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<strong>in</strong><br />
<strong>Emilia</strong>-<strong>Romagna</strong><br />
<strong>Region</strong><br />
<strong>2010</strong>-<strong>2012</strong><br />
<strong>2012</strong> edition
<strong>in</strong> <strong>Emilia</strong>-<strong>Romagna</strong><br />
<strong>Region</strong> <strong>2010</strong>-<strong>2012</strong>
<strong>Istituto</strong> <strong>per</strong> i <strong>Beni</strong> <strong>Artistici</strong> Culturali e Naturali<br />
Museums and Cultural Heritage Service<br />
Director<br />
Laura Carl<strong>in</strong>i<br />
Project Coord<strong>in</strong>ator<br />
Giulia Pretto<br />
Our warmest thanks to all museums<br />
that gave their contribution with texts and photos.<br />
Graphic design and pag<strong>in</strong>g up<br />
Laura Bortoloni<br />
Matteo Guidi<br />
Translation<br />
The Office, Trieste<br />
© <strong>Istituto</strong> <strong>per</strong> i <strong>Beni</strong> <strong>Artistici</strong> Culturali e Naturali<br />
della <strong>Region</strong>e <strong>Emilia</strong>-<strong>Romagna</strong><br />
All rights reserved<br />
IBC<br />
Via Galliera 21, 40121 Bologna<br />
Phone +39 051/5276631<br />
Fax + 39 051/232599<br />
musei@regione.emilia-romagna.it<br />
www.ibc.regione.emilia-romagna.it<br />
Press Office<br />
ufficiostampaibc@regione.emilia-romagna.it
Index<br />
Card number Quality Museum<br />
Museums <strong>in</strong><br />
Bologna Prov<strong>in</strong>ce<br />
Bentivoglio<br />
1. Istituzione Villa Smeraldi<br />
Museo della Civiltà Contad<strong>in</strong>a<br />
Bologna<br />
2. Casa Carducci<br />
3. MAMbo Museo d’Arte Moderna<br />
Bologna<br />
4. Musei Civici d’Arte Antica:<br />
Collezioni Comunali d’Arte<br />
5. Musei Civici d’Arte Antica:<br />
Museo Civico d’Arte Industriale<br />
e Galleria Davia Bargell<strong>in</strong>i<br />
6. Musei Civici d’Arte Antica:<br />
Museo Civico Medievale<br />
7. Museo Civico Archeologico<br />
8. Museo Civico del Risorgimento<br />
9. Museo del Patrimonio<br />
Industriale<br />
10. Museo di Palazzo Poggi<br />
11. Museo Ebraico<br />
12. Museo Europeo<br />
degli Studenti<br />
13. Museo Internazionale<br />
e Biblioteca della Musica<br />
14. Museo Morandi<br />
14.bis Casa Morandi<br />
Budrio<br />
15. Museo Civico Archeologico<br />
e Paleoambientale<br />
16. Museo dei Buratt<strong>in</strong>i<br />
17. Museo dell’Ocar<strong>in</strong>a<br />
e degli Strumenti Musicali<br />
<strong>in</strong> Terracotta<br />
18. P<strong>in</strong>acoteca Civica<br />
Domenico Inzaghi<br />
Castenaso<br />
19. MUV - Museo della Civiltà<br />
Villanoviana<br />
Dozza<br />
20. Museo della Rocca<br />
di Dozza<br />
Imola<br />
21. Museo di San Domenico<br />
Collezioni d’Arte della Città<br />
22. Palazzo Tozzoni<br />
23. Rocca Sforzesca<br />
Monterenzio<br />
24. Museo Civico Archeologico<br />
Luigi Fant<strong>in</strong>i<br />
Pianoro<br />
25. Museo di Arti e Mestieri<br />
Pietro Lazzar<strong>in</strong>i<br />
Pieve di Cento<br />
26. P<strong>in</strong>acoteca Civica<br />
Porretta Terme<br />
27. Museo della Moto<br />
e dei Ciclomotori DEMM<br />
28. Museo Etnografico LabOrantes<br />
San Giovanni <strong>in</strong> Persiceto<br />
29. Museo Archeologico<br />
Ambientale<br />
Sede di San Giovanni<br />
<strong>in</strong> Persiceto<br />
30. Museo del Cielo e della Terra
Museums <strong>in</strong><br />
Ferrara Prov<strong>in</strong>ce<br />
San Lazzaro di Savena<br />
31. Museo della Preistoria<br />
Luigi Don<strong>in</strong>i<br />
Sant’Agata Bolognese<br />
32. Museo Archeologico<br />
Ambientale - Sede di Sant’Agata<br />
Bolognese<br />
Argenta<br />
33. Ecomuseo:<br />
Museo della Bonifica<br />
34. Ecomuseo:<br />
Museo delle Valli<br />
Cento<br />
35. Galleria d’Arte Moderna Aroldo<br />
Bonzagni<br />
36. P<strong>in</strong>acoteca Civica<br />
Il Guerc<strong>in</strong>o<br />
Comacchio - Lido di Sp<strong>in</strong>a<br />
37. Casa Museo<br />
Remo Br<strong>in</strong>disi<br />
Ferrara<br />
38. Castello Estense<br />
di Ferrara<br />
39. Museo Civico di Storia Naturale<br />
40. Museo d’Arte Moderna<br />
e Contemporanea “Filippo<br />
de Pisis”<br />
41. Museo della Cattedrale<br />
42. Museo dell’Ottocento<br />
42.bis Museo Bold<strong>in</strong>i<br />
43. Palazz<strong>in</strong>a Marfisa d’Este<br />
44. Palazzo Bonaccossi<br />
e Museo Rim<strong>in</strong>aldi<br />
45. Palazzo Schifanoia<br />
Mesola<br />
46. Museo del Bosco<br />
e del Cervo della Mesola<br />
Ostellato<br />
47. Museo Civico<br />
del Territorio<br />
Museums <strong>in</strong><br />
Forlì-Cesena Prov<strong>in</strong>ce<br />
Museums <strong>in</strong><br />
Modena Prov<strong>in</strong>ce<br />
Bagno di <strong>Romagna</strong><br />
48. IDRO Ecomuseo delle Acque<br />
di Ridracoli<br />
Bert<strong>in</strong>oro<br />
49. Fondazione Museo<br />
Interreligioso di Bert<strong>in</strong>oro<br />
Borghi<br />
50. Museo e Biblioteca Renzi<br />
Cesena<br />
51. Museo Archeologico<br />
52. P<strong>in</strong>acoteca Comunale<br />
Cesenatico<br />
53. Casa Museo Mar<strong>in</strong>o Moretti<br />
54. Museo della Mar<strong>in</strong>eria dell’Alto<br />
e Medio Adriatico<br />
Forlì<br />
55. Armeria Albic<strong>in</strong>i<br />
56. Musei San Domenico<br />
57. Museo Etnografico Romagnolo<br />
Pergoli<br />
58. P<strong>in</strong>acoteca Civica Melozzo degli<br />
Ambrogi<br />
Galeata<br />
59. Museo Civico Mons. Domenico<br />
Mambr<strong>in</strong>i<br />
Longiano<br />
60. Fondazione Tito Balestra Onlus<br />
Santa Sofia<br />
61. Galleria d’Arte Contemporanea<br />
Vero Stoppioni<br />
Savignano sul Rubicone<br />
62. Museo Archeologico<br />
del Compito Don Giorgio<br />
Franch<strong>in</strong>i<br />
Bastiglia<br />
63. Museo della Civiltà Contad<strong>in</strong>a<br />
Campogalliano<br />
64. Museo della Bilancia<br />
Carpi<br />
65. Musei di Palazzo dei Pio
Museums <strong>in</strong><br />
Parma Prov<strong>in</strong>ce<br />
66. Museo Monumento<br />
al Deportato politico<br />
e razziale nei campi<br />
di sterm<strong>in</strong>io nazisti<br />
Castelfranco <strong>Emilia</strong><br />
67. Museo Civico Archeologico<br />
“Anton Celeste Simon<strong>in</strong>i”<br />
Fiorano Modenese<br />
68. Museo della Ceramica<br />
Formig<strong>in</strong>e<br />
69. Museo e Centro<br />
di documentazione<br />
del Castello<br />
Mirandola<br />
70. Museo Civico di Mirandola<br />
Modena<br />
71. Galleria Civica di Modena<br />
72. Museo Civico Archeologico<br />
Etnologico<br />
73. Museo Civico d’Arte<br />
74. Museo della Figur<strong>in</strong>a<br />
Montese<br />
75. Raccolta di Cose Montes<strong>in</strong>e<br />
Nonantola<br />
76. Museo di Nonantola<br />
Spilamberto<br />
77. Museo dell’Aceto Balsamico<br />
Tradizionale<br />
Berceto<br />
78. Museo Mart<strong>in</strong>o Jasoni<br />
Collecchio<br />
79. Museo Ettore Guatelli<br />
80. Museo del Pomodoro<br />
Fel<strong>in</strong>o<br />
81. Museo del Salame di Fel<strong>in</strong>o<br />
Langhirano<br />
82. Museo del Prosciutto<br />
e dei Salumi di Parma<br />
Museums <strong>in</strong><br />
Piacenza Prov<strong>in</strong>ce<br />
Neviano degli Ardu<strong>in</strong>i<br />
83. Museo Uomo-Ambiente.<br />
Il territorio nel tempo<br />
Noceto<br />
84. Castello della Musica:<br />
Museo del Disco<br />
Museo di Liuteria<br />
Parma<br />
85. Castello dei Buratt<strong>in</strong>i<br />
Museo Giordano Ferrari<br />
86. Fondazione Museo<br />
Glauco Lombardi<br />
87. Museo Casa Natale<br />
Arturo Toscan<strong>in</strong>i<br />
88. Casa del Suono<br />
89. Museo dell’O<strong>per</strong>a<br />
90. P<strong>in</strong>acoteca Giuseppe Stuard<br />
Salsomaggiore Terme<br />
91. Museo Naturalistico<br />
del Parco dello Stirone<br />
Soragna<br />
92. Museo del Parmigiano Reggiano<br />
Traversetolo<br />
93. Museo Renato Brozzi<br />
Bobbio<br />
94. Museo della Città di Bobbio<br />
Castell’Arquato<br />
95. Museo Geologico G. Cortesi<br />
96. Museo Luigi Illica<br />
Piacenza<br />
97. Galleria d’Arte Moderna<br />
Ricci Oddi<br />
98. Musei Civici di Palazzo Farnese<br />
99. Museo Civico di Storia Naturale<br />
100. Museo di Ornitologia<br />
Amatoriale<br />
Pianello Val Tidone<br />
101. Museo Archeologico<br />
della Valtidone<br />
Travo<br />
102. Museo Civico e Parco<br />
Archeologico
Museums <strong>in</strong><br />
Ravenna Prov<strong>in</strong>ce<br />
Museums <strong>in</strong><br />
Reggio <strong>Emilia</strong> Prov<strong>in</strong>ce<br />
Alfons<strong>in</strong>e<br />
103. Casa Museo V<strong>in</strong>cenzo Monti<br />
104. Museo della Battaglia del Senio<br />
Bagnara di <strong>Romagna</strong><br />
105. Museo del Castello<br />
Cervia<br />
106. MUSA. Museo del Sale<br />
Faenza<br />
107. Museo Internazionale<br />
delle Ceramiche<br />
Lugo<br />
108. Casa Museo<br />
Francesco Baracca<br />
Massa Lombarda<br />
109. Museo Carlo Ventur<strong>in</strong>i<br />
Ravenna<br />
110. Museo d’Arte<br />
della Città di Ravenna<br />
111. NatuRa. Museo Ravennate<br />
di Scienze Naturali<br />
Alfredo Brandol<strong>in</strong>i<br />
112. Piccolo Museo di Bambole<br />
e altri Balocchi<br />
Riolo Terme<br />
113. Museo del Paesaggio<br />
dell’Appenn<strong>in</strong>o Faent<strong>in</strong>o<br />
Castelnovo di Sotto<br />
114. Museo della Maschera<br />
del Carnevale.<br />
Centro di documentazione<br />
e ricerca<br />
Correggio<br />
115. Museo Civico Il Correggio<br />
Gattatico<br />
116. Museo Cervi<br />
Novellara<br />
117. Museo Gonzaga<br />
Reggio <strong>Emilia</strong><br />
118. Musei Civici:<br />
Galleria Parmeggiani<br />
Museums <strong>in</strong><br />
Rim<strong>in</strong>i Prov<strong>in</strong>ce<br />
119. Musei Civici:<br />
Museo del Tricolore<br />
120. Musei Civici:<br />
Palazzo S. Francesco<br />
Rolo<br />
121. Museo della Tarsia<br />
San Mart<strong>in</strong>o <strong>in</strong> Rio<br />
122. Museo dell’Agricoltura<br />
e del Mondo Rurale<br />
Bellaria Igea Mar<strong>in</strong>a<br />
123. La Casa Rossa di Alfredo Panz<strong>in</strong>i<br />
Cattolica<br />
124. Museo della Reg<strong>in</strong>a<br />
Monda<strong>in</strong>o<br />
125. Mostra <strong>per</strong>manente<br />
delle Maioliche Monda<strong>in</strong>esi<br />
126. Museo Paleontologico<br />
Montegridolfo<br />
127. Museo della L<strong>in</strong>ea dei Goti<br />
Montescudo<br />
128. Museo Etnografico di Valliano<br />
Poggio Berni<br />
129. Museo Mul<strong>in</strong>o Sapignoli<br />
Riccione<br />
130. Galleria d’arte moderna<br />
e contemporanea<br />
Villa Franceschi<br />
131. Museo del Territorio<br />
Rim<strong>in</strong>i<br />
132. Museo degli Sguardi. Raccolte<br />
Etnografiche di Rim<strong>in</strong>i<br />
133. Museo della Città<br />
134. Museo dell’Aviazione<br />
Santarcangelo di <strong>Romagna</strong><br />
135. MET Museo degli Usi e Costumi<br />
della Gente di <strong>Romagna</strong><br />
136. MUSAS<br />
Museo Storico Archeologico<br />
Verucchio<br />
137. Museo Civico Archeologico
From the Lat<strong>in</strong> MUSÈUM,<br />
which <strong>in</strong> turn comes from<br />
the Greek MOYSEION after<br />
MOYSA (Muse). Orig<strong>in</strong>ally, a<br />
place sacred to the Muses, or<br />
Temple of the Muses; the word<br />
later <strong>in</strong>dicated an Institute<br />
established by Ptolemy II<br />
Philadelphius <strong>in</strong> Alexandria<br />
to promote culture and<br />
support men of science and<br />
letters, who lived there thanks<br />
to public funds. Today, it<br />
<strong>in</strong>dicates a gallery or collection<br />
of material noteworthy for its<br />
excellence, rarity, or antiquity.
9 Muses
Foreword<br />
Ezio Raimondi<br />
It is with s<strong>in</strong>cere pleasure that we present this<br />
vademecum to the museums of <strong>Emilia</strong>-<strong>Romagna</strong><br />
that have been acknowledged as “quality museums”,<br />
and have thus jo<strong>in</strong>ed a novel association of sorts,<br />
a virtuous community that pools <strong>in</strong>stitutions<br />
that are quite different from each other, but with<br />
shared characteristics <strong>in</strong> terms of services offered<br />
to the public, excellent <strong>in</strong>ternal management and<br />
organizations, and activities to promote their<br />
collections. For a museum, quality translates <strong>in</strong>to<br />
substance <strong>in</strong> terms of its ability to attentively adapt to<br />
its users’ needs, as an open, <strong>in</strong>teractive, and constantly<br />
evolv<strong>in</strong>g <strong>in</strong>stitution.<br />
Of course, what we are document<strong>in</strong>g today is merely<br />
the first step <strong>in</strong> a shared journey, which will <strong>in</strong>volve,<br />
over time, many more museums active <strong>in</strong> our region.<br />
A logo is ready for the first museums, and for all<br />
those that will follow <strong>in</strong> their footsteps. It was selected<br />
through a pa<strong>in</strong>stak<strong>in</strong>g competition which saw the<br />
enthusiastic participation of many young designers<br />
and graphic artists.
The logo, chosen from 70 submitted projects, plays<br />
off multiple associations of ideas, start<strong>in</strong>g with the long<br />
history of an association whose very name alludes to<br />
the n<strong>in</strong>e muses of art and science. The result<strong>in</strong>g image<br />
– fresh, stylish, and catchy all at once – represents a<br />
precise leitmotif and an excellent viaticum for a new<br />
museum season that can reaffirm the <strong>in</strong>creas<strong>in</strong>gly<br />
self-aware and o<strong>per</strong>ational role of these vital hubs<br />
of culture.<br />
Quality must also be the trademark of a style,<br />
of creative efficiency.
9 Prov<strong>in</strong>ces
The vademecum of quality<br />
Laura Carl<strong>in</strong>i<br />
Valoris<strong>in</strong>g the quality museums of <strong>Emilia</strong>-<strong>Romagna</strong><br />
is the goal of this pocket vademecum dedicated to the<br />
museums that have acquired the status of “accredited<br />
museum”. This is the first nucleus of cultural <strong>in</strong>stitutions<br />
that can guarantee the standards of function<strong>in</strong>g def<strong>in</strong>ed<br />
by the <strong>Emilia</strong>-<strong>Romagna</strong> regional government with<br />
<strong>Region</strong>al Council Deliberation n. 309/03 Approval of<br />
quality standards and goals for libraries, historical archives<br />
and museums pursuant to art. 10 of <strong>Region</strong>al Law 18/00<br />
“Norms regulat<strong>in</strong>g libraries, historical archives, museums,<br />
and cultural heritage”.<br />
The museums that obta<strong>in</strong>ed the first regional<br />
accreditation, valid for <strong>2010</strong>-<strong>2012</strong>, meet the quality<br />
requisites <strong>in</strong> the follow<strong>in</strong>g fields: legal status, f<strong>in</strong>ancial<br />
structure, facilities and safety & security, staff, collection<br />
management and care (conservation, documentation,<br />
and research), visitor services and relations with the<br />
local communities.<br />
The vademecum comprises a series of brief chapters<br />
that <strong>in</strong>troduce each museum and highlight its salient<br />
characteristics. It is the result of collaborative efforts
with the museum directors, who drafted the brief texts<br />
that present their <strong>in</strong>stitutes and highlight their most<br />
dist<strong>in</strong>ctive traits: the uniqueness and orig<strong>in</strong>ality of each<br />
<strong>in</strong>stitution; the value of their collections; the <strong>in</strong>novative<br />
or historic aspects of the build<strong>in</strong>gs that house them<br />
and of the exhibits themselves; the dedication to research,<br />
studies, and documentation; the rigour with which<br />
collections are handled and preserved; the attention given<br />
to <strong>in</strong>volv<strong>in</strong>g local communities, educational services,<br />
and the public at large; and relations with the local<br />
territory and urban systems.<br />
In order to dist<strong>in</strong>guish these quality museums, IBC<br />
has created the QUALITY MUSEUM logo, through<br />
a public competition reserved to young artists and<br />
designers work<strong>in</strong>g <strong>in</strong> <strong>Emilia</strong>-<strong>Romagna</strong>. The logo, with<br />
its visual identification system, is one of the ma<strong>in</strong> tools<br />
to consolidate the image of <strong>Emilia</strong>-<strong>Romagna</strong>’s quality<br />
museum system and to ensure maximum visibility<br />
to the accredited museums, by graphically highlight<strong>in</strong>g<br />
their <strong>in</strong>clusion <strong>in</strong> this elite group.<br />
Subsequent editions of the guide will <strong>in</strong>clude all the<br />
additional museums that have qualified for the quality<br />
designation. The procedure for accreditation rema<strong>in</strong>s<br />
open to all of the region’s museums that want to submit<br />
their candidacy, even <strong>in</strong> future years. The IBC’s Museums<br />
and Cultural Heritage Service, assisted by a work<strong>in</strong>g group<br />
made up of representatives from the museum world,<br />
was responsible for bestow<strong>in</strong>g the <strong>in</strong>itial recognitions<br />
and cont<strong>in</strong>ues its monitor<strong>in</strong>g and encouragement efforts<br />
to develop the regional museum system to its fullest<br />
potential.
