Emerging Broadcast Technologies: An Update from Sony - PBS
Emerging Broadcast Technologies: An Update from Sony - PBS
Emerging Broadcast Technologies: An Update from Sony - PBS
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<strong>Sony</strong> <strong>Broadcast</strong> & ProfessionalNAB’09: New Products & <strong>Technologies</strong>Hugo GaggioniCTO<strong>Sony</strong> <strong>Broadcast</strong> & Professional Systems
XDCAM ® HD Systemsdelivering picture quality & workflow innovation
Optical Disc TechnologyOptical Laser & Drive DevelopmentDisc Capacity DevelopmentRead-out Speed1 stGeneration(4.8x)2 ndGeneration(7x)(3.5x)Dual OpticalHeadsSingle OpticalHeadSingle Layer DiscDouble Layer DiscOverMultipleLayerDisc(2.4x)36Mbps(1x)Blu-RayDevelopment Era
Digital Video & AudioConventional MetadataProxy Video & AudioProfesional Optical DiscDigital Video/Audio File + Metadata on DiscDV, MPEG-2 18/25/30/35/40/50TC, V-<strong>An</strong>c data, etcMPEG4 & A-LawEdit Decision ListOptical Disc Play List<strong>An</strong>y kind of EDLEssence Attached MetadataUMID, GPSEssence Mark (Index data)Auto Event Detect pointsManual Marking pointsDescriptive MetadataCustomer AssignableStory BoardCrew AssignmentMemo randomSystem DataDisc ID, Camera setting, etc
XDCAM SD & HD Optical Disc Storage Times4:2:2 1080 / 720(50Mbps)Recording TimeSingle layer(23.3GB)Approx. 43 min.Dual layer(50GB)Approx. 95 min.HQ mode (35Mbps) Approx. 60 min. Approx. 145 min.SP mode (25Mbps) Approx. 90 min. Approx. 190 minLP mode (18Mbps) Approx. 120 min. Approx. 250 min.MPEG IMX (50Mbps) Approx. 45 min. Approx. 100 min.DVCAM Approx. 85 min. Approx. 185 min.
CodecFYHDSDMediaProxyFileMetadataXDCAM Technology Road Map2004 2005 2006- MPEG-2 Long GOP technology- Legacy playback compatibilityPhase-123.3GBMPEG-430/40/50Mbps25MbpsEssence Mark / Extended UMID / PD-EDL20072008 ....MPEG2 4:2:2P@HL1920x1080, 1280x72050Mbps2/3" CCDDual LayerMPEG2 MP@HL(4:2:0)1440x108018/25/35Mbps1/2"CCD, Dual LayerPhase-3Phase-2Consistent WorkflowSame media / Same proxy / Same file format / Same metadata50GB, Dual Layer4:2:2 50Mbps 95 min.
