Artist as Philanthropist V1 - Grantmakers in the Arts

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———. Charles E. Burchfield: Watercolors. New York: Kennedy Galleries, 1974.———. Charles E. Burchfield Watercolors: Visual Music. New York: Kennedy Galleries,1976.Burchfield, Charles E., and Joseph S. Czestochowski. The Published Prints of Charles E.Burchfield. New York: Kennedy Galleries, 1976.Burchfield, Charles E. Charles E. Burchfield: The Early Years 1915–1929. New York:Kennedy Galleries, 1977.———. Charles E. Burchfield: The Middle Years 1929–1950. New York: KennedyGalleries, 1978.———. Charles E. Burchfield: The Late Years and Selected Earlier Works. New York:Kennedy Galleries, 1979.Burchfield, Charles E., John I. H. Baur. The Inlander: Life and Work of Charles Burchfield,1893–1967. Newark: University of Delaware Press, 1982.Burchfield, Charles E. Charles E. Burchfield: Watercolors from 1915–1920. New York:Kennedy Galleries, 1983.Burchfield, Charles E., John I. H. Bauer, Nanette V. Maciejunes, and Richard Wootten.The Early Works of Charles E. Burchfield, 1915–1921. Columbus, OH: Columbus Museumof Art, 1987.Burchfield, Charles E., and Nannette V. Maciejunes. Charles Burchfield: Watercolors 1915–1920. New York: Kennedy Galleries, 1990.Burchfield, Charles E. Thirty-eight Rare Drawings. New York: Kennedy Galleries, 1992.Burchfield, Charles E., and J. Benjamin Townsend. Charles Burchfield's Journals: The Poetryof Place. Albany, NY: State University of New York Press, 1993.Burchfield, Charles E., and Nancy Weekly. Charles E. Burchfield: The Sacred Woods.Albany: State University of New York Press, 1993.Burchfield, Charles E. Charles E. Burchfield: Discoveries, Early Watercolors. New York:Kennedy Galleries, 1996.Burchfield, Charles E., Charles C. Eldredge, Robert M. Slammon, Benjamin Townsend,and Nancy Weekly. Life Cycles: The Charles E. Burchfield Collection. Buffalo, NY: BurchfieldPenney Art Center, Buffalo State College, 1996.Appendix A.2 The Field 241
Burchfield, Charles E., Michael D. Hall, and Nannette Maciejunes. The Paintings of CharlesBurchfield: North by Midwest. New York: Harry N. Abrams / Columbus Museum of Art,1997.Burchfield, Charles E., and Nannette V. Maciejunes. Charles E. Burchfield: Romantic Lands.New York: Kennedy Galleries, 1998.Burchfield, Charles E. Charles E. Burchfield: The Imaginative Landscape. New York:Kennedy Galleries, 2001.Freeman, Linda, Martha J. Fleischman, Gerrit Graham, David K. Irving, and Nannett V.Maciejunes. Charles E. Burchfield's World. Chappaqua, NY: L & S Video Enterprises, 2004.Burchfield, Charles E., and Bridget Moore. Charles Burchfield: Paintings 1915–1964. NewYork: DC Moore Gallery, 2005.Burchfield, Charles E. Charles Burchfield: Ecstatic Light. New York: D. C. Moore Gallery /Burchfield Penney Art Center, 2007.D. C. Moore Gallery. Artist Chronology: Charles Ephraim Burchfield (1893–1967). NewYork: D. C. Moore Gallery, 2007.Burchfield, Charles E., Michael D. Hall, Nannette V. Maciejunes, and Karli R.Wurzelbacher. Charles Burchfield 1920: The Architecture of Painting. New York: D. C.Moore Gallery / Columbus Museum of Art / Burchfield Penney Art Center, 2009.Burchfield, Charles E., Cynthia Burlingham, and Robert Gober. Heat Waves in a Swamp.The Paintings of Charles Burchfield. New York: DelMonico Books/Prestel / HammerMuseum, 2009.HANS GUSTAV BURKHARDT, Painter and Collector1904–1994Hans G. and Thordis W. Burkhardt FoundationCA. EIN 95-4392905Ruling Year 1993Function: Comprehensive foundation operating a study and exhibition program, andmaking grants supporting art educationURL: www.burkhardtfoundation.orgBurkhardt, Hans. "Hans Burkhardt, 1904–1994." In Pacific Dreams, Currents of Surrealismand Fantasy in California Art, 1934–1957. Los Angeles: Armand Hammer Museum of Artand Cultural Center, UCLA, 1995.242 The Artist as Philanthropist: Strengthening the Next Generation of Artist-Endowed Foundations
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SUMMARY OF CONTENTSVOLUME IPrefaceA
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the artist as philanthropiststrengt
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TABLE OF CONTENTS: VOLUME IPreface.