137 Museums
<strong>in</strong> <strong>Emilia</strong>-<strong>Romagna</strong><br />
<strong>Region</strong> <strong>2010</strong>-<strong>2012</strong>
The quality museums<br />
<strong>2010</strong>-<strong>2012</strong>
Piacenza<br />
97-98<br />
99-100<br />
101<br />
92<br />
Pianello<br />
46<br />
Val Tidone<br />
Soragna<br />
121<br />
38-39-40<br />
Mesola<br />
102<br />
70<br />
41-42-42 bis<br />
95<br />
85-86<br />
Rolo<br />
Travo<br />
96<br />
Mirandola<br />
43-44-45<br />
87-88<br />
117<br />
Castell’Arquato<br />
89-90<br />
114<br />
Novellara<br />
91<br />
84<br />
Ferrara<br />
Castelnovo<br />
65<br />
Salsomaggiore<br />
Noceto<br />
di Sotto<br />
94<br />
Parma<br />
116<br />
115<br />
66<br />
Terme<br />
Carpi<br />
35<br />
Bobbio<br />
Gattatico<br />
Correggio<br />
36<br />
47<br />
63<br />
79<br />
118-119<br />
122<br />
Cento<br />
Ostellato<br />
80<br />
Bastiglia<br />
92<br />
120 San Mart<strong>in</strong>o<br />
26<br />
Collecchio 81<br />
<strong>in</strong> Rio<br />
64<br />
46 76<br />
Soragna<br />
Pieve di Cento<br />
Reggio <strong>Emilia</strong><br />
71-72<br />
Campogalliano 73-74 Nonantola 32<br />
121<br />
Fel<strong>in</strong>o<br />
38-39-40<br />
Mesola<br />
37<br />
70<br />
29<br />
97-98<br />
93 41-42-42 bis<br />
Sant’Agata Bolognese 30<br />
33<br />
85-86<br />
Rolo<br />
82<br />
34<br />
Comacchio<br />
Mirandola 99-100<br />
Traversetolo<br />
43-44-45<br />
Modena<br />
87-88<br />
117<br />
San Giovanni<br />
<strong>in</strong> Persiceto<br />
1<br />
Argenta<br />
97-98 89-90<br />
114<br />
Langhirano<br />
67<br />
84<br />
Novellara<br />
Piacenza<br />
83<br />
69<br />
Bentivoglio<br />
15-16<br />
99-100<br />
Ferrara<br />
Castelnovo<br />
Castelfranco <strong>Emilia</strong><br />
17-18<br />
Noceto<br />
65<br />
Neviano degli<br />
97-98<br />
Parma<br />
di Sotto<br />
Formig<strong>in</strong>e<br />
2-3-4-5<br />
Piacenza<br />
116<br />
115 101 66<br />
Ardu<strong>in</strong>i<br />
99-100<br />
68<br />
77<br />
6-7-8-9<br />
Budrio<br />
103<br />
Carpi<br />
35<br />
92<br />
10-11-12<br />
104<br />
Gattatico<br />
CorreggioPianello<br />
78<br />
36<br />
47<br />
Fiorano Spilamberto<br />
19<br />
46<br />
Val Tidone<br />
63<br />
Piacenza<br />
79<br />
118-119<br />
122<br />
Soragna<br />
13-14<br />
Alfons<strong>in</strong>e<br />
Berceto<br />
Cento<br />
OstellatoModenese<br />
121<br />
Castenaso<br />
14 38-39-40<br />
Mesola<br />
80<br />
bis<br />
120 92<br />
70<br />
San Mart<strong>in</strong>o<br />
102 Bastiglia<br />
26<br />
Bologna 31<br />
46<br />
41-42-42 bis<br />
Collecchio 81<br />
95<br />
101<br />
Soragna <strong>in</strong> Rio<br />
64<br />
76<br />
85-86<br />
Rolo<br />
Travo<br />
Pieve di<br />
109<br />
96 Cento<br />
92 Mirandola<br />
43-44-45<br />
San Lazzaro<br />
110-111<br />
Reggio <strong>Emilia</strong><br />
71-72<br />
121<br />
87-88<br />
117<br />
Mesola<br />
108<br />
102<br />
Campogalliano<br />
38-39-40<br />
73-74 Nonantola 32<br />
Fel<strong>in</strong>o<br />
Pianello<br />
Castell’Arquato<br />
70<br />
di Savena<br />
Massa<br />
112<br />
Val Tidone<br />
89-90<br />
114<br />
41-42-42 bis 37<br />
93<br />
29<br />
95<br />
85-86<br />
Soragna<br />
Sant’Agata Bolognese 30<br />
Rolo<br />
Novellara<br />
91<br />
84<br />
33<br />
Ferrara Lombarda Lugo<br />
avo<br />
Mirandola<br />
43-44-45<br />
25<br />
121<br />
38-39-40<br />
82<br />
96<br />
87-88<br />
117<br />
102<br />
34 Castelnovo<br />
Comacchio<br />
105<br />
Ravenna<br />
21-22<br />
70<br />
Traversetolo<br />
Modena<br />
San Giovanni<br />
65<br />
41-42-42 bis<br />
Castell’Arquato<br />
Salsomaggiore<br />
Noceto<br />
di Sotto<br />
94 89-90<br />
<strong>in</strong> 114 Persiceto<br />
1<br />
Parma Argenta<br />
95<br />
66<br />
Pianoro<br />
85-86<br />
20 23 Rolo<br />
Langhirano<br />
Novellara<br />
Travo<br />
116<br />
96<br />
115<br />
97-98<br />
Bagnara Mirandola<br />
43-44-45<br />
91<br />
84<br />
67<br />
Terme<br />
Ferrara<br />
87-88<br />
117<br />
83<br />
69<br />
99-100<br />
Carpi<br />
24 35<br />
Bobbio<br />
Castelnovo<br />
Bentivoglio<br />
15-16<br />
65<br />
Gattatico Castell’Arquato Correggio<br />
89-90<br />
36 114Dozza<br />
di <strong>Romagna</strong><br />
47<br />
Imola<br />
Salsomaggiore<br />
Noceto Parma Castelfranco <strong>Emilia</strong> di Sotto<br />
17-18<br />
Novellara<br />
91<br />
84 63<br />
Neviano degli<br />
Formig<strong>in</strong>e<br />
116<br />
115<br />
66 79<br />
122<br />
Monterenzio<br />
Ferrara<br />
Terme<br />
2-3-4-5<br />
118-119<br />
Cento<br />
Piacenza<br />
Castelnovo<br />
Ostellato<br />
Ardu<strong>in</strong>i<br />
68<br />
77<br />
Carpi<br />
80<br />
35<br />
120<br />
65 107<br />
Salsomaggiore<br />
Noceto Bastiglia<br />
Parma<br />
di Sotto 26<br />
Gattatico<br />
Correggio<br />
6-7-8-9<br />
Budrio<br />
103 San Mart<strong>in</strong>o<br />
Collecchio 94 81<br />
36<br />
75<br />
64<br />
47<br />
116<br />
115113<br />
66<br />
Terme<strong>in</strong><br />
Rio<br />
76<br />
Faenza<br />
106<br />
79<br />
122 10-11-12<br />
63<br />
104<br />
Fiorano Spilamberto<br />
19<br />
118-119<br />
Cento<br />
71-72<br />
Pieve di Cento<br />
101<br />
Carpi<br />
55-56<br />
35<br />
80<br />
13-14<br />
Bobbio<br />
Reggio <strong>Emilia</strong> Alfons<strong>in</strong>e<br />
Montese Campogalliano<br />
Ostellato<br />
Modenese<br />
73-74 Nonantola 32<br />
92<br />
Riolo<br />
36<br />
47<br />
120<br />
Castenaso Bastiglia<br />
Gattatico<br />
Correggio<br />
63<br />
Cervia<br />
37<br />
92<br />
San Mart<strong>in</strong>o 14 bis<br />
Fel<strong>in</strong>o<br />
26<br />
29<br />
Terme<br />
57-58<br />
Pianello<br />
79<br />
122<br />
Collecchio 81<br />
Bologna<br />
93<br />
<strong>in</strong> Rio<br />
6431<br />
76<br />
Sant’Agata 46 Bolognese 30<br />
118-119<br />
33<br />
Cento<br />
53<br />
Ostellato<br />
82<br />
Val Tidone<br />
80<br />
Soragna<br />
Bastiglia 34<br />
Comacchio<br />
Soragna<br />
Pieve di Cento<br />
Reggio <strong>Emilia</strong><br />
71-72<br />
54<br />
Campogalliano<br />
Modena<br />
120 San Mart<strong>in</strong>o<br />
Forlì<br />
26<br />
73-74 Nonantola 32<br />
109<br />
Fel<strong>in</strong>o<br />
San Lazzaro<br />
Traversetolo<br />
San Giovanni<br />
121<br />
64<br />
27<br />
76 121<br />
102<br />
Cesenatico<br />
38-39-40<br />
29<br />
38-39-40<br />
110-111<br />
Mesola<br />
Collecchio 81<br />
37<br />
<strong>in</strong> 97-98 Persiceto<br />
1 <strong>in</strong> Rio<br />
Argenta<br />
93<br />
70<br />
108<br />
di Savena<br />
70<br />
Sant’Agata Langhirano Bolognese 30<br />
Massa 41-42-42<br />
112<br />
bis<br />
33<br />
28<br />
67<br />
71-72<br />
49 Pieve di<br />
51<br />
Cento<br />
41-42-42 bis<br />
95<br />
85-86<br />
83<br />
69 95<br />
99-100 Reggio <strong>Emilia</strong> 85-86 Campogalliano<br />
Rolo<br />
Travo<br />
52Mirandola<br />
43-44-45<br />
Porretta Terme<br />
96<br />
73-74 Nonantola 32<br />
Fel<strong>in</strong>o<br />
Bentivoglio<br />
15-16<br />
82<br />
Rolo<br />
Comacchio<br />
Modena<br />
Lombarda<br />
34<br />
Traversetolo<br />
Mirandola<br />
San Giovanni 43-44-45 Lugo<br />
96<br />
87-88<br />
117<br />
25<br />
Ravenna<br />
Castelfranco <strong>Emilia</strong> 93<br />
87-88<br />
17-18<br />
117<br />
29<br />
123<br />
Bert<strong>in</strong>oro 30<br />
Castell’Arquato<br />
Sant’Agata Bolognese<br />
33<br />
Neviano <strong>in</strong> Persiceto degli<br />
21-22<br />
105 1<br />
Formig<strong>in</strong>e Argenta<br />
ato<br />
Cesena<br />
62<br />
89-90<br />
Langhirano114<br />
67<br />
82 Piacenza<br />
2-3-4-589-90<br />
114<br />
34<br />
Novellara 83<br />
69<br />
Ardu<strong>in</strong>i<br />
Traversetolo<br />
Novellara<br />
Bellaria 132<br />
91<br />
84<br />
Modena<br />
Bentivoglio<br />
15-16<br />
68<br />
77<br />
6-7-8-9<br />
Budrio<br />
San Giovanni<br />
91<br />
84<br />
Pianoro<br />
20 23<br />
Ferrara Bagnara<br />
103<br />
Savignano sul Rubicone Igea Mar<strong>in</strong>a<br />
Ferrara<br />
Castelnovo<br />
<strong>in</strong> Persiceto<br />
1<br />
133<br />
Argenta<br />
Castelnovo<br />
Langhirano<br />
10-11-12<br />
104<br />
78 24 Castelfranco <strong>Emilia</strong><br />
17-18<br />
65<br />
134<br />
101 Salsomaggiore<br />
Noceto<br />
67<br />
Fiorano Spilamberto<br />
19<br />
Neviano degli<br />
65<br />
Salsomaggiore<br />
Noceto<br />
Formig<strong>in</strong>e<br />
Dozza<br />
di <strong>Romagna</strong><br />
Parma<br />
di Sotto<br />
Imola<br />
Parma<br />
di Sotto<br />
94<br />
2-3-4-5<br />
83<br />
13-14<br />
69<br />
116<br />
115<br />
Alfons<strong>in</strong>e 66<br />
Bentivoglio 60<br />
135 15-16<br />
116<br />
Ardu<strong>in</strong>i<br />
115<br />
66<br />
Terme<br />
Berceto Monterenzio 68<br />
77<br />
6-7-8-9<br />
Budrio Modenese<br />
Terme<br />
103<br />
Castenaso<br />
14 bis<br />
92 Castelfranco <strong>Emilia</strong><br />
136 17-18 Rim<strong>in</strong>i<br />
Carpi<br />
35<br />
107<br />
Pianello<br />
Carpi Longiano<br />
35<br />
Bobbio 10-11-12<br />
Neviano degli<br />
104<br />
78<br />
Bologna 31<br />
Formig<strong>in</strong>e<br />
Gattatico<br />
Correggio<br />
Val Tidone<br />
Gattatico<br />
Correggio<br />
2-3-4-5<br />
Fiorano Spilamberto 36<br />
19 47<br />
Ardu<strong>in</strong>i<br />
Soragna<br />
63 Santarcangelo<br />
36<br />
130<br />
The 13-14<br />
79<br />
68<br />
77<br />
San Lazzaro<br />
118-119<br />
122109<br />
79 quality museums<br />
75<br />
122<br />
63<br />
113<br />
Alfons<strong>in</strong>e<br />
6-7-8-9di<br />
<strong>Romagna</strong> 110-111 Budrio<br />
121<br />
131<br />
Berceto<br />
118-119<br />
Modenese<br />
Faenza<br />
106<br />
Cento<br />
Castenaso<br />
14 102<br />
Cento<br />
80<br />
bis<br />
55-56 Ostellato<br />
78<br />
80<br />
108<br />
70<br />
Montese 120<br />
di Savena<br />
120<br />
95<br />
59 San<br />
Bastiglia 10-11-12<br />
Fiorano Spilamberto<br />
19<br />
San Mart<strong>in</strong>o<br />
Bastiglia<br />
26<br />
Riolo Bologna 31<br />
85-86Mart<strong>in</strong>o<br />
Massa<br />
129 112<br />
Riccione 26<br />
64<br />
13-14<br />
50 Poggio Rolo<br />
Travo<br />
Collecchio 81 96<br />
<strong>in</strong> Rio<br />
76<br />
Alfons<strong>in</strong>e<br />
Collecchio 81<br />
<strong>in</strong> Rio<br />
64<br />
76<br />
Terme<br />
57-58<br />
Cervia<br />
Berceto<br />
109 53<br />
Modenese<br />
Lombarda Lugo<br />
Mirandola 124<br />
Galeata 87-88<br />
71-72<br />
14 bis 117<br />
Castenaso<br />
Pieve di Cento<br />
San Lazzaro<br />
110-111 25<br />
Berni Pieve di Cento<br />
Reggio <strong>Emilia</strong><br />
71-72<br />
54<br />
Reggio <strong>Emilia</strong><br />
Ravenna<br />
Campogalliano<br />
108 Castell’Arquato<br />
21-22<br />
61 89-90Campogalliano<br />
105<br />
73-74 114 Bologna<br />
Borghi Nonantola<br />
31<br />
di Savena<br />
32<br />
73-74 Nonantola 32<br />
Fel<strong>in</strong>o<br />
Forlì<br />
Massa 37<br />
Fel<strong>in</strong>o 112<br />
Pianoro<br />
Novellara 137<br />
Cattolica<br />
93<br />
27<br />
29<br />
Cesenatico<br />
91 93<br />
84 20 23<br />
29<br />
109<br />
Sant’Agata Bolognese 30<br />
33<br />
28<br />
Lombarda Lugo<br />
Bagnara<br />
Santa Sofia<br />
Castelnovo<br />
Sant’Agata San Lazzaro Bolognese 30<br />
25<br />
Ravenna 82<br />
Verrucchio 128<br />
108<br />
82<br />
34<br />
49<br />
51<br />
<strong>2010</strong>-<strong>2012</strong><br />
Comacchio<br />
21-22<br />
105<br />
24<br />
di Sotto<br />
65<br />
Salsomaggiore Traversetolo<br />
Noceto Dozza<br />
di <strong>Romagna</strong> Modena<br />
di Savena<br />
Traversetolo<br />
Modena<br />
San Giovanni<br />
52<br />
94<br />
Imola<br />
48<br />
Parma<br />
San Giovanni<br />
Massa<br />
Porretta Terme<br />
123<br />
116<br />
115<br />
66<br />
2<br />
<strong>in</strong> Persiceto<br />
1<br />
1<br />
Pianoro<br />
Argenta Bert<strong>in</strong>oro<br />
20 23<br />
Langhirano Terme<br />
<strong>in</strong> Persiceto<br />
2567<br />
Montescudo<br />
Lombarda Lugo<br />
Langhirano<br />
67<br />
46 Cesena<br />
62<br />
Bagnara<br />
Monterenzio<br />
69<br />
Carpi<br />
35<br />
83<br />
Bentivoglio<br />
15-16<br />
Bellaria<br />
Bobbio<br />
83<br />
Bagno di <strong>Romagna</strong><br />
Gattatico 107 69<br />
Correggio<br />
125Bentivoglio21-22<br />
15-16105<br />
24<br />
Dozza<br />
di <strong>Romagna</strong><br />
132<br />
36<br />
Mesola<br />
Imola 75<br />
Castelfranco Pianoro <strong>Emilia</strong><br />
79<br />
122<br />
126<br />
63<br />
113<br />
17-18<br />
Neviano degli<br />
Formig<strong>in</strong>e<br />
118-119<br />
20 23<br />
121<br />
Castelfranco <strong>Emilia</strong><br />
38-39-40<br />
17-18<br />
Savignano sul Rubicone Igea Mar<strong>in</strong>a 133<br />
Neviano degli<br />
70 Formig<strong>in</strong>e<br />
134<br />
Faenza<br />
106 127<br />
Bagnara<br />
Monterenzio<br />
Cento<br />
41-42-42 2-3-4-5 bis<br />
80<br />
120 San Mart<strong>in</strong>o<br />
Monda<strong>in</strong>o Bastiglia<br />
2-3-4-5<br />
Ardu<strong>in</strong>i<br />
55-56<br />
68<br />
77<br />
24<br />
Montese<br />
107<br />
Dozza<br />
di <strong>Romagna</strong><br />
85-86<br />
Ardu<strong>in</strong>i<br />
60<br />
135<br />
Riolo<br />
26<br />
Rolo<br />
Collecchio 81<br />
<strong>in</strong> Rio<br />
64 Montegridolfo<br />
Cervia 6-7-8-9 Imola Budrio<br />
Mirandola<br />
68<br />
77<br />
43-44-45 6-7-8-9<br />
Budrio<br />
103<br />
136 Rim<strong>in</strong>i<br />
76<br />
78<br />
Terme<br />
57-58<br />
87-88<br />
117<br />
75<br />
10-11-12<br />
104<br />
78 The numbers on the map address the numbers of the museum cards<br />
113<br />
106<br />
71-72 10-11-12<br />
Pieve di Cento<br />
FioranoReggio<br />
<strong>Emilia</strong> Spilamberto<br />
Monterenzio<br />
53<br />
Faenza<br />
19<br />
89-90<br />
114<br />
Fiorano Spilamberto<br />
19<br />
Longiano<br />
Santarcangelo<br />
130<br />
13-14<br />
Alfons<strong>in</strong>e<br />
Campogalliano 73-74 Nonantola 32<br />
Fel<strong>in</strong>o<br />
13-14 54<br />
55-56<br />
107<br />
84 Berceto<br />
Novellara<br />
Modenese<br />
Montese<br />
Riolo Berceto<br />
Modenese<br />
Forlì<br />
Castenaso<br />
Ferrara<br />
Castenaso<br />
di <strong>Romagna</strong><br />
131<br />
14 75<br />
93<br />
Cesenatico 14 bis<br />
29<br />
bis<br />
27<br />
Cervia<br />
BolognaSant’Agata<br />
31 Bolognese<br />
113<br />
Terme<br />
57-58<br />
Castelnovo<br />
Bologna 31<br />
59<br />
Faenza 30<br />
28<br />
129<br />
Riccione<br />
53<br />
65<br />
Montese 82<br />
49<br />
54<br />
Traversetolo<br />
Modena 51<br />
Parma<br />
di Sotto<br />
66<br />
109<br />
50 Poggio<br />
52<br />
San Giovanni<br />
San Lazzaro<br />
Riolo<br />
116<br />
115<br />
San Lazzaro<br />
Porretta Terme 110-111<br />
124<br />
Galeata<br />
Forlì<br />
Langhirano<br />
Bert<strong>in</strong>oro<br />
<strong>in</strong><br />
123<br />
Cesenatico<br />
Persiceto<br />
27<br />
108<br />
Berni<br />
di Savena<br />
Terme<br />
Carpi<br />
35<br />
di Savena<br />
Cesena<br />
62 67<br />
Gattatico<br />
Correggio<br />
36<br />
28<br />
47<br />
61 Massa<br />
Borghi<br />
112<br />
137<br />
Cattolica 49 51<br />
83<br />
69<br />
Bellaria<br />
63<br />
Lombarda<br />
132<br />
Bentiv<br />
122<br />
Lugo<br />
52<br />
Castelfranco 25<strong>Emilia</strong><br />
For<br />
118-119<br />
27<br />
Savignano sul Rubicone<br />
Porretta Terme 25<br />
Santa Sofia<br />
Ravenna Verrucchio 128<br />
123<br />
Igea Mar<strong>in</strong>a 133<br />
Bologna<br />
Ferrara<br />
Forlì-Cesena<br />
Modena<br />
Parma<br />
Piacenza<br />
Ravenna<br />
Reggio <strong>Emilia</strong><br />
Rim<strong>in</strong>i
Bologna
Istituzione Villa Smeraldi<br />
Museo della<br />
Civiltà Contad<strong>in</strong>a<br />
Istituzione Villa Smeraldi<br />
Museum of Peasant History and Life<br />
address<br />
phone + 39 051/891050 fax +39 051/898377<br />
e-mail<br />
web<br />
Pick<strong>in</strong>g grapes with a wicker<br />
basket<br />
Villa Smeraldi seen from its pond<br />
Section on farmhouse kitchens<br />
Detail of the section “Timber,<br />
leaves, w<strong>in</strong>e”<br />
Via Sammar<strong>in</strong>a, 35<br />
Loc. San Mar<strong>in</strong>o di Bentivoglio<br />
segreteria.museo@prov<strong>in</strong>cia.bologna.it<br />
Bentivoglio<br />
40010 BO<br />
www.museociviltacontad<strong>in</strong>a.prov<strong>in</strong>cia.bologna.it<br />
S<strong>in</strong>ce 1973, Villa Smeraldi, surrounded by a marvellous park,<br />
has housed the collections of the Museum of Peasant History<br />
and Life that have been put together thanks to the Gruppo della<br />
Stadura Association: thousands of testimonies of life and work<br />
<strong>in</strong> the Bologna countryside, donated by farmers and former<br />
farmers. The <strong>per</strong>manent exhibition “Farmers <strong>in</strong> the Bologna<br />
pla<strong>in</strong> (1750-1950)” presents the issue of city-countryside relations<br />
from the rural po<strong>in</strong>t of view, and illustrates the history of the<br />
agricultural landscape <strong>in</strong> the Bologna area, the ma<strong>in</strong> crops,<br />
rural craftsmen, families, domestic life, and the colonial court.<br />
For over twenty years, the museum has provided educational<br />
services for schools and adults. S<strong>in</strong>ce 1999, the museum is run<br />
by the Istituzione Villa Smeraldi, established by the Prov<strong>in</strong>ce<br />
of Bologna with the support of the municipalities of Bologna,<br />
Castel Maggiore, and Bentivoglio.<br />
1
Casa Carducci<br />
address<br />
phone +39 051/4292820 fax +39 051/347592<br />
e-mail<br />
web<br />
In Elvira Carducci’s salon:<br />
the guéridon with legs made<br />
of willow wood. The table<br />
top displays portraits of the<br />
poet’s relatives and<br />
a metal calendar<br />
Carducci’s bust, sculpted<br />
by Paolo Testi and located<br />
on the studio’s bookcase<br />
shelf<br />
The facade of Casa Carducci<br />
2<br />
Piazza Carducci, 5 Bologna<br />
40125 BO<br />
casacarducci@comune.bologna.it<br />
www.casacarducci.it<br />
The <strong>in</strong>stitute is many th<strong>in</strong>gs at once: historic home with garden<br />
and Monument to Giosuè Carducci erected by Leonardo Bistolfi,<br />
library, archive, museum-home, collection of Carducci-era<br />
artefacts, documentation centre on the work of the writer (who<br />
was the 1906 Nobel laureate for literature), and a crucial stop for<br />
students of 19th and 20th century literature.<br />
The apartment on the second floor of the build<strong>in</strong>g, where Giosuè<br />
Carducci lived from 1890 until his death (1907), ma<strong>in</strong>ta<strong>in</strong>s its<br />
orig<strong>in</strong>al furnish<strong>in</strong>gs and decorations. The library, with over<br />
35,000 books, documents his wide-rang<strong>in</strong>g <strong>in</strong>terests <strong>in</strong> literature<br />
and history, and features the best of Italy’s publish<strong>in</strong>g output<br />
from the 14th to the 19th centuries, while the archives conta<strong>in</strong><br />
Carducci’s poetry, prose, and letters.
