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August 2011 issue of the parish magazine, Your Berkhamsted

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Leader<strong>Your</strong> <strong>Berkhamsted</strong> Leader by Fr Basil JonesI recently attended alecture by Sir TomStoppard entitled ”Theprivilege <strong>of</strong> an artist” inwhich he exploredwhat it was that made<strong>the</strong> artist and more importantly what isArt. He did not come up with any fixedconclusions but left us with various ideasto help us tussle out this intriguingsubject. He admitted straight away that hehad led a charmed life beginning as a Jewin Moravia who was sent to Singaporewhen he was ten to escape <strong>the</strong> Nazis and<strong>the</strong>n whisked away to India to escape <strong>the</strong>Japanese.As a young man in England he wrote hisfirst play in his twenties and <strong>the</strong>n withmodest means he has been able to indulgehimself as an artist ever since. His lecturelasted an hour and I have a full transcriptfor any who may be interested, but hegave us certain pointers to stimulate ourthinking.A Russian 19th century critic calledVissarion Belinsky said “Every work <strong>of</strong>art is <strong>the</strong> breath <strong>of</strong> a single eternal ideabrea<strong>the</strong>d by God into <strong>the</strong> inner life <strong>of</strong> <strong>the</strong>artist.” Elevated claims but as TomStoppard says <strong>the</strong>y are actuallycommonplace. Or as ano<strong>the</strong>r Russian saidwhen going for trial in one <strong>of</strong> <strong>the</strong> purgesand asked “What makes you a poet?” -“Oh, erm, well, I thought - I think it wasGod”.Karl Marx saw things ra<strong>the</strong>r differently.His vision was that a man would be abaker in <strong>the</strong> morning, a lawmaker in <strong>the</strong>afternoon and a poet in <strong>the</strong> evening. ButStoppard goes on to say that in <strong>the</strong> generalscheme <strong>of</strong> things in <strong>the</strong> Anglo Saxonworld <strong>the</strong> artist is allowed to say “I paintpictures” or “I dance” etc., There is asense <strong>of</strong> privilege and almost a respectedplace. That is how we have organised oursociety.I will end this little piece by quotingwords which he put into <strong>the</strong> mouth <strong>of</strong>James Joyce: “An artist is <strong>the</strong> magicianput amongst men to gratify - capriciously- <strong>the</strong>ir urge for immortality. The templesare built and brought down around him,continuously and contiguously, from Troyto <strong>the</strong> fields <strong>of</strong> Flanders. If <strong>the</strong>re is anymeaning in any <strong>of</strong> it, it is in what survivesas art, yes even in <strong>the</strong> celebration <strong>of</strong>tyrants, yes even in <strong>the</strong> celebration <strong>of</strong>nonentities. What now <strong>of</strong> <strong>the</strong> Trojan Warif it had been passed over by <strong>the</strong> artist’stouch? Dust. A forgotten expeditionprompted by Greek merchants looking fornew markets. A minor redistribution <strong>of</strong>broken pots. But it is we who standenriched, by a tale <strong>of</strong> heroes, <strong>of</strong> a goldenapple, a wooden horse, a face thatlaunched a thousand ships-“But not quite, I must have <strong>the</strong> last word asusual! The Church’s Liturgy is <strong>the</strong>greatest living work <strong>of</strong> art provided it isperformed to <strong>the</strong> best <strong>of</strong> <strong>the</strong> abilities <strong>of</strong>those present. It may have Colour,(Vestments etc.), Painting (stained glass),Dance (Movement), Perfume (Incense),Music and Singing (Hymns etc.), Poetry(The Word etc.). Most importantly it isincomplete as a work <strong>of</strong> Art without YOUto bring it alive and give Glory to <strong>the</strong>inspirer <strong>of</strong> all artists. yB3


Around <strong>the</strong> townLocal newsThe latest news from around <strong>Berkhamsted</strong><strong>Berkhamsted</strong>'sHeritage OpenDaysFor a number<strong>of</strong> years <strong>the</strong><strong>Berkhamsted</strong>Local History& MuseumSociety hasstaged HeritageOpen Days aspart <strong>of</strong> <strong>the</strong>nationallysponsoredOpen Days, providing opportunities tovisit and enjoy guided tours <strong>of</strong> localbuildings which are not normally open inthis way.Many local residents will believe that<strong>the</strong>y already know <strong>the</strong>ir <strong>Berkhamsted</strong> andthat <strong>the</strong>y have nothing new to learn, butbehind familiar facades <strong>the</strong>re is muchhidden history. An added bonus <strong>of</strong> <strong>the</strong>seHeritage Open Days is that <strong>the</strong>y are allfree.<strong>Berkhamsted</strong>’s Heritage Open Days arefrom 8th to 11th September and includetours <strong>of</strong> <strong>the</strong> Castle, <strong>Berkhamsted</strong> SchoolOld Hall and Chapel, St Peter's Churchand Court House, and <strong>the</strong> National Film& Television Archive, Kingshill. There ismore information on pages 13 and 14.Thanks from <strong>Berkhamsted</strong> & DistrictBranch RNLIWally Finch, Chairman <strong>of</strong> <strong>the</strong><strong>Berkhamsted</strong> & District Branch RNLI,would like to thank <strong>the</strong> commuters <strong>of</strong><strong>Berkhamsted</strong> for <strong>the</strong>ir generosity at <strong>the</strong>recent single-daycollection at<strong>Berkhamsted</strong>Railway Station.The total amountcollected was£356.13.The next event willbe an OpenGardens Day on 6th<strong>August</strong> at PottenEnd. Refreshmentswill be available.All monies taken will be going direct to<strong>the</strong> RNLI.The Children’s SocietyCalling all Gardeners and Chelsea FlowerShow fanatics! The Harpenden Committeefor The Children’s Society has got MsAlex Denman <strong>of</strong> <strong>the</strong> R.H.S. to give a talkon <strong>the</strong> challenges <strong>of</strong> organising “TheGreatest Show on Earth”. This will takeplace at Aldwickbury Park Golf Club,Harpenden, AL5 1AB on Thursday 1stSeptember at 7.45pm. Tickets £20 – toinclude canapés and a glass <strong>of</strong> bubbly,served from 7.00pm. Available from AnnBrowning 01442 864968 or 01582767836. Don’t miss it!More locally:- The <strong>Berkhamsted</strong>Committee is supporting <strong>the</strong> NationalC<strong>of</strong>fee Morning for The Children’sSociety. They will host a C<strong>of</strong>fee Morningat The Court House, <strong>Berkhamsted</strong> onThursday 8th September between 10.00am and 12 noon. Delicious c<strong>of</strong>fee andcakes. All welcome!(continues on page 7)5


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Around <strong>the</strong> townHalton House Open DayHalton House will be open to <strong>the</strong> publicon Sunday 4th September from 10.00amto 4.00pm.. This is a rare opportunity tosee this lasting reminder <strong>of</strong> Victoriandecorative style. Fur<strong>the</strong>r information willbe available nearer to <strong>the</strong> 4th Septemberat: www.raf.mod.uk/rafhaltonOxfam Children’s Wear EventOxfam’s popular Children’s Wear Eventwill return to <strong>Berkhamsted</strong> Civic Centreon Friday 9th September with oneimportant difference - credit cards will beaccepted but not cheques. The eventopens at 9.00am for just two and a halfhours and <strong>of</strong>fers a splendid selection <strong>of</strong>clo<strong>the</strong>s for <strong>the</strong> new season, as well as toysand games. All <strong>the</strong> money raised goes tosupport <strong>the</strong> overseas aid charity’s work.The Oxfam worker in Ethiopia waspuzzled by <strong>the</strong> woman standing gazingdown at a hole in <strong>the</strong> ground by her feet.Then a pair <strong>of</strong> hands supporting a bucketappeared out <strong>of</strong> <strong>the</strong> hole. On enquiring shelearnt that <strong>the</strong>re was a chain <strong>of</strong> ten womenbelow ground accessing an undergroundspring, <strong>the</strong> only source <strong>of</strong> water for <strong>the</strong>irdrought-stricken village.Oxfam has particular expertise in <strong>the</strong> field<strong>of</strong> water and sanitation and is involved inwater-supply programmes across <strong>the</strong>globe. Water is being trucked in to manydesperate locations in East Africa.Children’s Wear organizer Nicky Evanshopes to match her last total <strong>of</strong> £7000which would pay for seven <strong>of</strong> <strong>the</strong> largebladder tanks to hold <strong>the</strong> water fordistribution, as well as tapstands andspecially designed Oxfam buckets. Sohelp <strong>the</strong> family budget and desperatefamilies overseas by visiting <strong>the</strong> OxfamChildren's Wear Event.<strong>Berkhamsted</strong> Choral Society withChorleywood Choral SocietyThere will be a concert at St Peter'sChurch on Saturday 3 rd September at7.30pm: Peace and Passion: A ChoralCelebration. Selections from Messiah(Handel) and o<strong>the</strong>r English an<strong>the</strong>msincluding Zadok <strong>the</strong> Priest. ConductorGraham Wili. Tickets: £13, Seniors, £11,Student and Dacorum Card £6, U16s free.Box Office: 07500 431643 or from ColeFlatt & Partners.Bike ’n Hike <strong>2011</strong> - 10th SeptemberNow is <strong>the</strong> time to begin preparing for thisyear’s Bike ’n Hike, which is beingorganised by Bedfordshire andHertfordshire Historic Churches Trust forSaturday 10th September.For <strong>the</strong> past 20 years, always on <strong>the</strong>second Saturday in September, cyclistsand walkers have visited churches andchapels throughout Bedfordshire andHertfordshire enjoying a day out and at<strong>the</strong> same time raising money for churchrestoration and repair.This year <strong>the</strong> Bike ’n Hike celebrates its20th anniversary and <strong>the</strong> organisers wouldlike to make it a record breaking year. Sowhat are you waiting for? Enjoy a pleasantday cycling or walking to churches andchapels in our area and at <strong>the</strong> same timeboost our church’s funds as well as those<strong>of</strong> <strong>the</strong> Trust.For more information please contact ChrisClegg on 875818, visit <strong>the</strong> website atwww.bedshertshct.org.uk or emailbikenhike@bedshertshct.org.uk. yB7


