Electronic and Experimental Music: Pioneers in ... - Aaaaarg

NOTES
Chapter 1
1. Aaron Copland, Copeland on Music (New York: Norton, 1963), 27.
2. Charles Ives, Essays before a Sonata: The Majority and Other Writings (New York:
Norton, 1962), 4.
3. Karl. H.Wörner, Stockhausen: Life and Work (Berkeley, University of California
Press, 1976), 123.
4. Wendy Carlos, interview with Thom Holmes, August 8, 2001.
5. John Cage, Silence (Middletown, CT: Wesleyan University Press, 1961), 68–69.
6. Igor Stravinsky, Poetics of Music in the Form of Six Lessons (New York: Vintage,
1947), 125.
7. Ibid., 29.
8. Robert Ashley, interview with Thom Holmes, September 8, 1982.
9. Richard L.Gregory, “Perceptions of Knowledge,” Nature, 410 (March 1, 2001), p.
21.
10. Pierre Henry, quoted in Peter Shapiro, ed., Modulations (New York: Caipirinha,
2000), 22.
Chapter 2
1. Quoted from Busoni’s “Sketch of a New Aesthetic of Music” in Herbert Russcol,
The Liberation of Sound: An Introduction to Electronic Music (Englewood Cliffs,
NJ: Prentice-Hall, 1972), 33.
2. John Cage, Silence, 4.
3. Ibid., 9.
4. Allen Strange, Electronic Music: Systems, Techniques, and Controls (New York:
Wm. C.Brown, 1972), 7.
5. Joel Chadabe, Electric Sound: The Past and Promise of Electronic Music (Upper
Saddle River, NJ: PrenticeHall, 1997), 196.
6. Michel Waisvisz, “A Short Biography,” at the STEIM website, www.steim.nl/.
7. Joel Chadabe, Electric Sound, 228.
8. Robert Ashley, liner notes, Superior Seven (New York, New World Records,
80460–2, 1995).