MAMbo<br />
Museo d’Arte Moderna<br />
di Bologna<br />
MAMbo<br />
Bologna Museum of Modern Art<br />
address<br />
phone +39 051/6496611 fax +39 051/6496600<br />
e-mail<br />
web<br />
Museum entrance<br />
The MAMbo’s exterior<br />
The Collection. For a history<br />
of the Modern Art Museum<br />
Via Don M<strong>in</strong>zoni, 14 Bologna<br />
40121 BO<br />
<strong>in</strong>fo@mambo-bologna.org<br />
www.mambo-bologna.org<br />
The MAMbo – Bologna Museum of Modern Art is the region’s<br />
lead<strong>in</strong>g centre for the contemporary arts: it supports cutt<strong>in</strong>gedge,<br />
<strong>in</strong>novative artistic research, and contributes to blaz<strong>in</strong>g<br />
new paths for contemporary arts with ex<strong>per</strong>imentally-m<strong>in</strong>ded<br />
exhibitions and numerous events <strong>in</strong>volv<strong>in</strong>g scholars and the<br />
general public. Through its <strong>per</strong>manent collection, the museum<br />
traces the history of Italian art from the post- World War II<br />
<strong>per</strong>iod until the present day, as seen through the prism of the<br />
former Bologna Modern Art Gallery. Located <strong>in</strong> the heart of<br />
the Manifattura delle Arti cultural district, today the MAMbo<br />
is the ma<strong>in</strong> headquarters of the Bologna Modern Art Gallery<br />
Institution, which also <strong>in</strong>cludes the Morandi Museum, Casa<br />
Morandi, Villa delle Rose, the Museo <strong>per</strong> la Memoria di Ustica<br />
and the Sandra Natali Artists Residence.<br />
3
Musei Civici d’Arte Antica:<br />
Collezioni Comunali d’Arte<br />
Civic Museums of Ancient Art:<br />
Municipal Art Collections<br />
address<br />
phone +39 051/2193998 +39 051/2195367 fax +39 051/232312<br />
e-mail<br />
web<br />
Francesco Hayez, Ruth,<br />
19th century<br />
Galleria Vidoniana<br />
Amico As<strong>per</strong>t<strong>in</strong>i, Nurs<strong>in</strong>g<br />
Madonna, first quarter of<br />
the 16th century<br />
Vitale da Bologna, Sa<strong>in</strong>t<br />
Peter and a pilgrim, about<br />
1345<br />
4<br />
Piazza Maggiore, 6 Bologna<br />
40121 BO<br />
museiarteantica@comune.bologna.it<br />
www.comune.bologna.it/i<strong>per</strong>bole/MuseiCivici<br />
S<strong>in</strong>ce 1936, the former quarters of the papal legate display works<br />
from the 13th to the early 20th centuries (Vitale da Bologna,<br />
Francia, T<strong>in</strong>toretto, Gentileschi, Nuvolone, Cagnacci, Burr<strong>in</strong>i,<br />
Crespi, Gandolfi, Hayez, Sav<strong>in</strong>i, and Morelli), furnish<strong>in</strong>gs and<br />
decorations, and Aemilia Ars lace.<br />
The museum houses the legacy of the former Gonfaloniere<br />
gallery and donations to the Senate of Bologna (17th-18th<br />
centuries). Its core collection <strong>in</strong>cludes 18 pa<strong>in</strong>t<strong>in</strong>gs by Donato<br />
Creti donated to the Senate of Bologna <strong>in</strong> 1744 and works by<br />
Pelagio Palagi and from his collection, purchased <strong>in</strong> 1860 and<br />
currently parcelled out among several of Bologna’s <strong>in</strong>stitutes. It<br />
boasts splendid views over Piazza Maggiore and the surround<strong>in</strong>g<br />
city, and is a source for the city’s heraldry, historical iconography<br />
and <strong>in</strong>formation on the architectural restoration that took place<br />
between the 19th and 20th centuries.
Musei Civici d’Arte Antica:<br />
Museo Civico<br />
d’Arte Industriale<br />
e Galleria Davia Bargell<strong>in</strong>i<br />
Civic Museums of Ancient Art:<br />
Civic Museum of Industrial Arts<br />
and Davia Bargell<strong>in</strong>i Gallery<br />
address<br />
phone +39 051/236708 fax +39 051/232312<br />
e-mail<br />
web<br />
Antonio Vivar<strong>in</strong>i, Madonna<br />
with Child, second half of<br />
the 15th century<br />
Gala carriage, 18th century,<br />
with early 19th century<br />
adaptations<br />
View of the pa<strong>in</strong>t<strong>in</strong>g<br />
collection<br />
Strada Maggiore, 44 Bologna<br />
40125 BO<br />
museiarteantica@comune.bologna.it<br />
www.comune.bologna.it/i<strong>per</strong>bole/MuseiCivici/<br />
The museum was opened <strong>in</strong> 1924 <strong>in</strong> the 17th century Palazzo<br />
Bargell<strong>in</strong>i. The seven exhibition halls still reflect their orig<strong>in</strong>al<br />
arrangement, which was meant to br<strong>in</strong>g to life an 18th century<br />
furnished apartment <strong>in</strong> Bologna; they display the Davia Bargell<strong>in</strong>i<br />
pa<strong>in</strong>t<strong>in</strong>g collection, which <strong>in</strong>cludes works such as Vitale da<br />
Bologna’s Madonna dei Denti, Simone dei Crocefissi’s Pietà,<br />
Jacopo di Paolo’s Sa<strong>in</strong>t John the Baptist and Michele di Matteo’s<br />
Evangelist, along with pa<strong>in</strong>t<strong>in</strong>gs by Pros<strong>per</strong>o and Lav<strong>in</strong>ia Fontana,<br />
Giuseppe Maria, and Luigi Crespi. Sculpture from Bologna is<br />
represented by statuettes by Giuseppe Maria Mazza and Angelo<br />
Gabriello Piò, and crèche figures <strong>in</strong> the 18th and 19th centuries.<br />
There is an important collection of applied arts and “curios from<br />
old Bologna” of various orig<strong>in</strong>s, such as wrought iron works and<br />
an 18th century pa<strong>in</strong>ted and glided carriage.<br />
5
Musei Civici d’Arte Antica:<br />
Museo Civico Medievale<br />
Civic Museums of Ancient Art:<br />
Civic Museum of the Middle Ages<br />
address<br />
phone +39 051/2193916 +39 051/2193930 fax +39 051/232312<br />
e-mail<br />
web<br />
French manufacture,<br />
Polyptych with Madonna<br />
and Child, mid-14th century<br />
Details of halls 6 and 7<br />
Pier Paolo Dalle Masegne,<br />
Fragments of the arch of<br />
Giovanni da Legnano, dead<br />
<strong>in</strong> 1383<br />
Inner courtyard of Palazzo<br />
Ghisilardi<br />
6<br />
Via Manzoni, 4 Bologna<br />
40121 BO<br />
museiarteantica@comune.bologna.it<br />
www.comune.bologna.it/i<strong>per</strong>bole/MuseiCivici<br />
The halls of the 15th century Palazzo Ghisilardi feature abundant<br />
evidence of Medieval life <strong>in</strong> Bologna, <strong>in</strong>clud<strong>in</strong>g the great statue<br />
of Boniface VIII by Manno Band<strong>in</strong>i da Siena (1301); the large 14th<br />
century English cope with stories from the life of Christ and the<br />
Virg<strong>in</strong> Mary, one of the best examples of opus anglicanum; and<br />
engraved tombstones of learned scholars and professors.<br />
There is a broad selection of French and Italian ivory objects,<br />
precious Murano glassworks, valuable arms, and extensive,<br />
otherwise rare material document<strong>in</strong>g life at the Bentivoglio<br />
court.<br />
Large sections of the museum are dedicated to Renaissance<br />
bronze and baroque sculpture from Bologna, such as a model<br />
for Giambologna’s Neptune, and rare examples of illum<strong>in</strong>ations<br />
from the 13th to 16th centuries made <strong>in</strong> Bologna.
Museo Civico Archeologico<br />
Archaeological Museum<br />
address<br />
phone +39 051/2757211 fax +39 051/266516<br />
e-mail<br />
web<br />
Head of the Lemnan Athena<br />
statue, a copy of Phidias’<br />
orig<strong>in</strong>al statue, late 1st century<br />
BC/early 1st century AD<br />
Atrium of the Museum,<br />
formerly the Church of Santa<br />
Maria della Morte<br />
Pre-history section<br />
Limestone bas-relief depict<strong>in</strong>g<br />
Nubian prisoners, from<br />
Saqqara, tomb of Horemheb,<br />
18th dynasty, reign of<br />
Tutankhamun, 1332-1323 BC.<br />
museo civico<br />
a�Cheologico<br />
bologna<br />
Via dell’Archig<strong>in</strong>nasio, 2 Bologna<br />
40124 BO<br />
mca@comune.bologna.it<br />
www.comune.bologna.it/museoarcheologico<br />
Archaeological Museum of Bologna is located next to Piazza<br />
Maggiore <strong>in</strong> the 15th century Palazzo Galvani, formerly known as<br />
Ospedale della Morte (Hospital of Death). Its patrimony is made<br />
up first and foremost by the extensive collections of material<br />
document<strong>in</strong>g Bologna’s archaeology from pre-history to the<br />
Roman era, highlighted by numerous Etruscan grave goods<br />
from the Villanovan and Fels<strong>in</strong>ian eras.<br />
Major collections are on display <strong>in</strong> the Etruscan-Italic, Greek,<br />
Roman, and Egyptian sections. The latter features over 3,500<br />
items, <strong>in</strong>clud<strong>in</strong>g masterpieces such as the bas-relief from<br />
the tomb of the Pharaoh Horemheb, and is one of the most<br />
important such collections <strong>in</strong> Europe.<br />
The museum also has a large numismatic collection, with over<br />
100,000 co<strong>in</strong>s and medals.<br />
7
Museo Civico<br />
del Risorgimento<br />
Civic Museum of Risorgimento<br />
address<br />
phone +39 051/225582 +39 051/347592 fax +39 051/225583<br />
e-mail<br />
web<br />
Anonymous, Giuseppe Garibaldi,<br />
post 1880<br />
Faust<strong>in</strong>o Joli, Colonel of the<br />
Bologna Civic Guard, about 1849<br />
Carlo Ademollo, Ugo Bassi <strong>in</strong><br />
Comacchio prison, about 1867<br />
Propaganda poster for the<br />
National Loan, 1917-1918<br />
8<br />
Piazza Carducci, 5 Bologna<br />
40125 BO<br />
museorisorgimento@comune.bologna.it<br />
www.comune.bologna.it/museorisorgimento<br />
The Civic Museum of Risorgimento focuses on the history of<br />
Bologna between 1796 and 1918, <strong>in</strong> light of national events, with<br />
references to the city’s cultural, social, economic, and political<br />
life.<br />
Napoleonic Age is illustrated by the valuable weapons of the K<strong>in</strong>g<br />
of Naples Joachim Murat, whose memory is l<strong>in</strong>ked to Bologna;<br />
Restoration plots are evidenced <strong>in</strong> documents of the Carbonari<br />
secret society; the crucial years of Risorgimento under Garibaldi<br />
are documented with weapons, uniforms, banners from the<br />
wars of <strong>in</strong>dependence, Ugo Bassi’s mementos and items from<br />
the battle of August 8, 1848. The exhibitions are completed by<br />
sections on Bologna’s urban and economic development<br />
<strong>in</strong> the decades after unification, and on World War I.
Museo del Patrimonio<br />
Industriale<br />
Museum of Industrial Heritage<br />
address<br />
phone +39 051/6356611 fax +39 051/6346053<br />
e-mail<br />
web<br />
Cam wheel patented by<br />
Bruto Carpigiani used on<br />
the ACMA 749 mach<strong>in</strong>e<br />
from 1954<br />
The Galotti Furnace,<br />
home of the Museum<br />
Technical and scientific<br />
<strong>in</strong>struments from the<br />
Ald<strong>in</strong>i-Valeriani collection<br />
<strong>in</strong> the Hoffmann furnace<br />
Via della Beverara, 123 Bologna<br />
40131 BO<br />
museopat@comune.bologna.it<br />
www.comune.bologna.it/patrimonio<strong>in</strong>dustriale<br />
The Museum of Industrial Heritage is housed <strong>in</strong> the former<br />
Galotti brick furnace, built <strong>in</strong> 1887 on the Navile Canal and<br />
restructured by the Bologna municipal adm<strong>in</strong>istration. It<br />
focuses on study<strong>in</strong>g and populariz<strong>in</strong>g the productive history<br />
of the city and its territory, from the Bologna of water and silk<br />
of the 15th to 18th centuries to the current mechanics and<br />
mechatronics district. The exhibition features five sections,<br />
and uses mach<strong>in</strong>es, plastic relief maps, function<strong>in</strong>g models,<br />
exhibits, scientific <strong>in</strong>struments, <strong>in</strong>teractive features, slide shows,<br />
and videos to illustrate the people, companies, technologies,<br />
professional tra<strong>in</strong><strong>in</strong>g efforts, techniques, and technological and<br />
product <strong>in</strong>novations that shaped Bologna’s <strong>in</strong>dustrial heritage.<br />
9
Museo di Palazzo Poggi<br />
Palazzo Poggi Museum<br />
address<br />
phone +39 051/2099398 fax +39 051/2099402<br />
e-mail<br />
web<br />
Hall of light. Inspired by Pittoni-<br />
Valeriani, Allegorical monument to<br />
Sir Isaac Newton, 1727-29<br />
View of the Hall of Anatomy with<br />
Ercole Lelli’s eight statues, second<br />
half of the 18th century<br />
Blowfish from Ulisse Aldrovandi’s<br />
16th century collection<br />
10<br />
Via Zamboni, 33 Bologna<br />
40126 BO<br />
museopoggi.organizzazione@unibo.it<br />
www.museopalazzopoggi.unibo.it<br />
The Palazzo Poggi Museum is the University of Bologna’s ma<strong>in</strong><br />
museum. Decorated by pa<strong>in</strong>t<strong>in</strong>gs by Pellegr<strong>in</strong>o Tibaldi, Nicolò<br />
Dell’Abate and Pros<strong>per</strong>o Fontana, the Museum displays the<br />
University’s most ancient collections: orig<strong>in</strong>al items from Ulisse<br />
Aldrovandi’s Theatre of Nature (16th century) and laboratories<br />
and <strong>in</strong>struments from the Bologna Institute of Science, founded<br />
by Luigi Ferd<strong>in</strong>ando Marsili, who worked <strong>in</strong> Palazzo Poggi dur<strong>in</strong>g<br />
the 18th century.<br />
Along with a collection of anatomical wax figures, furnish<strong>in</strong>gs<br />
and clay models from the schools of obstetrics, the Museum<br />
also displays ancient maps, 10 orig<strong>in</strong>al model ships, and models<br />
of fortified towns and artillery pieces from the 16th to 18th<br />
centuries.
Museo Ebraico<br />
Jewish Museum<br />
address<br />
phone +39 051/2911280 +39 051/6569003 fax +39 051/235430<br />
e-mail<br />
web<br />
Detail of synagogue ceremonial<br />
objects<br />
Section: Jewish identity<br />
Section: The Jews <strong>in</strong> Bologna<br />
The bookstore<br />
Via Valdonica, 1/5 Bologna<br />
40126 BO<br />
<strong>in</strong>fo@museoebraicobo.it<br />
www.museoebraicobo.it<br />
The Jewish Museum of Bologna was established 1999 to<br />
preserve, study, and promote the rich Jewish heritage that<br />
has deep roots <strong>in</strong> Bologna and <strong>Emilia</strong>-<strong>Romagna</strong>.<br />
The exhibition features numerous historic exhibits, which<br />
use various multimedia tools (videos, CD-ROMs, illustrated<br />
panels…) to trace the several-thousand-year history of Jewish<br />
culture. The museum aims to promote the value of Jewish<br />
culture and identity from its orig<strong>in</strong>s to the present day, and pays<br />
particular attention to the Jewish presence <strong>in</strong> <strong>Emilia</strong>-<strong>Romagna</strong><br />
<strong>in</strong> ancient times, through documents and artwork.<br />
Additionally, <strong>in</strong> its first ten years of activity, the museum has<br />
<strong>in</strong>creas<strong>in</strong>gly taken on the functions of a cultural centre, and has<br />
organized numerous <strong>in</strong>itiatives target<strong>in</strong>g a very broad audience.<br />
11
Museo Europeo<br />
degli Studenti<br />
European Museum of Students<br />
address<br />
phone +39 051/2088545 fax +39 051/2088525<br />
e-mail<br />
web<br />
Be<strong>in</strong>g a student <strong>in</strong> the 19th<br />
century: meritocracy<br />
Student self-government: the<br />
symbols of power, 13th to 17th<br />
centuries<br />
Germany, about 1890, exhibit<br />
of a student’s room<br />
The political activism of students:<br />
from Napoleon to 1968<br />
12<br />
Via Zamboni, 33 Bologna<br />
40126 BO<br />
as.meus@unibo.it<br />
www.archiviostorico.unibo.it/museostud/<br />
This is the first-ever museum dedicated to the students who,<br />
eight centuries ago <strong>in</strong> Bologna, established shared rules of<br />
co-existence and self-government, and created rituals and<br />
ceremonies that became the build<strong>in</strong>g blocks of their identity.<br />
The museum aims to promote knowledge on how students<br />
changed over the centuries, by illustrat<strong>in</strong>g their characteristics<br />
and evolution throughout Europe: student mobility, student<br />
associations, daily life, the value of meritocracy, sports, the late<br />
admittance of women to universities, political activism, and the<br />
orig<strong>in</strong>al aspects of student culture (newspa<strong>per</strong>s, music, theatre,<br />
celebrations).<br />
The museum displays photographs, diplomas, medals, posters,<br />
and postcards, and features an extensive multimedia apparatus.
Museo Internazionale<br />
e Biblioteca della Musica<br />
International Music Museum and Library<br />
address<br />
phone +39 051/2757711 fax +39 051/2757728<br />
e-mail<br />
web<br />
Lute, 16th century<br />
Hall 8: Music books and<br />
<strong>in</strong>struments 18th and 19th<br />
centuries<br />
Hall 5: Music books and<br />
<strong>in</strong>struments 16th and 17th<br />
centuries<br />
Hall 3: Friends of Father Mart<strong>in</strong>i<br />
Strada Maggiore, 34 Bologna<br />
40125 BO<br />
museomusica@comune.bologna.it<br />
www.museomusicabologna.it<br />
The International Music Museum and Library was <strong>in</strong>augurated<br />
<strong>in</strong> 2004 <strong>in</strong> Palazzo Sangu<strong>in</strong>etti. The exhibition <strong>in</strong>cludes n<strong>in</strong>e<br />
halls, which trace six centuries of European music history, with<br />
numerous pa<strong>in</strong>t<strong>in</strong>gs, ancient music <strong>in</strong>struments, and a broad<br />
selection of immensely valuable historical documents.<br />
The museum is not only a repository of classical music heritage,<br />
but also a place to cross-poll<strong>in</strong>ate, research, and promote ideas;<br />
<strong>in</strong>deed, it is available for off-beat cultural events that<br />
fall outside the traditional museum mould. It is an open,<br />
lively, multi-functional place, visited by scholars and amateurs,<br />
citizens and tourists, adults and children, with a s<strong>in</strong>gle common<br />
denom<strong>in</strong>ator: love for music <strong>in</strong> all its forms and expressions.<br />
13
Museo Morandi<br />
Morandi Museum<br />
address<br />
phone +39 051/2193338 +39 051/2193294 fax +39 051/203403<br />
e-mail<br />
web<br />
Giorgio Morandi, Still Life, 1956<br />
(V. 985)<br />
Museum entrance<br />
View of the exhibits<br />
14<br />
Piazza Maggiore, 6 Bologna<br />
40124 BO<br />
mmorandi@comune.bologna.it<br />
www.mambo-bologna.org/museomorandi/<br />
The Morandi Museum, housed <strong>in</strong> Palazzo d’Accursio <strong>in</strong> Piazza<br />
Maggiore, hosts the largest and most remarkable public<br />
collection dedicated to Giorgio Morandi (Bologna 1890-1964).<br />
The collection was established thanks to a major donation<br />
from the artist’s sister Maria Teresa, which added to a large<br />
body of works already held by the Bologna Modern Art Gallery.<br />
The Museum’s hold<strong>in</strong>gs are <strong>in</strong>creased by works from private<br />
collections that have been generously granted on temporary<br />
loans. The museum’s halls trace all the phases and techniques<br />
of the Master’s artistic career. The museum promotes a<br />
temporary exhibitions programme, which aims to compare<br />
and contrast Morandi’s activity with that of other lead<strong>in</strong>g 20th<br />
century artists. It also collaborates with important <strong>in</strong>stitutions <strong>in</strong><br />
Italy and abroad to promote Morandi’s work.
Casa Morandi<br />
Morandi Museum Home<br />
address<br />
phone +39 051/6496611 fax +39 051/6496600<br />
e-mail<br />
web<br />
Detail of the replica of Morandi<br />
studio<br />
Multi-purpose room<br />
Detail of the replica of Morandi<br />
studio<br />
Via Fondazza, 36 Bologna<br />
40125 BO<br />
casamorandi@comune.bologna.it<br />
www.mambo-bologna.org/museomorandi/casamorandi/<br />
Casa Morandi was opened to the public <strong>in</strong> 2009 after the<br />
completion of conservation restoration efforts carried out by the<br />
Municipality of Bologna with the support of Un<strong>in</strong>dustria Bologna,<br />
which converted the home where Morandi lived and worked from<br />
1910 to 1964 <strong>in</strong>to museum dedicated to preserv<strong>in</strong>g and study<strong>in</strong>g<br />
his legacy. The museum-home complements the exhibits of the<br />
Morandi Museum, and <strong>in</strong>troduces the public to the atmosphere<br />
that reigned <strong>in</strong> Morandi’s workshop, a replica of which is featured<br />
here with orig<strong>in</strong>al furniture and tools used by the artist, still <strong>in</strong><br />
their orig<strong>in</strong>al positions. A careful selection of photographs, books,<br />
and various documents traces the salient moments <strong>in</strong> Morandi’s<br />
life, while audio and video <strong>in</strong>stallations, multi-media technologies,<br />
a library, and a multi-purpose room for cultural activities help<br />
contribute to keep<strong>in</strong>g the figure and work of the great master alive<br />
and current.<br />
14 - bis
Museo Civico Archeologico<br />
e Paleoambientale<br />
Civic Archaeological and<br />
Paleo-Environmental Museum<br />
address<br />
phone +39 051/6928306 +39 051/6928279 fax +39 051/6928289<br />
e-mail<br />
web<br />
Detail of a Villanovian burial site<br />
The 14th century Torrione della<br />
Canapa<br />
Ash urn from the Villanovian era<br />
Tools for sp<strong>in</strong>n<strong>in</strong>g and weav<strong>in</strong>g<br />
hemp<br />
15<br />
Via Mentana, 32 Budrio<br />
40054 BO<br />
musei@comune.budrio.bo.it<br />
www.comune.budrio.bo.it<br />
The Museum documents the Villanovian civilization with funeral<br />
urns, jewels, and tools from the Castenaso and Budrio areas.<br />
This large section, which provides an overview of daily life<br />
dur<strong>in</strong>g that <strong>per</strong>iod, is <strong>in</strong>troduced by extensive material from the<br />
Palaeolithic and from the Bronze and Iron Ages. The exhibition<br />
ends with a detailed and rich archaeological and educational<br />
section on the Roman <strong>per</strong>iod. The museum thus illustrates how<br />
the relationship between man and the environment changes over<br />
time, and how the settlement patterns, economic activities, daily<br />
life, and burial rites of local civilizations evolved.<br />
Dur<strong>in</strong>g festivals and celebrations, visitors can see how hemp<br />
is spun and woven <strong>in</strong> the Torrione della Canapa.