XDCAM HD422 " Major Development Points "1920 x 1080 4:2:2 @ 50Mbps1280 x 720 4:2:2 @ 50MbpsAudio 8ch (Camcorder 4ch)Full HD 2/3”IT Progressive 3 CCDImprovement of XDCAM workflow‣ Transfer speed, feature-sets, user-interfaces....‣ Consistent operation of same fileformat same proxy, and sameMetadataDual Layer Disc (50GB)Single Layer Disc (23.3GB)Legacy Format Support
PDW-700XDCAM Camcorder• Full 2/3-inch 3-CCD camera captures full HD 1920 x 1080• Very high quality HD recording at a data rate of up to 50Mbps• Multi-format : 1080i, 720P and MPEG IMX and DVCAM• Internal up / down / cross conversion• Sensitivity of F11 at 59.94 Hz (F12 at 50 Hz)• Ethernet and IEEE 1394 i.LINK Interfaces• Pool feed – accepts HD/SD SDI, Composite• 30 second HD cache recording• Records four-channel 24-bit audio• Interval Recording, Digital Extender, Slow Shutter
PDW-700 Ver.1.5 "Upload/Download Clips via FTP"Ver.1.5 can realize FTP by connecting as a client toward the pre-registereddestination IP address– 3 IP addresses can be kept, and then selected when used.– DHCP, AutoIP, or UPnP are also available• This is set apart <strong>from</strong> the pre-registered 3 of host selection– Both "put" and "get" are available as Deck's feature.• In general, this is to be used only in intra LAN environmentaldue to firewall security issue such as connection <strong>from</strong> a hotel.– 4 types of copy (ftp) operation are available as follows:w/XDCAM w/PC Serverput get put getClip Copy OK OK OK OKPartial Clip Copy OK - OK -All Clips Copy (Disc Copy) OK - - -ClipList Based Copy - - - -Connecting status can be checked.FTP progress indicated by a bar
FieldHurricane 001Planning Metadata Workflow4. Metadata Editing5. Auto IngestSlug: Hurricane| - Hurricane_001.MXF| - Hurricane_002.MXFSlug: Rain| - Rain_001.MXFStation3. Planning MetadataView on VF/LCD(Camera Crew)PlanningMetadatavia Wi-FiLive LoggingSmartphone2. View PlanningMetadata(Director / Journalist)Link of Planning Metadata & ClipsWrite to XDCAM DiscSlug: HurricaneScript:East Coast Big wave……………………………………..……………………………………..PlanningMetadata File1. News Gathering Plan(Assignment)• Slug• Script• Instruction:Slug : News Title
XDCAM HD422 Top End ModelsTV ProductionStandard Features1920 x 1080 4:2:2 @ 50Mbps1280 x 720 4:2:2 @ 50Mbps24p Format Recording/PlaybackSD Format Recording/PlaybackNew XDCAMCamcorderNew XDCAMDeckLinear Edit Function (Deck)Dual Optical FiltersFocus Assist(Camcorder)UserNewGammaFeatures already available.
User GammaPDW-F800 "User Gamma"– Camera operator can change the gamma curve by using CVP Editor Ver.4.0in addition to the pre-set 4 types of Hyper-Gamma settings• CVP Editor Ver. 4.0 is available via eCsite for F23 and HDC-1500• 5 types of User Gamma can be stored into PDW-F800 via MSCVP File EditorSoftwareCVP File EditorInstalled PCeCSiteDBDown LoadGamma Curve Editby PCMemory StickGamma DataImportPDW-F800
PDW-HR1XDCAM HDField Station
