The follow<strong>in</strong>g <strong>in</strong>dex <strong>in</strong>cludes the names of <strong>in</strong>ventors, composers, <strong>in</strong>struments, <strong>and</strong> pr<strong>in</strong>ciples associated with electronic music. <strong>Music</strong>al compositions are listed under the names of <strong>in</strong>dividual artists. Page references <strong>in</strong> italics denote a photograph or illustration of a subject. Specific record<strong>in</strong>gs listed <strong>in</strong> the discography beg<strong>in</strong>n<strong>in</strong>g on page 281 are not listed <strong>in</strong>dividually <strong>in</strong> the <strong>in</strong>dex. Achron, Isidor (1892–1948): Improvisation (for Therem<strong>in</strong>), 52 Ail<strong>in</strong>gs, Fred 135 Alonso, Sydney 201 alphaSyntauri synthesizer 201 Amacher, Maryann (b.1943) ambient music 243–250 Amirkhanian, Charles: Mugic, 79 AMM 230 amplitude modulation (AM) 23–24 amplitude: def<strong>in</strong>ition, 14 analog synthesis 5–6, 197 Anderson, Ruth: Po<strong>in</strong>ts, 238 Appleton, Jon (b.1939) 201 Arel, Bulent (1919–1990) 104, 105 Arma, Paul: Improvisation précédée et suive de variations, ses 237 Asch, Gregor (DJ Olive) 253–254 Ashley, Mary 178 INDEX 307 Ashley, Robert (b.1930) 1–2, 11, 25, 174,– 179, 176, 181–185, 183, 256; Automatic Writ<strong>in</strong>g, 188–190, 259; director of Mills College Center for Contemporary <strong>Music</strong>, 193–195, 217; Dust, 186–187; <strong>Music</strong> with Roots <strong>in</strong> the Aether, 185, 189; Superior Seven, 7, 21–22; The Wolfman, 26 Ashley, Sam 186 Assayag, Gérard 201 atonal music 33 Aust<strong>in</strong>, Larry 191–192 Avni, Tzvi (b.1927) 105 Babbitt, Milton (b.1916) 5, 94, 101–102, 103, 183; Composition for Synthesizer, 104; Ensembles for Synthesizer, 5, 105, 259; Philomel, 105 Bad<strong>in</strong>gs, Henk (1907–1987) Baker, Chet 78 Baker, Ray Stannard (1870–1946) 47 Balanch<strong>in</strong>e, George (1904–1983) <strong>Electronic</strong>s, 67 Baltan, Kid see Raaijmakers, Dick Barrière, Jean-Baptiste 201 Barron, Bebe (b.1927) 107–115, 111; Forbidden Planet, 113–116; Heavenly Menagerie, 110; Mixed Emotions, 115 Barron, Louis (1920–1989) 107–115, 111; Forbidden Planet, 113–116; Heavenly Menagerie, 110
308 ELECTRONIC AND EXPERIMENTAL MUSIC Bartók, Béla (1881–1945) 32; Allegro barbaro, 35 Beach Boys: Good Vibration, 59; I Just Wasn’t Made For These Times, 59; Pet Sounds, 59 Beaver, Paul 156; Psychedelic Percussion, 156; Stones, 156–157; Zodiac Cosmic Sounds, 156 Behrman, David (b. 1937), 182–183, 183, 199, 201, 211, 213, 216–218, 244, 257; Cascade, 244; Figure <strong>in</strong> a Clear<strong>in</strong>g, 238–240, 259; Mbira board, 207; On the Other Ocean, 259; Runthrough, 187–188, 214–215, 259; Sounds for a Film by Robert Watts, 244; Switched-On Bach press party, 160; Wave Tra<strong>in</strong>, 7, 119, 160 Bejart, Maurice 90, 91–91 Belar, Herbert E 101 Bell Telephone Laboratories (Murray Hill, New Jersey) 85, 201–201, 215 Bell, Alex<strong>and</strong>er Graham (1847–1922) 41 Berg, Alban (1885–1935) 33 Berio, Luciano (b. 1925) 105, 132; Thema-Omaggio a Joyce, 9, 260 Bertoni, Nick 193 Beyer, Robert (b.1901) 94, 96–98: Klang im umbegrenzten 98 Bischoff, John (b. 1949) 194, 207, 211, 217 Bla<strong>in</strong>e, Hal: Psychedelic Percussion, 156 Blue Gene Tyranny see Robert Sheff blue noise 16 Bode, Harald (1909–1987) 95, 96 Boehmer, Konrad 94, 96–98 Bolitho, Douglas 201 Bork<strong>in</strong>, Harold (b.1934) 175, 178 Boulez, Pierre (b.1925) 34, 90, 94–95, 132, 201; Répons, 201 Br<strong>and</strong>eis University <strong>Electronic</strong> <strong>Music</strong> Studio (Waltham, Massachusetts) 85 Brown, Chris 218 Brown, Earle (b.1926) 107, 108; <strong>Music</strong> for the Stadler Gallery, 237 Bryant, Alan 229 Bryars, Gav<strong>in</strong> 248 Buchla Electric <strong>Music</strong> Box 173 Buchla <strong>Music</strong> Easel 173 Buchla Synthesizer, 19–20, 170–174; Buchla <strong>Music</strong> Easel, 173; Electric <strong>Music</strong> Box, 173; Lightn<strong>in</strong>g II, 174; Marimba Lum<strong>in</strong>a, 173; Touché, 173 Buchla, Donald (b. 1937) 19, 21, 138, 170– 174, 207 Buckner, Tom 186 Budd, Harold (b.1936) 236, 247–249; ambient music, 247–249; C<strong>and</strong>y Apple Revision, The, 236; Madrigals of the Rose Angel, 248; Pavilion of Dreams, The, 248–249; Pearl, The, 248–249; Plateau of Mirrors, The, 248–249 Busoni, Ferruccio (1866–1924) 13, 32 Cacioppo, George (1927–1984) 176, 178 Cage, John (1912–1992) 2, 9, 10, 13, 106– 110, 107, 115–116, 118–123, 128, 132, 134, 135, 176, 182, 183, 226, 228, 232, 233, 256; Cartridge <strong>Music</strong>, 7, 119; chance composition, 106–107, 116, 222–223; five components of sound, 13–15; Fontana Mix, 115–116; 4'33", 243; HPSCHD, 122, 201; Imag<strong>in</strong>ary L<strong>and</strong>scape No. 1, 87–88, 106, 108, 250; Lascia o Raddoppia prize, 115–116; live per–formance, 116, 118–122; Merce Cunn<strong>in</strong>gham Dance Company, 118–122, 243; on compos<strong>in</strong>g, 223; on the Therem<strong>in</strong>, 51–52; Project of <strong>Music</strong> for Magnetic Tape, 107, 110; Satie’s Vexations, 31;
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ELECTRONIC AND EXPERIMENTAL MUSIC
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Published in 2002 by Routledge 29 W
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About the Author Thom Holmes studie
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Thaddeus Cahill and the Telharmoniu
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Synthesizer Music 271 Computer Musi
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Thanks to Wendy Carlos for giving m
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Introduction NEW TECHNOLOGY, NEW MU
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INTRODUCTION 3 John Cage performing
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6 ELECTRONIC AND EXPERIMENTAL MUSIC
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Chapter 2 ELECTRONIC MUSIC RESOURCE
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ELECTRONIC MUSIC RESOURCES 15 durat
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ELECTRONIC MUSIC RESOURCES 17 Each
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ELECTRONIC MUSIC RESOURCES 19 on th
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the same function as a sequence of
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ELECTRONIC MUSIC RESOURCES 27 The f
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Chapter 3 MUSICAL PRECEDENTS TO ELE
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Chapter 6 THREE PIONEERS: JOHN CAGE
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THREE PIONEERS 109 composition [Wil
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THREE PIONEERS 111 (1953); Feldman
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THREE PIONEERS 113 financially beca
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Cage’s Influence John Cage was wi
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Space Age Electronic Pop Music A RE
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synthesizers were collecting cobweb
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Chapter 8 ROBERT MOOG, WENDY CARLOS
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Live Electronic Music Improvised IN
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