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Facelift for charity boutiqueHospice newsA unique <strong>Berkhamsted</strong> shop is beinggiven a fresh new look, just in time tocelebrate its fifth year <strong>of</strong> business in <strong>the</strong>town. Number Twenty, in Lower KingsRoad, is a unique retail business, run byThe Hospice <strong>of</strong> St Francis.The business has defied tough economicconditions and makes a significantcontribution to hospice funding whilst at<strong>the</strong> same time giving its discerningcustomers an exciting choice <strong>of</strong> designerproducts.The shop is managed by Sarah Coles anddeputy Nicola Harvey, who are assistedby a team <strong>of</strong> 25 volunteers. It is run as anindependent gift shop, paying rents andrates on an equal footing with o<strong>the</strong>r localretailers and purchasing from suppliers in<strong>the</strong> usual way.Sarah and Nicola both have longbackgrounds in retailing and have <strong>the</strong>irown interior design consultancies. Theyboth worked closely to develop <strong>the</strong>concept <strong>of</strong> Number Twenty alongside LinUnderwood, retail manager at <strong>the</strong> hospice.The shop’s sleek contemporary look,which has been designed by <strong>Berkhamsted</strong>based graphic artist Katie Hunt <strong>of</strong> SoloDesign, has been created to reflect <strong>the</strong>style <strong>of</strong> merchandise <strong>the</strong> shop sells today.The new design also reinforces <strong>the</strong> link to<strong>the</strong> hospice and <strong>the</strong> local community.Sarah says: “Number Twenty pioneerslocal designers and trends. We have acommitment to stock local products madeby local people and we champion oursuppliers. Very <strong>of</strong>ten people approachNumber Twenty with items <strong>the</strong>y areLife’s a Partyproducing and we actively encourage thisapproach. As competition in <strong>the</strong> retailsector is increasing it is vital to stay ahead<strong>of</strong> <strong>the</strong> game."Designer names such as Robin Farquhar,Hannah Turner, Jan Constantine and KenEardley can also be found on <strong>the</strong> shelves.Life's a Party (pictured above) owner,S<strong>of</strong>ie Phillipson, is based in Marsworthand sells bunting and home accessories atNumber Twenty."Adds Sarah; "People want something alittle bit different and a little bit special,and most importantly, our emphasis is onraising money for <strong>the</strong> hospice and thisworks because we are at <strong>the</strong> heart <strong>of</strong> <strong>the</strong>local community."Sarah, who won <strong>the</strong> Dacorum SmallBusiness <strong>of</strong> <strong>the</strong> Year Award in 2007,continues; “Nicola and I have recentlybeen on buying trips sourcing newproducts and <strong>the</strong>re will be some great newranges arriving soon. Do come and visitus. Customers are being more careful, butour success in this field depends on <strong>the</strong>innovative mix <strong>of</strong> <strong>the</strong> right products,reasonable prices and great customerservice.” yB9


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Stepping into <strong>the</strong> pastLocal landmarksDan Parry takes us on a tour <strong>of</strong> <strong>Berkhamsted</strong> SchoolAmong <strong>Berkhamsted</strong>’s many highlightssome are particularly accessible and allow- invite even - frequent attention:Ashridge, <strong>the</strong> castle…<strong>the</strong> Boat to namebut a few. O<strong>the</strong>rs are a little moreexclusive. In a list <strong>of</strong> <strong>the</strong> town’s top tenmost charismatic features surelysomewhere near <strong>the</strong> top must come <strong>the</strong>wonderfully evocative though slightlysinister historic Tudor hall at <strong>Berkhamsted</strong>School. Walking up Castle Street, beforeyou get to <strong>the</strong> church you come across ablue plaque bearing <strong>the</strong> date 1541. This is<strong>the</strong> outside wall <strong>of</strong> <strong>the</strong> old hall…but whatlies within? To <strong>the</strong> uninitiated one mightimagine something between acontemporary centre <strong>of</strong> excellence and,dare I say, Hogwarts. Venturing inside, in<strong>the</strong> company <strong>of</strong> Rachael Guy, Head <strong>of</strong>Learning Resources, toge<strong>the</strong>r we went insearch <strong>of</strong> ghosts.In <strong>the</strong> last 500 years thousands <strong>of</strong> peoplereceived <strong>the</strong>ir first taste <strong>of</strong> <strong>the</strong> world in <strong>the</strong>classrooms <strong>of</strong> <strong>the</strong> school, and I wanted toknow whe<strong>the</strong>r we could still discoversomething <strong>of</strong> <strong>the</strong> joys, <strong>the</strong> horrors, <strong>the</strong>ambitions and <strong>the</strong> realities that <strong>the</strong>yencountered along <strong>the</strong> way. The first thingI found was that this wasn’t Hogwarts.The buildings might be quaint and <strong>the</strong>presence <strong>of</strong> privilege is obvious, butevidence <strong>of</strong> forward-thinking iseverywhere. Where once <strong>the</strong>re was apublic school dominated by a traditionalway <strong>of</strong> things (boarding was once far morecommon than now), today Principal MarkSteed (who prefers ‘independent school’)is introducing a timetable based on 20-minute packages believed to be unique in<strong>the</strong> country.Nor does Rachael’s library have aforbidden section packed with books <strong>of</strong>dangerous spells, though it does have anout-<strong>of</strong>-bounds attic filled with secrettreasures. Here beneath <strong>the</strong> ro<strong>of</strong> liehandwritten ledgers bearing <strong>the</strong> accounts<strong>of</strong> years gone by, along with o<strong>the</strong>r ancientgems. Even while we were <strong>the</strong>re, weunear<strong>the</strong>d a long-forgotten cache <strong>of</strong> rolls<strong>of</strong> film, complete with <strong>the</strong> old 8mmcamera presumably used to shoot <strong>the</strong>m.As well as sobering black and whitephotos <strong>of</strong> former pupils from <strong>the</strong> yearsleading up to <strong>the</strong> First World War, <strong>the</strong>school’s archive also includes <strong>the</strong> solidlea<strong>the</strong>r collar worn by <strong>the</strong> infamous Peter<strong>the</strong> Wild Boy, <strong>the</strong> feral child rescued in1725 from a forest near Hanover.Visiting <strong>the</strong> chapel, <strong>the</strong> drama and dancestudio, <strong>the</strong> artist-in-residence’s exhibitionroom, <strong>the</strong> common rooms and <strong>the</strong> HQ <strong>of</strong><strong>the</strong> school’s cadet force, we found <strong>the</strong>same breezy, easy-going atmospherethroughout <strong>the</strong>m all. The facilities areextensive to say <strong>the</strong> least. But far from aremote bastion <strong>of</strong> elitism, <strong>the</strong> schoolappears to foster an attitude <strong>of</strong> positivecan-do-ism that’s more about self-beliefthan pushy ambition. Mark Steed hassuccessfully promoted a refreshingatmosphere, grounded in <strong>the</strong> real world,which gives young people <strong>the</strong> resourcesto pursue <strong>the</strong>ir own choices and whichperhaps thus frees <strong>the</strong>m from <strong>the</strong>competitive expectation associated withsome <strong>of</strong> <strong>the</strong> country’s o<strong>the</strong>r venerableindependents.continues on page 1211


