br />
Pb: 978-0-415-18734-3: £19.99<br />
eBook: 978-0-203-44658-4