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August 2011 issue of the parish magazine, Your Berkhamsted

August 2011 issue of the parish magazine, Your Berkhamsted

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Parish pagesSt Peter’s Church Choir tour to ViennaRobin McMorran reports on <strong>the</strong> choir’s recent tourShoppingfor purplethread isn’tnormallytop <strong>of</strong> mylist whilstpreparingfor a trip,but one <strong>of</strong><strong>the</strong> hazards<strong>of</strong> going ontour with achurchchoir isthat a button will almost certainly fall <strong>of</strong>fyour cassock just before you pack it. I wasgetting ready to go on <strong>the</strong> <strong>2011</strong> tour <strong>of</strong>Vienna with <strong>the</strong> Choir <strong>of</strong> St Peter’s, Great<strong>Berkhamsted</strong>; a purple button had fallen<strong>of</strong>f my purple cassock, and matchingpurple thread was nowhere to be found! Ahasty visit to Shepherd’s Bush Marketeventually solved that particular problem;ecclesiastical vestments repaired, I set <strong>of</strong>fto join <strong>the</strong> choir in Austria.After months <strong>of</strong> planning and rehearsal, StPeter’s Choir, led by our illustriousKapellmeister Adrian Davis, was lined upto perform a selection <strong>of</strong> English andEuropean choral music in some <strong>of</strong> <strong>the</strong>most prestigious venues in Europe.Privileged as we were, we were alsoexporting one <strong>of</strong> Britain’s greatest culturalassets: <strong>the</strong> rich tradition <strong>of</strong> Anglicanchoral music. The Austrians’ selfsatisfactionfor having given <strong>the</strong> worldMozart and Schubert may be justified, butwe took a certain sense <strong>of</strong> pride inbringing to <strong>the</strong>m <strong>the</strong> music <strong>of</strong> Tallis, Byrdand Howells,composersprobablyrelativelyunknown inCentralEurope. In <strong>the</strong>spirit <strong>of</strong> <strong>the</strong>best culturalexchanges,were going toshow <strong>the</strong>m athing or two.There is astory that <strong>the</strong> Austrian composer AntonBrückner went to view <strong>the</strong> body <strong>of</strong>Beethoven prior to its re-burial in 1868;Brückner later realised one <strong>of</strong> hisspectacle lenses had fallen out, and wasoverjoyed because it had probablydropped into Beethoven’s c<strong>of</strong>fin to beburied forever with <strong>the</strong> great composer.Brückner was revelling in glory byassociation, as if <strong>the</strong> greatness <strong>of</strong>Beethoven would somehow rub <strong>of</strong>f ontohim. An English <strong>parish</strong> church choirsinging in Viennese churches today enjoysa similar sense <strong>of</strong> glory by association; <strong>the</strong>Austrian capital is steeped in history,every building and street boasting analmost nonchalant association with A-listers such as Johann Strauss, GustavKlimt or a dynasty <strong>of</strong> Holy RomanEmperors. So when our first gig was in <strong>the</strong>towering gothic splendour <strong>of</strong> <strong>the</strong>Stephansdom (<strong>the</strong> ca<strong>the</strong>dral <strong>of</strong> Vienna) wewere all too aware that this was <strong>the</strong> churchwhere Mozart’s funeral was held. In <strong>the</strong>distinguished company <strong>of</strong> umpteen deadHapsburg Emperors, we filled <strong>the</strong> gothic16

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