Local landmarkscontinuedfrompreviouspageThis sense<strong>of</strong>groundingperhapsarises froma variety <strong>of</strong>sources. Aswell asinvolvementin <strong>the</strong> widercommunity(localcouncillors even sit on <strong>the</strong> governingbody), <strong>the</strong> school uses its extensiveresources in actively supporting stateeducation through its sponsorship <strong>of</strong> <strong>the</strong>Wren Academy in Finchley. The future’sbright <strong>the</strong>n, not just for <strong>Berkhamsted</strong> butfor Wren too.It’s a future built on <strong>the</strong> heritage <strong>of</strong><strong>Berkhamsted</strong>’s rich past. The pupilswho’ve come and gone in <strong>the</strong> last 500years did not leave without etchingsomething <strong>of</strong> <strong>the</strong>mselves into <strong>the</strong> fabric <strong>of</strong><strong>the</strong> school, literally in some cases. Hereand <strong>the</strong>re timeless graffiti has been cutinto stonework or carved on <strong>the</strong> ancientdesks still occasionally to be found inforgotten nooks and crannies.Finishing up in <strong>the</strong> old hall, it was clearthat here was a relic <strong>of</strong> times gone by. Thewindows are a shade too high for childrento see out <strong>of</strong>. The room, l<strong>of</strong>ty and large,might be described as foreboding. This isnot an intimate, modern classroom andnor does it pretend to be. Amid <strong>the</strong>portraits <strong>of</strong> past masters and <strong>the</strong> valuablecollection<strong>of</strong> ancientbooks<strong>the</strong>re is anair <strong>of</strong>somethingdifferentcomparedto o<strong>the</strong>r,freshercorners <strong>of</strong><strong>the</strong> school.This is <strong>the</strong>room with<strong>the</strong> ‘littlegreenbaizedoor’ immortalized by Graham Greene.For Greene, this came to symbolize <strong>the</strong>gulf between <strong>the</strong> security <strong>of</strong> family lifefound on one side <strong>of</strong> <strong>the</strong> door and <strong>the</strong>anxieties he associated with <strong>the</strong> widerworld that lay on <strong>the</strong> o<strong>the</strong>r.In Greene’s case his difficulties partlystemmed from <strong>the</strong> fact that his fa<strong>the</strong>r washeadmaster at <strong>the</strong> time. In wanderingthrough <strong>the</strong> door and away from <strong>the</strong> hall, Icouldn’t help speculating that he mighthave been happier in <strong>the</strong> modernincarnation <strong>of</strong> <strong>the</strong> school.Today <strong>the</strong> world is not allowed to becomea source <strong>of</strong> anxiety but instead is invitedin and asked to make itself at home.In a place with such a long history, <strong>the</strong>rewill always be room for <strong>the</strong> ghosts <strong>of</strong> <strong>the</strong>past. It’s just that amid <strong>the</strong> enlightenedviews that permeate <strong>the</strong> school <strong>the</strong>re arefewer dark corners for <strong>the</strong>m to hide in.yB12


<strong>Berkhamsted</strong> Heritage Open DaysLocal eventsJenny Sherwood on rare opportunities to learn more about our townFor a number <strong>of</strong>years <strong>the</strong><strong>Berkhamsted</strong>Local History &Museum Societyhas stagedHeritage OpenDays as part <strong>of</strong> <strong>the</strong>nationallysponsoredOpenDays providingopportunities tovisit and enjoyguided tours <strong>of</strong> local buildings, which arenot normally open in this way. Manylocal inhabitants will believe that <strong>the</strong>yalready know <strong>the</strong>ir <strong>Berkhamsted</strong> and that<strong>the</strong>y have nothing new to learn, but behindfamiliar facades <strong>the</strong>re is much hiddenhistory. An added bonus <strong>of</strong> <strong>the</strong>se HeritageOpen Days is that <strong>the</strong>y are all free.<strong>Berkhamsted</strong> CastleJust a ruin, but <strong>the</strong> best example <strong>of</strong> amotte and bailey castle remaining in <strong>the</strong>country is <strong>Berkhamsted</strong>’s royal castle, richin history. Guided tours take place onSunday 11th September at 10.30am,12.30pm and 3.00pm.<strong>Berkhamsted</strong> School Old Hall &ChapelFounded in 1541 by Dean John Incent.Old Hall built in 1544 is <strong>the</strong> originalschool hall, one <strong>of</strong> <strong>the</strong> largest at that time.The Chapel built in 1895 by localarchitect C H Rew, is based on <strong>the</strong> Chapel<strong>of</strong> Santa Maria dei Miracoli in Venice.Tours 11th September at 10.30am and2.30pm, led by an Old Boy <strong>of</strong> SchoolHouse.St Peter’sChurch andCourt HouseThis church,probably <strong>the</strong>second largest in<strong>the</strong> county, wasconsecrated in1222. There aremany memorialslinking <strong>the</strong> churchwith well-known<strong>Berkhamsted</strong>iansthrough <strong>the</strong> ages. The Court House isTudor and has been used for manypurposes through <strong>the</strong> ages. Guided tour11th September 3.00pm.St. Mary’s Church NorthchurchThe oldest part <strong>of</strong> this church, whose<strong>parish</strong> once stretched from Dudswell rightto Bourne End, is Saxon. There are anumber <strong>of</strong> interesting monuments tonotable people, particularly one to Peter<strong>the</strong> Wild Boy. The Prince <strong>of</strong> Wales ispatron to <strong>the</strong> living <strong>of</strong> St. Mary’s. Tours11th September 2.30pm and 3.30pm.Claire Lloyd Properties, 173, HighStreet, formerly Figgs <strong>the</strong> chemistThis is <strong>the</strong> oldest known urban timberframed building in <strong>the</strong> country, its timbersdating from <strong>the</strong> late 13 th century.Originally thought to be a shop, it isprobably part <strong>of</strong> a large hall house. Stairsare narrow and steep so not suitable for<strong>the</strong> very young and elderly. Open 11thSeptember 10.30am to 4.00pm with smallgroup tours throughout <strong>the</strong> day.continues on page 1413