Museo dei Buratt<strong>in</strong>i<br />
Museum of Puppets<br />
address<br />
phone +39 051/6928306 +39 051/6928279 fax +39 051/6928289<br />
e-mail<br />
web<br />
One of the Museum’s puppets<br />
One of the Museum’s rooms,<br />
with exhibits and display cases<br />
Traditional puppets<br />
Veronesi’s puppets<br />
Via Garibaldi, 29 Budrio<br />
40054 BO<br />
musei@comune.budrio.bo.it<br />
www.comune.budrio.bo.it<br />
Puppets and puppet theatres, backdrops and props, costumes<br />
and accessories: everyth<strong>in</strong>g that a puppeteer might need is<br />
on display <strong>in</strong> the Museum. The Via Garibaldi location displays<br />
over 100 puppets from the first half of the 20th century by the<br />
puppet-makers Amilcare Gabrielli, Arturo Veronesi and Umberto<br />
Malaguti, all from Bologna.<br />
The Cas<strong>in</strong>a del Quattrocento’s reserve collections display the<br />
extraord<strong>in</strong>ary collections of glove and str<strong>in</strong>g puppets, Sicilian<br />
“pupi”, shades, toy houses, stage sets, stage props, and<br />
documents collected by the puppeteers Vittorio Zanella and Rita<br />
Pasqual<strong>in</strong>i. The museum keeps the puppet-makers’ tradition<br />
alive through exhibitions, plays, <strong>per</strong>formances, and workshops.<br />
16
Museo dell’Ocar<strong>in</strong>a<br />
e degli Strumenti Musicali<br />
<strong>in</strong> Terracotta<br />
Museum of the Ocar<strong>in</strong>a and<br />
Terracotta Musical Instruments<br />
address<br />
phone +39 051/6928306 +39 051/6928279 fax +39 051/6928289<br />
e-mail<br />
web<br />
A historic ocar<strong>in</strong>a from Budrio<br />
The Museum’s entrance<br />
The historical section<br />
Some historic ocar<strong>in</strong>as from<br />
Budrio<br />
17<br />
Via Garibaldi, 35 Budrio<br />
40054 BO<br />
musei@comune.budrio.bo.it<br />
www.comune.budrio.bo.it<br />
The ocar<strong>in</strong>a, a small terracotta flute, has given Budrio worldwide<br />
fame. Korea and Japan are envious of this small town <strong>in</strong> the<br />
Bologna countryside, where the ocar<strong>in</strong>a was <strong>in</strong>vented. In the<br />
mid-19th century, Giuseppe Donati hand-built the very first<br />
ocar<strong>in</strong>a.<br />
Through <strong>in</strong>struments built by Giuseppe Donati, Cesare Vic<strong>in</strong>elli<br />
and Alberto Mezzetti, the Museum tells the tale of this musical<br />
<strong>in</strong>strument’s fortunes. Photographs, sheet music, and records<br />
illustrate the ocar<strong>in</strong>a folk bands that gave life to a rich musical<br />
re<strong>per</strong>toire from the 19th century to the present day. Wide<br />
attention is given to contemporary producers of ocar<strong>in</strong>as and<br />
other terracotta musical <strong>in</strong>struments <strong>in</strong> Budrio and throughout<br />
the world.
P<strong>in</strong>acoteca Civica<br />
Domenico Inzaghi<br />
Domenico Inzaghi<br />
Civic Art Gallery<br />
address<br />
phone +39 051/6928306 +39 051/6928279 fax +39 051/6928289<br />
e-mail<br />
web<br />
Dosso Dossi (attributed),<br />
Democritus, 1497-1548<br />
Follower of Guerc<strong>in</strong>o, Sa<strong>in</strong>t Cecilia,<br />
1640-66<br />
Paolo Carracci, Annunciation,<br />
oil on canvas 1600-24<br />
The art gallery’s halls <strong>in</strong> the<br />
ancient Palazzo della Partecipanza<br />
Via Mentana, 32 Budrio<br />
40054 BO<br />
musei@comune.budrio.bo.it<br />
www.comune.budrio.bo.it<br />
How is it possible that Budrio’s Civic Art Gallery can display<br />
precious pa<strong>in</strong>t<strong>in</strong>gs by heavyweight artists as Vitale da Bologna,<br />
Tommaso Garelli, Dosso Dossi, Bartolomeo Passerotti, Lav<strong>in</strong>ia<br />
Fontana, Alessandro Tiar<strong>in</strong>i, Giuseppe Maria Crespi and<br />
Alessandro Guardassoni? Most of the gallery’s heritage comes<br />
from a donation made by Capta<strong>in</strong> Domenico Inzaghi to his fellow<br />
citizens of Budrio <strong>in</strong> 1824. This wide-rang<strong>in</strong>g collection of 14th<br />
to 19th century pa<strong>in</strong>t<strong>in</strong>gs from Bologna and the <strong>Emilia</strong> region is<br />
<strong>in</strong>creased by a rich collection of draw<strong>in</strong>gs and pr<strong>in</strong>ts from the<br />
bequeathment and subsequent purchases. The art gallery is<br />
housed <strong>in</strong> Budrio’s historic Palazzo della Partecipanza, which<br />
also houses the Teatro Consorziale. The museum’s branch <strong>in</strong><br />
Torrione del Risorgimento features exhibits on life <strong>in</strong> Budrio <strong>in</strong><br />
the 19th century.<br />
18
MUV - Museo<br />
della civiltà Villanoviana<br />
MUV Museum of the Villanovan Civilization<br />
address<br />
phone +39 051/780021<br />
fax<br />
e-mail<br />
web<br />
19<br />
Via Tosarelli 191<br />
Loc. Villanova<br />
Stele of swords, 7th century B.C.<br />
Casa Sant’Anna, home of the<br />
Museum<br />
Grave goods from the Marano<br />
burial site (7th century B.C.)<br />
muv@comune.castenaso.bo.it<br />
www.comune.castenaso.bo.it<br />
Castenaso<br />
40055 BO<br />
The MUV Museum of the Villanovan Civilization is located <strong>in</strong><br />
Villanova di Castenaso, right where <strong>in</strong> 1853 Count Giovanni<br />
Gozzad<strong>in</strong>i, a lead<strong>in</strong>g figure on the 19th century cultural scene <strong>in</strong><br />
Bologna, found the first archaeological remnants related to this<br />
culture, which he named Villanovan. Items on display <strong>in</strong>clude the<br />
extensive grave goods from the Marano burial site (7th century<br />
B.C.), with eight sandstone and limestone funerary steles, the<br />
most noteworthy of which is the stele of swords, reflect<strong>in</strong>g the<br />
orientaliz<strong>in</strong>g style of ancient Greece. It is rectangular <strong>in</strong> shape,<br />
surmounted by a disk and adorned with complex bas-relief<br />
decoration. Soundscapes, video <strong>in</strong>stallations, and <strong>in</strong>teractive<br />
stations accompany visitors on a journey through the life and<br />
rites of the Villanovan culture, and <strong>in</strong>troduce the figures of Count<br />
Giovanni Gozzad<strong>in</strong>i and his wife Maria Teresa, who actively<br />
participated <strong>in</strong> her husband’s archaeological adventures.
Museo della Rocca di Dozza<br />
Rocca di Dozza Museum<br />
address<br />
phone +39 0542/678240 fax +39 0542/678240<br />
e-mail<br />
web<br />
Room for women. Ceil<strong>in</strong>g fresco<br />
Historic kitchen<br />
Gallery on the piano nobile<br />
Rocca di Dozza<br />
Piazza Rocca, 6A<br />
rocca@comune.dozza.bo.it<br />
Museo<br />
della Rocca<br />
Dozza<br />
40060 BO<br />
www.comune.dozza.bo.it; www.fondazionedozza.it<br />
The Museum is an <strong>in</strong>tegral part of the Rocca di Dozza fortress,<br />
which was built <strong>in</strong> the Middle Ages and transformed by Cater<strong>in</strong>a<br />
Sforza <strong>in</strong>to a fortified castle; dur<strong>in</strong>g the Renaissance, two<br />
powerful senatorial families, the Campeggi and the Malvezzi,<br />
turned it <strong>in</strong>to a nobleman’s residence.<br />
The fortress is now a museum-home that offers three different<br />
tours: the Medieval and Renaissance fortress, the Renaissance<br />
residence, and the 17th century residence. The valuable pa<strong>in</strong>t<strong>in</strong>g<br />
collection, furniture, and historic objects once belong<strong>in</strong>g to the<br />
Malvezzi-Campeggi liven up the n<strong>in</strong>e rooms of the piano nobile<br />
and the historic kitchen.<br />
The Museum also houses the contemporary art collection of the<br />
Muro Dip<strong>in</strong>to (Pa<strong>in</strong>ted Wall) Study and Documentation Centre,<br />
an art show launched 1960 that has turned Dozza <strong>in</strong>to a “pa<strong>in</strong>ted<br />
city”. The ancient w<strong>in</strong>e cellar hosts the <strong>Emilia</strong>-<strong>Romagna</strong> <strong>Region</strong>al<br />
Enoteca.<br />
20
Museo di San Domenico<br />
Collezioni d’Arte della Città<br />
San Domenico Museum<br />
City Art Collections<br />
address<br />
phone +39 0542/602609 fax +39 0542/602608<br />
e-mail<br />
web<br />
Detail of the former<br />
convent library’s decorations<br />
Second cloister<br />
Gallery of the second cloister<br />
View of the ma<strong>in</strong> dormitory of the<br />
former convent of San Domenico<br />
with the new museum exhibit<br />
21<br />
Via Sacchi, 4 Imola<br />
40026 BO<br />
musei@comune.imola.bo.it<br />
www.museicivici.comune.imola.bo.it<br />
The former convent of San Domenico is strategically located <strong>in</strong> the<br />
heart of the city. This 13th century build<strong>in</strong>g was rebuilt many times<br />
before acquir<strong>in</strong>g its current aspect. The compound houses several<br />
museums, <strong>in</strong>clud<strong>in</strong>g the city’s art collections, which feature six<br />
hundred items <strong>in</strong>clud<strong>in</strong>g pa<strong>in</strong>t<strong>in</strong>gs, sculptures, pottery, draw<strong>in</strong>gs,<br />
liturgical furnish<strong>in</strong>gs, co<strong>in</strong>s, and medals: a veritable illustrated history<br />
of Imola’s figurative culture from the Middle Ages to the present. The<br />
build<strong>in</strong>g also houses the Scarabelli Museum of Natural History and<br />
Archaeology (currently be<strong>in</strong>g renovated), which was established <strong>in</strong> 1857<br />
thanks to the studies and research of the geologist and palaeontologist<br />
Giuseppe Scarabelli; it hosts archaeological f<strong>in</strong>ds from the lower<br />
Palaeolithic from the Imola hills, and Bronze Age f<strong>in</strong>ds from two local<br />
villages. The only hall <strong>in</strong> the archaeological section currently open to<br />
the public is the one dedicated to the Villanovan era <strong>in</strong> Imola, with<br />
f<strong>in</strong>ds from the Pontesanto necropolis. F<strong>in</strong>ally, the museum also hosts<br />
historical material from the Museum of Risorgimento.
Palazzo Tozzoni<br />
address<br />
phone +39 0542/602609 +39 0542/35856 fax +39 0542/602608<br />
e-mail<br />
web<br />
The library<br />
The entrance stairway<br />
The salon on the piano nobile<br />
Barocchetto apartment, alcove<br />
Via Garibaldi, 18 Imola<br />
40026 BO<br />
musei@comune.imola.bo.it<br />
www.museicivici.comune.imola.bo.it<br />
The build<strong>in</strong>g that belonged to the Counts of Tozzoni, whose lives<br />
were often <strong>in</strong>tertw<strong>in</strong>ed with the city’s history, was donated to<br />
the Municipality of Imola <strong>in</strong> 1978 and is an excellent example of<br />
a museum-home. Visits beg<strong>in</strong> with the impos<strong>in</strong>g stairway and<br />
cont<strong>in</strong>ue over three richly furnished and decorated floors. A<br />
major pa<strong>in</strong>t<strong>in</strong>g collection and numerous applied art objects are<br />
on display <strong>in</strong> the rooms, while the cellar features an ethnographic<br />
exhibit.<br />
The <strong>in</strong>terplay between the rooms and their furniture highlights<br />
the way they were used both as everyday liv<strong>in</strong>g quarters and<br />
status symbols.<br />
The library, with its many books pr<strong>in</strong>ted between the 16th<br />
and 19th centuries, is an <strong>in</strong>tegral part of the build<strong>in</strong>g, as are<br />
the extensive archives, which preserve family, political, and<br />
patrimonial documents from the 16th century to the present day.<br />
22
Rocca Sforzesca<br />
Rocca Sforzesca Fortress<br />
address<br />
phone +39 0542/602609 +39 0542/23472 fax +39 0542/602608<br />
e-mail<br />
web<br />
Detail of the fortress walls<br />
Rocca Sforzesca, view of the<br />
eastern walls<br />
Jug bear<strong>in</strong>g the Alidosi eagle from<br />
the keep’s well, late 14th century<br />
Ma<strong>in</strong> hall: the collection of arms<br />
23<br />
Piazzale Giovanni dalle Bande Nere, 1 Imola<br />
40026 BO<br />
musei@comune.imola.bo.it<br />
www.museicivici.comune.imola.bo.it<br />
Imola’s Rocca Sforzesca Fortress is a splendid example of<br />
fortified architecture built between the Middle Ages and the<br />
Renaissance. Founded <strong>in</strong> the 12th century, some of its orig<strong>in</strong>al<br />
features <strong>in</strong>clude its portal with a lancet arch, a keep with<br />
dungeon, the evocative ground floor rooms, a terrace that<br />
overlooks the entire town, and the ancient tower. Between<br />
1472 and 1484, the Sforzas entrusted their military architect<br />
Da<strong>in</strong>esio Ma<strong>in</strong>eri with renovat<strong>in</strong>g the fortress to reflect the<br />
defensive needs of the time. Once it lost its status as a military<br />
fortification, it was turned <strong>in</strong>to a prison between the 16th and<br />
19th centuries. Its halls display a collection of melee weapons,<br />
firearms, and defensive weapons, as well as the ceramic pottery<br />
that was found <strong>in</strong> the fortress dur<strong>in</strong>g restoration efforts, which<br />
shed light on daily life between the 16th and the 19th centuries.
Museo Civico Archeologico<br />
Luigi Fant<strong>in</strong>i<br />
Luigi Fant<strong>in</strong>i<br />
Civic Museum of Archaeology<br />
address<br />
phone +39 051/929766 fax +39 051/929766<br />
e-mail<br />
web<br />
Wooden house frame<br />
Ma<strong>in</strong> facade of the museum<br />
Replica of a house and its furniture<br />
Outdoor archaeological<br />
and educational park<br />
Via del Museo, 2 Monterenzio<br />
40050 BO<br />
museomonterenzio@yahoo.it<br />
www.archeologia.unibo.it<br />
The Monterenzio Museum of Archaeology, which was<br />
<strong>in</strong>augurated <strong>in</strong> July 2000, owes its existence to the successful<br />
archaeological research carried out at Monte Bibele and<br />
Monterenzio Vecchio: it is noteworthy for display<strong>in</strong>g a wide range<br />
of material from the 4th and 3rd centuries BC document<strong>in</strong>g the<br />
migration and settlement of Celts from France <strong>in</strong> Italy. Weapons<br />
and parure items are precisely matched by items from France,<br />
Germany, and the Danube area. The presence of Etruscan<br />
engrav<strong>in</strong>gs, Celtic and Magna Graecia co<strong>in</strong>s, and Ligurian<br />
material proves to the ethnic complexity of the pre-Roman<br />
community <strong>in</strong> this part of the Apenn<strong>in</strong>es.<br />
The museum also features a conservation-restoration laboratory,<br />
a classroom, and an outdoor archaeological and educational<br />
park. The Monte Bibele archaeological area – 15 km from the<br />
museum – can be visited and features <strong>in</strong>formation panels.<br />
24
Museo di Arti e Mestieri<br />
Pietro Lazzar<strong>in</strong>i<br />
Pietro Lazzar<strong>in</strong>i Museum of Arts and Crafts<br />
address<br />
phone +39 051/776927 +39 051/6529105 fax<br />
e-mail<br />
web<br />
Weights and measures<br />
Mules carry<strong>in</strong>g lumber<br />
Weav<strong>in</strong>g work<br />
25<br />
Via del Gualando, 2 Pianoro<br />
40065 BO<br />
<strong>in</strong>fo@museodiartiemestieri.it<br />
www.museodiartiemestieri.it<br />
+39 051/776927<br />
The Pietro Lazzar<strong>in</strong>i Museum of Arts and Crafts, housed <strong>in</strong> a late<br />
19th century barn, studies and collects material document<strong>in</strong>g the<br />
rural and artisanal culture of the Savena, Idice and Setta valleys,<br />
<strong>in</strong> the Apenn<strong>in</strong>e foothills of Bologna prov<strong>in</strong>ce. The displays, which<br />
revolve around dioramas, aim to reflect the traditions, lifestyles,<br />
and dialect of the Pianoro community. The museum’s exhibits are<br />
centred on the daily work of men and women, and are organized<br />
thematically: the rural home, artisanal activities, farm work,<br />
games, and puppet theatres.<br />
The museum, <strong>in</strong>augurated <strong>in</strong> 2007 and managed by Associazione<br />
Territorio e Civiltà dei Mestieri, provides educational services and<br />
opportunities for re-discover<strong>in</strong>g the local area’s cultural identity.
P<strong>in</strong>acoteca Civica<br />
Civic Art Gallery<br />
address<br />
phone +39 051/6862611 fax +39 051/974308<br />
e-mail<br />
web<br />
Antonio Albergh<strong>in</strong>i, Sa<strong>in</strong>t George,<br />
early 20th century<br />
The entrance to the Art Gallery<br />
Giuseppe Zola, Landscape with the<br />
f<strong>in</strong>d<strong>in</strong>g of Moses, about 1700-10<br />
Wu Hao, from the Efrem Tavoni<br />
graphic art collection<br />
Piazza Costa, 10 Pieve di Cento<br />
40066 BO<br />
cultura@comune.pievedicento.bo.it<br />
www.comune.pievedicento.bo.it<br />
S<strong>in</strong>ce 1980 the Civic Art Gallery has been housed <strong>in</strong> the former<br />
hospital overlook<strong>in</strong>g Piazza Andrea Costa. This build<strong>in</strong>g<br />
ma<strong>in</strong>ta<strong>in</strong>s its 18th century appearance, and also houses the<br />
public library, the ancient book collection of the Scolopi, and the<br />
town’s historical archives.<br />
The material on display is quite varied and <strong>in</strong>cludes: several 14th<br />
and 15th century statues, some splendid m<strong>in</strong>iature antiphonaries<br />
from the 14th century, a vast collection of glassworks, and an<br />
extensive pa<strong>in</strong>t<strong>in</strong>g collection subdivided <strong>in</strong>to two sections, one<br />
for ancient art, and the other for 20th century art.<br />
Some of the artists whose works are represented <strong>in</strong> the ancient<br />
art collection <strong>in</strong>clude Scarsell<strong>in</strong>o, Zallone and Zola; the 20th<br />
century section features works by Antonio Albergh<strong>in</strong>i, Alberto<br />
Mart<strong>in</strong>i, Norma Mascellani, Pirro Cuniberti and Sepo.<br />
26
Museo delle Moto<br />
e dei Ciclomotori<br />
DEMM<br />
Museum of DEMM<br />
Motorcycles and Scooters<br />
address<br />
phone +39 335/7214996 fax +39 0534/24440<br />
e-mail<br />
web<br />
Display of DEMM Scooters<br />
27<br />
Via Mazz<strong>in</strong>i, 230A Porretta Terme<br />
40046 BO<br />
iat@comune.porrettaterme.bo.it<br />
www.comune.porrettaterme.bo.it<br />
The Museum of DEMM Motorcycles and Scooters owes its<br />
existence to the passion and dedication of DEMM Vice-President<br />
Giuliano Mazz<strong>in</strong>i, who along with his son Mosè embarked on<br />
a lengthy, pa<strong>in</strong>stak<strong>in</strong>g process to recover, restore, and valorise<br />
the glorious motorcycle company’s documents, prototypes, and<br />
models. The displays feature about 100 motorcycles that took<br />
part <strong>in</strong> various Italian rac<strong>in</strong>g competitions over a twenty-year<br />
<strong>per</strong>iod beg<strong>in</strong>n<strong>in</strong>g <strong>in</strong> 1954. Foremost among them is the so-called<br />
Siluro, which set 24 world records <strong>in</strong> 1956. The Museum also<br />
displays sectioned eng<strong>in</strong>es, exploded view diagrams of eng<strong>in</strong>es,<br />
and eng<strong>in</strong>es used for <strong>in</strong>dustries, automobiles, and motorcycles,<br />
along with technical and historical <strong>in</strong>formation.
Museo etnografico<br />
LabOrantes<br />
LabOrantes<br />
Museum of Ethnography<br />
address<br />
phone +39 0534/29351 +39 335/7214996 fax +39 0534/29351<br />
e-mail<br />
web<br />
Detail of a shoe<br />
The mounta<strong>in</strong> home<br />
Votive offer<strong>in</strong>gs room<br />
Via Manservisi, 5<br />
Loc. Castelluccio<br />
iat@comune.porrettaterme.bo.it<br />
www.comune.porrettaterme.bo.it<br />
Porretta Terme<br />
40046 BO<br />
The LabOrantes Museum is housed <strong>in</strong> a w<strong>in</strong>g of the Manservisi<br />
Castle. The name LabOrantes comb<strong>in</strong>es the Lat<strong>in</strong> words for the<br />
two ma<strong>in</strong> core collections: testimonies of mounta<strong>in</strong> work, and<br />
folk religion objects.<br />
The collection of everyday and work<strong>in</strong>g tools was begun by the<br />
Pro Loco Il Faggio association to ensure that tools commonly<br />
used by peasants and artisans from mounta<strong>in</strong> communities<br />
would not be lost.<br />
The collection of sacred furnish<strong>in</strong>gs was begun to preserve<br />
sacred and folk art objects, particularly the votive offer<strong>in</strong>gs<br />
(ex voto) from the Madonna del Faggio Sanctuary and sacred<br />
furnish<strong>in</strong>gs from the Castelluccio parish oratory. Noteworthy<br />
items <strong>in</strong>clude a 17th century crèche figures and many votive<br />
offer<strong>in</strong>gs pa<strong>in</strong>ted on wooden tablets.<br />
28
Museo Archeologico<br />
Ambientale - Sede<br />
di San Giovanni <strong>in</strong> Persiceto<br />
Museum of Environmental Archaeology<br />
San Giovanni Persiceto<br />
address<br />
phone +39 051/6871757 fax +39 051/823305<br />
e-mail<br />
web<br />
R. Merlo, Centuriazione, 2004<br />
Renaissance sector<br />
Exhibits<br />
Simulated archaeological dig,<br />
educational workshop<br />
29<br />
Porta Garibaldi<br />
Corso Italia, 163<br />
maa@caa.it<br />
www.museoarcheologicoambientale.it<br />
San Giovanni<br />
<strong>in</strong> Persiceto<br />
40017 BO<br />
The Archaeological and Environmental Museum is a network of<br />
museums located <strong>in</strong> the municipalities of the western Bologna<br />
pla<strong>in</strong>, which municipalities have formed a union called Unione di<br />
Terre d’Acqua. The San Giovanni <strong>in</strong> Persiceto venue is housed <strong>in</strong><br />
the former Porta Garibaldi district prison, which was built <strong>in</strong> 1830<br />
on the ru<strong>in</strong>s of the ancient medieval gate to the city, and whose<br />
orig<strong>in</strong>al structure has rema<strong>in</strong>ed <strong>in</strong>tact. The exhibits illustrate the<br />
ma<strong>in</strong> archaeological and archeo-botanical f<strong>in</strong>ds <strong>in</strong> the Persiceto<br />
area from the Iron Age to the Renaissance, with a particular focus<br />
on the Middle Ages, highlight<strong>in</strong>g the results of archaeological digs<br />
conducted at an important 10th century castrum discovered near<br />
Crocetta di Sant’Agata Bolognese. The displays are enhanced by<br />
numerous <strong>in</strong>formation panels, images, dioramas, draw<strong>in</strong>gs, and<br />
text. Significant attention is paid to the environmental issues<br />
that help expla<strong>in</strong> the relationship between humans and the local<br />
environment dur<strong>in</strong>g the centuries.
