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Finnegans Wake - Queen Mary, University of London

Finnegans Wake - Queen Mary, University of London

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eTransfers. A Postgraduate eJournal for Comparative Literature and Cultural Studies<br />

Issue 1 (2011)<br />

authentically. The call <strong>of</strong> conscience to guilt [Gewissensruf] reveals a fundamental<br />

lack. For Heidegger, “if one takes ‘laden with moral guilt’ as a ‘quality’ <strong>of</strong> Dasein, one<br />

has said very little.” (BT 328). Guilt is not a simple emotion; 21 Dasein is guilty, rather,<br />

in its very existential structure. Dasein is guilty in its ownmost possibility. Heidegger<br />

writes: “We define the formally existential idea <strong>of</strong> the ‘Guilty!’ as ‘Being-the-basis for<br />

a Being which has been defined by a “not”’ — that is to say, as ‘Being-the-basis <strong>of</strong> a<br />

nullity’”(BT 328). What is this nullity? Heidegger writes that Dasein is<br />

[…] never existent before its ground, but rather in each case only in terms <strong>of</strong> it and as<br />

it. Being the ground therefore means never to have power over One’s ownmost<br />

being from the ground up. This not belongs to the existential sense <strong>of</strong> thrownness.<br />

Being the ground is itself a nullity <strong>of</strong> itself. (BT 284)<br />

That is, Dasein cannot ever get back behind its thrownness, it is “never existent before<br />

its ground.” Dasein can never climb out <strong>of</strong> the world such that its existence is no<br />

longer <strong>of</strong> any concern to it, being instead always already bound up with a care<br />

structure that presents its thrown facticity in accordance with its attunement. In<br />

anxiety, Dasein realises it is thus imprisoned, and realises that grounded meaning is<br />

forever elusive outside <strong>of</strong> its ownmost possibility <strong>of</strong> death.<br />

The call <strong>of</strong> conscience, then, reveals Dasein as guilty, and to be authentic, Dasein<br />

must embrace this guilt. In the vernacular, it might be said that Dasein must accept<br />

itself for what it is. By accepting fallen meaning as fallen, Dasein casts <strong>of</strong>f distraction<br />

and dwells mindfully in the heritage <strong>of</strong> the one. This has pr<strong>of</strong>ound implications as a<br />

social narrative, as Dasein opens itself up to cultural, religious and even literary<br />

narratives as the determining source <strong>of</strong> its meaning. But what <strong>of</strong> Earwicker? Does<br />

guilt likewise lead him out <strong>of</strong> fallenness? HCE’s guilt, while no less axiological, may<br />

seem at fist glance more traditionally moral, though, as we will see, as an archetypal<br />

narrative Earwicker is no less prone to his thrown nullity.<br />

The Earwicker narrative is universal to all men. “[I]t was […] a pleasant turn <strong>of</strong><br />

the populace which gave him as sense <strong>of</strong> those normative letters the nickname Here<br />

comes Everybody” (FW 32). In every incarnation, HCE is tempted into scandal. Like<br />

Dasein, HCE seems unable to get behind its thrownness. Earwicker is always unable<br />

to avoid its facticity, characterised by its thrownness into moral guilt. Earwicker’s fall<br />

21 For Heidegger, there is no ethical transgression involved in the guilt.<br />

14

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