M. Rejewskl Pdish Enigma Work ., .. .message without being enciphered. He <strong>the</strong>n eet <strong>the</strong>drums to <strong>the</strong>se letters, chose three o<strong>the</strong>r lettern as amesaage key, and, as before, after enciphering <strong>the</strong>mtwice, placed <strong>the</strong>m at <strong>the</strong> beginning <strong>of</strong> <strong>the</strong> message.Then he set <strong>the</strong> drum to <strong>the</strong> m q e key and began<strong>the</strong> actual encipherment <strong>of</strong> <strong>the</strong> measage itself.The changes in <strong>the</strong> trammbion <strong>of</strong> <strong>the</strong> message keywere implemented in all military units but were notcarried out in <strong>the</strong> SD network. AU we had producedup to that time for <strong>the</strong> recovery <strong>of</strong> daily keys andmessage keys-<strong>the</strong> card files and grid method-cameto naught with regard to <strong>the</strong> military units, because<strong>the</strong>re were no more characteristics. We could solveand read only <strong>the</strong> SD network.In a very short time, perhaps a week or two, wecame up with two ideas-or ra<strong>the</strong>r, since this is moreimportant, we found ways to carry <strong>the</strong>m out. I willattempt to summarize <strong>the</strong> ideas and <strong>the</strong>ir execution.With <strong>the</strong> eder method <strong>of</strong> transmitting <strong>the</strong> key, wepresented <strong>the</strong> key in <strong>the</strong> form <strong>of</strong> two three-letterpups. Now we had to present it as three groups-forexample,SHP, CHV PZTThe first group, separated by a comma &om <strong>the</strong>rest, is not enciphered, and <strong>the</strong> o<strong>the</strong>r two group makeup <strong>the</strong> message key enciphered two times. Wi<strong>the</strong>nough cipher material it can happen that on a givenday three messages will be found with keys as in <strong>the</strong>following example:RTJ, WAH WIKHPN, RAW KTWDQY, DWJ MWR- nously. After passing through all possible 26' Y1,576positions in a specified time (about two hours), <strong>the</strong>machine would indicate when three pairs <strong>of</strong> lamp(<strong>the</strong> same lamp in each pair) lighted.The order <strong>of</strong> <strong>the</strong> drums is unknown, so it would bebetter to build six such devices from <strong>the</strong> start, one foreach Wble ordering. But we must deal with permutationS. Duping this period, permutation S consisted<strong>of</strong> five to eight tmmpositions; that is, it changedhalf <strong>the</strong> letters on <strong>the</strong> average. One could <strong>the</strong>reforeexpect that a letter that is repeated six times in threemeasages (<strong>the</strong> letter W in this case) would not bechanged by permutation S at least every second time.I have just presented <strong>the</strong> operating principle. TheAVA factory built six such devices in an unbelievablyshort time-it waa only November 1938. For lack <strong>of</strong> abetter name we called <strong>the</strong>m bombs. Our success wasthanks to <strong>the</strong> exceptional service <strong>of</strong> <strong>the</strong> factory's director,Antoni Palluth, who was not a regular employee<strong>of</strong> <strong>the</strong> Cipher Bureau, but worked closely withit. Beii a cryptologist himself, he understood <strong>the</strong>needs <strong>of</strong> <strong>the</strong> bureau very weltThe mcond idea, which originated at practically <strong>the</strong>same time as <strong>the</strong> idea <strong>of</strong> <strong>the</strong> bomb, was based onapparently similar, but actuaUy completely differentassumptions. As with <strong>the</strong> bomb, we a h had to possessenough suitable cipher material. Out <strong>of</strong> this materialwe could expect about ten messages with keys such asKTL, WOC DRCSVW, DKR IKCBWK, TCL TSDEDV, PRS ZRTGRN, UST UQAGRA, FDR YDPMDO, CTW YZWAGH, SLM PZMJBR, LPS TOSITY, APO ZPDwhere <strong>the</strong> first and fourth, <strong>the</strong> second and fifth, or <strong>the</strong> In <strong>the</strong>se keys ei<strong>the</strong>r <strong>the</strong> finst and fourth, th; secondthird and sixth letters in <strong>the</strong> keys <strong>of</strong> all three messages and fifth, or <strong>the</strong> third and sixth letters are <strong>the</strong> same,are <strong>the</strong> same. In this case it is <strong>the</strong> letter W, but it but <strong>the</strong> identical pairs could be different in each key.could also be any o<strong>the</strong>r letter, just so it is <strong>the</strong> same in If we recall <strong>the</strong> characteristic shown in Equation 1, weall three messages. Let us assume for <strong>the</strong> time being should a h remember that <strong>the</strong> identical letters inthat permwtation S was <strong>the</strong> identity. If <strong>the</strong> ring setting corresponding place8 in <strong>the</strong> key represent one-letterwas also identical and if we knew <strong>the</strong> order <strong>of</strong> <strong>the</strong> cycles in <strong>the</strong> characteristic. But permutation S dmdrums on <strong>the</strong> shaft, it would be sufficient to set <strong>the</strong> not, after all, influence <strong>the</strong> length <strong>of</strong> cycles in <strong>the</strong>drums at position RTJ; <strong>the</strong>n by striking key W three characteristic and <strong>the</strong>refore does nat influence <strong>the</strong> facttimes in a row, <strong>the</strong> same lamp would light. The same <strong>of</strong> <strong>the</strong> occurrence or nonoccurrence <strong>of</strong> cycles.one letter.would happen in drum positions HPN and DQY. The long. . .setting <strong>of</strong> <strong>the</strong> rings makes <strong>the</strong> positions <strong>of</strong> <strong>the</strong>Thus, in place <strong>of</strong> <strong>the</strong> card file <strong>of</strong> cycle lengths in allat which this would happen unknown to ILS, but <strong>the</strong> products <strong>of</strong> <strong>the</strong> type AD,we bdto produce a card filedifferences in <strong>the</strong> positions will be maintained and <strong>of</strong> <strong>the</strong> positions <strong>of</strong> all those products <strong>of</strong> <strong>the</strong> type AD inthus are known.One need only construct a device that in principlewhich 'one-letter cycles occdd and <strong>the</strong>n compare<strong>the</strong>m with <strong>the</strong> one-letter cyelea o c h g in messagewould consist <strong>of</strong> sets <strong>of</strong> drupls from six Enigmas and keys for a given day. Buk how.could <strong>the</strong> comparison&at,- preserving <strong>the</strong> known mhd differences in #e be ca+d out? In thie process; &in <strong>the</strong> previous me,positions <strong>of</strong> <strong>the</strong> drums, would tuni <strong>the</strong> dnuns'synchfo- only tfie relativs.W <strong>of</strong> &letter cS;clei diecov- .4 - . - 1 .,, "- .,ac -I . 3 -. , . .. . 9. .F ., L.1 .,, . 226, . Annals <strong>of</strong> <strong>the</strong> Hiatory <strong>of</strong>~~mputhg, Volume 3. ~urnber$, July I WI ,-. . ,. - - -,:.L


First year finishes with second year home huntSam Limbert continues his column on university lifeAlmost without blinking, my first year atuniversity is over. After finishing examsin June, it was strange moving out <strong>of</strong> myuniversity halls as it barely seemed fiveminutes ago that I’d moved everything in.There may have been problems with <strong>the</strong>halls (aren’t <strong>the</strong>re at every universitythough), but that room will always be myfirst room at university. I had some goodlaughs in my flat and made some goodfriends.Whe<strong>the</strong>r it was throwing sweets down <strong>the</strong>corridor into a glass, watching <strong>the</strong>international students be moments awayfrom setting our kitchen on fire or playingan interesting game <strong>of</strong> Pictionary after ourChristmas dinner, <strong>the</strong>re have been loads <strong>of</strong>memories from my first university flat thatI’ll take away with me.Leaving halls has meant that I had to gohouse hunting for a place to stay in for mysecond year. My flat mate for next yearand I have spent countless hours trawlingin and out <strong>of</strong> estate agents, browsingwebsites and trying to work out budgetsfor next year. At <strong>the</strong> time <strong>of</strong> writing, ourhunt is nearing an end as we finally seemto have found a place that works for us.Finding a place to rent is all part <strong>of</strong> <strong>the</strong>university experience, especially when itcomes to dealing with different people. Anumber <strong>of</strong> times, we were talking to estateagents, mentioned we were students andimmediately <strong>the</strong>y acted differentlytowards us in discussions. I’ve also learnt<strong>the</strong> art <strong>of</strong> ‘thanks but no thanks’; politelythanking someone for showing you rounda property when realistically you know assoon as you walk in that <strong>the</strong>re’s no chance<strong>of</strong> you living <strong>the</strong>re!This year has definitely been an adventurein terms <strong>of</strong> living away from home for <strong>the</strong>first time, cooking for myself, managingfinances, meeting new people, and doing<strong>the</strong> odd bit <strong>of</strong> learning and essay writingas well!For those <strong>of</strong> you who’ve enjoyed readingmy column from university, you’ll be gladto know that it’ll be continuing in <strong>the</strong> nextacademic year as I passed all <strong>of</strong> my firstyear modules, so you can expect moreGuildford-based musings in <strong>the</strong> nearfuture. yBThe editor <strong>of</strong> <strong>Your</strong> <strong>Berkhamsted</strong> isactively seeking new contributors for<strong>the</strong> <strong>magazine</strong>.Did you know that everyone who workson bringing <strong>Your</strong> <strong>Berkhamsted</strong> to youeach month is a volunteer?We would extend a warm welcome toanyone who would like to join us,whe<strong>the</strong>r you would like to contribute on aregular basis or just write a one-<strong>of</strong>farticle. We are always interested indiscussing ideas for features about<strong>Berkhamsted</strong> life. These could be about<strong>the</strong> town’s history, interesting modern daydevelopments or local people <strong>of</strong> note (pastor present). We are also happy to promoteprojects, events and works by localgroups.Please email <strong>the</strong> editor for more details ateditor@yourberkhamsted.org.uk.15


