DeSoto Magazine â Southern Girl Afield - Ann Yungmeyer
DeSoto Magazine â Southern Girl Afield - Ann Yungmeyer
DeSoto Magazine â Southern Girl Afield - Ann Yungmeyer
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His Garden<br />
Still Grows<br />
Text and Photography by Dana Finimore<br />
“What I need most are flowers,<br />
always flowers,”<br />
— Claude Monet (1840–1926)<br />
The graveled path noisily crunched<br />
underfoot as I entered the lush Eden.<br />
Roses, dahlias, fuchsia, anemone,<br />
asters and a plethora of other autumn<br />
flora immersed me in their palette of<br />
yellow, pink, blue, orange and green<br />
and drowned me with a fragrance that<br />
only Mother Nature could create.<br />
Golden sunflowers towered overhead<br />
and swayed in the crisp September<br />
breeze. Insects of the winged variety<br />
fluttered from bud to blossom and<br />
back again. It was a made-to-order<br />
nirvana, designed to render endless<br />
themes to paint.<br />
Claude Monet’s garden and water lily pond in<br />
the French village of Giverny is one of France’s<br />
extraordinary attractions, drawing nearly<br />
500,000 art and garden lovers each year.<br />
An artist’s home that has survived years of time<br />
and neglect is a venerable anthropologic treasure<br />
trove for those wishing to learn from the clues left<br />
behind. To view the sanctuary where Monet lived,<br />
worked and painted is to gain an invaluable insight<br />
into what inspired him as an artist.<br />
Following Monet’s death at his home in<br />
Giverny on December 5, 1926, the once lovely<br />
domicile fell into gradual demise. It was feared<br />
the residence of the world’s foremost<br />
impressionistic painter might be lost.<br />
<strong>DeSoto</strong> 33