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Ticket out of Class or Invitation to Salvation?<br />
Prayer Service Tackles Religious Apathy<br />
To many a <strong>Chaminade</strong> student, a<br />
prayer service is less a vehicle of<br />
spiritual renewal than it is a free<br />
ticket out of class. “Oh, good, I’ll miss Latin<br />
class with Fr. Garrett,” confided Bryan<br />
Mosher ’08 to his classmates. “That class is<br />
so boring it could put an insomniac<br />
to sleep!”<br />
Bryan and his friends were<br />
referring to schedule adjustments<br />
routinely made to accommodate<br />
each of three<br />
prayer services held throughout<br />
the school year. When<br />
students attend a prayer service,<br />
they do so during one of<br />
their regularly scheduled<br />
classes; so, in effect, they miss<br />
that class for one day.<br />
Actually, the conversation<br />
between Bryan and his friends<br />
was not only about this year’s<br />
prayer service, staged during<br />
three separate class periods on<br />
Thursday and Friday, May 12<br />
and 13; it was actually part of<br />
this year’s Easter Prayer Service.<br />
By means of songs, skits,<br />
and film footage, the Easter<br />
Prayer Service contrasted religious fervor<br />
with spiritual indifference. As prayer service<br />
actor Sean McGonigle ’07 later explained,<br />
“We tried to tackle head-on the unfortunate<br />
reality that many of us are either skeptical<br />
about religion or fairly apathetic towards it.”<br />
From the start, those who scripted and performed<br />
this prayer service wanted to make<br />
sure that not a single second of the approximately<br />
twenty-five minute program would<br />
leave audiences cold. For example, musicians<br />
Sean Paulsen ’06, John Abrusci ’06, and Keith<br />
Walpole ’07 began the prayer service by bang-<br />
8<br />
by Ramil Ibrahim ‘06<br />
THEATRICS<br />
ing out some tunes from the popular, hardrocking<br />
Red Hot Chili Peppers as students<br />
filed into the auditorium. Once the students<br />
had been seated, juniors Ramil Ibrahim and<br />
Rory Tolan switched musical gears completely,<br />
playing Bach’s “Jesu, Joy of Man’s Desiring”<br />
on flute and piano, respectively.<br />
After the musicians had finished, the<br />
curtain opened to reveal a scene full of<br />
lockers – a typical <strong>Chaminade</strong> hallway.<br />
Getting ready for a day of school, actors<br />
Bryan Mosher, Sean McGonigle, and Ryan<br />
O’Brien ’07 relate their skepticism about<br />
the prayer service they would be attending<br />
later that day. However, their dialogue<br />
is interrupted by a blind beggar, who turns<br />
out to be none other than Bartimaeus (Tom<br />
Carman ’06), whose sight Jesus restored.<br />
The conversation among the three<br />
<strong>Chaminade</strong> students is interrupted a sec-<br />
Flyers Give Bizet an “A”<br />
Music Club Travels to Manhattan to See Bizet’s Carmen<br />
by Robert Pergament ‘06<br />
In her freshman music classes,<br />
Mrs. Sally Zehnter teaches<br />
Georges Bizet’s Carmen by<br />
sketching stick figures of the various characters<br />
on the chalkboard to lead the students<br />
through the opera’s many scenes and<br />
plot twists. On Sunday, April 17, members<br />
of the Music Club traveled to the Amato<br />
Opera House on 319 Bowery in New York<br />
City, as junior Rory Tolan quipped, “to see<br />
those stick figures come to life.”<br />
Some twenty students gathered at the<br />
Darby Auditorium steps at noon, walked to<br />
(l.-r.) Bryan Mosher ‘08, Ryan O’Brien ‘07, and Sean<br />
McGonigle ‘07 reenact typical student reponses to the<br />
school’s three yearly prayer services.<br />
the Mineola train station, and rode the railroad<br />
into Penn Station. From there, they took the subway<br />
to the Bowery, where the theater is located.<br />
“We felt the theater’s intimate nature as soon as<br />
we walked in,” recalled Joe Ross ’08. “The stage<br />
was only about one fourth the size of the one in<br />
Darby Auditorium, and there were only around<br />
one-hundred seats in the entire place.”<br />
The stage itself may have been small, but the<br />
performance was “tremendous,” said Joe<br />
Caciola ’06. According to senior Chris<br />
Calderone, “The acting was fantastic, and we<br />
were able to understand what was going on,<br />
even though the entire opera was in French.”<br />
ond time by a Samaritan leper (Mike<br />
Costagliola ’06) who is healed both physically<br />
and spiritually by the Lord Jesus<br />
Christ. Both Biblical figures provide striking<br />
examples of men whose lives have<br />
been touched by Jesus, who are clearly<br />
passionate about their faith because they<br />
have been healed by the<br />
Lord. Their fervor contrasts<br />
sharply with the apathy and<br />
indifference of the three<br />
<strong>Chaminade</strong> students gathered<br />
around their lockers.<br />
A third interruption comes<br />
in the form of a brief film,<br />
chronicling the story of two<br />
brothers whose lives are<br />
changed after they view Mel<br />
Gibson’s The Passion of the<br />
Christ. Moved to tears by<br />
the suffering of Jesus, these<br />
two brothers decide to forgive<br />
and ask forgiveness of<br />
someone whom they had<br />
once both hated with every<br />
fiber of their being. Once<br />
again, the prayer service emphasized,<br />
as CHS chaplain<br />
and prayer-service organizer<br />
Fr. Garrett Long explained,<br />
that “real religious experiences can never<br />
leave us cold; they affect us profoundly<br />
and change our lives.”<br />
With a skit that drew its inspiration from<br />
the daily routine of students’ lives, this<br />
year’s Easter Prayer Service tried to convey<br />
that true religious experience is anything<br />
but routine. “Our faith,” said Fr.<br />
Garrett, “centers around the death and resurrection<br />
of Jesus Christ. This was and is<br />
an earth-shattering experience. From us,<br />
it merits nothing less than conversion, conviction,<br />
and passion.”<br />
During the three intermissions of the<br />
four-act show, students had an opportunity<br />
to buy raffle tickets for a chance to<br />
win an Amato OperaT-shirt. Sophomore<br />
Vinny Stracquadanio was one of only<br />
two lucky winners. His shirt displayed<br />
the motto of the Amato Opera House:<br />
“Small, but oh so grand.”<br />
“That motto certainly summed up our experience<br />
at the Amato Opera House,” commented<br />
Music Club moderator Mrs. Zehnter.<br />
“At that small theater, we had nothing short<br />
of a grand time. I only wish my stick figures<br />
could put on such a performance.”<br />
Tarmac • July 2005