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DeSoto Magazine – Southern Girl Afield - Ann Yungmeyer

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His Garden<br />

Still Grows<br />

Text and Photography by Dana Finimore<br />

“What I need most are flowers,<br />

always flowers,”<br />

— Claude Monet (1840–1926)<br />

The graveled path noisily crunched<br />

underfoot as I entered the lush Eden.<br />

Roses, dahlias, fuchsia, anemone,<br />

asters and a plethora of other autumn<br />

flora immersed me in their palette of<br />

yellow, pink, blue, orange and green<br />

and drowned me with a fragrance that<br />

only Mother Nature could create.<br />

Golden sunflowers towered overhead<br />

and swayed in the crisp September<br />

breeze. Insects of the winged variety<br />

fluttered from bud to blossom and<br />

back again. It was a made-to-order<br />

nirvana, designed to render endless<br />

themes to paint.<br />

Claude Monet’s garden and water lily pond in<br />

the French village of Giverny is one of France’s<br />

extraordinary attractions, drawing nearly<br />

500,000 art and garden lovers each year.<br />

An artist’s home that has survived years of time<br />

and neglect is a venerable anthropologic treasure<br />

trove for those wishing to learn from the clues left<br />

behind. To view the sanctuary where Monet lived,<br />

worked and painted is to gain an invaluable insight<br />

into what inspired him as an artist.<br />

Following Monet’s death at his home in<br />

Giverny on December 5, 1926, the once lovely<br />

domicile fell into gradual demise. It was feared<br />

the residence of the world’s foremost<br />

impressionistic painter might be lost.<br />

<strong>DeSoto</strong> 33

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