<strong>Royal</strong> <strong>Asiatic</strong> <strong>Society</strong> Ch<strong>in</strong>a - <strong>Newsletter</strong> Vol 4 No 9 – <strong>October</strong> <strong>2013</strong><strong>RAS</strong> Ch<strong>in</strong>a Monograph Series 4COMING 2014The Happy HsiungsPerform<strong>in</strong>g Ch<strong>in</strong>a and the strugglefor ModernityDiana Yeh‘Try Someth<strong>in</strong>g Different. Someth<strong>in</strong>g Really Ch<strong>in</strong>ese’The Happy Hsiungs recovers the lost histories of Shih-I andDymia Hsiung, two once highly visible, but now largelyforgotten Ch<strong>in</strong>ese writers <strong>in</strong> Brita<strong>in</strong>, who sought to representCh<strong>in</strong>a and Ch<strong>in</strong>eseness to the rest of the world. Shih-I shot toworldwide fame with his play Lady Precious Stream <strong>in</strong> the1930s and became known as the first ever Ch<strong>in</strong>ese stagedirector to work <strong>in</strong> the West End and on Broadway. Dymia wasthe first Ch<strong>in</strong>ese woman <strong>in</strong> Brita<strong>in</strong> to publish a fictionalautobiography <strong>in</strong> English <strong>in</strong> the 1950s. Through exhaustiveresearch and fieldwork among surviv<strong>in</strong>g family members andfriends, Diana Yeh traces the Hsiungs’ lives from their childhood <strong>in</strong> Q<strong>in</strong>g dynasty Ch<strong>in</strong>a and youth amid theradical May 4 th era to Brita<strong>in</strong> and the USA, where they became highly celebrated figures, rubb<strong>in</strong>g shoulderswith George Bernard Shaw, James M. Barrie, H.G. Wells, Pearl Buck, L<strong>in</strong> Yu Tang, Anna May Wong andPaul Robeson among others. In recount<strong>in</strong>g the Hsiungs’ rise to fame, Yeh focuses on the challenges theyfaced <strong>in</strong> becom<strong>in</strong>g accepted as modern subjects, as knowledge of Ch<strong>in</strong>a and the Ch<strong>in</strong>ese was persistentlyframed by colonialist legacies and Orientalist stereotyp<strong>in</strong>g, which often determ<strong>in</strong>ed how their works wereshaped and understood. Yet, The Happy Hsiungs also shows how Shih-I and Dymia, <strong>in</strong> negotiat<strong>in</strong>gacceptance, ‘performed’ not only specific forms of Ch<strong>in</strong>eseness but identities that conformed to modernideals of class, gender and sexuality, def<strong>in</strong>ed by the western middle-class nuclear family. Though fêted as‘The Happy Hsiungs’, their lives ultimately highlight a bitter struggle <strong>in</strong> attempts to become modern. DianaYeh lectures at Birkbeck College, University of London and at the University of East London. A formerFellow of the Sociological Review, she is currently a Research Fellow on the AHRC-funded project, Ch<strong>in</strong>a <strong>in</strong>Brita<strong>in</strong>: Myths and Realities and on an AHRC Knowledge Exchange Partnership between Bristol Universityand Pengu<strong>in</strong> Books Ch<strong>in</strong>a.She has published on race,ethnicity, diaspora, migrationand culture, and haspresented her research onBBC Radio Four, and at<strong>in</strong>stitutions such as the <strong>Royal</strong>Geographical <strong>Society</strong>, theWellcome Trust, NationalPortrait Gallery and TateBrita<strong>in</strong>.Biography / LiteraryFORTHCOMING 2014160 pp., 7” x 5”,PB ISBN 978-988-8208-17-3Price TBA COPIES WILL BE AVAILBLE AT <strong>RAS</strong> EVENTS“Thanks to the phenomenal success of his play Lady Precious Stream, Shih-I Hsiung was ahousehold name <strong>in</strong> the US and UK dur<strong>in</strong>g the 1930s. The Happy Hsiungs tells the story ofhow Hsiung and his writer wife, Dymia, came to be feted across three cont<strong>in</strong>ents, enjoy<strong>in</strong>gcelebrity as part of a global cultural elite that <strong>in</strong>cluded George Bernard Shaw, J. M. Barrie,H.G. Wells, Pearl Buck, Anna May Wong, Paul Robeson, L<strong>in</strong> Yu Tang, and Chiang Yee. Yehexplores their role <strong>in</strong> represent<strong>in</strong>g Ch<strong>in</strong>a and Ch<strong>in</strong>eseness to the rest of the world forc<strong>in</strong>g usto reth<strong>in</strong>k our vision of the British Ch<strong>in</strong>ese as <strong>in</strong>visible and <strong>in</strong>sular, with little social, cultural orpolitical impact on wider society.”—Dr Anne Witchard, University of Westm<strong>in</strong>ster and author of Lao She <strong>in</strong> London andThomas Burke’s Dark Ch<strong>in</strong>oiserie .14
15<strong>RAS</strong> Ch<strong>in</strong>a - Monograph Serieswith Hong Kong University PressBoth Lao She <strong>in</strong> London by Anne Witchard and Knowledge is Pleasure by L<strong>in</strong>dsay Shen arenow available on Amazon K<strong>in</strong>dle.Hard copies are available for purchase at <strong>RAS</strong> events and dur<strong>in</strong>g library open<strong>in</strong>g hours. Toreserve your copies email enquiry@royalasiaticsociety.org.cn putt<strong>in</strong>g “Monographs” <strong>in</strong> thesubject box.The monographs have achieved wide acclaim s<strong>in</strong>ce their publication last year. Reviews ofLao She <strong>in</strong> London <strong>in</strong>clude:"A beautifully written book that comb<strong>in</strong>es literary biography with a remarkably succ<strong>in</strong>ct account of Britishmodernism and an evocative portrait of <strong>in</strong>terbellum London, as viewed through Ch<strong>in</strong>ese eyes. AnneWitchard rem<strong>in</strong>ds us eloquently of the key role played by Ch<strong>in</strong>ese <strong>in</strong>fluences - both classical and modern -<strong>in</strong> literary modernism, and makes a great contribution to our understand<strong>in</strong>g of Lao She's London years."and for Knowledge is Pleasure:Julia Lovell, Birkbeck College, University of London“This is a sensitive and elegantly written biography of one of the most passionate S<strong>in</strong>ologists of the laten<strong>in</strong>eteenth and early twentieth centuries. The author moves fluidly between closely shadow<strong>in</strong>g FlorenceAyscough’s remarkable life and immersion <strong>in</strong> Ch<strong>in</strong>ese culture and stepp<strong>in</strong>g back to illum<strong>in</strong>ate her sett<strong>in</strong>g andk<strong>in</strong>dred spirits. Those previously familiar with only a few of Ayscough’s pioneer<strong>in</strong>g achievements will f<strong>in</strong>d<strong>in</strong> this monograph a coherent narrative unfold<strong>in</strong>g before them; those for whom she is an unknown name are<strong>in</strong> for the delight of discovery. L<strong>in</strong>dsay Shen is to be admired for recogniz<strong>in</strong>g that this impressive story isworth tell<strong>in</strong>g and for giv<strong>in</strong>g it such vividly human character. “El<strong>in</strong>or Pearlste<strong>in</strong>, Associate Curator of Ch<strong>in</strong>ese Art, Art Institute of ChicagoMonographs are 100 RMB each and available at <strong>RAS</strong> events and <strong>RAS</strong> Library (cash purchase only)15