Without the Arno, Florence would be like Romolo - The Florentine
Without the Arno, Florence would be like Romolo - The Florentine
Without the Arno, Florence would be like Romolo - The Florentine
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www.<strong>the</strong>fl orentine.net<br />
Life in Italy<br />
Making connections through <strong>the</strong>ater<br />
Day of memory takes center stage at FITC event<br />
by P.M. Louis<br />
is a powerful and<br />
unique art form <strong>be</strong>cause<br />
‘<strong>The</strong>atre<br />
its essential nature is based<br />
on ga<strong>the</strong>ring people toge<strong>the</strong>r to tell<br />
stories, hear <strong>the</strong>m, see <strong>the</strong>m and<br />
feel <strong>the</strong>m. <strong>The</strong> stories we feel most<br />
deeply are <strong>the</strong> ones that explore our<br />
collective history. <strong>The</strong>y question<br />
and expose <strong>the</strong> human condition<br />
and often celebrate <strong>the</strong> connecting<br />
points <strong>be</strong>tween us’, says <strong>the</strong> <strong>Florence</strong><br />
International <strong>The</strong>atre Company’s<br />
co-artistic director Bari Hochwald,<br />
in reference to FITC’s newest<br />
project. A unique mix of drama<br />
and history, <strong>the</strong> project foresees<br />
an annual program that recognizes<br />
<strong>the</strong>atre as a vital way to keep <strong>the</strong><br />
conversation of Holocaust events<br />
alive for all mem<strong>be</strong>rs of <strong>the</strong> community<br />
and spark <strong>the</strong>ir participation in<br />
Il Giorno della Memoria.<br />
FITC <strong>be</strong>gins this journey in association<br />
with <strong>the</strong> Jewish community<br />
of <strong>Florence</strong> and will <strong>be</strong> creating an<br />
entire afternoon dedicated to creativity,<br />
education and community<br />
on February 11th. ‘We cannot forget<br />
<strong>the</strong> Holocaust <strong>be</strong>cause it was both<br />
<strong>be</strong>yond imagination and within<br />
<strong>the</strong> depth of human capacity’, says<br />
Hochwald. ‘That is why my coartistic<br />
director, Aaron Craig, and I<br />
are committed to fi nding a way to<br />
develop this project. We are looking<br />
forward to Dominique Cieri’s assistance<br />
in creating <strong>the</strong> event in <strong>the</strong><br />
most comprehensive way possible’.<br />
Dominique Cieri, New Jersey<br />
Playwright Fellow and educational<br />
consultant for FITC, has <strong>be</strong>en a key<br />
player in making <strong>the</strong> company’s<br />
goals a reality. Co-author of <strong>the</strong><br />
book From <strong>the</strong> Attic, to <strong>the</strong> Classroom<br />
to <strong>the</strong> Stage—<strong>The</strong> Holocaust,<br />
Cieri has spent <strong>the</strong> last 10 years<br />
using her love of <strong>the</strong>atre and her<br />
passion for telling deep human<br />
Synagogue of <strong>Florence</strong><br />
truths to enhance <strong>the</strong> program of<br />
Holocaust Studies at Yavneh Academy<br />
in New Jersey. Each year she<br />
works with 13-year-old students<br />
to adapt a non-fi ction work into<br />
drama and present <strong>the</strong> play to <strong>the</strong><br />
community. And each year, Cieri<br />
<strong>be</strong>gins <strong>the</strong> journey of reacquainting<br />
herself with <strong>the</strong> horrors of<br />
<strong>the</strong> Shoah, <strong>the</strong> power of faith and<br />
human <strong>be</strong>ings’ capacity to <strong>be</strong>come<br />
villains, survivors or heroes in <strong>the</strong><br />
face of unimaginable odds.<br />
‘<strong>The</strong>re are many ways to learn’,<br />
Cieri says. ‘I <strong>be</strong>lieve that Yavneh’s<br />
Holocaust Studies program is one<br />
of <strong>the</strong> <strong>be</strong>st available <strong>be</strong>cause it goes<br />
<strong>be</strong>yond academia, enhancing learning<br />
through <strong>the</strong> arts. <strong>The</strong> Holocaust<br />
play is a vital aspect of <strong>the</strong> syn<strong>the</strong>sis<br />
of knowledge and a kinetic<br />
experience which translates into a<br />
performance by very real people.<br />
Each year, my eighth grade class<br />
steps into <strong>the</strong> shoes of men and<br />
women <strong>like</strong> Krystyna Chiger, who<br />
as a child went into <strong>the</strong> sewers of<br />
L’vov with her family, where <strong>the</strong>y<br />
sought refuge for 14 months. This is<br />
<strong>the</strong> unique and meaningful process<br />
of history coming to life through<br />
drama’.<br />
At 3pm on February 11, audiences<br />
can witness <strong>the</strong> experience<br />
of Krystyna Chiger in Sewers of<br />
L’vov. <strong>The</strong> play was written by <strong>the</strong><br />
students at Yavneh, under <strong>the</strong> guidance<br />
of Cieri and will <strong>be</strong> performed<br />
by community mem<strong>be</strong>rs and FITC<br />
artists here in <strong>Florence</strong>. Involving<br />
over 40 people, 10–70 years of<br />
age, expatriate and Italian, as well<br />
as international students, <strong>the</strong> play<br />
will <strong>be</strong> performed in both English<br />
and Italian. <strong>The</strong> drama with <strong>be</strong> followed<br />
by a reception, and <strong>the</strong> event<br />
will conclude with a panel of leading<br />
educators discussing <strong>the</strong> impor-<br />
tance of studying <strong>the</strong> Holocaust<br />
today. In this way, <strong>the</strong> artistic directors<br />
of FITC hope that this event<br />
will <strong>be</strong> a launching pad for creating<br />
original plays throughout <strong>the</strong> years,<br />
utilizing Cieri’s model, with <strong>the</strong><br />
children of <strong>Florence</strong> in order to tell<br />
<strong>the</strong> stories that unfolded in Tuscany<br />
during that historical period.<br />
‘This use of <strong>the</strong>atre as a tool for<br />
education helps it <strong>be</strong>come a shared<br />
community event which examines<br />
<strong>the</strong> very human intricacies of choice<br />
and action that occurred during<br />
<strong>the</strong> Holocaust. It is an opportunity<br />
for everyone—performers and<br />
audience mem<strong>be</strong>rs a<strong>like</strong>—to confront<br />
<strong>the</strong>ir own feelings, opinions<br />
and <strong>be</strong>liefs about this particular<br />
human tragedy not only as a history<br />
but also as a continual cycle<br />
that occurs and reoccurs each day<br />
on this planet’.<br />
21<br />
Thursday 8 February 2007<br />
<strong>The</strong> ARTS<br />
Sala Sadun,<br />
Synagogue of <strong>Florence</strong><br />
via L.C. Farini, 4<br />
3pm – staged reading;<br />
5pm – reception;<br />
5:30pm – panel discussion<br />
Entry is free, but seating is ex -<br />
tremely limited and reservations<br />
are strongly recommended. For<br />
reservations and fur<strong>the</strong>r information:<br />
info@fl orence<strong>the</strong>atre.com or<br />
055 239 9949.