Artist as Philanthropist V1 - Grantmakers in the Arts

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December 2010 Update to TextThese substantive updates were made to the Study report following publication November2010.VOLUME ONEADDITIONAL CITATIONSAppendix A.1 The Study, B. Participants: Interviews and Focus GroupConveningsCitation: Beverly M. Wolff, Former General Counsel, The Museum of Modern Art. Page167.Appendix A.2 The Field, C. Foundation PublicationsThe Saul Steinberg Foundation Inc.Citation: Steinberg, Saul, and Aldo Buzzi. Riflessi e Ombre. Milan: Adelphi, 2001. Replacescitation for Hurlebusch, Klaus. Whir Philologen. Page 300.Citation: Steinberg, Saul, Charles Simic, and Joel Smith. Saul Steinberg. Ostfildern,Germany: Hatje Cantz, 2008. Page 301.CORRECTED DATESSally Michel Avery: Born 1902 (not 1905), Page 185. Appendix A.3, Page 43.Rosemarie Beck: Born 1923 (not 1925), Pages 185 and 239. Appendix A.3, Page 43.Ettore DeGrazia, born 1909 (not 1901), Pages 191 and 248. Appendix A.3, Page 45.Nancy Graves: Born 1939 (not 1940), Pages 198 and 261. Appendix A.3, Page 47.Gaston Lachaise: Died 1935 (not 1925), Pages 207 and 273.Joan Mitchell: Born 1925 (not 1926), Pages 211 and 279.LeRoy Neiman: Born 1921 (not 1927), Page 212. Appendix A.3, Page 51.Norman Rockwell: Born 1894 (not 1984), Page 219.Judith Rothschild: Born 1921 (not 1922), Pages 220 and 292. Appendix A.3, Page 53.Saul Steinberg: Born 1914 (not 1913), Pages 225 and 300.
The Artist as Philanthropist: Strengthening the Next Generation of Artist-Endowed Foundations
Page 4 and 5: SUMMARY OF CONTENTSVOLUME IPrefaceA
Page 6 and 7: the artist as philanthropiststrengt
Page 8 and 9: TABLE OF CONTENTS: VOLUME IPreface.
Page 12 and 13: PREFACEThis research and disseminat
Page 14 and 15: even less about the bases on which
Page 16 and 17: information, spur additional resear
Page 18 and 19: ACKNOWLEDGEMENTSThe Study's researc
Page 20 and 21: focus group convenings. Despite hav
Page 22 and 23: EXECUTIVE SUMMARYAn artist-endowed
Page 24 and 25: ending 2005, while the smallest fou
Page 26 and 27: Foundations created by artists are
Page 28 and 29: Grants and Charitable Sales of Artw
Page 30 and 31: Realistic assumptions about artArti
Page 32 and 33: 1) clear visibility of artist-endow
Page 34 and 35: PART A.FINDINGS: OVERVIEW OF THE FI
Page 36 and 37: I. INTRODUCTIONThe chapters of this
Page 38 and 39: independent criteria. For the Study
Page 40 and 41: information returns (Forms 990-PFs)
Page 42 and 43: 1.2 AUDIENCES AND USE OF THE STUDYR
Page 44 and 45: areas. In general, the Study report
Page 46 and 47: 1.3 REFLECTIONS ON TERMINOLOGYTermi
Page 48 and 49: CharitableIn common usage, charitab
Page 50 and 51: 2. FIELD DIMENSIONS AND TAXONOMYThi
Page 52 and 53: artist's death. The average age of
Page 54 and 55: status grew by 55.9 percent between
Page 56 and 57: oader factor, however, could be the
Page 58 and 59: to have been intended for lifetime
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2.2 FOUNDATION TAXONOMY: TYPES OFAR
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Grantmaking foundations also might
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of program-related revenues as well
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an educational program providing in
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undermining the foundation's charit
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2.3 OTHER PHILANTHROPIC FORMS USEDB
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Examples of community foundation fu
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addition, public charities are unli
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3. FIELD HISTORY AND INFLUENCESThe
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elief to unwanted pets. 12 This was
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ecame known as the Lorser Feitelson
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emaining assets were granted to the
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As of 2010, the list of prominent a
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3.2 INTERNAL INFLUENCES: ARTISTS'DE
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Albert Bloch, Adolph Gottlieb, Hans
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sellers at public auction, did not
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On the assumption that board compos
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3.3 EXTERNAL INFLUENCES: PUBLIC TAX
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In this view, the lack of incentive
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foundation formation historically.
