Electronic and Experimental Music: Pioneers in ... - Aaaaarg

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Intérieur/Extérieur (French Philips Classics, PHI 46213–2, 2000). Includes Intérieur/Extérieur (1996), short musique concrète pieces. Une Tour de Babel/Tokyo 2002 (French Philips Classics, PHI 464 400–2, 2000). Includes: Une Tour de Babel (1999), a fifty-seven-minute-long work, and the short Tokyo 2002 (1998). Hugh Le Caine Compositions, Demonstrations, 1946–1974 (JWD Music, JWD 03, 1999). A collection of experimental tape compositions and demonstrations by synthesizer pioneer Le Caine. Includes two versions of Dripsody and many other short compositions and “humorous” sketches. Bruno Maderna Bruno Maderna: Electronic Music (Stradivarius, STR 33349). Includes Notturno (1956), Syntaxis (1957), Continuo (1958), Musica su due dimensioni (1958 version), Dimensioni II—Invenzione su una voce (1960, with Cathy Berberian, voice), Serenata III (1961), Le Rire (1962). Works composed in the Studio di Fonologia in Milan. Gordon Mumma Studio Retrospect (Lovely Music Ltd., LCD 1093, 2000). Featuring Retrospect (1959–82), Music from the Venezia Space Theater (1964), The Dresden Interleaf 13 February 1945 (1965), Echo-D (1978), Pontpoint (1966– 80), and Epifont (1984). Live Electronic Music (Tzadik, 7074, 2001). Arne Nordheim Arne Nordheim: Electric (Rune Grammofon, RCD 2002, 1998). Includes Solitaire (1968), Pace (1970), Warsaw (1970), Colorazione (1968), PolyPoly (1970). Realized in Warsaw by the influential Norwegian composer. Henri Pousseur Henri Pousseur (BVHaast, 9010). Includes Scambi (1957), Troi Visages de Liège (1961), and Paraboles-Mix (1972). Dick Raaijmakers (aka Kid Baltan) Dick Raaijmakers: Complete Tape Music (Donemus, CV NEAR 09–11, 1998). Pierre Schaeffer APPENDIX 269 Pierre Schaeffer: L’Oeuvre Musicale (EMF Media, CD 010). The collected works of Pierre Schaeffer, beginning with his earliest musique concrète. Solfège de l’objet sonore (INA-GRM, INA-C 2010/12, 1998). Schaeffer’s spoken discourse with audio demonstrations for his “Treatise on Musical Objects,” the building block of musique concrète theory.
270 ELECTRONIC AND EXPERIMENTAL MUSIC Raymond Scott Manhattan Research Inc. (BASTA Audio/Visuals, 90782, 2000). A retrospective of Raymond Scott’s work. Soothing Sounds for Baby, Volumes I, II, III (BASTA Audio/Visuals, 90642, 90653, 90662). Reissues of Scott’s “ambient” music for babies, originally released in 1963. Karlheinz Stockhausen Karlheinz Stockhausen retains the rights to his recorded electronic music and has been painstakingly remastering it and rereleasing it on privately issued compact discs with extensive liner notes that are often the size of small books. (Go to www.stockhausen.org.) The following are selected recordings of his electronic music. Etude (1952); Studie I; Studie II (1953–54); Gesang der Jünglinge (1955–56); Kontakte (1959–60) (Stockhausen 3). Mixtur (1963–67) for orchestra, sine wave generators, and ring modulators (two versions) (Stockhausen 8). Mikrophonie I (1964) for tam-tam, two microphones, two filters with potentiometers (six players); Mikrophonie II (1965) for choir, Hammond organ, four ring modulators; Telemusik (1966) (Stockhausen 9). Hymnen (1966); Hymnen (1966–67) with soloists (Stockhausen 10). Prozession (1967) for tam-tam, Electrochord, Electronium, piano, filters, potentiometers; Ceylon for Electronium, camel bells with triangles and synthesizer, modulated piano, tamtam, Kandy drum (Stockhausen 11). Kurzwellen (1968), six players and shortwaves (Stockhausen 13). Electronic Music with Sound Scenes of Friday (1990–91), from Light (Stockhausen 49). Also by Stockhausen: Kontakte (Wergo, WER 6009–2 286009–2, 1964/1992). Realization by David Tudor (piano and percussion) and Christoph Caskel (percussion). This version of Kontakte (1959–60) was first performed by Tudor and Caskel in 1960. This recording dates from 1964. Edgard Varèse Varèse: The Complete Works (PolyGram Records, 460208, 1998). Includes Deserts (1954) and Poème électronique (1958). Iannis Xenakis Xenakis: Electronic Music (EMF Media, CD003, 1997). Includes Diamorphoses (1957), Concret PH (1958), OrientOccident (1960), Bohor (1962), Hibiki-Hana-Ma (1970), S.709 (1992).