Museo del Cielo<br />
e della Terra<br />
Museum of Earth and the Sky<br />
address<br />
phone +39 051/827067 fax +39 051/827067<br />
e-mail<br />
web<br />
Bombus terrestris on Tagetum<br />
Bora Naturalistic Area<br />
Insect Laboratory: observation<br />
equipment<br />
Astronomic Area: The Observatory<br />
Vicolo Baciadonne, 1 San Giovanni<br />
<strong>in</strong> Persiceto<br />
40017 BO<br />
<strong>in</strong>fo@museocieloeterra.org<br />
www.museocieloeterra.org<br />
The Museum of Earth and Sky is the Bologna metropolitan area’s<br />
Museum of Science. It <strong>in</strong>cludes an astronomic area (Planetarium<br />
and Observatory); the historical and educational phisics<br />
laboratory “Tecnoscienza”; the Bora ecological reclamation area,<br />
the historic “Ulisse Aldrovandi” Botanical Garden; and the Insect<br />
Laboratory, an <strong>in</strong>novative “liv<strong>in</strong>g museum” where live <strong>in</strong>sects can<br />
be observed. It also runs educational activities <strong>in</strong> the naturalistic<br />
areas of the Museum System Terred’acqua (San Giovanni <strong>in</strong><br />
Persiceto, Sant’Agata Bolognese, Calderara di Reno, Crevalcore,<br />
Sala Bolognese, Anzola dell’<strong>Emilia</strong>)<br />
The Museum has many different goals: promot<strong>in</strong>g science<br />
education through hands-on workshops for family and cultural<br />
events; scientific research; and establish<strong>in</strong>g a local presence<br />
thanks to the support of volunteer associations.<br />
30
Museo della Preistoria<br />
Luigi Don<strong>in</strong>i<br />
Luigi Don<strong>in</strong>i Museum of Prehistory<br />
address<br />
phone +39 051/465132 fax +39 051/465132<br />
e-mail<br />
web<br />
Skull of Crocuta crocuta spelaea<br />
(Cave Hyaena)<br />
Model of Bison priscus<br />
from the last Ice Age<br />
The Preistopark: life-size model<br />
of Mammuthus primigenius<br />
A cave from the Gessi Bolognesi<br />
(room 1)<br />
31<br />
Via F.lli Canova, 49 San Lazzaro<br />
di Savena<br />
40068 BO<br />
museodon<strong>in</strong>i@libero.it<br />
www.museodellapreistoria.it<br />
The Museum of Prehistory stands out thanks to its orig<strong>in</strong>al<br />
contents and the deep l<strong>in</strong>ks it establishes with the local<br />
territory’s outstand<strong>in</strong>g natural and archaeological heritage,<br />
such as the Gessi Bolognesi, the Farneto cave and the<br />
Villanovian necropolis at Caselle. It is divided <strong>in</strong>to three ma<strong>in</strong><br />
sections - Orig<strong>in</strong>s of the territory (geology, palaeontology,<br />
and karst topography of the Gessi Bolognesi area), Orig<strong>in</strong>s and<br />
evolution of man (from the Palaeolithic to the Bronze Age), The<br />
Villanovan civilization (Giovanni Gozzad<strong>in</strong>i and the discovery of<br />
the Caselle necropolis) - which feature both orig<strong>in</strong>al material and<br />
life-size, three-dimensional replicas of past landscapes, giv<strong>in</strong>g<br />
visitors a w<strong>in</strong>dow <strong>in</strong>to the past with great effectiveness and<br />
immediacy.<br />
The park adjacent to the museum hosts the Preistopark,<br />
an educational journey through the ext<strong>in</strong>ct megafauna of the<br />
Apenn<strong>in</strong>es dur<strong>in</strong>g the last Ice Age.
Museo Archeologico<br />
Ambientale - Sede di<br />
Sant’Agata Bolognese<br />
Museum of Environmental Archaeology<br />
Sant’Agata Bolognese<br />
address<br />
phone +39 051/6871757 fax +39 051/823305<br />
e-mail<br />
web<br />
M. Magoni, Terramare, <strong>2010</strong><br />
The façade of the museum<br />
Exhibits<br />
via Terragli Ponente, 2 Sant’Agata Bolognese<br />
40019 BO<br />
maa@caa.it<br />
www.museoarcheologicoambientale.it<br />
The Museum of Environmental Archaeology is a network of<br />
museums located <strong>in</strong> the municipalities of the western Bologna<br />
pla<strong>in</strong>, which municipalities have formed a union called Unione di<br />
Terre d’Acqua.<br />
The Sant’Agata Bolognese venue provides an exhaustive<br />
archaeological and paleo-environmental overview of the Bronze<br />
Age <strong>in</strong> the area between Panaro and Samoggia.<br />
The archaeological f<strong>in</strong>ds on display, exhibited <strong>in</strong> an evocative<br />
sett<strong>in</strong>g, come from the ma<strong>in</strong> Terramare sites <strong>in</strong> the Sant’Agata<br />
Bolognese and San Giovanni <strong>in</strong> Persiceto areas.<br />
Illustrations, replica objects, and <strong>in</strong>formation panels help visitors<br />
– especially children and school groups – better understand the<br />
items on display.<br />
32
Ferrara
Ecomuseo:<br />
Museo della Bonifica<br />
Eco-museum:<br />
Museum of Wetland Dra<strong>in</strong><strong>in</strong>g<br />
address<br />
phone +39 0532/808058 fax +39 0532/808001<br />
e-mail<br />
web<br />
Water pump<br />
Aerial view of Saiar<strong>in</strong>o pump<strong>in</strong>g<br />
station<br />
In the foreground: the hydrologist<br />
Giovan Battista Aleotti a.k.a.<br />
L’Argenta<br />
Turb<strong>in</strong>e room<br />
Via Saiar<strong>in</strong>o, 1 Argenta<br />
44011 FE<br />
museiargenta@comune.argenta.fe.it<br />
www.comune.argenta.fe.it<br />
The Argenta Eco-Museum is a trust between the Municipality of<br />
Argenta, the Reno River Reclamation Consortium of Bologna, the<br />
Po Delta <strong>Region</strong>al Park, and local communities. The Museum of<br />
Wetland Dra<strong>in</strong><strong>in</strong>g, completed <strong>in</strong> 2002, is a wonderful example<br />
of <strong>in</strong>dustrial archaeology and an active work site. The exhibition<br />
beg<strong>in</strong>s <strong>in</strong> the Saiar<strong>in</strong>o pump<strong>in</strong>g station: start<strong>in</strong>g from the sluice<br />
gate on the Lorgana canal, through an “archaeological walkways”<br />
featur<strong>in</strong>g mach<strong>in</strong>es used <strong>in</strong> the early 20th century, and to the<br />
ma<strong>in</strong> pump<strong>in</strong>g room – the heart of the station – where six pumps<br />
are still function<strong>in</strong>g, <strong>in</strong> the Art Nouveau build<strong>in</strong>g.<br />
The visit ends <strong>in</strong> the electric power plant, where thermal energy<br />
was once produced with boilers, and where electricity is still<br />
generated today, as it was <strong>in</strong> the past.<br />
33
Ecomuseo:<br />
Museo delle Valli<br />
Eco-museum:<br />
Museum of the Valli d’Argenta<br />
address<br />
phone +39 0532/808058 fax +39 0532/808001<br />
e-mail<br />
web<br />
Lily pond with white lotus<br />
The children’s atelier<br />
Exterior of the museum<br />
Anthropology section<br />
34<br />
Via Card<strong>in</strong>ala, 1C<br />
Loc. Campotto<br />
museiargenta@comune.argenta.fe.it<br />
www.comune.argenta.fe.it<br />
Argenta<br />
44010 FE<br />
The Museum of the Valli d’Argenta is the organizational hub of<br />
the Argenta Eco-Museum and the gateway to the Val Campotto<br />
Nature Reserve, the sixth station on the Po Delta Park tour.<br />
It also coord<strong>in</strong>ates the Museum of Wetland Dra<strong>in</strong><strong>in</strong>g and<br />
the Argenta Civic Museum, as well as the local cultural and<br />
environmental heritage.<br />
It won the Museum of the Year award from the Council of Europe<br />
<strong>in</strong> 1992 and it was renovated <strong>in</strong> 2007.<br />
The Museum has two sections: the anthropology section on<br />
the ground floor describes the relationship between man and<br />
water, typical jobs of the Valli d’Argenta, and the area’s geomorphological<br />
evolution. The natural history section focuses<br />
on the four habitats of the nature reserve: water lily ponds,<br />
reedbeds, wet meadows, and flooded woodlands; the “Hall of<br />
Senses” traces the pass<strong>in</strong>g of the seasons <strong>in</strong> the nature reserve.
Galleria d’Arte Moderna<br />
Aroldo Bonzagni<br />
Aroldo Bonzagni<br />
Modern Art Gallery<br />
address<br />
phone +39 051/6843390 +39 051/6843334 fax +39 051/6843398<br />
e-mail<br />
web<br />
Lucio Fontana, Spatial Concept<br />
(The wait - Year 2022), 1959<br />
Ma<strong>in</strong> hall dedicated to the works<br />
of Aroldo Bonzagni<br />
Aroldo Bonzagni, Mol<strong>in</strong>ari with<br />
viol<strong>in</strong>, 1918<br />
Palazzo del Governatore,<br />
home of the Gallery<br />
Piazza Guerc<strong>in</strong>o, 39 Cento<br />
44042 FE<br />
cultura@comune.cento.fe.it<br />
http://bonzagni.comune.cento.fe.it/<br />
The museum dedicated to the Cento-born artist Aroldo Bonzagni<br />
(1887-1918) was established thanks to the dedication of Elva<br />
Bonzagni. Aroldo Bonzagni was described as “an elegant yet<br />
gutsy pa<strong>in</strong>ter, a diligent and discern<strong>in</strong>g draughtsman, capable of<br />
f<strong>in</strong>e social and political satire, and the successful <strong>in</strong>ventor of the still<br />
almost new genre of advertis<strong>in</strong>g”.<br />
The exhibition follows a chronological order, start<strong>in</strong>g with<br />
Bonzagni’s pa<strong>in</strong>t<strong>in</strong>gs and cont<strong>in</strong>u<strong>in</strong>g with those of the pa<strong>in</strong>ters<br />
who knew him and shared with him the cultural climate of the<br />
first decades of the 1900s, such as Dudreville, Balla, Russolo,<br />
Sironi, Bucci, Carpi, Dudovich, and Wildt. It then showcases<br />
works from the 1950s and 1960s by Sassu, Annigoni, Cantatore,<br />
Treccani, Guttuso, Birolli, Morlotti, Pomodoro, Fontana,<br />
Capogrossi, and Reggiani, and ends with recent avant-garde<br />
artists.<br />
35
P<strong>in</strong>acoteca Civica<br />
Il Guerc<strong>in</strong>o<br />
Guerc<strong>in</strong>o Civic Art Gallery<br />
address<br />
phone +39 051/6843287 +39 051/6843334 fax +39 051/6843398<br />
e-mail<br />
web<br />
Guerc<strong>in</strong>o, Sibyl, about 1620<br />
Ma<strong>in</strong> hall with works by Guerc<strong>in</strong>o<br />
Palazzo del Monte di Pietà, 1782,<br />
which houses the Art Gallery<br />
Guerc<strong>in</strong>o, Extract<strong>in</strong>g hemp from the<br />
rett<strong>in</strong>g pit, 1615<br />
36<br />
Via Matteotti, 16 Cento<br />
44042 FE<br />
cultura@comune.cento.fe.it<br />
http://guerc<strong>in</strong>o.comune.cento.fe.it/<br />
The Art Gallery was built <strong>in</strong> the Palazzo del Monte Pietà (1782)<br />
<strong>in</strong> 1839 to house the works of art that were recovered after the<br />
Napoleonic requisitions; the Museum features the world’s<br />
largest collection of masterpieces by Giovanni Francesco<br />
Barbieri, also known as Guerc<strong>in</strong>o (1591-1666) and his followers.<br />
The halls trace the Maestro’s artistic evolution: from the<br />
impetuous, dramatic, chiaroscuro pa<strong>in</strong>t<strong>in</strong>g of his youth to the<br />
classical pa<strong>in</strong>t<strong>in</strong>g of his adulthood, with aristocratic, idealized<br />
images.<br />
Caravaggio’s Cardsharps, from Sir Denis Mahon’s collection, was<br />
recently exhibited here.<br />
The Art Gallery also features masterpieces of <strong>Emilia</strong>n Baroque<br />
art and Nordic mannerism. Particular attention is given to the<br />
sculptures of the Cento-born artist Stefano Galletti, who worked<br />
throughout Italy <strong>in</strong> the second half of the 19th century.
Casa Museo<br />
Remo Br<strong>in</strong>disi<br />
Remo Br<strong>in</strong>disi Museum-Home<br />
address<br />
phone +39 0533/315805 +39 0533/315829 fax +39 0533/315814<br />
e-mail<br />
web<br />
Mario Schifano, Untitled<br />
Atrium of the Museum-Home<br />
Arturo Mart<strong>in</strong>i, Woman sunbath<strong>in</strong>g<br />
Via Pisano, 45 Comacchio<br />
Lido di Sp<strong>in</strong>a<br />
44029 FE<br />
musei@comune.comacchio.fe.it<br />
www.comune.comacchio.fe.it; www.centri-contemporaneo-er.it<br />
The Remo Br<strong>in</strong>disi Museum-Home, on the Lido di Sp<strong>in</strong>a<br />
waterfront, was built between 1970 and 1973 by Remo Br<strong>in</strong>disi<br />
as a summer home, art studio, rendezvous, and museum for<br />
his collection.<br />
Its rigorous exterior aspect conceals a glass, steel, and lightfilled<br />
space that bears the dist<strong>in</strong>ctive mark of Nanda Vigo’s<br />
project: the <strong>in</strong>terplay and contrast with its surround<strong>in</strong>g<br />
environment – the p<strong>in</strong>e groves, the sea, and the beach.<br />
The Museum-Home tells many tales: the life and work of Remo<br />
Br<strong>in</strong>disi and his passion for collect<strong>in</strong>g, which reached its apex<br />
for his Milan-based contemporaries from the 1950s and 1960s,<br />
<strong>in</strong>clud<strong>in</strong>g the great American and French artists who exhibited <strong>in</strong><br />
the most avant-garde galleries. The culture the Museum-Home<br />
expresses rema<strong>in</strong>s lively and stimulat<strong>in</strong>g.<br />
37
Castello Estense<br />
di Ferrara<br />
Ferrara’s Castello Estense<br />
address<br />
phone +39 0532/299233 fax +39 0532/299279<br />
e-mail<br />
web<br />
Ducal Chapel – Mirror Apartment,<br />
about 1590<br />
The Castello Estense – The Lion’s<br />
Tower is <strong>in</strong> the foreground<br />
The Hall of Games – Mirror<br />
Apartment – Frescoes by S. Filippi,<br />
a.k.a. Il Bastian<strong>in</strong>o, - L. Settevecchi,<br />
L. Da Brescia, about 1570<br />
38<br />
Piazza Castello, 1 Ferrara<br />
44121 FE<br />
castello.estense@prov<strong>in</strong>cia.fe.it<br />
www.castelloestense.it<br />
Ferrara’s Castello Estense was built start<strong>in</strong>g <strong>in</strong> 1385 by the<br />
Marquis Nicolò III. The Este family – the feudal lords of the city –<br />
built a huge fortress whose first floor was transformed, start<strong>in</strong>g<br />
<strong>in</strong> the late 15th century, first for Eleanor of Aragon and then for<br />
the dukes Alfonso I, Ercole II and Alfonso II, <strong>in</strong>to a sumptuous<br />
palace with balconies, terraces, hang<strong>in</strong>g gardens, and niches,<br />
whose walls were decorated with works by great artists such<br />
as Tiziano, Bell<strong>in</strong>i, Dosso Dossi, Garofalo and Bastian<strong>in</strong>o.<br />
Today the Castle, whose layout was designed by Gae Aulenti,<br />
is a UNESCO World Heritage Site dedicated to promot<strong>in</strong>g<br />
culture and illustrat<strong>in</strong>g the history of the Este family, the city of<br />
Ferrara, and its surround<strong>in</strong>g. The more than fifty rooms are all<br />
accessible to the disabled, and the Castle also features a café and<br />
bookstore.
Museo Civico<br />
di Storia Naturale<br />
Civic Museum of Natural History<br />
address<br />
phone +39 0532/203381 fax +39 0532/210508<br />
e-mail<br />
web<br />
Turritella fossils on host rock<br />
Bivalve fossils on clastic rock<br />
substrate<br />
A hall <strong>in</strong> the “Earth’s<br />
Environment” section<br />
Via De Pisis, 24 Ferrara<br />
44121 FE<br />
museo.storianaturale@comune.fe.it<br />
www.comune.fe.it/storianaturale/<br />
Ferrara’s Civic Museum of Natural History, established <strong>in</strong> 1872,<br />
has been <strong>in</strong> its current location s<strong>in</strong>ce 1937. It has extensive<br />
zoological, m<strong>in</strong>eral, and geo-paleontological collections from<br />
throughout the world. The “Earth’s Environment” section,<br />
<strong>in</strong>augurated <strong>in</strong> 1999, illustrates the various spatial and temporal<br />
aspects of environmental diversity us<strong>in</strong>g models, dioramas,<br />
and <strong>in</strong>teractive displays. The museum runs an ecological station,<br />
established <strong>in</strong> 1987, a specialized library open to the public,<br />
and a very active education section. The museum publishes two<br />
scientific journals and an onl<strong>in</strong>e newsletter. It also features<br />
a small bookshop and a café.<br />
39
Museo d’Arte Moderna<br />
e Contemporanea<br />
“Filippo de Pisis”<br />
“Filippo de Pisis”<br />
Museum of Modern and Contemporary Art<br />
address<br />
phone +39 0532/243415 fax +39 0532/205035<br />
e-mail<br />
web<br />
Filippo de Pisis, The great flowers<br />
<strong>in</strong> Massimo home, 1931<br />
Achille Funi, Self-portrait with<br />
mother and sister, about 1924<br />
Roberto Melli, Composition<br />
of objects, 1934<br />
Filippo de Pisis, Portrait of Allegro,<br />
1940<br />
40<br />
Corso Porta Mare, 9 Ferrara<br />
44121 FE<br />
artemoderna@comune.fe.it<br />
www.artecultura.fe.it<br />
The “Filippo de Pisis” Museum was re-designed <strong>in</strong> 1998, after<br />
the works of De Pisis formerly belong<strong>in</strong>g to Manlio and Franca<br />
Malabotta were donated to his hometown of Ferrara: about<br />
200 pieces of extraord<strong>in</strong>ary quality along with those already<br />
belong<strong>in</strong>g to the Gallery give life to the largest and most<br />
important public collection of De Pisis’ works. Along with the<br />
De Pisis collection, the museum also displays works by the most<br />
important artists who were born or lived <strong>in</strong> Ferrara <strong>in</strong> the 20th<br />
century - Aroldo Bonzagni, Achille Funi, Mimì Quilici Buzzacchi,<br />
Roberto Melli, Arrigo M<strong>in</strong>erbi, Enzo Nenci, Giuseppe Virgili and<br />
Annibale Zucch<strong>in</strong>i – and by other artists, such as Mario Sironi<br />
and Carlo Carrà, who were not from Ferrara.
Museo<br />
della Cattedrale<br />
Museum of the Cathedral<br />
address<br />
phone +39 0532/244949 fax +39 0532/203064<br />
e-mail<br />
web<br />
Cosmè Tura, Sa<strong>in</strong>t George slays the<br />
dragon, 1469<br />
Maestro dei Mesi, September,<br />
about 1225-30<br />
Jacopo della Quercia, Madonna<br />
of the Pomegranate, 1403-06<br />
G. Vendram<strong>in</strong>, Antiphonary II, c.<br />
4v, Nativity, 1477-82<br />
Via San Romano Ferrara<br />
44121 FE<br />
diamanti@comune.fe.it<br />
www.comune.fe.it/museocattedrale<br />
Established <strong>in</strong> 1929 <strong>in</strong> order to document the history of the city’s<br />
ma<strong>in</strong> place of worship, the Museum of the Cathedral is the result<br />
of jo<strong>in</strong>t efforts by the Cathedral Chapter and the Municipality of<br />
Ferrara. It is regulated by an agreement, which is an exemplary<br />
model of public-private management. In 2000, the museum<br />
moved to its new premises <strong>in</strong> the former San Romano church.<br />
Its collections feature material from the Early Middle Ages to the<br />
19th century, some of which is owned by the clergy, and other by<br />
the municipality. Highlights <strong>in</strong>clude sculptures by the Maestro<br />
dei Mesi, Jacopo della Quercia’s Madonna of the Pomegranate,<br />
the extraord<strong>in</strong>ary organ shutters pa<strong>in</strong>ted <strong>in</strong> 1469 by Cosmè Tura,<br />
and an important series of 24 illum<strong>in</strong>ated songbooks, <strong>in</strong>clud<strong>in</strong>g<br />
some by Giovanni Vendram<strong>in</strong>.<br />
41
Museo<br />
dell’Ottocento<br />
Museum of the 19th century<br />
address<br />
phone +39 0532/243415 fax +39 0532/205035<br />
e-mail<br />
web<br />
Angelo Conti, Allegory of the night,<br />
1861<br />
Gaetano Turchi, Torquato Tasso <strong>in</strong><br />
Sant’Anna, 1838<br />
Giuseppe Mentessi, Venice.<br />
San Marco Square <strong>in</strong> the even<strong>in</strong>g,<br />
1887-90<br />
Gaetano Previati, Assumption,<br />
about 1907<br />
42<br />
Corso Porta Mare, 9 Ferrara<br />
44121 FE<br />
artemoderna@comune.fe.it<br />
www.artecultura.fe.it<br />
The Museum is located on the piano nobile of Palazzo Massari,<br />
<strong>in</strong> several large rooms decorated with late 17th century frescoes<br />
by Maurelio Scannav<strong>in</strong>i and Giacomo Parol<strong>in</strong>i. The Museum<br />
traces the evolution of art <strong>in</strong> Ferrara over the course of the 19th<br />
century: from the historical and literary pa<strong>in</strong>t<strong>in</strong>g of artists such<br />
as Giovanni Pagliar<strong>in</strong>i, Gaetano and Girolamo Domenich<strong>in</strong>i,<br />
Alessandro Mantovani, Massimiliano Lodi, and Gaetano Turchi,<br />
who represented pa<strong>in</strong>t<strong>in</strong>g <strong>in</strong> the <strong>per</strong>iod prior to Risorgimento, to<br />
the rooms dedicated to famous end-of-the-century pa<strong>in</strong>ters such<br />
as Gaetano Previati and Giuseppe Mentessi, whose works made<br />
them stars of the Italian and European art scenes.
