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Finnegans Wake - Queen Mary, University of London

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eTransfers. A Postgraduate eJournal for Comparative Literature and Cultural Studies<br />

Issue 1 (2011)<br />

In <strong>Finnegans</strong> <strong>Wake</strong>, as we have seen, Joyce certainly seems to suggest that human<br />

beings suffer negative consequences from idle talk. After relentlessly heckling HCE<br />

over his alleged scandals, the customers at his inn announce that “you’ll read it<br />

tomorrow, marn, when the curds on the table” (FW 374). The scandal <strong>of</strong> Earwicker<br />

lacks any ground. It is confused, and those who partake in spreading it themselves<br />

merge into the accused. Yet nothing can prevent it being blared by tabloid headlines.<br />

Perhaps feeling that he has strayed too far from what Heidegger would term the<br />

public identity <strong>of</strong> how one is a gentleman, Earwicker scrambles to articulate a defence<br />

<strong>of</strong> himself, arguing that though he has surely done wrong in his life, “I like to think<br />

[…] confessedly in my baron gentilhomme to the manhor bourne”(FW 365). That is,<br />

he considers himself a gentleman (or gentle homme) still, though even this defence is<br />

contaminated with “confess[ion]”, barrenness, and the unchaste image <strong>of</strong> ‘man<br />

whore’. The tension between idle talk and discourse thus gives rise to panic and<br />

guilt. In idle talk, the subtlety <strong>of</strong> the human being and its complexity is levelled into<br />

dismissive categorisation. One is ‘guilty’ because they say so. Propositional<br />

definitions have replaced (and obscured) discursive understanding. HCE is defeated,<br />

beaten and left to lie fallen on his bar room floor.<br />

III.Existential Guilt: Resolution or Redemption?<br />

Pressing our enquiry into these narratives we approach the issue <strong>of</strong> guilt. In the face<br />

<strong>of</strong> idle talk, the futility <strong>of</strong> Earwicker’s discourse reveals him in his guilt. Conversely,<br />

for Dasein, as we will see, guilt is what calls human being away from idle talk. In both<br />

instances guilt is a core structure <strong>of</strong> human being. In regards to their function as<br />

narratives, does guilt reveal in Being and Time and <strong>Finnegans</strong> <strong>Wake</strong> what might be<br />

called ‘resolute salvation’?<br />

In Being and Time, guilt is that which reveals Dasein as the being it is. Dasein is<br />

called to authenticity by its guilty conscience. “This call whose mood has been<br />

attuned by anxiety is what makes it possible first and foremost for Dasein to project<br />

itself upon its ownmost potentiality for being” (BT 322). This “ownmost possibility”<br />

is Dasein’s death. Only by embracing this revelation can Dasein comport itself<br />

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