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ELECTRONIC AND EXPERIMENTAL MUSIC
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Published in 2002 by Routledge 29 W
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About the Author Thom Holmes studie
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Thaddeus Cahill and the Telharmoniu
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Synthesizer Music 271 Computer Musi
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Thanks to Wendy Carlos for giving m
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Introduction NEW TECHNOLOGY, NEW MU
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INTRODUCTION 3 John Cage performing
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6 ELECTRONIC AND EXPERIMENTAL MUSIC
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8 ELECTRONIC AND EXPERIMENTAL MUSIC
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10 ELECTRONIC AND EXPERIMENTAL MUSI
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Chapter 2 ELECTRONIC MUSIC RESOURCE
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ELECTRONIC MUSIC RESOURCES 15 durat
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ELECTRONIC MUSIC RESOURCES 17 Each
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ELECTRONIC MUSIC RESOURCES 19 on th
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ELECTRONIC MUSIC RESOURCES 21 confu
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the same function as a sequence of
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difference between them. When sideb
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ELECTRONIC MUSIC RESOURCES 27 The f
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Chapter 3 MUSICAL PRECEDENTS TO ELE
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MUSICAL PRECEDENTS TO ELECTRONIC MU
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undertaken a revival of Futurist mu
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Chapter 5 MUSIQUE CONCRÈTE AND THE
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MUSIQUE CONCRÈTE AND THE ANCIENT A
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Chapter 6 THREE PIONEERS: JOHN CAGE
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THREE PIONEERS 109 composition [Wil
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THREE PIONEERS 111 (1953); Feldman
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THREE PIONEERS 113 financially beca
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THREE PIONEERS 115 because it was s
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Cage later found a more productive
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THREE PIONEERS 119 efforts were dan
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THREE PIONEERS 121 John Cage, David
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Cage’s Influence John Cage was wi
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THREE PIONEERS 125 If it can be sai
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THREE PIONEERS 127 First, I recorde
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THREE PIONEERS 129 eventually becom
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THREE PIONEERS 131 Gesang der Jüng
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THREE PIONEERS 133 Stockhausen buil
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THREE PIONEERS 135 of music being p
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THREE PIONEERS 137 letting it shrin
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Chapter 7 A RENAISSANCE OF INVENTIN
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A RENAISSANCE OF INVENTING 141 you
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Space Age Electronic Pop Music A RE
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synthesizers were collecting cobweb
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A RENAISSANCE OF INVENTING 147 comp
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A RENAISSANCE OF INVENTING 149 Spec
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Chapter 8 ROBERT MOOG, WENDY CARLOS
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ROBERT MOOG, WENDY CARLOS, AND THE
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Chapter 9 ONCE AND FUTURE INNOVATOR
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ONCE AND FUTURE INNOVATORS 177 Gord
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ONCE AND FUTURE INNOVATORS 179 the
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ONCE AND FUTURE INNOVATORS 181 I fi
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ONCE AND FUTURE INNOVATORS 183 Soni
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ONCE AND FUTURE INNOVATORS 185 enou
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ONCE AND FUTURE INNOVATORS 187 By t
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ONCE AND FUTURE INNOVATORS 189 just
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ONCE AND FUTURE INNOVATORS 191 real
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ONCE AND FUTURE INNOVATORS 193 Cent
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ONCE AND FUTURE INNOVATORS 195 like
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Chapter 10 MUSIC FROM MAINFRAMES: T
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Computer Composition and Scoring Th
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Computer Control over External Synt
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MUSIC FROM MAINFRAMES 203
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MUSIC FROM MAINFRAMES 205
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generations primarily by Gordon Mum
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through several stages of reeducati
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MUSIC FROM MAINFRAMES 211 Feedback
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MUSIC FROM MAINFRAMES 213 We were l
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MUSIC FROM MAINFRAMES 215 Cybersoni
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MUSIC FROM MAINFRAMES 217 “sound
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Page 236 and 237: Chapter 11 INSIDE ELECTRONIC MUSIC
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Page 276 and 277: APPENDIX RECOMMENDED RECORDINGS OF
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Page 292 and 293: in memoriam…KIT CARSON (opera, ex
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Page 298 and 299: Raymond Scott http://RaymondScott.c
Page 300 and 301: Michel Waisvisz http://www.xs4all.n
Page 302 and 303: http://www.merce.org/ Gordon Mumma
Page 304 and 305: NOTES Chapter 1 1. Aaron Copland, C
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Page 308 and 309: 24. Konrad Boehmer, interview with
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Page 316 and 317: NOTES 303 11. Alvin Lucier, intervi
Page 318 and 319: SELECT BIBLIOGRAPHY Appleton, Jon H
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Page 322 and 323: tape composition, 71-73, 116-116, 1
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Page 326 and 327: Rock and Other Four Letter Words, 1
Page 328 and 329: Three Strategic Options, 229; Time
Page 330 and 331: Solovox 70 Sonde 148-149 Sonic Arts
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optical sound recording, 74 Whitney
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