Conventional Functions• XDCAM Multi Format support– 4:2:2 HD– Legacy Format support(MPEG IMX / DVCAM/ 4:2:0HD)– 24P• Built-in Up/Down-converter• 1080/720 Cross-converter• Dual-layer Disc Support• Trigger REC on SDI• AC / DC / Battery Operation• Color LCD & built-in Speaker• Jog / Shuttle Operation like VTRXDCAM Editing @Field• Scene Selection• OK/KP/NG status Support• Planning Meta Support• Voice Over [Non-destructive, EDL basis]PDW-HR1 Features and FunctionsNew Design• Larger LCD 9”• TBC Button• Audio LevelControl• Channel MixMonitor OUT• W x H x D300 x 129 x 400• Weight: 7.4Kg• PowerConsumption:55W @ DCTransmission <strong>from</strong> Field• File Transfer over IT Interface– File Access Mode (FAM) over i.LINK– FTP over Gigabit-Ethernet– FTP Client Function• DVB-ASI OUT (Option)I/O, I/F• HD-SDI IN/OUT• HDMI OUT• i.LINK TS IN/OUT (Option)• SD-SDI , Composite IN/OUT• USB (Keyboard / Version Up / Maintenance)• RS-422A• S x S Slot (Option)
XDCAM Disk and Memory Bridge Solution-2" Field Recorder w/ Memory Slot "Option SxS Memory Slots
SxS Memory Card Adaptor : Functions SummaryTarget User A(Use both Handy EX & XDCAM)Memory Adaptor FunctionsPlaybackBoth for MP4/MXF filesMP4MXF• No XDCAM JOG/Shuttle(PMW-EX30 Level PB only)Transcode (Dubbing)Target User B(Use MRA for BC Camcorders)IN/OUT CaptureMXF/MP4 PD MXFData Back-UpALL or a File CopyXDCAMOperationMaking ClipListMetadata InputTransmissionXDCAMMemory ReuseEX MP4 MP4 as user DataNormal Speed PB / No Jog/Shuttle(PMW-EX30 Level)MXF PD MXFVideoMaterialArchive
PMW-EX3 XDCAM EX CamcorderPMW-EX30 XDCAM EX Memory Recorder• ½-inch interchangeable lens system• Genlock in• Time Code in/out• 8-pin remote control for studio operation• 2 ExpressCard Slots• HD SDI input and output• Downconverted DV out for DV NLE editing
NEW for 09 –Nipros/1: Studio Conversion Package–Package components• PS-270 Camera Optical Adapter• PS-570 Camera Optical Base Unit• LVM-43W 4.3” color LCD display (16x9)• (2) INTERCOM headsets• All required camera interface cables
PS-270 Camera Optical Adapter• Mounts to underside of camcorder• Full functionality– HD/SD SDI– Genlock, TC In/Out– Tally– Intercom– Camera remote control– DC out– RETURN video• SMPTE Fiber cable connector
• IntercomPS-570 Base Unit• Tally IN + OUT connectors• SMPTE fiber optic cable connector• RET video input• GENLOCK input• TC In / Out• HD/SD SDI output (x2) / auto detecting• 8 pin REMOTE + LANC jack• DC in via 4-pin XLR• AC power line cord jack
31Workflow EnhancementsClip Browser 2.5
XDCAM Disc and Memory Bridge SolutionData Area Expansion CapabilityCurrentPD FormatAdditionalPD FormatVideo/Audio AreaData Areain General Area500MBMP4MP4MP4500MBAll forDataAreaMP4MP4Max. capacity of‘UserData’ folder :- 21.5GB @ SL disc- 46.4GB @ DL disc
SxS Archive onto Professional DiscHow to archive XDCAM EX clips <strong>from</strong> SxS to Professional Disc on Clip Browser :1) Display SxS card and ‘UseData’ folder on the disc in each separate thumbnail window2) Drag & Drop MP4 clips you want to copy <strong>from</strong> SxS window to ‘UseData’ windowDrag & Drop !MP4MP4
Tapeless Workflow• XDCAM Optical• XDCAM EX• HDV
Tapeless Workflow• XDCAM Optical• XDCAM EX• HDV
XDCAM Optical – Plan at NAB’09NLE ProductsFinal Cut ProTBAMedia C 3.5News C 6.5Vegas Pro9.0Edius Pro 5.1Aurora 6.5AvailabilityTBATodayMay’09NABNowHigh-res ImportProxy ImportOperatingPointsSupported1440x1080(25Mbps)1440x1080(35Mbps)1920x1080(50Mbps)------Write Back to the disc
