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[ ]LCD☞ ☞ ☞– ProgramCombinationMultiMIDI<strong>Parameter</strong> <strong>Guide</strong> ( )PROG 5.3: Ed–LFOs5.3–1: OS1LFO1 (OSC1 LFO1) 5.3–1a5.3–1b5.3–1c5.3–1a: OSC1 LFO1Waveform 5.3–1d[Triangle 0…Random6 (Vect.)]■ 5.3–1d: UTILITY☞––Swap LFO 1&2 – 5.3–2: OS1LFO2 (OSC1 LFO2)iii
iii iii<strong>Parameter</strong> <strong>Guide</strong> iii1. Program 1PROG PAGE MENU ...............................................1PROG 1.1: Play ...................................................21.1–1: Program ................................................................. 21.1–2: P.Edit (Performance Editor) ................................... 31.1–3: Arp (Arp. Play) ....................................................... 5PROG 2.1: Ed–Basic .............................................52.1–1: Basic (Prog Basic) .................................................. 52.1–2: OSC1 ...................................................................... 72.1–3: OSC2 ...................................................................... 92.1–4: V.Zone (Velocity Zone) ........................................... 92.1–5: Audit. (Audition) ..................................................... 9PROG 2.2: Ed–Ctrl ............................................. 102.2–1: Ctrls (Controls)..................................................... 10PROG 2.3: Ed–OSC ............................................. 10PROG 3.1: Ed–Pitch............................................ 113.1–1: OSC1 .................................................................... 113.1–2: OS1lfo (OSC1 LFO) .............................................. 123.1–3: OSC2 .................................................................... 123.1–4: OS2lfo (OSC2 LFO) .............................................. 123.1–5: EG (Pitch EG) ........................................... 13PROG 4.1: Ed–Filter1 .......................................... 144.1–1: Basic ..................................................................... 144.1–2: Mod.1 (Filter1 Modulation1) ................................ 154.1–3: Mod.2 (Filter1 Modulation2) ................................ 164.1–4: lfoMod (LFO Modulation) ..................................... 174.1–5: EG (Filter1 EG) ......................................... 17PROG 4.2: Ed–Filter2 .......................................... 194.2–1: Basic ..................................................................... 194.2–2: Mod.1 (Filter2 Modulation1) ................................ 194.2–3: Mod.2 (Filter2 Modulation2) ................................ 194.2–4: lfoMod (LFO Modulation) ..................................... 194.2–5:EG (Filter2 EG) .......................................... 19PROG 5.1: Ed–Amp1 ........................................... 195.1–1: Lvl/Pan (Level/Pan) .............................................. 195.1–2: Mod. (Amp1 Modulation) ..................................... 205.1–3: EG (Amp1 EG) ......................................... 21PROG 5.1: Ed–Amp ............................................ 22PROG 5.2: Ed–Amp2 ........................................... 225.2–1: Lvl/Pan (Level/Pan) .............................................. 225.2–2: Mod. (Amp2 Modulation) ..................................... 225.2–3: EG (Amp2 EG) ......................................... 22PROG 5.2: Ed–EGs ............................................. 22PROG 5.3: Ed–LFOs ............................................ 235.3–1: OS1LFO1 (OSC1 LFO1) ........................... 235.3–2: OS1LFO2 (OSC1 LFO2) ........................... 245.3–3: OS2LFO1 (OSC2 LFO1) ........................... 245.3–4: OS2LFO2 (OSC2 LFO2) ........................... 24PROG 6.1: Ed–Arp. (Arpeggiator) ........................... 246.1–1: Setup (Arpeg. Setup) ........................................... 246.1–2: Zone (Scan Zone) ................................................. 26PROG 7.1–1: Ed–BUS.......................................... 267.1–1: BUS ...................................................................... 267.1–2: Route (Routing) ................................................... 27PROG 7.2: Ed–InsertFX ....................................... 287.2–1: Setup .................................................................... 287.2–2: IFX 1 ..................................................................... 287.2–3: IFX 2 ..................................................................... 287.2–4: IFX 3 ..................................................................... 287.2–5: IFX 4 ..................................................................... 287.2–6: IFX 5 ..................................................................... 287.2–7: Routing ................................................................. 29PROG 7.3: Ed–MasterFX ...................................... 297.3–1: Setup .................................................................... 297.3–2: MFX 1 ................................................................... 307.3–3: MFX 2 ................................................................... 307.3–4: MEQ (Master EQ) ................................................. 302. Combination 31COMBI PAGE MENU ............................................ 31COMBI 1.1: Play ................................................ 311.1–1: Combi (Combination) ........................................... 311.1–2: Prog (Timbre Program) ........................................ 321.1–3: Mix (Mixer) ........................................................... 341.1–4: Arp. A (Arpeggio Play A) ...................................... 341.1–5: Arp. B (Arpeggio Play B) ...................................... 34COMBI 2.1: Ed–Prog/Mixer ................................... 352.1–1: Prog (Timbre Program) ........................................ 352.1–2: Mix (Mixer) ........................................................... 35COMBI 2.2: Ed–Ctrl ............................................ 362.2–1: Ctrls (Controls)..................................................... 36COMBI 2.3: Ed–MOSS ......................................... 36COMBI 3.1: Ed–Param1 ....................................... 363.1–1: MIDI ..................................................................... 363.1–2: OSC ...................................................................... 373.1–3: Pitch ..................................................................... 37COMBI 3.2: Ed–Param2 ....................................... 383.2–1: Other..................................................................... 38COMBI 3.3: Ed–Key Zone ..................................... 393.3–1: Key (Key Zone) ..................................................... 393.3–2: Slope (Key Slope)................................................. 393.3–3: Review .................................................................. 39iv
COMBI 3.4: Ed–Vel Zone (Velocity Zone) .................. 403.4–1: Vel (Velocity Zone) ............................................... 403.4–2: Slope (Velocity Slope) .......................................... 403.4–3: Review .................................................................. 40COMBI 4.1: Ed–MIDI Filter1 .................................. 414.1–1: MIDI 1–1 (MIDI Filter 1–1)................................... 414.1–2: MIDI 1–2 (MIDI Filter 1–2)................................... 41COMBI 4.2: Ed–MIDI Filter2 .................................. 414.2–1: MIDI 2–1 (MIDI Filter 2–1)................................... 414.2–2: MIDI 2–2 (MIDI Filter 2–2)................................... 42COMBI 4.3: Ed–MIDI Filter3 .................................. 424.3–1: MIDI 3–1 (MIDI Filter 3–1)................................... 424.3–2: MIDI 3–2 (MIDI Filter 3–2)................................... 42COMBI 4.4: Ed–MIDI Filter4 .................................. 424.4–1: MIDI 4–1 (MIDI Filter 4–1)................................... 424.4–2: MIDI 4–2 (MIDI Filter 4–2)................................... 43COMBI 6.1: Ed–Arp. (Arpeggiator) .......................... 436.1–1: Setup .................................................................... 436.1–2: Arp. A (Arpeggiator A) .......................................... 446.1–3: Arp. B (Arpeggiator B).......................................... 446.1–4: Zone (Scan Zone) ................................................. 45COMBI 7.1: Ed–BUS ........................................... 457.1–1: BUS ...................................................................... 457.1–2: Route (Routing) ................................................... 46COMBI 7.2: Ed–InsertFX ...................................... 467.2–1: Setup .................................................................... 467.2–2: IFX 1 ..................................................................... 477.2–3: IFX 2 ..................................................................... 477.2–4: IFX 3 ..................................................................... 477.2–5: IFX 4 ..................................................................... 477.2–6: IFX 5 ..................................................................... 477.2–7: Route (Routing) ................................................... 47COMBI 7.3: Ed–MasterFX ..................................... 477.3–1: Setup .................................................................... 477.3–2: MFX1 (Master Effect1) ......................................... 487.3–3: MFX2 (Master Effect2) ......................................... 487.3–4: MEQ (Master EQ) ................................................. 483. Multi 49MULTI PAGE MENU ............................................ 49MULTI 1.1: Play ................................................ 501.1–1: Multi ..................................................................... 501.1–2: Prog..8 (Track Program T01...08) ........................ 511.1–3: Prog..16 (Track Program T09...16) ...................... 511.1–4: Mix..8 (Mixer T01...08) ........................................ 521.1–5: Mix..16 (Mixer T09...16) ...................................... 52MULTI 2.2: Controller ......................................... 532.2–1: Ctrls (Controllers) ................................................ 53MULTI 2.3: MOSS .............................................. 542.3–1: MOS..8 (MOSS T01–08) ...................................... 542.3–2: MOS..16 (MOSS T09–16) .................................... 54MULTI 3.1: Param1 (<strong>Parameter</strong>1) ........................... 543.1–1: MIDI..8 (MIDI T01–08) ........................................ 543.1–2: MIDI..16 (MIDI T09–16) ...................................... 543.1–3: OSC..8 (OSC T01–08) .......................................... 543.1–4: OSC..16 (OSC T09–16) ........................................ 543.1–5: Ptch..8 (Pitch T01–08) ......................................... 553.1–6: Ptch..16 (Pitch T09–16) ....................................... 55MULTI 3.2: Param2 (<strong>Parameter</strong>2) ........................... 563.2–1: Othr..8 (Other T01–08) ......................................... 563.2–2: Othr..16 (Other T09–16) ....................................... 56MULTI 3.3: Key Zone .......................................... 563.3–1: Key..8 (Key Zone T01–08) .................................... 563.3–2: Key..16 (Key Zone T09–16) .................................. 563.3–3: Slp..8 (Key Slope T01–08) ................................... 573.3–4: Slp..16 (Key Slope T09–16) ................................. 573.3–5: Review .................................................................. 57MULTI 3.4: Vel Zone (Velocity Zone) ....................... 573.4–1: Vel..8 (Velocity Zone T01–08) .............................. 573.4–2: Vel..16 (Velocity Zone T09–16) ............................ 573.4–3: Slp..8 (Velocity Slope T01–08) ............................ 573.4–4: Slp..16 (Velocity Slope T09–16) .......................... 573.4–5: Review .................................................................. 58MULTI 4.1: MIDI Filter1 ....................................... 584.1–1: M1–1..8 (MIDI Filter1–1 T01–08) ........................ 584.1–2: 1–1..16 (MIDI Filter1–1 T09–16) ......................... 584.1–3: 1–2..8 (MIDI Filter1–2 T01–08) ........................... 594.1–4: 1–2..16 (MIDI Filter1–2 T09–16) ......................... 59MULTI 4.2: MIDI Filter2 ....................................... 594.2–1: M2–1..8 (MIDI Filter2–1 T01–08) ........................ 594.2–2: 2–1..16 (MIDI Filter2–1 T09–16) ......................... 594.2–3: 2–2..8 (MIDI Filter2–2 T01–08) ........................... 594.2–4: 2–2..16 (MIDI Filter2–2 T09–16) ......................... 59MULTI 4.3: MIDI Filter3 ....................................... 604.3–1: M3–1..8 (MIDI Filter3–1 T01–08) ........................ 604.3–2: 3–1..16 (MIDI Filter3–1 T09–16) ......................... 604.3–3: 3–2..8 (MIDI Filter3–2 T01–08) ........................... 604.3–4: 3–2..16 (MIDI Filter3–2 T09–16) ......................... 60MULTI 4.4: MIDI Filter4 ....................................... 604.4–1: M4–1..8 (MIDI Filter4–1 T01–08) ........................ 604.4–2: 4–1..16 (MIDI Filter4–1 T09–16) ......................... 604.4–3: 4–2..8 (MIDI Filter4–2 T01–08) ........................... 604.4–4: 4–2..16 (MIDI Filter4–2 T09–16) ......................... 60MULTI 5.1: RPPR ............................................... 615.1–1: Pattern .................................................................. 615.1–2: RPPR (RPPR Setup) ............................................ 64MULTI 6.1: Arp. (Arpeggiator) ............................... 676.1–1: Set..8 (Setup T01–08) .......................................... 676.1–2: Set..16 (Setup T09–16) ........................................ 676.1–3: Arp. A (Arpeggiator A).......................................... 686.1–4: Arp. B (Arpeggiator B).......................................... 686.1–5: Zone (Scan Zone) ................................................. 68v
MULTI 7.1: BUS................................................. 697.1–1: BUS..8 (BUS T01–08) .......................................... 697.1–2: BUS..16 (BUS T09–16) ........................................ 697.1–3: Route (Routing) ................................................... 69MULTI 7.2: Insert FX ........................................... 707.2–1: Setup .................................................................... 707.2–2: IFX1 ...................................................................... 707.2–3: IFX2 ...................................................................... 707.2–4: IFX3 ...................................................................... 707.2–5: IFX4 ...................................................................... 707.2–6: IFX5 ...................................................................... 707.2–7: Route (Routing) ................................................... 70MULTI 7.3: Master FX ......................................... 717.3–1: Setup .................................................................... 717.3–2: MFX1 .................................................................... 717.3–3: MFX2 .................................................................... 717.3–4: Master EQ ............................................................. 724. Sampling 73SMPL PAGE MENU ............................................. 74SMPL 1.1: Recording .......................................... 741.1–1: Sample ................................................................. 741.1–2: Rec. (Recording) .................................................. 761.1–3: In/Pref (Input/Preference) .................................... 79SMPL 2.1: Sample Edit ....................................... 842.1–1: Edit1 ..................................................................... 842.1–2: Edit2 ..................................................................... 84SMPL 3.1: Loop Edit ........................................... 913.1–1: Edit1 ..................................................................... 913.1–2: Edit2 ..................................................................... 92SMPL 4.1: Multisample ..................................... 1014.1–1: Edit1 ................................................................... 1014.1–2: Edit2 ................................................................... 1024.1–3: Pref. (Preference) ............................................... 102SMPL 5.1: Memory .......................................... 1035.1–1: Memory (Free Memory) ..................................... 1035.1–2: No. (Free Number) ............................................. 103SMPL 5.2: Controller ........................................ 1045.2–1: Ctrls (Controls)................................................... 104SMPL 7.2: Insert Effect...................................... 1057.2–1: Setup .................................................................. 1057.2–2: IFX1 .................................................................... 1057.2–3: IFX2 .................................................................... 1057.2–4: IFX3 .................................................................... 1057.2–5: IFX4 .................................................................... 1057.2–6: IFX5 .................................................................... 1055. Global ................................. 107GLOBAL PAGE MENU ........................................ 107GLOBAL 1.1: System ........................................ 1071.1–1: Basic ................................................................... 1071.1–2: Pref. (System Preference) .................................. 1091.1–3: AudioIn (Audio In) .............................................. 110GLOBAL 2.1: MIDI ............................................ 1112.1–1: MIDI ................................................................... 111GLOBAL 3.1: User Scale .................................... 1143.1–1: Octave ................................................................ 1143.1–2: All Notes ............................................................. 115GLOBAL 4.1: Category Name .............................. 1154.1–1: P.0..7 (Prog.00–07) ............................................ 1154.1–2: P.8..15 (Prog.08–15) .......................................... 1154.1–3: C.0..7 (Comb.00–07).......................................... 1154.1–4: C.8..15 (Comb.08–15) ....................................... 115GLOBAL 5.1: DKit (Drum Kit) .............................. 1165.1–1: High (High Sample) ............................................ 1165.1–2: Low (Low Sample) ............................................. 1185.1–3: Voice (Voice/Mixer) ............................................ 119GLOBAL 6.1: Arp.Pattern ................................... 1196.1–1: Setup .................................................................. 1206.1–2: Edit ..................................................................... 1216. Disk............................................. 123 123DISK PAGE MENU ............................................ 1241.1–1: Load ................................................... 1241.1–2: Save ................................................... 1331.1–3: Utility .................................................. 1361.1–4: Media Information .................................. 1387. Demo/Song .................................... 139DEMO/SNG .................................................... 1398. Effect <strong>Guide</strong> ................................... 141Overview ....................................................... 141 (IFX1, 2, 3, 4, 5) ................. 142 (MFX1, 2) ........................... 146 EQ ................................................... 149Individual Output ............................................. 149Filter/Dynamic ................................................ 151000: No Effect ................................................................ 151001: St.Amp Sim (Stereo Amp Simulation) .................. 151002: St.Compressor (Stereo Compressor) ................... 151003: St.Limiter (Stereo Limiter) .................................... 151004: Mltband Limit (Multiband Limiter) ........................ 152005: St.Gate (Stereo Gate) ............................................ 153006: OD/HiGain Wah (Overdrive/Hi.Gain Wah) ............. 153007: St.Para.4EQ (Stereo Parametric 4-Band EQ) ........ 154vi
008: St.Graphic7EQ (Stereo Graphic 7-Band EQ) ......... 155009: St.Wah/AutoW (Stereo Wah/Auto Wah) ................ 155010: St.Rndm Filter (Stereo Random Filter).................. 156011: St.Exct/Enhcr (Stereo Exciter/Enhancer) ............... 157012: St.Sub OSC (Stereo Sub Oscillator) ...................... 15713: Talking Mod (Talking Modulator) ............................ 158014: St.Decimator (Stereo Decimator) .......................... 158015: St.AnalogRecd (Stereo Analog Record) ................ 159Pitch/Phase Mod. ............................................ 160 016: St.Chorus (Stereo Chorus) .................................... 160017: St.HarmnicCho (Stereo Harmonic Chorus) ........... 160018: MltTap ChoDly (Multitap Chorus/Delay) ................ 161019: Ensemble ............................................................... 161020: St.Flanger (Stereo Flanger) ................................... 162021: St.Rndm Flang (Stereo Random Flanger) ............. 162022: St.Env.Flanger (Stereo Envelope Flanger) ............. 163023: St.Phaser (Stereo Phaser) ..................................... 163024: St.Rndm Phasr (Stereo Random Phaser) ............. 164025: St.Env.Phaser (Stereo Envelope Phaser) .............. 164026: St.BiphaseMod (Stereo Biphase Modulation) ....... 165027: St.Vibrato (Stereo Vibrato) .................................... 165028: St.AutoFd Mod (Stereo Auto Fade Modulation) .... 166029: 2Voice Reso (2Voice Resonator) .......................... 166030: Doppler .................................................................. 167031: Scratch .................................................................. 168Mod./P.Shift ................................................... 169032: St.Tremolo (Stereo Tremolo) ................................. 169033: St.Env.Tremlo (Stereo Envelope Tremolo)............. 16903: St.Auto Pan (Stereo Auto Pan) ................................ 170035: St.Phasr+Trml (Stereo Phaser + Tremolo) ............ 170036: St.Ring Mod (Stereo Ring Modulator) .................. 171037: Detune ................................................................... 172038: Pitch Shifter ........................................................... 172039: PitchShft Mod (Pitch Shift Modulation) ................ 173040: Rotary SP (Rotary Speaker) .................................. 173ER/Delay ....................................................... 174041: Early Reflect (Early Reflections) ............................ 174042: Auto Reverse ......................................................... 175043: LCR Delay (L/C/R Delay) ....................................... 175044: St/Cross Dly (Stereo/Cross Delay) ........................ 176045: St.MltTap Dly (Stereo Multitap Delay) ................... 176046: St.Mod. Delay (Stereo Modulation Delay) ............. 177047: St.DynamicDly (Stereo Dynamic Delay) ................ 177048: St.AutoPanDly (Stereo Auto Panning Delay)......... 178049: LCR BPM Delay (L/C/R BPM Delay) ...................... 178050: St.BPM Delay (Stereo BPM Delay) ........................ 179051: Sequence Dly (Sequence Delay) ........................... 179Reverb ......................................................... 180052: Rev Hall (Reverb Hall) ........................................... 180053: Rev Smth. Hall (Reverb Smooth Hall) ................... 180054: Rev Wet Plate (Reverb Wet Plate) ......................... 180055: Rev Dry Plate (Reverb Dry Plate) .......................... 180056: Rev Room (Reverb Room) .................................... 181057: Rev Brt. Room (Reverb Bright Room) .................. 181Mono Mono Chain ........................................ 182058: P4EQ–Exciter (Parametric 4-Band EQ – Exciter) .. 182059: P4EQ–Wah (Parametric 4-Band EQ – Wah/Auto Wah) 182060: P4EQ–Cho/Fl (Parametric 4-Band EQ – Chorus/Flanger) 183061: P4EQ–Phaser (Parametric 4-Band EQ – Phaser) .. 183062: P4EQ–M.Dly (Parametric 4-Band EQ – Multitap Delay) 184063: Comp–Wah (Compressor – Wah/Auto Wah) ........ 184064: Comp–AmpSim (Compressor – Amp Simulation) 185065: Comp–OD/HG (Compressor – Overdrive/Hi.Gain) 185066: Comp–P4EQ (Compressor – Parametric 4-Band EQ).185067: Comp–Cho/Fl (Compressor – Chorus/Flanger) ..... 186068: Comp–Phaser (Compressor – Phaser) ................. 186069: Comp–M.Dly (Compressor – Multitap Delay) ....... 187070: Limit–P4EQ (Limiter – Parametric 4-Band EQ) ..... 187071: Limit–Cho/Fl (Limiter – Chorus/Flanger) .............. 188072: Limit–Phaser (Limiter – Phaser) ........................... 188073: Limit– M.Dly (Limiter – Multitap Delay)................ 188074: Exct–Comp (Exciter – Compressor) ...................... 189075: Exct–Limiter (Exciter – Limiter) ............................ 189076: Exct–Cho/Fl (Exciter – Chorus/Flanger) ................ 190077: Exct–Phaser (Exciter – Phaser) ............................. 190078: Exct–M.Dly (Exciter – Multitap Delay) .................. 190079: OD/HG–AmpSim (Overdrive/Hi.Gain – Amp Simulation)191080: OD/HG–Cho/Fl (Overdrive/Hi.Gain – Chorus/Flanger) 191081: OD/HG–Phaser (Overdrive/Hi.Gain – Phaser) ....... 192082: OD/HG– M.Dly (Overdrive/Hi.Gain – Multitap Delay) .192083: Wah–AmpSim (Wah/Auto Wah – Amp Simulation) ... 193084: Deci–AmpSim (Decimator – Amp Simulation)...... 193085: Deci–Comp (Decimator – Compressor) ................ 193086: AmpSim–Trml (Amp Simulation – Tremolo) ......... 194087: Cho/Fl–M.Dly (Chorus/Flanger – Multitap Delay).. 194088: Phasr–Cho/Fl (Phaser – Chorus/Flanger).............. 194089: Reverb–Gate .......................................................... 195Double Size ................................................... 196 090: Piano Body (Piano Body/Damper Simulation) ...... 196091: St.MltbandLmt (Stereo Multiband Limiter) ........... 196092: OD/HyprG Wah (Overdrive/Hyper Gain Wah) ........ 196093: Vocoder ................................................................. 197094: MltTap ChoDly (Multitap Chorus/Delay) ................ 198095: St.Pitch Shift (Stereo Pitch Shifter) ...................... 198096: Rotary SP OD (Rotary Speaker Overdrive) ........... 199097: Early Reflect (Early Reflections) ............................ 200098: LCR LDelay (L/C/R Long Delay) ............................ 200099: St/Cross LDly (Stereo/Cross Long Delay) ............. 200100: LCR BPM LDly (L/C/R BPM Long Delay) .............. 201101: St.BPM LDelay (Stereo BPM Long Delay)............. 201102: Hold Delay ............................................................. 202Master EQ ..................................................... 203Master EQ ...................................................................... 203vii
