Literature Catalogue 2009 (UK) - Routledge
Literature Catalogue 2009 (UK) - Routledge
Literature Catalogue 2009 (UK) - Routledge
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20<br />
<strong>Routledge</strong> Studies in Renaissance<br />
<strong>Literature</strong> and Culture Series<br />
From Shakespeare to Jonson, <strong>Routledge</strong><br />
Studies in Renaissance <strong>Literature</strong> and<br />
Culture look at both the literature and culture<br />
of the early modern period.<br />
NEW IN PAPERBACK<br />
Dramatists and their Manuscripts in<br />
the Age of Shakespeare, Jonson,<br />
Middleton and Heywood<br />
Authorship, Authority and the Playhouse<br />
Grace Ioppolo, University of Reading, <strong>UK</strong><br />
‘To say that Ioppolo’s book will, or should,<br />
completely alter the way the texts by the<br />
playwrights of the period are edited and therefore<br />
performed is to put it entirely too mildly. And, of<br />
course, she most definitely brings the author back<br />
from the dead.’ – Notes and Queries<br />
This book presents new evidence about the ways in<br />
which English Renaissance dramatists such as William<br />
Shakespeare, Ben Jonson, Thomas Heywood, John<br />
Fletcher and Thomas Middleton composed their plays<br />
and the degree to which they participated in the<br />
dissemination of their texts to theatrical audiences.<br />
Grace Ioppolo argues that the path of the transmission<br />
of the text was not linear, from author to censor to<br />
playhouse to audience – as has been universally argued<br />
by scholars – but circular.<br />
2008: 234x156: 224pp<br />
Hb: 978-0-415-33965-0: £75.00<br />
Pb: 978-0-415-47031-5: £19.99<br />
eBook: 978-0-203-44942-4<br />
NEW<br />
Renaissance Futures<br />
Edited by Andrea Brady and Emily Butterworth,<br />
Kings College, London, <strong>UK</strong><br />
This collection of interdisciplinary essays from the fields<br />
of literary criticism, cultural studies, politics and<br />
intellectual history offers new answers to these<br />
commonplace questions. These essays explore both<br />
elite and popular culture, women and men’s<br />
experiences, and the encounter between East and West.<br />
They provide a comparative view on the range of<br />
personal, political and social practices with which early<br />
modern people planned for, imagined, manipulated or<br />
even rejected the future.<br />
June <strong>2009</strong>: 234x156: 272pp<br />
Hb: 978-0-415-99540-5: £60.00<br />
NEW<br />
Staging Early Modern Romance<br />
Prose Fiction, Dramatic Romance, and Shakespeare<br />
Edited by Mary Ellen Lamb, Southern Illinois<br />
University, Carbondale, USA and Valerie Wayne,<br />
University of Hawaii at Manoa, USA<br />
2008: 234x156: 300pp<br />
Hb: 978-0-415-96281-0: £60.00<br />
ORDER NOW!<br />
RENAISSANCE LITERATURE 18TH AND 19TH CENTURY LITERATURE<br />
See Order Form in the<br />
centre of this catalogue<br />
<strong>Routledge</strong> Studies in<br />
Eighteenth-Century <strong>Literature</strong><br />
Series<br />
NEW<br />
Eighteenth-Century Authorship<br />
and the Play of Fiction<br />
Novels and the Theater, Haywood to Austen<br />
Emily Hodgson Anderson, University of Southern<br />
California, USA<br />
This study looks at developments in eighteenth-century<br />
drama that influenced the rise of the novel; it begins by<br />
asking why women writers of this period experimented<br />
so frequently with both novels and plays.<br />
June <strong>2009</strong>: 234x156: 244pp<br />
Hb: 978-0-415-99905-2: £60.00<br />
NEW<br />
The Female Reader in the<br />
English Novel<br />
From Burney to Austen<br />
Joe Bray, University of Sheffield, <strong>UK</strong><br />
In the second half of the eighteenth century the female<br />
reader was a frequent topic of cultural debate and<br />
moral concern. This book examines the variety of ways<br />
in which women ‘read’ the social world in the late<br />
eighteenth and early nineteenth-century novel.<br />
2008: 234x156: 208pp<br />
Hb: 978-0-415-39601-1: £60.00<br />
eBook: 978-0-203-88867-4<br />
NEW<br />
Gender and the Fictions of the<br />
Public Sphere, 1690-1755<br />
Anthony Pollock, University of Illinois, USA<br />
Gender and the Fictions of the Public Sphere, 1690-<br />
1755, complicates our understanding of eighteenthcentury<br />
English print culture by studying the journalistic<br />
work of women writers who have long been overlooked<br />
by scholars, and by re-interpreting texts by canonical<br />
male authors in the period as responses to these early<br />
feminist models of cultural authority.<br />
2008: 234x156: 240pp<br />
Hb: 978-0-415-99004-2: £60.00<br />
eBook: 978-0-203-89108-7<br />
NEW<br />
Originality and Intellectual<br />
Property in the French and English<br />
Enlightenment<br />
Edited by Reginald McGinnis, University of Arizona,<br />
USA<br />
2008: 234x156: 236pp<br />
Hb: 978-0-415-96288-9: £60.00<br />
+44 (0)1235 400524 Fax: +44 (0)20 7017 6699<br />
<strong>Routledge</strong> Studies in<br />
Romanticism Series<br />
<strong>Routledge</strong> Studies in Romanticism takes a<br />
critical look at the prose, poetry, and culture of<br />
the Romantic period.<br />
NEW<br />
Colonialism, Race, and the French<br />
Romantic Imagination<br />
Pratima Prasad, University of Massachusetts, USA<br />
This book investigates how French Romanticism was<br />
shaped by and contributed to colonial discourses of<br />
race. It studies the ways in which metropolitan<br />
Romantic novels – that is, novels by French authors such<br />
as Victor Hugo, George Sand, Bernardin de Saint-Pierre,<br />
François René de Chateaubriand, Claire de Duras, and<br />
Prosper Mérimée – comprehend and construct colonized<br />
peoples, fashion French identity in the context of<br />
colonialism, and record the encounter between<br />
Europeans and non-Europeans. While the primary texts<br />
that come under investigation in the book are novels,<br />
close attention is paid to Romantic fiction’s<br />
interdependence with naturalist treatises, travel writing,<br />
abolitionist texts, and ethnographies.<br />
March <strong>2009</strong>: 234x156: 208pp<br />
Hb: 978-0-415-99467-5: £60.00<br />
NEW<br />
German Romanticism and Science<br />
The Procreative Poetics of Goethe, Novalis,<br />
and Ritter<br />
Jocelyn Holland, University of California, Santa<br />
Barbara, USA<br />
Situated at the intersection of literature and science,<br />
Holland’s study draws upon a diverse corpus of literary<br />
and scientific texts which testify to a cultural fascination<br />
with procreation around 1800. Through readings which<br />
range from Goethe’s writing on metamorphosis to<br />
Novalis’s aphorisms and novels and Ritter’s Fragments<br />
from the Estate of a Young Physicist, Holland proposes<br />
that each author contributes to a scientifically-informed<br />
poetics of procreation. Rather than subscribing to a<br />
single biological theory (such as epigenesis or<br />
preformation), these authors take their inspiration from<br />
a wide inventory of procreative motifs and imagery.<br />
April <strong>2009</strong>: 234x156: 224pp<br />
Hb: 978-0-415-99326-5: £60.00<br />
www.routledge.com/literature