Tapeless Workflow• XDCAM Optical• XDCAM EX• HDV
XDCAM EX – Plan at NAB’09NLE ProductsFinal Cut ProMediaComposer 3.5VegasPro 9Edius Pro 5.1Premiere ProCS4AvailabilityTBATodayMay’09 NAB March ’09MP4 ImportMXF ImportN/AOperatingPointsSupported1920x1080(35Mbps)1440x1080(25Mbps)1280x720(35Mbps)Write back to SxS card------
Tapeless Workflow• XDCAM Optical• XDCAM EX• HDV
HDV – Plan at NAB’09NLE ProductsNLE ProductsFinal Cut ProMediaComposer 3.5VegasPro 9Edius 5.1Premiere ProCS4AvailabilityTBATodayMay’09 NAB March ’09Tape Capture(Interlace)M2t Import(Interlace)Tape Capture(Progressive)1080/60i1080/60i1080/24pA1080/24p---M2t Import(Progressive)5/22/20091080/30p
Nonlinear EditingProduction SolutionsNAB ’09 Workflow PavilionEditing on MacXDCAM LoggingXDCAM DailiesWorkflow KioskAvid, Apple, Adobe, Vegasand Edius video tutorialsEditing on PCXDCAM News Ingest•XDCAM NewsNonlinear Editing News Solutions
Acquisition<strong>Sony</strong> DirectionCreationDistributionBeyond HD SolutionFilmTerrestrialRGB444/1080P/4K Total WorkflowViewingSatelliteNetworked HD SolutionBroadbandTotal Network Production WorkflowPackage MediaAffordable HD Solution- Small, CompactNetwork
1080 60P/50PLive Production System
Beyond HD Solution1080/24PRGB 4:4:4Acquisition1080/60PProduction4K ElectronicCinematographyHDW-F900BVM-L230HDC-3300720P/150/1801080i 150/1801080/60PLIVE Production
Why 1080 60P/50P ?Consumer Viewing Environment– HDMI and DVI can handle 1080P and more– FULL HD (1920 x 1080 Progressive) Large size LCD TVs– 1920 x 1080 Progressive CG by Playstation-3Development of aProduction System for 1080P ?BRAVIA
Why 1080 60P/50P ?True Single Master for multi-purpose– 1920 x 1080 Progressive Master– 1080P Package master for Cinema & Prime Sports– On-air Sports/Drama/CM master of 1080i/720P HDTV & 625/525 SDTV1080/50P, 60PMasteringPackaged software for 1080/50P,60P720P/1080i, 625/525i <strong>Broadcast</strong>ingLarge VenueRight time for introduction ofProduction System for 1080P
1080 60P/50P Dual Link at NAB20081080 60P/50P products with Dual-link interface are already available-- “60P Production system” mainly targeting Cinema & Drama productionmarkets with F23/F35 + SRW-- F23, F35, HDC-1500, SRW-1, SRW-5800, BVM-L230, MVS-8000GBVM-L2301080pBVM-L2301080pDual LinkBRAVIA1080PMVE-8000AOLED TVHDC-1500Camera HeadSRW-5800PS3MVS-8000G
Evertz3Gbps Products at NAB2008/IBC2008Harris AJA MirandaGennum3Gbps links are required for future proof.But no actual products forLive Production exist at this moment.It’s time for development of aProduction System for 3Gbps 1080PTektronix
1080 60P/50P 3Gbps for Live ProductionNext generation of products for 1080 60P/50P LiveProductions with 3Gbps Single-link interface for Sportsand Entertainment markets3Gbps
<strong>Sony</strong>’s approachto 3G Interface
SMPTE standards for HD interfacesSMPTE 274 M1920 × 1080 Line Image FormatsSMPTE 291 MANC SpaceSMPTE 299 MAudio DataSMPTE 352 MPayload IDSMPTE 292 M1.5 Gb /s HD-SDISMPTE372 MDual Link HD-SDISMPTE 425 M3 Gb /s HD-SDI (Level A /B)
SMPTE 425M(3 Gb/s SDI) Level B・Scramble Dual Link’s Link B & Link A・ANC/Audio multiplexed on Link A,B in advanceMultiplex the audio data <strong>from</strong> Link-A (1 or 2sample/H-blank)Link A,B =48kHz_Audio max 32chSMPTE372M Dual LinkSMPTE 425M3 Gb/s SDI Level B