9. 205Alternate Modulation Source (AMS) ...................... 205Alternate Modulation 205Alternate Modulation Source 205AMS (Alternate Modulation Source) List....................... 206Alternate Modulation 208 208Dynamic Modulation Source (Dmod) ..................... 211Dynamic Modulation Source List .................................. 211BPM/MIDI SYNC 212SW1/2 Assign ................................................. 213SW1, SW2 Assign List .................................................. 213Knob 1...4 B Assign ......................................... 214Realtime Control Knobs B Assign List .......................... 214 MIDI 216 218MIDI 221 MIDI 221 <strong>TRITON</strong>-<strong>Rack</strong>MIDI 221 221 221 221 222 222 222 225 225 226 227 227 227 228 228 229 229 230 235<strong>TRITON</strong>-<strong>Rack</strong><strong>TRITON</strong> 235<strong>TRITON</strong><strong>TRITON</strong>-<strong>Rack</strong> 236Disk 237 237 238<strong>TRITON</strong>-SERIES MIDI IMPLEMENTATION ................ 240 243 243 243 244 244DRAM SIMM 244 245 EXB-MOSS...................................... 251EXB-MOSS 251MOSS 251 252 252 254 254 254Multi 255 255 256Program Mode .......................................................... 257PROG 1.1: Play ...................................................... 257PROG 2.1: Ed–Basic .............................................. 257PROG 2.2: Ed–Ctrl ................................................. 258PROG 2.3: Ed–OSC ................................................ 258Standard .............................................................. 258Comb Filter .......................................................... 259VPM .................................................................... 259Resonance........................................................... 260Ring Modulation.................................................. 260Cross Modulation ................................................ 261Sync Modulation ................................................. 261Organ Model ....................................................... 261E. Piano Model .................................................... 261Brass Model ........................................................ 262Reed Model ......................................................... 262Plucked String Model .......................................... 263Bowed String Model............................................ 263PROG 3.1: Ed –Pitch ............................................. 264PROG 4.1: Ed–Filter ............................................... 265PROG 5.1: Ed–Amp ............................................... 265PROG 5.2: Ed–EGs ................................................ 266PROG 5.3: Ed–LFOs............................................... 267PROG 6.1: Ed–Arp. ................................................ 267PROG 7.1: Ed–BUS ................................................ 267Combination Mode ................................................... 267COMBI 2.3: Ed–MOSS ........................................... 267PROG 7.2: Ed–InsertFX ......................................... 267PROG 7.3: Ed–MasterFX........................................ 267Multi Mode ................................................................ 268MULTI 2.3: MOSS .................................................. 268Modulation Source List ................................................. 268 268Sondius-XG 268EXB-MOSS <strong>Parameter</strong> Index ......................................... 269 EXB-DI........................................... 273 274 viii
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PROG 1.1: Play –Program Select[(I-A…I-F, E-A...E-H)0…127: name,(G…g(d))1…128: name] ☞ 1.1–1: Program1.1–1a1.1–1b1.1–1c1.1–1d ☞Category[00...15: Name] 1.1–1a: Bank, Program Select, Category,Cat. Hold, 10’s Hold, Bank (Bank Select)[INT-A…INT-F, G, g(1)...g(9), g(d), EXB-A...EXB-H] ☞ –– – –Cat. HOLD (Category Hold) Select by Category 10’s HOLD 2
(Tempo)[040...240, EXT] ––1.1–1b: Program Information – – – ☞ Select by Category ☞4.1 3.1 2.3 2.2 2.1 1.1 PROG■ 1.1–1c: SW1, SW21.1–2: P.Edit (Performance Editor)4.2 ☞–1.1–2a1.1–2b5.2 5.1■ 1.1–1d: UTILITY1.1–2c5.3 Write Program 1.1–2a: Bank, Program Select, (Tempo)☞ ☞1.1–2b: Performance Editor ☞ 7.3 7.2 7.1 6.13
–– – Octave [–03...+00...+03] Stretch (Pitch Stretch) [–12...+00...+12]OSC Bal (OSC Balance)[–10…+00…+10] –Level (Amp Level)[–10…+00…+10]Attack (Attack Time)[–10…+00…+10]Decay (Decay Time)[–10…+00…+10]IFX Bal (IFX Balance)[–10…+00…+10] MFX Bal (MFX Balance)[–10…+00…+10]– ☞ ■ 1.1–2c: UTILITY☞ –4
1.1–3: Arp (Arp. Play)– ☞1.1–3aPROG 2.1: Ed–Basic2.1–1: Basic (Prog Basic)2.1–1a2.1–1b2.1–1c2.1–1d2.2 2.1 1.1 PROG1.1–3b1.1–3a: ArpeggiatorPattern [P000...P004, U000(I-A/B)...U327(E–H)]Reso (Resolution) [ ]Octave [1, 2, 3, 4]Sort[Off, On]Latch[Off, On]Key Sync.[Off, On]Keyboard[Off, On]☞– – ☞–■ 1.1–3b: UTILITY☞ –2.1–1a: OscillatorMode (Oscillator Mode) [Single, Double, Drums] 2.1–1b: Voice AssignMode (Voice Assign Mode)[Poly, Mono]Hold[Off, On] –– – 7.3 7.2 7.1 6.1 5.3 5.2 5.1 4.2 4.1 3.1 2.3 – Single Trigger[Off, On]5
Legato[Off, On] Priority[Low, High, Last]2.1–1c: ScaleType (Scale Type)[Equal Temperament…User Octave 15] – –Key[C…B]Random[0…7]–■ 2.1–1d: UTILITY☞ ––Copy Oscillator Swap Oscillator –6
2.1–2: OSC1 – 2.1–2a2.1–2b2.1–2c2.1–2e –2.1–2d2.1–2a: OSC1 Multisample2.1–2eVelocity SW L → H [001...127] – 2.1–2b: High, Low High:High MS Bank [ROM, RAM, EXB ...]High Multisample [000...424, 000...999] –S.Ofs (High Start Offset)[Off, On] Rev (High Reverse)[Off, On] Level (High Level) [0...127]Low:→ –Low MS BankLow Multisample7.3 7.2 7.1 6.1 5.3 5.2 5.1 4.2 4.1 3.1 2.3 2.2 2.1 1.1 PROG7
S.Ofs (Low Start Offset)Rev (Low Reverse)Level (Low Level)☞■ 2.1–2e: UTILITY2.1–2c: Octave, Transpose, Tune, DelayOctave [–2[32’], –1[16’], +0[8’], +1[4’]]Transpose[–12…+12]Tune[–1200…+1200]Delay[0ms…5000ms, KeyOff] – –☞ – ––Select by Category ☞ –2.1–2d: OSC1 Drum KitDrum Kit [00(I-A/B)...143(E-H), 144(GM)...152(GM)] Octave [–2[32’], –1[16’], +0[8’], +1[4’]]Transpose[–12…+12]Tune[–1200…+1200] Delay[0ms…5000ms, KeyOff] –Sample <strong>Parameter</strong>s – – – – – – –8
– – –– – – – 2.1–3: OSC2 ––2.1–4: V.Zone (Velocity Zone) –2.1–4a■ 2.1–4b: UTILITY☞ – –2.1–5: Audit. (Audition)2.1–5a2.1–5b2.1–5a: Audition Riff, TransposeAudition Riff[000: Off…382: Name] ☞ Transpose[–24…+24]7.3 7.2 7.1 6.1 5.3 5.2 5.1 4.2 4.1 3.1 2.3 2.2 2.1 1.1 PROG2.1–4b2.1–4a: OSC 1/2 Velocity ZoneOSC1 Bottom [001...127]OSC1 Top [001...127]OSC2 Bottom [001...127]OSC2 Top [001...127]■ 2.1–5b: UTILITY☞ –9
PROG 2.2: Ed–Ctrl2.2–1: Ctrls (Controls)2.2–1a2.2–1b2.2–1c2.2–1a: Knob B Assign ☞ Knob1–B (Knob1–B Assign) [Off, ..., MIDI CC#95]Knob2–B (Knob2–B Assign) [Off, ..., MIDI CC#95]Knob3–B (Knob3–B Assign) [Off, ..., MIDI CC#95]Knob4–B (Knob4–B Assign) [Off, ..., MIDI CC#95] ■ 2.2–1c: UTILITY☞ – –PROG 2.3: Ed–OSC☞ 2.2–1b: SW1/2 Assign ☞SW1 Assign[Off, ..., AfterT Lock :N/A]SW1 Mode[Toggle, Momentary] SW2 Assign[Off, ..., AfterT Lock :N/A]SW2 Mode[Toggle, Momentary] 10
PROG 3.1: Ed–Pitch 3.1–1: OSC13.1–1a3.1–1b3.1–1c3.1–1a: PitchPitch Slope3.1–1d[–1.0…+2.0] Ribbon (#16)2octPitch1oct1octC4 C5+2+10–1Key[–12…+12]JS (+X)[–60…+12] ☞JS (–X)[–60…+12] ☞AMS (Pitch AMS)[Off, (FEG, AEG, EXT)] ☞Intensity (AMS Intensity)[–12.00…+12.00] ☞3.1–1b: Pitch EGIntensity[–12.00…+12.00]–AMS (Pitch EG AMS)[Off, (KT, EXT)] ☞Intensity (AMS Intensity)[–12.00…+12.00] ☞7.3 7.2 7.1 6.1 5.3 5.2 5.1 4.2 4.1 3.1 2.3 2.2 2.1 1.1 PROG11
3.1–1c: Portamento ☞Enable (Porta. Enable)[Off, On]Fingered (Porta. Fingered)[Off, On]Time (Porta. Time) [000...127]■ 3.1–1d: UTILITY☞ – –3.1–2: OS1lfo (OSC1 LFO) AMS (LFO1 AMS) [Off, (PEG, FEG, AEG, KT, EXT)] ☞Intensity (AMS Intensity) [–12.00…+12.00]++ ☞LFO2:Intensity (LFO2 Intensity) [–12.00…+12.00]JS+Y Int. (LFO2 JS+Y Int.) [–12.00…+12.00]AMS (LFO2 AMS) [Off, (PEG, FEG, AEG, KT, EXT)]Intensity (AMS Intensity) [–12.00…+12.00]■ 3.1–2b: UTILITY☞ – –3.1–3: OSC23.1–2a3.1–2b–3.1–2a: Pitch LFO1/2 ModulationLFO1:Intensity (LFO1 Intensity) [–12.00…+12.00]–3.1–4: OS2lfo (OSC2 LFO) –JS+Y Int. (LFO1 JS+Y Int.) [–12.00…+12.00]12
3.1–5: EG (Pitch EG)3.1–5b: Level Mod. (Level Modulation) – –3.1–5a3.1–5b3.1–5c 3.1–5d3.1–5a: Pitch EGL (Level): – –S (Start Level)[–99…+99]A (Attack Level)[–99…+99]R (Release Level)[–99…+99]T (Time):A (Attack Time)[0…99]D (Decay Time)[0…99]R (Release Time)[0…99]AMS1 (Level Mod. AMS1)[Off, (KT, EXT)]☞I (AMS1 Intensity)[–99…+99] – – –S (AMS1 SW Start) [–, 0, +]A (AMS1 SW Attack) [–, 0, +]7.3 7.2 7.1 6.1 5.3 5.2 5.1 4.2 4.1 3.1 2.3 2.2 2.1 1.1 PROG AMS2 (Level Mod. AMS2)[Off, (KT, EXT)]I (AMS2 Intensity)[–99…+99]S (AMS2 SW Start) [–, 0, +]A (AMS2 SW Attack) [–, 0, +]13
3.1–5c: Time Mod. (Time Modulation)AMS (Time Mod. AMS)[Off, (KT, EXT)]☞I (AMS Intensity)[–99…+99] – PROG 4.1: Ed–Filter1 – 4.1–1: Basic4.1–1a4.1–1b4.1–1c4.1–1d4.1–1a: Filter1Type (Filter1 Type)[Low Pass Resonance, Low Pass & High Pass] –A (AMS SW Attack) [–, 0, +]D (AMS SW Decay) [–, 0, +] Trim[00…99]4.1–1b: Filter A■ 3.1–5d: UTILITY☞ – –Low Pass12dB/oct24dB/octFrequency (A Frequency)[00…99]14
Resonance (A Resonance)[00…99]Reso.AMS (Resonance AMS)[Off, (PEG, FEG, AEG, LFO, KT, EXT)] ☞Intensity (AMS Intensity)[–99…+99]Low PassLevel4.1–1c: Filter BFrequency (B Frequency)High Pass12dB/oct[00…99] –■ 4.1–1d: UTILITY☞ – –4.1–2: Mod.1 (Filter1 Modulation1)4.1–2a4.1–2b4.1–2a: Keyboard Track4.1–2c Key: Low (KBDTrk Key Low)[C–1…G9]High (KBDTrk Key High)[C–1…G9]Ramp (Ramp Setting):Low (KBDTrk Ramp Low)High (KBDTrk Ramp High)[–99…+99][–99…+99] – High Ramp=+997.3 7.2 7.1 6.1 5.3 5.2 5.1 4.2 4.1 3.1 2.3 2.2 2.1 1.1 PROGHigh Ramp=+62High Ramp=0Low Ramp=+99Low Ramp=+43High Ramp=–43High Ramp=–99Low Ramp=0Low Ramp=–62Low Ramp=–99Low KeyHigh Key15
Int. to A (KBDTrk Int. to A)[–99…+99] Int. to B (KBDTrk Int. to B)[–99…+99] ☞ 4.1–2b: Filter EGInt. to A (Intensity to A)[–99…+99] – Int. to B (Intensity to B)[–99…+99]☞ Vel to A (Velocity to A)[–99…+99] –Vel to B (Velocity to B)[–99…+99]☞ –AMS (Filter EG AMS)[Off, (EXT)] ☞Int. to A (AMS Int. to A)[–99…+99]Int. to B (AMS Int. to B)[–99…+99] ☞ ■ 4.1–2c: UTILITY☞ – –4.1–3: Mod.2 (Filter1 Modulation2) –4.1–3a4.1–3b4.1–3a: Filter ModulationFilter–A:AMS1 (Filter A AMS1) [Off, (PEG, AEG, EXT)] ☞Intensity (A AMS1 Intensity)[–99…+99] –AMS2 (Filter A AMS2) [Off, (PEG, AEG, EXT)]Intensity (A AMS2 Intensity)[–99…+99] ☞ Filter–B: – ☞– 16
■ 4.1–3b: UTILITY☞ – –4.1–4: lfoMod (LFO Modulation)4.1–4a4.1–4b4.1–4a: Filter LFO1/2 ModulationLFO1:Intensity to A (LFO1 Int. to A)[–99…+99]–Intensity to B (LFO1 Int. to B)[–99…+99] ☞ JS–Y Int. to A (LFO1 JS–Y Int. to A) [–99…+99]JS–Y Int. to B (LFO1 JS–Y Int. to B) [–99…+99] ☞ AMS (LFO1 AMS) [Off, (PEG, FEG, AEG, KT, EXT)] ☞Int. to A (LFO1 AMS Int. to A)[–99…+99]Int. to B (LFO1 AMS Int. to B)[–99…+99] ☞ LFO 2: – ☞ –Intensity to A (LFO2 Int. to A)[–99…+99]Intensity to B (LFO2 Int. to B)[–99…+99]JS–Y Int. to A (LFO2 JS–Y Int. to A) [–99…+99]JS–Y Int. to B (LFO2 JS–Y Int. to B) [–99…+99]AMS (LFO2 AMS) [Off, (PEG, FEG, AEG, KT, EXT)]Int. to A (LFO2 AMS Int. to A)[–99…+99]Int. to B (LFO2 AMS Int. to B)[–99…+99]■ 4.1–4b: UTILITY☞ – –4.1–5: EG (Filter1 EG) –4.1–5a4.1–5b4.1–5c4.1–5d4.1–5a: Filter1 EGL (Level): ––S (Start Level)[–99…+99]A (Attack Level)[–99…+99]7.3 7.2 7.1 6.1 5.3 5.2 5.1 4.2 4.1 3.1 2.3 2.2 2.1 1.1 PROG17
B (Break Point Level)[–99…+99]S (Sustain Level)[–99…+99]R (Release Level)[–99…+99]T (Time):B (AMS SW Break) [–, 0, +] A (Attack Time)[00…99] – D (Decay Time)[00…99]S (Slope Time)[00…99]R (Release Time)[00…99] 4.1–5b: Level Mod. (Level Modulation)AMS (Level Mod. AMS)[Off, (KT, EXT)] ☞I (AMS Intensity)[–99…+99] –S (AMS SW Start) [–, 0, +] A (AMS SW Attack) [–, 0, +]4.1–5c: Time Mod. (Time Modulation)AMS1 (Time Mod. AMS1)[Off, (KT, EXT)] ☞I (AMS1 Intensity)[–99…+99] – – –A (AMS1 SW Attack) [–, 0, +]D (AMS1 SW Decay) [–, 0, +]S (AMS1 SW Slope) [–, 0, +]R (AMS1 SW Release) [–, 0, +]18
PROG 5.1: Ed–Amp1PROG – AMS2 (Time Mod. AMS2)[Off, (EXT, KT)]I (AMS2 Intensity)[–99…+99]A (AMS2 SW Attack) [–, 0, +]D (AMS2 SW Decay) [–, 0, +]S (AMS2 SW Slope) [–, 0, +]R (AMS2 SW Release) [–, 0, +]☞ ■ 4.1–5d: UTILITY☞ – –Sync Both EGs – –PROG 4.2: Ed–Filter24.2–1: Basic4.2–2: Mod.1 (Filter2 Modulation1)4.2–3: Mod.2 (Filter2 Modulation2)4.2–4: lfoMod (LFO Modulation)4.2–5: EG (Filter2 EG) – ☞–5.1–1: Lvl/Pan (Level/Pan)5.1–1a5.1–1b5.1–1c5.1–1a: Amp1 LevelLevel (Amp1 Level)[0…127] –5.1–1b: PanPan (Amp1 Pan) [Random, L001…C064…R127] –Use DKit Setting[Off, On] – –AMS (Pan AMS) [Off, (PEG, FEG, AEG, LFO, KT, EXT)] ☞Intensity[–99…+99] 7.3 7.2 7.1 6.1 5.3 5.2 5.1 4.2 4.1 3.1 2.3 2.2 2.1 1.119
■ 5.1–1c: UTILITY☞ – –Ramp Low=+99Ramp Low=0Ramp Low=–99Ramp High=+99Ramp High=0Ramp High=–995.1–2: Mod. (Amp1 Modulation)KBDTrk LowKBDTrk High5.1–2a5.1–2b: Amp Mod., LFO1 Mod., LFO2 Mod. 5.1–2bAmp Mod. (Amp Modulation)5.1–2cVelocity Int. (Amp Velocity Int.)[–99…+99]5.1–2a: Keyboard Track Key (Keyboard Track Key): Low (KBDTrk Key Low)[C–1…G9]High (KBDTrk Key High)[C–1…G9]Ramp (Ramp Setting):Low (KBDTrk Ramp Low)[–99…+99]High (KBDTrk Ramp High)[–99…+99]AMS (Amp AMS)[Off, (PEG, FEG, EXT)] ☞ Int. (AMS Intensity)[–99…+99] LFO1 Mod. (LFO1 Modulation)Intensity (LFO1 Intensity)[–99…+99] –AMS (LFO1 AMS)[Off, (PEG, FEG, AEG, KT, EXT)] ☞Int. (AMS Intensity)[–99…+99]20
LFO2 Mod. (LFO2 Modulation)Intensity (LFO2 Intensity)[–99…+99]AMS (LFO2 AMS) [Off, (PEG, FEG, AEG, KT, EXT)]Int. (AMS Intensity)[–99…+99] –■ 5.1–2c: UTILITY☞ – –5.1–3: EG (Amp1 EG)5.1–3a5.1–3b5.1–3a: Amp1 EG5.1–3cL (Level):S (Start Level)5.1–3d[00…99]A (Attack Level)[00…99]B (Break Point Level)[00…99]S (Sustain Level)[00…99]Time:A (Attack Time)[00…99] R (Release Time)[00…99] 5.1–3b: Level Mod. (Level Modulation) –AMS (Level Mod. AMS)[Off, (KT, EXT)]☞I (AMS Intensity)[–99…+99] –S (AMS SW Start) [–, 0, +]A (AMS SW Attack) [–, 0, +]B (AMS SW Break) [–, 0, +] 7.3 7.2 7.1 6.1 5.3 5.2 5.1 4.2 4.1 3.1 2.3 2.2 2.1 1.1 PROGD (Decay Time)[00…99]S (Slope Time)[00…99] – 21
5.1–3c: Time Mod. (Time Modulation) –AMS1 (Time Mod. AMS1)[Off, (EXT, KT)] ☞I (AMS1 Intensity)[–99…+99] – –A (AMS1 SW Attack) [–, 0, +]D (AMS1 SW Decay) [–, 0, +]S (AMS1 SW Slope) [–, 0, +]R (AMS1 SW Release) [–, 0, +] – AMS2 (Time Mod. AMS2)[Off, (EXT, KT)]I (AMS2 Intensity)[–99…+99]A (AMS2 SW Attack) [–, 0, +]D (AMS2 SW Decay) [–, 0, +]S (AMS2 SW Slope) [–, 0, +]R (AMS2 SW Release) [–, 0, +] ☞ ■ 5.1–3d: UTILITY☞ – –Sync Both EGs ☞– PROG 5.1: Ed–Amp☞ PROG 5.2: Ed–Amp25.2–1: Lvl/Pan (Level/Pan)5.2–2: Mod. (Amp2 Modulation)5.2–3: EG (Amp2 EG) – ☞–PROG 5.2: Ed–EGs5.1– ☞ 5.1– 22
PROG 5.3: Ed–LFOs 5.3–1: OS1LFO1 (OSC1 LFO1) 5.3–1a5.3–1b5.3–1c5.3–1a: OSC1 LFO1Waveform5.3–1d[Triangle 0…Random6 (Vect.)]Triangle 0Triangle 90TriangleRandomSaw 0Saw 180SquareSineGuitarExp.TriangleExp.Saw DownExp.Saw UpFrequency↓Step Triangle – 4Step Triangle – 6Step Saw – 4Step Saw – 6Random1 (S/H):Random2 (S/H):Random3 (S/H): Random4 (Vect.)Random5 (Vect.)Random6 (Vect.) Ofs (Offset)[00…99][–99…+99]– Key Sync.[Off, On] Fade[00…99]Dly (Delay) [0…99]5.3–1b: Freq.Mod (Frequency Modulation) AMS1 (Freq. AMS1)[Off, (PEG, FEG, AEG, LFO2, KT, EXT)]☞Int (AMS1 Intensity)[–99…+99] AMS2 (Freq. AMS2) [Off, (PEG, FEG, AEG, LFO2, KT, EXT)]Int (AMS2 Intensity)[–99…+99]☞5.3–1c: MIDI/Tempo Sync.(Frequency MIDI/Tempo Sync.)7.3 7.2 7.1 6.1 5.3 5.2 5.1 4.2 4.1 3.1 2.3 2.2 2.1 1.1 PROG23
Sync. (MIDI/Tempo Sync.)[Off, On] – –Base Note (Sync. Base Note) [ ]Times (Sync. Times) [01...16] ■ 5.3–1d: UTILITYPROG 6.1: Ed–Arp. (Arpeggiator) – ☞ ☞ ––Swap LFO 1&2 – 6.1–1: Setup (Arpeg. Setup)6.1–1a6.1–1a: Arpeggiator Setup☞ 6.1–1b5.3–2: OS1LFO2 (OSC1 LFO2)Pattern*[P000...P004, U000(I-A/B)...U327(E–H)] ☞– 5.3–3: OS2LFO1 (OSC2 LFO1) – ☞– 5.3–4: OS2LFO2 (OSC2 LFO2) – ☞–– –– –––––––––––––––––––– 24
Octave* [1, 2, 3, 4] –Reso (Resolution)* [ ] Gate[000...100(%), Step] Velocity[001...127, Key, Step] Swing [–100...+100(%)] Key Sync.*[Off, On] Keyboard* –6.1–1b: Arpeggiator Tempo (Tempo)[040...240, EXT] –■ 6.1–1c: UTILITY☞ ––Copy Arpeggiator7.3 7.2 7.1 6.1 5.3 5.2 5.1 4.2 4.1 3.1 2.3 2.2 2.1 1.1 PROG– – Sort*[Off, On]Latch* 25
6.1–2: Zone (Scan Zone)6.1–2aPROG 7.1–1: Ed–BUS☞ 6.1–2b6.1–2a: Scan ZoneZone MapKey:Btm (Bottom Key)Top (Top Key)[C–1...G9][C–1...G9]Vel:Btm (Bottom Velocity) [001...127]Top (Top Velocity) [001...127] ■ 6.1–2b: UTILITY☞ – –7.1–1: BUS –7.1–1a7.1–1a: BUSBUS SelectBUS Select (All OSCs)[L/R, IFX1...5, 1...4, 1/2, 3/4, Off] – – – –MFX SendOSC1 Send1 [000...127] –OSC1 Send2 [000...127] ☞ OSC2 Send1 [000...127]OSC2 Send2 [000...127]26
– –7.1–1b: Use DKit Setting –7.1–1b7.1–1cUse DKit Setting[Off, On] – –■ 7.1–1c: UTILITY Swap Insert Effect 7.1–2: Route (Routing)7.1–2a7.1–2b7.3 7.2 7.1 6.1 5.3 5.2 5.1 4.2 4.1 3.1 2.3 2.2 2.1 1.1 PROG7.1–2a: Routing☞ ––Copy Insert Effect – ☞– ■ 7.1–2b: UTILITY☞ – –27
PROG 7.2: Ed–InsertFX7.2–1: Setup ☞Pan(CC#8) (Post IFX Pan CC#8) [L000...C064...R127] ☞BUS Select[L/R, 1, 2, 3, 4, 1/2, 3/4, Off] 7.2–1a7.2–1bS1 (Send1 (MFX1)) [000...127]S2 (Send2 (MFX2)) [000...127] –7.2–1a: InsertFX SetupIFX1 On/Off — IFX5 On/Off[Off, ON] –Insert Effect 1, 5[000...089: name]Insert Effect 2, 3, 4[000...102: name] ☞ –Chain [ (Off), (ON)] – –■ 7.2–1b: UTILITY☞ – –Select by Category 7.2–2: IFX 17.2–3: IFX 27.2–4: IFX 37.2–5: IFX 47.2–6: IFX 5 ☞ – ☞ 28
PROG 7.3: Ed–MasterFX■ 7.2–2(...6)a: UTILITY☞ –7.2–2a☞ 7.3–1: SetupPROG1.12.17.2–7: Routing7.2–7a: Routing ☞–7.2–7a7.2–7b■ 7.2–7b: UTILITY☞ – –7.3–1a7.3–1b7.3–1c 7.3–1d7.3–1a: Master Effect Setup – – MFX1 On/Off, MFX2 On/Off[Off, ON] –7.3 7.2 7.1 6.1 5.3 5.2 5.1 4.2 4.1 3.1 2.3 2.2Master Effect 1, 2[000...089: name] Rtn 1, 2 (Return 1, 2) [000...127] 7.3–1b: ChainMFX Chain[Off, On] ☞Direction (Chain Direction) [MFX1→MFX2, MFX2→MFX1]→29
→Signal (Chain Signal) [LR Mix, L Only, R Only] Level (Chain Level) [000...127] Swap Master Effect Select by Category ☞7.3–1c: Master EQ Gain [dB] –Low [–18.0...+18.0]Mid [–18.0...+18.0]High [–18.0...+18.0]7.3–2: MFX 17.3–3: MFX 2 ☞■ 7.3–1d: UTILITY7.3–2b☞ ––Copy Master Effect ☞ ■ 7.3–2(3)a: UTILITY☞ –7.3–4: MEQ (Master EQ) ☞ ■ 7.3–4a: UTILITY☞ –7.3–4a30
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☞– –– ––Cat.HOLD ☞–10’s HOLD ☞– (Tempo)[040...240, EXT] – –1.1–1b: Combination Information ■ 1.1–1c: SW1, SW2 ☞– Solo Selected Timbre – – Select by Category ☞■ 1.1–1d: UTILITY–Write Combination –1.1–2: Prog (Timbre Program)1.1–2a1.1–2b1.1–1c1.1–1d1.1–1e32
1.1–2a: Bank, Combi Select, Cat.Hold, 10’s Hold, Bank (Bank Select)[I-A…I-E, E-A...E-H]Combi Select (Combination Select) [0…127: name]Cat. (Cat. HOLD)10’s (10’s HOLD) (Tempo)[040...240, EXT] ☞–1.1–2b: Timbre Number & CategoryTimbre Number & Category 1...81.1–2c: Program Select, Program NameProgram Select[I-A000...E-H127] – – – – – – – Program Name 1.1–2d: Selected Timbre InformationTimbre No.: Bank No., Prog No.: and nameStatus(INT, Off, EXT, EX2)Ch(01...16, Gch)■ 1.1–2e: UTILITY☞ ––Select by Category ☞ 7.3 7.2 7.1 6.1 4.4 4.3 4.2 4.1 3.4 3.3 3.2 3.1 2.3 2.2 2.1 1.1 COMBI33
1.1–3: Mix (Mixer)1.1–3a –1.1–3b■ 1.1–3b: UTILITY1.1–3a: Pan, VolumePan[RND, L001...C064...R127] ☞ ––OSC1OSC2OSC1: Amp1 Pan=L001OSC2: Amp2 Pan=R127Left Center RightPan (CC#10)C064L032L001R096R127Left Center RightOSC1OSC2OSC1: Amp1 Pan=C064OSC2: Amp2 Pan=C064Left Center RightOSC1: Amp1 Pan=L032OSC2: Amp2 Pan=R096Left Center RightPan (CC#10)C064L032L001R096R127Left Center RightHold Balance Pan (CC#10)C064L032L001R0961.1–4: Arp. A (Arpeggio Play A)1.1–5: Arp. B (Arpeggio Play B)R127Left Center Right– ☞ – –Volume [000...127] 1.1–4a1.1–4b1.1–4c – 34
1.1–4(5)a: Arpeggiator Run, Timbre assignArpeggiator Run A, B (Run A, B)[Off, On] – –Timbre assign –1.1–4(5)b: Arpeggiator A(B)Pattern [P000....P004, U000(I-A/B)...U327(E-H)]Reso (Resolution) [ ]Octave [1, 2, 3, 4]Sort[Off, On]Latch[Off, On]Key Sync.[Off, On]Keyboard[Off, On]☞– –■ 1.1–4(5)c: UTILITY☞ –COMBI 2.1: Ed–Prog/Mixer2.1–1: Prog (Timbre Program) 2.1–1a2.1–1b2.1–1a: Program Select, Program NameProgram Select ☞–Program Name☞–■ 2.1–1b: UTILITY☞ – –2.1–2: Mix (Mixer) 2.1–2a2.1–2b2.1–2a: Pan, VolumePan ☞–Volume ☞–7.3 7.2 7.1 6.1 4.4 4.3 4.2 4.1 3.4 3.3 3.2 3.1 2.3 2.2 2.1 1.1 COMBI■ 2.1–2b: UTILITY☞ –35
COMBI 2.2: Ed–Ctrl2.2–1: Ctrls (Controls)COMBI 3.1: Ed–Param13.1–1: MIDI2.2–1a3.1–1a2.2–1b2.2–1c3.1–1b2.2–1a: Knob B Assign ☞ Knob1–B (Knob1–B Assign) [Off, ..., MIDI CC#95]Knob2–B (Knob2–B Assign) [Off, ..., MIDI CC#95]Knob3–B (Knob3–B Assign) [Off, ..., MIDI CC#95]Knob4–B (Knob4–B Assign) [Off, ..., MIDI CC#95]2.2–1b: SW1/2 Assign ☞3.1–1a: Status, MIDI Channel, Bank(EX2) MSB/LSBStatus[INT, Off, EXT, EX2] –INTMIDI INSW1 (SW1 Assign)[Off, ..., AfterT Lock :N/A]SW1 Mode[Toggle, Momentary]SW2 (SW2 Assign)[Off, ..., AfterT Lock :N/A]SW2 Mode[Toggle, Momentary]☞–EXT, EX2MIDI INMIDI OUT■ 2.2–1c: UTILITY☞ –COMBI 2.3: Ed–MOSS☞ MIDI Channel[01...16, Gch] – Bank(EX2) MSB [000:000...127:127]Bank(EX2) LSB [000:000...127:127]36
3.1–3: Pitch■ 3.1–1b: UTILITY☞ –3.1–3a3.1–2: OSC3.1–3a: Transpose, Detune, Bend Range3.1–3bCOMBI3.1–2aTranspose [–24…+24]1.13.1–2b3.1–2a: Force OSC Mode, OSC Select, PortamentoForce OSC Mode[PRG, Poly, Mono, LGT] – –OSC Select[Both, OSC1, OSC2] – Portamento [PRG, Off, 001...127] – –Detune (BPM Adj) [–1200...+1200] – – Bend Range [PRG, –24...+24] –7.3 7.2 7.1 6.1 4.4 4.3 4.2 4.1 3.4 3.3 3.2 3.1 2.3 2.2 2.1■ 3.1–2b: UTILITY☞ –37
■ 3.1–3b: UTILITYCOMBI 3.2: Ed–Param2☞ ––Detune BPM Adj. (Detune BPM Adjust) ☞– – – – –3.2–1: Other3.2–1a3.2–1b3.2–1a: Delay [ms], Use Prog’s ScaleDelay [ms]3.2–1c[0000…5000, KeyOff] Use Prog’s Scale[Off, On] – –3.2–1b: Combi’s Scale, Key, RandomType (Combi’s Scale)[Equal Temperament...User Octave15]☞ –Key☞ –[C…B]Random[0…7]☞ –■ 3.2–1c: UTILITY☞ –38
COMBI 3.3: Ed–Key Zone 3.3–2: Slope (Key Slope)3.3–2a 3.3–1: Key (Key Zone)3.3–1a3.3–1b3.3–1c3.3–1a: Key Zone Map (1)3.3–1b: Top Key, Bottom KeyTop Key[C–1...G9]Bottom Key[C–1...G9] 3.3–2b3.3–2a: Top Slope, Bottom SlopeTop Slope [00...72] Bottom Slope [00...72] ■ 3.3–2b: UTILITY☞ –3.3–3: Review3.3–3a3.3–3b3.3–3a: Key Zone Map (All)T1...T8 ■ 3.3–3b: UTILITY7.3 7.2 7.1 6.1 4.4 4.3 4.2 4.1 3.4 3.3 3.2 3.1 2.3 2.2 2.1 1.1 COMBI■ 3.3–1c: UTILITY☞ –☞ –39