Museo<br />
Giovanni Bold<strong>in</strong>i<br />
Giovanni Bold<strong>in</strong>i Museum<br />
address<br />
phone +39 0532/243415 fax +39 0532/205035<br />
e-mail<br />
web<br />
Corso Porta Mare, 9 Ferrara<br />
44121 FE<br />
artemoderna@comune.fe.it<br />
www.artecultura.fe.it<br />
Giovanni Bold<strong>in</strong>i, Mar<strong>in</strong>a <strong>in</strong> Venice,<br />
1909-10<br />
Giovanni Bold<strong>in</strong>i, The sisters<br />
Lascaraky, 1869<br />
Giovanni Bold<strong>in</strong>i, Woman <strong>in</strong> black<br />
who watches the “Pastel of <strong>Emilia</strong>na<br />
Concha de Ossa”,about 1888<br />
Giovanni Bold<strong>in</strong>i, The lady <strong>in</strong> p<strong>in</strong>k,<br />
1916<br />
Dedicated to one of the most important Italian pa<strong>in</strong>ters of the<br />
second half of the 19th century, the Bold<strong>in</strong>i Museum is located<br />
<strong>in</strong> a true museum-home, Palazzo Massari, where all<br />
the works, furniture and objects from the artist’s Paris<br />
apartment and studio recreate the atmosphere of his home<br />
studio. The extensive collection encompasses every aspect and<br />
phase of Bold<strong>in</strong>i’s artistic production: from works from his youth<br />
and years <strong>in</strong> Florence, his Paris pa<strong>in</strong>t<strong>in</strong>gs from the 1860s and<br />
1870s, the large official portraits that gave him worldwide fame,<br />
and his most <strong>in</strong>timate ex<strong>per</strong>iments, <strong>in</strong>clud<strong>in</strong>g exquisite still lifes,<br />
splendid views of Venice, landscapes, and enchant<strong>in</strong>g <strong>in</strong>terior<br />
scenes.<br />
42 bis
Palazz<strong>in</strong>a<br />
Marfisa d’Este<br />
address<br />
phone +39 0532/244949 fax +39 0532/203064<br />
e-mail<br />
web<br />
Loggia degli Aranci<br />
The Facade<br />
Girolamo da Carpi, Leonardo da<br />
Brescia, Landscapes of Francesco<br />
d’Este’s dom<strong>in</strong>ions, Grotta’s Hall,<br />
after 1559<br />
43<br />
Corso Giovecca, 170 Ferrara<br />
44121 FE<br />
arteantica@comune.fe.it<br />
www.comune.fe.it/marfisa<br />
The Palazz<strong>in</strong>a Marfisa d’Este is an extraord<strong>in</strong>ary example of<br />
an aristocratic residence form the Este era. The build<strong>in</strong>g was<br />
commissioned by the Marquis Francesco d’Este, son of Alfonso I<br />
and Lucrezia Borgia, and construction began <strong>in</strong> 1559. It is located<br />
near the Prospettiva della Giovecca portal, <strong>in</strong> the heart<br />
of Ferrara’s Renaissance district. In 1578 the build<strong>in</strong>g was<br />
<strong>in</strong>herited by the Marquis’ daughter Marfisa, a lover of the arts<br />
and patron of the poet Torquato Tasso. Marfisa lived here until<br />
her death <strong>in</strong> 1608. The municipality acquired the build<strong>in</strong>g <strong>in</strong> 1861,<br />
and the museum itself was <strong>in</strong>augurated <strong>in</strong> 1938. Today, as back<br />
then, the museum’s ma<strong>in</strong> strengths lie <strong>in</strong> its sequence of halls<br />
decorated with grottesche, the ancient furniture, the gardens, and<br />
the galleries designed to be fundamental decorative elements, <strong>in</strong><br />
keep<strong>in</strong>g with the build<strong>in</strong>g traditions and aesthetic choices typical<br />
of aristocratic homes <strong>in</strong> the second half of the 16th century.
Palazzo Bonacossi<br />
e Museo Rim<strong>in</strong>aldi<br />
Palazzo Bonacossi and Rim<strong>in</strong>aldi Museum<br />
address<br />
phone +39 0532/244949 fax +39 0532/203064<br />
e-mail<br />
web<br />
Litoteca, 1763<br />
Anton von Maron, Portrait of the<br />
Card<strong>in</strong>al Gian Maria Rim<strong>in</strong>aldi,<br />
post1785<br />
Doves of Pl<strong>in</strong>y Mosaic, 18th century<br />
Bacchanalia, pre 1781<br />
Via Cisterna del Follo, 5 Ferrara<br />
44121 FE<br />
arteantica@comune.fe.it<br />
www.comune.fe.it/bonacossi<br />
Palazzo Bonacossi was built <strong>in</strong> the 15th century; Borso d’Este<br />
assigned it to Diotisalvi Neroni, an exile from Florence.<br />
An additional floor was added <strong>in</strong> the 16th century. In 1572, after<br />
the build<strong>in</strong>g was acquired by the Este family, a series of gardens<br />
was built that l<strong>in</strong>ked it directly with Palazz<strong>in</strong>a Marfisa d’Este and,<br />
through an exclusive passage on its southern side, with Palazzo<br />
Schifanoia.<br />
Palazzo Bonacossi still bears the name of the last family that<br />
owned it, and today it houses the central offices of the Civic<br />
Museums of Ancient Art, an art library, and the civic photo<br />
archives. Palazzo Bonacossi also houses the Rim<strong>in</strong>aldi Museum,<br />
with a collection of marble sculptures, small bronze sculptures,<br />
and exquisite furniture, mosaics, and pa<strong>in</strong>t<strong>in</strong>gs collected by the<br />
Card<strong>in</strong>al Rim<strong>in</strong>aldi (1718-1789), one of the lead<strong>in</strong>g art collectors<br />
<strong>in</strong> Ferrara <strong>in</strong> the 18th century.<br />
44
Palazzo Schifanoia<br />
address<br />
phone +39 0532/244949 fax +39 0532/203064<br />
e-mail<br />
web<br />
Francesco del Cossa, M<strong>in</strong>erva’s<br />
Triumph, March, about 1469<br />
Francesco del Cossa, Taurus<br />
and Deans, April, about 1469<br />
Francesco del Cossa, M<strong>in</strong>erva’s<br />
Triumph, March, about 1469<br />
45<br />
Via Scandiana, 23 Ferrara<br />
44121 FE<br />
arteantica@comune.fe.it<br />
www.comune.fe.it/schifanoia<br />
Palazzo Schifanoia, which was built start<strong>in</strong>g <strong>in</strong> 1385 and enlarged<br />
under Borso d’Este around 1470, is the only exist<strong>in</strong>g example<br />
of an Este residence dedicated to leisure: <strong>in</strong>deed, the name<br />
Schifanoia derives from the Italian “schivare la noia”, mean<strong>in</strong>g<br />
“escap<strong>in</strong>g boredom”. The piano nobile features the famous<br />
frescos depict<strong>in</strong>g the Cycle of the Months pa<strong>in</strong>ted between 1469<br />
and 1470 by Francesco del Cossa, Ercole de’ Roberti and other<br />
artists, one of the most renowned examples of Renaissance art.<br />
S<strong>in</strong>ce 1898 Palazzo Schifanoia has housed the collections of<br />
the Civic Museums of Ancient Art, which are displayed on a<br />
rotation basis <strong>in</strong> the 15th century halls and the 14th century<br />
w<strong>in</strong>g of the build<strong>in</strong>g. Some of the most noteworthy items<br />
<strong>in</strong>clude an <strong>in</strong>terest<strong>in</strong>g collection of Renaissance-era pottery, an<br />
extensive numismatic collection, some extraord<strong>in</strong>ary illum<strong>in</strong>ated<br />
manuscripts, and a collection of ivory and bronze bas reliefs.
Museo del Bosco<br />
e del Cervo della Mesola<br />
Museum of the Mesola<br />
Forest and Red Deer<br />
address<br />
phone +39 0533/993358 fax +39 0533/993358<br />
e-mail<br />
web<br />
The Mesola Red Deer<br />
Mesola’s Castello Estense<br />
View of the hall dedicated<br />
to the Mesola Red Deer<br />
Replica of some typical Po Delta<br />
habitats<br />
Piazza Umberto I Mesola<br />
44026 FE<br />
iat@comune.mesola.fe.it<br />
www.comune.mesola.fe.it<br />
Mesola’s Castello Estense (1578-1583), built as a summer<br />
residence and hunt<strong>in</strong>g lodge for Alfonso II d’ Este, houses the<br />
Museum of the Mesola Forest and Red Deer, which, start<strong>in</strong>g<br />
from the orig<strong>in</strong>s and evolution of the Po Delta, describes and<br />
crosses its various ecosystems, with particular attention to areas<br />
that fall with<strong>in</strong> station n. 1 “Volano Mesola-Goro”.<br />
The Red Deer Museum occupies a significant portion of the<br />
Centre, and <strong>in</strong>cludes studies, panels, and dioramas that help<br />
visitors understand, from a scientific po<strong>in</strong>t of view, the evolution<br />
of this genetically, morphologically, and behaviourally unique<br />
animal.<br />
46
Museo Civico<br />
del Territorio<br />
Civic Museum<br />
of the Local Territory<br />
address<br />
phone +39 0533/681368 fax +39 0533/681368<br />
e-mail<br />
web<br />
Panel on the evolution of Planet<br />
Earth and its transformations<br />
Museum entrance<br />
View of the ground floor<br />
View of the first floor<br />
47<br />
Strada del Mezzano, 14 Ostellato<br />
44020 FE<br />
mdtost@libero.it; museodelterritorio@atlantide.net<br />
www.comune.ostellato.fe.it; www.atlantide.net/museodelterritorio<br />
The Ostellato Civic Museum illustrates the evolution of Planet<br />
Earth and mank<strong>in</strong>d, and traces the history of the relationship<br />
between humans and the natural environment, made of mutual<br />
<strong>in</strong>fluences and transformations. The exhibition, designed<br />
especially from the former Corte Valle barn, beg<strong>in</strong>s on the<br />
ground floor with a section on the evolution of the land and<br />
of mank<strong>in</strong>d <strong>in</strong> the Po Pla<strong>in</strong>, and cont<strong>in</strong>ues on the first floor<br />
with a section on the history of the Po Delta and the changes<br />
<strong>in</strong> its landscape. A particularly excellent section deals with<br />
the Etruscan era and the town of Sp<strong>in</strong>a, beautifully evok<strong>in</strong>g its<br />
everyday life. Interactive stations with maps, photos, videos,<br />
and text provide an important learn<strong>in</strong>g tool. A wide array<br />
of educational activities target<strong>in</strong>g children and adolescents<br />
<strong>in</strong>cludes guided tours, ex<strong>per</strong>imental workshops, and creative<br />
games.
Forlì-Cesena
IDRO<br />
Ecomuseo delle Acque<br />
di Ridracoli<br />
IDRO<br />
Eco-museum of Waters of Ridracoli<br />
address<br />
phone +39 0543/917912 fax +39 0543/903733<br />
e-mail<br />
web<br />
Dam overflow<br />
Museum exterior<br />
The Ridracoli dam<br />
Borgo di Ridracoli Bagno di <strong>Romagna</strong><br />
47021 FC<br />
ladigadiridracoli@atlantide.net<br />
www.atlantide.net/idro<br />
Located with<strong>in</strong> the Foreste Casent<strong>in</strong>esi National Park, with<br />
the scenic backdrop of Ridracoli Lake, Idro has been open to<br />
the public s<strong>in</strong>ce summer 2004. The Eco-museum features a<br />
headquarters and three thematic stations: a technology station<br />
dedicated to dam construction techniques, a natural history<br />
station on the National Park’s habitats, and a landscape station<br />
dedicated to studies on the local territory. The headquarters<br />
<strong>in</strong>cludes halls on the local landscape and aquatic habitats,<br />
<strong>in</strong>clud<strong>in</strong>g a spectacular 3D video hall where the 3D movie “The<br />
water of the oracles” is screened. The Museum also features a<br />
library, bar, and well-stocked museum shop. Additionally, visitors<br />
can rent canoes, go trekk<strong>in</strong>g, ride an electric boat, or grab a bite<br />
to eat at the café.<br />
48
Fondazione<br />
Museo Interreligioso<br />
di Bert<strong>in</strong>oro<br />
Bert<strong>in</strong>oro Interreligious<br />
Museum Foundations<br />
address<br />
phone +39 0543/446600 fax +39 0543/446557<br />
e-mail<br />
web<br />
Decorations <strong>in</strong> the Hall of Islam<br />
Hall of Judaism<br />
Hall of Islam<br />
Francesco Mess<strong>in</strong>a, Adam’s tears,<br />
1929<br />
Rembrandt, Christ before Pilate,<br />
1636<br />
49<br />
Via Frangipane, 6 Bert<strong>in</strong>oro<br />
47032 FC<br />
mus<strong>in</strong>t.bert<strong>in</strong>oro@libero.it<br />
www.museo<strong>in</strong>terreligioso.it<br />
The Interreligious Museum, housed <strong>in</strong> the dungeons of<br />
Bert<strong>in</strong>oro’s 11th century Rocca Vescovile is the only museum<br />
<strong>in</strong> Italy deal<strong>in</strong>g with relations and dialogue between Judaism,<br />
Christianity, and Islam. The art collection <strong>in</strong>cludes works by<br />
Rembrandt, Lorenzo Ghiberti, Francesco Mess<strong>in</strong>a, and Giacomo<br />
Manzù, as well as precious editions of sacred texts and f<strong>in</strong>e<br />
pieces by Christian, Jewish, and Muslim jewellers. Visitors to<br />
the Museum’s dungeons will embark on a fasc<strong>in</strong>at<strong>in</strong>g journey<br />
to discover beauty and art, the true language of dialogue<br />
between the three Abrahamic religions and the peoples of the<br />
Mediterranean.
Museo e Biblioteca<br />
Renzi<br />
Renzi Museum and Library<br />
address<br />
phone +39 0541/939028 fax +39 0541/939028<br />
e-mail<br />
web<br />
Replica of a proto-historic village<br />
Roman lapidarium<br />
Exhibit on proto-history<br />
Renzi Museum exterior<br />
Via Matteotti, 27<br />
Loc. San Giovanni <strong>in</strong> Galilea<br />
museorenzi@libero.it<br />
www.museorenzi.it<br />
Ente Morale Museo<br />
e Biblioteca Renzi<br />
Borghi<br />
47030 FC<br />
The Renzi Museum, located <strong>in</strong> the gorgeous Medieval burg<br />
of S.Giovanni <strong>in</strong> Galilea, is one of Italy’s oldest museums. It is<br />
housed <strong>in</strong> the compound that belonged to the Malatesta dynasty<br />
between the 13th and 17th centuries. It was founded<br />
by Francesco Renzi and <strong>in</strong>augurated <strong>in</strong> 1879; a few years later the<br />
renowned archaeologist, Senator Giuseppe Fiorelli, facilitated its<br />
establishment as a charitable trust with the title of Renzi Museum<br />
and Library (Royal Decree of March 5, 1885). Recently restored<br />
and re-arranged, it displays valuable collections of proto-historic<br />
material (Proto-Villanovian and Villanovian cultures), along<br />
with material from the Roman era, the Middle Ages, and the<br />
Renaissance, <strong>in</strong> addition to majolica pottery, seals, and fossils.<br />
The exhibits are enhanced by illustrated panels<br />
and spectacular dioramas.<br />
50
Museo Archeologico<br />
Archaeological Museum<br />
address<br />
phone +39 0547/355727 fax +39 0547/355721<br />
e-mail<br />
web<br />
Polychrome majolica, second half<br />
of the 15th century<br />
Replica of a bronze age hut<br />
The exhibition<br />
Bronze lamp, early 1st century AD<br />
51<br />
Via Montalti, 6 Cesena<br />
47521 FC<br />
iat@comune.cesena.fc.it<br />
www.cesenacultura.it<br />
Cesena’s Archaeological Museum, housed <strong>in</strong> the magnificent<br />
Malatesta Library, was <strong>in</strong>augurated <strong>in</strong> 1969. It displays some<br />
of the most important archaeological f<strong>in</strong>ds from Cesena and<br />
its surround<strong>in</strong>gs, rang<strong>in</strong>g from the first prehistoric settlements<br />
to the Roman era, Cesena’s rebirth <strong>in</strong> the Middle Ages, and the<br />
Malatesta era.<br />
S<strong>in</strong>ce 1999 the museum has been host<strong>in</strong>g educational<br />
workshops that provide historic and artistic <strong>in</strong>formation on the<br />
city’s various eras. The students and adults <strong>in</strong>volved reproduce<br />
some of the objects typical of the various historic <strong>per</strong>iods<br />
described <strong>in</strong> the museum, and improve their manual skills and<br />
creativity. On the occasion of the re-design<strong>in</strong>g of the museum <strong>in</strong><br />
2009, a plastic replica of a hut from the late Bronze Age (middle<br />
of the third millennium BC) village of Provezza was added to the<br />
displays.
P<strong>in</strong>acoteca Comunale<br />
Municipal Art Gallery<br />
address<br />
phone +39 0547/355727 fax +39 0547/355721<br />
e-mail<br />
web<br />
Giovan Battista Salvi, a.k.a. Il<br />
Sassoferrato, Pray<strong>in</strong>g Virg<strong>in</strong> Mary,<br />
17th century<br />
Hall 3<br />
Contemporary Art Section<br />
Antonio Aleotti, Madonna <strong>in</strong><br />
a throne with Child, Anthony<br />
the Abbot and Sa<strong>in</strong>t Gabriel the<br />
Archangel, 1511<br />
Ceramic art by Angelo Bianc<strong>in</strong>i<br />
Via Ald<strong>in</strong>i, 26 Cesena<br />
47521 FC<br />
iat@comune.cesena.fc.it<br />
www.cesenacultura.it<br />
The collection of pa<strong>in</strong>t<strong>in</strong>gs owned by the municipality was<br />
acquired <strong>in</strong> the 19th and 20th centuries, but it has only recently<br />
found a stable home – after a series of moves s<strong>in</strong>ce 1883 – <strong>in</strong><br />
the former San Biagio monastery. The Art Gallery’s substantial<br />
patrimony <strong>in</strong>cludes over 300 pa<strong>in</strong>t<strong>in</strong>gs and sculpture from the<br />
15th to the 20th centuries, with works by Aleotti, Piazzetta,<br />
Sassoferrato, Veronesi, Guttuso, Schifano, and Bianc<strong>in</strong>i.<br />
For many years now, the Art Gallery has offered afternoon<br />
classes for kids and lively educational workshops for students<br />
and families, whose activities <strong>in</strong>volve adults and children and<br />
encourage them to use their senses to expresses themselves<br />
through various techniques and languages. In remembrance of<br />
these ex<strong>per</strong>iences, visitors craft various different objects, thus<br />
establish<strong>in</strong>g an <strong>in</strong>teractive relationship with the museum.<br />
52
Casa Museo<br />
Mar<strong>in</strong>o Moretti<br />
Mar<strong>in</strong>o Moretti Museum-Home<br />
address<br />
phone +39 0547/79279 fax +39 0547/79121<br />
e-mail<br />
web<br />
Mar<strong>in</strong>o Moretti <strong>in</strong> 1909<br />
Detail of the writ<strong>in</strong>g desk<br />
Exterior of the museum-home<br />
The writ<strong>in</strong>g desk with folder, <strong>in</strong>k<br />
bottles, pens, and nibs.<br />
53<br />
Via Moretti, 1 Cesenatico<br />
47042 FC<br />
casamoretti@cesenatico.it<br />
www.casamoretti.it<br />
In his 1978 will, Mar<strong>in</strong>o Moretti left his books and autographed<br />
pa<strong>per</strong>s to the Cesenatico Municipal Library. His sister Ines, <strong>in</strong><br />
keep<strong>in</strong>g with his wishes, donated his house on the canal to the<br />
Municipality of Cesenatico <strong>in</strong> 1980, so that the writer’s library<br />
and archives could be preserved <strong>in</strong> their orig<strong>in</strong>al location, for<br />
purposes of “research, teach<strong>in</strong>g, and education”.<br />
The Moretti Museum-Home was established to fulfil these two<br />
wishes, and has become an important centre of research on 20th<br />
century literature.<br />
The <strong>in</strong>stitute promotes cultural and research activities along with<br />
the conservation and promotion of its patrimony. Additionally,<br />
Casa Moretti, whose orig<strong>in</strong>al furnish<strong>in</strong>gs have been scrupulously<br />
preserved, is a museum-home open to visitors <strong>in</strong>terested <strong>in</strong><br />
Mar<strong>in</strong>o Moretti, the man and the writer.
Museo della Mar<strong>in</strong>eria<br />
dell’Alto e Medio Adriatico<br />
Maritime Museum of the<br />
Up<strong>per</strong> and Middle Adriatic<br />
address<br />
phone +39 0547/79205 fax +39 0547/79254<br />
e-mail<br />
web<br />
Interior of the museum’s land<br />
section<br />
Via Armell<strong>in</strong>i, 18 Cesenatico<br />
47042 FC<br />
museomar<strong>in</strong>eria@cesenatico.it<br />
www.museomar<strong>in</strong>eria.eu<br />
The Maritime Museum is closely l<strong>in</strong>ked to the canal port,<br />
designed by Leonardo da V<strong>in</strong>ci, which runs through the town’s<br />
historic centre and houses the museum’s float<strong>in</strong>g section, which<br />
was <strong>in</strong>augurated <strong>in</strong> 1983 and features eleven traditional Adriatic<br />
vessels, three of which are still <strong>in</strong> o<strong>per</strong>ation <strong>in</strong> order to ma<strong>in</strong>ta<strong>in</strong><br />
traditional sail<strong>in</strong>g techniques alive. The land section was opened<br />
<strong>in</strong> 2005. Housed <strong>in</strong> a pavilion designed to recall ancient arsenals,<br />
it features evocative exhibits on traditional sail<strong>in</strong>g <strong>in</strong> the up<strong>per</strong><br />
and middle Adriatic. The displays are centred on two fully<br />
equipped traditional vessels (locally known, respectively,<br />
as trabaccolo and bragozzo). The first floor illustrates ship design<br />
and construction, while the second floor is dedicated to life<br />
at sea, fish<strong>in</strong>g, sail<strong>in</strong>g, and magic and religious symbols.<br />
Several short videos can be viewed, <strong>in</strong>clud<strong>in</strong>g 3D animations<br />
and v<strong>in</strong>tage films.<br />
54
Armeria Albic<strong>in</strong>i<br />
Albic<strong>in</strong>i Armory<br />
address<br />
phone +39 0543/712606 fax +39 0543/712618<br />
e-mail<br />
web<br />
Albic<strong>in</strong>i Armory, Trophy of arms<br />
Albic<strong>in</strong>i Armory Halls<br />
55<br />
Corso della Repubblica, 72 Forlì<br />
47121 FC<br />
servizio.p<strong>in</strong>acoteca.musei@comune.forli.fc.it<br />
www.cultura.comune.forli.fc.it<br />
The museum’s hold<strong>in</strong>gs are for the most part made up of<br />
weapons collected by the Marquis Raffaello Albic<strong>in</strong>i. The<br />
collection, with items from the 15th to the 19th century, <strong>in</strong>cludes<br />
almost every type of pole weapon – falchions, partisans,<br />
billhooks, corsecas, halberds, quarrels, and lances – and<br />
numerous examples of body armour, foremost among which are<br />
parts of the tournament armour that once belonged to Brunoro<br />
Zampeschi, Lord of Forlimpopoli, <strong>in</strong> the second half of the 16th<br />
century. There are also horse bridles, cha<strong>in</strong>mail armour, morn<strong>in</strong>g<br />
stars, and war hammers, along with numerous swords, <strong>in</strong>clud<strong>in</strong>g<br />
a horseman’s longsword, Venetian schiavona swords, “paloscio”<br />
hunt<strong>in</strong>g knives, and cup-hilt rapiers. S<strong>in</strong>ce 1958, an annex to<br />
the armoury displays a collection of weapons and musical<br />
<strong>in</strong>struments from the former Belgian Congo donated by Virg<strong>in</strong>ia<br />
Pedriali.
