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Without the Arno, Florence would be like Romolo - The Florentine

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www.<strong>the</strong>fl orentine.net<br />

Life in Italy<br />

Making connections through <strong>the</strong>ater<br />

Day of memory takes center stage at FITC event<br />

by P.M. Louis<br />

is a powerful and<br />

unique art form <strong>be</strong>cause<br />

‘<strong>The</strong>atre<br />

its essential nature is based<br />

on ga<strong>the</strong>ring people toge<strong>the</strong>r to tell<br />

stories, hear <strong>the</strong>m, see <strong>the</strong>m and<br />

feel <strong>the</strong>m. <strong>The</strong> stories we feel most<br />

deeply are <strong>the</strong> ones that explore our<br />

collective history. <strong>The</strong>y question<br />

and expose <strong>the</strong> human condition<br />

and often celebrate <strong>the</strong> connecting<br />

points <strong>be</strong>tween us’, says <strong>the</strong> <strong>Florence</strong><br />

International <strong>The</strong>atre Company’s<br />

co-artistic director Bari Hochwald,<br />

in reference to FITC’s newest<br />

project. A unique mix of drama<br />

and history, <strong>the</strong> project foresees<br />

an annual program that recognizes<br />

<strong>the</strong>atre as a vital way to keep <strong>the</strong><br />

conversation of Holocaust events<br />

alive for all mem<strong>be</strong>rs of <strong>the</strong> community<br />

and spark <strong>the</strong>ir participation in<br />

Il Giorno della Memoria.<br />

FITC <strong>be</strong>gins this journey in association<br />

with <strong>the</strong> Jewish community<br />

of <strong>Florence</strong> and will <strong>be</strong> creating an<br />

entire afternoon dedicated to creativity,<br />

education and community<br />

on February 11th. ‘We cannot forget<br />

<strong>the</strong> Holocaust <strong>be</strong>cause it was both<br />

<strong>be</strong>yond imagination and within<br />

<strong>the</strong> depth of human capacity’, says<br />

Hochwald. ‘That is why my coartistic<br />

director, Aaron Craig, and I<br />

are committed to fi nding a way to<br />

develop this project. We are looking<br />

forward to Dominique Cieri’s assistance<br />

in creating <strong>the</strong> event in <strong>the</strong><br />

most comprehensive way possible’.<br />

Dominique Cieri, New Jersey<br />

Playwright Fellow and educational<br />

consultant for FITC, has <strong>be</strong>en a key<br />

player in making <strong>the</strong> company’s<br />

goals a reality. Co-author of <strong>the</strong><br />

book From <strong>the</strong> Attic, to <strong>the</strong> Classroom<br />

to <strong>the</strong> Stage—<strong>The</strong> Holocaust,<br />

Cieri has spent <strong>the</strong> last 10 years<br />

using her love of <strong>the</strong>atre and her<br />

passion for telling deep human<br />

Synagogue of <strong>Florence</strong><br />

truths to enhance <strong>the</strong> program of<br />

Holocaust Studies at Yavneh Academy<br />

in New Jersey. Each year she<br />

works with 13-year-old students<br />

to adapt a non-fi ction work into<br />

drama and present <strong>the</strong> play to <strong>the</strong><br />

community. And each year, Cieri<br />

<strong>be</strong>gins <strong>the</strong> journey of reacquainting<br />

herself with <strong>the</strong> horrors of<br />

<strong>the</strong> Shoah, <strong>the</strong> power of faith and<br />

human <strong>be</strong>ings’ capacity to <strong>be</strong>come<br />

villains, survivors or heroes in <strong>the</strong><br />

face of unimaginable odds.<br />

‘<strong>The</strong>re are many ways to learn’,<br />

Cieri says. ‘I <strong>be</strong>lieve that Yavneh’s<br />

Holocaust Studies program is one<br />

of <strong>the</strong> <strong>be</strong>st available <strong>be</strong>cause it goes<br />

<strong>be</strong>yond academia, enhancing learning<br />

through <strong>the</strong> arts. <strong>The</strong> Holocaust<br />

play is a vital aspect of <strong>the</strong> syn<strong>the</strong>sis<br />

of knowledge and a kinetic<br />

experience which translates into a<br />

performance by very real people.<br />

Each year, my eighth grade class<br />

steps into <strong>the</strong> shoes of men and<br />

women <strong>like</strong> Krystyna Chiger, who<br />

as a child went into <strong>the</strong> sewers of<br />

L’vov with her family, where <strong>the</strong>y<br />

sought refuge for 14 months. This is<br />

<strong>the</strong> unique and meaningful process<br />

of history coming to life through<br />

drama’.<br />

At 3pm on February 11, audiences<br />

can witness <strong>the</strong> experience<br />

of Krystyna Chiger in Sewers of<br />

L’vov. <strong>The</strong> play was written by <strong>the</strong><br />

students at Yavneh, under <strong>the</strong> guidance<br />

of Cieri and will <strong>be</strong> performed<br />

by community mem<strong>be</strong>rs and FITC<br />

artists here in <strong>Florence</strong>. Involving<br />

over 40 people, 10–70 years of<br />

age, expatriate and Italian, as well<br />

as international students, <strong>the</strong> play<br />

will <strong>be</strong> performed in both English<br />

and Italian. <strong>The</strong> drama with <strong>be</strong> followed<br />

by a reception, and <strong>the</strong> event<br />

will conclude with a panel of leading<br />

educators discussing <strong>the</strong> impor-<br />

tance of studying <strong>the</strong> Holocaust<br />

today. In this way, <strong>the</strong> artistic directors<br />

of FITC hope that this event<br />

will <strong>be</strong> a launching pad for creating<br />

original plays throughout <strong>the</strong> years,<br />

utilizing Cieri’s model, with <strong>the</strong><br />

children of <strong>Florence</strong> in order to tell<br />

<strong>the</strong> stories that unfolded in Tuscany<br />

during that historical period.<br />

‘This use of <strong>the</strong>atre as a tool for<br />

education helps it <strong>be</strong>come a shared<br />

community event which examines<br />

<strong>the</strong> very human intricacies of choice<br />

and action that occurred during<br />

<strong>the</strong> Holocaust. It is an opportunity<br />

for everyone—performers and<br />

audience mem<strong>be</strong>rs a<strong>like</strong>—to confront<br />

<strong>the</strong>ir own feelings, opinions<br />

and <strong>be</strong>liefs about this particular<br />

human tragedy not only as a history<br />

but also as a continual cycle<br />

that occurs and reoccurs each day<br />

on this planet’.<br />

21<br />

Thursday 8 February 2007<br />

<strong>The</strong> ARTS<br />

Sala Sadun,<br />

Synagogue of <strong>Florence</strong><br />

via L.C. Farini, 4<br />

3pm – staged reading;<br />

5pm – reception;<br />

5:30pm – panel discussion<br />

Entry is free, but seating is ex -<br />

tremely limited and reservations<br />

are strongly recommended. For<br />

reservations and fur<strong>the</strong>r information:<br />

info@fl orence<strong>the</strong>atre.com or<br />

055 239 9949.

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