COMBI 3.4: Ed–Vel Zone (Velocity Zone)3.4–1: Vel (Velocity Zone)3.4–1a3.4–1b3.4–2: Slope (Velocity Slope)3.4–2a3.4–2b3.4–2a: Top Slope, Bottom SlopeTop Slope[0…120] Bottom Slope[0…120] 3.4–1c3.4–1a: Velocity Zone Map (1) 3.4–1b: Top Velocity, Bottom VelocityTop Velocity[1…127]Bottom Velocity[1…127] ■ 3.4–2b: UTILITY☞ –3.4–3: Review3.4–3a3.4–3a: Velocity Zone Map (All)3.4–3b■ 3.4–1c: UTILITY☞ –T1...T8■ 3.4–3b: UTILITY☞ –40
COMBI 4.1: Ed–MIDI Filter14.1–2: MIDI 1–2 (MIDI Filter 1–2)4.1–2a – – 4.1–1: MIDI 1–1 (MIDI Filter 1–1)4.1–1a4.1–1b4.1–1a: Program Change, After TouchProgram Change[Off, On]After Touch[Off, On]4.1–2b4.1–2a: Damper CC#64, Portamento SW CC#65Damper CC#64[Off, On]Portamento SW CC#65[Off, On]■ 4.1–2b: UTILITY☞ –COMBI 4.2: Ed–MIDI Filter24.2–1: MIDI 2–1 (MIDI Filter 2–1)4.2–1a4.2–1b4.2–1a: JS+Y CC#01, JS–Y CC#02JS+Y CC#01[Off, On]JS–Y CC#02[Off, On]7.3 7.2 7.1 6.1 4.4 4.3 4.2 4.1 3.4 3.3 3.2 3.1 2.3 2.2 2.1 1.1 COMBI■ 4.1–1b: UTILITY☞ –■ 4.2–1b: UTILITY☞ –41
4.2–2: MIDI 2–2 (MIDI Filter 2–2)4.2–2aKnob2[Off, On]4.2–2b4.2–2a: JS X/Bend as AMS, Ribbon CC#16JS X/Bend as AMS[Off, On]☞ Ribbon CC#16[Off, On] 4.3–2a: Realtime Control Knob 3, 4Knob3[Off, On]Knob4[Off, On]■ 4.3–1(2)b: UTILITY☞ –■ 4.2–2b: UTILITY☞ –COMBI 4.3: Ed–MIDI Filter3 –COMBI 4.4: Ed–MIDI Filter4.–4.4–1: MIDI 4–1 (MIDI Filter 4–1)4.3–1: MIDI 3–1 (MIDI Filter 3–1)4.3–2: MIDI 3–2 (MIDI Filter 3–2)4.4–1a4.4–1b4.3–1a4.3–1b4.4–1a: SW1, SW2SW1, SW2[Off, On] 4.3–1a: Realtime Control Knob 1, 2Knob1[Off, On] ■ 4.4–1b: UTILITY☞ –42
4.4–2: MIDI 4–2 (MIDI Filter 4–2)4.4–2a4.4–2bCOMBI 6.1: Ed–Arp. (Arpeggiator) 4.4–2a: Other Control ChangeOther Ctrl Change[Off, On]6.1–1: Setup6.1–1a6.1–1bCOMBI1.1■ 4.4–2b: UTILITY6.1–1c2.1☞ –6.1–1a: Arpeggiator Run, Arpeggiator Run A, B (Run A, B) – ☞ – (Tempo)[040...240, EXT] ☞ –6.1–1b: AssignAssign [Off, A, B] – – 7.3 7.2 7.1 6.1 4.4 4.3 4.2 4.1 3.4 3.3 3.2 3.1 2.3 2.2 ☞43
– – –– – ArpeggiatorAssignTrigger Arpeggiator Pattern - AA Timbre 1 MIDI Ch=Gch Status=INTPattern - A= GchAB Timbre 2 MIDI Ch=Gch Status=INTPattern - BTrigger Arpeggiator= GchBPattern - B – – – – – ArpeggiatorAssignOff Timbre 1 MIDI Ch=Gch Status=INTTriggerArpeggiator Pattern - A A Timbre 2 MIDI Ch=Gch Status=Off= Gch, Ch2AA Timbre 3 MIDI Ch=2ch Status=INTPattern - ATriggerArpeggiator Pattern - B B Timbre 4 MIDI Ch=Gch Status=Off= Gch, Ch3BB Timbre 5 MIDI Ch=3ch Status=INTPattern - B■ 6.1–1c: UTILITY☞ ––Copy Arpeggiator 6.1–2: Arp. A (Arpeggiator A)6.1–3: Arp. B (Arpeggiator B) 6.1–2a –6.1–2(3)a: Arpeggiator-A(B) Setup6.1–2bPattern* [P000...P004, U000(I-A/B)...U327(E-H)]Octave* [1, 2, 3, 4]Reso (Resolution)* [ , , , , , ]Gate[000...100%, Step]Velocity[001...127, Key, Step]Swing [–100...+100%]Sort*[Off, On]Latch*[Off, On]Key Sync.*[Off, On]Keyboard*[Off, On]☞– – –44
■ 6.1–2(3)b: UTILITY☞ – –6.1–4: Zone (Scan Zone)COMBI 7.1: Ed–BUS☞ 7.1–1: BUSCOMBI6.1–4a6.1–4a: Scan Zone A/BZone Map6.1–4b A: KeyC–1G9Btm (A-Bottom Key)Top (A-Top Key)[C–1...G9][C–1...G9] A: Vel (Velocity)Btm (A-Bottom Velocity) [001...127]Top (A-Top Velocity) [001...127] B: KeyBtm (B-Bottom Key)Top (B-Top Key)B: Vel (Velocity)[C–1...G9][C–1...G9]Btm (B-Bottom Velocity) [001...127]Top (B-Top Velocity) [001...127]☞ ■ 6.1–4b: UTILITY☞ – –7.1–1a7.1–1b7.1–1a: BUS Select, Send1(MFX1), Send2(MFX2)BUS Select[DKit, L/R, IFX1...5, 1...4, 1/2, 3/4, Off] – – – – – S1 (Send1(MFX1)) [000...127]S2 (Send2(MFX2)) [000...127] –7.3 7.2 7.1 6.1 4.4 4.3 4.2 4.1 3.4 3.3 3.2 3.1 2.3 2.2 2.1 1.145
– –7.1–2a7.1–2a: Routing Map, BUS Select7.1–2b■ 7.1–1b: UTILITY☞ ––Copy Insert Effect☞– –Swap Insert Effect☞– –DKit IFX Patch (DrumKit IFX Patch) – – Routing Map–T01...8: BUS Sel[DKit, L/R, IFX1...5, 1...4, 1/2, 3/4, Off] – –■ 7.1–2b: UTILITY☞ – –COMBI 7.2: Ed–InsertFX7.2–1: Setup7.2–1a 7.2–1a: Ed-InsertFX SetupIFX1 On/Off — IFX5 On/OffInsert Effect 1, 5Insert Effect 2, 3, 47.2–1b 7.2–1c[000...089: name][000...102: name]7.1–2: Route (Routing)Chain [ (Off), (ON)]Pan(CC#8)[L000...C064...R127]BUS Select[L/R, 1, 2, 3, 4, 1/2, 3/4, Off]S1 (Send1 (MFX1)) [000...127]46
S2 (Send2 (MFX2)) [000...127] ☞– –■ 7.2–2(...6)a: UTILITY☞ –7.2–7: Route (Routing)7.2–1b: Control ChannelControl Channel[Ch01...16, G ch, All Rt.] – – –– ■ 7.2–1c: UTILITY☞ – – –7.2–7a7.2–2b7.2–7a: Routing Map ☞–■ 7.2–7b: UTILITY☞ – –COMBI 7.3: Ed–MasterFX☞ 7.3–1: Setup ☞–4.3 4.2 4.1 3.4 3.3 3.2 3.1 2.3 2.2 2.1 1.1 COMBI7.3–1a4.47.2–2: IFX 17.2–3: IFX 27.2–4: IFX 37.2–5: IFX 47.2–6: IFX 57.3–1b7.3–1a: MasterFX Setup7.3–1d7.3–1c7.3–1e7.2 7.1 6.1 ☞7.2–1aMFX1 On/Off, MFX2 On/Off[Off, ON]Master Effect 1, 2[000...089: name]Rtn 1, 2 (Return 1, 2) [000...127]– 7.347
MFX1, 2 Control Ch[Ch01...16, G ch] – 7.3–2: MFX1 (Master Effect1)7.3–3: MFX2 (Master Effect2) ☞7.3–1b: MasterFX ChainMFX ChainDirection (Chain Direction)[MFX1→MFX2, MFX2→MFX1]Signal (Chain Signal) [LR Mix, L Only, R Only]Level (Chain Level) [000...127] ☞–■ 7.3–2(3)a: UTILITY☞ –7.3–2a7.3–1c: Master EQ Gain [dB]Low [–18.0...+18.0]Mid [–18.0...+18.0]High [–18.0...+18.0] ☞–7.3–4: MEQ (Master EQ) ☞7.3–1d: MEQ CtrlMEQ Ctrl (MEQ Control Ch) [Ch01...16, G ch]7.3–4a – ■ 7.3–4a: UTILITY☞ –■ 7.3–1e: UTILITY☞ – –Copy Master Effect☞– –Swap Master Effect☞– –48
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MULTI 1.1: Play1.1–1: Multi 1.1–1a1.1–1b 1.1–1c1.1–1a: Multi Select, Control Track, , RPPRMulti Select[000…199: name] (Tempo)[040…240, EXT] –Multi Information■ 1.1–1b: SW1, SW2 ☞ – –Control Track[T01…T16: name] – –RPPR On/Off[Off, On] ■ 1.1–1c: UTILITY–Memory StatusRename Multi ☞Delete Multi Copy From Multi 50
Copy From Combi (Copy from Combination) Load Template Multi ☞ Save Template Multi (Save as User Template Multi) Rename Track ☞GM Initialize ☞ 1.1–2: Prog..8 (Track Program T01...08)1.1–3: Prog..16 (Track Program T09...16)1.1–2a1.1–2b1.1–2c1.1–2(3)a: Track Number & CategoryTrack Number & Category1.1–2d1.1–2(3)b: Program SelectProgram Select[I-A...F/E-A...H 000...127, G...g 001...128: name] –– 7.3 7.2 7.1 6.1 5.1 4.4 4.3 4.2 4.1 3.4 3.3 3.2 3.1 2.3 2.2 1.1 MULTI51
– – 1.1–4: Mix..8 (Mixer T01...08)1.1–5: Mix..16 (Mixer T09...16)1.1–4a1.1–4b1.1–2(3)c: Track Infomation1.1–4(5)a: Pan, VolumeTrack Infomation■ 1.1–2(3)d: UTILITYPan[RND, L001...C064...R127] OSC1OSC2OSC1: Amp1 Pan=L001OSC1: Amp1 Pan=L032OSC2: Amp2 Pan=R127OSC2: Amp2 Pan=R096Left Center RightLeft Center RightPan (CC#10)C064Pan (CC#10)C064L032L032L001L001☞–Select by Category ☞–R096R127Left Center RightOSC1OSC2OSC1: Amp1 Pan=C064OSC2: Amp2 Pan=C064Left Center RightPan (CC#10)C064L032L001R096Left Center RightR096R127R127GM Initialize <strong>Parameter</strong>sLeft Center Right 52
– Volume [000...127]MULTI 2.2: Controller2.2–1: Ctrls (Controllers) – – 2.2–1a2.2–1b2.2–1cMULTI■ 1.1–4(5)b: UTILITY☞–2.2–1a: Knob B Assign ☞ –Knob 1-B (Knob1-B Assign) [Off, ..., MIDI CC#95]Knob 2-B (Knob2-B Assign) [Off, ..., MIDI CC#95]Knob 3-B (Knob3-B Assign) [Off, ..., MIDI CC#95]Knob 4-B (Knob4-B Assign) [Off, ..., MIDI CC#95]2.2–1b: Switch1/2 Assign ☞SW1 (SW1 Assign)[Off, ..., AfterT Lock :N/A]SW1 Mode[Toggle, Momentary]SW2 (SW2 Assign)[Off, ..., AfterT Lock :N/A]SW2 Mode[Toggle, Momentary]☞–■ 2.2–1c: UTILITY☞ –7.3 7.2 7.1 6.1 5.1 4.4 4.3 4.2 4.1 3.4 3.3 3.2 3.1 2.3 2.2 1.153
MULTI 2.3: MOSS2.3–1: MOS..8 (MOSS T01–08)2.3–2: MOS..16 (MOSS T09–16)☞ MULTI 3.1: Param1 (<strong>Parameter</strong>1)3.1–1: MIDI..8 (MIDI T01–08)3.1–2: MIDI..16 (MIDI T09–16)MIDI Channel[01…16]Bank(EX2) MSB [000...127]Bank(EX2) LSB [000...127]3.1–1a3.1–1b3.1–1(2)a: Status, MIDI Ch, Bank(EX2) MSB/LSB■ 3.1–1(2)b: UTILITY☞ –Status[INT, Off, BTH, EXT, EX2] – – – 3.1–3: OSC..8 (OSC T01–08)3.1–4: OSC..16 (OSC T09–16)3.1–3a3.1–3(4)a: Force OSC Mode, OSC Select,PortamentoForce OSC Mode3.1–3b[PRG, Poly, Mono, LGT] –☞–OSC Select[Both, OSC1, OSC2] – ☞–Portamento [PRG, Off, 001...127] ☞–54
– –■ 3.1–3(4)b: UTILITY –Bend Range [PRG, –24...+24] –☞ –■ 3.1–5(6)b: UTILITYMULTI3.1–5: Ptch..8 (Pitch T01–08)3.1–6: Ptch..16 (Pitch T09–16)3.1–5a3.1–5(6)a: Transpose, Detune, Bend Range3.1–5bTranspose [–24...+24]Detune (BPM Adj.) [–1200... +1200] –☞ ––Detune BPM Adj. (Detune BPM Adjust) ☞– – – – –4.4 4.3 4.2 4.1 3.4 3.3 3.2 3.1 2.3 2.2 1.1 –7.3 7.2 7.1 6.1 5.155
MULTI 3.2: Param2 (<strong>Parameter</strong>2)3.2–1: Othr..8 (Other T01–08)3.2–2: Othr..16 (Other T09–16)MULTI 3.3: Key Zone 3.2–1a3.2–1b3.3–1: Key..8 (Key Zone T01–08)3.3–2: Key..16 (Key Zone T09–16)3.2–1(2)a: Delay [ms] , Use Prog’s ScaleDelay [ms]3.2–1c[0000...5000, KeyOff]Use Prog’s Scale[Off, On] – –3.2–1(2)b: ScaleType (Multi’s Scale)[Equal Temperament...User Octave15]☞ –Key☞ –Random[C…B][0…7]☞ –3.3–1a3.3–1b3.3–1c3.3–1(2)a: Key Zone Map (1)3.3–1(2)b: Top Key, Bottom KeyTop Key[C–1...G9] Bottom Key[C–1...G9] – ■ 3.3–1(2)c: UTILITY☞ –■ 3.2–1(2)c: UTILITY☞ –56
3.3–3: Slp..8 (Key Slope T01–08)3.3–4: Slp..16 (Key Slope T09–16)3.3–3aMULTI 3.4: Vel Zone (Velocity Zone) 3.3–3b 3.3–3(4)a: Top Slope, Bottom SlopeTop Slope [00...72] Bottom Slope [00...72] 3.4–1: Vel..8 (Velocity Zone T01–08)3.4–2: Vel..16 (Velocity Zone T09–16)3.4–1a3.4–1b3.4–1cMULTI■ 3.3–3(4)b: UTILITY☞ –3.3–5: Review3.3–5a3.3–5b3.3–5a: Key Zone Map (All)T1...T16■ 3.3–5b: UTILITY☞ –3.4–1(2)a: Velocity Zone Map (1)3.4–1(2)b: Top Velocity, Bottom VelocityTop Velocity[1…127] Bottom Velocity[1…127] ■ 3.4–1(2)c: UTILITY☞ –3.4–3: Slp..8 (Velocity Slope T01–08)3.4–4: Slp..16 (Velocity Slope T09–16)3.4–3a7.3 7.2 7.1 6.1 5.1 4.4 4.3 4.2 4.1 3.4 3.3 3.2 3.1 2.3 2.2 1.13.4–3b57
3.4–3(4)a: Top Slope, Bottom SlopeTop Slope[0…120]Bottom Slope[0…120]–■ 3.4–3(4)b: UTILITY☞ –3.4–5: Review3.4–5a3.4–5b3.4–5a: Velocity Zone Map (All)T1...T16MULTI 4.1: MIDI Filter1 – – – 4.1–1: M1–1..8 (MIDI Filter1–1 T01–08)4.1–2: 1–1..16 (MIDI Filter1–1 T09–16)■ 3.4–5b: UTILITY☞ –4.1–1a4.1–1b4.1–1(2)a: Program Change, After TouchProgram Change[Off, On]After Touch[Off, On]■ 4.1–1(2)b: UTILITY☞ –58
4.1–3: 1–2..8 (MIDI Filter1–2 T01–08)4.1–4: 1–2..16 (MIDI Filter1–2 T09–16)■ 4.2–1(2)b: UTILITY☞ –4.1–3a4.1–3b4.2–3: 2–2..8 (MIDI Filter2–2 T01–08)4.2–4: 2–2..16 (MIDI Filter2–2 T09–16)4.1–3(4)a: Damper CC#64, Portamento SW CC#65Damper CC#64[Off, On]Portamento SW CC#65[Off, On]■ 4.1–3(4)b: UTILITY☞ –MULTI 4.2: MIDI Filter24.2–1: M2–1..8 (MIDI Filter2–1 T01–08)4.2–2: 2–1..16 (MIDI Filter2–1 T09–16)4.2–1a4.2–1(2)a: JS+Y CC#01, JS-Y CC#02JS+Y CC#014.2–1b[Off, On]JS-Y CC#02[Off, On]4.2–3a4.2–3b4.2–3(4)a: JSX/Bend as AMS, Ribbon CC#16JSX/Bend as AMS[Off, On]☞ Ribbon CC#16[Off, On] ■ 4.2–3(4)b: UTILITY☞ –7.3 7.2 7.1 6.1 5.1 4.4 4.3 4.2 4.1 3.4 3.3 3.2 3.1 2.3 2.2 1.1 MULTI59
MULTI 4.3: MIDI Filter3 4.3–1: M3–1..8 (MIDI Filter3–1 T01–08)4.3–2: 3–1..16 (MIDI Filter3–1 T09–16)4.3–3: 3–2..8 (MIDI Filter3–2 T01–08)4.3–4: 3–2..16 (MIDI Filter3–2 T09–16)MULTI 4.4: MIDI Filter4.4.4–1: M4–1..8 (MIDI Filter4–1 T01–08)4.4–2: 4–1..16 (MIDI Filter4–1 T09–16)4.4–1a4.3–1a4.4–1b4.3–1b4.3–1(2)a: Realtime Control Knob 1, 2Knob1[Off, On] Knob2[Off, On]4.3–3(4)a: Realtime Control Knob 3, 44.4–1(2)a: SW1, SW2SW1, SW2[Off, On]■ 4.4–1(2)b: UTILITY☞ –4.4–3: 4–2..8 (MIDI Filter4–2 T01–08)4.4–4: 4–2..16 (MIDI Filter4–2 T09–16)Knob3[Off, On]Knob4[Off, On]■ 4.3–1(2)b, 4.3–3(4)b: UTILITY☞ –4.4–3a4.4–3b4.4–3(4)a: Other Control ChangeOther Ctrl Change[Off, On]■ 4.4–3(4)b: UTILITY☞ –60
MULTI 5.1: RPPR☞ ☞– – ☞5.1–1: Pattern5.1–1a5.1–1b5.1–1c 5.1–1d 5.1–1e– 5.1–1a: Location, Multi Select, Control TrackLocationMulti Select[000…199: name] ☞–Control Track[T01…T16: name] ☞– 5.1–1b: Pattern, MetronomePatternPattern Bank[Preset, User] Pattern Select[P00...149, U00...U99] (Tempo)[040...240, EXT] –Reso (Realtime Quantize Resolution) [Hi, 3 … ] 3 3 –Remove Data[Off, On]7.3 7.2 7.1 6.1 5.1 4.4 4.3 4.2 4.1 3.4 3.3 3.2 3.1 2.3 2.2 1.1 MULTI61
■ 5.1–1e: UTILITYMetro.Metronome Sound [REC Only, REC/Play, Off]Precount[0…2] Level[000…127]BUS (BUS Select) [L/R, L, R, 1, 2, 3, 4, 1/2, 3/4] ☞ ––Rename Pattern ☞Step Recording(Loop) ■ 5.1–1c: REC, START/STOP – ■ 5.1–1d: SW1, SW2 (0:24)̇(0:36)(0:16)(0:48) ̇(0:72)(0:32)(0:96) ̇(0:144)(0:64)(1:00) ̇(1:96)(0:128)(2:00) ̇(3:00)(1:64)(4:00) ̇(6:00)3 3 3 3 3 3(2:128) 62
Event Edit – 7.3 7.2 7.1 6.1 5.1 4.4 4.3 4.2 4.1 3.4 3.3 3.2 3.1 2.3 2.2 1.1 MULTI63
Pattern <strong>Parameter</strong> Bounce Pattern – Erase Pattern Copy Pattern 5.1–2: RPPR (RPPR Setup) ☞ 64
5.1–2a5.1–2bOnceManualSTARTSTARTSTOPSTOPEndlessSTARTSTOP5.1–2a: Control Track, 5.1–2c5.1–2d5.1–2eShift [–12...+12]Control Track[T01…T16: name] ☞– (Tempo)[040...240, EXT] ☞–5.1–2b: RPPR SetupKEY (Key Select)[C#2...C8]Assign[Off, On]Pat (Pattern Bank)[Pre (Preset), User]Pattern Select[P000...149, U00...99] Track[T01…T16: name] Mode[Once, Manual, Endless]Sync[Off, Beat, Measure, ARP(SEQ)] ☞ 7.3 7.2 7.1 6.1 5.1 4.4 4.3 4.2 4.1 3.4 3.3 3.2 3.1 2.3 2.2 1.1 MULTI65
■ 5.1–2c: REVERT: Off : Beat : Measure : ARP(SEQ) Keyboard & Assigned drawing ■ 5.1–2d: SW1, SW2 ■ 5.1–2e: UTILITY☞ –66
MULTI 6.1: Arp. (Arpeggiator) – ☞6.1–1: Set..8 (Setup T01–08)6.1–2: Set..16 (Setup T09–16)6.1–1a6.1–1b6.1–1(2)a: Arpeggiator Run, Arpeggiator Run A, B (Run A, B)6.1–1c (Tempo) ☞–[040...240, (EXT)]6.1–1(2)b: AssignAssign [Off, A, B] – – ☞ –– – ArpeggiatorAssignTrigger Arpeggiator Pattern - AA Track1 MIDI Ch=1ch Status=INTPattern - A= Ch1AB Track2 MIDI Ch=1ch Status=INTPattern - BTrigger Arpeggiator= Ch1BPattern - B – – – 7.3 7.2 7.1 6.1 5.1 4.4 4.3 4.2 4.1 3.4 3.3 3.2 3.1 2.3 2.2 1.1 MULTI67
■ 6.1–3(4)b: UTILITY☞ – –6.1–5: Zone (Scan Zone) 6.1–5aTrigger= Ch1, Ch2ArpeggiatorAPattern - AArpeggiatorAssignA Track1MIDI Ch=1ch Status=INTPattern - A6.1–5bATrack2MIDI Ch=2ch Status=INTPattern - ATrigger= Ch3ArpeggiatorBPattern - BBTrack3MIDI Ch=3ch Status=INTPattern - B6.1–5a: Scan Zone A/B■ 6.1–1(2)c: UTILITY☞ – –6.1–3: Arp. A (Arpeggiator A)6.1–4: Arp. B (Arpeggiator B) 6.1–3a6.1–3(4)a: Arpeggiator–A(B) Setup6.1–3bPattern [P000...P004, U000(I-A/B)...U327(E-H)]Octave [1, 2, 3, 4]Reso (Resolution) [ , , , , , ]Gate[000...100(%), Step]Velocity[001...127, Key, Step]Swing [–100...+100(%)]Sort[Off, On]Latch[Off, On]Key Sync.[Off, On]Keyboard[Off, On]☞–Zone Map ☞–A: KeyBtm (A-Bottom Key)Top (A-Top Key)[C–1...G9][C–1...G9]A: Vel (Velocity)Btm (A-Bottom Velocity) [001...127]Top (A-Top Velocity) [001...127] B: KeyBtm (B-Bottom Key)Top (B-Top Key)[C–1...G9][C–1...G9]B: Vel (Velocity)Btm (B-Bottom Velocity) [001...127]Top (B-Top Velocity) [001...127]☞ ■ 6.1–5b: UTILITY☞ – –68
MULTI 7.1: BUS■ 7.1–1(2)b: UTILITY ☞ 7.1–1: BUS..8 (BUS T01–08)7.1–2: BUS..16 (BUS T09–16)7.1–1a☞ – –Copy Insert Effect☞– 7.1–1b7.1–1(2)a: BUS Select, Send1(MFX1), Send2(MFX2)BUS Select[DKit, L/R, IFX1...5, 1...4, 1/2, 3/4, Off] ☞–S1 (Send1(MFX1)) [000...127]S2 (Send2(MFX2)) [000...127] – – –Swap Insert Effect☞– 7.1–3: Route (Routing)7.1–3a7.1–3a: Routing Map, BUS Select7.1–3bT01...16: BUS Sel[DKit, L/R, IFX1...5, 1...4,1/2, 3/4, Off] – –■ 7.1–3b: UTILITY☞ – – –7.3 7.2 7.1 6.1 5.1 4.4 4.3 4.2 4.1 3.4 3.3 3.2 3.1 2.3 2.2 1.1 MULTI69
MULTI 7.2: Insert FX7.2–1: Setup7.2–1a– –■ 7.2–1c: UTILITY☞ – – –7.2–1b 7.2–1c7.2–1a: Insert FX SetupIFX1 On/Off — IFX5 On/OffInsert Effect 1, 5[000...089: name]Insert Effect 2, 3, 4[000...102: name]Chain [ (Off), (ON)]Pan(CC#8)[L000...C064...R127]BUS Select[L/R, 1, 2, 3, 4, 1/2, 3/4, Off]S1 (Send1 (MFX1)) [000...127]S2 (Send2 (MFX2)) [000...127] ☞– – – –7.2–1b: Control ChannelControl Channel[Ch01...16, All Rt.]7.2–2: IFX17.2–3: IFX27.2–4: IFX37.2–5: IFX47.2–6: IFX5 ☞■ 7.2–2(...6)a: UTILITY☞ –7.2–7: Route (Routing)7.2–7a7.2–7a: Routing Map7.2–2a7.2–7b ☞–■ 7.2–7b: UTILITY☞ – – –70
MULTI 7.3: Master FX☞ 7.3–1: Setup ☞–7.3–1d: MEQ CtrlMEQ Ctrl (MEQ Control Ch) [Ch01...16, Gch] –■ 7.3–1e: UTILITY7.3–1a7.3–1b7.3–1a: Master FX Setup7.3–1d7.3–1c7.3–1eMFX1 On/Off, MFX2 On/Off[Off, ON]Master Effect 1, 2[000...089: name]Rtn 1, 2 (Return 1, 2) [000...127]– MFX1, 2 Control Ch[Ch01...16, G ch] –7.3–1b: Master FX ChainMFX ChainDirection (Chain Direction)[MFX1→MFX2, MFX2→MFX1]Signal (Chain Signal) [LR Mix, L Only, R Only]Level (Chain Level) [000...127]–7.3–1c: Master EQ Gain [dB]Low [–18.0...+18.0]Mid [–18.0...+18.0]High [–18.0...+18.0] ☞–☞ – –Copy Master Effect☞– Swap Master Effect☞– 7.3–2: MFX17.3–3: MFX2 ☞■ 7.3–2(3)a: UTILITY☞ –7.3–2a7.3 7.2 7.1 6.1 5.1 4.4 4.3 4.2 4.1 3.4 3.3 3.2 3.1 2.3 2.2 1.1 MULTI71
7.3–4: Master EQ ☞7.3–4a■ 7.3–4a: UTILITY☞ –72
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○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○SMPL PAGE MENUSMPL 1.1: Recording1.1–1: Sample ☞ ☞1.1–1a1.1–1b ☞ ☞1.1–1c1.1–1d1.1–1a: MS (Multisample Select), Index,Keyboard & Index1.1–1e ☞ ☞ ☞MS (Multisample Select) [000...999] Index [xxx (001...128)/yyy (001...128)] 74
☞ Keyboard & Index – –Stereo – – – – – – – – . . – –1.1–1b: SMPL, Orig.K, TopKSMPL (Sample Select)[----: ---No Assign----, 0000...3999] –7.2 5.2 5.1 4.1 3.1 2.1 1.1 SMPL75
–Orig.K (Original Key)[C–1...G9] –TopK (Top Key) [C–1...G9] ■ 1.1–1c: REC, START/STOP – – – –– – – – ☞ ☞ ■ 1.1–1e: UTILITY☞ –1.1–2: Rec. (Recording)1.1–2a1.1–2b1.1–2c1.1–2d1.1–2e■ 1.1–1d: CREATE – –1.1–2a: Sample SetupTime (Sample Time) 76
– – ☞ – –Bank (RAM Bank) [1...6] ☞ Mode (SampleMode) [L-Mono, R-Mono, Stereo] – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – 1.1–2b: REC SetupMode (REC Mode)[Manual, Auto] – – 7.2 5.2 5.1 4.1 3.1 2.1 1.1 SMPL 77
– Threshold[–63dB...0dB] Count Down (Count Down REC) [Off, 4, 8, 3, 6] (Tempo) [040...240] ☞ Pre Trigger (Pre Trigger REC) [000...500ms] – 1.1–2c: Recording LevelRecording Level[–inf, –72.0... 0.0...+18.0dB] AUDIO INPUTADC OVER!INPUT(MIN...MAX)Analog to DigitalConverterADC"Lvl" (1.1–3a)[127=0dB]"Pan" (1.1–3a)InsertEffects"Recording Level" (1.1–2c)[–inf ... 0.0dB ... +18.0dB]CLIP!L-MonoR-Mono"Mode" (1.1–2a)Stereo –78
■ 1.1–2d: SW1, SW2 1.1–3b: Create (Create Zone Preference) – –■ 1.1–2e: UTILITYPstn (Position) [R, L]☞ –1.1–3: In/Pref (Input/Preference) 1.1–3a1.1–3b1.1–3c1.1–3d1.1–3e 1.1–3f 1.1–3g1.1–3a: Input1, Input2 Lvl (Level) [000...127] Pan[L000...C064...R127] ☞ Range (Zone Range) [001...127] – – –Orig.K (Original Key Position) [Btm, Cntr, Top]1.1–3c: Auto LoopAuto Loop (Auto Loop On)[Off, On] ☞ 1.1–3d: Metro (Count Down REC Metronome)BUS (Metronome BUS) [L/R, 1, 2, 3, 4] – 7.2 5.2 5.1 4.1 3.1 2.1 1.1 SMPLBUS (BUS(IFX) Select)[L/R, IFX1...5, Off] ☞Lvl (Metronome Level) [000...127]79
1.1–3e: Recording Level [–inf, –72.0... 0.0...+18.0]☞–■ 1.1–3f: SW1, SW2 ☞–■ 1.1–3g: UTILITY–Delete SMPL (Delete Sample) "Copy SMPL"with Sample Data0000: NewSample_00000001: NewSample_0001Sample MemorySample DataSample Data – Copy SMPL (Copy Sample)Sample Memory0000: NewSample_0000Sample Data"Copy SMPL"0001: NewSample_0001 Move SMPL (Move Sample) ☞ – ☞ – 80
– SMPL To Stereo (Change Sample Type) – Rename SMPL (Rename Sample) – Delete MS (Delete Multisample) – 7.2 5.2 5.1 4.1 3.1 2.1 1.1 SMPL Copy MS (Copy Multisample)– ☞81
– Move MS ☞ – Rename MS (Rename Multisample) – MS To Stereo/MS To Mono (Change Multisample Type) – 82
Conv. To Prog (Convert Multisample To Program) – – – –– Keyboard Disp. (Keyboard Display) 7.2 5.2 5.1 4.1 3.1 2.1 1.1 SMPL 83
SMPL 2.1: Sample Edit2.1–2: Edit2 2.1–2a2.1–2b2.1–2c2.1–2d2.1–2e2.1–1: Edit12.1–2a: 2.1–1a2.1–1a: MS, Index, Keyboard & Index, SMPL2.1–1bMS (Multisample Select) [000...999]☞–Index [xxx (001...128)/yyy (001...128)] – ☞– ☞ –Keyboard & Index☞–SMPL (Sample Select)[----: ---No Assign----, 0000...3999]☞–■ 2.1–1b: UTILITY☞ –2.1–2b: Edit (Audition Plays), Zero, S (Edit Range Start) [0000000...]E (Edit Range End) [0000000...] ☞ –Zero (Use Zero)[Off, On] (Grid Tempo)☞–■ 2.1–2c: L/R[040...480(BPM)] 84
■ 2.1–2d: ZOOM ■ 2.1–2e: UTILITY – * 1 : – – Truncate 7.2 5.2 5.1 4.1 3.1 2.1 1.1 SMPL – – 85
☞ Cut – – ☞ Clear – – ☞ Copy – –86
Insert ☞ – – ☞ Mix – – Paste – – ☞ 7.2 5.2 5.1 4.1 3.1 2.1 1.1 SMPL87
– – Norm./Level Adj. (Normalize/Level Adjust) NormalizeLevel Adjust –12dB Insert Zero – – Size – – ☞ ☞ 88
Volume RampFade InFade OutRate Convert – – – – – ☞ ☞ Reverse – – 7.2 5.2 5.1 4.1 3.1 2.1 1.1 SMPL89
– ☞ –Link – ® ® ®® 90
☞ ☞–Grid – ☞ – – – SMPL 3.1: Loop Edit3.1–1: Edit13.1–1a3.1–1b3.1–1a: MS, Index, Keyboard&Index3.1–1cMS (Multisample Select) [000...999] ☞–Index [xxx (001...128)/yyy (001...128)] ☞– Keyboard & Index☞–3.1–1b: SMPL, Lp, Tune, RevSMPL (Sample Select)[----: ---No Assign----, 0000...3999] ☞–7.2 5.2 5.1 4.1 3.1 2.1 1.1 SMPLLp (Loop)[Off, On] ☞– –91
3.1–2: Edit2"One""Two"Start Loop Start End3.1–2a3.1–2b"One" - "Two" - "Two" - "Two" - ..."One" - "Two"3.1–2c3.1–2d3.1–2e3.1–2a: "One""Two"StartEndLoop Start"One" - "Two" - "One" - "Two" - "One" - "Two" - ..."One" - "Two""One""Two"Loop StartStartEnd"Two" - "One" - "Two" - "One" - "Two" - "One" -..."Two"Tune (Loop Tune) [–99...+99]Rev (Reverse)[Off, On] ■ 3.1–1c: UTILITY☞ – ☞–3.1–2b: Sample Address, Zero, LpL, S (Start) [0000000...]LpS (Loop Start) [0000000...] ☞–E (End) [0000000...] Zero (Use Zero)[Off, On] ☞– LpL (Loop Lock)[Off, On] (Grid Tempo)[040...480(BPM)] –– –92
■ 3.1–2c: L/R ☞–■ 3.1–2d: ZOOM ☞–■ 3.1–2e: UTILITY–☞ –Truncate – – – ☞ Time Slice ☞ –7.2 5.2 5.1 4.1 3.1 2.1 1.1 SMPL 93
– 94
☞– ☞– ☞–☞– 7.2 5.2 5.1 4.1 3.1 2.1 1.1 SMPL95
– – 96
–Time Stretch – ––– – 7.2 5.2 5.1 4.1 3.1 2.1 1.1 SMPL97
☞– ☞–☞– ☞– ☞ ☞– ☞– – – 98
☞– ☞– 7.2 5.2 5.1 4.1 3.1 2.1 1.1 SMPL 99
☞ ☞– ☞– –☞–Crossfade Loop – 100
☞ SMPL 4.1: Multisample4.1–1: Edit14.1–1a4.1–1b4.1–1c4.1–1d4.1–1a: MS, Index, Keyboard & IndexMS (Multisample Select) [000...999] ☞–Index [xxx (001...128)/yyy (001...128)] ☞– Keyboard & Index☞–4.1–1b: SMPL, Orig.K, TopKSMPL (Sample Select)[----: ---No Assign----, 0000...3999]☞–Orig.K (Original Key) ☞–[C–1...G9]7.2 5.2 5.1 4.1 3.1 2.1 1.1 SMPLTopK (Top Key)[C–1...G9] ☞–■ 4.1–1c: INSERT, CUT, COPY, CREATEINSERT – – 101
– – –CUT COPY CREATE – – ☞–☞–Pitch [–64.00...+63.00]☞– ☞–Constant Pitch[Off, On] ■ 4.1–1d: UTILITY☞ – –■ 4.1–2b: UTILITY☞ – –4.1–2: Edit24.1–3: Pref. (Preference)4.1–2a4.1–3a4.1–2b4.1–3b4.1–2a: Level, Pitch, Constant PitchLevel [–99...+99] 4.1–3a: Create Zone Preference – – – ☞–Position[Right, Left]Range (Zone Range)[1key...127keys]Orig.K Position (Original Key Position)[Bottom, Center, Top]☞– 102
■ 4.1–3b: UTILITYSMPL 5.1: Memory5.1–1: Memory (Free Memory)☞ –Pitch BPM Adj. (Pitch BPM Adjust) – – 5.1–1a5.1–1b5.1–1a: Free Memory ☞ –■ 5.1–1b: UTILITY☞ –SMPL 5.1–2: No. (Free Number)5.1–2a5.1–2b4.1 3.1 2.1 1.1 –5.1–2a: Free NumberMultisample(MS) [0000...0999/1000 000...099%]Sample [0000...4000/4000 000...100%]Sample in MS [0000...3999/4000 000...099%]■ 5.1–2b: UTILITY5.15.27.2☞ –103
SMPL 5.2: Controller5.2–1: Ctrls (Controls) 5.2–1a5.2–1b: SW1/2 Assign ☞SW1 (SW1 Assign)[Off, ..., AfterT Lock :N/A]SW1 Mode[Toggle, Momentary]SW2 (SW2 Assign)[Off, ..., AfterT Lock :N/A]SW2 Mode[Toggle, Momentary]☞–■ 5.2–1c: UTILITY☞ –5.2–1b5.2–1c5.2–1a: Knob B Assign ☞ Knob1–B (Knob1–B Assign) [Off...MIDI CC#95]Knob2–B (Knob2–B Assign) [Off...MIDI CC#95]Knob3–B (Knob3–B Assign) [Off...MIDI CC#95]Knob4–B (Knob4–B Assign) [Off...MIDI CC#95] – – – – – 104
SMPL 7.2: Insert Effect – ☞ 7.2–2: IFX17.2–3: IFX27.2–4: IFX37.2–5: IFX47.2–6: IFX5 ☞ – – –SMPL7.2–1: Setup –4.1 3.1 2.1 1.15.17.2–1a5.27.2■ 7.2–1a: UTILITY☞ – –105
106
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Velocity Curve[1…8]→MAX178654321 AfterT Curve (AfterTouch Curve)127[1…8]→MAX054736 2 8:RANDOM1 1271.1–1b: FX SWIFX1–5 Off[Off, On] MFX1 Off[Off, On] MFX2 Off[Off, On] 1.1–1c: Auto Arp. (Auto Arpeggiator)Program (Auto Arp. Program)[Off, On]Combi (Auto Arp. Combi)[Off, On]■ 1.1–1d: UTILITYWrite Global Setting 108
1.1–2: Pref. (System Preference) ☞ Change all bank references1.1–2a1.1–2b 1.1–2c1.1–2a: System PreferenceBank Map[KORG, GM(2)] Power On Mode[Reset, Memorize]6.1 5.1 4.1 3.1 2.1 1.1 GLOBAL109
System Clock[Internal, Word Clock] LCD Contrast[0…62] 1.1–2b: Memory ProtectProgram[Off, On]Combi (Combination)[Off, On]Multi[Off, On]Drum Kit[Off, On]Arp. UsrPat (Arp. User Pattern)[Off, On]■ 1.1–2c: UTILITY☞ 1.1–3: AudioIn (Audio In) 110
1.1–3aGLOBAL 2.1: MIDI1.1–3b1.1–3c2.1–1: MIDI1.1–3a: Input11.1–3b: Input22.1–1aLevel (Input Level) [0...127] Pan (Input Pan)[L000...C064...R127] BUS(IFX/Indiv.) Select (Input BUS Select)[L/R, IFX1…5, 1, 2, 3, 4, 1/2, 3/4, Off] ☞ Send1(Input Send1), Send2(Input Send2) [000...127] ☞ 2.1–1b 2.1–1c2.1–1a: MIDI SetupMIDI Channel[1…16] MIDI 6.1 5.1 4.1 3.1 2.1 1.1 GLOBAL■ 1.1–3c: UTILITY☞ Local Control On 111
Local Control On/OffPlayLocal ControlOffRecordOnMIDI INTriggerMIDI OUTLocal ControlOffOnNote Receive[All, Even, Odd] MIDI OUTMIDI INMIDI THRUMIDI IN<strong>TRITON</strong>-<strong>Rack</strong>#1<strong>TRITON</strong>-<strong>Rack</strong>#2EVENODDMIDI Clock[Internal, External] 2.1–1b: MIDI FilterEnable Program Change[Off, On] Bank (Bank Change)[Off, On] Combi (Combi Change)[Off, On] AfterT (After Touch)[Off, On]Ctrl Change (Control Change)[Off, On]Exclusive[Off, On] 112
■ 2.1–1c: UTILITY☞ Dump ProgramDump CombinationDump Drum KitDump Arpeggio PatternDump Global SettingDump Multi ☞ GLOBAL1.12.1 6.1 5.1 4.1 3.1113