Parish pagesSt Peter’s Church Choir tour to ViennaRobin McMorran reports on <strong>the</strong> choir’s recent tourShoppingfor purplethread isn’tnormallytop <strong>of</strong> mylist whilstpreparingfor a trip,but one <strong>of</strong><strong>the</strong> hazards<strong>of</strong> going ontour with achurchchoir isthat a button will almost certainly fall <strong>of</strong>fyour cassock just before you pack it. I wasgetting ready to go on <strong>the</strong> <strong>2011</strong> tour <strong>of</strong>Vienna with <strong>the</strong> Choir <strong>of</strong> St Peter’s, Great<strong>Berkhamsted</strong>; a purple button had fallen<strong>of</strong>f my purple cassock, and matchingpurple thread was nowhere to be found! Ahasty visit to Shepherd’s Bush Marketeventually solved that particular problem;ecclesiastical vestments repaired, I set <strong>of</strong>fto join <strong>the</strong> choir in Austria.After months <strong>of</strong> planning and rehearsal, StPeter’s Choir, led by our illustriousKapellmeister Adrian Davis, was lined upto perform a selection <strong>of</strong> English andEuropean choral music in some <strong>of</strong> <strong>the</strong>most prestigious venues in Europe.Privileged as we were, we were alsoexporting one <strong>of</strong> Britain’s greatest culturalassets: <strong>the</strong> rich tradition <strong>of</strong> Anglicanchoral music. The Austrians’ selfsatisfactionfor having given <strong>the</strong> worldMozart and Schubert may be justified, butwe took a certain sense <strong>of</strong> pride inbringing to <strong>the</strong>m <strong>the</strong> music <strong>of</strong> Tallis, Byrdand Howells,composersprobablyrelativelyunknown inCentralEurope. In <strong>the</strong>spirit <strong>of</strong> <strong>the</strong>best culturalexchanges,were going toshow <strong>the</strong>m athing or two.There is astory that <strong>the</strong> Austrian composer AntonBrückner went to view <strong>the</strong> body <strong>of</strong>Beethoven prior to its re-burial in 1868;Brückner later realised one <strong>of</strong> hisspectacle lenses had fallen out, and wasoverjoyed because it had probablydropped into Beethoven’s c<strong>of</strong>fin to beburied forever with <strong>the</strong> great composer.Brückner was revelling in glory byassociation, as if <strong>the</strong> greatness <strong>of</strong>Beethoven would somehow rub <strong>of</strong>f ontohim. An English <strong>parish</strong> church choirsinging in Viennese churches today enjoysa similar sense <strong>of</strong> glory by association; <strong>the</strong>Austrian capital is steeped in history,every building and street boasting analmost nonchalant association with A-listers such as Johann Strauss, GustavKlimt or a dynasty <strong>of</strong> Holy RomanEmperors. So when our first gig was in <strong>the</strong>towering gothic splendour <strong>of</strong> <strong>the</strong>Stephansdom (<strong>the</strong> ca<strong>the</strong>dral <strong>of</strong> Vienna) wewere all too aware that this was <strong>the</strong> churchwhere Mozart’s funeral was held. In <strong>the</strong>distinguished company <strong>of</strong> umpteen deadHapsburg Emperors, we filled <strong>the</strong> gothic16


arches with William Byrd's O SingJoyfully. The occasion was also markedby <strong>the</strong> world premiere <strong>of</strong> a new work,Video Caelos Apertos, a visionary textfrom <strong>the</strong> mass <strong>of</strong> St Stephen set todramatic musicby our ownAdrian Davis.We concludedour concertwith <strong>the</strong>irresistiblyrousing O Thou<strong>the</strong> CentralOrb by CharlesWood, which,frankly, blew<strong>the</strong> ro<strong>of</strong> <strong>of</strong>f.My cassockbuttons, I ampleased to report, held out throughout.Starting as we meant to go on, our nextperformances took place in equallymagnificent venues. Our Sunday morningengagement was Mass at <strong>the</strong> Votivkirche,a neo-gothic church built in 1879 inthanksgiving for <strong>the</strong> escape <strong>of</strong> EmperorFranz Josef from an assassination attempt.After that, we found ourselves singing in<strong>the</strong> Peterskirche, a temple <strong>of</strong> baroqueexcess, walls dripping with gilded angelsand marble clouds (Fa<strong>the</strong>r Michael wasprobably trying to work out a way <strong>of</strong>FedEx-ing a selection <strong>of</strong> cherubim back toadorn St Peter's <strong>Berkhamsted</strong>). Ano<strong>the</strong>rperformance found us in <strong>the</strong> rococo palace<strong>of</strong> Schönbrunn, <strong>the</strong> extravagant formerresidence <strong>of</strong> Austrian royalty, singingAnglican an<strong>the</strong>ms to visitors in MariaTheresa’s royal chapel. With eachappearance we rose to <strong>the</strong> occasion withstirring examples <strong>of</strong> British choralheritage: Thomas Tallis’s gem If Ye LoveMe, John Ireland’s tear-jerking GreaterLove, and <strong>of</strong> course we were duty-boundto sing at least one canticle from ourThe Stephansdom, Viennarepertoire <strong>of</strong> choral evensong canticles,<strong>the</strong> Magnificat from <strong>the</strong> gloriousCollegium Regale service by HerbertHowells. Our range <strong>of</strong> music was not,however,restricted to ourown localproduce, as wealso includedworks by o<strong>the</strong>rEuropeancomposers in ourprogrammes:Palestrina’s Tu esPetrus featuredstrongly, and letus not forget thatAnglicancomposerCharles Woodwas himself an Irishman. Our organistJonathan Lee exhibited his skill at <strong>the</strong>various organ consoles around <strong>the</strong> citywith incredible performances <strong>of</strong>Mendelssohn's Sonata in A. In tribute toAustria’s great musical heritage, <strong>the</strong> choirsang one <strong>of</strong> Brückner’s best-knownmotets, Locus Iste, enjoying a particularlypoignant moment when Adrian Davisdirected <strong>the</strong> choir in a spontaneousperformance in front <strong>of</strong> Brückner’smemorial at <strong>the</strong> Belvedere Palace in hishonour (Brückner, in <strong>the</strong> end, found hisown glory). At <strong>the</strong> Peterkirche, JessMalcolm's voice resounded around <strong>the</strong>oval church with an e<strong>the</strong>real quality,delighint <strong>the</strong> audience with her soloBenedictus from <strong>the</strong> Little Organ Mass,composed by that o<strong>the</strong>r great Austrian,Joseph Haydn.An important aspect <strong>of</strong> this tour waseducation. Everyone in <strong>the</strong> choirbroadened <strong>the</strong>ir musical experience, butmost importantly <strong>the</strong> trip <strong>of</strong>fered newcontinues overleaf17


challenges to our younger singers. A number<strong>of</strong> our choristers demonstrated <strong>the</strong>irskills with solos in pieces such as Greene'smoving 1743 an<strong>the</strong>m Lord Let me KnowMine End. Singing with St Peter's choirenables children from many differentbackgrounds to develop music skills with<strong>the</strong> support <strong>of</strong> <strong>the</strong> Royal Schools <strong>of</strong>Church Music (RSCM), and trips like thisprovide an experience and a sense <strong>of</strong>achievement that will stay with our choristersfor life. Chris Limbert, Alice Jullien,Charlotte Booth and Joe Grego all made afantastic début on <strong>the</strong> Austrian musicscene this year.The choir tour was an educational experiencefor us all, however. Adult singers,choristers and parents enjoyed toursaround Schloß Schönbrunn, discovering<strong>the</strong> rich heritage <strong>of</strong> <strong>the</strong> Austrian nation,led by our highly knowledgeable andWeddingsengaging guide Brigitte Timmermann. In<strong>the</strong> Vienna Woods we were shownaround <strong>the</strong> sacred cloisters <strong>of</strong> <strong>the</strong> 12 thcentury Heiligenkreuz Monastery (wherewe also managed a short impromptu performance).Vienna itself had no shortage<strong>of</strong> Bierkeller and Beisl bars, <strong>of</strong>fering outstandingAustrian cuisine, beers andwines (in Vienna veritas, you might say)– <strong>the</strong>re is much to recommend <strong>the</strong> city asa holiday destination, although it mustrank as one <strong>of</strong> Europe’s priciest locations.Choir tours are a great experience forsingers <strong>of</strong> all ages and abilities, and openopportunities for everyone to discoverdifferent cultures whilst proudly sharingsomething <strong>of</strong> our own. Some might saythat taking music to <strong>the</strong> home <strong>of</strong> Mozartand Schubert is like taking ice to <strong>the</strong> Eskimos– but this means nothing to me, OVienna. yB17 June Daniel James Orum and Germaine Nanette Dutton (St Peter’s)BaptismsRegisters5 June Hannah Georgie Stuart (All Saints’)25 June Rafael Fraser Branscombe; Max William Benedict Murray;Arthur Miller (St Peter’s)26 June Jacob Alexander Baylay-Ray; Alexander James Baylay-RayFreddie William Evans; Sebastian Alexander Hawkes;Sophie Elizabeth Anne Noble Roscoe (St Peter’s)Confirmations1812 June Sophie Padmore, Richard Edward, Merlin Howells, Sophie Nash,Mark Igbineweka, Adam Brierley, Peter Smith, Cathy Smith,Thomas Nash, Katey Adderley, Holly Bowyer, Mark Bowyer,Duncan Brigginshaw, MicheilaBrigginshaw, CarolynneCharman,Luisa Clarke, Mat<strong>the</strong>w Size, Pamela Dalgas, James Doyle, ZoeDoyle, Helen Hanbidge, Nick Hanbidge, Emma Harris, HelenHolmes-Higgin, Peter Horsley, Salli Humphries, Jonathan Liddle,Michelle Liddle, Jamie Mat<strong>the</strong>ws, Charlotte Tarpey, GeorgieWilkinson, Miles Wilkinson (St Peter’s)


