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10A Opinion mm m<br />
The Scopes<br />
By Daniel S. Brown lective memories not<br />
This month marks the because it was about sci-<br />
80th anniversary of the ence, but because it wasn't.<br />
Scopes Trial, the original Scopes represents the<br />
trial of the century. Civility, uniquely American ability<br />
not a survival-of-the-fittest<br />
demeanor, marked the proceedings.<br />
It's not a bad<br />
precedent for our U.S.<br />
Senators to follow in their<br />
deliberations over U.S.<br />
Supreme Court justice nominee<br />
Judge John Roberts.<br />
Why* after eight decades,<br />
does this historic trial continue<br />
to resonate with<br />
Americans? The standard<br />
reply is that the battle<br />
between evolution and creationism<br />
is still being<br />
fought. That may be true, in<br />
part, but it is a simplified, if<br />
not mistaken, conclusion.<br />
While the indictment<br />
against a first-year math<br />
teacher and beloved tennis<br />
coach John Scopes charged<br />
that he "taught that man<br />
has descended from a lower<br />
order of animals," more was<br />
at stake. The trial, played<br />
out in Rhea County,<br />
Tennessee, lives in our col-<br />
simultaneously to accommodate<br />
and dismiss competing<br />
world views.<br />
The American ideal —<br />
that all men are created<br />
equal, that all persons are<br />
gifted with inalienable<br />
rights — means that I must<br />
learn to maintain and<br />
defend my values while<br />
simultaneously respecting<br />
and defending the right of<br />
my philosophical opponents<br />
to hold their values.<br />
I do not argue there are<br />
no absolutes; nor do I argue<br />
that someone is not wrong<br />
in the current culture wars.<br />
I do argue, however, that<br />
intellectual and philosophical<br />
differences — conservative<br />
and liberal, faith-filled<br />
and faithless, rural and<br />
urban, North and South,<br />
coastal cities and "fly-over"<br />
states — are bound together<br />
in the American experiment.<br />
The Scopes Trial shows<br />
one early attempt by educated<br />
men to wrestle with a<br />
convergence of incompatible<br />
values. It was a legal proceeding<br />
with tensions that<br />
in many ways transcended<br />
the evolution-creationism<br />
debate: It was about northern<br />
industrialism vs. southern<br />
agrarianism, new vs.<br />
old, educational accountability<br />
vs. academic freedom,<br />
local control vs. governmental<br />
mandates of<br />
schools; parental involvement<br />
vs. professional standards<br />
in education; freedom<br />
of speech vs. community<br />
standards; and science vs.<br />
authority as ways of knowing.<br />
Evolution and "monkeys"<br />
were just convenient<br />
frames for examining the<br />
cultural milieu of the day.<br />
No other trial has garnered<br />
as much popular<br />
intrigue as the Scopes Trial.<br />
What other trial has<br />
inspired a Pulitzer prizewinning<br />
book, a Broadway<br />
play, feature films, popular<br />
songs? Herein lies the prob<br />
lem: In a culture where an<br />
appreciation for intellectual<br />
rigor and critical thinking<br />
are panned, the stories told<br />
in fictional accounts — like<br />
Jerome Lawrence and<br />
Robert E. Lee's perennialfavorite<br />
"Inherit the Wind"<br />
— become "more real" and<br />
"more true" than the reality<br />
of the historic event.<br />
In the late 1980s, community<br />
leaders in Dayton, the<br />
county seat of Rhea County,<br />
decided to use the public<br />
record to correct public misperceptions.<br />
A two-hour<br />
adaptation of the trial<br />
based solely on the official<br />
transcripts of The State of<br />
Tennessee v, John Thomas<br />
Scopes emerged. In the<br />
early 1990s, while a professor<br />
at Bryan College, I<br />
directed the community's<br />
production of the original<br />
script, "Destiny in Dayton,"<br />
for two summers.<br />
The annual Tennessee recreation<br />
is remarkable<br />
because of overwhelming<br />
local and national support.<br />
The play works with a vol-<br />
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