☞ GLOBAL 3.1: User Scale 3.1–1: Octave3.1–1a3.1–1b3.1–1a: User Octave ScaleUser Octave [User Octave 00...15]Tune[–99…+99]■ 3.1–1b: UTILITY☞ Copy Scale 114
3.1–2: All Notes3.1–2a3.1–2b3.1–2a: User All Notes ScaleTune[–99…+99]GLOBAL 4.1: Category Name4.1–1: P.0..7 (Prog.00–07)4.1–2: P.8..15 (Prog.08–15)4.1–3: C.0..7 (Comb.00–07)4.1–4: C.8..15 (Comb.08–15) ☞4.1–1a 4.1–3a4.1–1b4.1–1cGLOBALKey Select[C–1...G9] ■ 3.1–2b: UTILITY ☞ 4.1–3b4.1–3c 4.1–1(...4)a: Categoly6.1 5.1 4.1 3.1 2.1 1.1■ 4.1–1(...4)b: TEXT ■ 4.1–(...4)c: UTILITY☞ 115
GLOBAL 5.1: DKit (Drum Kit) – d ☞5.1–1: High (High Sample) 5.1–1a5.1–1b5.1–1c 5.1–1d5.1–1a: Drum Kit, Key, Assign, Level H, Level L ,Vel. SW L→HDrum Kit[000 (I–A/B)...143 (E–H)]Key[C–1...G9] Assign[Off, On]Level H (Level High) [–99...+99]Level L (Level Low) [–99...+99] Vel. SW L→H (Velocity SW Lo→Hi) [001...127] ☞→ 5.1–1b: High (High Sample)Drumsample Bank[ROM, RAM, EXB ] ☞116
Drumsample [0000...3999: name]☞UTILITY Select by Category ☞S.Ofs (Start Offset)[Off, On] Rev (Reverse)[Off, On] d Trans (Transpose) [–64...+63]Tune [–99...+99]Fc (Cutoff) [–64...+63] Reso (Resonance) [–64...+63] At (Attack) [–64...+63]Dc (Decay) [–64...+63]■ 5.1–1c: Key–, Key+☞ ■ 5.1–1d: UTILITYWrite Drum Kits 1176.1 5.1 4.1 3.1 2.1 1.1 GLOBAL
Rename Drum Kit ☞Copy Drum Kit 5.1–2: Low (Low Sample)5.1–2a5.1–2a: Low (Low Sample)5.1–2b Copy Key Setup Select by Category ☞Drumsample Bank [ROM, RAM, EXB ...] ☞ Drumsample[0000...3999: name] ☞ ☞S.Ofs (Start Offset)[Off, On]Rev (Reverse)[Off, On]Trans (Transpose) [–64...+63]Tune [–99...+99]Fc (Cutoff) [–64...+63]Reso (Resonance) [–64...+63]At (Attack) [–64...+63]Dc (Decay) [–64...+63]☞ ■ 5.1–2c: UTILITY☞ 118
5.1–3: Voice (Voice/Mixer) 5.1–3a5.1–3a: Voice Assign Mode/MixerVoice Assign ModeSingle Trig (Single Trigger)5.1–3b[Off, On]Excl Group (Exclusive Group) [Off, 001...127] Enable Note On (Note On Receive)[Off, On]Enable Note Off (Note Off Receive)[Off, On] MixerPan[Rndm, L001...C064...R127]BUS (Bus Select)[L/R, IFX1...5, 1...4, 1/2, 3/4, Off] S1 (Send1 (MFX1)) [000...127]S2 (Send2 (MFX2)) [000...127] ■ 5.1–3b: UTILITY☞ GLOBAL 6.1: Arp.Pattern ☞ 6.1 5.1 4.1 3.1 2.1 1.1 GLOBAL119
6.1–1: Setup6.1–1a6.1–1b6.1–1c6.1–1a: Arp, pat (Pattern), 6.1–1d6.1–1eArp (Arpeggio Select) [A, B] Pat (Pattern)[P00...P04, U000(I–A/B)...U327(E–H)] (Tempo)[040...240, EXT] 6.1–1b: Lgth, Reso, Oct, Sort, Latch, K.Sync, KbdLgth (Length) [01...48]Reso (Resolution) [ ]Oct (Octave) [1, 2, 3, 4]Sort[Off, On]Latch[Off, On]K.Sync (Key Sync.)[Off, On]Kbd (Keyboard)[Off, On]☞ – 6.1–1c: Arpeggio Pattern SetupType (Arpeggio Type) [As Played...Up&Down] Octave Motion[Up, Down, Both, Parallel]6.1–1d: Fixed Note, Mode, Tone No., Fixed Note No.Fixed Note[Off, On] 120
Mode (Fixed Note Mode)[Trigger As Played, Trigger All Tones]Tone No. [00...11] Fixed Note No.[C–1...G9] ■ 6.1–1e: UTILITYRename Arpeggio Pattern ☞Copy Arpeggio Pattern 6.1–2: Edit GLOBALWrite Arpeggio Patterns 6.1–2a6.1–2b6–2a: Step, Ptch, Gt, Vel, FlamStep (Step No.) [01...48] Ptch (Pitch Offset) [–48...+48]6.1 5.1 4.1 3.1 2.1 1.1121
Gt (Gate)[Off, 001...100%, LGT] Vel (Velocity)[001...127, Key] Flam [–99...+99]■ 6.1–2b: UTILITYCopy Step Delete Step Insert Step ☞ Initialize Steps Rotate Step 122
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DISK PAGE MENU ☞ ☞ ☞ ☞1.1–1: Load –1.1–1a1.1–1bb5 b1 b2 b3 b41.1–1c1.1–1d 1.1–1e1.1–1f –b5: 1.1–1c: 1.1–1d: 1.1–1a: ■ 1.1–1e: UP, OPEN 1.1–1b: ■ 1.1–1f: UTILITYb1: b2: – b3: b4:124Hide unknown file Translation
Load selected – 1) Load .PCG: – –– DISK1.1 125
☞ ☞ ☞ 2) Load Programs: 3) Load Program Bank [I–A...I–E, E–A...E–H]:––– ––– 4) Load a Program: ☞ 126
5) Load Combinations: 10) Load a Drum Kit: 6) Load Combination Bank [I–A...I–E, E–A...E–H]: 11) Load Arpeggio Patterns: 7) Load a Combination: 12) Load Arpeggio Pattern [000-199(I–A/B), 200-215(E–A)...312-327(E–H)]: 8) Load Drum Kits: 9) Load Drum Kit [00-15(I–A/B),16-31(E–A)...128-143(E–H)]:––– –– – 13) Load an Arpeggio Pattern: DISK1.1 127
14) Load Global Setting: 17) Load tracks: 15) Load .SNG: ☞ ☞ ☞ ☞ ☞ 16) Load a Multi: ☞ 18) Load Pattern Data: 19) Load Standard MIDI File: 128
– – 20) Load and Transmit MIDI Exclusive Data:☞– KMP KSF DISK1.1KSC 129
21) Load .KSC: ☞ ☞22) Load .KMP: ☞ ☞ ☞23) Load .KSF: 130
AIFF WAV 24) Load .AIF: 25) Load .WAV: 26) Load AKAI Sample File: ☞ – Sample – – AKAI S1000/S3000 Sample Program 27) Load AKAI Program File: ☞ DISK1.1131
AKAI Program TESTPROGRAMKey Group 1 Zone 1Key Group 1 Zone 2Key Group 2 Zone 1Key Group 2 Zone 2Program fileKey Group 3 Zone 1Key Group 3 Zone 2Key Group 3 Zone 3Key Group 4 Zone 1Key Group 4 Zone 2Load to Demo Song – – ☞☞ ☞TESTPROGRAM 1TESTPROGRAM 2TESTPROGRAM 3<strong>TRITON</strong>–<strong>Rack</strong> MultisampleKey Group 2 Zone 1 Key Group 3 Zone 1 Key Group 4 Zone 1Key Group 2 Zone 2 Key Group 3 Zone 2 Key Group 4 Zone 2Key Group 3 Zone 3 132
1.1–2: Save –1.1–1a1.1–1b1.1–1c1.1–1d 1.1–1e1.1–2a – ■ 1.1–2a: UTILITY☞ Save All (PCG, SNG and KSC) ☞ DISK1.1133
Save PCG & Multi Save Multi Save Sampling Data (Multisamples and Samples) ☞ ☞ Save PCG ☞ ☞ 134
☞ –Save to Std MIDI File (Save Pattern as Standard MIDI File) Save Exclusive (Receive and Save MIDI Exclusive Data) ☞ Export Smpl AIF/WAV (Export Samples as AIFF/WAVE) ☞ – – DISK1.1135
☞ 1.1–3: Utility1.1–1a1.1–1b1.1–1c1.1–1d 1.1–1e1.1–3a■ 1.1–3a: UTILITY ☞ ☞ Rename Copy ☞ 136
– Create Directory ☞ Set Date/Time ☞ Delete ☞ ☞– Format – – DISK1.1 137
Total Size:Free Size:Write Protect:Removable (Supports Removable):1.1–4b: UTILITY 1.1–4: Media InformationScan SCSI device 1.1–4a1.1–4b1.1–4a: Drive ( )☞–Vol. Label (Volume Label):SCSI ID:Dev. Type (Device Type):Product ID: Format (Format Type):138
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– ☞ ☞☞140
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3. (IFX1, 2, 3, 4, 5)1. (In/Out) ProgramMono In - Mono Out+Effect WetMono In - Stereo Out+EffectStereo In - Stereo OutEffectEffect Combination Multi Sampling Global* 2 142
2. (Routing) 2–1. Program ☞ ☞ ☞ 2–2. Combination, Multi ☞ ☞ Effect143
2–3. Sampling 2–4. Audio Input 144
☞Insert Effect = Stereo In - Stereo OutOSC1OSC2OSC1: Amp1 Pan=L001OSC1: Amp1 Pan=L032OSC2: Amp2 Pan=R127OSC2: Amp2 Pan=R096Left Center RightLeft Center RightPost IFX Pan(CC#8)Post IFX Pan(CC#8)C064C064 ☞L032L000R096R127Left Center RightLeft Center RightInsert Effect = Mono In - Stereo OutMono In - Mono OutOSC1OSC2OSC1: Amp1 Pan=L001OSC2: Amp2 Pan=R127Left Center RightPost IFX Pan(CC#8)C064L032L000R096R127L032L000R096R127Left Center Right3. (Mixer) 3–2. BUS Select ☞ 3–1. Pan (CC#8)☞ ☞3–3. Effect145
4. MIDI4–1. ProgramSampling4–2. Combination 4–3. Multi (MFX1, 2)1. (In/Out) ☞ WetMono In - Mono OutMono In - Stereo OutStereo In - Stereo Out+++EffectEffectEffectEffect 146
2. (Routing) 2–1. Program ☞ 2–2. Combination, Multi Effect147
☞ (1)3. (Mixer)(2)(3) 2–3. Sampling Mode2–4. Audio Input 3–1. Rtn(Return1, Return2) 3–2. MFX Chain3–3. Chain Direction 3–4. Chain Signal 148
3–5. Chain Level 3–6. Master EQ Gain[dB] 4. MIDI EQ Individual Output ProgramEffect / Mixer Block Diagram in Program ModePROG 7.2: Insert EffectPROG 7.3: Master EffectPanIFX / Indiv.OutBUS SelectSend1 Send2L/R BUSOscillator 1Oscillator 2BUS Select= IFX1AUDIO INPUT 1BUS Select= L/RAUDIO INPUT 2BUS Select= IFX1GLOBAL 1.1: System Audio In(Input1,2)Chain Insert EffectsPost IFXPan(CC#8) BUS SelectPost IFXSend1 / 2GLOBAL 1.1: System Audio In(Send1,2 on Input1, 2)stereoMaster EQAUDIO OUTPUT(MAIN) L/Mono, RSelect from:L/RIFX1IFX2IFX3IFX4IFX512341/23/4OffstereoIFX1 BUSIFX1✓stereoIFX2 BUSIFX2✓stereoIFX3 BUSIFX3✓stereoIFX4 BUSIFX4✓stereoIFX5 BUS BUS SelectIFX5 = L/RSelect from:L/R12341/2mono x 43/4OffChain Master EffectsmonoMFX1mono MFX2mono x 4Return1 / 2stereostereoAUDIO OUTPUT(INDIVIDUAL)1/2/3/4Effect149
CombinationMultiEffect / Mixer Block Diagram in Combination / Multi ModeCOMBI/MULTI 7.2: Insert EffectCOMBI/MULTI 7.3: Master EffectPanIFX / Indiv.OutBUS SelectSend1Send2L/R BUSTimbre / Track 1BUS Select= L/RTimbre / Track 2BUS Select= IFX1Timbre / Track 3BUS Select= IFX2Timbre / Track 4BUS Select= OffTimbre / Track 8BUS Select= 1/2stereoMaster EQAUDIO OUTPUT(MAIN) L/Mono, RTrack 16BUS Select= 3/4AUDIO INPUT 1BUS Select= L/RAUDIO INPUT 2BUS Select= IFX1GLOBAL 1.1: System Audio In(Input1,2)ChainInsert EffectsPost IFXPan(CC#8)BUS SelectPost IFXSend1 / 2GLOBAL 1.1: System Audio In(Send1,2 on Input1, 2)Select from:(DKIT)L/RIFX1IFX2IFX3IFX4IFX512341/23/4Offmono x 4IFX1 BUSIFX2 BUSIFX3 BUSIFX4 BUSstereostereostereostereo✓IFX1IFX2IFX3IFX4BUS Select= L/RBUS Select= L/RBUS Select= 1/2stereoIFX5 BUS IFX5 BUS Select= OffSelect from:L/R12341/23/4OffChain Master EffectsmonoMFX1mono MFX2mono x 4Return1 / 2stereostereoAUDIO OUTPUT(INDIVIDUAL)1/2/3/4SamplingEffect / Mixer Block Diagram in Sampling ModeSMPL 1.1: Recording, Input/Pref.SMPL 7.2: Insert EffectPanIFXBUS SelectL/R BUSAUDIO INPUT 1BUS Select= L/RAUDIO INPUT 2BUS Select= IFX1Select from:L/RIFX1IFX2IFX3IFX4IFX5OffChain Insert EffectsstereoIFX1 BUSIFX1✓stereoIFX2 BUSIFX2✓stereoIFX3 BUSIFX3✓stereoIFX4 BUSIFX4✓stereoIFX5 BUSIFX5Post IFXPan(CC#8)stereoSample RecordingLevel Meter150
Filter/Dynamic000: No Effect001: St.Amp Sim (Stereo Amp Simulation) Stereo In - Stereo OutLeftWet / Dry☞ Amp Simulation FilterRightAmp Simulation FilterWet / Dry Compressor - SensitivityLevelWetSensitivity=100 LouderDrySensitivity=40 TimeLevelAttack=80Compressor - AttackAttack=20WetDry002: St.Compressor (Stereo Compressor)Time Stereo In - Stereo OutLeftRightEQ TrimEQ TrimLEQLEQHEQEnvelope - ControlEnvelope SelectEnvelope - ControlHEQCompressorCompressorOutput LevelOutput LevelWet / DryWet / Dry ☞ ☞ ☞003: St.Limiter (Stereo Limiter)Stereo In - Stereo OutLeftRight+Gain AdjustLimiterSide PEQEnvelope - Control Trigger MonitorEnvelope - ControlEnvelope SelectLimiterGain AdjustWet / DryWet / DryEffect151
152 ☞ ☞ ☞ ☞ ☞ ☞ ☞ ☞ Output LevelLevelLouderThresholdLouderDry Ratio=1.0 : 1Ratio=2.0 : 1Ratio=4.0 : 1Ratio=Inf : 1Limiter - Threshold / RatioRatio=1.0 : 1Ratio=2.0 : 1Ratio=4.0 : 1Ration=Inf : 1Input LevelThresholdTime☞DryWetWetAttackLimiter - Attack / ReleaseReleaseThresholdRatio=Inf : 1Attack=1Release=1Ratio=Inf : 1Attack=100Release=100 On 004: Mltband Limit (Multiband Limiter)Wet: Mono In - Mono Out / Dry: Stereo In - Stereo OutLeftRight+Band-Pass FiltersLowEnvelope - ControlMid Low OffsetLimiterEnvelope - ControlHigh Mid OffsetLimiterEnvelope - ControlHigh OffsetLimiterGain AdjustWet / DryWet / Dry ☞ ☞ ☞ ☞ ☞ ☞ ☞☞
Output LevelThresholdLouderLouderInput LevelGate - ThresholdGate - Attack / Release005: St.Gate (Stereo Gate) DryWetThresholdAttack=1Release=1Stereo In - Stereo OutLeft+RightGate+DmprEnvelope SelectDelayEnvelope - ControlEnvelope - ControlDelayGateGateWet / DryWet / DryWetAttackReleaseAttack=100Release=100 ☞ ☞ ☞ ☞ ☞ ☞ 006: OD/HiGain Wah(Overdrive/Hi.Gain Wah) Wet: Mono In - Mono Out / Dry: Stereo In - Stereo OutLeftRightMode: Overdrive / Hi-GainDrive+Pre Low-cutWah Driver3 Band PEQAmp SimulationOutput LevelD -modDirect MixWet / DryWet / Dry ☞ ☞ ☞ ☞☞☞Effect153
☞ ☞ ☞ 007: St.Para.4EQ(Stereo Parametric 4-Band EQ) Stereo In - Stereo OutLeftRightD -modTrimTrimBand1 Band2 Band3 Band4PEQ PEQ PEQ PEQLEQHEQLEQHEQPEQ PEQ PEQ PEQWet / DryWet / Dry ☞ ☞ ☞ ☞ ☞☞ ☞ ☞ ☞154
+Gain0dB–GainBand1 Cutoff3dBBand4 Type=Shelving HighBand4 Type=PeakingBand1 Type=Shelving LowBand1 Type=Peaking3dBParametric 4EQ - Band1, Band4 TypeBand4 Cutoff Parametric 4EQ - Band2 Dynamic Gain Control+15dBD -modBand2 Cutoff+6dB+6dB009: St.Wah/AutoW (Stereo Wah/Auto Wah)0dBBand2 CutoffBand2 Gain[dB]= +6.0Band2 Dynamic Gain Amt[dB]= +9.00dB–9dBD -modBand2 Gain[dB]= +6.0Band2 Dynamic Gain Amt[dB]= –15.0Stereo In - Stereo OutLeft+Envelope SensEnvelope ShapeResponseD -modWahSweep ModeD-modAutoLFOWet / Dry008: St.Graphic7EQ(Stereo Graphic 7-Band EQ)RightLFOWahWet / Dry Stereo In - Stereo OutLeftRightTrimTrimBand1 Band2 Band3 Band4 Band5 Band6 Band7Band1 Band2 Band3 Band4 Band5 Band6 Band7Wet / DryWet / Dry ☞ ☞ ☞ ☞ ☞☞☞ ☞ ☞ ☞ ☞Effect155
FrequencyTop=75Bottom=25HigherWooFrequencyWahBottom=60WahTop=30Higher D -modHigher D -modZeroMaxZeroMaxHigherSweep Mode=D-modWoo010: St.Rndm Filter (Stereo Random Filter)Stereo In - Stereo OutLeftWet / DryFilterFilterFrequencyTop=75WahFrequencyBottom=75WahSweep Mode=AutoWahRightLFO: Step-Tri/RandomLFO PhaseWet / DryHigherHigherEnvelopeWooWooBottom=25Top=25WooEnvelope TimeEnvelope Time Envelope ShapeLevelEnvelopevalue = 0...+100value = 0...–100Time ☞ ☞☞ ☞ ☞ ☞☞ ☞☞ ☞☞ ☞ 156
Random Filter LFOLFO FrequencyLFO Step FreqLFO Step FreqStep-TriRandomLFO Phase0 +90 +180 [degree] –180–900 [degree] 011: St.Exct/Enhcr (Stereo Exciter/Enhancer)012: St.Sub OSC (Stereo Sub Oscillator) Stereo In - Stereo OutLeftLEQEQ TrimHEQExciterDelayWet / DryStereo In - Stereo OutLeftEnvelope Sens Pre LPFEnvelope ShapeWet / DryRightEQ TrimExciterDepthDelayEnhancerWet / DrySine OscillatorFixedD -mod Fixed FrequencyOSC ModePitchNote No. Note Interval, FineNote (Key Follow)Envelope Sens Pre LPFEnvelope ShapeD -modRightWet / Dry☞ ☞ ☞ ☞ ☞ ☞ ☞ ☞ 157Effect
☞ 013: Talking Mod (Talking Modulator)Wet: Mono In - Mono Out / Dry: Stereo In - Stereo OutLeftWet / DryD -modVoice Bottom Voice Center Voice TopJS XRbn#16JS+Y#1JS–Y#2etc…AU– MaxZeroIOZeroTalking Modulator ControlAE+ Max+ Max+Talking ModulatorA - I - U - E - ORightD -modLFOSweep ModeD-modLFOVoice Top: AVoice Center: IVoice Bottom: UWet / Dry ☞158☞ ☞☞☞ ☞ ☞ ☞☞014: St.Decimator (Stereo Decimator)Stereo In - Stereo OutLeftD -modRightLFOPre LPF ResolutionSampling FrequencyPre LPF ResolutionHigh Damp Output LevelDecimatorDecimatorHigh Damp Output LevelWet / DryWet / Dry ☞ ☞
☞ 015: St.AnalogRecd (Stereo Analog Record)Stereo In - Stereo Out LeftEQ TrimPre EQAnalog RecordSimulationWet / DryEQ TrimPre EQRightWet / Dry ☞ ☞ Effect159
Pitch/Phase Mod.016: St.Chorus (Stereo Chorus)Stereo In - Stereo OutLeftWet / DryLEQ HEQChorusEQ TrimLEQ HEQChorusEQ TrimRightWet / DryLFO PhaseLFO: Tri / Sine017: St.HarmnicCho (Stereo Harmonic Chorus)Stereo In - Stereo OutLeftHigh/Low Split PointRightLFO: Tri / SineChorus/FlangerHigh DampFeedbackHigh DampChorus/FlangerLow LevelWet / DryHigh LevelHigh LevelLow LevelWet / DryLFO Phase ☞☞ ☞ ☞ ☞☞ ☞☞ ☞ ☞☞ ☞ ☞ ☞☞ ☞ ☞ 160
018: MltTap ChoDly (Multitap Chorus/Delay)Wet: Mono In - Stereo Out / Dry: Stereo In -Stereo OutLeftFeedbackWet / Dry019: Ensemble+Tap1 DelayTap2 DelayTap3 DelayTap4 DelayLevelLevelLevelLevelPanPanPanPanWet: Mono In - Stereo Out / Dry: Stereo In - Stereo OutLeftWet / DryRightLFO: Triangle0 [degree]180 [degree]90 [degree]270 [degree]Wet / Dry+ EnsembleRightWet / DryShimmer LFO ☞ LevelEnsemble LFOShimmerEffect Time161
020: St.Flanger (Stereo Flanger)Stereo In - Stereo OutLeftFlangerWet / DryFeedbackFlangerHigh Damp021: St.Rndm Flang (Stereo Random Flanger)RightLFO: Tri / SineLFO ShapeLFO PhaseWet / Dry ☞☞ ☞ ☞ ☞☞ ☞ ☞ ☞ LFO ShapeLFO Shape = 0...+100 LFO Shape = 0...–100LFO Waveform=Sine☞Stereo In - Stereo OutLeftRightLFO: Step-Tri/RandomFlangerFlangerFeedbackLFO PhaseHigh DampWet / DryWet / Dry ☞ ☞☞ ☞ ☞ ☞ ☞☞ ☞ ☞ ☞☞162
☞ 022: St.Env.Flanger (Stereo Envelope Flanger)Stereo In - Stereo OutLeftFlangerWet / Dry 023: St.Phaser (Stereo Phaser)FlangerFeedbackHigh DampStereo In - Stereo OutLeftWet / DryRightD -modD-modEG Attack/Decay Sweep ModeEGWet / DryPhaserResonancePhaserHigh Damp ☞ ☞ ☞ ☞☞ ☞ ☞ ☞ ☞ ☞ ☞ RightLFO: Tri / SineLFO ShapeLFO PhaseWet / Dry ☞ ☞☞ ☞ ☞ ☞☞ ☞ ☞Effect163
☞ 024: St.Rndm Phasr (Stereo Random Phaser) ☞☞ ☞ 025: St.Env.Phaser (Stereo Envelope Phaser) Stereo In - Stereo OutLeftPhaserWet / DryStereo In - Stereo OutLeftPhaserWet / DryPhaserResonanceHigh DampPhaserResonanceHigh DampRightD -modD-modEG Attack/Decay Sweep ModeEGWet / DryRightLFO: Step-Tri/RandomLFO PhaseWet / Dry ☞ ☞☞ ☞ ☞ ☞ ☞☞ ☞☞ ☞ ☞ ☞ ☞☞ ☞ ☞ ☞ ☞ ☞ 164
026: St.BiphaseMod(Stereo Biphase Modulation)027: St.Vibrato (Stereo Vibrato)Stereo In - Stereo OutLeftWet / DryVibratoStereo In - Stereo OutLeftChorus/FlangerFeedbackChorus/FlangerHigh DampHigh DampWet / DryRightLFO: Tri / SineAutoFadeLFO ShapeFade-In DelayVibratoLFO FrequencyWet / DryRightLFO1: Tri / SineLFO2: Tri / Sine180 [degree]Wet / Dry ☞☞ ☞ ☞ LFO1LFO2Depth1Depth2+Bi-Phase Modulation LFO ☞ ☞☞ ☞ ☞ ☞☞ ☞ ☞☞ Effect165
Gate1 SignalAUTOFADENote OnFade-In RateFade-In DealyAUTOFADE AutoFadeAUTOFADE Src=Gate1LFO Frequency[Hz]=1.00LFO Freq. Mod=AUTOFADEAmt=+3.00All Note OffLFO Frequency=1.0+3.0=4.0HzLFO Frequency=1.0Hz ☞☞ ☞ ☞ ☞ 028: St.AutoFd Mod(Stereo Auto Fade Modulation)Stereo In - Stereo OutLeftDelayFeedbackWet / Dry029: 2Voice Reso (2Voice Resonator)Wet: Mono In - Stereo Out / Dry: Stereo In - Stereo OutLeftHigh DampResonatorTrimLevel+ResonanceResonatorTrimLevelHigh DampRightWet / DryPanPanWet / DryRightDelayLFO PhaseHigh DampWet / DryD -modLFOManualInvert: On/OffControl ModePitch, Fine [cent]LFO: Tri / SineLFO ShapeAutoFadeLFO FrequencyWet / Dry ☞ ☞ ☞☞ ☞ ☞ ☞☞ ☞166
☞ ☞ ☞☞ ☞☞ ☞ ☞ ☞☞☞ ☞ 030: DopplerWet: Mono In - Stereo Out / Dry: Stereo In - Stereo OutLeftWet / DryDopplerPan DepthRightWet / DryLFOD -mod +TriggerLFO Mode = 1-Shot Effect167
PitchOriginal PitchHigherLowerPan Depth= (+) valueDoppler - Pitch / Pan DepthPan Depth= (–) valueLeft Center RightPan Depth< < < < < > > > > > >Louder Volume LouderPitch Depth 031: ScratchWet: Mono In - Mono Out / Dry: Stereo In - Stereo OutLeftWet / Dry + ScratchRec Control ScratchDirectMixRightD-modD -modEnvelope ControlInputEnvelope SelectD -modWet / Dry ☞ ☞ ☞☞ ☞ ☞ ☞ Start Playback Position EndScratch SourceRecorded SoundScratch SourceD -mod JS XRbn#16– MaxScratch!Zero+ MaxJS+Y#1JS–Y#2etc…Zero+ Max168
Mod./P.Shift032: St.Tremolo (Stereo Tremolo)033: St.Env.Tremlo (Stereo Envelope Tremolo)Stereo In - Stereo OutLeftTremoloWet / DryStereo In - Stereo OutLeftTremoloWet / DryTremoloTremoloRightLFO: Tri/Sin/Vintage/Up/DownLFO ShapeLFO PhaseWet / DryRightLFO: Tri/Sin/VintageLFO ShapeLFO PhaseWet / Dry ☞☞ ☞☞ ☞ ☞ ☞☞ + EnvelopeEnvelope ShapeEnvelope Sens ☞ ☞ ☞ ☞☞☞ EffectTremolo - LFO WaveformTriangle Sine Vintage Up Down169
LevelLouderDry EnvelopeShimmerLFO Frequency[Hz]=8.00Envelope Amount= –7.00Depth=100Envelope Amount= –100TimeStereo Auto Pan - LFO PhaseLFO Phase = 0 degrees LFO Phase = 90 degrees LFO Phase = 180 degreesL-InL-InL-In034: St.Auto Pan (Stereo Auto Pan)R-InL-InR-InL-InL-InR-InL-InR-InL-InR-InR-InL-InR-InR-InL-InR-InR-InR-InL-InR-InL-InL-InL-InL-InStereo In - Stereo OutLeftPanWet / DryR-InLeft Center RightOutput Stereo ImageR-InR-InPanDepth035: St.Phasr+Trml (Stereo Phaser + Tremolo)RightLFO: Tri / SinLFO ShapeLFO PhaseWet / Dry ☞☞☞ ☞ ☞ ☞☞ Stereo In - Stereo OutLeftRightLFO TypeLFOPhaserPhaserResonanceLFO PhaseTremoloPhaser Wet / DryPhaser Wet / DryTremoloLFO ShapeWet / DryWet / Dry ☞ ☞☞ ☞ ☞ ☞☞ 170
☞ ☞ ☞ 036: St.Ring Mod (Stereo Ring Modulator) Stereo In - Stereo OutLeftPre LPFPre LPFRing ModulatorRing ModulatorWet / Dry ☞☞☞ ☞ ☞ ☞☞ RightFixed FrequencyFixed Sine OscillatorOSC Mode PitchNote No. Note Offset, FineNote (Key Follow)LFOWet / Dry ☞ ☞☞Effect171
037: Detune ☞☞ Wet: Mono In - Mono Out / Dry: Stereo In - Stereo OutLeftWet / Dry☞☞Input Level+DetuneHigh Damp Delay☞FeedbackInput Level☞RightWet / Dry ☞ ☞ ☞ ☞ ☞☞a: Mode Input Level D-modInput LevelD -modInput Levelx1.0 Amt= +50x1.0Amt= –50Amt= +100Amt= –100x0.5x0.5HigherZeroMaxZeroMaxWet: Mono In - Mono Out / Dry: Stereo In - Stereo OutLeftWet / DryInput LevelHigh Damp+Pitch ShifterDelayLouder038: Pitch ShifterInput LevelLouderFeedback PositionFeedback RightWet / Dry172
039: PitchShft Mod (Pitch Shift Modulation)040: Rotary SP (Rotary Speaker)Wet: Mono In - Stereo Out / Dry: Stereo In - Stereo OutLeftWet / DryWet: Mono In - Stereo Out / Dry: Stereo In - Stereo OutLeftWet / DryHorn+Pitch Shifter+Rotary SpeakerHorn/RotorBalanceMic DistanceMic SpreadRotorRightLFO: Tri / SqrPanWet / DryRightD -modD -modD -modMode Switch: Rotate/StopSpeed Switch: Slow/FastManual Speed ControlSpeaker SimulationWet / Dry ☞ ☞ ☞ ☞ ☞☞ ☞ ☞☞ PitchOriginal PitchHigherLowerPitch Shift Mod - Pitch Shift / DepthLFO Waveform=TriangleDepth (+value)Pitch Shift (+ value)LFO Waveform=SquareDepth (–value) ☞ ☞ ☞ ☞ ☞ ☞☞ Effect173
ER/Delay041: Early Reflect (Early Reflections)Wet: Mono In - Stereo Out / Dry: Stereo In - Stereo OutLeftRight+EQ TrimEQ TrimLEQWet / DryHEQPre Delay Early ReflectionsWet / Dry ☞ MicrophoneMic SpreadRotary Speaker - Mic PlacementMicrophone Mic DistanceMic Distance Rotary Speaker (Top View) Early Reflections - TypeSharpLooseModulatedReverseDry Pre Delay ER Time174
042: Auto ReverseWet: Mono In - Mono Out / Dry: Stereo In - Stereo OutLeftWet / Dry Right+ Auto ReverseRec/Reverse PlayControlD -modInputD-modEnvelope SelectEnvelope ControlDirectMixWet / Dry043: LCR Delay (L/C/R Delay) ☞ ☞ ☞☞ ☞ ☞ ☞ InputRecRec Mode = SingleReverse RecRec Mode/Reverse TimeReverseEnvelope Select = InputTimeWet: Mono In - Stereo Out / Dry: Stereo In -Stereo OutLeftRight+Input Level D-modHigh Damp Low DampInput Level D-modL DelayC DelayLevelLevelFeedbackR DelayLevelSpreadWet / DryWet / Dry ☞ ☞☞ ☞☞ EffectRec Mode = MultiReverse TimeReverse Time 175
044: St/Cross Dly (Stereo/Cross Delay)045: St.MltTap Dly (Stereo Multitap Delay)Stereo In - Stereo OutLeftInput Level D-modStereo/CrossInput Level D-modDelayDelayHigh Damp Low DampFeedbackHigh Damp Low DampSpreadStereo/CrossWet / DryStereo In - Stereo OutLeftInput Level D-modInput Level D-modFeedbackDelayHigh Damp Low Damp (1)ModeTap1 LevelHigh Damp Low Damp (1)Delay(2)Mode(2)SpreadWet / DryTap1=(1)Tap2=(2)RightWet / DryRightFeedbackWet / Dry ☞ ☞ ☞☞ ☞ Mode: Normal Mode: Cross Feedback Mode: Cross Pan1 Mode: Cross Pan2 ☞ ☞ ☞☞ ☞☞☞ 176
046: St.Mod. Delay (Stereo Modulation Delay)Stereo In - Stereo OutLeftWet / DryDelayFeedback DelayRightD -modLFO SyncResponseLFO: Tri / SineD-modL/R: +/+ +/–LFO ShapeLFOLFO Phase Modulation ModeWet / Dry047: St.DynamicDly (Stereo Dynamic Delay) ☞ ☞ ☞ ☞ ☞ ☞Stereo In - Stereo OutLeftRight+DelayDelayFBHigh Damp Low DampFeedbackHigh Damp Low DampEnvelopeAttack, ReleaseThresholdSpreadOutControl TargetWet / DryWet / Dry ☞ ☞☞ ☞☞ ☞☞ ☞ ☞Effect177
☞ LevelDynamic DelayDryThreshold049: LCR BPM Delay (L/C/R BPM Delay)EnvelopeWetControl Target=OutPolarity= (–)WetReleaseAttack(Ducking Delay)Delay TimeControl Target=OutPolarity= (+)TimeWet: Mono In - Stereo Out / Dry: Stereo In -Stereo OutLeftWet / DryInput Level D-modL DelayLevel048: St.AutoPanDly(Stereo Auto Panning Delay)Right+High Damp Low DampInput Level D-modC DelayLevelFeedbackR DelayLevelSpreadWet / DryTempoBPMBPMBase Note x TimesBase Note x TimesBase Note x TimesStereo In - Stereo OutLeftRightLFO: Tri / SinDelayDelayLFO ShapeHigh Damp Low DampFeedbackHigh Damp Low DampPanPanLFO PhaseDepthWet / DryWet / Dry ☞☞ ☞ ☞ ☞ ☞ ☞ ☞ ☞ ☞ 178
☞ ☞☞ ☞☞ ☞ ☞ ☞☞ ☞☞☞ 050: St.BPM Delay (Stereo BPM Delay)Stereo In - Stereo OutLeftInput Level D-modInput Level D-modDelayDelayHigh Damp Low DampFeedbackHigh Damp Low DampWet / Dry051: Sequence Dly (Sequence Delay) RightTempoBPMBPMBase Note x TimesBase Note x TimesAdjust [%]Adjust [%]Wet / DryWet: Mono In - Stereo Out / Dry: Stereo In -Stereo OutLeftInput Level D-modPanWet / Dry ☞ ☞ ☞ ☞ ☞Right+High Damp Low DampInput Level D-modTempoBPMRythm PatternBPMDelayFeedbackWet / Dry ☞– – – ☞ Effect179
☞☞ ☞☞ Reverb052: Rev Hall (Reverb Hall)053: Rev Smth. Hall (Reverb Smooth Hall)054: Rev Wet Plate (Reverb Wet Plate)055: Rev Dry Plate (Reverb Dry Plate) Wet: Mono In - Stereo Out / Dry: Stereo In - Stereo OutLeftPre Delay ThruEQ Trim+LEQ HEQPre Delay ReverbEQ TrimWet / DryRightWet / Dry ☞ ☞ 180
Reverb - Hall / Plate TypeReverb - Room TypeLevelDryLevelDryER(Early Reflections)LouderPre Delay ThruReverbTimeLouderReverbTimePre Delay ThruPre DelayReverb TimePre DelayReverb Time056: Rev Room (Reverb Room)057: Rev Brt. Room (Reverb Bright Room)Wet: Mono In - Stereo Out / Dry: Stereo In - Stereo OutLeftER LevelWet / Dry+EQ TrimLEQHEQERsPre Delay ThruPre Delay Reverb Reverb LevelEQ TrimERsER LevelRightWet / Dry ☞ ☞ ☞ ☞ Effect181
Mono Mono Chain 058: P4EQ–Exciter(Parametric 4-Band EQ – Exciter)059: P4EQ–Wah(Parametric 4-Band EQ – Wah/Auto Wah)Wet: Mono In - Mono Out / Dry: Stereo In - Stereo OutLeft+Parametric 4Band EQTrimRoutingWah/Auto WahWahWet / DryWet: Mono In - Mono Out / Dry: Stereo In - Stereo OutLeftParametric 4Band EQExciter+ ExciterTrimWet / DryRightSweep ModeEnvelopeAutoD -mod D-modLFOLFOWet / DryRight182Wet / Dry ☞ ☞ ☞ ☞ ☞ ☞ ☞ ☞ ☞ ☞ ☞☞ ☞
060: P4EQ–Cho/Fl(Parametric 4-Band EQ – Chorus/Flanger)061: P4EQ–Phaser(Parametric 4-Band EQ – Phaser) Wet: Mono In - Stereo Out / Dry: Stereo In - Stereo OutWet: Mono In - Stereo Out / Dry: Stereo In - Stereo OutLeftParametric 4Band EQChorus/FlangerWet / DryLeftParametric 4Band EQPhaserWet / Dry+TrimChorus/FlangerNormal+Output Mode–FeedbackWet InvertCho/Flng Wet / Dry+TrimPhaserResonanceNormal+Output Mode–Wet InvertPhaser Wet / DryRightLFO: Tri / SineWet / DryRightLFO: Tri / SineWet / Dry ☞ ☞ ☞ ☞ ☞ ☞☞ ☞ ☞ ☞ ☞ ☞ ☞☞ Effect183