<strong>August</strong> Parish DiaryTues 2ndChurch Walk led by Pat Hearne, All SaintsSun 7th 11.30am Special Parochial Church Meeting, St Peter’sParish Diary information can be found at www.stpetersberkhamsted.org.ukSt Peter’s ChoirPlease note <strong>the</strong>re will be no choir in St Peter’s during <strong>August</strong>, <strong>the</strong>y will return—refreshedwe hope—in September.Sunday ServicesSt Peter’s8:00am Eucharist9:30am Sung Eucharist & SundaySchool6:00pm EvensongChoir holiday in <strong>August</strong>First Sunday in month Family Service at9:30amAll Saints’ - <strong>August</strong>7th 10:00am Morning Worship14th 10:00am Morning Worship21st 10:00am Holy Communion28th 10:00am Morning WorshipKey Church ContactsParish Office, Hilary Armstrong and Kate Perera, Court House, 878227.Fr Michael Bowie, 864194 (day <strong>of</strong>f Fri). Team Rector, St Peter’s.The Revd Caroline Weaver, 866324 (day <strong>of</strong>f Fri). Methodist Minister, All Saints.Fur<strong>the</strong>r information available from our church websites:www.stpetersberkhamsted.org.uk and at www.allsaintsberkhamsted.org.uk19


The Upstairs GalleryLocal artistsJenny Thorburn unveils <strong>the</strong> new gallery at <strong>the</strong> Way InnWhen I first came to <strong>Berkhamsted</strong> 20years ago, looking for somewhere to livein <strong>the</strong> town, <strong>the</strong> café upstairs at <strong>the</strong> WayInn was one <strong>of</strong> <strong>the</strong> few places for adelicious reasonably priced lunch in town.Now <strong>the</strong> café is no more and <strong>the</strong> Way Innis looking for a new use for <strong>the</strong> space. 20years on I am looking for new adventurestoo – I have been studying art for a while,and wanting somewhere to show my work.Sometimes one’s prayers get answered,even when you don’t know <strong>the</strong>y areprayers. I was puzzling over how to showmy art locally, and thought “well onesolution is to have a gallery, but no that isfar too big an undertaking, and anyhow Idon’t know anything about runninggalleries”. Having dismissed <strong>the</strong> thought, afew months later <strong>the</strong> opportunity threwitself at me, when I was having a chat withJoan Fisher, who is a trustee <strong>of</strong> <strong>the</strong> WayInn and was thinking about what to dowith <strong>the</strong> upstairs room. Quickly two o<strong>the</strong>rartists/crafters, Joanna Bryant and MarieJahn joined in and we were <strong>of</strong>f planning<strong>the</strong> gallery.I have discovered that as an artist youwant to get your work ‘out <strong>the</strong>re’; to showit, to sell it to o<strong>the</strong>r people. Also you needto be in touch with o<strong>the</strong>r artists – yourpeers, your community. All <strong>of</strong> us need <strong>the</strong>spiritual refreshment <strong>of</strong> encounteringsomething lovely made by ano<strong>the</strong>r humanbeing. There are few visual arts resourcesin this area, such as galleries showinglocal art work.20


Our intention is to contribute to <strong>the</strong> localartistic community and art lovers by beinga contemporary art and crafts gallery,showing <strong>the</strong> excellence <strong>of</strong> artists andcrafters in <strong>the</strong> Chiltern area. We will alsoprovide information about art in <strong>the</strong> area,and we will have workshops and lecturesat <strong>the</strong> gallery.It’ll be a place to come and buy somethingbeautiful for your home or a gift that hasbeen made by hand, by someone in ourcommunity.The room has been refitted, repaintedbright white, with gallery lighting, picturehanging and display shelving – thoughyou may recognize <strong>the</strong> tables and chairsfrom café times. We are planning to openin September, and hope to be openTuesday to Saturday 10am to 4pm.The money that <strong>the</strong> gallery makes fromproviding <strong>the</strong> exhibition space to artistsand commissions on sales will go tosupport <strong>the</strong> running costs and activities <strong>of</strong><strong>the</strong> Way Inn, and surpluses will go to localcharities.We are all volunteers, and we will belooking for more volunteers fromSeptember onwards to help run <strong>the</strong>gallery. If you would like to help pleasedo contact us. Who knows – with o<strong>the</strong>rnew art ventures in <strong>the</strong> town, this could be<strong>the</strong> beginning <strong>of</strong> something –<strong>Berkhamsted</strong> as <strong>the</strong> St Ives <strong>of</strong> <strong>the</strong>Chilterns? For information aboutvolunteering, please email us atupstairsgalleryberkhamsted@gmail.comyBWe welcome news about your localgroup. If you would like your group t<strong>of</strong>eature in <strong>Your</strong> <strong>Berkhamsted</strong>, or havenews for our Around <strong>the</strong> town pages,please see <strong>the</strong> contact details on page 31.21


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The South <strong>Berkhamsted</strong> ConceptLocal landscapeGrand Union Investments (GUI), frontedby PR company Quatro, are proposing a1000 home pseudo-village at <strong>the</strong> top <strong>of</strong>Swingate Lane. This is in addition to <strong>the</strong>1200 homes proposed in Dacorum’s CoreStrategy.2200 new homes amounts to an increase<strong>of</strong> around 30% on existing housing stock.Save <strong>Your</strong> <strong>Berkhamsted</strong> ResidentsAssociation (SYBRA) was formed twoand a half years ago to oppose <strong>the</strong> CoreStrategy proposals and representresidents’ interest in developmentconsultations. Our primary objective is toensure that <strong>the</strong> character and “feel” <strong>of</strong><strong>Berkhamsted</strong> and its surroundingcountryside is preserved. This newdevelopment on Green Belt landrepresents a major threat to <strong>the</strong> character<strong>of</strong> our town and surrounding countryside.The “South <strong>Berkhamsted</strong> Concept”website and recent presentations in <strong>the</strong>town were, in our opinion, full <strong>of</strong> glossand short on facts and figures, but <strong>the</strong>irbasic premise appears to be that “if<strong>Berkhamsted</strong> is going to get 1000 newhomes better to do it our way.” Their ownprojections indicate that closer to 3000homes are actually required! There are noproposals for new employmentopportunities in <strong>the</strong> “concept” so we canalso expect a significant increase incommuter traffic via <strong>the</strong> A41 and through<strong>the</strong> town. GUI’s main presumption is that<strong>the</strong> A41 is now <strong>the</strong> definitive townboundary and that virtually all land up to<strong>the</strong> A41 is <strong>the</strong>refore fair game fordevelopment. SYBRA’s view is that <strong>the</strong>open space between our town and <strong>the</strong> A41is <strong>the</strong> “green lung” that protects <strong>the</strong> townfrom traffic pollution and we should fighttooth and nail to preserve it!The proposed new East-West link road issupposed to alleviate <strong>the</strong> traffic impact on<strong>the</strong> town centre and whilst it may speed upaccess from this development to <strong>the</strong> A41,people will still want to visit <strong>the</strong> towncentre to shop, eat, drink and socialise.Any development on this scale can onlylead to a dramatic increase in trafficaround <strong>the</strong> town. <strong>Berkhamsted</strong>’s creakinginfrastructure, with already huge trafficand parking problems, simply cannot copewith <strong>the</strong> additional demands thisdevelopment would involve. Significantdevelopment <strong>of</strong> this type and indeed <strong>the</strong>proposals outlined in <strong>the</strong> Core Strategy,will place a burden on <strong>the</strong> town’sinfrastructure which will destroy <strong>the</strong>character <strong>of</strong> our town.The level <strong>of</strong> housing development in<strong>Berkhamsted</strong> will ultimately be decidedby a Planning Inspector who will takeaccount <strong>of</strong> <strong>the</strong> required level <strong>of</strong>development across Dacorum as a whole.The South <strong>Berkhamsted</strong> scheme isopposed by both <strong>Berkhamsted</strong> TownCouncil and Dacorum Borough Planning.Even so, both Dacorum’s Core Strategyand <strong>the</strong> South <strong>Berkhamsted</strong> scheme willbe presented to <strong>the</strong> Planning Inspector fora decision. <strong>Berkhamsted</strong> could end upwith one or <strong>the</strong> o<strong>the</strong>r or both! This is <strong>the</strong>opportunity for residents to make <strong>the</strong>irviews heard. SYBRA will continue torepresent residents’ opposition to <strong>the</strong>seproposals but we recommend you alsomake your views known direct to yourtown council.www.saveyourberkhamsted.co.ukFollow us on Twitter @saveyourberko23


