ReviewsJOANNA:-TraditionaldancemusicfromEnglandThe BISMARCKS Ref. EFDSSCD10 - April 2005It'sbeen along time coming but JOANNA the second album from the BISMARCKS has been wellworth the wait. As with their first album UPSTREAM the recording is of extremely high quality,although the material on the new album is similar in content, the style has evolved and sounds freshand up to dateThe Bismarcks are three musicians playing predominantly traditional tunes in a modern yettraditional style. No drums, no bass guitar, no brass, instead some of the finest fiddle, melodeon andpiano sounds that you are ever likely to hear.Members Nina Hansell, Gareth Kiddier and Ed Rennie have compiled another inspired collectionof dance tunes ranging from the perennial Speed The Plough, once voted the most performed dancetune of all time but now given the Bismarck touch and as aresult sounding original and interesting- to the exotically named Tarantella Calabria /3e Partie du Caledonia not adish at the local Italianrestaurant but acracking 48 bar jig. This tune in particular shows the band at their best. Ed'spercussive melodeon style and Nina's bouncy fiddle beautifully balanced with Gareth's pin sharpkeyboard bass lines underpinning asound which belies the size of the band.Other highlights include the Market Rasen Quickstep /Togmeister Twostep (Terry Wogan seems toget everywhere!) The Small Fee/Turn Again Martha two 32 bar polkas, Corn Rigs /High Tea atraditional morris rant, and a real gem to finish in a curious bonus track with the band andassembled crowd singing The Damper Song. An old music hall item, that Iwell remember my grannysinging with gusto.So if you like your ceilidh music with no unnecessary embellishments but with excellentmusicianship and style then go, buy this latest offering from the BISMARCKS and enjoy.Rob Jenkins (Bassist/Guitarist with Bloatertown Country Dance Band)BLACK CROW WHITE CROWDearman Gammon&HarrisonEFDSS CD11Annie Dearman, Vic Gammon and Steve Harrison will be known to some readers as solo artists, toothers as one half of aduo or in agroup. Although they have only recently started performingtogether as atrio, their collective experience is extensive, afact that is evident on this recording.Their knowledge of traditional music is also evident in the sleeve notes. The notes about the tracksare succinct and informative, while the background to the choice of music and the performance styleis invaluable in appreciating the album in more depth.They have obviously given much thought, based on both research and personal preference, to theirperformance style and have adopted one that would be difficult to imitate. As individual performersthey have distinctive styles, as atrio the blend is unique. Annie Dearman has apowerful voice thatresonates in the mind for some time after the CD has finished playing. In most of the numbers onwhich she sings the accompaniment is similarly robust and complements her singing perfectly. Withsuch astrong vocal lead, it might have been tempting to make the instrumentation of secondarysignificance which would have trivialised the value ofthe voice as an instrument and part ofawhole.Vic Gammon's voice gives the vocal contrast needed on an album of 19 tracks, especially on theIrish Set Dancing ClassesClosed August.New venue from Wednesday 7th Sept.8pm FunctionRoom,Jolly Farmer,Market Street, Newton Abbot.Details :Maggie Daniel 01803 204350DANCEWITHLEIGHVILLAGE HALLSaturday 17th SeptemberSarahBazeley& DartmoorPixieBand34PDF created with pdfFactory Pro trial version www.pdffactory.com
Reviewsunaccompanied version of Early, Early In TheSpring, aparticular favourite.As for the instrumentation, at various times Vicplays anglo-concertina, banjo and 1-row melodeon,while Steve plays 1and 2row melodeonsand mouth organs. On three of the four instrumentalstracks, Trip to Brighton, Enfield Wash andPleal's Allemand, they are joined by JohnnyAdams. Both the song accompaniments and thetunes are rhythmic and emphatic, astyle that maynot be to all tastes but one that works well for thistrio. The standard of musicianship is excellentthroughout. A live performance would be anexciting and uplifting event and Ihope to be ableto see them in the not too distant future.The material has been chosen specifically to givean overview of the themes, origins and modes oftransmission that occur within traditional music.Thus love, marriage, seduction, sex, separation,fidelity, prostitution, loss jealously, parental disapproval,fantasy, death, murder and deception, allfeature: the themes familiar in the soap operas sopopular in today's society. They, therefore, "dealwith recurring human experiences and still havethe ability to speak to and move us today".This album is another brought out on the EFDSSlabel and is an indication of the valuable work thatis being done by the Society to promote traditionalmaterial through its publications. It brings togethertraditional songs and instrumental music inastyle appropriate to aparticular historical periodwith a twenty-first century interpretation. Thearrangements reflect the idea behind the project,both vocally and instrumentally. For anyone interestedin traditional music the CD should be intheir collection, likewise for those who want aclearer understanding of style or who enjoy arousing audio experience.Jacqueline PattenOggle Band advertFOOTLOOSEBARN DANCE BANDFOUR PIECE BANDOWN CALLERMike &Sheila 01647 433464Trevor 01769 52059535PDF created with pdfFactory Pro trial version www.pdffactory.com