062: P4EQ–M.Dly(Parametric 4-Band EQ – Multitap Delay) 063: Comp–Wah(Compressor – Wah/Auto Wah)Wet: Mono In - Mono Out / Dry: Stereo In - Stereo OutLeftParametric 4Band EQ Multitap DelayWet / DryWet: Mono In - Mono Out / Dry: Stereo In - Stereo OutLeftCompressorRoutingWah/Auto WahWet / Dry+TrimFeedbackDelay (2)High Damp (1)Mt.Dly Wet / Dry+EQ Trim LEQ HEQCompOutput LevelWahRightWet / Dry ☞ ☞ ☞ ☞ ☞ ☞ RightEnvelope - ControlSweep ModeEnvelopeAutoD -mod D-modLFOLFOWet / Dry ☞ ☞☞ ☞☞ ☞ 184
064: Comp–AmpSim(Compressor – Amp Simulation)Wet: Mono In - Mono Out / Dry: Stereo In - Stereo OutLeftRight+CompressorEQ Trim LEQ HEQEnvelope - ControlCompOutput LevelRoutingAmp SimulationAmp Simulation FilterWet / DryWet / Dry ☞ ☞☞ 065: Comp–OD/HG(Compressor – Overdrive/Hi.Gain) ☞☞ ☞ ☞ 066: Comp–P4EQ(Compressor – Parametric 4-Band EQ)Wet: Mono In - Mono Out / Dry: Stereo In - Stereo OutLeftRight+CompressorEnvelope - ControlCompOutput LevelRoutingOverdrive / Hi-GainDriver3 Band PEQOutput LevelMode: Overdrive / Hi-GainDriveWet / DryWet / Dry ☞ ☞☞Wet: Mono In - Mono Out / Dry: Stereo In - Stereo OutLeftRoutingCompressorParametric 4Band EQRight+Envelope - ControlCompTrimOutput LevelWet / DryWet / Dry ☞ ☞☞ Effect185
☞ ☞ ☞ 067: Comp–Cho/Fl(Compressor – Chorus/Flanger)Wet: Mono In - Stereo Out / Dry: Stereo In - Stereo OutLeftRight186+CompressorRoutingChorus/FlangerLFO: Tri / SineWet / DryEQ Trim LEQ HEQComp Chorus/FlangerNormalOutput Level+Output Mode–FeedbackWet InvertCho/Flng Wet / DryEnvelope - ControlWet / Dry ☞ ☞☞ ☞ ☞☞ ☞ 068: Comp–Phaser (Compressor – Phaser)Wet: Mono In - Stereo Out / Dry: Stereo In - Stereo OutLeftRightCompressorEQ Trim LEQ HEQ+CompEnvelope - ControlOutput LevelRoutingPhaserWet / DryPhaserNormal+Output Mode–ResonanceWet InvertPhaser Wet / DryLFO: Tri / SineWet / Dry ☞ ☞☞ ☞
☞☞ ☞ 070: Limit–P4EQ(Limiter – Parametric 4-Band EQ)Wet: Mono In - Mono Out / Dry: Stereo In - Stereo OutLeftRoutingLimiterParametric 4Band EQ+LimiterGain AdjustTrimWet / Dry069: Comp–M.Dly(Compressor – Multitap Delay)RightEnvelope - ControlWet / DryWet: Mono In - Mono Out / Dry: Stereo In - Stereo OutLeftRight+CompressorEQ Trim LEQ HEQEnvelope - ControlRoutingMultitap DelayFeedbackCompDelayHigh Damp (1)(2)Output LevelMt.Dly Wet / DryWet / DryWet / Dry ☞ ☞☞ ☞ ☞ ☞ ☞☞ ☞☞ ☞ ☞ ☞ ☞ Effect187
071: Limit–Cho/Fl (Limiter – Chorus/Flanger)072: Limit–Phaser (Limiter – Phaser)Wet: Mono In - Stereo Out / Dry: Stereo In - Stereo OutLeftRoutingLimiterChorus/FlangerWet / DryWet: Mono In - Stereo Out / Dry: Stereo In - Stereo OutLeftRoutingLimiterPhaserWet / Dry+LimiterGain AdjustEQ Trim LEQ HEQChorus/FlangerNormal+Output Mode–FeedbackWet InvertCho/Flng Wet / Dry+LimiterGain AdjustPhaserNormal+Output Mode–ResonanceWet InvertPhaser Wet / DryRightEnvelope - ControlLFO: Tri / SineWet / DryRightEnvelope - ControlLFO: Tri / SineWet / Dry ☞ ☞☞ ☞☞ ☞ ☞ ☞ ☞ ☞ ☞☞ ☞☞ ☞ ☞☞ ☞ 073: Limit– M.Dly (Limiter – Multitap Delay)Wet: Mono In - Mono Out / Dry: Stereo In - Stereo OutLeftLimiterRoutingMultitap DelayWet / Dry+FeedbackLimiterDelay(2)Gain Adjust High Damp(1)Mt.Dly Wet / DryRightEnvelope - ControlWet / Dry188
☞ ☞☞ ☞☞ ☞ ☞ 074: Exct–Comp (Exciter – Compressor)Wet: Mono In - Mono Out / Dry: Stereo In - Stereo OutLeftRight+ExciterEQ Trim LEQ HEQExciterRoutingCompressorEnvelope - ControlCompOutput LevelWet / DryWet / Dry 075: Exct–Limiter (Exciter – Limiter)Wet: Mono In - Mono Out / Dry: Stereo In - Stereo OutLeftRight+ExciterEQ Trim LEQ HEQExciterRoutingLimiterEnvelope - ControlLimiterGain AdjustWet / DryWet / Dry ☞ ☞ ☞ ☞☞ ☞☞ ☞ ☞ ☞ ☞☞Effect189
076: Exct–Cho/Fl (Exciter – Chorus/Flanger)Wet: Mono In - Stereo Out / Dry: Stereo In - Stereo OutLeftRight+ExciterEQ Trim LEQ HEQExciterLFO: Tri / SineChorus/FlangerWet / DryChorus/FlangerNormal+Output Mode–FeedbackWet InvertCho/Flng Wet / DryWet / Dry ☞ ☞ ☞ ☞ ☞ ☞ ☞ ☞ ☞☞ 078: Exct–M.Dly (Exciter – Multitap Delay)Wet: Mono In - Mono Out / Dry: Stereo In - Stereo OutLeftRight+ExciterEQ Trim LEQ HEQExciterMultitap DelayFeedbackDelay(2)High Damp (1)Mt.Dly Wet / DryWet / DryWet / Dry077: Exct–Phaser (Exciter – Phaser)Wet: Mono In - Stereo Out / Dry: Stereo In - Stereo OutLeftRight+ExciterEQ Trim LEQ HEQExciterPhaserWet / DryPhaserNormal+Output Mode–ResonanceWet InvertPhaser Wet / DryLFO: Tri / SineWet / Dry ☞ ☞ ☞ 190
☞ 080: OD/HG–Cho/Fl(Overdrive/Hi.Gain – Chorus/Flanger)Wet: Mono In - Stereo Out / Dry: Stereo In - Stereo OutLeftRoutingOverdrive / Hi-Gain Chorus/FlangerWet / Dry079: OD/HG–AmpSim(Overdrive/Hi.Gain – Amp Simulation)Right+Driver3 Band PEQOutput LevelMode: Overdrive / Hi-GainDriveChorus/FlangerNormal+Output Mode–FeedbackWet InvertCho/Flng Wet / DryLFO: Tri / SineWet / DryWet: Mono In - Mono Out / Dry: Stereo In - Stereo OutLeftRoutingOverdrive / Hi-Gain Amp SimulationRight+Driver3 Band PEQOutput LevelMode: Overdrive / Hi-GainDriveAmp Simulation FilterWet / DryWet / Dry ☞☞ ☞ ☞ ☞☞ ☞ ☞ ☞ ☞ ☞ ☞ Effect191
081: OD/HG–Phaser(Overdrive/Hi.Gain – Phaser)Wet: Mono In - Stereo Out / Dry: Stereo In - Stereo OutLeftRight+Overdrive / Hi-GainDriver3 Band PEQOutput LevelMode: Overdrive / Hi-GainDriveRoutingPhaserWet / DryPhaserNormal+Output Mode–ResonanceWet InvertPhaser Wet / DryLFO: Tri / SineWet / Dry ☞☞ ☞ ☞ ☞ ☞☞ ☞ 082: OD/HG– M.Dly(Overdrive/Hi.Gain – Multitap Delay)Wet: Mono In - Mono Out / Dry: Stereo In - Stereo OutLeftRight+Overdrive / Hi-Gain3 Band PEQDriverOutput LevelMode: Overdrive / Hi-GainDriveMultitap DelayFeedbackDelay(2)High Damp (1)Mt.Dly Wet / DryWet / DryWet / Dry ☞☞ ☞ ☞ ☞ ☞ 192
083: Wah–AmpSim(Wah/Auto Wah – Amp Simulation)Wet: Mono In - Mono Out / Dry: Stereo In - Stereo OutLeftRight+Wah/Auto WahWahSweep ModeEnvelopeAutoD -mod D-modLFOLFORoutingAmp SimulationAmp Simulation FilterWet / DryWet / Dry ☞☞ ☞ 084: Deci–AmpSim(Decimator – Amp Simulation)Wet: Mono In - Mono Out / Dry: Stereo In - Stereo OutLeftRight+Pre LPFDecimatorResolutionDecimatorRoutingAmp SimulationOutput LevelAmp Simulation FilterHigh DampWet / DryWet / Dry ☞ ☞ ☞ 085: Deci–Comp (Decimator – Compressor)Wet: Mono In - Mono Out / Dry: Stereo In - Stereo OutLeftRight+DecimatorResolutionOutput LevelDecimatorPre LPFHigh DampRoutingCompressorEnvelope - ControlCompOutput LevelWet / DryWet / Dry ☞ ☞ ☞ ☞ ☞☞ Effect193
086: AmpSim–Trml(Amp Simulation – Tremolo)Wet: Mono In - Mono Out / Dry: Stereo In - Stereo OutLeftRight+Amp SimulationAmp Simulation FilterLFO: Tri/Sin/Vintage/Up/DownTremoloLFO ShapeTremoloWet / DryWet / Dry ☞ ☞ ☞ ☞ ☞ 088: Phasr–Cho/Fl(Phaser – Chorus/Flanger)087: Cho/Fl–M.Dly(Chorus/Flanger – Multitap Delay)Wet: Mono In - Stereo Out / Dry: Stereo In - Stereo OutLeftRight+PhaserChorus/FlangerPhaserChorus/FlangerEQ LEQHEQTrimResonancePhaserWet / DryFeedbackLFO: Tri / SineLFO: Tri / SineWet / DryNormal+Output Mode–Wet InvertCho/FlngWet / DryWet / DryWet: Mono In - Mono Out / Dry: Stereo In - Stereo OutLeftRight+Chorus/FlangerChorus/FlangerEQ LEQ HEQTrimFeedbackLFO: Tri / SineMultitap DelayFeedbackCho/FlngDelay (2)(1) Mt.DlyWet / Dry High Damp Wet / DryWet / DryWet / Dry ☞ ☞ ☞ ☞194
☞ ☞ 089: Reverb–Gate Wet: Mono In - Mono Out / Dry: Stereo In - Stereo OutLeftReverbWet / Dry+Pre DelayEQ TrimLEQ HEQReverbGateReverbBalanceRightWet / DryInput Reverb MixInputEnvelope - ControlGate+Dmpr D-mod Envelope SelectGate ☞ ☞☞ ☞ ☞ ☞☞Effect195
Double Size090: Piano Body(Piano Body/Damper Simulation)091: St.MltbandLmt(Stereo Multiband Limiter)Stereo In - Stereo OutBand-Pass FiltersLeftLowMidHighRightLowMidHighOffsetEnvelope - ControlEnvelope - ControlEnvelope - ControlEnvelope - ControlEnvelope - ControlEnvelope - ControlLimiterLimiterLimiterLimiterLimiterLimiterWet / DryGain AdjustGain AdjustWet / DryWet: Mono In - Stereo Out / Dry: Stereo In - Stereo OutLeftRightD -mod+DamperPianoBody/DamperSimulationWet / DryWet / Dry ☞ ☞ ☞ ☞ ☞☞ ☞ ☞ ☞ ☞ ☞ ☞ ☞☞ 092: OD/HyprG Wah(Overdrive/Hyper Gain Wah)Wet: Mono In - Mono Out / Dry: Stereo In - Stereo OutLeftMode: Overdrive / Hyper-GainDrivePre Low-cut4 Band PEQ+ Wah DriverAmp SimulationOutput LevelWet / DryRightDirect MixWet / Dry D -mod196
☞ ☞ ☞ ☞Wet: Stereo In - Mono Out / Dry: Stereo In - Stereo OutLeftCarrierLch (Carrier)Trim+Rch (Modulator)TrimRightModulatorNoiseGenerator Noise LevelEnvelopeBand Pass Filter+Modulator High MixWet / DryVocoder /CarrierWet / Dry ☞ ☞☞ ☞ ☞ ☞ ☞ ☞☞ ☞ 093: Vocoder Effect197
094: MltTap ChoDly (Multitap Chorus/Delay)Wet: Mono In - Stereo Out / Dry: Stereo In -Stereo OutLeftRight+LFO: TriangleD -modFeedback0 [degree]180 [degree]60 [degree]240 [degree]120 [degree]300 [degree]On/Off ControlTap1 DelayTap2 DelayTap3 DelayTap4 DelayTap5 DelayTap6 DelayPanning PresetWet / DryWet / Dry ☞ ☞ ☞ ☞ ☞ ☞ ☞ ☞ ☞ 095: St.Pitch Shift (Stereo Pitch Shifter)Stereo In - Stereo OutLeftRightInput LevelInput LevelHigh DampPitch Shifter DelayPre PostPitch ShifterFeedback PositionPrePostFeedbackDelayHigh DampSpreadWet / DryWet / Dry☞198
☞☞☞ ☞☞ ☞☞ ☞ ☞ ☞☞ ☞ 096: Rotary SP OD(Rotary Speaker Overdrive) ☞ ☞ ☞ ☞ ☞ ☞ ☞☞ Wet: Mono In - Stereo Out / Dry: Stereo In - Stereo OutLeftRightD -modD -modD -modD -mod+OverdriveOn/OffMode Switch: Rotate/StopSpeed Switch: Slow/FastManual Speed ControlHornRotary SpeakerRotorHorn/RotorBalanceSpeaker SimulationMic DistanceMic SpreadWet / DryWet / Dry Effect199
097: Early Reflect (Early Reflections)Wet: Mono In - Stereo Out / Dry: Stereo In - Stereo OutLeftRight+EQ TrimEQ TrimLEQHEQPre DelayEarly ReflectionsWet / DryWet / Dry ☞ ☞☞ ☞☞ ☞ 099: St/Cross LDly(Stereo/Cross Long Delay)Stereo In - Stereo OutLeftInput Level D-modDelayHigh Damp Low DampWet / Dry098: LCR LDelay (L/C/R Long Delay)Stereo/CrossInput Level D-modFeedbackDelayStereo/CrossHigh Damp Low DampSpreadRightWet / DryWet: Mono In - Stereo Out / Dry: Stereo In -Stereo OutLeftRight+Input Level D-modHigh Damp Low DampInput Level D-modL DelayLevelC DelayLevelFeedbackR DelayLevelSpreadWet / DryWet / Dry ☞ ☞ ☞☞200
☞ ☞ 100: LCR BPM LDly (L/C/R BPM Long Delay)Wet: Mono In - Stereo Out / Dry: Stereo In -Stereo OutLeftWet / DryInput Level D-modL DelayLevel+High Damp Low Damp C DelaySpreadLevelFeedbackInput Level D-modR DelayLevelRightWet / DryTempoBPMBPMBase Note x TimesBase Note x TimesBase Note x Times101: St.BPM LDelay (Stereo BPM Long Delay)Stereo In - Stereo OutLeftWet / DryHigh Damp Low DampDelayInput Level D-modFeedbackInput Level D-modHigh Damp Low DampDelay ☞ ☞ ☞ ☞ ☞ ☞ ☞ ☞ ☞☞ ☞☞RightTempoBPMBPM Base Note x Times Adjust [%]Base Note x Times Adjust [%]Wet / Dry ☞ ☞ ☞ ☞ ☞ ☞☞Effect201
☞☞ ☞☞ 102: Hold DelayWet: Mono In - Stereo Out / Dry: Stereo In - Stereo OutLeft+DelayLoop Time: Auto/ ...2700msPanWet / Dry RightD -modD -modREC ControlRST ControlWet / Dry ☞ ☞ ☞ ☞ ☞ 202
Master EQMaster EQ Low Mid HighLeftLEQPEQHEQL/MonoRightLEQ PEQ HEQRD -modLow Gain Mod - SrcLow Gain Mod.High Gain Mod.D -modHigh Gain Mod - Src Effect203
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AMS (Alternate Modulation Source) List ☞ ☞ ☞ ☞ ☞ ☞ ☞ ☞ ☞ ☞ ☞☞☞☞ ☞ ☞ ☞ ☞ ☞ ☞ –☞ 206
Flt KT +/+ (Filter Keyboard Track +/+)Flt KT +/- (Filter Keyboard Track +/-)Flt KT 0/+ (Filter Keyboard Track 0/+)Flt KT +/0 (Filter Keyboard Track +/0)Amp KT +/+ (Amp Keyboard Track +/+)Amp KT +/- (Amp Keyboard Track +/-)Amp KT 0/+ (Amp Keyboard Track 0/+)Amp KT +/0 (Amp Keyboard Track +/0) JS+Y&AT/2 (Joy Stick +Y & After Touch/2) JS-Y&AT/2 (Joy Stick-Y & After Touch/2)KnobM1#17 (Knob Mod1: CC#17)KnobM2#19 (Knob Mod2: CC#19)KnobM3#20 (Knob Mod3: CC#20)KnobM4#21 (Knob Mod4: CC#21) ☞ KnobM1 [+] (Knob Mod1: CC#17 [+] )KnobM2 [+] (Knob Mod2: CC#19 [+] )KnobM3 [+] (Knob Mod3: CC#20 [+] )KnobM4 [+] (Knob Mod4: CC#21 [+] ) SW 1 #80 (SW1 Mod.: CC#80)SW 2 #81 (SW2 Mod.: CC#81)– ☞ 207
Alternate Modulation – Pitch (PROG 3.1–1a) Pitch EG Intensity (PROG 3.1–1b) Pitch LFO1/2 Intensity (PROG 3.1–2a, 3.1–3) Filter (Cutoff) Frequency (PROG 4.1–3a) 208
Resonance (PROG 4.1–1b) Filter EG Intensity (PROG 4.1–2b) Filter LFO1/2 Intensity (PROG 4.1–4a) Amp (PROG 5.1–2b) Amp LFO1/2 Intensity (PROG 5.1–2b) 209
Pan (PROG 5.1–1b) LFO Frequency (PROG 5.3–1b) EG Level – Pitch EG (PROG 3.1–5b)– Filter EG (PROG 4.1–5b)– Amp EG (PROG 5.1–3b) EG Time – Pitch EG (PROG 3.1–5c)– Filter EG (PROG 4.1–5c)– Amp EG (PROG 5.1–3c) 210
Dynamic Modulation Source (Dmod) Wet / DryWet60:4010:90DryZeroHigherDynamic Modulation (Example)D -modMaxWet / Dry=10:90Amt= +50Wet / Dry=60:40Amt= —50 Dynamic Modulation Source List ☞ ☞ ☞ ☞ ☞ ☞ ☞ ☞ ☞ ☞ ☞ ☞ ☞ ☞ ☞ 211
Gate1, G1+Dmp (Gate1+Damper) NoteDamper Pedal1 2 1 3 2 3Gate1, G1+DmpDmprSW1#80 (SW1 Mod.: CC#80)SW2#81 (SW2 Mod.: CC#81) – ☞ Tempo Gate1G1+DmpOnOffBPM/MIDI SYNC Gate2, G2+Dmp (Gate2+Damper) NoteDamper PedalGate2G2+Dmp1 2 3 1 2 3TimeGate2, G2+DmpKb1#17 (Knob Mod1: CC#17)Kb2#19 (Knob Mod2: CC#19)Kb3#20 (Knob Mod3: CC#20)Kb4#21 (Knob Mod4: CC#21) – ☞ Kb1[+] (Knob Mod1: CC#17 [+] )Kb2[+] (Knob Mod2: CC#19 [+] )Kb3[+] (Knob Mod3: CC#20 [+] )Kb4[+] (Knob Mod4: CC#21 [+] ) OnOffDmprTime LFOBPM/MIDI Sync: LFOLFO BPM/MIDI Sync: Delay TimeDry WetLchDry WetRch212
SW1/2 Assign – – SW1, SW2 Assign List ☞ ☞ * ––– * ––– * ––– * ––– * ––– * ––– * ––– * ––– * ––– * ––– SW1 Mod.(CC#80) (SW1 Modulation:CC#80)SW2 Mod.(CC#81) (SW2 Modulation:CC#81) Porta.SW(CC#65) (Portamento Switch:CC#65)– –– – 213
Knob 1...4 B Assign – – –Realtime Control Knobs B Assign List 214
Knob1-A: LPF CUTOFF (Filter LPF Cutoff: CC#74)Knob2-A: RESONANCE/HPF (Filter Resonance/HPF Cutoff: CC#71)Knob3-A: EG-INTENSITY (Filter EG Intensity: CC#79)Knob4-A: EG-RELEASE (Filter, Amplifier EG Release: CC#72) 215
Program–Combination– – – – – Sampling– – – – Multi – – – – – 216
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*1 – *2 *3 *4 *5 *4, *5– – – CC#70 – –CC#71 – –CC#72 – –CC#73 – – – – – –CC#74 – –CC#75 – – – –219
CC#76:LFO1 –CC#77:LFO1 –CC#78:LFO1 –CC#79 – ☞ *6 *7 220
MIDI MIDI <strong>TRITON</strong>-<strong>Rack</strong> MIDI MIDI ProgramSampling –Combination – – ☞Multi – –☞ [9n, kk, vv][8n, kk, vv]* ☞ [Cn, pp] MSB (CC#0) [Bn, 00, mm]LSB (CC#32) [Bn, 20, bb] – ☞Program ––CombinationMulti – ☞ ☞221
–☞ –– ☞ ☞ [Bn, cc, vv] ☞☞ –––– ☞ [Dn, vv] ☞☞[An, kk, vv] [En, bb, mm] (CC#00, CC#32) ☞(CC#01) [Bn, 01, vv] ☞(CC#02) [Bn, 02, vv] ☞ (CC#05)[Bn, 05, vv]222
(CC#65) [Bn, 41, vv] ☞ ☞ – ☞(CC#07) [Bn, 07, vv](CC#11) [Bn, 0B, vv] – ☞ ☞(CC#10) [Bn, 0A, vv] – ☞(CC#08) – ☞(CC#12) [Bn, 0C, vv] (CC#13) [Bn, 0D, vv] (CC#91) [Bn, 5B, vv](CC#93) [Bn, 5D, vv] – ☞ – – ☞223
2 (IFX15 ) (CC#92) [Bn, 5C, vv]4(MFX1) (CC#94) [Bn, 5E, vv]5(MFX2) (CC#95) [Bn, 5F, vv] ☞ 1, 2, 3, 4(CC#17, 19, 20, 21)[Bn, 11, vv], [Bn, 13, vv], [Bn, 14, vv], [Bn, 15, vv] ☞ (CC#83) [Bn, 53, vv]SW1(CC#80) [Bn, 50, vv]SW2(CC#81) [Bn, 51, vv] ☞ <strong>TRITON</strong>MIDI (CC#04) [Bn, 04, vv](CC#16)[Bn, 10, vv] ☞(CC#18) [Bn, 12, vv](CC#82) [Bn, 52, vv](CC#64) [Bn, 40, vv] ☞(CC#66) [Bn, 42, vv] (CC#67) [Bn, 43, vv] ☞(CC#74) [Bn, 4A, vv](CC#71) [Bn, 47, vv](CC#79) [Bn, 4F, vv] (CC#72) [Bn, 48, vv] (CC#70) [Bn, 46, vv] (CC#73) [Bn, 49, vv] (CC#75) [Bn, 4B, vv]LFO1(CC#76) [Bn, 4C, vv]LFO1(CC#77) [Bn, 4D, vv]LFO1 (CC#78) [Bn, 4E, vv]224
☞ (CC#123) [Bn, 7B, 00]00(CC#120) [Bn, 78, 00]00(CC#121) [Bn, 79, 00]00 RPN RPN[Bn, 65, 00, 64, 01] – ☞RPN[Bn, 65, 00, 64, 02] – ☞RPN [Bn, 64, 00, 65, 00] (NRPN) 225
NRPN[Bn, 63, 00, Bn, 62, 02, Bn, 06, mm] [Bn, 63, 00, Bn, 62, 0A, Bn, 06, mm]NRPN[Bn, 63, 00, Bn, 62, 0B, Bn, 06, mm] F0423n50ffF7 ☞[F0, 7E, nn, 06, 01, F7][F0, 7E, nn, 06, 02, (9), F7]GM[F0, 7E, nn, 09, 01, F7][F0, 7F, nn, 04, 01, vv, mm, F7][F0, 7F, nn, 04, 02, vv, mm, F7] [F0, 7F, nn, 04, 03, vv, mm, F7] –[F0, 7F, nn, 04, 04, vv, mm, F7] – – ☞ – ☞ 226
– –☞ ☞ – RPPR – MIDI <strong>TRITON</strong>-<strong>Rack</strong> ☞ – ☞ 227
<strong>TRITON</strong>-<strong>Rack</strong> MIDI ☞ <strong>TRITON</strong>-<strong>Rack</strong> RPPR MIDI – REALTIME CONTROLS [1] [4] MIDI MIDI RPPR MIDI – – GM/GS/XG ☞ –GS/XG GM2 228
GS/XG GS/XG – MIDI – ☞ MIDI –229
AAre you sure ? CCan't copy/swap double size effect Completed DDestination and source are identical Destination is empty Destination multi is empty Destination multisample already exists Destination multisample and source multisample areidentical Destination sample already exists Destination sample data used in source sample Destination sample is empty Directory is not empty Disk not formatted EError in formatting medium Error in reading from medium Error in writing to medium FFile already exists 230
File contains unsupported data File is read-only protected File unavailable File/path not found Front sample data used in rear sample Can't overwrite Illegal SMF division Illegal SMF format MMeasure size over limit Medium changed Medium write protected Memory full IIllegal file description Illegal SMF data Memory overflow 231
☞ Memory protected Multisample L and R are identical NNo data No medium No space available on medium Not enough memory Not enough memory to load Not enough multi locations available Not enough multi memory Not enough multisample memory Not enough pattern locations available Not enough relative parameter memory Not enough sample memory 232
Not enough sample/multisample locations available OOscillator Mode conflicts (check PROG P2.1) PPattern used in song Continue ? RRear sample is empty Root directory is full SSample data used in other sample(s) Continue ? Sample used in other multisample(s) Continue ? Selected banks are the same Selected file/path is not correct Slice point over limitCan't divide Source is empty Source sample is empty TThere is no readable data Sample L and R are identical Sample length is shorter than minimum This file is already loaded UUnable to create directory 233
Unable to save file YYou can't undo last operation Are you sure ? You can't undo this operation Are you sure ? 234
[Note for 3. 4. 5.] <strong>TRITON</strong>-<strong>Rack</strong><strong>TRITON</strong>/<strong>TRITON</strong>pro/<strong>TRITON</strong>proX<strong>TRITON</strong>-<strong>Rack</strong> <strong>TRITON</strong> 1. Program Audition Riff, Transpose (2.1–5a) ProgramProgram 2. Program, Combination, Multi REALTIME CON-TROLS [SELECT] C CombinationCombination3. Combination (1.1–2c, 2.1–1a) Multi (1.1–2b/3b)"Program Select" EXB-A, B, C, D, E, F,G, H 4. Program OSC1 Drum Kit (2.1–2d)073(E-D)–152(GM)" Drum KitDrum Kit5. Program (1.1–3a, 6.1–1a)Combination (1.1–4b/5b, 6.1–2a/3a)Multi (6.1–3a/4a) U232(E-C)-U327(E-H)" Arpeggio Pattern235
<strong>TRITON</strong> <strong>TRITON</strong>-<strong>Rack</strong> 1. <strong>TRITON</strong>GlobalPC I/F Baud RateBeepFoot Switch AssignFoot Pedal AssignDamper PolarityFoot Switch Polarity Convert Position MIDI Clock 2. <strong>TRITON</strong>Combination, SequencerMIDI Filter"Enable Foot Pedal/Switch" <strong>TRITON</strong> 3. <strong>TRITON</strong> Sequencer MeterTempo ModeTrack1-16 PLAY/MUTETrack Play LoopTrack Play Loop Start MeasureTrack Play Loop End MeasurePlay Intro Cue List Track ☞ 236
Disk AIFF Common Chunk Sound Data ChunkMarker Chunk Instrument Chunk WAVE AIFF Common Chunk Marker ChunkInstrument ChunkWAVE Format Chunk Sample ChunkFormat Chunk Sample ChunkWave Data237
PCMGROUP.KSCPIANO.KMPRHODES.KMPSNARE_00.KSFPIANO.KMPAc. Piano4 PI0000.KSFPI0001.KSF PI0002.KSFPI0003.KSFPI0000.KSFPI0002.KSFPI0003.KSFPI0003.KSFSNARE_00.KSF KMP (<strong>Korg</strong> Multisample <strong>Parameter</strong>) KSF (<strong>Korg</strong> Sample File) 238
239
240<strong>TRITON</strong>-<strong>Rack</strong> MIDI IMPLEMENTATION 21,Jun,2000Consult your local <strong>Korg</strong> dealer for more infomation on MIDI System Exclusive implementation.1.TRANSMITTED DATA1-1 CHANNEL MESSAGES [H] :Hex, [D] :DecimalStatus Second Third Description ( Transmitted by ....) ENA [Hex] [H] [D] [H] [D] 8n kk (kk) 40 (64) Note Off ( Sequence/Arpeggiator data ) A 9n kk (kk) vv (vv) Note On (vv)=1-127 ( Sequence/Arpeggiator data ) A An kk (kk) vv (vv) Poly Key Pressure ( Sequence data ) T,Q Bn 00 (00) mm (mm) Bank Select(MSB) ( BANK keys, Prog/Combi change ) *1 PB Bn 01 (01) vv (vv) Modulation1 ( Knob-B = MIDI CC#01 ) C Bn 02 (02) vv (vv) Modulation2 ( Knob-B = MIDI CC#02 ) C Bn 04 (04) vv (vv) Foot Pedal ( Knob-B = MIDI CC#04 ) C Bn 05 (05) vv (vv) Portamento Time ( Knob-B = Porta.Time,M Chg ) C Bn 06 (06) vv (vv) Data Entry (MSB) ( ARP ON/OFF, GATE, VELOCITY ) *2 C Bn 07 (07) vv (vv) Volume ( Knob-B = Volume, M/C Chg ) C Bn 08 (08) vv (vv) Post IFX Panpot ( Knob-B = IFX Pan,M Chg ) C Bn 0A (10) vv (vv) Panpot ( Knob-B = Pan,M Chg ) C Bn 0B (11) vv (vv) Expression ( Knob-B = Expression ) C Bn 0C (12) vv (vv) Effect Control 1 ( Knob-B = FX Ctrl 1 ) C Bn 0D (13) vv (vv) Effect Control 2 ( Knob-B = FX Ctrl 2 ) C Bn 10 (16) vv (vv) Multi Purpose Ctrl1 ( Knob-B = MIDI CC#16 ) C Bn 11 (17) vv (vv) Multi Purpose Ctrl2 ( Knob-B = Knob Mod.1 ) C Bn 12 (18) vv (vv) Multi Purpose Ctrl3 ( Knob-B = MIDI CC#18 ) C Bn 13 (19) vv (vv) Multi Purpose Ctrl4 ( Knob-B = Knob Mod.2 ) C Bn 14 (20) vv (vv) ( Knob-B = Knob Mod.3 ) C Bn 15 (21) vv (vv) ( Knob-B = Knob Mod.4 ) C Bn 20 (32) bb (bb) Bank Select(LSB) ( BANK keys, Prog/Combi change ) *1 PB Bn 40 (64) vv (vv) Hold1 ( Knob-B = MIDI CC#64 ) C Bn 41 (65) 00/7F (00/127) Portamento Off/On ( SW1/SW2 = Porta.SW, M Chg ) C Bn 42 (66) vv (vv) Sostenuto Off/On ( Knob-B = MIDI CC#66 ) C Bn 43 (67) vv (vv) Soft Pedal ( Knob-B = MIDI CC#67 ) C Bn 46 (70) vv (vv) Sound Controller 1 ( Knob-B = F/A Sus.) C Bn 47 (71) vv (vv) Sound Controller 2 ( Knob-2A, Knob-B = Flt Reso.) C Bn 48 (72) vv (vv) Sound Controller 3 ( Knob-4A, Knob-B = F/A Rel.) C Bn 49 (73) vv (vv) Sound Controller 4 ( Knob-B = F/A Attack ) C Bn 4A (74) vv (vv) Sound Controller 5 ( Knob-1A, Knob-B = Flt Cutoff ) C Bn 4B (75) vv (vv) Sound Controller 6 ( Knob-B = F/A Decay ) C Bn 4C (76) vv (vv) Sound Controller 7 ( Knob-B = P LFO1 Spd ) C Bn 4D (77) vv (vv) Sound Controller 8 ( Knob-B = P LFO1 Dep ) C Bn 4E (78) vv (vv) Sound Controller 9 ( Knob-B = P LFO1 Dly ) C Bn 4F (79) vv (vv) Sound Controller 10 ( Knob-3A, Knob-B = Flt EG Int. ) C Bn 50 (80) 00/7F (00/127) Multi Purpose Ctrl5 ( SW1 = SW1 Mod. ) C Bn 51 (81) 00/7F (00/127) Multi Purpose Ctrl6 ( SW2 = SW2 Mod. ) C Bn 52 (82) vv (vv) Multi Purpose Ctrl7 ( Knob-B = Foot SW ) C Bn 53 (83) vv (vv) Multi Purpose Ctrl8 ( Knob-B = MIDI CC#83 ) C Bn 5B (91) vv (vv) Effect 1 Depth ( Knob-B = MFX Send2, M Chg ) C Bg 5C (92) 00/7F (00/127) Effect 2 Depth ( All Insert FX Off/On ) C Bn 5D (93) vv (vv) Effect 3 Depth ( Knob-B = MFX Send1, M Chg ) C Bg 5E (94) 00/7F (00/127) Effect 4 Depth ( Master FX1 Off/On ) C Bg 5F (95) 00/7F (00/127) Effect 5 Depth ( Master FX2 Off/On ) C Bn cc (cc) vv (vv) Control (cc)=0-95 ( Knob-B = MIDI CC#00-95 ) C Bn 62 (98) ss (ss) NRPN Param No.(LSB) ( ARP ON/OFF, GATE, VELOCITY ) *2 C Bn 63 (99) tt (tt) NRPN Param No.(MSB) ( ARP ON/OFF, GATE, VELOCITY ) *2 C Bn cc (cc) vv (vv) Control (cc)=0-101 ( Sequence data) Q Cn pp (pp) -- -- Program Change ( Prog/Combi change ) *1 P Dn vv (vv) -- -- Channel Pressure ( Sequence data) T En bb (bb) bb (bb) Bender Change ( Sequence data) C M Chg : Transmitted when change a Multi No. (Status = EXT,EX2,BTH)C/M Chg : Transmitted when change a Combination or Multi No. (Status = EXT,EX2,BTH)Sequence data : Pattern, Audition Riff and Demo data.n : MIDI Channel No. (0 - 15) •••••• Usually Global Channel.When in Combination/Multi mode, each timbre's/track's channel.(Status = EXT,EX2 or BTH)g : Always Global Channel No. (0 - 15)kk = 00 - 127ENA = A : Always EnabledC : Enabled when Enable Control Change in Global mode is checkedP : Enabled when Enable Program Change in Global mode is checkedPB: Enabled when Enable Program and Bank Change in Global mode is checkedT : Enabled when Enable After Touch in Global mode is checkedQ : Enabled when Pattern is playing(transmit), recording(receive)*1 : Program Combination MIDI Out[Hex] (Bank Map is KORG) (Bank Map is GM(2)) BankINT-A 000 - 127 : BankINT-A 000 - 127 : mm,bb,pp = 00,00, 00 - 7F = 3F,00, 00 - 7F INT-B 000 - 127 : INT-B 000 - 127 : 00,01, 00 - 7F 3F,01, 00 - 7FINT-C 000 - 127 : INT-C 000 - 127 : 00,02, 00 - 7F 3F,02, 00 - 7FINT-D 000 - 127 : INT-D 000 - 127 : 00,03, 00 - 7F 3F,03, 00 - 7FINT-E 000 - 127 : INT-E 000 - 127 : 00,04, 00 - 7F 3F,04, 00 - 7FINT-F 000 - 127 : 00,05, 00 - 7F 3F,05, 00 - 7FG 001 - 128 : 79,00, 00 - 7F 79,00, 00 - 7Fg(1)-(9) 001 - 128 : 79,01-09,00 - 7F 79,01-09,00 - 7Fg(d) 001 - 128 : 78,00, 00 - 7F 78,00, 00 - 7FEXB-A 000 - 127 : BankEXB-A 000 - 127 : 00,08, 00 - 7F 3F,08, 00 - 7F EXB-B 000 - 127 : EXB-B 000 - 127 : 00,09, 00 - 7F 3F,09, 00 - 7FEXB-C 000 - 127 : EXB-C 000 - 127 : 00,0A, 00 - 7F 3F,0A, 00 - 7FEXB-D 000 - 127 : EXB-D 000 - 127 : 00,0B, 00 - 7F 3F,0B, 00 - 7FEXB-E 000 - 127 : EXB-E 000 - 127 : 00,0C, 00 - 7F 3F,0C, 00 - 7FEXB-F 000 - 127 : EXB-F 000 - 127 : 00,0D, 00 - 7F 3F,0D, 00 - 7FEXB-G 000 - 127 : EXB-G 000 - 127 : 00,0E, 00 - 7F 3F,0E, 00 - 7FEXB-H 000 - 127 : EXB-H 000 - 127 : 00,0F, 00 - 7F 3F,0F, 00 - 7F*2 : ARP ON/OFF :[ Bn,63,00,Bn,62,02,Bn,06,mm] mm = 00(Off),7F(On)ARP-GATE (REALTIME CONTROLS C Knob2) :[ Bn,63,00,Bn,62,0A,Bn,06,mm] mm = 00-7FARP-VELOCITY (REALTIME CONTROLS C Knob3) :[ Bn,63,00,Bn,62,0B,Bn,06,mm] mm = 00-7FWhen in Program/Combination mode, Global channel.When in Multi mode, Control Track's channel. 1-2 SYSTEM COMMON MESSAGES [H] :Hex, [D] :DecimalStatus Second Third Description ( Transmitted when ) [Hex] [H] [D] [H] [D] F3 ss (ss) Song Select (Multi is selected) ss : Multi(0-127) No. Transmits Song Select message when in Multi mode (Internal Clock)1-3 SYSTEM REALTIME MESSAGESStatus[Hex] Description ( Transmitted when ... ) F8 Timing Clock ( Always in Prog/Combi/Multi mode ) *FA Start ( START Pattern in Multi mode ) * FC Stop ( STOP Pattern in Multi mode ) * FE Active Sensing ( Always ) * Transmits these messages when MIDI Clock in Global mode is Internal.1-4 SYSTEM EXCLUSIVE1-4-1 UNIVERSAL SYSTEM EXCLUSIVE MESSAGE ( NON REALTIME )DEVICE INQUlRY REPLY ( Transmits when received a INQUIRY MESSAGE REQUEST )[ F0,7E,0g,06,02,42,50,00,1C,00,nn,00,vv,00,F7 ] 3rd byte g : Global Channel6th byte 42 : KORG ID7th byte 50 : <strong>TRITON</strong> series ID9th byte 1C : <strong>TRITON</strong>-<strong>Rack</strong> member code11th byte nn : System No. ( 01 - )13th byte vv : System Version ( 01 - )1-4-2 UNIVERSAL SYSTEM EXCLUSIVE MESSAGES ( REALTIME )Master Volume[ F0,7F,0g,04,01,vv,mm,F7 ] 3rd byte g : Global Channel6th byte vv : Value(LSB)7th byte mm : Value(MSB)mm,vv = 00,00 - 7F,7F : Min - Max<strong>TRITON</strong>-SERIES MIDI IMPLEMENTATION
