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Literature Catalogue 2009 (UK) - Routledge

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20<br />

<strong>Routledge</strong> Studies in Renaissance<br />

<strong>Literature</strong> and Culture Series<br />

From Shakespeare to Jonson, <strong>Routledge</strong><br />

Studies in Renaissance <strong>Literature</strong> and<br />

Culture look at both the literature and culture<br />

of the early modern period.<br />

NEW IN PAPERBACK<br />

Dramatists and their Manuscripts in<br />

the Age of Shakespeare, Jonson,<br />

Middleton and Heywood<br />

Authorship, Authority and the Playhouse<br />

Grace Ioppolo, University of Reading, <strong>UK</strong><br />

‘To say that Ioppolo’s book will, or should,<br />

completely alter the way the texts by the<br />

playwrights of the period are edited and therefore<br />

performed is to put it entirely too mildly. And, of<br />

course, she most definitely brings the author back<br />

from the dead.’ – Notes and Queries<br />

This book presents new evidence about the ways in<br />

which English Renaissance dramatists such as William<br />

Shakespeare, Ben Jonson, Thomas Heywood, John<br />

Fletcher and Thomas Middleton composed their plays<br />

and the degree to which they participated in the<br />

dissemination of their texts to theatrical audiences.<br />

Grace Ioppolo argues that the path of the transmission<br />

of the text was not linear, from author to censor to<br />

playhouse to audience – as has been universally argued<br />

by scholars – but circular.<br />

2008: 234x156: 224pp<br />

Hb: 978-0-415-33965-0: £75.00<br />

Pb: 978-0-415-47031-5: £19.99<br />

eBook: 978-0-203-44942-4<br />

NEW<br />

Renaissance Futures<br />

Edited by Andrea Brady and Emily Butterworth,<br />

Kings College, London, <strong>UK</strong><br />

This collection of interdisciplinary essays from the fields<br />

of literary criticism, cultural studies, politics and<br />

intellectual history offers new answers to these<br />

commonplace questions. These essays explore both<br />

elite and popular culture, women and men’s<br />

experiences, and the encounter between East and West.<br />

They provide a comparative view on the range of<br />

personal, political and social practices with which early<br />

modern people planned for, imagined, manipulated or<br />

even rejected the future.<br />

June <strong>2009</strong>: 234x156: 272pp<br />

Hb: 978-0-415-99540-5: £60.00<br />

NEW<br />

Staging Early Modern Romance<br />

Prose Fiction, Dramatic Romance, and Shakespeare<br />

Edited by Mary Ellen Lamb, Southern Illinois<br />

University, Carbondale, USA and Valerie Wayne,<br />

University of Hawaii at Manoa, USA<br />

2008: 234x156: 300pp<br />

Hb: 978-0-415-96281-0: £60.00<br />

ORDER NOW!<br />

RENAISSANCE LITERATURE 18TH AND 19TH CENTURY LITERATURE<br />

See Order Form in the<br />

centre of this catalogue<br />

<strong>Routledge</strong> Studies in<br />

Eighteenth-Century <strong>Literature</strong><br />

Series<br />

NEW<br />

Eighteenth-Century Authorship<br />

and the Play of Fiction<br />

Novels and the Theater, Haywood to Austen<br />

Emily Hodgson Anderson, University of Southern<br />

California, USA<br />

This study looks at developments in eighteenth-century<br />

drama that influenced the rise of the novel; it begins by<br />

asking why women writers of this period experimented<br />

so frequently with both novels and plays.<br />

June <strong>2009</strong>: 234x156: 244pp<br />

Hb: 978-0-415-99905-2: £60.00<br />

NEW<br />

The Female Reader in the<br />

English Novel<br />

From Burney to Austen<br />

Joe Bray, University of Sheffield, <strong>UK</strong><br />

In the second half of the eighteenth century the female<br />

reader was a frequent topic of cultural debate and<br />

moral concern. This book examines the variety of ways<br />

in which women ‘read’ the social world in the late<br />

eighteenth and early nineteenth-century novel.<br />

2008: 234x156: 208pp<br />

Hb: 978-0-415-39601-1: £60.00<br />

eBook: 978-0-203-88867-4<br />

NEW<br />

Gender and the Fictions of the<br />

Public Sphere, 1690-1755<br />

Anthony Pollock, University of Illinois, USA<br />

Gender and the Fictions of the Public Sphere, 1690-<br />

1755, complicates our understanding of eighteenthcentury<br />

English print culture by studying the journalistic<br />

work of women writers who have long been overlooked<br />

by scholars, and by re-interpreting texts by canonical<br />

male authors in the period as responses to these early<br />

feminist models of cultural authority.<br />

2008: 234x156: 240pp<br />

Hb: 978-0-415-99004-2: £60.00<br />

eBook: 978-0-203-89108-7<br />

NEW<br />

Originality and Intellectual<br />

Property in the French and English<br />

Enlightenment<br />

Edited by Reginald McGinnis, University of Arizona,<br />

USA<br />

2008: 234x156: 236pp<br />

Hb: 978-0-415-96288-9: £60.00<br />

+44 (0)1235 400524 Fax: +44 (0)20 7017 6699<br />

<strong>Routledge</strong> Studies in<br />

Romanticism Series<br />

<strong>Routledge</strong> Studies in Romanticism takes a<br />

critical look at the prose, poetry, and culture of<br />

the Romantic period.<br />

NEW<br />

Colonialism, Race, and the French<br />

Romantic Imagination<br />

Pratima Prasad, University of Massachusetts, USA<br />

This book investigates how French Romanticism was<br />

shaped by and contributed to colonial discourses of<br />

race. It studies the ways in which metropolitan<br />

Romantic novels – that is, novels by French authors such<br />

as Victor Hugo, George Sand, Bernardin de Saint-Pierre,<br />

François René de Chateaubriand, Claire de Duras, and<br />

Prosper Mérimée – comprehend and construct colonized<br />

peoples, fashion French identity in the context of<br />

colonialism, and record the encounter between<br />

Europeans and non-Europeans. While the primary texts<br />

that come under investigation in the book are novels,<br />

close attention is paid to Romantic fiction’s<br />

interdependence with naturalist treatises, travel writing,<br />

abolitionist texts, and ethnographies.<br />

March <strong>2009</strong>: 234x156: 208pp<br />

Hb: 978-0-415-99467-5: £60.00<br />

NEW<br />

German Romanticism and Science<br />

The Procreative Poetics of Goethe, Novalis,<br />

and Ritter<br />

Jocelyn Holland, University of California, Santa<br />

Barbara, USA<br />

Situated at the intersection of literature and science,<br />

Holland’s study draws upon a diverse corpus of literary<br />

and scientific texts which testify to a cultural fascination<br />

with procreation around 1800. Through readings which<br />

range from Goethe’s writing on metamorphosis to<br />

Novalis’s aphorisms and novels and Ritter’s Fragments<br />

from the Estate of a Young Physicist, Holland proposes<br />

that each author contributes to a scientifically-informed<br />

poetics of procreation. Rather than subscribing to a<br />

single biological theory (such as epigenesis or<br />

preformation), these authors take their inspiration from<br />

a wide inventory of procreative motifs and imagery.<br />

April <strong>2009</strong>: 234x156: 224pp<br />

Hb: 978-0-415-99326-5: £60.00<br />

www.routledge.com/literature

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