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December 2010 Update to TextThese s
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PREFACEThis research and disseminat
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even less about the bases on which
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information, spur additional resear
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ACKNOWLEDGEMENTSThe Study's researc
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focus group convenings. Despite hav
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EXECUTIVE SUMMARYAn artist-endowed
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ending 2005, while the smallest fou
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Foundations created by artists are
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Grants and Charitable Sales of Artw
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Realistic assumptions about artArti
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1) clear visibility of artist-endow
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PART A.FINDINGS: OVERVIEW OF THE FI
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I. INTRODUCTIONThe chapters of this
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independent criteria. For the Study
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information returns (Forms 990-PFs)
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1.2 AUDIENCES AND USE OF THE STUDYR
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areas. In general, the Study report
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1.3 REFLECTIONS ON TERMINOLOGYTermi
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CharitableIn common usage, charitab
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2. FIELD DIMENSIONS AND TAXONOMYThi
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artist's death. The average age of
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status grew by 55.9 percent between
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oader factor, however, could be the
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to have been intended for lifetime
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2.2 FOUNDATION TAXONOMY: TYPES OFAR
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Grantmaking foundations also might
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of program-related revenues as well
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an educational program providing in
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undermining the foundation's charit
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2.3 OTHER PHILANTHROPIC FORMS USEDB
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Examples of community foundation fu
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addition, public charities are unli
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3. FIELD HISTORY AND INFLUENCESThe
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elief to unwanted pets. 12 This was
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ecame known as the Lorser Feitelson
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emaining assets were granted to the
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As of 2010, the list of prominent a
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3.2 INTERNAL INFLUENCES: ARTISTS'DE
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Albert Bloch, Adolph Gottlieb, Hans
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sellers at public auction, did not
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On the assumption that board compos
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3.3 EXTERNAL INFLUENCES: PUBLIC TAX
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In this view, the lack of incentive
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foundation formation historically.
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need for formation of those artist-
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30 John Henry Merryman, Albert Else
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4. FIELD CHARITABLE ACTIVITIESMakin
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4.1.1 Grants to IndividualsSupport
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To develop careers of under-recogni
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The Leeway Foundation (Ruling Year
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The Artists' Legacy Foundation (Rul
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In a few cases, prizes and awards a
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4 Joan Mitchell Foundation, http://
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4.1.2 Grants to OrganizationsMost a
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Kent House, Monhegan Museum, Maine;
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through the University of South Aus
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exhibitions, artists' projects, res
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Animal WelfareGrantmaking by the Ed
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Rockefeller University; and Spanish
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Services, Takoma Park; Museum of To
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4.1.3 Grants of ArtworksMany artist
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violating its donor's intent, which
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study purposes, and an optimal fit
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the artist's honor, now the Burchfi
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University, Florida, including 200
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elated to the collected works, such
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4.2 DIRECT CHARITABLE ACTIVITYOVERV
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Loans to MuseumsAs do lending libra
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DatabasesBeyond their own artists'
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Public ProgramsTo support their mis
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artists' residency programs as a pr
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The Slobodkina Foundation (Ruling Y
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Tate Modern, London, UK, drew on lo
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4.3 ACTIVITIES OF ARTISTS' LIFETIME
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Support to Individual ArtistsThe tw
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Photojournalist Arthur Griffin (190
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The Harpo Foundation (Ruling Year 2
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28 See Ellsworth Kelly Foundation,
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5. FIELD PROSPECTSThis section of t
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Two primary factors informing the c
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In the long view, the art market ha
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For all of these reasons, many arti
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the significance of these criteria,
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1 See Rotch Travelling Scholarship
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5.2 RECOMMENDATIONS: STRENGTHENINGT
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Effective Practice in Foundation Go
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Artist-endowed foundations with com
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5.3 RECOMMENDATIONS: PRIORITIES FOR