2412.RECOGNIZED RECEIVE DATA2-1 CHANNEL MESSAGES [H] :Hex, [D] :DecimalStatus Second Third Description ( Use ..... ) ENA [Hex] [H] [D] [H] [D] 8n kk (kk) xx (xx) Note Off A 9n kk (kk) 00 (00) Note Off A 9n kk (kk) vv (vv) Note On (vv)=1-127 A An kk (kk) vv (vv) Poly Key Pressure ( as AMS ) T,Q Bn 00 (00) mm (mm) Bank Select(MSB) ( for Prog/Combi change ) *1 PB Bn 01 (01) vv (vv) Modulation1 ( as AMS & FX Dmod Src =JS+Y ) C Bn 02 (02) vv (vv) Modulation2 ( as AMS & FX Dmod Src =JS-Y ) C Bn 04 (04) vv (vv) Foot Pedal ( as AMS & FX Dmod Src =Pedal) C Bn 05 (05) vv (vv) Portamento Time C Bn 06 (06) vv (vv) Data Entry (MSB) ( for RPC edit ) C Bn 07 (07) vv (vv) Volume C Bn 08 (08) vv (vv) Balance Control ( for Post IFX Panpot control ) *2 C Bn 0A (10) vv (vv) Panpot C Bn 0B (11) vv (vv) Expression C Bn 0C (12) vv (vv) Effect Control 1 ( as FX Dmod Src =FX1 ) C Bn 0D (13) vv (vv) Effect Control 2 ( as FX Dmod Src =FX2 ) C Bn 10 (16) vv (vv) Multi Purpose Ctrl1 ( as AMS & FX Dmod Src =Ribbon ) C Bn 11 (17) vv (vv) Multi Purpose Ctrl2 ( as AMS & FX Dmod Src =KnobM1 ) C Bn 12 (18) vv (vv) Multi Purpose Ctrl3 ( as AMS & FX Dmod Src =Slider ) C Bn 13 (19) vv (vv) Multi Purpose Ctrl4 ( as AMS & FX Dmod Src =KnobM2 ) C Bn 14 (20) vv (vv) ( as AMS & FX Dmod Src =KnobM3 ) C Bn 15 (21) vv (vv) ( as AMS & FX Dmod Src =KnobM4 ) C Bn 20 (32) bb (bb) Bank Select(LSB) ( for Prog / Combi change ) *1 PB Bn 26 (38) vv (vv) Data Entry (LSB) ( for RPC edit ) C Bn 40 (64) vv (vv) Hold1 ( as Damper) C Bn 41 (65) ≤3F/≥40 (≤63/≥64) Portamento Off/On C Bn 42 (66) ≤3F/≥40 (≤63/≥64) Sostenuto Off/On C Bn 43 (67) vv (vv) Soft Pedal C Bn 46 (70) vv (vv) Sound Controller 1 ( for Sustain Level control ) C Bn 47 (71) vv (vv) Sound Controller 2 ( for Resonance/HPF Cutoff ctrl ) C Bn 48 (72) vv (vv) Sound Controller 3 ( for Release Time control ) C Bn 49 (73) vv (vv) Sound Controller 4 ( for Attack Time control ) C Bn 4A (74) vv (vv) Sound Controller 5 ( for LPF Cutoff control ) C Bn 4B (75) vv (vv) Sound Controller 6 ( for Decay Time control ) C Bn 4C (76) vv (vv) Sound Controller 7 ( for LFO1 Speed control ) C Bn 4D (77) vv (vv) Sound Controller 8 ( for LFO1 Pitch Depth control ) C Bn 4E (78) vv (vv) Sound Controller 9 ( for LFO1 Delay control ) C Bn 4F (79) vv (vv) Sound Controller 10 ( for Filter EG Intencity ctrl ) C Bn 50 (80) vv (vv) Multi Purpose Ctrl5 ( as AMS & FX Dmod Src =SW 1 ) C Bn 51 (81) vv (vv) Multi Purpose Ctrl6 ( as AMS & FX Dmod Src =SW 2 ) C Bn 52 (82) vv (vv) Multi Purpose Ctrl7 ( as AMS & FX Dmod Src =FootSW ) C Bn 53 (83) vv (vv) Multi Purpose Ctrl8 ( as AMS & FX Dmod Src ) C Bn 5B (91) vv (vv) Effect 1 Depth ( for Send 2 Level control ) C Bg 5C (92) 00/≠00 (00/≠000) Effect 2 Depth ( for All Insert FX Off/On ) C Bn 5D (93) vv (vv) Effect 3 Depth ( for Send 1 Level control ) C Bg 5E (94) 00/≠00 (00/≠000) Effect 4 Depth ( for Master FX1 Off/On ) C Bg 5F (95) 00/≠00 (00/≠000) Effect 5 Depth ( for Master FX2 Off/On ) C Bn 60 (96) 00 (00) Data Increment ( for RPC edit ) C Bn 61 (97) 00 (00) Data Decrement ( for RPC edit ) C Bn 62 (98) ss (ss) NRPN Param No.(LSB) ( for NRPN select ) *3 C Bn 63 (99) tt (tt) NRPN Param No.(MSB) ( for NRPN select ) *3 C Bn 64(100) 0r (0r) RPN Param No. (LSB) ( for RPN select ) *4 C Bn 65(101) 00 (00) RPN Param No. (MSB) ( for RPN select ) *4 C Bn cc (cc) vv (vv) Control data ( for Pattern recording (cc)=0-101) C,Q Bn 78(120) 00 (00) All Sound Off C Bn 79(121) 00 (00) Reset All Controllers C Bn 79(121) 00/7F (00/127) Local Control Off/On A Bn 7B(123) 00 (00) All Notes Off A Bn 7C(124) 00 (00) Omni Mode Off ( as All Notes Off ) A Bn 7D(125) 00 (00) Omni Mode On ( as All Notes Off ) A Bn 7E(126) ≤10 (≤16) Mono Mode On ( as All Notes Off ) A Bn 7F(127) 00 (00) Poly mode On ( as All Notes Off ) A Cn pp (pp) -- -- Program Change ( for Prog/Combi change ) *1 P Dn vv (vv) -- -- Channel Pressure ( as After Touch ) T En bb (bb) bb (bb) Bender Change C AMS : Alternate Modulation SourceFX Dmod Src: Effect Dynamic Modulation Sourcen : MIDI Channel No. (0 - 15) •••••• Usually Global Channel.When in Combination/Multi mode, each timbre's/track's channel.(Status is INT or BTH)g : Always Global Channel No. (0 - 15)x : RandomENA : Same as Transmitted data*1 : When Bank Map in Global mode is KORG;MIDI In [Hex] Program Combinationmm,bb,pp = 00,00, 00 - 7F : Bank INT-A 000 - 127 : Bank INT-A 000 - 12700,01, 00 - 7F : INT-B 000 - 127 : INT-B 000 - 12700,02, 00 - 7F : INT-C 000 - 127 : INT-C 000 - 12700,03, 00 - 7F : INT-D 000 - 127 : INT-D 000 - 12700,04, 00 - 7F : INT-E 000 - 127 : INT-E 000 - 12700,05, 00 - 7F : INT-F 000 - 12700,08, 00 - 7F : EXB-A 000 - 127 : EXB-A 000 - 12700,09, 00 - 7F : EXB-B 000 - 127 : EXB-B 000 - 12700,0A, 00 - 7F : EXB-C 000 - 127 : EXB-C 000 - 12700,0B, 00 - 7F : EXB-D 000 - 127 : EXB-D 000 - 12700,0C, 00 - 7F : EXB-E 000 - 127 : EXB-E 000 - 12700,0D, 00 - 7F : EXB-F 000 - 127 : EXB-F 000 - 12700,0E, 00 - 7F : EXB-G 000 - 127 : EXB-G 000 - 12700,0F, 00 - 7F : EXB-H 000 - 127 : EXB-H 000 - 12779,00, 00 - 7F : G 001 - 12879,01-09,00 - 7F : g(1)-g(9) 001 - 12878,00, 00 - 7F : g(d) 001 - 12838,00, 00 - 7F : G 001 - 1283E,00, 00 - 7F : g(d) 001 - 128When Bank Map in Global mode is GM(2);MIDI In [Hex] Program Combinationmm,bb,pp = 3F,00, 00 - 7F : Bank INT-A 000 - 127 : Bank INT-A 000 - 1273F,01, 00 - 7F : INT-B 000 - 127 : INT-B 000 - 1273F,02, 00 - 7F : INT-C 000 - 127 : INT-C 000 - 1273F,03, 00 - 7F : INT-D 000 - 127 : INT-D 000 - 1273F,04, 00 - 7F : INT-E 000 - 127 : INT-E 000 - 1273F,05, 00 - 7F : INT-F 000 - 1273F,08, 00 - 7F : EXB-A 000 - 127 : EXB-A 000 - 1273F,09, 00 - 7F : EXB-B 000 - 127 : EXB-B 000 - 1273F,0A, 00 - 7F : EXB-C 000 - 127 : EXB-C 000 - 1273F,0B, 00 - 7F : EXB-D 000 - 127 : EXB-D 000 - 1273F,0C, 00 - 7F : EXB-E 000 - 127 : EXB-E 000 - 1273F,0D, 00 - 7F : EXB-F 000 - 127 : EXB-F 000 - 1273F,0E, 00 - 7F : EXB-G 000 - 127 : EXB-G 000 - 1273F,0F, 00 - 7F : EXB-H 000 - 127 : EXB-H 000 - 12779,00, 00 - 7F : G 001 - 12879,01-09,00 - 7F : g(1)-g(9) 001 - 12878,00, 00 - 7F : g(d) 001 - 12800,00, 00 - 7F : G 001 - 12838,00, 00 - 7F : G 001 - 1283E,00, 00 - 7F : g(d) 001 - 1283F,7F, 00 - 7F : Mute (KORG MUTE) (XG) 00,01 - : Assign correspond program in G, g(1) - g(9)(GS) 01,00 - : Assign correspond program in G, g(1) - g(9)*2 : When in Program/Sampling mode, Global channelWhen in Combination/Multi mode, each IFX's channel.*3 : tt,ss = 00,02 : Arpeggiator Off/On= 00,0A : Arpeggiator Gate control= 00,0B : Arpeggiator Velocity controlWhen in Program/Combination mode, Global channel message is valid.When in Multi mode, Control Track's channel message is valid.Data Entry LSB value has no effect. tt,ss = 01,08 : Vibrato Ratett,ss = 01,09 : Vibrato Depthtt,ss = 01,0A : Vibrato Delaytt,ss = 01,20 : Filter Cutofftt,ss = 01,21 : Filter Resonancett,ss = 01,63 : EG Attack Timett,ss = 01,64 : EG Decay Timett,ss = 01,66 : EG Release Timett,ss = 14,kk : Drum Filter Cutoff *tt,ss = 15,kk : Drum Filter Resonance *tt,ss = 16,kk : Drum EG Attack Time *tt,ss = 17,kk : Drum EG Decay Time *tt,ss = 18,kk : Drum Coarse Tune *tt,ss = 19,kk : Drum Fine Tune *tt,ss = 1A,kk : Drum Volume *tt,ss = 1C,kk : Drum Panpot * tt,ss = 1D,kk : Drum Rev Send(Send2) *tt,ss = 1E,kk : Drum Cho Send(Send1) *
242* Only valid when Part Mode is Drum, MDrm1 - Mdrm4.kk: Drum Inst No. (0C - 6C = C0 - C8) Data Entry LSB value has no effect. *4 : r = 0 : Pitch Bend Sensitivity ( Bend Range )= 1 : Fine Tune ( Detune ) = 2 : Coarse Tune ( Transpose ) For drum program, both of Fine Tune and Coase Tune affect to Detune.Data Entry LSB value has no effect for Pitch Bend Sensitivity and Coarse Tune. 2-2 SYSTEM COMMON MESSAGES [H] :Hex, [D] :Decimal|Status| Second | Third | Description ( Use for ..... ) ||[Hex] |[H] [D] | [H] [D] | || F2 | ss (ss)| tt (tt) | Song Position Pointer ( Arpeggiator Control ) | | | | | ss : Least significant [LSB] | | | | | tt : Most significant [MSB] | | F3 | ss (ss)| | Song Select (Multi select) || | | | ss : Multi(0-127) |Receive Song Position Pointer when in Program/Combination/Multi mode (External Clock) Receive Song Select when in Multi mode (External Clock) 2-3 SYSTEM REALTIME MESSAGESStatus[Hex] Description ( Use for..... ) F8 Timing Clock ( Tempo, AMS. & FX Dmod Src ) * FA Start ( Arpeggiator Control ) * FB Continue ( Arpeggiator Control ) * FC Stop ( Arpeggiator Control ) * FE Active Sensing ( MIDI Connect check ) * Receive when MIDI Clock in Global mode is External.2-4 SYSTEM EXCLUSIVE2-4-1 UNIVERSAL SYSTEM EXCLUSIVE MESSAGE ( NON REALTIME )DEVICE INQUlRY ( When received this message, transmits INQUlRY MESSAGE REPLY )[ F0,7E,nn,06,01,F7 ] 3rd byte nn : Channel = 0 - F : Global Channel= 7F : Any ChannelGM System On ( Receive when in Multi mode )[ F0,7E,nn,09,01,F7 ] 3rd byte nn : Channel = 0 - F : Global Channel= 7F : Any Channel2-4-2 UNIVERSAL SYSTEM EXCLUSIVE MESSAGES ( REALTIME )Master Volume[ F0,7F,0g,04,01,vv,mm,F7 ] 3rd byte g : Global Channel6th byte vv : Value(LSB)7th byte mm : Value(MSB)mm,vv = 00,00 - 7F,7F : Min - MaxMaster Balance[ F0,7F,0g,04,02,vv,mm,F7 ] 3rd byte g : Global Channel6th byte vv : Value(LSB)7th byte mm : Value(MSB)mm,vv = 00,00:Left, 40,00:Center, 7F,7F:RightMaster Fine Tune ( Control Master Tune(cent) in Global )[ F0,7F,0g,04,03,vv,mm,F7 ] 3rd byte g : Global Channel6th byte vv : Value(LSB)7th byte mm : Value(MSB)mm,vv = 20,00:-50, 40,00:+00, 60,00:+50Master Coarse Tune ( Control Transpose (chromatic step) in Global )[ F0,7F,0g,04,04,vv,mm,F7 ] 3rd byte g : Global Channel6th byte vv : Value(LSB)7th byte mm : Value(MSB)mm,vv = 34,00:-12, 40,00:+00, 4C,00:+12
EXB-MOSSDSP EXB-SCSISCSI EXB-DI EXB-mLANmLANEXB-PCMPCM243
DRAM SIMM ☞ ☞ OPTIONS SIMMEXB-PCM DRAM SIMM <strong>TRITON</strong>-<strong>Rack</strong> 244
EXB-MOSS ☞ 245
EXB-SCSI ☞ ☞246
☞EXB-DI ☞ ☞247
EXB-mLAN ☞ ☞ 248
EXB-PCM ☞ ☞EXB-PCM/DRAM SIMM 72PIN1PIN249
DRAM SIMM 72PIN1PIN ☞ ☞250
EXB-MOSS EXB-MOSS –MOSS – – –– ––– – –Portamento Time ModPitch ModLevel ModResonance ModCutOff ModAmp ModPan ModWaveform ModBalance ModFeedback ModLevel Modetc.Frequency ModOSCOscillator 1Oscillator 2Sub OscillatorNoise GeneratorMixerMixerFilterFilter 1LPF/HPF/BPF/BRF/2BPFFilter 2LPF/HPF/BPF/BRF/2BPFAMPAmp1Amp2FeedbackPanFXInsertEffectMasterEffectMasterEQL/MonoRINDIVIDUAL1, 2, 3, 4Intensity ModLevel ModTime ModEG1 EG2 EG3 EG4 Amp.EGLFO1 LFO2 LFO3 LFO4Frequency ModAmp ModJoy Stick, Ribbon Controller& other controllers251
–– – ––– – – –– ☞ ☞ ☞ ☞ ☞ ☞ ☞ ☞ ☞ ☞ ☞ ©252
☞ 253
☞ - – – – – –254
– ☞• –• –• Multi ☞ – –– – – – –– – – –– – – – –– – – – – – – – – – –255
12 3 PROG 2.1: Ed–Basic2.1–1: Basic (Prog Basic)3<strong>TRITON</strong>-<strong>Rack</strong> ☞P. EXB-MOSSOSC 1/OSC 2 P.12 1–1a: Multi OSC Setup: OSC 1 (Oscillator 1 Type)/OSC 2 (Oscillator 2Type)Sub P.14 1–2c: Sub OSC: Waveform Mode P.12 1–1c: Voice Assign Mode: Poly, MonoHold P.13 1–1c: Voice Assign Mode: HoldPriority P.13 1–1c: Voice Assign Mode: PriorityRetrigger P.12 1–1c: Voice Assign Mode: Retrigger (Retrigger Control)Threshold P.12 1–1c: Voice Assign Mode: Threshold (Retrigger Control Threshold)Type P.13 1–1d: Scale: Type (Scale Type)Key P.13 1–1d: Scale: Key (Scale Key)Random P.13 1–1d: Scale: Random☞ 43Release (Release Time)Amp EG: Time ................................................... 5.1–3: AmpEG: L ☞P.266EG1...4: Time .................................................... 5.2–1...4: EG1...4: L ☞P.266ResoReed Model: Bell Character .............................. 2.3–1: Reed: Bell ☞P.262Reso (Resonance)Resonance: BPF <strong>Parameter</strong>s ........................... 2.3–2: Resonance: BPF ☞P.260ResonanceFilter: Filter A ..................................................... 4.1–1/3: Filter1/2 ☞P.265Noise Generator ............................................... 2.1–3: Noise Gen. ☞P.258Brass Model: Lip Character ............................... 2.3–1: Brass: Lip ☞P.262Retrigger (Retrigger Control)Prog Basic: Voice Assign Mode ........................ 2.1–1: Prog Basic: Voice Assign ☞P.257Rl (Release Time AMS2 Intensity)Amp EG: Time Modulation ................................ 5.1–3: AmpEG: T Mod. ☞P.266EG1...4: Time Modulation ................................. 5.2–1...4: EG1...EG4: T Mod. ☞P.266RosinBowed String Model: Bow Speed ...................... 2.3–2: Bowed String: Bow: Bow Speed ☞P.264RoutingFilter: Routing .................................................... 4.1–1/3: Filter1/2 ☞P.26521–1a: Multi OSC SetupDetune[0…99] 1–1c: Voice Assign ModeOSC 1 (Oscillator 1 Type)[Standard…Bowed String Model]Single SizePoly, Mono (Single, Multi)Retrigger (Retrigger Contol) [Off…MIDI:CC#83] 1256
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○Program ModePROG 1.1: Play1.1–1: Program ☞ 1.1–3: Arp (Arp. Play) ☞ 1.1–2: P Edit (Perform. Edit) ☞ PROG 2.1: Ed–Basic2.1–1: Basic (Prog Basic)<strong>TRITON</strong>-<strong>Rack</strong> ☞ P. EXB-MOSSOSC 1/OSC 2 P.12 1–1a: Multi OSC Setup: OSC 1 (Oscillator 1 Type)/OSC 2 (Oscillator 2Type)Sub P.14 1–2c: Sub OSC: WaveformMode P.12 1–1c: Voice Assign Mode: Poly, MonoHold P.13 1–1c: Voice Assign Mode: HoldPriority P.13 1–1c: Voice Assign Mode: PriorityRetrigger P.12 1–1c: Voice Assign Mode: Retrigger (Retrigger Control)Threshold P.12 1–1c: Voice Assign Mode: Threshold (Retrigger Control Threshold)Type P.13 1–1d: Scale: Type (Scale Type)☞ Key P.13 1–1d: Scale: Key (Scale Key)Random P.13 1–1d: Scale: Random2.1–2: OSC (OSC Basic)<strong>TRITON</strong>-<strong>Rack</strong> ☞ P. EXB-MOSSOct P.14 1–2a: OSC 1 Multi OSC Setup: OctaveTrans P.14 1–2a: OSC 1 Multi OSC Setup TransposeTune P.14 1–2a: OSC 1 Multi OSC Setup: TuneF.Ofs P.14 1–2a: OSC 1 Multi OSC Setup: F.Offset (Frequency Offset)Unison P.12 1–1b: Unison: UnisonAssign Mode P.12 1–1b: Unison: ModeDetune P.12 1–1b: Unison: Detune2.1–3: Noise (Noise Gen.)<strong>TRITON</strong>-<strong>Rack</strong> ☞ P. EXB-MOSSFilter Type P.34 1–5a: Noise Generator: Filter TypeInput Trim P.34 1–5a: Noise Generator: Input TrimFrequency P.34 1–5a: Noise Generator: Frequency (Cutoff Frequency)AMS1 P.35 1–5b: Frequency Modulation: AMS1 (Alternate Modulation Source 1)Intensity P.35 1–5b: Frequency Modulation: Intensity (Cutoff Frequency AMS1 Intensity)AMS2 P.35 1–5b: Frequency Modulation: AMS2 (Alternate Modulation Source 2)Intensity P.35 1–5b: Frequency Modulation: Intensity (Cutoff Frequency AMS2 Intensity)Resonance P.34 1–5a: Noise Generator: Resonance257
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○2.1–4: Mixer1/2.1–5: Mixer2<strong>TRITON</strong>-<strong>Rack</strong> ☞ P. EXB-MOSSOSC1 Level P.35 1–6a: Mixer1: OSC1 (OSC1 Output Level)AMS P.35 1–6a: Mixer1: AMS (Alternate Modulation Source)Int P.35 1–6a: Mixer1: Intensity (Level AMS Intensity)OSC2 Level P.35 1–6a: Mixer1: OSC2 (OSC2 Output Level)AMS P.35 1–6a: Mixer1: AMS (Alternate Modulation Source)Int P.35 1–6a: Mixer1: Intensity (Level AMS Intensity)SubOSC Level P.35 1–6a: Mixer1: Sub OSCAMS P.35 1–6a: Mixer1: AMS (Alternate Modulation Source)Int P.35 1–6a: Mixer1: Intensity (Level AMS Intensity)Noise Level P.35 1–6a: Mixer1: NoiseAMS P.35 1–6a: Mixer1: AMS (Alternate Modulation Source)Int P.35 1–6a: Mixer1: Intensity (Level AMS Intensity)Feedback Level P.35 1–6a: Mixer1: FeedbackAMS P.35 1–6a: Mixer1: AMS (Alternate Modulation Source)Int P.35 1–6a: Mixer1: Intensity (Level AMS Intensity)2.1–6: Audition☞ PROG 2.2: Ed–Ctrl2.2–1: Ctrls (Controls)<strong>TRITON</strong>-<strong>Rack</strong> ☞ P. EXB-MOSSKnob1–BKnob2–B P.36 1–7b: Realtime Control Knobs B-AssignKnob3–B☞Knob4–BSW1SW1 Mode P.36 1–7a: Panel Switch AssignSW2☞SW2 ModePROG 2.3: Ed–OSCStandard☞P.142.3–1: Wave<strong>TRITON</strong>-<strong>Rack</strong> ☞ P. EXB-MOSSMain Wave P.15 1–3a: Wave: Main WaveLevel P.15 1–3a: Wave: LevelWave Edge P.15 1–3a: Wave: Wave EdgeWaveform P.15 1–3b: Waveform: WaveformLFO P.15 1–3b: Waveform: LFOIntensity P.15 1–3b: Waveform: Intensity (Waveform Modulation LFO Intensity)AMS P.15 1–3b: Waveform: AMS (Alternate Modulation Source)Intensity P.15 1–3b: Waveform: Intensity (Waveform AMS Intensity)Triangle P.15 1–3a: Wave: Triangle LevelSine P.15 1–3a: Wave: Sine LevelPhase Shift P.15 1–3a: Wave: Phase Shift (Triangle & Sine Phase Shift)258
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○2.3–2: WShape (Wave Shape)Comb Filter☞P.172.3–1: Comb F<strong>TRITON</strong>-<strong>Rack</strong> ☞ P. EXB-MOSSInput Level P.15 1–3c: Wave Shape: Input (Input Level)AMS P.15 1–3c: Wave Shape: AMS (Alternate Modulation Source)Intensity P.15 1–3c: Wave Shape: Intensity (Input Level AMS Intensity)Table Type P.16 1–3c: Wave Shape: Type (Wave Shape Table Type)Offset P.16 1–3c: Wave Shape: Offset (Wave Shape Offset)Shape P.16 1–3c: Wave Shape: ShapeAMS P.16 1–3c: Wave Shape: AMS (Alternate Modulation Source)Intensity P.16 1–3c: Wave Shape: Intensity (Shape AMS Intensity)Balance P.16 1–3c: Wave Shape: BalanceAMS P.16 1–3c: Wave Shape: AMS (Alternate Modulation Source)Intensity P.16 1–3c: Wave Shape: Intensity (Balance AMS Intensity)<strong>TRITON</strong>-<strong>Rack</strong> ☞ P. EXB-MOSSInput P.17 1–3a: Input: InputLevel P.17 1–3a: Input: Level (Input Wave Level)Noise Level P.17 1–3a: Input: Noise LevelPulse Width P.17 1–3a: Input: Pulse WidthAMS P.17 1–3a: Input: AMS (Alternate Modulation Source)Intensity P.17 1–3a: Input: Intensity (Input Wave Level AMS Intensity)Feedback P.17 1–3b: Feedback: Fbk (Feed Back)AMS1 P.17 1–3b: Feedback: AMS1 (Alternate Modulation Source 1)Intensity P.17 1–3b: Feedback: Intensity (Feedback AMS1 Intensity)AMS2 P.17 1–3b: Feedback: AMS2 (Alternate Modulation Source 2)Intensity P.17 1–3b: Feedback: Intensity (Feedback AMS2 Intensity)VPM☞P.182.3–1: CarrierHigh Damp P.18 1–3c: High Damp: H. D (High Damp)AMS P.18 1–3c: High Damp: AMS (Alternate Modulation Source)Intensity P.18 1–3c: High Damp: Intensity (High Damp AMS Intensity)<strong>TRITON</strong>-<strong>Rack</strong> ☞ P. EXB-MOSSCarrier Wave P.18 1–3a: Carrier: WaveLevel P.18 1–3a: Carrier: LevelAMS1 P.18 1–3a: Carrier: AMS1 (Alternate Modulation Source 1)Intensity P.18 1–3a: Carrier: Intensity (Level AMS1 Intensity)AMS2 P.18 1–3a: Carrier: AMS2 (Alternate Modulation Source 2)Intensity P.18 1–3a: Carrier: Intensity (Level AMS2 Intensity)Wave Shape P.19 1–3a: Carrier: Wave ShapeType P.19 1–3a: Carrier: Type (Wave Shape Type)AMS1 P.19 1–3a: Carrier: AMS1 (Alternate Modulation Source 1)Intensity P.19 1–3a: Carrier: Intensity (Shape AMS1 Intensity)AMS2 P.19 1–3a: Carrier: AMS2 (Alternate Modulation Source 2)Intensity P.19 1–3a: Carrier: Intensity (Shape AMS2 Intensity)Feedback P.19 1–3a: Carrier: Feedback259
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○2.3–2: Mod. (Modulator)<strong>TRITON</strong>-<strong>Rack</strong> ☞ P. EXB-MOSSModulator Wave P.19 1–3b: Modulator: WaveLevel P.19 1–3b: Modulator: LevelAMS1 P.19 1–3b: Modulator: AMS1 (Alternate Modulation Source 1)Intensity P.19 1–3b: Modulator: Intensity (Level AMS1 Intensity)AMS2 P.19 1–3b: Modulator: AMS2 (Alternate Modulation Source 2)Intensity P.19 1–3b: Modulator: Intensity (Level AMS2 Intensity)Frequency Coarse P.19 1–3b: Modulator: Frequency CoarseFine P.19 1–3b: Modulator: FineResonance☞P.202.3–1: InputAMS1 P.19 1–3b: Modulator: AMS1 (Alternate Modulation Source 1)Intensity P.19 1–3b: Modulator: Intensity (Frequency AMS1 Intensity)AMS2 P.19 1–3b: Modulator: AMS2 (Alternate Modulation Source 2)Intensity P.19 1–3b: Modulator: Intensity (Frequency AMS2 Intensity)<strong>TRITON</strong>-<strong>Rack</strong> ☞ P. EXB-MOSSInput P.20 1–3a: Input: InputLevel P.20 1–3a: Input: LevelAMS1 P.20 1–3a: Input: AMS1 (Alternate Modulation Source 1)Intensity P.20 1–3a: Input: Intensity (Level AMS1 Intensity)AMS2 P.20 1–3a: Input: AMS2 (Alternate Modulation Source 2)Intensity P.20 1–3a: Input: Intensity (Level AMS2 Intensity)2.3–2: BPFAMS P.20 1–3c: Resonance Modulation: AMS (Alternate Modulation Source)Intensity P.20 1–3c: Resonance Modulation: Intensity (Resonance AMS Intensity)<strong>TRITON</strong>-<strong>Rack</strong> ☞ P. EXB-MOSSLevel P.20 1–3b: BPF <strong>Parameter</strong>s: LevelF.Coarse P.20 1–3b: BPF <strong>Parameter</strong>s: CoarseAMS P.20 1–3b: BPF <strong>Parameter</strong>s: AMS (Alternate Modulation Source)Int P.20 1–3b: BPF <strong>Parameter</strong>s: Int (BPF Frequency AMS Intensity)F.Fine P.20 1–3b: BPF <strong>Parameter</strong>s: FineRing Modulation☞P.212.3–1: RingReso P.20 1–3b: BPF <strong>Parameter</strong>s: Reso (Resonance)<strong>TRITON</strong>-<strong>Rack</strong> ☞ P. EXB-MOSSInput P.21 1–3a: Wave: InputCarrier Wave P.21 1–3a: Wave: CarrierWave Edge P.21 1–3a: Wave: Wave EdgeType P.21 1–3a: Wave: TypeModulation Depth P.21 1–3b: Modulation Depth: DepthAMS1 P.21 1–3b: Modulation Depth: AMS1 (Alternate Modulation Source 1)Intensity P.21 1–3b: Modulation Depth: Intensity (Modulation Depth AMS1 Intensity)AMS2 P.21 1–3b: Modulation Depth: AMS2 (Alternate Modulation Source 2)Intensity P.21 1–3b: Modulation Depth: Intensity (Modulation Depth AMS2 Intensity)260
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○Cross Modulation☞P.222.3–1: CrossSync Modulation☞P.232.3–1: Sync<strong>TRITON</strong>-<strong>Rack</strong> ☞ P. EXB-MOSSInput P.22 1–3a: Wave: InputCarrier Wave P.22 1–3a: Wave: CarrierWave Edge P.22 1–3a: Wave: Wave EdgeModulation Depth P.22 1–3b: Modulation Depth: DepthAMS1 P.22 1–3b: Modulation Depth: AMS1 (Alternate Modulation Source 1)Intensity P.22 1–3b: Modulation Depth: Intensity (Modulation Depth AMS1 Intensity)AMS2 P.22 1–3b: Modulation Depth: AMS2 (Alternate Modulation Source 2)Intensity P.22 1–3b: Modulation Depth: Intensity (Modulation Depth AMS2 Intensity)<strong>TRITON</strong>-<strong>Rack</strong> ☞ P. EXB-MOSSInput P.23 1–3a: Wave: InputSlave Wave P.23 1–3a: Wave: SlaveWave Edge P.23 1–3a: Wave: Wave EdgeOrgan Model☞P.232.3–1: Drwbar<strong>TRITON</strong>-<strong>Rack</strong> ☞ P. EXB-MOSSDrawbar1...3 Wave P.23 1–3a: Tone Generator: Drawbar1: WaveDrawbar1...3 Coarse P.23 1–3a: Tone Generator: Drawbar1: Coarse (Harmonics Coarse)Drawbar1...3 Fine P.23 1–3a: Tone Generator: Drawbar1: Fine (Harmonics Coarse Fine)Level P.23 1–3a: Tone Generator: Drawbar1: LevelAMS P.23 1–3a: Tone Generator: Drawbar1: AMS (Alternate Modulation Source)Intensity P.24 1–3a: Tone Generator: Drawbar1: Intensity (Level AMS Intensity)2.3–2: Perc.<strong>TRITON</strong>-<strong>Rack</strong> ☞ P. EXB-MOSSPercussion P.24 1–3a: Tone Generator: Drawbar1: PercussionLevel AMS P.24 1–3b: Percussion Generator: Level AMS (Level Alternate ModulationSource)Intensity P.24 1–3b: Percussion Generator: Intensity (Level AMS Intensity)Trigger P.24 1–3b: Percussion Generator: TriggerDecay P.24 1–3b: Percussion Generator: DecayE. Piano Model☞P.242.3–1: E.Piano<strong>TRITON</strong>-<strong>Rack</strong> ☞ P. EXB-MOSSForce P.24 1–3a: Hammer: ForceVel. Curve P.24 1–3a: Hammer: Force Velocity CurveWidth P.24 1–3a: Hammer: Width (Hammer Width)Click P.25 1–3a: Hammer: Click Noise LevelDecay P.25 1–3b: Tone Generator: DecayRelease P.25 1–3b: Tone Generator: ReleaseLevel P.25 1–3c: Overtone: LevelFrequency P.25 1–3c: Overtone: FrequencyDecay P.25 1–3c: Overtone: DecayLocation P.25 1–3d: Pickup: LocationAMS P.25 1–3d: Pickup: AMS (Alternate Modulation Source)Intensity P.25 1–3d: Pickup: Intensity (Pickup Location AMS Intensity)Frequency P.25 1–3e: Low EQ: FrequencyGain[dB] P.25 1–3e: Low EQ: Gain261
