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Art. Fine Arts. SportsUniversityPublicationsCatalogue24Art. Fine Arts. SportsForma: pensament. Interaccions entre pensamentfilosòfic i arquitectònicForm: Thought. Interactions between Philosophicaland Architectural ThinkingLeandro Madrazo et al.Barcelona: Universitat Ramon Llull; Enginyeriai Arquitectura La Salle, 2006Representació, Coneixement, Arquitectura176 pages; 20 x 20 cm; softbackISBN 9788493135195CDU: 7.01Price: 0 eIn CatalanThis publication covers the conferences from the “Forma: pensament”course taught during the academic year 2002-03. These texts are presentedas a compendium of ideas that provide a system of interactionsbetween philosophical and architectural thinking. By providing anexus between philosophy and architecture, the concept serves as acollection of contributions from a wide array of authors.Las formas de crecimiento urbanoWays of Urban GrowthManuel de Solà Morales RubióBarcelona: Universitat Politècnicade Catalunya, 1997Col·lecció Arquitectura, 10200 pages; 21 x 24 cmISBN 9788483011973CDU: 71Price: 27.30 ¤In SpanishThe program from the course titled, “The Ways of Urban Growth”, initiallycreated in 1971-72, proposes a unique view and specific style forurban analysis. The study of the relationships among different physicalcity types, the influence of their social and economic content, the readingof their urban elements (understood as units of form: buildingtypes, parcels, streets and infrastructures) and the different mechanismsof action, construction, property, use and transformation overthe years are treated as substantial material for the overall theory.Aportaciones de los arquitectos catalanes ocupadosen la historia o teoría del arte y de la arquitectura,de “Llotja” al GATPAC.Contributions of Catalan Architects to Art History, Art Theoryand Architecture: from Llotja to GATPACFrederic Vilà TornosLleida: Universitat de Lleida, 2007Espai/Temps, 50212 pages; 17 x 24 cm; softbackISBN 9788484092162CDU: 72.036Price: 18 ¤In SpanishThis work endeavors to cover the Catalonian period called Llotja (duringthe 1930’s) in the GATPAC (Group of Catalan Artists andTechnicians for the Progress of Contemporary Architecture). Itobserves how certain architects offered contributions that continue tooccupy an important place in the history and theory of art and architecture.The book’s studies include criticism, justifications and apologiesregarding their own art and others’ art from both near and far.La conservación y restauración de la azulejeríaPreserving and Restoring Spanish-style TilesBegoña Carrascosa Moliner;Montserrat Lastras PérezValencia: Universitat Politècnicade València, 2006143 pages; 17 x 24 cm; softbackISBN 9788483630198CDU: 7.026Price: 14.40 ¤In SpanishThe first part of this work presents the importance of this art formthroughout history. Next, it gives a didactic coverage of the pathologies,methodologies, products and treatments used in the preservationand restoration of these beautiful artistic elements called azulejos(Spanish tiles).Manual para la realización de storyboardsManual for Making StoryboardsRaúl González MonajValencia: Universitat Politècnicade València, 2006129 pages; 29.5 x 21 cm; softbackISBN 9788497059992CDU: 791.4Price: 14.40 ¤In SpanishThe exceptional and often times incorrect use of the storyboard is theproduct of a lack of recognition and the squandering of its tremendouspotential. This manual endeavors to fill the need for a standard,practical, professional guide for the correct management of this tool.The objective of this book is to create versatile directors who arecapable of putting their movies into written form in a functional andhelpful way.El Mestre de Vielha: un pintor del tardogòticentre Catalunya i AragóThe Master of Vielha: A Late Gothic PainterBetween Catalonia and AragonAlberto Velasco GonzálezLleida: Universitat de Lleida, 2006Espai/Temps, 47288 pages; 17 x 24 cm; softbackISBN 9788484092124CDU: 75.033.5Price: 20 ¤In CatalanThis book analyzes the figure of the Master of Vielha, one of the mostprolific painters in Aragon and Catalonia at the end of the Gothic period.The book situates him within the general artistic landscape of histime and establishes a catalogue of his work. Because of his style,he has sometimes been considered a disciple of Pere Garcia deBenavarri (1445-1485), which has moved the author to propose anidentification with the painter Bartomeu Garcia (1484-1496), supposedlythe son or descendent of the former.www.neu-e.com