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Artist as Philanthropist V1 - Grantmakers in the Arts

Artist as Philanthropist V1 - Grantmakers in the Arts

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EXECUTIVE SUMMARYAn artist-endowed foundation is a tax-exempt, private foundation created or endowed by avisual artist, <strong>the</strong> artist's surviv<strong>in</strong>g spouse, or o<strong>the</strong>r heirs or beneficiaries to own <strong>the</strong> artist's<strong>as</strong>sets for use <strong>in</strong> fur<strong>the</strong>r<strong>in</strong>g charitable and educational activities serv<strong>in</strong>g a public benefit.<strong>Artist</strong>s' <strong>as</strong>sets derive from art-related activities, <strong>as</strong> well <strong>as</strong> o<strong>the</strong>r sources unrelated to art.Among <strong>as</strong>sets conveyed to artist-endowed foundations are f<strong>in</strong>ancial and <strong>in</strong>vestment <strong>as</strong>sets,art <strong>as</strong>sets (such <strong>as</strong> art collections, archives, libraries, and copyrights and <strong>in</strong>tellectualproperty), real property (such <strong>as</strong> land, residences, studios, exhibition facilities, and naturepreserves), and o<strong>the</strong>r types of personal property.PROJECT OVERVIEWThe mission of <strong>the</strong> Aspen Institute's National Study of <strong>Artist</strong>-Endowed Foundations is tohelp <strong>the</strong> next generation of artist-endowed foundations make <strong>the</strong> most of its donors'generosity <strong>in</strong> service to a charitable purpose. Its aim is to fill a significant <strong>in</strong>formation gapfac<strong>in</strong>g <strong>in</strong>dividuals <strong>in</strong>volved <strong>in</strong> creat<strong>in</strong>g and lead<strong>in</strong>g new artist-endowed foundations. Thecomplexity of form<strong>in</strong>g and operat<strong>in</strong>g private foundations endowed <strong>in</strong> great part withartworks is generally recognized, <strong>as</strong> is <strong>the</strong> fact that <strong>the</strong> learn<strong>in</strong>g curve can be steep andsometimes costly. With evidence that <strong>the</strong> number of artist-endowed foundations is<strong>in</strong>cre<strong>as</strong><strong>in</strong>g and substantial artistic and f<strong>in</strong>ancial <strong>as</strong>sets are mov<strong>in</strong>g <strong>in</strong>to <strong>the</strong> field, shorten<strong>in</strong>gthis learn<strong>in</strong>g curve—thus help<strong>in</strong>g to ensure that charitable resources will be spent oncharitable purposes, <strong>as</strong> opposed to costly lessons—will have a significant philanthropicimpact.The Aspen Institute's National Study of <strong>Artist</strong>-Endowed Foundations, <strong>in</strong>itiated <strong>in</strong> 2007, is<strong>the</strong> first effort to def<strong>in</strong>e and describe <strong>the</strong> artist-endowed foundation field. <strong>Artist</strong>-endowedfoundations represent less than one-tenth of a percent of <strong>the</strong> total universe of 71,000private foundations <strong>in</strong> <strong>the</strong> US, but are grow<strong>in</strong>g <strong>in</strong> number and have particular relevance tocultural philanthropy. Little understood <strong>in</strong> ei<strong>the</strong>r <strong>the</strong> private foundation or not-for-profitcultural fields, artist-endowed foundations are worthy of study because of <strong>the</strong>ir <strong>in</strong>cre<strong>as</strong><strong>in</strong>gnumbers and also because <strong>the</strong>ir dist<strong>in</strong>ctive <strong>as</strong>set mix, and <strong>the</strong> activities <strong>the</strong>y undertake withrespect to <strong>the</strong>ir nonf<strong>in</strong>ancial <strong>as</strong>sets, sets <strong>the</strong>m apart from most o<strong>the</strong>r foundations. TheStudy aims to illum<strong>in</strong>ate <strong>the</strong> orig<strong>in</strong>s, development, current status, and future prospects ofthis population, which is a potential force shap<strong>in</strong>g cultural philanthropy and steward<strong>in</strong>g thiscountry's significant postwar and contemporary art patrimony.The Study h<strong>as</strong> six components:1) quantitative research, <strong>in</strong>clud<strong>in</strong>g a census of artist-endowed foundations and a dataprofile exam<strong>in</strong><strong>in</strong>g trends <strong>in</strong> formation and focus and project<strong>in</strong>g future development;Executive Summaryxi

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