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Record breaking total for Petertide FairFundraisingPrunella Murray has good news about this year’s Petertide FairResidents enjoying this year’s Petertide FairAn impressive £9,690 was raised at <strong>the</strong>30th annual Petertide Fair on Saturday (11June <strong>2011</strong>) held at St Peter’s Church,<strong>Berkhamsted</strong>.<strong>Berkhamsted</strong> residents turned out in forceto support <strong>the</strong> traditional fair enjoying hotdogs, Petertide Ale and Pimms whilstbrowsing <strong>the</strong> various stalls and sideshows.Children were entertained by a miniaturetrain giving rides across <strong>the</strong> churchyard,Punch & Judy and face painting.The Fair total will be added to £6k whichhas already been raised through variousfundraising events this year and <strong>the</strong> totalwill be split between this year’s Petertidecharities, <strong>the</strong> Sunnyside Rural Trust andMcCabe Educational Trust.Petertide Fair Chairman, Judith Limbert,commented, “I am absolutely thrilled with<strong>the</strong> amount we’ve raised for this year’scharities which has exceeded all ourexpectations! We were particularlyfortunate that <strong>the</strong> sun shone whichencouraged record numbers to attend <strong>the</strong>fair.“Fur<strong>the</strong>rmore, I am delighted that throughour fundraising we will significantlyimprove <strong>the</strong> lives <strong>of</strong> o<strong>the</strong>rs here in <strong>the</strong>local community and also in Nepal.”More information can be found at:25


DesignWorkshopAs a s<strong>of</strong>t furnishings designer I createexciting designs and ideas for practicaland beautiful homes.From handmade curtains, valences,cushions and upholstery to Roman,Venetian, Vertical and Roller blinds,everything beautifully made and fitted to<strong>the</strong> highest standards.S<strong>of</strong>t Furnishings & Gifts♦ Curtains / Blinds made to measure♦ Poles / Tracks supplied & fitted♦ Fabrics & WallpapersYou can use your own or choose from my♦ Gifts range for <strong>of</strong> all <strong>the</strong> occasions latest fabrics including as well as antraditional favourites. I also supply and fit aextensive range <strong>of</strong> Lolitawide range <strong>of</strong> tracks and poles.Glassware♦ Gift vouchers availableSo if you have just moved into your newhome or just want to update <strong>the</strong> look <strong>of</strong>your interior, call me.www.designworkshopuk.comSue Hawkins in StudhamDesign Workshop, 01582 873358 53-55 The HighStreet, Kings Langley, WD4 9HU01923 260990design.workshop@hotmail.com26


John Sayers AlmshousesLocal landmarksJoanne Lloyd Evans investigates <strong>the</strong> history behind a familiar landmarkObservant <strong>Berkhamsted</strong>ians will havenoticed <strong>the</strong> almshouses on <strong>the</strong> High Streetat <strong>the</strong> corner <strong>of</strong> Cowper Street that bear<strong>the</strong> clear inscription:“The guift <strong>of</strong> John Sayer Esq. 1684”I have always wondered as I walk pastwho has lived <strong>the</strong>re over <strong>the</strong> centuries andwho John Sayer was, so I finally did someresearch and found that <strong>the</strong> benefactorhad an interesting history.John Sayer was a wealthy resident wholived in <strong>the</strong> local manor, <strong>Berkhamsted</strong>Place. When he died in 1682, he left£1,000 in trust for <strong>the</strong> poor widows <strong>of</strong><strong>Berkhamsted</strong> and his widow, Mary,augmented <strong>the</strong> bequest by severalhundred pounds. £269 was used toconstruct <strong>the</strong> row <strong>of</strong> almshouses that stillstand today on <strong>the</strong> High Street, and <strong>the</strong>remainder was invested in land to provide<strong>the</strong> almswomen and o<strong>the</strong>r poor<strong>parish</strong>ioners with an income. There wasaccommodation for six widows at a time,each with two rooms <strong>of</strong> her own.Candidates for rooms had to be at least 55years old, have lived in <strong>Berkhamsted</strong> orNorthchurch for at least ten years and be“<strong>of</strong> good fame, constant frequenters <strong>of</strong>divine service”. By acceptingaccommodation at <strong>the</strong> almshouses, <strong>the</strong>widows also had to submit to a number <strong>of</strong>rules and restrictions which seem quitestrict and patronising by modernstandards. If <strong>the</strong>y wished to go away from<strong>the</strong> town to visit friends, <strong>the</strong>y had to seekpermission from <strong>the</strong> trustees, who nevergranted permission for more than onewoman to be away at a time, and not formore than one month in <strong>the</strong> year. Theyoungest <strong>of</strong> <strong>the</strong> six widows wasresponsible for helping o<strong>the</strong>r almswomenin times <strong>of</strong> illness and she was alsorequired to “keep <strong>the</strong> court clean between<strong>the</strong> wall and <strong>the</strong> house” and to unbolt andbolt <strong>the</strong> outer gate each morning and nightat a fixed time. But who was John Sayerand where did his money come from?Little appears to be known <strong>of</strong> his early lifeand I could not find from my research hisdate <strong>of</strong> birth or if he was born in <strong>the</strong> areaor moved here later. He had a relativecalled Sayer, who was <strong>the</strong> rector <strong>of</strong>Northchurch, but this does not prove tha<strong>the</strong> was from a local family.What is well known is that Sayer servedKing Charles II as his master cook.Charles II was forced into exile in Franceand <strong>the</strong> Ne<strong>the</strong>rlands after <strong>the</strong> execution <strong>of</strong>his fa<strong>the</strong>r in 1649. The Latin inscription onhis tombstone in St Peter’s Church impliesthat Sayer followed Charles II into exileand was a faithful servant through histroubles. He presumably returned toEngland with his king upon <strong>the</strong> restoration<strong>of</strong> <strong>the</strong> monarchy in 1660.Sayer is mentioned in <strong>the</strong> diaries <strong>of</strong>Samuel Pepys, who described anencounter with Sayer shortly after <strong>the</strong>restoration in September 1661 as follows:“ ... I went with Captain Morrice into <strong>the</strong>King’s Privy Kitchen to Mr Sayer, <strong>the</strong>Master Cook, and <strong>the</strong>re had a good slice <strong>of</strong>beef or two to our breakfast; and from<strong>the</strong>nce he took us into <strong>the</strong> wine cellarwhere, by my troth, we were very merry,(continues on page 28)27


Local landmarksand I drankso much thatI was not fitforbusiness ...”As <strong>the</strong>king’sMasterCook, Sayerreceived£150 peryear(c.£12,750 intoday’smoney) and £40 for livery. Charles II was<strong>of</strong>ten late in paying his bills and Sayerhad to sometimes ask for his payment inarrears and on o<strong>the</strong>r occasions it appearsthat Sayer actually lent money to <strong>the</strong> king.He clearly had o<strong>the</strong>r sources <strong>of</strong> income ashe was able to take <strong>the</strong> lease <strong>of</strong><strong>Berkhamsted</strong> Place. <strong>Berkhamsted</strong> Placewas an Elizabethan manor house built inabout 1580 by Sir Edward Carey, <strong>the</strong>keeper <strong>of</strong> <strong>the</strong> Jewels to Queen Elizabeth I.The Queen granted him <strong>the</strong> lease <strong>of</strong><strong>Berkhamsted</strong> Castle, but this had falleninto disrepair by this point and so he had amanor house built on <strong>the</strong> hill overlooking<strong>the</strong> castle, using many cartloads <strong>of</strong> stoneand flint from <strong>the</strong> castle ruins.At <strong>the</strong> Restoration in 1660, <strong>the</strong> lease <strong>of</strong><strong>Berkhamsted</strong> was taken on by <strong>the</strong> 2ndEarl <strong>of</strong> Portland, but he was not to live<strong>the</strong>re for long. A large fire broke out in1662 and it destroyed two-thirds <strong>of</strong> <strong>the</strong>manor. John Sayer financed <strong>the</strong>reconstruction and <strong>the</strong> central part <strong>of</strong> <strong>the</strong>house was quickly rebuilt but <strong>the</strong> twowings which formed <strong>the</strong> side <strong>of</strong> <strong>the</strong>courtyard were never restored. Sayer tookownership <strong>of</strong><strong>the</strong> houseshortly afterit was rebuiltand becomesteward <strong>of</strong><strong>the</strong> manor.He upsetmany<strong>parish</strong>ioners<strong>of</strong><strong>Berkhamsted</strong>by hisinterpretation<strong>of</strong> certain ancient manorial rights. Therector, churchwardens and o<strong>the</strong>rscomplained to <strong>the</strong> kind that Sayer hadunjustly kept market and o<strong>the</strong>r tolls forhimself, when <strong>the</strong>y had previously beenused to help maintain <strong>the</strong> church, <strong>the</strong>school and <strong>the</strong> poor <strong>of</strong> <strong>the</strong> <strong>parish</strong>. TheCourt <strong>of</strong> Exchequer found in favour <strong>of</strong>Sayer, which is probably not surprisinggiven his close relationship with <strong>the</strong> king.He lived <strong>the</strong>re with his family until hisdeath in 1682. The Sayer family remainedin residence at <strong>Berkhamsted</strong> Place until1716.His elaborate marble tomb can be found in<strong>the</strong> Lady Chapel <strong>of</strong> St Peter’s church.Remarkably, almost 330 years after <strong>the</strong>ywere built, <strong>the</strong> almshouses are still run as acharity and are still used for <strong>the</strong>ir originalpurpose. Renovations were carried outduring <strong>the</strong> 1960s to change <strong>the</strong> layout <strong>of</strong><strong>the</strong> living accommodation so that <strong>the</strong>re isnow accommodation for four women,ra<strong>the</strong>r than six.It still provides subsidised accommodationfor single Christian women in need whohave a connection to <strong>Berkhamsted</strong>. yB28