Musei San Domenico<br />
San Domenico Museums<br />
address<br />
phone +39 0543/712659 fax +39 0543/712658<br />
e-mail<br />
web<br />
Antonio Canova, Hebe, 1816-17<br />
Art gallery, hall 12<br />
Museum exterior: the cloister<br />
Piazza Guido da Montefeltro, 12 Forlì<br />
47121 FC<br />
museisandomenico.forli@comune.forli.fc.it<br />
www.cultura.comune.forli.fc.it<br />
The prestigious San Giacomo Apostolo compound, a former<br />
convent <strong>in</strong> San Domenico that has recently been renovated and<br />
restored, is the new home of the Art Gallery and Civic Museums.<br />
Works currently displayed there<strong>in</strong> are from the 12th to 18th<br />
centuries. The right w<strong>in</strong>g of the compound houses the most<br />
ancient works: the Tryptych by the Maestro di Forlì, pa<strong>in</strong>t<strong>in</strong>gs<br />
by Beato Angelico, the funeral monument of Beato Marcol<strong>in</strong>o<br />
by Antonio Rossell<strong>in</strong>o, Palmezzano’s large Crucifixion; the left<br />
w<strong>in</strong>g houses works by Palmezzano, Baldassarre Carrari, and<br />
Francesco Zaganelli and pa<strong>in</strong>t<strong>in</strong>gs rang<strong>in</strong>g from 16th century<br />
pa<strong>in</strong>t<strong>in</strong>gs from <strong>Romagna</strong> to Mannerism. Canova’s Hebe was<br />
transferred here <strong>in</strong> January 2009, on the occasion of exhibition<br />
titled Canova: the classic ideal between pa<strong>in</strong>t<strong>in</strong>g and sculpture.<br />
56
Museo Etnografico<br />
Romagnolo Pergoli<br />
Pergoli Museum<br />
of Ethnography <strong>in</strong> <strong>Romagna</strong><br />
address<br />
phone +39 0543/712606 fax +39 0543/712618<br />
e-mail<br />
web<br />
Tavern, wall decorations<br />
Tavern<br />
Kitchen<br />
“Rust” pr<strong>in</strong>t<strong>in</strong>g press<br />
57<br />
Corso della Repubblica, 72 Forlì<br />
47121 FC<br />
servizio.p<strong>in</strong>acoteca.musei@comune.forli.fc.it<br />
www.cultura.comune.forli.fc.it<br />
The orig<strong>in</strong>s of the Museum date back to the Esposizioni<br />
Romagnole Riunite fair held <strong>in</strong> Forlì <strong>in</strong> 1921, which <strong>in</strong>tended<br />
to showcase <strong>Romagna</strong>’s agricultural, artisanal, and <strong>in</strong>dustrial<br />
output and contribute to the region’s economic and moral<br />
recovery. An exhibition on ethnography <strong>in</strong> <strong>Romagna</strong> was thus<br />
staged, which <strong>in</strong>cluded replicas of typical homes and artisans’<br />
workshops; <strong>in</strong> 1922 this exhibition was converted <strong>in</strong>to a museum.<br />
The section on the first floor of Palazzo del Merenda is still<br />
largely unchanged s<strong>in</strong>ce then, and features a kitchen, small<br />
d<strong>in</strong><strong>in</strong>g room, master bedroom, tavern, and canteen, along with<br />
some traditional artisans’ workshops such as a “rust” pr<strong>in</strong>t<strong>in</strong>g<br />
press, a luthier’s workshop, and a blacksmith’s workshop.<br />
The halls display furniture from <strong>Romagna</strong>, folk pottery, and a<br />
collection of “caveje” (decorated steel poles typical of <strong>Romagna</strong>)<br />
and wedd<strong>in</strong>g outfits from the late 19th and early 20th centuries.
P<strong>in</strong>acoteca Civica<br />
Melozzo degli Ambrogi<br />
Melozzo degli Ambrogi<br />
Civic Art Gallery<br />
address<br />
phone +39 0543/712606 +39 0543/712609 fax +39 0543/712618<br />
e-mail<br />
web<br />
J. Sablet, First steps, second half<br />
of the 18th century.<br />
Palazzo del Merenda, salon<br />
Corso della Repubblica, 72 Forlì<br />
47121 FC<br />
servizio.p<strong>in</strong>acoteca.musei@comune.forli.fc.it<br />
www.cultura.comune.forli.fc.it<br />
The Art Gallery dates back to 1838, when it received the<br />
municipal adm<strong>in</strong>istration’s rema<strong>in</strong><strong>in</strong>g artwork after the<br />
Napoleonic purges. In 1922 it was transferred to its current<br />
location, which had been designed by Giuseppe Merenda<br />
and built <strong>in</strong> 1722 as a hospital for the <strong>in</strong>firm. The central hall<br />
displays large pa<strong>in</strong>t<strong>in</strong>gs by Francesco Albani, Andrea Sacchi,<br />
Guido Cagnacci, Giovanni Francesco Barbieri also known as<br />
Il Guerc<strong>in</strong>o, Carlo Maratta and Carlo Cignani. Some of the<br />
Museum’s most important collections <strong>in</strong>clude: the collection of<br />
pa<strong>in</strong>t<strong>in</strong>gs donated by Piancastelli <strong>in</strong> 1938; the Pedriali collection,<br />
with some pa<strong>in</strong>t<strong>in</strong>gs by the Flemish masters and the large Oxen<br />
cart by Fattori; the Righ<strong>in</strong>i donation, with etch<strong>in</strong>gs and three<br />
oil pa<strong>in</strong>t<strong>in</strong>gs by Giorgio Morandi; and Giuseppe Verzocchi’s<br />
collection dedicated to work, and made up of 70 pa<strong>in</strong>t<strong>in</strong>gs<br />
commissioned <strong>in</strong> 1949 to the lead<strong>in</strong>g 20th century Italian artists.<br />
58
Museo Civico<br />
Mons. Domenico Mambr<strong>in</strong>i<br />
The Monsignor Domenico Mambr<strong>in</strong>i<br />
Civic Museum<br />
address<br />
phone +39 0543/981854 +39 0543/975428 fax +39 0543/981021<br />
e-mail<br />
web<br />
Nurs<strong>in</strong>g Madonna, 15th century<br />
Grave goods from the 4th or<br />
5th century, from the Mevaniola<br />
necropolis<br />
Bas-relief depict<strong>in</strong>g the meet<strong>in</strong>g<br />
between Sa<strong>in</strong>t Ellero and<br />
Theodoric<br />
Monastery of the Order of Friars<br />
M<strong>in</strong>or <strong>in</strong> Pianetto, 16th century,<br />
home of the museum<br />
59<br />
Via Pianetto Borgo Galeata<br />
47010 FC<br />
museomambr<strong>in</strong>i@libero.it<br />
www.museocivicomambr<strong>in</strong>i.it<br />
The Museum is housed <strong>in</strong> the Monastery of the Order of<br />
Friars M<strong>in</strong>or <strong>in</strong> Pianetto, near the ancient Roman town and<br />
archaeological site of Mevaniola. The historical-artistic section<br />
features a rather heterogeneous collection of historic and artistic<br />
works, the most notable of which <strong>in</strong>clude two late-17th century<br />
Vanitas and a coat of arms <strong>in</strong> pietra serena sandstone attributed<br />
to Desiderio da Settignano. The archaeological section beg<strong>in</strong>s<br />
<strong>in</strong> the hall dedicated to the collection of Monsignor Domenico<br />
Mambr<strong>in</strong>i and cont<strong>in</strong>ues with halls dedicated to the historical<br />
and archaeological sites near Galeata (Mevaniola, Theodoric’s<br />
Villa, and the Abbey of Sa<strong>in</strong>t Ellero). The Museum has a varied<br />
programme of events (conferences, conventions, exhibitions,<br />
and guided tours), workshops, and educational activities for<br />
schoolchildren and adults, which provide a dynamic way to<br />
approach archaeology and ancient art.
Fondazione<br />
Tito Balestra Onlus<br />
Tito Balestra Foundation<br />
address<br />
phone +39 0547/665850 +39 0547/665420 fax +39 0547/667007<br />
e-mail<br />
web<br />
Ground floor hall, Giorgio Amelio<br />
Roccamonte, Desert flowers, 1972-73<br />
Maccari hall<br />
Hall dedicated to Tito<br />
Piazza Malatestiana, 1 Longiano<br />
47020 FC<br />
<strong>in</strong>fo@fondazionetitobalestra.org<br />
www.fondazionetitobalestra.org<br />
The Foundation bears the name of the poet Tito Balestra<br />
(1923-1976), whose relationships with the lead<strong>in</strong>g artists of<br />
his time, based on friendship and mutual respect, allowed<br />
him to accumulate this collection of extraord<strong>in</strong>ary works,<br />
a comprehensive overview of 20th century visual culture.<br />
The Museum is located <strong>in</strong> Longiano’s Malatesta Castle: this<br />
<strong>per</strong>fectly restored fortress houses the marvellous collection<br />
– one of <strong>Emilia</strong>-<strong>Romagna</strong>’s richest – of figurative art, which<br />
<strong>in</strong>cludes over 2,300 works by the lead<strong>in</strong>g 20th century Italian<br />
artists – from Rosai to Maccari, from Sironi to Morandi – and a<br />
valuable collection of graphic art by foreign artists such as Goya,<br />
Chagall, Matisse. The Foundation also organizes temporary<br />
exhibitions, particularly on the relationship between the highest<br />
art, literature, and poetry. The Museum is noteworthy for its<br />
educational activities.<br />
60
Galleria d’Arte<br />
Contemporanea<br />
Vero Stoppioni<br />
Vero Stoppioni<br />
Contemporary Art Gallery<br />
address<br />
phone +39 0543/975428 +39 0543/981854 fax +39 0543/970345<br />
e-mail<br />
web<br />
Mattia Moreni, La Mistura,<br />
1976-84<br />
Gallery <strong>in</strong>terior<br />
Santa Sofia sculpture garden<br />
61<br />
Viale Roma, 5A Santa Sofia<br />
47018 FC<br />
cultura@comune.galeata.fo.it<br />
www.comune.santa-sofia.fo.it<br />
The Art Gallery dedicated to Vero Stoppioni was <strong>in</strong>augurated <strong>in</strong><br />
1990 to house the pa<strong>in</strong>t<strong>in</strong>gs collected dur<strong>in</strong>g the various editions<br />
of the Campigna Award. It is housed <strong>in</strong> an early-20th century<br />
build<strong>in</strong>g, whose architecture harmoniously complements the<br />
contemporary art works.<br />
The collection showcases some of the most significant Italian<br />
artistic currents from the 1950s to the present day: Neo-realism,<br />
Pop Art, Informal Art, Abstract Art, Nouvelle Figuration, up to the<br />
latest trends.<br />
The Gallery reserves a special place for Mattia Moreni, who<br />
participated <strong>in</strong> various editions of the Campigna Award and<br />
established a close relationship with Santa Sofia.<br />
An outdoor sculpture garden associated with the Stoppioni<br />
Gallery features works by renowned artists. It is located along<br />
the Bidente river.
Museo Archeologico<br />
del Compito<br />
Don Giorgio Franch<strong>in</strong>i<br />
The Don Giorgio Franch<strong>in</strong>i<br />
Archaeological Museum<br />
address<br />
phone +39 0541/944851 fax +39 0541/944851<br />
e-mail<br />
web<br />
Marble female statue, 2nd century<br />
AD<br />
Portion of the floor of a Roman<br />
country villa, made up of small<br />
brick tiles, 1st century AD<br />
Fluted column segment, 1st<br />
century AD<br />
Via San Giovanni, 7 Savignano sul Rubicone<br />
47039 FC<br />
<strong>in</strong>fo@museodelcompito.com<br />
www.museodelcompito.com<br />
Founded <strong>in</strong> early 1930s thanks to Don Franch<strong>in</strong>i, parish priest for<br />
S. Giovanni <strong>in</strong> Compito, s<strong>in</strong>ce 1998 the museum is housed <strong>in</strong> its<br />
own build<strong>in</strong>g, next to the rural church. The ancient Romanesque<br />
church was built <strong>in</strong> the 7th century where the ancient Roman<br />
site of Ad Confluentes once stood, where the Via <strong>Emilia</strong> crossed<br />
the hill road between Sars<strong>in</strong>a and Ravenna. This ancient site is<br />
also mentioned <strong>in</strong> the It<strong>in</strong>erarium Burdigalense under the name<br />
mutaio Competu, attest<strong>in</strong>g to the presence of a horse-chang<strong>in</strong>g<br />
post. The rema<strong>in</strong>s of large columns also <strong>in</strong>dicate that a religious<br />
build<strong>in</strong>g or rural sanctuary (from the early Roman Empire) was<br />
located there; <strong>in</strong>deed, the presence of the rural church shows<br />
that the site has been <strong>in</strong> cont<strong>in</strong>uous use as a place of worship.<br />
There are also some <strong>in</strong>terest<strong>in</strong>g proto-historic items, <strong>in</strong>clud<strong>in</strong>g a<br />
group of 12 furnaces from the 7th century BC, which testify to the<br />
human presence <strong>in</strong> the area <strong>in</strong> the pre-Roman era.<br />
62
Modena
Museo<br />
della Civiltà Contad<strong>in</strong>a<br />
Museum of Peasant History and Life<br />
address<br />
phone +39 059/800912 +39 059/904866 fax +39 059/815132<br />
e-mail<br />
web<br />
L25 Land<strong>in</strong>i “hotbulb” tractor.<br />
“The priest”: a wooden bed<br />
warmer, with “nun” for the hot<br />
coals<br />
Detail of the cereal sorter<br />
Piazza Repubblica, 51 Bastiglia<br />
41030 MO<br />
museo@comune.bastiglia.mo.it<br />
www.comune.bastiglia.mo.it<br />
The Museum of Peasant History and Life – established by<br />
the municipal adm<strong>in</strong>istration <strong>in</strong> 1977 – is housed <strong>in</strong> a historic<br />
build<strong>in</strong>g. It displays and valorises collections regard<strong>in</strong>g the<br />
contemporary rural culture of the Modena pla<strong>in</strong>, as well as other<br />
items related to the history of Bastiglia, the 15th century Conca<br />
on the Naviglio canal, and the ancient Estense mill. It aims to be<br />
an ecomuseum. The museum chooses to use evocative displays,<br />
which deal with work<strong>in</strong>g and cultivat<strong>in</strong>g the soil, the process<strong>in</strong>g<br />
of agricultural and dairy products, private life and childhood<br />
<strong>in</strong> the rural world, and the role of artisanal work <strong>in</strong> the rural<br />
economy. The Agricultural Mach<strong>in</strong>ery Pavilion is associated with<br />
the museum; it displays large agricultural mach<strong>in</strong>ery, such as<br />
historic tractors (<strong>in</strong>clud<strong>in</strong>g a FIAT prototype), and a big thresh<strong>in</strong>g<br />
mach<strong>in</strong>e.<br />
63
Museo<br />
della Bilancia<br />
Balance Scale Museum<br />
address<br />
phone +39 059/527133 fax +39 059/527084<br />
e-mail<br />
web<br />
Steelyard for weigh<strong>in</strong>g barrels,<br />
detail of the shaft<br />
Gallery of platform scales<br />
and large scales<br />
Detail of the <strong>in</strong>teractive<br />
multimedia displays designed<br />
with fuse*creative_lab<br />
Museum exterior<br />
64<br />
Via Garibaldi, 34A Campogalliano<br />
41011 MO<br />
<strong>in</strong>fomuseo@museodellabilancia.it<br />
www.museodellabilancia.it<br />
The Balance Scale Museum, the only one of its k<strong>in</strong>d <strong>in</strong> Italy,<br />
documents the history of weigh<strong>in</strong>g and measur<strong>in</strong>g from the<br />
Middle Ages to the present day. It displays balance scales,<br />
platform scales, steelyards, and a wide array of documents<br />
<strong>in</strong>clud<strong>in</strong>g posters, catalogues, orig<strong>in</strong>al pr<strong>in</strong>ts, and photographs<br />
of v<strong>in</strong>tage equipment. The Museum is an <strong>in</strong>tegral part of the<br />
productive system of the area, for which it serves both as historic<br />
archive of sorts and as a hub for historic, technical, and scientific<br />
knowledge. S<strong>in</strong>ce 1991 it is also a National Documentation<br />
Centre, which is authorized to collect, organize, and dissem<strong>in</strong>ate<br />
documentation that will help broaden the scope of research<br />
on balance scales.
Musei<br />
di Palazzo dei Pio<br />
Museums of Palazzo dei Pio<br />
address<br />
phone +39 059/649360 fax +39 059/649361<br />
e-mail<br />
web<br />
E. Ximenes, Bust of Giuseppe<br />
Garibaldi, about 1890<br />
Anton<strong>in</strong> Mercié, David va<strong>in</strong>queur,<br />
1872-99<br />
The City Museum<br />
Palazzo dei Pio, Renaissance<br />
facade<br />
Piazza dei Martiri, 68 Carpi<br />
41012 MO<br />
musei@carpidiem.it<br />
www.palazzodeipio.it/imusei<br />
The Museums of Palazzo dei Pio comprise the Museum of<br />
Palazzo dei Pio and the City Museum.<br />
The Museum of Palazzo dei Pio is dedicated to Palazzo dei<br />
Pio’s art, architecture, and history, the Pio family’s rule, and<br />
the Renaissance court. It houses the most important of the<br />
museum’s collections, which blend <strong>in</strong> with the surround<strong>in</strong>gs <strong>in</strong><br />
which they are displayed: pa<strong>in</strong>t<strong>in</strong>gs, xylographs, ancient wooden<br />
pieces, and decorated ceramic pottery.<br />
The City Museum documents the history of the Carpi area, and<br />
of the establishment and development of the town itself, from<br />
the first Terramare settlements (16th century BC) until the last<br />
century, and traces its environmental, social, economic, cultural,<br />
and urban development.<br />
65
Museo Monumento<br />
al Deportato politico<br />
e razziale nei campi<br />
di sterm<strong>in</strong>io nazisti<br />
Museum and Monument of Political and Racial<br />
Deportees to Nazi Exterm<strong>in</strong>ation Camps<br />
address<br />
phone +39 059/649978 +39 059/688272 fax +39 059/688483<br />
e-mail<br />
web<br />
Hall 2: graffiti on draw<strong>in</strong>g by<br />
Alberto Longoni<br />
View of hall 11<br />
Hall 11: quote from “Letters of<br />
European Resistance Fighters about<br />
to be Executed”<br />
66<br />
Piazza dei Martiri, 68 Carpi<br />
41012 MO<br />
fondazione.fossoli@carpidiem.it<br />
www.fondazionefossoli.org<br />
The Museum and Monument of Political and Racial Deportees<br />
occupies a special place <strong>in</strong> Italian and <strong>in</strong>ternational memorial<br />
architecture. Inaugurated <strong>in</strong> 1973, it embodies a commitment<br />
to keep<strong>in</strong>g alive the memory of the victims of deportation, as<br />
documented by the Fossoli concentration camp.<br />
The museum has 13 halls occupy<strong>in</strong>g a large space on the ground<br />
floor of Palazzo dei Pio. Displays are spare: the graffiti on the<br />
walls and the symbolic images <strong>in</strong> the reliquaries blend <strong>in</strong> with the<br />
rigorous architectural structure, creat<strong>in</strong>g a highly evocative visual<br />
impact.<br />
Several renowned artists contributed to the creation<br />
of the museum: the BBPR studio for architectural plann<strong>in</strong>g and<br />
restoration, Albe and Lica Ste<strong>in</strong>er for the exhibits themselves,<br />
Guttuso for select<strong>in</strong>g the artwork, and Nelo Risi for select<strong>in</strong>g<br />
texts.
Museo Civico<br />
Archeologico<br />
“Anton Celeste Simon<strong>in</strong>i”<br />
“Anton Celeste Simon<strong>in</strong>i”<br />
Civic Museum of Archaeology<br />
address<br />
phone +39 059/959367 fax +39 059/950366<br />
e-mail<br />
web<br />
Detail of the decoration of a<br />
ceramic mug, 8th century BC.<br />
Epitaph, Age of Augusts<br />
Terracotta female head, first half<br />
of the 1st century BC.<br />
Fragment of blown glass wall,<br />
Im<strong>per</strong>ial Age<br />
Corso Martiri, 204 Castelfranco <strong>Emilia</strong><br />
41013 MO<br />
museocivico@comune.castelfranco-emilia.mo.it<br />
www.comune.castelfranco-emilia.mo.it<br />
Castelfranco <strong>Emilia</strong>’s Civic Museum of Archaeology was<br />
established <strong>in</strong> 1999 to house the material from the civic<br />
collection and from local archaeological digs.<br />
The Museum, located <strong>in</strong> Palazzo Piella, traces the history of<br />
human settlement <strong>in</strong> the Castelfranco area from proto-history –<br />
the emergence of the Terramare culture dur<strong>in</strong>g the Bronze Age<br />
– until the establishment of the Borgo Franco <strong>in</strong> the 13th century,<br />
the precursor to the modern town of Castelfranco. Of particular<br />
importance is the aes signatum deposit discovered <strong>in</strong> 1897: the<br />
embossed cast lumps of bronze it conta<strong>in</strong>ed date back to the<br />
6th century BC. The museum also stages exhibitions and hosts<br />
conferences, publishes the journal Pagani e Cristiani. Forme e<br />
attestazioni di religiosità nel mondo antico <strong>in</strong> <strong>Emilia</strong> (Pagans and<br />
Christians. Forms and attestations of religiousness <strong>in</strong> ancient<br />
<strong>Emilia</strong>) and has an educational program target<strong>in</strong>g local schools.<br />
67
Museo della Ceramica<br />
Museum of Ceramic Pottery<br />
address<br />
phone +39 0536/833412 fax +39 0536/832728<br />
e-mail<br />
web<br />
Ludovico Asirelli, Graffa, 1971<br />
Roman hall, replica of pottery kiln<br />
Replica of Bronze Age cup<br />
Contemporary hall: tile displays<br />
68<br />
Via del Castello, 12<br />
Loc. Spezzano<br />
cultura@fiorano.it<br />
www.fiorano.it/turismo/cultura/museo.shtm<br />
Fiorano Modenese<br />
41042 MO<br />
The Museum of Ceramic Pottery uses a technological approach<br />
to describe the thousands of years of history of ceramic<br />
pottery. Instruments, ceramics, and kilns, reconstructed us<strong>in</strong>g<br />
ex<strong>per</strong>imental archaeology techniques, trace the history of<br />
decorations and production techniques, while the contemporary<br />
section documents, through the eyes of the ma<strong>in</strong> protagonists,<br />
ancient <strong>in</strong>dustrial skills and the first steps of mechanization.<br />
The Museum, which is fully <strong>in</strong>tegrated <strong>in</strong>to the local<br />
manufactur<strong>in</strong>g district, displays serially-produced ceramic tiles<br />
from the pre-World War II <strong>per</strong>iod to the present day.<br />
Its Contemporary Collection features works of art, design,<br />
and architectural ceramics crafted for the Ceramics Biennials.<br />
Every day, the museum’s Manodo<strong>per</strong>a project collects and<br />
preserves documents, objects, videos, photographs and other<br />
items that help reconstruct the history of the world of ceramics.