SMPTE 425M(3 Gb/s SDI) Level B•SMPTE-372M Dual-Link format prescribes its Link-A signalshould be identical with SMPTE-292 Single-Link signalSMPTE372M Dual LinkCompatibilitySMPTE 425M3 Gbps HD-SDI Level B
SMPTE 425M(3 Gb/s SDI) Level BSMPTE372M Dual LinkCompatibilityConsistent Audio data mappingAudioSMPTE 299MAudioSMPTE 299MAudioSMPTE 299MMultiplexSMPTE 425M3 Gbps HD-SDI Level B
SMPTE 425M(3 Gb/s SDI) Level A for 1080P・Level A’s data structure is almost HD-SDI with doubled CLK・ Data Stream one/two = HD-SDI’s Y/C・ The data volume of 1H is same as HD-SDI’s・ Data Stream one/two has NO compatibility with HD-SDI (SMPTE 292M)・ Level A’s description about Audio; Refer to SMPTE 299M・ 48kHz_Audio 16ch maxHDSDISMPTE 292MSMPTE 425M3 Gbps HD-SDI Level A
<strong>Sony</strong>’s approach to SMPTE 425M(3 Gb/s SDI)•<strong>Sony</strong>’s approach is to adopt Level-B of 3G HDSDI Interface (SMPTE-425M):Compatibility with current Dual-Link format (SMPTE-372M)-Migration <strong>from</strong> existing Dual Link products lineSMPTE 372MSMPTE 372MD/SD/S = Dual ⇔ Single convertSMPTE 425MLevel BSMPTE 425MLevel B-Efficient compatibility with current engineering / system / infrastructureenvironment-Measuring equipments for development / engineering purposes-Transmit 1080p signal as Dual Link via current 1.5G infraConsistent audio multiplex (SMPTE 299M)
Sports & Live Production SystemStudio Camera1080 60P/50P SystemMaster MonitorProduction SwitcherHKSP-30153G to Dual-LinkConverterHKSP-1530Dual-Link to 3GConverterNew BVM-L 23”Camera Control UnitPFV-SP3300MVS-8000GHDC w/3G Upgrade KitMVS w/Dual link to 3G I/F unitSRW w/3G boardBVM w/3G boardPFV-SP3300
3D Production Equipment
<strong>Sony</strong> 3D Production EquipmentRight Srteam 1.5Gbps3D gear ALREADY in operationRightSRW-58003D Projection UnitFor CinemaRightSRX-R110Left Stream 1.5GbpsLeftLeftHDC-1500 / HKC-T1500w/3 rd party 3D RigMVS-8000Gw/3D SoftwareMonitor OutputSRX-R1103D Utilities3D Field SequenceMode3D SplitModeLeft EyeorRight EyeStream Aon oddStream Bon even
3D Application Development3D Hollywood MoviesConsumer 3D Display @ CES 2009FOX 3D Live @ CES 20093D Blu-ray 3D GameSky run 3D testTheatre Home <strong>Broadcast</strong>
Live ProductionNAB09 update
NAB09 <strong>Sony</strong>’s Live Production Systems“HD-Live for all Aplications”Performance Line‘Reference Live System’Flag-ship “HDC/MVS”• HDC-Type R• MVS-G systemVersatile Line‘Standard Live System’Live productionwith efficiency•HSC-300•MVS-6000•ELCSmart Line‘Compact Live System’One stop solutionfor compact live• HXC-100, BRC-H700• BRS-200, <strong>An</strong>ycast,DFS-800
Performance Line : Reference live system– Flag-ship Live Production System for World-wide events– Highest performance for 3G/3D world• HDC Type-R• MVS-8000G SystemHDC Type-RMVS-8000G@TorinoIn House Studio@Football in EU@NFL Super BowlBeijing Olympic
Versatile Line : Standard live system– Live production with efficiency• Business & Industrial, Bridal, Concerts, College sports, Community• Small, Middle size broadcasters– Migration path <strong>from</strong> SD to HD operation• HSC-300• MVS-6000– Live Automation• ELCHSC-300MVS-6000
