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Volume 10 Issue 7 - April 2005

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Char, it is beautifully sung here by<br />

Hillary Summers whose pure<br />

performance of one of Schoenvoice<br />

rings and brings surprising<br />

warmth to the work. The Derive<br />

a star-studded cast including tenpieces<br />

date from much later - the<br />

1980s - with the second actually<br />

having been revisited and revised<br />

in 2002. The voice of the elder<br />

Boulez, while differing somewhat<br />

Koch International Classics. This<br />

berg's most beloved works features<br />

ors Martyn Hill and Stephen<br />

O'Mara, with mezzo Jennifer<br />

Lane, the Simon Joly Chorale and<br />

the Philharmonia Orchestra. This<br />

apt beginning to the series is also<br />

in style, is still an uncompromis- ·an excellent introduction to the<br />

ing one, wi\h no traces of the neo-<br />

Romantic "listener friendly" trends<br />

world of Arnold Schoenberg for<br />

those who are not familiar with it.<br />

that have infused much of the new<br />

This month we welcome a new col<br />

music world in recent years. This<br />

umn within DISCoveries - "Old<br />

is "good old-fashioned" new music<br />

of the highest calibre. The im­<br />

Wine in New Bottles''· (It is on<br />

page 81, just before our Discs of<br />

peccable instrumentalists of the Ensemble<br />

lntercontemporain, hand<br />

the Month). Senior reviewer<br />

Bruce Surtees brings his years of<br />

picked by Maestro Boulez, give definitive<br />

performances.<br />

expertise and' discerning ear to a<br />

special section devoted to record­<br />

Cl'M:tr.t•J-.-·f-•"'"1!..:0o.N.tl.:.-·lfl<br />

ll;oc·l·"""'lttt;C:

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