The local beekeeperThe great outdoorsCrispin Baker continues his monthly beekeeping diary<strong>August</strong> and time to harvest <strong>the</strong> honey.But before we do, let’s take time toconsider <strong>the</strong> final element to that sort afterbumper crop. The wea<strong>the</strong>r! Beekeepersare obsessed with <strong>the</strong> wea<strong>the</strong>r at particulartimes <strong>of</strong><strong>the</strong> yearand for <strong>the</strong>idealharvestingconditionswe wantsunshineand warmshowers,i.e. perfectfor flowers to produce lots <strong>of</strong> nectar.Despite <strong>the</strong> April heat wave and droughtconditions followed by unseasonally coldtemperatures in May and June, ourexhortations to <strong>the</strong> clouds were rewardedwith showers in June and July. As a result<strong>the</strong> abundant blackberry flowers went onand on, supported by rosebay willowherb, sweet chestnut and lime.However, all good things come to an endand once <strong>the</strong> bees are no longer bringingin a noticeable surplus it’s time toseparate <strong>the</strong>m from <strong>the</strong>ir precious storesand we do this by installing a one way beeaccess gate underneath <strong>the</strong> supers (honeystorage boxes) called a porter bee escape.The bees regularly leave <strong>the</strong> supers t<strong>of</strong>etch more honey for storage, but nowcan’t return, <strong>the</strong>reby draining <strong>the</strong> supers<strong>of</strong> bees and leaving <strong>the</strong> beekeeper free torelieve <strong>the</strong> hive <strong>of</strong> bee-free boxes <strong>of</strong>honey! However <strong>the</strong>re are inevitablyalways a few bees who never seem tovacate <strong>the</strong> supers and <strong>the</strong>se have to beremoved as <strong>the</strong> supers are <strong>the</strong>n taken awayfrom <strong>the</strong> apiary as quickly and stealthilyas possible. Bees can follow you a longway and atthat time <strong>of</strong>year <strong>the</strong>re are<strong>of</strong>ten a lot <strong>of</strong>bored beeshangingaround withnot a lot to doo<strong>the</strong>r thanguard <strong>the</strong>irwinter stores,so at any whiff<strong>of</strong> robbery, over-zealous bees can make asimple operation become, how shall wesay, complicated!Extracting <strong>the</strong> honey from <strong>the</strong> comb intostorage buckets must take place as soon aspossible, preferably while <strong>the</strong> honey isstill warm and viscous from <strong>the</strong> hives, andthis is carried out using a honey spinner.The frames from <strong>the</strong> supers are uncappedand placed in a spinning wire cage insidea large bucket and spun so that <strong>the</strong> honeyis removed with centrifugal force. It’s along job and involves getting <strong>the</strong> kitchenfloor very sticky, however <strong>the</strong>re are perksbecause at <strong>the</strong> end <strong>of</strong> <strong>the</strong> day <strong>the</strong>re ishoney for tea!That’s all folks, next time we’ll hear aboutfeeding and winter preparations.Bee Happy! Bee friendly plants for thistime <strong>of</strong> year: Borage, echinops, golden29


RODERICK WILSONFully qualifiedTREE SURGEON andFORESTRY CONTRACTOR07795 48194607768 93713801442 842716 (eve)THE ALEXANDERTECHNIQUEwithTrevor Allan Davies (STAT)To book a free introductory lessonin Central <strong>Berkhamsted</strong>:(07963) 642844info@trevorallandavies.co.ukJohn Cossins & Co.Chartered AccountantsA friendly and pr<strong>of</strong>essionalaccountancy and taxation service forindividuals and small businesses <strong>of</strong>feredby a Chartered Accountant in <strong>Berkhamsted</strong>with over 30 years experience.Competitive fees.Free initial consultation01442 863231email: johncfca@gmail.comIt’s as easy as 1, 2, 3……1. Select and pick your fruit and veg fresh from <strong>the</strong> field2. Weigh and pay for it at <strong>the</strong> PYO kiosk3. Take it home and enjoy eating <strong>the</strong> fruits <strong>of</strong> your labour!Grove Farm PYO, Great Gap, Ivinghoe, LU7 9DZFor info go to grovefarmpyo.co.uk or ring 01296 668175Open everyday from approx. mid-June to October30


The last word by Keith Treves-BrownAll Saints’ church is a Local EcumenicalPartnership (LEP); <strong>the</strong> building has beenshared by Anglicans and Methodistsunder <strong>the</strong> terms <strong>of</strong> a sharing agreementmade as long ago as 1980. For many years<strong>the</strong> two congregations had separateSunday services, but for <strong>the</strong> last fouryears we have had combined servicesusing roughly alternate Anglican andMethodist rituals. In any four consecutiveSundays <strong>the</strong>re will normally be aEucharist led by an Anglican priest, asacrament led by a Methodist minister, aservice led by an Anglican lay reader anda service led by a Methodist localpreacher. I use <strong>the</strong> word “sacrament”ra<strong>the</strong>r than “Holy Communion” for <strong>the</strong>service led by <strong>the</strong> Methodist ministerbecause quite frequently over <strong>the</strong> pastyear it has been Infant Baptism.There used to be both a Methodistminister and an Anglican priest-in-chargeat All Saints’. The Methodist minister,although resident in <strong>Berkhamsted</strong>, wasstrictly speaking appointed to <strong>the</strong> HemelHempstead and <strong>Berkhamsted</strong> circuit, andhad responsibility also for TringMethodist church and sometimes sharedpastoral responsibility at <strong>the</strong> Mountprison. The priest-in-charge was a curateunder <strong>the</strong> direction <strong>of</strong> <strong>the</strong> rector <strong>of</strong> Great<strong>Berkhamsted</strong>. However when RevdMartin Wright left he was not replaced,and pastoral responsibility for everyone atAll Saints’ devolved onto <strong>the</strong> Methodistminister, currently Revd CarolineWeaver. Although Caroline has beenresident in <strong>Berkhamsted</strong> for only threeyears she lived in Hemel Hempsteadbefore her ordination, and has been aminister in this circuit for twelve years.She will be moving on this year and isgoing to a circuit in north Bedfordshirewhere she will have charge <strong>of</strong> six villagechurches and be a chaplain at CranfieldUniversity.At <strong>the</strong> end <strong>of</strong> <strong>August</strong> we will welcome <strong>the</strong>new minister appointed to this circuit,Revd Rachael Hawkins. Rachael ismarried to Andrew and <strong>the</strong>y have twochildren, Thomas and Samuel, <strong>of</strong> primaryschool age. She was brought up inBeverley in Yorkshire, went to NewcastleUniversity, and worked in several differentparts <strong>of</strong> <strong>the</strong> country as a speech andlanguage <strong>the</strong>rapist before going into <strong>the</strong>ministry. She has been stationed inFarnborough since she was a probationer(<strong>the</strong> Methodist equivalent <strong>of</strong> a deacon). In<strong>the</strong> eight years she has been <strong>the</strong>re she hashad experience <strong>of</strong> an LEP with <strong>the</strong> URCand <strong>of</strong> working alongside an Anglicanpriest in establishing a Christiancommunity centre. Here she will haveslightly fewer responsibilities thanCaroline in that she will not be going to<strong>the</strong> Mount prison.With this background we feel sure thatRachael will want to play a full part in <strong>the</strong>life <strong>of</strong> <strong>the</strong> churches in <strong>Berkhamsted</strong>. Weask all YB readers to welcome her andpray for her ministry here. yBEditor :Ian Skillicorn, 862628, editor@yourberkhamsted.org.ukAdvertising: John Gerry, advertising@yourberkhamsted.org.ukCirculation: Sheila Miller, 31 Lincoln Court, HP4 3EN (864277)Copy Dates: 5 <strong>August</strong> 2 September 7 OctoberPublished by Great <strong>Berkhamsted</strong> Parochial Church Council. Registered charity no 1130108Printing by Connekt Colour, Northbridge Road, <strong>Berkhamsted</strong> HP4 1EH31

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