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economic activities that enable bro
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significant impact on subsequent ef
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APPENDIX A.1THE STUDYAppendix A.1 T
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Presentations of Preliminary Findin
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James T. Demetrion, Director Emerit
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Gordon Marsh Esq., Trustee, Leon Po
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Ruth Ann Stewart, Clinical Professo
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D. Study Committee MembersAlan J. A
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APPENDIX A.2THE FIELDAppendix A.2 T
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The History of Philanthropy in the
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Edie, John A. Congress and Private
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Toepler, Stefan. "Operating in a Gr
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Palmer, Stacy. "IRS Panel Finds Pro
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B. Snapshot Profiles: Largest Artis
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Artist-Endowed FoundationsReporting
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2005 Assets: $1,542,2902005 Charita
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URL:2005 Assets: $2,407,6872005 Cha
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HANS GUSTAV BURKHARDT, Painter and
Page 224 and 225: WILLEM DE KOONING, Painter1904-1997
Page 226 and 227: PAUL DYCK, Painter and Collector191
Page 228 and 229: HELEN FRANKENTHALER, PainterBorn 19
Page 230 and 231: EDWARD GOREY, Illustrator and Autho
Page 232 and 233: The Renee and Chaim Gross Foundatio
Page 234 and 235: JEROME HILL, Painter, Filmmaker, an
Page 236 and 237: JASPER JOHNS, Painter, Sculptor, an
Page 238 and 239: WOLF KAHN, PainterBorn 1927EMILY MA
Page 240 and 241: 2008 Assets: $12,849,5732008 Charit
Page 242 and 243: 2008 Assets: $58,668,7672008 Charit
Page 244 and 245: RICHARD MEIER, Architect and Collag
Page 246 and 247: NELTJE, Painter and PrintmakerBorn
Page 248 and 249: YOKO ONO, Sculptor and Conceptual A
Page 250 and 251: ALBIN POLASEK, Sculptor and Educato
Page 252 and 253: HERB RITTS JR., Photographer1952-20
Page 254 and 255: 2005 Charitable Purpose Disbursemen
Page 256 and 257: 2005 Assets: $6,612,3072005 Charita
Page 258 and 259: SAUL STEINBERG, Draftsman, Illustra
Page 260 and 261: CY TWOMBLY, Painter and PrintmakerB
Page 262 and 263: URL: http://senormartin.net/index.h
Page 264 and 265: C. Foundation PublicationsMany diff
Page 266 and 267: esearched and compiled by Kavie Bar
Page 268 and 269: Albers, Josef. Photographs of Josef
Page 270 and 271: Program PublicationsLeeway Foundati
Page 272 and 273: ROMARE BEARDEN, Painter, Printmaker
Page 276 and 277: Burkhardt, Hans, Peter Frank, and T
Page 278 and 279: JOSEPH CORNELL, Sculptor1903-1972Th
Page 280 and 281: WILLEM DE KOONING, Painter1904-1997
Page 282 and 283: ———. Dorothy Dehner: Anticipa
Page 284 and 285: LILLIAN H. FLORSHEIM, Sculptor and
Page 286 and 287: Francis, Sam. Sam Francis und Bern:
Page 288 and 289: WILLIAM GLACKENS, Painter and Illus
Page 290 and 291: ———. The Glorious Nosebleed.
Page 292 and 293: Gottlieb, Adolph, Miche#le Brun, Sa
Page 294 and 295: Harbison, Robert. Thirteen Ways: Th
Page 296 and 297: KEITH HARING, Painter and Cartoonis
Page 298 and 299: Haring, Keith, Piergiorgio Castella
Page 300 and 301: Brennan, Francis, and Christie, Man
Page 302 and 303: Amgott, Madeline, Robert De Niro, a
Page 304 and 305: Keats, Ezra Jack, Dean Engel, and F
Page 306 and 307: HOWARD KOTTLER, SCULPTOR1930-1989Ho
Page 308 and 309: PETER A. LAIRD, AnimatorBorn 1954Xe
Page 310 and 311: BEATRICE MANDELMAN, Painter1912-199
Page 312 and 313: McNeil, George, Graham Ashton, and
Page 314 and 315: Museum of Northwest Art and Marylhu
Page 316 and 317: Function: Grantmaking foundation su
Page 318 and 319: Onslow Ford, Gordon. Gordon Onslow
Page 320 and 321: JACKSON POLLOCK, Painter1912-1956LE
Page 322 and 323: HILLA REBAY, Painter, Museum Direct
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Perry, William Graves. The Rotch Tr
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Rothschild, Judith, and David Cohen
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Program PublicationsInselmann, Andr
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AARON SISKIND, Photographer and Edu
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General Market PublicationsSlobodki
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Steinberg, Saul, Charles Simic, and
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LOUIS COMFORT TIFFANY, Painter, Des
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Warhol, Andy, Henry Geldzahler, and
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Warhol, Andy. A Printbook from the
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HAROLD WESTON, Painter1894-1972Haro
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APPENDIX A.3QUANTITATIVE PROFILE OF
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Quantitative Profile of theArtist-E
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Table of ContentsQuantitative Profi
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additional foundations continued to
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assets less than $5 million; among
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1 See Louis Comfort Tiffany Foundat
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6) identifications of opportunities
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MethodologyThe quantitative researc
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foundations in the United States, w
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in Analysis, continued to be identi
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Data AnalysisAll data cited in this
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Figure 2.6Until 2005, the smallest
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Section 4: Creation of Artist-Endow
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Figures 6.1-6.2The total annual con
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Section 9: Assets Held by Artist-En
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Figure 10.3-10.3aA-EFs are active g
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owning rental property might have e
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Emerging TrendsThe findings reporte
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Multiple Foundations and DonorsAs d
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foundation field's growth and grant
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6) While the correlation between lo
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ReportsA. Identified Artist-Endowed
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Appendix A.3 Quantitative Profile o
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2. Basis Census of Artist-Endowed F
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3. Field Snapshots:Five-Year Interv
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4. Creation of Artist-Endowed Found
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5. Lifetime and Posthumous Artist-E
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7. Annual Artist-Endowed Foundation
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8. Donor Contributions as a Percent
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9. Artist-Endowed Foundation Assets
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11. Annual Artist-Endowed Foundatio
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