Brass Model☞P.262.3–1: BrassReed Model☞P.282.3–1: Reed<strong>TRITON</strong>-<strong>Rack</strong> ☞ P. EXB-MOSSInst Type P.26 1–3a: Inst Type: Inst TypeJump.Bend JS(+X) P.26 1–3a: Jump Bend: JX(+X) (Joystick +X)Jump.Bend JS(-X) P.26 1–3a: Jump Bend: JX(-X) (Joystick -X)Pres.EG P.26 1–3b: Breath Pressure: EGInt P.27 1–3b: Breath Pressure: Intensity (Pressure EG Intensity)Strength P.27 1–3b: Breath Pressure: StrengthNoise P.27 1–3b: Breath Pressure: Breath NoisePres.AMS1 P.27 1–3b: Breath Pressure: AMS1 (Alternate Modulation Source1)Int P.27 1–3b: Breath Pressure: Intensity (Pressure AMS1 Intensity)2 P.27 1–3b: Breath Pressure: AMS2 (Alternate Modulation Source2)Int P.27 1–3b: Breath Pressure: Intensity (Pressure AMS2 Intensity)Lip P.27 1–3c: Lip Character: LipAMS P.27 1–3c: Lip Character: AMS (Alternate Modulation Source)Int P.27 1–3c: Lip Character: Intensity (Lip Character AMS Intensity)Tone P.27 1–3d: Bell Character: ToneReso P.27 1–3d: Bell Character: ResonanceFrequency P.27 1–3e: Peaking EQ: FrequencyQ P.27 1–3e: Peaking EQ: QGain[dB] P.27 1–3e: Peaking EQ: Gain<strong>TRITON</strong>-<strong>Rack</strong> ☞ P. EXB-MOSSInst Type P.28 1–3a: Inst Type: Inst TypeJump.Bend JS(+X) P.28 1–3a: Jump Bend: JX(+X) (Joystick +X)Jump.Bend JS(-X) P.28 1–3a: Jump Bend: JX(-X) (Joystick -X)Pres.EG P.28 1–3b: Breath Pressure: EGInt P.28 1–3b: Breath Pressure: Intensity (Pressure EG Intensity)Noise P.28 1–3b: Breath Pressure: Breath NoisePres.AMS 1 P.28 1–3b: Breath Pressure: AMS1 (Alternate Modulation Source1)Int P.28 1–3b: Breath Pressure: Intensity (Pressure AMS1 Intensity)2 P.28 1–3b: Breath Pressure: AMS2 (Alternate Modulation Source2)Int P.28 1–3b: Breath Pressure: Intensity (Pressure AMS2 Intensity)AMS P.29 1–3c: Reed Character: AMS (Alternate Modulation Source)Int P.29 1–3c: Reed Character: Intensity (Reed AMS Intensity)Tone P.29 1–3d: Bell Character: ToneReso P.29 1–3d: Bell Character: ResoFrequency P.29 1–3f: Peaking EQ: FrequencyQ P.29 1–3f: Peaking EQ: QGain[dB] P.29 1–3f: Peaking EQ: Gain2.3–2: WShape<strong>TRITON</strong>-<strong>Rack</strong> ☞ P. EXB-MOSSTable Type P.29 1–3e: Wave Shape: Type (Wave Shape Table Type)Offset P.29 1–3e: Wave Shape: OffsetShape P.29 1–3e: Wave Shape: ShapeAMS P.29 1–3e: Wave Shape: AMS (Alternate Modulation Source)Intensity P.29 1–3e: Wave Shape: Intensity (Shape AMS Intensity)262
Plucked String Model☞P.302.3–1: String<strong>TRITON</strong>-<strong>Rack</strong> ☞ P. EXB-MOSSPicking Point P.30 1–3c: String: Picking PointAMS P.30 1–3c: String: AMS (Alternate Modulation Source)Int P.31 1–3c: String: Intensity (Picking Point AMS Intensity)Damp P.31 1–3c: String: DampKTr P.31 1–3c: String: KTr (Damp Keyboard Track)AMS P.31 1–3c: String: AMS (Alternate Modulation Source)Int P.31 1–3c: String: Intensity (Damp AMS Intensity)Decay P.31 1–3c: String: DecayKTr P.31 1–3c: String: KTr (Decay Keyboard Track)Release P.31 1–3c: String: ReleaseDispersion P.31 1–3c: String: DispersionAMS P.31 1–3c: String: AMS (Alternate Modulation Source)Int P.31 1–3c: String: Intensity (Dispersion AMS Intensity)2.3–2: AttackBowed String Model☞P.322.3–1: String<strong>TRITON</strong>-<strong>Rack</strong> ☞ P. EXB-MOSSLevel P.30 1–3a: Attack: Attack LevelVel. P.30 1–3a: Attack: Velocity (Attack Level Velocity Control)Noise P.30 1–3a: Attack: Noise LevelVel. P.30 1–3a: Attack: Velocity (Noise Level Velocity Control)Up P.30 1–3b: Attack Curve: Up (Curve Up)Vel. P.30 1–3b: Attack Curve: Velocity (Curve Up Velocity Control)Down P.30 1–3b: Attack Curve: Down (Curve Down)Vel. P.30 1–3b: Attack Curve: Velocity (Curve Down Velocity Control)Point P.31 1–3d: Harmonics: PointCtrl P.31 1–3d: Harmonics: Ctrl (Control)Int P.31 1–3d: Harmonics: Intensity (Harmonics Control Intensity)Pickup P.32 1–3e: Pickup: PickupLocation P.32 1–3e: Pickup: LocationAMS P.32 1–3e: Pickup: AMS (Alternate Modulation Source)Int P.32 1–3e: Pickup: Intensity (Pickup Location AMS (Alternate Intensity)Frequency P.32 1–3f: Low EQ: FrequencyGain[dB] P.32 1–3f: Low EQ: GainBoost P.32 1–3f: Low EQ: Low Boost<strong>TRITON</strong>-<strong>Rack</strong> ☞ P. EXB-MOSSBowing Point P.33 1–3c: String: Bowing PointAMS P.33 1–3c: String: AMS (Alternate Modulation Source)Int P.33 1–3c: String: Intensity (Bowing Point AMS Intensity)Damp P.33 1–3c: String: DampAMS P.33 1–3c: String: AMS (Alternate Modulation Source)Int P.33 1–3c: String: Intensity (Damp AMS Intensity)KTr Key P.33 1–3c: String: Damp Ktr Key (Damp Keyboard Track Key)Ramp Low P.33 1–3c: String: Ramp LowRamp High P.33 1–3c: String: Ramp HighDispersion P.34 1–3c: String: DispersionAMS P.34 1–3c: String: AMS (Alternate Modulation Source)Int P.34 1–3c: String: Intensity (Dispersion AMS Intensity)Bridge Reflection P.34 1–3c: String: Bridge ReflectionAMS P.34 1–3c: String: AMS (Alternate Modulation Source)Int P.34 1–3c: String: Intensity (Bridge Reflection AMS Intensity)263
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○2.3-2: Bow<strong>TRITON</strong>-<strong>Rack</strong> ☞ P. EXB-MOSSDifferential P.33 1–3a: Bow Speed: DifferentialEG P.32 1–3a: Bow Speed: EGInt P.32 1–3a: Bow Speed: Int (Seed Modulation EG Intensity)AMS1 P.32 1–3a: Bow Speed: AMS1 (Alternate Modulation Source 1)Int P.32 1–3a: Bow Speed: Intensity (Speed AMS1 Intensity)AMS2 P.32 1–3a: Bow Speed: AMS2 (Alternate Modulation Source 2)Int P.33 1–3a: Bow Speed: Intensity (Speed AMS2 Intensity)Rosin P.33 1–3a: Bow Speed: RosinEG P.33 1–3b: Bow Pressure: EGInt P.33 1–3b: Bow Pressure: Int (Pressure EG Intensity)AMS P.33 1–3b: Bow Pressure: AMS (Alternate Modulation Source)Int P.33 1–3b: Bow Pressure: Int (Pressure AMS Intensity)Frequency P.34 1–3d: Peaking EQ: FrequencyQ P.34 1–3d: Peaking EQ: QGain[dB] P.34 1–3d: Peaking EQ: GainPROG 3.1: Ed –Pitch☞P.373.1–1: Common<strong>TRITON</strong>-<strong>Rack</strong> ☞ P. EXB-MOSSJS(+X) P.38 2–4a: Pitch Bend: JS(+X) (Joystick Intensity +X)Step P.38 2–4a: Pitch Bend: Step (Joystick Step +X)JS(-X) P.38 2–4a: Pitch Bend: JS(-X) (Joystick Intensity -X)Step P.38 2–4a: Pitch Bend: Step (Joystick Step -X)AMS P.38 2–4b: Common Pitch Modulation: AMS (Alternate Modulation Source)Intensity P.38 2–4b: Common Pitch Modulation: Intensity (Common Pitch AMS Intensity)Enable P.38 2–4c: Portamento: EnableFingered P.38 2–4c: Portamento: FingeredTime P.38 2–4c: Portamento: TimeAMS P.38 2–4c: Portamento: AMS (Alternate Modulation Source)Intensity P.38 2–4c: Portamento: Intensity (Portamento Time AMS Intensity)3.1–2…4: OSC1...SubOSC<strong>TRITON</strong>-<strong>Rack</strong> ☞ P. EXB-MOSSCenter Key P.37 2–1a: Pitch Slope: Center KeyRamp Low P.37 2–1a: Pitch Slope: Ramp LowRamp High P.37 2–1a: Pitch Slope: Ramp HighAMS1 P.37 2–1b: Pitch Modulation: AMS1 (Alternate Modulation Source 1)Intensity P.37 2–1b: Pitch Modulation: Intensity (Pitch AMS1 Intensity)AMS P.37 2–1b: Pitch Modulation: AMS (AMS1 Intensity Alternate ModulationSource)Int P.37 2–1b: Pitch Modulation: Intensity (AMS1 Int AMS Intensity)AMS2 P.37 2–1b: Pitch Modulation: AMS2 (Alternate Modulation Source 2)Intensity P.37 2–1b: Pitch Modulation: Intensity (Pitch AMS2 Intensity)264
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○PROG 4.1: Ed–Filter☞P.394.1–1: Filter1/4.1–3: Filter2<strong>TRITON</strong>-<strong>Rack</strong> ☞ P. EXB-MOSSRouting P.39 3–1a: Routing: RoutingFilter2 P.39 3–1a: Routing: Filter2Filter1 Type P.39 3–1b: Filter Type: Filter TypeTrim to A P.39 3–1b: Filter Type: A TrimTrim to B P.39 3–1b: Filter Type: B TrimFreq to A P.39 3–1c: Filter A: Frequency (Cutoff Frequency)Freq to B P.39 3–1c: Filter A: Frequency (Cutoff Frequency)EG P.40 3–1c: Filter A: EG (Cutoff Frequency Modulation EG)Int. to A P.40 3–1c: Filter A: Intensity (Cutoff Frequency Mod. EG Intensity)Int. to B P.40 3–1c: Filter A: Intensity (Cutoff Frequency Mod. EG Intensity)Reso to A P.40 3–1c: Filter A: ResonanceReso to B P.40 3–1c: Filter A: ResonanceAMS P.40 3–1c: Filter A: AMS (Alternate Modulation Source)Int. to A P.40 3–1c: Filter A: Intensity (Resonance AMS Intensity)Int. to B P.40 3–1c: Filter A: Intensity (Resonance AMS Intensity)4.1–2: F1 Mod/4.1–4: F2 Mod<strong>TRITON</strong>-<strong>Rack</strong> ☞ P. EXB-MOSSto A Key Low P.40 3–2a: FilterA/B Keyboard Track: Filter A: Key Lowto A Key High P.40 3–2a: FilterA/B Keyboard Track: Filter A: Key Highto A Ramp Low P.40 3–2a: FilterA/B Keyboard Track: Filter A: Ramp Lowto A Ramp High P.40 3–2a: FilterA/B Keyboard Track: Filter A: Ramp Highto B Key Low P.40 3–2a: FilterA/B Keyboard Track: Filter A: Key Lowto B Key High P.40 3–2a: FilterA/B Keyboard Track: Filter A: Key Highto B Ramp Low P.40 3–2a: FilterA/B Keyboard Track: Filter A: Ramp Lowto B Ramp High P.40 3–2a: FilterA/B Keyboard Track: Filter A: Ramp HighAMS1 P.41 3–2b: Filter A/B Modulation: Filter A: AMS1 (Alternate ModulationSource 1)Int. to A P.41 3–2b: Filter A/B Modulation: Filter A: Intensity (Cutoff Frequency AMS1Intensity)to B P.41 3–2b: Filter A/B Modulation: Filter A: Intensity (Cutoff Frequency AMS1Intensity)AMS2 P.41 3–2b: Filter A/B Modulation: Filter A: AMS2 (Alternate ModulationSource 2)Int. to A P.41 3–2b: Filter A/B Modulation: Filter A: Intensityto B P.41 3–2b: Filter A/B Modulation: Filter A: Intensity (Cutoff Frequency AMS2Intensity)PROG 5.1: Ed–Amp☞P.415.1–1: Amp1/5.1–2: Amp2<strong>TRITON</strong>-<strong>Rack</strong> ☞ P. EXB-MOSSLevel P.41 4–1a: Amp Level: Amp LevelEG P.41 4–1a: Amp Level: EG (Amplitude Modulation EG)AMS P.41 4–1a: Amp Level: AMS (Alternate Modulation Source)Intensity P.41 4–1a: Amp Level: Intensity (Amplitude AMS Intensity)Key Low P.41 4–1b: Keyboard Track: Key LowKey High P.41 4–1b: Keyboard Track: Key HighRamp Low P.42 4–1b: Keyboard Track: Ramp LowRamp High P.42 4–1b: Keyboard Track: Ramp High265
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○5.1–3: AmpEG<strong>TRITON</strong>-<strong>Rack</strong> ☞ P. EXB-MOSSA (Attack Level) P.42 4–3a: Level: Attack (Attack Level)B (Break Level) P.42 4–3a: Level: Break (Break Level)S (Sustain Level) P.42 4–3a: Level: Sustain (Sustain Level)A (Attack Time) P.42 4–3b: Time: Attack (Attack Time)D (Decay Time) P.42 4–3b: Time: Decay (Decay Time)S (Slope Time) P.42 4–3b: Time: Slope (Slope Time)R (Release Time) P.42 4–3b: Time: Release (Release Time)AMS1 P.43 4–3d: Time Modulation: AMS1 (Alternate Modulation Source 1)I (Intensity) P.43 4–3d: Time Modulation: Intensity (EG Time AMS1 Intensity)AMS2 P.43 4–3d: Time Modulation: AMS2 (Alternate Modulation Source 2)A P.43 4–3d: Time Modulation: At (Attack Time AMS2 Intensity)D P.43 4–3d: Time Modulation: Dc (Decay Time AMS2 Intensity)S P.43 4–3d: Time Modulation: Sl (Slope Time AMS2 Intensity)R P.43 4–3d: Time Modulation: Rl (Release Time AMS2 Intensity)AMS P.42 4–3c: Level Modulation: AMS (Alternate Modulation Source)I (Intensity) P.43 4–3c: Level Modulation: Intensity (EG Level AMS Intensity)Velocity Control P.43 4–3c: Level Modulation: Velocity Control5.1–4: Output (Output/Pan)<strong>TRITON</strong>-<strong>Rack</strong> ☞ P. EXB-MOSSLevel P.43 4–4a: Output Level: Output LevelPan P.43 4–4b: Pan: PanAMS P.43 4–4b: Pan: AMS (Alternate Modulation Source)Intensity P.43 4–4b: Pan: Intensity (Panpot AMS Intensity)PROG 5.2: Ed–EGs☞P.465.2–1…4: EG1...EG4<strong>TRITON</strong>-<strong>Rack</strong> ☞ P. EXB-MOSSS (Start Level) P.46 6–1a: Level: Start (Start Level)A (Attack Level) P.46 6–1a: Level: Attack (Attack Level)B (Break Level) P.46 6–1a: Level: Break (Break Level)S (Sustain Level) P.46 6–1a: Level: Sustain (Sustain Level)R (Release Level) P.46 6–1a: Level: Release (Release Level)A (Attack Time) P.46 6–1b: Time: Attack (Attack Time)D (Decay Time) P.46 6–1b: Time: Decay (Decay Time)S (SlopeTime) P.46 6–1b: Time: Slope (Slope Time)R (Release Time) P.46 6–1b: Time: Release (Release Time)AMS1 P.46 6–1d: Time Modulation: AMS1 (Alternate Modulation Source 1)I (Intensity) P.46 6–1d: Time Modulation: Intensity (EG Time AMS1 Intensity)AMS2 P.47 6–1d: Time Modulation: AMS2 (Alternate Modulation Source 2)A P.47 6–1d: Time Modulation: At (Attack Time AMS2 Intensity)D P.47 6–1d: Time Modulation: Dc (Decay Time AMS2 Intensity)S P.47 6–1d: Time Modulation: Sl (Slope Time AMS2 Intensity)R P.47 6–1d: Time Modulation: Rl (Release Time AMS2 Intensity)AMS P.46 6–1c: Level Modulation: AMS (Alternate Modulation Source)I (Intensity) P.46 6–1c: Level Modulation: Intensity (EG Level AMS Intensity)Velocity Control P.46 6–1c: Level Modulation: Velocity Control266
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○PROG 5.3: Ed–LFOs☞P.445.3–1…4: LFO1...LFO4<strong>TRITON</strong>-<strong>Rack</strong> ☞ P. EXB-MOSSWaveform P.44 5–1a: LFO1: WaveformFrequency P.44 5–1a: LFO1: FrequencyOfs P.44 5–1a: LFO1: OffsetKey Sync P.44 5–1a: LFO1: Key SyncFade P.45 5–1a: LFO1: FadeAMS P.44 5–1a: LFO1: Amplitude AMS (Alternate Modulation Source 1)Int P.44 5–1a: LFO1: Intensity (Amplitude AMS Intensity)AMS1 P.45 5–1b: Frequency Modulation: AMS1 (Alternate Modulation Source 1)Int P.45 5–1b: Frequency Modulation: Intensity (Frequency AMS1 Intensity)AMS2 P.45 5–1b: Frequency Modulation: AMS2 (Alternate Modulation Source 2)Int P.45 5–b: Frequency Modulation: Intensity (Frequency AMS2 Intensity)Sync. P.45 5–1c: Frequency MIDI/Tempo Sync.: MIDI/Tempo Sync.Base Note P.45 5–1c: Frequency MIDI/Tempo Sync.: Base NoteTimes P.45 5–1c: Frequency MIDI/Tempo Sync.: Times☞ PROG 6.1: Ed–Arp. ☞PROG 7.2: Ed–InsertFX ☞PROG 7.1: Ed–BUS ☞PROG 7.3: Ed–MasterFX ☞Combination ModeCOMBI 2.3: Ed–MOSS2.3–1: MOSS☞<strong>TRITON</strong>-<strong>Rack</strong> ☞ P. EXB-MOSSVoice Reserve P.48 4–3: MOSS Setup: Voice Allocation Reserve (Total Max:6voices)BUS Select Reference P.48 4–3: MOSS Setup: MOSS BUS Select Reference267
Multi ModeMULTI 2.3: MOSS2.3–1: MOSS☞☞☞Modulation Source ListOffEG 1...EG 4Amp EGLFO 1...LFO 4PortamentoNote# LineNote# EXP.Note/HighNote/LowVel. SortVel. Med.Vel.HardAfterTJS XJS+Y #01JS-Y #02JS+Y&AT/2*JS-Y&AT/2*Pedal #04Ribbon #16Rbn#16 +XRbn#16 -XSlider #18KnobM1#17KnobM2#19KnobM3#20KnobM4#21KnobM1 [+]KnobM2 [+]KnobM3 [+]KnobM4 [+]Damper #64SW 1 #80SW 2 #81FootSW#82MIDI CC#83268
EXB-MOSS <strong>Parameter</strong> Index AA TrimFilter: Filter Type ................................................ 4.1–1/3: Filter1/2: Trim to A ☞P.265Amp LevelAmp Level ......................................................... 5.1–1/2: Amp1/2: Level ☞P.265Amplitude AMS (Alternate Modulation Source 1)LFO1...4: LFO ................................................... 5.3–1...4: LFO1...4: Amp ☞P.267AMS (Alternate Modulation Source)Amp EG: Level Modulation ............................... 5.1–3: Amp EG: L Mod. ☞P.266Amp Level ......................................................... 5.1–1/2: Amp1/2: Amp1/2 ☞P.265Common P.Mod: Common Pitch Modulation ..... 3.1–1: Common: Common Pitch Mod. ☞P.264Common P.Mod: Portamento ............................ 3.1–1: Common: Portamento ☞P.264EG: Level Modulation ........................................ 5.2–1...4: EG1...4: L Mod. ☞P.266Filter: Filter A ..................................................... 4.1–1/3: Filter1/2 ☞P.265OSC Mixer: Mixer1/2 ......................................... 2.1–4/5: Mixer1/2 ☞P.258Bowed String Model: Bow Pressure .................. 2.3–2: Bowed Str: Bow: Bow Pressure ☞P.264Bowed String Model: String .............................. 2.3–1: Bowed Str: String ☞P.263Brass Model: Lip Character ............................... 2.3–1: Brass: Lip ☞P.262Comb Filter: High Damp ................................... 2.3–1: Comb F: High Damp ☞P.259Comb Filter: Input ............................................. 2.3–1: Comb F: Input ☞P.259E.Piano Model: Pickup ...................................... 2.3–1: E.Piano: Pickup ☞P.261Organ Model: Tone Generator ........................... 2.3–1: Organ: Drwbar: Drawbar1...3 ☞P.261Plucked String Model: Pickup ........................... 2.3–2: Plucked Str: Attack: Pickup ☞P.263Plucked String Model: String ............................. 2.3–1: Plucked Str: String ☞P.263Reed Model: Reed Character ........................... 2.3–1: Reed: Reed ☞P.262Reed Model: Wave Shape ................................. 2.3–2: Reed: WShape ☞P.262Resonance: BPF <strong>Parameter</strong>s ........................... 2.3–1: Resonance: BPF: BPF1...4 ☞P.260Resonance: Resonance Modulation ...... 2.3–1: Resonance: Input: Resonance Modulation ☞P.260Standard: Wave Shape ..................................... 2.3–2: Standard: WShape ☞P.259Standard: Waveform .......................................... 2.3–1: Standard: Wave ☞P.258Output Level/Pan: Pan ...................................... 5.1–4: Output/Pan ☞P.266AMS (AMS1 Intensity Alternate Modulation Source)OSC P.Mod.: Pitch Modulation .......................... 3.1–2...4: OSC1...SubOSC: Modulation ☞P.264AMS1 (Alternate Modulation Source 1)AMS2 (Alternate Modulation Source 2)Amp EG: Time Modulation ................................ 5.1–3: Amp EG: T Mod. ☞P.266Comb Filter: Feedback ...................................... 2.3–1: Comb F: Feedback ☞P.259EG1...4: Time Modulation ................................. 5.2–1...4: EG1...4: T Mod. ☞P.266Filter Mod.: Filter A/B Modulation ...................... 4.1–1/3: Filter1/2 ☞P.265LFO1...4: Frequency Modulation ....................... 5.3–1...4: LFO1...4: Freq ☞P.267Noise Generator: Frequency Modulation .......... 2.1–3: Noise Gen.: Frequency ☞P.257OSC Mod.: Pitch Modulation ............................. 3.1–2...4: OSC1...SubOSC: Modulation ☞P.264Bowed String Model: Bow Speed ...................... 2.3–2: Bowed Str: Bow: Bow Speed ☞P.264Brass Model: Breath Pressure .......................... 2.3–1: Brass: Breath ☞P.262Comb Filter:Feedback ....................................... 2.3–1: Comb F: Feedback ☞P.259Cross Modulation: Modulation Depth ............... 2.3–1: Cross Mod: Mod. Depth ☞P.261Reed Model: Breath Pressure ........................... 2.3–1: Reed: Breath ☞P.262Resonance: Input .............................................. 2.3–1: Resonance: Input ☞P.260Ring Modulation: Modulation Depth .................. 2.3–1: Ring Mod: Mod. Depth ☞P.260VPM: Carrier ..................................................... 2.3–1: VPM: Carrier ☞P.259VPM: Modulator ................................................ 2.3–2: VPM: Mod.: Modulator ☞P.260At (Attack Time AMS2 Intensity)Amp EG: Time Modulation ................................ 5.1–3: Amp EG: T Mod. ☞P.266EG1...4: Time Modulation ................................. 5.2–1...4: EG1...EG4: T Mod. ☞P.266Attack (Attack Level)Amp EG: Level .................................................. 5.1–3: Amp EG: L☞ P.266EG1...4: Level ................................................... 5.2–1...4: EG1...EG4: L ☞P.266Attack (Attack Time)Amp EG: Time ................................................... 5.1–3: Amp EG: T ☞P.266EG1...4: Time .................................................... 5.2–1...4: EG1...EG4: T ☞P.266Attack LevelPlucked String Model: Attack ............................ 2.3–2: Plucked Str: Attack: Level ☞263BB TrimFilter: Filter Type ................................................ 4.1–1/3: Filter1/2: Trim to B ☞P.265BalanceStandard: Wave Shape ................................. 2.3–2: Standard: WShape ☞P.259Base NoteLFO1...4: Frequency MIDI/Tempo Sync. ...... 5.3–1...4: LFO1...4: MIDI/Tempo Sync. ☞P.267Bowing PointBowed String Model: String .............................. 2.3–1: Bowed Str: String ☞P.263Break (Break Level)Amp EG: Level .................................................. 5.1–3: Amp EG: L: B(Break Level) ☞P.266EG1...4: Time .................................................... 5.2–1...4: EG1...EG4: L ☞P.266Breath NoiseBrass Model: Breath Pressure .......................... 2.3–1: Brass: Breath: Noise ☞P.262Reed Model: Breath Pressure ........................... 2.3–1: Reed: Breath: Noise ☞P.262Bridge ReflectionBowed String Model: String .............................. 2.3–1: Bowed Str: String ☞P.263CCarrierCross Modulation: Wave ................................... 2.3–1: Cross ☞P.261Ring Modulation: Wave ..................................... 2.3–1: Ring ☞P.260Center KeyOSC Mod.: Pitch Slope ..................................... 3.1–2...4: OSC1...Pitch Slope ☞P.264Click Noise LevelE.Piano Model: Hammer ................................... 2.3–1: E.Piano ☞P.261CoarseResonance: BPF <strong>Parameter</strong>s ........................... 2.3–2: Resonance: BPF: BPF1...4 ☞P.260Coarse (Harmonics Coarse)Organ Model: Tone Generator ........................... 2.3–1: Organ: Drwbar: Drawbar1...3 ☞P.261Ctrl (Control)Plucked String Model: Harmonics ..................... 2.3–1: Plucked Str: Attack: Harmonics ☞P.263DDampBowed String Model: String .............................. 2.3–1: Bowed Str: String ☞P.263Plucked String Model: String ............................. 2.3–1: Plucked Str: String ☞P.263Damp Ktr Key (Damp Keyboard Track Key)Bowed String Model: String .............................. 2.3–1: Bowed Str: String ☞P.263Dc (Decay Time AMS2 Intensity)Amp EG: Time Modulation ................................ 5.1–3: Amp EG: T Mod. ☞P.266EG1...4: Time Modulation ................................. 5.2–1...4: EG1...EG4: T Mod. ☞P.266DecayE.Piano Model: Overtone .................................. 2.3–1: E.Piano ☞P.261E.Piano Model: Tone Generator ........................ 2.3–1: E.Piano ☞P.261Organ Model: Percussion Generator ............ 2.3–2: Organ.: Perc.: Percussion Generator ☞P.261Plucked String Model: String ............................. 2.3–1: Plucked Str: String ☞P.263Decay (Decay Time)Amp EG: Time ................................................... 5.1–3: Amp EG: T ☞P.266EG1...4: Time .................................................... 5.2–1...4: EG1...EG4: T ☞P.266DepthCross Modulation: Modulation Depth ................ 2.3–1: Cross Mod: Mod. Depth ☞P.261Ring Modulation: Modulation Depth .................. 2.3–1: Ring Mod: Mod. Depth ☞P.260DetuneProgram Basic: Unison ..................................... 2.1–2: OSC: Unison ☞P.257DifferentialBowed String Model: Bow Speed ...................... 2.3–2: Bowed Str: Bow: Bow Speed ☞P.264DispersionBowed String Model: String .............................. 2.3–2: Bowed Str: String ☞P.263Plucked String Model: String ............................. 2.3–2: Plucked Str: String ☞P.263Down (Curve Down)Plucked String Model: Attack Curve .................. 2.3–2: Plucked Str: String: Curve ☞P.263EEGBowed String Model: Bow Pressure .................. 2.3–2: Bowed Str: Bow: Bow Speed ☞P.264Bowed String Model: Bow Speed ...................... 2.3–2: Bowed Str: Bow: Bow Speed ☞P.264Brass Model: Breath Pressure .......................... 2.3–2: Brass: Breath: Pres.EG ☞P.262Reed Model: Breath Pressure ........................... 2.3–1: Reed: Breath: Pres.EG ☞P.262EG (Amplitude Modulation EG)Amp Level ......................................................... 5.1–1/2: Amp1/Amp2 ☞P.265EG (Cutoff Frequency Modulation EG)Filter: Filter A ..................................................... 4.1–1/3: Filter1/Filter2 ☞P.265EnableCommon P.Mod: Portamento ............................ 3.1–1: Common: Portamento ☞P.264FF.OffsetOSC Basic ........................................................ 2.1–2...4: OSC: OSC1…SubOSC: F.Ofs ☞P.257FadeLFO1...4: LFO ................................................... 5.3–1...4: LFO1...LFO4 ☞P.267269