Smart Line : Compact live system– One stop solution for compact live• HXC-100 , BRS-200 for Low-cost Live Production System• <strong>An</strong>ycast for Portable Live Operation• DFS-800 w/DXC & New Camera for Compact SD-Live in <strong>Emerging</strong> MarketsHXC-100BRS-200
Positioning MapPerformance Line“Reference”SystemBGTLarge OB TruckLarge StudioLarge Edit RMVersatile Line“Standard”MVS-8000GHDCType-RMid to Small OB TruckMid to small StudioMid to Small Edit RMSmart Line“Compact”MVS-6000 HSC-300HXC-100<strong>An</strong>ycastSimple StudioEvent LiveBRCNew BRS-200Choices for system requirement
HDC Type-R series
New SpecificationHDC-1000HDC-1400HDC-1450HDC-1500HDC-1550HDC-3300- 2dB S/Nw/same sensitivity& New FunctionsHDC-1000RHDC-1400RHDC-1450RHDC-1500RHDC-1550RHDC-3300R- 54dB - 56dB (NS off)Improved CCD+ New H DriverNew DSP LSI
New Reference Line Studio Cameras• HDC-1000R/1500R– 3G upgradable HD multi-format system camera– 1.5Gbps Full bit Digital Fiber transmission• HDC-1400R– ”Dual Format” model with super-sampled 720P– 1.5Gbps Full bit Digital Fiber transmission• HDC-1550R/1450R– Multi/Dual format, Triax variants
New High End ProductsDesigned to fit today’s market demandsSmall & MidMarket BCSports Stadiums& EntertainmentHouses ofWorshipEducation &Government
HSC & HXC seriesNew “HD Ready” VersatileCamera System
HSC-300 and HXC-100 Studio Cameras
HDC-300: Camera Overview• Latest Generation 2.2M 2/3” CCD’s• 1080i / 720P 50 / 60 Hz Switchable– 525i / 625 SD modes• Comprehensive Image Controls• Multi-camera operation• Several Build-up kits available• Triax – compatible with existingtriax infrastructure
HXC-100: Camera OverviewCost Effective HD Studio Camera– Designed to deliver high quality HD and SD images– 2.2M 2/3” CCD’s– 1080i / 720P 50 / 60 Hz Switchable– 525i / 625 SD modes– Integrates easily into existing triax infrastructures– Utilizes RCP-9xx/7xx Control Panels– Designed as a “Point to Point” system
Every application & budgetHD Studio Line-upHDC-1400RHSC-300HDC-1500RHXC-100HDC-X310HDC-1000RHDC1400RW/HDLAHSC-300W/HDLAPMWEX3NPAC
NAB09 <strong>Sony</strong>’s Live Production Systems“HD-Live for all Aplications”Performance Line‘Reference Live System’Flag-ship “HDC/MVS”• HDC-Type R• MVS-G systemVersatile Line‘Standard Live System’Live productionwith efficiency•HSC-300• MVS-6000•ELCSmart Line‘Compact Live System’One stop solutionfor compact live• HXC-100, BRC-H700• BRS-200, <strong>An</strong>ycast,DFS-800
HD Switcher Line-upFor every application & budgetMVS-8000GMVS-8000GSFMVS-6000MFS-2000MVS-8000GSFELC-MVS01NewsroomAutomation
ELC-MVS01 (Automation)
ELC-MVS01- Switcher Automation ControlELC = Enhanced Live production Control softwareFull control room operation <strong>from</strong> one operator– Switcher– Audio Console– Camera Robotics– Device Control– MOS devices• Teleprompter• Graphics• Servers
Switcher AutomationVTRAudio MixerCameraRoboticsBeforeAutomationELCPlay-out ServerReal-time SyncCharacterGeneratorTeleprompterNews-Room Computer System
<strong>Sony</strong> United – Products & <strong>Technologies</strong>
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