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need for formation of those artist-
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30 John Henry Merryman, Albert Else
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4. FIELD CHARITABLE ACTIVITIESMakin
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4.1.1 Grants to IndividualsSupport
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To develop careers of under-recogni
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The Leeway Foundation (Ruling Year
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The Artists' Legacy Foundation (Rul
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In a few cases, prizes and awards a
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4 Joan Mitchell Foundation, http://
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4.1.2 Grants to OrganizationsMost a
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Kent House, Monhegan Museum, Maine;
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through the University of South Aus
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exhibitions, artists' projects, res
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Animal WelfareGrantmaking by the Ed
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Rockefeller University; and Spanish
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Services, Takoma Park; Museum of To
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4.1.3 Grants of ArtworksMany artist
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violating its donor's intent, which
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study purposes, and an optimal fit
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the artist's honor, now the Burchfi
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University, Florida, including 200
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elated to the collected works, such
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4.2 DIRECT CHARITABLE ACTIVITYOVERV
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Loans to MuseumsAs do lending libra
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DatabasesBeyond their own artists'
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Public ProgramsTo support their mis
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artists' residency programs as a pr
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The Slobodkina Foundation (Ruling Y
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Tate Modern, London, UK, drew on lo
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4.3 ACTIVITIES OF ARTISTS' LIFETIME
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Support to Individual ArtistsThe tw
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Photojournalist Arthur Griffin (190
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The Harpo Foundation (Ruling Year 2
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28 See Ellsworth Kelly Foundation,
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5. FIELD PROSPECTSThis section of t
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Two primary factors informing the c
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In the long view, the art market ha
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For all of these reasons, many arti
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the significance of these criteria,
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1 See Rotch Travelling Scholarship
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5.2 RECOMMENDATIONS: STRENGTHENINGT
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Effective Practice in Foundation Go
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Artist-endowed foundations with com
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5.3 RECOMMENDATIONS: PRIORITIES FOR
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economic activities that enable bro
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significant impact on subsequent ef
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APPENDIX A.1THE STUDYAppendix A.1 T
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Presentations of Preliminary Findin
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James T. Demetrion, Director Emerit
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Gordon Marsh Esq., Trustee, Leon Po
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Ruth Ann Stewart, Clinical Professo
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D. Study Committee MembersAlan J. A
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APPENDIX A.2THE FIELDAppendix A.2 T
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The History of Philanthropy in the
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Edie, John A. Congress and Private
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Toepler, Stefan. "Operating in a Gr
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Palmer, Stacy. "IRS Panel Finds Pro
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B. Snapshot Profiles: Largest Artis
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Artist-Endowed FoundationsReporting
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2005 Assets: $1,542,2902005 Charita
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URL:2005 Assets: $2,407,6872005 Cha
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HANS GUSTAV BURKHARDT, Painter and
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WILLEM DE KOONING, Painter1904-1997
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PAUL DYCK, Painter and Collector191
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HELEN FRANKENTHALER, PainterBorn 19
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EDWARD GOREY, Illustrator and Autho
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The Renee and Chaim Gross Foundatio
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JEROME HILL, Painter, Filmmaker, an
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JASPER JOHNS, Painter, Sculptor, an
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WOLF KAHN, PainterBorn 1927EMILY MA
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2008 Assets: $12,849,5732008 Charit
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2008 Assets: $58,668,7672008 Charit
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RICHARD MEIER, Architect and Collag
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NELTJE, Painter and PrintmakerBorn
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YOKO ONO, Sculptor and Conceptual A
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ALBIN POLASEK, Sculptor and Educato
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HERB RITTS JR., Photographer1952-20