Fbk (Feed Back)Comb Filter: Feedback ...................................... 2.3–1: Comb F: Feedback ☞P.259FeedbackOSC Mixer ........................................................ 2.1–4/5: Mixer1/2: Feedback ☞P.258VPM: Carrier ..................................................... 2.3–1: VPM: Carrier: Feedback ☞P.259Filter TypeFilter: Filter Type ................................................ 4.1–1/3: Filter1/2 ☞P.265Noise Generator ............................................... 2.1–3: Noise Gen. ☞P.257Filter2 (Link to Filter1)Filter: Routing .................................................... 4.1–1/3: Filter1/2: Link SW ☞P.265FineResonance: BPF <strong>Parameter</strong>s ........................... 2.3–1: Resonance: BPF: BPF1...4 ☞P.260VPM: Modulator ................................................ 2.3–2: VPM: Mod. ☞P.260Fine (Harmonics Fine)Organ Model: Tone Generator ........................... 2.3–1: Organ: Drwbar: Drawbar1...3 ☞P.261FingeredCommon P.Mod: Portamento ............................ 3.1–1: Common: Portamento ☞P.264ForceE.Piano Model: Hammer ................................... 2.3–1: E.Piano: Hammer ☞P.261Force Velocity CurveE.Piano Model: Hammer ................................... 2.3–1: E.Piano: Hammer: Force Vel.Curve ☞P.261FrequencyLFO1...4: LFO ................................................... 5.3–1...4: LFO1...4: Waveform ☞P.267Bowed String Model: Peaking EQ ..................... 2.3–2: Bowed Str: Bow: Peaking EQ ☞P.264Brass Model: Peaking EQ ................................. 2.3–1: Brass: Peaking EQ ☞P.262E.Piano Model: Low EQ .................................... 2.3–1: E.Piano: Low EQ ☞P.261E.Piano Model: Overtone .................................. 2.3–1: E.Piano: Overtone ☞P.261Plucked String Model: Low EQ ......................... 2.3–2: Plucked Str: Attack: Low EQ ☞P.263Reed Model: Peaking EQ .................................. 2.3–1: Reed: Peaking EQ ☞P.262Frequency (Cutoff Frequency)Noise Generator ............................................... 2.1–3: Noise Gen. ☞P.257Filter: Filter A ..................................................... 4.1–1/3: Filter1/2: Freq to A/B ☞P.265Frequency CoarseVPM: Modulator ................................................ 2.3–2: VPM: Mod. ☞P.260GGainBowed String Model: Peaking EQ ..................... 2.3–2: Bowed Str: Bow: Peaking EQ ☞P.264Brass Model: Peaking EQ ................................. 2.3–1: Brass: Peaking EQ ☞P.262E.Piano Model: Low EQ .................................... 2.3–1: E.Piano: Low EQ ☞P.261Plucked String Model: Low EQ ......................... 2.3–2: Plucked Str: Attack: Low EQ ☞P.263Reed Model: Peaking EQ .................................. 2.3–1: Reed: Peaking EQ ☞P.262HH. D (High Damp)Comb Filter:High Damp .................................... 2.3–1: Comb F: High Damp ☞P.259HoldProgram Basic: Voice Assign Mode .................. 2.1–1: Basic: Voice Assign ☞P. 257IInputComb Filter: Input ............................................. 2.3–1: Comb F: Input ☞P.259Cross Modulation: Wave ................................... 2.3–1: Cross Mod: Input ☞P.261Resonance: Input .............................................. 2.3–1: Ring Mod: Input ☞P.260Ring Modulation: Wave ..................................... 2.3–1: Ring Mod: Input ☞P.260Sync Modulation: Wave ..................................... 2.3–1: Sync Mod: Input ☞P.261Input (Input Level)Standard: Wave Shape ..................................... 2.3–2: Standard: WShape ☞P.259Input TrimNoise Generator ............................................... 2.1–3: Noise Gen. ☞P.257Inst TypeBrass Model: Inst Type ...................................... 2.3–1: Brass ☞P.262Reed Model: Inst Type ....................................... 2.3–1: Reed: Reed ☞P.262Int (BPF Frequency AMS Intensity)Resonance: BPF <strong>Parameter</strong>s ........................... 2.3–2: Resonance: BPF: BPF1...4 ☞P.260Int (Pressure AMS Intensity)Bowed String Model: Bow Pressure .................. 2.3–2: Bowed Str: Bow: Bow Pressure ☞P.264Int (Pressure EG Intensity)Bowed String Model: Bow Pressure .................. 2.3–2: Bowed Str: Bow: Bow Pressure ☞P.264Int (Speed AMS1 Intensity)Bowed String Model: Bow Speed ...................... 2.3–2: Bowed String: Bow: Bow Speed ☞P.264Int (Speed AMS2 Intensity)Bowed String Model: Bow Speed ...................... 2.3–2: Bowed String: Bow: Bow Speed ☞P.264Int (Seed Modulation EG Intensity)Bowed String Model: Bow Speed ...................... 2.3–2: Bowed Str: Bow: Bow Pressure ☞P.264Intensity (Amplitude AMS Intensity)Amp Level ......................................................... 5.1–1/2: Amp1/2: Amp1/Amp2 ☞P.265LFO1...4: LFO ................................................... 5.3–1...4: LFO1...4: Amp ☞P.267Intensity (AMS1 Int AMS Intensity)OSC Mod.: Pitch Modulation ........................ 3.1–2...4: OSC1...SubOSC: Modulation ☞P.264Intensity (Balance AMS Intensity)Standard: Wave Shape ..................................... 2.3–2: Standard: WShape ☞P.259Intensity (Bowing Point AMS Intensity)Bowed String Model: String .............................. 2.3–1: Bowed Str: String ☞P.263Intensity (Bridge Reflection AMS Intensity)Bowed String Model: String .............................. 2.3–1: Bowed Str: String ☞P.263Intensity (Common Pitch AMS Intensity)Common P.Mod: Common Pitch Modulation ..... 3.1–1: Common: Common Pitch Mod. ☞P.264Intensity (Cutoff Frequency AMS1 Intensity)Filter Mod.: Filter A/B Modulation ...................... 4.1–2/4: F1/2 Mod: Modulation ☞P.265Noise Generator: Frequency Modulation .......... 2.1–3: Noise Gen. ☞P.257Intensity (Cutoff Frequency AMS2 Intensity)Filter Mod.: Filter A/B Modulation ...................... 4.1–2/4: F1/2 Mod: Modulation ☞P.265Noise Generator: Frequency Modulation .......... 2.1–3: Noise Gen. ☞P.257Intensity (Cutoff Frequency Mod. EG Intensity)Filter: Filter A ..................................................... 4.1–2/4: F1/2 Mod: Modulation ☞P.265Intensity (Damp AMS Intensity)Bowed String Model: String .............................. 2.3–1: Bowed Str: String ☞P.263Plucked String Model: String ............................. 2.3–1: Plucked Str: String ☞P.263Intensity (Dispersion AMS Intensity)Bowed String Model: String .............................. 2.3–1: Bowed Str: String ☞P.263Plucked String Model: String ............................. 2.3–1: Plucked Str: String ☞P.263Intensity (EG Level AMS Intensity)Amp EG: Level Modulation ............................... 5.1–3: Amp EG: L Mod.: I ☞P.266EG1...4: Level Modulation ................................. 5.2–1...4: EG1...EG4: L Mod.: I ☞P.266Intensity (EG Time AMS1 Intensity)Amp EG: Time Modulation ................................ 5.1–3: Amp EG: T Mod.: I ☞P.266EG1...4: Time Modulation ................................. 5.2–1...4: EG1...EG4: T Mod.: I ☞P.266Intensity (Feedback AMS1 Intensity)Comb Filter: Feedback ...................................... 2.3–1: Comb F: Feedback ☞P.259Intensity (Feedback AMS2 Intensity)Comb Filter: Feedback ...................................... 2.3–1: Comb F: Feedback ☞P.259Intensity (Frequency AMS1 Intensity)LFO1...4: Frequency Modulation ....................... 5.3–1...4: LFO1...LFO4: Freq ☞P.267VPM: Modulator ................................................ 2.3–2: VPM: Mod ☞P.260Intensity (Frequency AMS2 Intensity)LFO1...4: Frequency Modulation ....................... 5.3–1...4: LFO1...LFO4: Freq ☞P.267VPM: Modulator ................................................ 2.3–2: VPM: Mod ☞P.260Intensity (Harmonics Control Intensity)Plucked String Model: Harmonics ..................... 2.3–2: Plucked Str: Attack: Harmonics ☞P.263Intensity (High Damp AMS Intensity)Comb Filter: High Damp ................................... 2.3–1: Comb F: High Damp ☞P.259Intensity (Input Level AMS Intensity)Standard: Wave Shape ..................................... 2.3–2: Standard: WShape: Balance ☞P.259Intensity (Input Wave Level AMS Intensity)Comb Filter: Input ............................................. 2.3–1: Comb F: Input ☞P.259Intensity (Level AMS Intensity)OSC Mixer: Mixer1/2 ......................................... 2.2–4/5: Mixer1/2 ☞P.258Organ Model: Percussion Generator ............ 2.3–2: Organ: Perc.: Percussion Generator ☞P.261Organ Model: Tone Generator ........................... 2.3–1: Organ: Drwbar: Drawbar1...3 ☞P.261Intensity (Level AMS1 Intensity)Resonance: Input .............................................. 2.3–1: Resonance: Input ☞P.260VPM: Carrier ..................................................... 2.3–1: VPM: Carrier ☞P.259VPM: Modulator ................................................ 2.3–2: VPM: Mod ☞P.260Intensity (Level AMS2 Intensity)Resonance: Input .............................................. 2.3–1: Resonance: Input ☞P.260VPM: Carrier ..................................................... 2.3–1: VPM: Carrier ☞P.259VPM: Modulator ................................................ 2.3–2: VPM: Mod ☞P.260Intensity (Lip Character AMS Intensity)Brass Model: Lip Character ............................... 2.3–1: Brass: Lip ☞P.262Intensity (Modulation Depth AMS1 Intensity)Cross Modulation: Wave ................................... 2.3–1: Cross Mod: Mod. Depth ☞P.261Ring Modulation: Modulation Depth .................. 2.3–1: Ring Mod: Mod. Depth ☞P.260270
Intensity (Modulation Depth AMS2 Intensity)Cross Modulation: Wave ................................... 2.3–1: Cross Mod: Mod. Depth ☞P.261Ring Modulation: Modulation Depth .................. 2.3–1: Ring Mod: Mod. Depth ☞P.260Intensity (Panpot AMS Intensity)Output Level/Pan: Pan ...................................... 5.1–4: Output/Pan: Output ☞P.266Intensity (Picking Point AMS Intensity)Plucked String Model: String ............................. 2.3–1: Plucked Str: String ☞P.263Intensity (Pickup Location AMS Intensity)E.Piano Model: Pickup ...................................... 2.3–1: E.Piano: Pickup ☞P.261Plucked String Model: Pickup ........................... 2.3–2: Plucked Str: Attack: Pickup ☞P.263Intensity (Pitch AMS1 Intensity)OSC Mod.: Pitch Modulation ............................. 3.1–1: Common: Common Pitch Mod. ☞P.264Intensity (Pitch AMS2 Intensity)OSC Mod.: Pitch Modulation ............................. 3.1–1: Common: Common Pitch Mod. ☞P.264Intensity (Portamento Time AMS Intensity)Common P.Mod: Portamento ............................ 3.1–1: Common: Portamento ☞P.264Intensity (Pressure AMS1 Intensity)Brass Model: Breath Pressure .......................... 2.3–1: Brass: Breath ☞P.262Reed Model: Breath Pressure ........................... 2.3–1: Reed: Breath ☞P.262Intensity (Pressure AMS2 Intensity)Brass Model: Breath Pressure .......................... 2.3–1: Brass: Breath ☞P.262Reed Model: Breath Pressure ........................... 2.3–1: Reed: Breath ☞P.262Intensity (Pressure EG Intensity)Brass Model: Breath Pressure .......................... 2.3–1: Brass: Breath ☞P.262Reed Model: Breath Pressure ........................... 2.3–1: Reed: Breath ☞P.262Intensity (Reed AMS Intensity)Reed Model: Reed Character ........................... 2.3–1: Reed: Reed ☞P.262Intensity (Resonance AMS Intensity)Filter: Filter A ..................................................... 4.1–1/3: Filter1/2 ☞P.265Resonance: Resonance Modulation ............ 2.3–1: Resonance: Resonance Modulation ☞P.260Intensity (Shape AMS Intensity)Reed Model: Wave Shape ................................. 2.3–2: Reed: WShape ☞P.262Standard: Wave Shape ..................................... 2.3–2: Standard: WShape ☞P.259Intensity (Shape AMS1 Intensity)VPM: Carrier ..................................................... 2.3–1: VPM: Carrier ☞P.259Intensity (Shape AMS2 Intensity)VPM: Carrier ..................................................... 2.3–1: VPM: Carrier ☞P.259Intensity (Waveform AMS Intensity)Standard: Waveform .......................................... 2.3–1: Standard: Wave ☞P.258Intensity (Waveform Modulation LFO Intensity)Standard: Waveform .......................................... 2.3–1: Standard: Wave ☞P.258JJS(+X) (Joystick Intensity +X)Common P.Mod: Pitch Bend ............................. 3.1–1: Common: Pitch Bend ☞P.264JS(-X) (Joystick Intensity -X)Common P.Mod: Pitch Bend ............................. 3.1–1: Common: Pitch Bend ☞P.264JX(+X) (Joystick +X)Brass Model: Jump Bend .................................. 2.3–1: Brass: Jump Bend ☞P.262Reed Model: Jump Bend ................................... 2.3–1: Reed: Jump Bend ☞P.262JX(-X) (Joystick -X)Brass Model: Jump Bend .................................. 2.3–1: Brass: Jump Bend ☞P.262Reed Model: Jump Bend ................................... 2.3–1: Reed: Jump Bend ☞P.262KKey (Scale Key)Prog Basic: Scale .............................................. 2.1–1: Prog Basic: Scale ☞P.257Key HighAmp Level: Keyboad Track ................................ 5.1–1/2: Amp1/2: Keyboard Track ☞P.265Filter Mod.: Keyboad Track ................................ 4.1–2/4: F1/2 Mod: Keyboard Track ☞P.265Key LowAmp Level: Keyboad Track ................................ 5.1–1/2: Amp1/2: Keyboard Track ☞P.265Filter Mod.: Keyboad Track ................................ 4.1–2/4: F1/2 Mod: Keyboard Track ☞P.265Key SyncLFO1...4: LFO ................................................... 5.3–1...4: LFO1...4: Key Sync. ☞P.267KTr (Damp Keyboard Track/Decay Keyboard Track)Plucked String Model: String ............................. 2.3–1: Plucked Str: String ☞P.263LLevelE.Piano Model: Overtone .................................. 2.3–1: E.Piano: Overtone ☞P.261Organ Model: Tone Generator ........................... 2.3–1: Organ: Drwbar: Drawbar1...3 ☞P.261Resonance: BPF <strong>Parameter</strong>s ........................... 2.3–2: Resonance: BPF: BPF1...4 ☞P.260Resonance: Input .............................................. 2.3–1: Resonance: Input ☞P.260VPM: Carrier ..................................................... 2.3–1: VPM: Carrier ☞P.259VPM: Modulator ................................................ 2.3–2: VPM: Mod. ☞P.260Standard: Wave ................................................. 2.3–1: Standard: Wave ☞P.258Level (Input Wave Level)Comb Filter: Input ............................................. 2.3–1: Comb F: Input ☞P.259Level AMS (Level Alternate Modulation Source)Organ Model: Percussion Generator ............ 2.3–2: Organ: Perc.: Percussion Generator ☞P.261LFOStandard: Wave ................................................. 2.3–1: Standard: Wave ☞P.258LipBrass Model: Lip Character ............................... 2.3–1: Brass: Lip ☞P.262LocationE.Piano Model: Pickup ...................................... 2.3–1: E.Piano: Pickup ☞P.261Plucked String Model: Pickup ........................... 2.3–2: Plucked Str: Attack: Pickup ☞P.263Low BoostPlucked String Model: Low EQ ......................... 2.3–2: Plucked Str: Attack: Low EQ ☞P.263MMain WaveStandard: Wave ................................................. 2.3–1: Standard: Wave ☞P.258MIDI/Tempo Sync.LFO1...4: Frequency MIDI/Tempo Sync. ........... 5.3–1...4: LFO1...4: MIDI/Tempo Sync. ☞P.267ModeProg Basic: Unison ........................................... 2.1–1: Prog Basic: Unison: Assign Mode ☞P.257NNoiseOSC Mixer ........................................................ 2.1–4/5: Mixer1/2 ☞P.258Noise LevelComb Filter: Input ............................................. 2.3–1: Comb F: Input ☞P.259Plucked String Model: Attack ............................ 2.3–2: Plucked Str: Attack ☞P.263OOctaveOSC Basic: ....................................................... 2.1–2...4: OSC Basic: OSC1...SubOSC ☞P.257OffsetLFO1...LFO4: LFO ............................................ 5.3–1...4: LFO1...4: Ofs ☞P.267Reed Model: Wave Shape ................................. 2.3–2: Reed: WShape ☞P.262Offset (Wave Shape Offset)Standard: Wave Shape ..................................... 2.3–2: Standard: WShape ☞P.259OSC1/OSC2 (Oscillator 1/2 Type)Prog Basic/OSC Basic: Multi OSC Setup ......... 2.1–1: Prog Basic: Oscillator ☞P.257OSC1 (OSC1 Output Level)/OSC2 (OSC2 Output Level)OSC Mixer: Mixer1/Mixer2 ................................ 2.1–4: OSC Mixer1/OSC Mixer2 ☞P.258Output LevelOutput Level/Pan: Output Level ........................ 5.1–4: Output/Pan ☞P.266PPanOutput Level/Pan: Pan ...................................... 5.1–4: Output/Pan ☞P.266Panel Switch AssignController Setup ................................................ 2.2–1: Controls: SW1/2 Assign ☞P.258PercussionOrgan Model: Tone Generator ........................... 2.3–1: Organ: Perc.: Drawbar1...3 ☞P.261Phase Shift (Triangle & Sine Phase Shift)Standard: Wave ................................................. 2.3–1: Standard: Wave ☞P.258Picking PointPlucked String Model: String ............................. 2.3–1: Plucked Str: String ☞P.263PickupPlucked String Model: Pickup ........................... 2.3–2: Plucked Str: Attack: Pickup ☞P.263PointPlucked String Model: Harmonics ..................... 2.3–2: Plucked Str: Attack: Harmonics ☞P.263Poly, Mono (Single, Multi)Program Basic: Voice Assign Mode .................. 2.1-1: Prog Basic: Voice Assign: Mode ☞P.257PriorityProg Basic: Voice Assign Mode ........................ 2.1–1: Prog Basic: Voice Assign ☞P.257Pulse WidthComb Filter: Input ............................................. 2.3–1: Comb F: Input ☞P.259271
QQBowed String Model: Peaking EQ ..................... 2.3–2: Bowed Str: Bow: Peaking EQ ☞P.264Brass Model: Peaking EQ ................................. 2.3–1: Brass: Peaking EQ ☞P.262Reed Model: Peaking EQ .................................. 2.3–1: Reed: Peaking EQ ☞P.262RRamp HighAmp Level: Keyboad Track ................................ 5.1–1/2: Amp1/2: Keyboard Track ☞P.265Filter Mod.: Keyboad Track ................................ 4.1–2/4: F1/2 Mod: Keyboard Track ☞P.265OSC Mod.: Pitch Slope ..................................... 3.1–2...4: OSC1...SubOSC: Pitch Slope ☞P.264Bowed String Model: String .............................. 2.3–1: Bowed Str: String ☞P.263Ramp LowAmp Level: Keyboad Track ................................ 5.1–1/2: Amp1/2: Keyboard Track ☞P.265Filter Mod.: Keyboad Track ................................ 4.1–2/4: F1/2 Mod: Keyboard Track ☞P.265OSC Mod.: Pitch Slope ..................................... 3.1–2...4: OSC1...SubOSC: Pitch Slope ☞P.264Bowed String Model: String .............................. 2.3–1: Bowed Str: String ☞P.263RandomProg Basic: Scale .............................................. 2.1–1: Prog Basic: Scale ☞P.257Realtime Control Knobs B-AssignController Setup ................................................ 2.2–1: Controls: Knob B Assign ☞P.258ReleaseE.Piano Model: Tone Generator ........................ 2.3–1: E.Piano: Tone Generator ☞P.261Plucked String Model: String ............................. 2.3–1: Plucked Str: String ☞P.263Release (Release Level)EG1...4: Level ................................................... 5.2–1...4: EG1...4: L: R ☞P.266Release (Release Time)Amp EG: Time ................................................... 5.1–3: Amp EG: L: R ☞P.266EG1...4: Time .................................................... 5.2–1...4: EG1...4: L: R ☞P.266ResoReed Model: Bell Character .............................. 2.3–1: Reed: Bell ☞P.262Reso (Resonance)Resonance: BPF <strong>Parameter</strong>s ........................... 2.3–2: Resonance: BPF: BPF1...4 ☞P.260ResonanceFilter: Filter A ..................................................... 4.1–1/3: Filter1/2: Reso to A/B ☞P.265Noise Generator ............................................... 2.1–3: Noise Gen. ☞P.257Brass Model: Bell Character ............................. 2.3–1: Brass: Bell ☞P.262Retrigger (Retrigger Control)Prog Basic: Voice Assign Mode ........................ 2.1–1: Prog Basic: Voice Assign ☞P.257Rl (Release Time AMS2 Intensity)Amp EG: Time Modulation ................................ 5.1–3: Amp EG: T Mod.: R ☞P.266EG1...4: Time Modulation ................................. 5.2–1...4: EG1...EG4: T Mod.: R ☞P.266RosinBowed String Model: Bow Speed ...................... 2.3–2: Bowed String: Bow: Bow Speed ☞P.264RoutingFilter: Routing .................................................... 4.1–1/3: Filter1/2 ☞P.265SShapeReed Model: Wave Shape ................................. 2.3–2: Reed: WShape ☞P.262Standard: Wave Shape ..................................... 2.3–2: Standard: WShape ☞P.259Sine LevelStandard: Wave ................................................. 2.3–1: Standard: Wave ☞P.258Sl (Slope Time AMS2 Intensity)Amp EG: Time Modulation ................................ 5.1–3: Amp EG: T Mod.: S ☞P.266EG1...4: Time Modulation ................................. 5.2–1...4: EG1...EG4: T Mod.: S ☞P.266SlaveSync Modulation: Wave ..................................... 2.3–1: Sync Mod: Slave ☞P.261Slope (Slope Time)Amp EG: Time ................................................... 5.1–3: Amp EG: T: S ☞P.266EG1...4: Time .................................................... 5.2–1...4: EG1...4: EG4: T: S ☞P.266Start (Start Level)EG1...4: Level ................................................... 5.2–1...4: EG1...4: L: S ☞P.266Step (Joystick Step +X)Common P.Mod: Pitch Bend ............................. 3.1–1: Common: Pitch Bend ☞P.264Step (Joystick Step -X)Common P.Mod: Pitch Bend ............................. 3.1–1: Common: Pitch Bend ☞P.264StrengthBrass Model: Breath Pressure .......................... 2.3–1: Brass: Breath ☞P.262Sub OSCOSC Mixer: Mixer1/2 ......................................... 2.1–4/5: Mixer1/2 ☞P.258Sustain (Sustain Level)Amp EG: Level .................................................. 5.1–3: Amp EG: L: S ☞P.266EG1...4: Level ................................................... 5.2–1...4: EG1...EG4: L: S ☞P.266TThreshold (Retrigger Control Threshold)Prog Basic: Voice Assign Mode ........................ 2.1–1: Prog Basic: Voice Assign ☞P.257TimeCommon P.Mod: Portamento ............................ 3.1–1: Common: Portamento ☞P.264TimesLFO1...4: Frequency MIDI/Tempo Sync. ...... 5.3–1...4: LFO1...LFO4: MIDI/Tempo Sync. ☞P.267ToneBrass Model: Bell Character ............................. 2.3–1: Brass: Bell ☞P.262Reed Model: Bell Character .............................. 2.3–1: Reed: Bell ☞P.262TransposeOSC Basic: OSC1/2 Multi OSC Setup/Sub OSC .................. 2.1–2...4: OSC1...Sub OSC ☞P.257Triangle LevelStandard: Wave ................................................. 2.3–1: Standard: Wave ☞P.258TriggerOrgan Model: Percussion Generator ............ 2.3–2: Organ: Perc.: Percussion Generator ☞P.261TuneOSC Basic: OSC1/2 Multi OSC Setup/Sub OSC .................. 2.1–2...4: OSC1...Sub OSC ☞P.257TypeRing Modulation: Wave ..................................... 2.3–1: Ring Mod: Input ☞P.260Type (Scale Type)Prog Basic: Scale .............................................. 2.1–1: Prog Basic: Scale ☞P.257Type (Wave Shape Table Type)Reed Model: Wave Shape ................................. 2.3–2: Reed: WShape ☞P.262Standard: Wave Shape ..................................... 2.3–2: Standard: WShape: Table Type ☞P.259Type (Wave Shape Type)VPM: Carrier ..................................................... 2.3–1: VPM: Carrier ☞P.259UUnisonProg Basic: Unison ........................................... 2.1–2: OSC Basic: Unison ☞P.257Up (Curve Up)Plucked String Model: Attack Curve .................. 2.3–2: Plucked Str: Attack: Curve ☞P.263VVelocity (Attack Level Velocity Control)Plucked String Model: Attack ............................ 2.3–2: Plucked Str: Attack ☞P.263Velocity (Curve Down Velocity Control)Plucked String Model: Attack Curve .................. 2.3–2: Plucked Str: Attack: Curve ☞P.263Velocity (Curve Up Velocity Control)Plucked String Model: Attack Curve .................. 2.3–2: Plucked Str: Attack: Curve ☞P.263Velocity (Noise Level Velocity Control)Plucked String Model: Attack ............................ 2.3–2: Plucked Str: Attack ☞P.263Velocity ControlAmp EG: Level Modulation ............................... 5.1–3: Amp EG: L Mod. ☞P.266EG1...4: Level Modulation ................................. 5.2–1...4: EG1...EG4: L Mod. ☞P.266WWaveOrgan Model: Tone Generator ........................... 2.3–1: Organ: Drwbar: Drawbar1...3 ☞P.261VPM: Carrier ..................................................... 2.3–1: VPM: Carrier ☞P.259VPM: Modulator ................................................ 2.3–2: VPM: Mod ☞P.260Wave EdgeCross Modulation: Wave ................................... 2.3–1: Cross Mod: Carrier ☞P.261Ring Modulation: Wave ..................................... 2.3–1: Ring Mod: Carrier ☞P.260Sync Modulation: Wave ..................................... 2.3–1: Sync Mod: Slave ☞P.261Standard: Wave ................................................. 2.3–1: Standard: Wave ☞P.258Wave ShapeVPM: Carrier ..................................................... 2.3–1: VPM: Carrier ☞P.259WaveformLFO1...4: LFO ................................................... 5.3–1...4: LFO1...4 ☞P.267OSC Basic: Sub OSC ....................................... 2.1–1: Prog Basic: Sub ☞P.257Standard: Wave ................................................. 2.3–1: Standard: Wave ☞P.258Width (Hammer Width)E.Piano Model: Hammer ................................... 2.1–1: E.Piano: Hammer ☞P.261272
EXB-DI<strong>TRITON</strong>-<strong>Rack</strong> ADAT – <strong>TRITON</strong>-<strong>Rack</strong> ADAT – ADATDIGITAL INDIGITAL OUT <strong>TRITON</strong>-<strong>Rack</strong>Digital MixerWORDCLOCK INWORDCLOCK OUTADAT BRCDIGITAL INDIGITAL OUTDIGITAL INDIGITAL OUTWORD CLOCK OUTDIGITAL INADATWORD CLOCK INDIGITAL OUT<strong>TRITON</strong>-<strong>Rack</strong>273
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WARNING!This Product is only suitable for sale in Japan.Properly qualified service is not available for thisproduct if purchased elsewhere. Any unauthorisedmodification or removal of original serial numberwill disqualify this product from warrantyprotection. J URL: http://www.korg.co.jp/3© 2000 KORG INC. 1506 GH Printed in Japan
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