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2005 Charitable Purpose Disbursemen
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2005 Assets: $6,612,3072005 Charita
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SAUL STEINBERG, Draftsman, Illustra
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CY TWOMBLY, Painter and PrintmakerB
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URL: http://senormartin.net/index.h
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C. Foundation PublicationsMany diff
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esearched and compiled by Kavie Bar
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Albers, Josef. Photographs of Josef
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Program PublicationsLeeway Foundati
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ROMARE BEARDEN, Painter, Printmaker
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———. Charles E. Burchfield: W
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Burkhardt, Hans, Peter Frank, and T
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JOSEPH CORNELL, Sculptor1903-1972Th
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WILLEM DE KOONING, Painter1904-1997
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———. Dorothy Dehner: Anticipa
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LILLIAN H. FLORSHEIM, Sculptor and
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Francis, Sam. Sam Francis und Bern:
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WILLIAM GLACKENS, Painter and Illus
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———. The Glorious Nosebleed.
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Gottlieb, Adolph, Miche#le Brun, Sa
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Harbison, Robert. Thirteen Ways: Th
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KEITH HARING, Painter and Cartoonis
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Haring, Keith, Piergiorgio Castella
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Brennan, Francis, and Christie, Man
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Amgott, Madeline, Robert De Niro, a
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Keats, Ezra Jack, Dean Engel, and F
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HOWARD KOTTLER, SCULPTOR1930-1989Ho
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PETER A. LAIRD, AnimatorBorn 1954Xe
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BEATRICE MANDELMAN, Painter1912-199
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McNeil, George, Graham Ashton, and
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Museum of Northwest Art and Marylhu
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Function: Grantmaking foundation su
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Onslow Ford, Gordon. Gordon Onslow
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JACKSON POLLOCK, Painter1912-1956LE
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HILLA REBAY, Painter, Museum Direct
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Perry, William Graves. The Rotch Tr
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Rothschild, Judith, and David Cohen
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Program PublicationsInselmann, Andr
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AARON SISKIND, Photographer and Edu
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General Market PublicationsSlobodki
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Steinberg, Saul, Charles Simic, and
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LOUIS COMFORT TIFFANY, Painter, Des
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Warhol, Andy, Henry Geldzahler, and
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Warhol, Andy. A Printbook from the
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HAROLD WESTON, Painter1894-1972Haro
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APPENDIX A.3QUANTITATIVE PROFILE OF
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Quantitative Profile of theArtist-E
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Table of ContentsQuantitative Profi
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additional foundations continued to
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assets less than $5 million; among
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1 See Louis Comfort Tiffany Foundat
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6) identifications of opportunities
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MethodologyThe quantitative researc
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foundations in the United States, w
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in Analysis, continued to be identi
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Data AnalysisAll data cited in this
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Figure 2.6Until 2005, the smallest
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Section 4: Creation of Artist-Endow
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Figures 6.1-6.2The total annual con
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Section 9: Assets Held by Artist-En
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Figure 10.3-10.3aA-EFs are active g
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owning rental property might have e
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Emerging TrendsThe findings reporte
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Multiple Foundations and DonorsAs d
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foundation field's growth and grant
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6) While the correlation between lo
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ReportsA. Identified Artist-Endowed
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Appendix A.3 Quantitative Profile o
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2. Basis Census of Artist-Endowed F
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3. Field Snapshots:Five-Year Interv
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4. Creation of Artist-Endowed Found
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5. Lifetime and Posthumous Artist-E
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7. Annual Artist-Endowed Foundation
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8. Donor Contributions as a Percent
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9. Artist-Endowed Foundation Assets
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11. Annual Artist-Endowed Foundatio
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