Museo e Centro<br />
di documentazione<br />
del Castello<br />
Museum of the Castle<br />
and Documentation Centre<br />
address<br />
phone +39 059/416145 fax +39 059/416143<br />
e-mail<br />
web<br />
“Time”<br />
The registry of depositions<br />
The clock room<br />
The Castle of Formig<strong>in</strong>e<br />
Piazza Calcagn<strong>in</strong>i Formig<strong>in</strong>e<br />
41043 MO<br />
castello@comune.formig<strong>in</strong>e.mo.it<br />
www.comune.formig<strong>in</strong>e.mo.it<br />
Thanks to its over 800 years of history, the Castle of Formig<strong>in</strong>e is<br />
a formidable “time mach<strong>in</strong>e”. The Museum and Documentation<br />
Centre is dedicated to this extraord<strong>in</strong>ary voyage from the Middle<br />
Ages to the present day. It traces the history of the castle and<br />
its <strong>in</strong>habitants, whose most important aspects were uncovered<br />
by archaeological studies carried out by Venice’s Ca’ Foscari<br />
University, <strong>in</strong>clud<strong>in</strong>g the discovery of the ancient church of S.<br />
Bartolomeo, the cemetery, and the late-Medieval burg, all of<br />
which preceded the establishment of the castle. The narrative of<br />
the museum, which is located <strong>in</strong> the “rocchetta”, is <strong>in</strong>spired by<br />
the very places <strong>in</strong> which it is set.<br />
The scientific, yet captivat<strong>in</strong>g displays are made possible by the<br />
sensitive environments created by Studio Azzurro, which can be<br />
activated by a visitor’s mere presence or movement.<br />
69
Museo Civico<br />
di Mirandola<br />
Civic Museum of Mirandola<br />
address<br />
phone +39 0535/609985 +39 0535/609995 fax +39 0535/609998<br />
e-mail<br />
web<br />
Detail of the archaeological<br />
collection<br />
Guerc<strong>in</strong>o (attribuited), Madonna<br />
with Child, 1750-60<br />
Portraits of Pico family<br />
Carab<strong>in</strong>i Hall<br />
70<br />
Piazza Marconi, 23 Mirandola<br />
41037 MO<br />
cultura@comune.mirandola.mo.it<br />
www.castellopico.it<br />
The Civic Museum of Mirandola is housed <strong>in</strong> the Pico Castle,<br />
the prestigious home of the aristocratic family who ruled the city<br />
for 400 years, from 1311 to 1710. The exhibits are organized <strong>in</strong><br />
twelve sections, which trace a varied portrait of the city’s historical<br />
and artistic heritage. The museum <strong>in</strong>cludes an archaeological<br />
collection; a collection of co<strong>in</strong>s and medals belong<strong>in</strong>g to the Pico<br />
family; artwork created for religious <strong>in</strong>stitutions; portraits of Pico<br />
and Este family members along with those of illustrious citizens<br />
of Mirandola <strong>in</strong> the 18th and 19th centuries, a section dedicated<br />
to the philosophers Giovanni and Giovan Francesco Pico; a room<br />
devoted to music; works that were donated (pa<strong>in</strong>t<strong>in</strong>gs, ancient<br />
furniture, and an extensive collection of pr<strong>in</strong>ts depict<strong>in</strong>g the local<br />
area) or the local Monte di Pietà pawnbroker; and a collection of<br />
weapons from the 15th and 16th centuries.
Galleria Civica<br />
di Modena<br />
Modena Civic Gallery<br />
address<br />
phone +39 059/2032911 fax +39 059/2032932<br />
e-mail<br />
web<br />
Kathar<strong>in</strong>a Grosse, Another man<br />
who has dropped his pa<strong>in</strong>tbrush,<br />
2008<br />
Laura Renna, Moquette Area<br />
Progetto, 2007<br />
Adrian Paci, The Pr<strong>in</strong>cess, 2003<br />
Palazz<strong>in</strong>a dei Giard<strong>in</strong>i, Modena <strong>per</strong><br />
la Fotografia exhibition 2003<br />
Corso Canalgrande, 103 Modena<br />
41121 MO<br />
galcivmo@comune.modena.it<br />
www.galleriacivicadimodena.it<br />
The Civic Gallery (Palazz<strong>in</strong>a dei Giard<strong>in</strong>i and Palazzo Santa<br />
Margherita) is one of Italy’s most authoritative centres of<br />
culture. It organizes temporary exhibitions, conferences, and<br />
meet<strong>in</strong>gs on issues and people related to contemporary art and<br />
photography. It is also active <strong>in</strong> terms of collection, through<br />
the acquisition, conservation, management, and promotion<br />
of three important collections: the Contemporary Draw<strong>in</strong>g<br />
Collection, with over 4,000 draw<strong>in</strong>gs from 20th century Italian<br />
artists; the Contemporary Photography Collection, with over 3,500<br />
photographs from lead<strong>in</strong>g <strong>in</strong>ternational photographers; and the<br />
Don Casimiro Bettelli Collection, on loan from the Archiepiscopal<br />
Curia of Modena, which features about 800 works, draw<strong>in</strong>gs,<br />
and graphic art by <strong>in</strong>ternationally renowned artists from the<br />
second half of the 20th century.<br />
71
Museo Civico<br />
Archeologico Etnologico<br />
Civic Museum of<br />
Archaeology and Ethnology<br />
address<br />
phone +39 059/2033100 fax +39 059/2033110<br />
e-mail<br />
web<br />
Ceremonial feather headdress,<br />
Munduruku Indians<br />
Central Amazon bas<strong>in</strong>, first half<br />
of the 19th century<br />
Car<strong>in</strong>ated bowl, Sant’Ambrogio,<br />
Middle Bronze Age 1450-1350 BC<br />
Hall of archaeology<br />
72<br />
Largo Porta Sant’Agost<strong>in</strong>o, 337 Modena<br />
41121 MO<br />
museo.archeologico@comune.modena.it<br />
www.comune.modena.it/museoarcheologico<br />
The Civic Museum of Archaeology and Ethnology was founded<br />
<strong>in</strong> 1871. Its 19th century orig<strong>in</strong> is showcased <strong>in</strong> the current layout,<br />
which has ma<strong>in</strong>ta<strong>in</strong>ed the 19th century furniture and decorations<br />
essentially unchanged, a particularly remarkable feature on the<br />
Italian museum scene.<br />
The largest collection concerns the Terramare culture, ancient<br />
<strong>in</strong>habitants of the Po Pla<strong>in</strong> dur<strong>in</strong>g the Bronze Age. There are<br />
also extensive Etruscan and Roman collections, <strong>in</strong>clud<strong>in</strong>g f<strong>in</strong>e<br />
furnish<strong>in</strong>gs and decorations from wealthy patrician domus. The<br />
Roman Lapidarium <strong>in</strong> the atrium of the Palazzo dei Musei is an<br />
extension of the Roman section.<br />
The extra-European ethnography section <strong>in</strong>cludes items<br />
testify<strong>in</strong>g to cultures that are now ext<strong>in</strong>ct or nearly so, with<br />
material from New Gu<strong>in</strong>ea, Pre-Colombian Peru, Asia, South<br />
America, and Africa.
Museo Civico d’Arte<br />
Civic Art Museum<br />
address<br />
phone +39 059/2033100 +39 059/2033101 fax +39 059/2033110<br />
e-mail<br />
web<br />
Antonio Begarelli, Crucified Christ,<br />
1540-50<br />
The prestigious textile collection<br />
donated by Luigi Alberto Gand<strong>in</strong>i<br />
The “Giuseppe Graziosi”<br />
Gypsotheque on the ground<br />
floor of Palazzo dei Musei<br />
Largo Porta Sant’Agost<strong>in</strong>o, 337 Modena<br />
41121 MO<br />
museo.arte@comune.modena.it<br />
www.comune.modena.it/museoarte<br />
The Civic Art Museum was established <strong>in</strong> 1962 when the 19th<br />
century museum was divided <strong>in</strong>to two dist<strong>in</strong>ct <strong>in</strong>stitutes,<br />
one focus<strong>in</strong>g on archaeology, the other on history and art.<br />
Founded <strong>in</strong> 1871, s<strong>in</strong>ce 1886 the Museum has been housed the<br />
18th century Palazzo dei Musei. The collections, built through<br />
prestigious donations, acquisitions, and locally-recovered<br />
artwork, documents numerous aspects of Modena’s history<br />
and culture from the 12th to the 20th centuries through a wide<br />
array of works. Quite remarkably, the basic layout of the 19th<br />
century museum has survived to this day, thanks to museum<br />
conservation efforts carried out <strong>in</strong> the 1980s. The museum is<br />
also active locally through the conservation and valorisation of<br />
municipally-owned art, and is also responsible for coord<strong>in</strong>at<strong>in</strong>g<br />
the Modena UNESCO site, which <strong>in</strong>cludes the Duomo, the<br />
“Ghirland<strong>in</strong>a” Tower, and Piazza Grande.<br />
73
Museo della Figur<strong>in</strong>a<br />
Trad<strong>in</strong>g Card Museum<br />
address<br />
phone +39 059/2033090 +39 059/2032940 fax +39 059/2033087<br />
e-mail<br />
web<br />
Kunstschau Wien, letter seal, 1908<br />
Section on modern trad<strong>in</strong>g cards<br />
John Lennon, trad<strong>in</strong>g card from the<br />
series The Beatles, 1964<br />
Glass display case for temporary<br />
exhibition<br />
74<br />
Corso Canalgrande, 103 Modena<br />
41121 MO<br />
museo.figur<strong>in</strong>a@comune.modena.it<br />
www.museodellafigur<strong>in</strong>a.it<br />
The Trad<strong>in</strong>g Card Museum was established by the Pan<strong>in</strong>i Trad<strong>in</strong>g<br />
Card Company, thanks to the enthusiastic collect<strong>in</strong>g efforts<br />
of Giuseppe Pan<strong>in</strong>i, who founded the museum along with his<br />
brothers <strong>Beni</strong>to, Franco Cosimo, and Umberto. As part of an<br />
attempt to document the orig<strong>in</strong>s and development of trad<strong>in</strong>g<br />
cards, he collected hundreds of thousands of small colour pr<strong>in</strong>ts,<br />
which over time formed an extraord<strong>in</strong>ary collection <strong>in</strong> both<br />
quantitative and qualitative terms, which was donated to the<br />
Municipality of Modena <strong>in</strong> 1992.<br />
S<strong>in</strong>ce 2006, the Museum’s orig<strong>in</strong>al displays have aimed to recreate<br />
a sort of “trad<strong>in</strong>g card wonderland”, featur<strong>in</strong>g not only<br />
trad<strong>in</strong>g cards from the mid-19th century to the present day,<br />
but also matchboxes, letter seals, banknotes, menus, m<strong>in</strong>iature<br />
calendars, and much more.
Raccolta di<br />
Cose Montes<strong>in</strong>e<br />
Collection of Th<strong>in</strong>gs from Montese<br />
address<br />
phone +39 059/980095 +39 320/4397331 fax<br />
e-mail<br />
web<br />
Chestnut Hall<br />
American Soldiers 10a Mounta<strong>in</strong><br />
Division Hall<br />
231st Infantry Division of the<br />
Wehrmacht Army Hall<br />
Ma<strong>in</strong> entrance of the Museum<br />
Via Trebbo,1<br />
Loc. Iola di Montese<br />
<strong>in</strong>fo@sulleormede<strong>in</strong>ostripadri.it<br />
www.sulleormede<strong>in</strong>ostripadri.it/museo<br />
Montese<br />
41055 MO<br />
Established <strong>in</strong> 1992, the Museum of Iola di Montese is housed<br />
<strong>in</strong> the 17th century parsonage of the adjacent parish church. The<br />
museum was founded thanks to the efforts of the parish priest at<br />
the time, the Il Trebbo cultural group, and local <strong>in</strong>habitants. It is<br />
currently housed on three floors, with 15 rooms, each devoted to a<br />
specific theme, host<strong>in</strong>g over 4,000 objects and documents.<br />
The collections, which <strong>in</strong>clude donated and salvaged items,<br />
document the history of this part of the Apenn<strong>in</strong>es from the<br />
17th to the mid-20th centuries: art made by peasants, the World<br />
War II era, archaeological f<strong>in</strong>ds, geological items, and a series of<br />
helmets, pole weapons, rifles, and pistols from the 17th and 18th<br />
centuries, when the area was ruled by the Counts of Montecuccoli.<br />
The museum’s sett<strong>in</strong>g <strong>in</strong> a local stone house, its depictions of the<br />
history of our ancestors under different po<strong>in</strong>ts of views and over a<br />
lengthy time span, and its proximity to prist<strong>in</strong>e natural landscapes<br />
make for a relax<strong>in</strong>g and unusual cultural out<strong>in</strong>g.<br />
75
Museo di Nonantola<br />
Nonantola Museum<br />
address<br />
phone +39 059/896555 +39 059/896656 fax +39 059/896556<br />
e-mail<br />
web<br />
Fragment of polychrome graffita<br />
pottery bowl with bird illustration<br />
Gold leaf, Bronze Age,<br />
Terramara settlement of Redù<br />
Palm-shaped terracotta antefix with<br />
stylized plant elements, Roman era<br />
Notice from the Mayor<br />
of Nonantola, 1874<br />
76<br />
Via Marconi, 11 Nonantola<br />
41015 MO<br />
archivio@comune.nonantola.mo.it<br />
www.comune.nonantola.mo.it<br />
The Nonantola Museum is housed <strong>in</strong> the Torre dei Bolognesi,<br />
one of the town’s most important monuments, which dates<br />
back to 1307. The Museum’s four floors tell the tale of the town,<br />
follow<strong>in</strong>g an <strong>in</strong>verted chronological order that starts from the<br />
contemporary era and ends with the Bronze Age, focus<strong>in</strong>g on<br />
three key threads: the evolution of the town, changes <strong>in</strong> the<br />
landscape, and the development of the local community.<br />
A wide range of material is on display: archaeological f<strong>in</strong>ds,<br />
documents, photographs, everyday objects, all of which orig<strong>in</strong>ate<br />
from the Nonantola area. The exhibition ends on the top floor,<br />
which looks out over Nonantola and its constant activity and<br />
changes.
Museo dell’Aceto Balsamico<br />
Tradizionale<br />
Museum of Traditional Balsamic V<strong>in</strong>egar<br />
address<br />
phone +39 059/781614 fax +39 059/7861913<br />
e-mail<br />
web<br />
Traditional Balsamic V<strong>in</strong>egar<br />
drawn from a wooden cask<br />
Villa Fabriani attic: Consortium<br />
v<strong>in</strong>egar cellar<br />
Labelled bottle from 1785<br />
“La Botte”Hall<br />
Via Roncati, 28 Spilamberto<br />
41057 MO<br />
<strong>in</strong>fo@museodelbalsamicotradizionale.org<br />
www.museodelbalsamicotradizionale.org<br />
The Museum of Traditional Balsamic V<strong>in</strong>egar, the only museum<br />
<strong>in</strong> the world dedicated to this product, which enjoys Protected<br />
Designation of Orig<strong>in</strong>, was <strong>in</strong>augurated <strong>in</strong> 2002 <strong>in</strong> Spilamberto<br />
thanks to the founder of the Traditional Balsamic V<strong>in</strong>egar<br />
Consortium, Simon<strong>in</strong>i, under the patronage of the President of<br />
the Republic and with the support of the <strong>Region</strong>al and Prov<strong>in</strong>cial<br />
adm<strong>in</strong>istrations and the Chamber of Commerce. The museum<br />
aims to promote a product that is <strong>in</strong>timately tied to the culture<br />
of <strong>Emilia</strong>. Its halls evoke the aroma and taste of this unique<br />
product. Visitors will discover the complexities <strong>in</strong>volved <strong>in</strong><br />
its preparation, <strong>per</strong>fected with ex<strong>per</strong>ience and over time, and<br />
will be able to learn about processes that had hitherto been<br />
jealously guarded family secrets. A visit to the museum ends <strong>in</strong><br />
the Consortium’s v<strong>in</strong>egar cellar, where the Consortium’s master<br />
v<strong>in</strong>egar makers host tast<strong>in</strong>gs for visitors.<br />
77
Parma
Museo<br />
Mart<strong>in</strong>o Jasoni<br />
Mart<strong>in</strong>o Jasoni Museum<br />
address<br />
phone +39 0525/61807 +39 0525/629220 fax +39 0525/60293<br />
e-mail<br />
web<br />
Località Corchia Berceto<br />
43042 PR<br />
casacorchia@comune.berceto.pr.it<br />
www.museojasoni.it<br />
Mart<strong>in</strong>o Jasoni, “Carlon” Mill, 1929<br />
Exterior of the Jasoni Museum,<br />
Casa Corchia<br />
Hall of American watercolour<br />
pa<strong>in</strong>t<strong>in</strong>gs<br />
Mart<strong>in</strong>o Jasoni, Self-portrait with<br />
hat, 1930-40<br />
The Mart<strong>in</strong>o Jasoni Museum owes its existence to the<br />
Municipality of Berceto and the Jasoni family’s desire to promote<br />
the works and life history of Mart<strong>in</strong>o Jasoni (1901-1957). The<br />
artist’s works and life ex<strong>per</strong>ience are used to spark a debate<br />
rang<strong>in</strong>g from artistic ex<strong>per</strong>iences, existential ex<strong>per</strong>iences,<br />
and emigration issues.<br />
Located <strong>in</strong> one of Parma prov<strong>in</strong>ce’s most charm<strong>in</strong>g burgs,<br />
Casa Corchia, the home of the museum, displays about 60<br />
works (oil and watercolour pa<strong>in</strong>t<strong>in</strong>gs) from the Jasoni collection.<br />
The exhibition <strong>in</strong>cludes both works from Jasoni’s stay <strong>in</strong> the<br />
USA – dur<strong>in</strong>g his artistic tra<strong>in</strong><strong>in</strong>g <strong>in</strong> New York under the guide of<br />
John Sloan at the Art Students League – and from his return to<br />
Corchia after 1924.<br />
78
Museo<br />
Ettore Guatelli<br />
Ettore Guatelli Museum<br />
address<br />
phone +39 0521/333601 fax +39 0521/332098<br />
e-mail<br />
web<br />
Detail of the wall of hammers<br />
View of the central hall<br />
Small tractor, built entirely with<br />
discarded material<br />
79<br />
Via Nazionale, 130<br />
Loc. Ozzano Taro<br />
<strong>in</strong>fo@museoguatelli.it<br />
www.museoguatelli.it<br />
Collecchio<br />
43044 PR<br />
About 60,000 everyday objects cover the walls of the Ettore<br />
Guatelli Museum <strong>in</strong> Ozzano Taro. They are arranged <strong>in</strong> simple<br />
geometric patterns, and create a highly evocative visual impact,<br />
through an orig<strong>in</strong>al approach to museography that eschews<br />
realistic <strong>in</strong>tentions.<br />
The museum is the fruit of the collection and arrangement<br />
efforts of its author Ettore Guatelli (1921-2000), who devoted<br />
much of his life to this task. After his death, the Ettore Guatelli<br />
Museum Foundation took over the museum’s management.<br />
This private foundation, which also receives considerable public<br />
fund<strong>in</strong>g, has made it possible to develop and carry out extensive<br />
teach<strong>in</strong>g, research, conservation, and promotion efforts, as well<br />
as visitor services.
Museo del Pomodoro<br />
The Tomato Museum<br />
address<br />
phone +39 333/2362839 fax +39 0521/821139<br />
e-mail<br />
web<br />
Luciani bas<strong>in</strong> used to make tomato<br />
paste, about 1938<br />
Detail of a Migliavacca measur<strong>in</strong>g<br />
cup for correctly measur<strong>in</strong>g the<br />
dose of tomato paste for cans, 1950<br />
Tomato cans from the Pezziol<br />
Collection, 1938<br />
Museum entrance<br />
Corte di Giarola<br />
Via Giarola, 11<br />
<strong>in</strong>fo@museidelcibo.it<br />
www.museidelcibo.it<br />
Collecchio<br />
43044 PR<br />
Hosted <strong>in</strong> a historic food process<strong>in</strong>g plant, the museum traces<br />
the history of the tomato from its arrival from the Americas <strong>in</strong><br />
the 16th century to the first timid attempts to use it <strong>in</strong> cook<strong>in</strong>g,<br />
its varieties and cultivation techniques, and its extraord<strong>in</strong>ary<br />
diffusion <strong>in</strong> the Parma area <strong>in</strong> the 19th century, lead<strong>in</strong>g to the<br />
establishment of a major cann<strong>in</strong>g and process<strong>in</strong>g <strong>in</strong>dustry.<br />
V<strong>in</strong>tage photos and documents, rare videos, <strong>in</strong>teractive screens<br />
and models, packages and can openers, curios, and recipes from<br />
great chefs help illustrate the history of this so-called “red gold”<br />
until its f<strong>in</strong>al triumph as a ma<strong>in</strong>stay of Italian cuis<strong>in</strong>e.<br />
The Tomato Museum – which also organizes workshops for<br />
schools – is part of the Food Museums Network dedicated to the<br />
typical products of the prov<strong>in</strong>ce of Parma.<br />
80
Museo del Salame<br />
di Fel<strong>in</strong>o<br />
The Fel<strong>in</strong>o Salami Museum<br />
address<br />
phone +39 0521/831809 +39 0521/821139 fax +39 0521/821139<br />
e-mail<br />
web<br />
Big sausage mach<strong>in</strong>e, about 1925<br />
The entrance to the castle that<br />
houses the museum<br />
Interior of the large hall dedicated<br />
to the art of mak<strong>in</strong>g pork products<br />
81<br />
Strada al Castello, 1 Fel<strong>in</strong>o<br />
43035 PR<br />
<strong>in</strong>fo@museidelcibo.it<br />
www.museidelcibo.it<br />
The museum is housed <strong>in</strong> the magnificent cellar of the majestic<br />
Castle of Fel<strong>in</strong>o overlook<strong>in</strong>g the verdant landscape of Val<br />
Baganza. The museum’s exhibits trace the history of the various<br />
pork products made with black Parma pigs, <strong>in</strong>clud<strong>in</strong>g their<br />
home production and use <strong>in</strong> gastronomy, us<strong>in</strong>g v<strong>in</strong>tage images,<br />
ancient tools, and videos featur<strong>in</strong>g touch<strong>in</strong>g testimonies and<br />
depict<strong>in</strong>g production techniques, from those used <strong>in</strong> ancient<br />
times to current quality-focused technologies. Naturally, visitors<br />
to the museum will be able to taste the “k<strong>in</strong>g of salamis”.<br />
The Fel<strong>in</strong>o Salami Museum – which also organizes workshops<br />
for schools – is part of the Food Museums Network dedicated to<br />
the typical products of the prov<strong>in</strong>ce of Parma.
Museo del Prosciutto<br />
e dei Salumi di Parma<br />
The Parma Ham and Salumi Museum<br />
address<br />
phone +39 0521/864324 fax +39 0521/821139<br />
e-mail<br />
web<br />
Parma Ham brand<strong>in</strong>g<br />
demonstration<br />
Display cases with ham-mak<strong>in</strong>g<br />
tools<br />
Museum <strong>in</strong>terior with the typical<br />
structure of the hangars used to<br />
age hams<br />
The section on salt<strong>in</strong>g<br />
Via Bocchial<strong>in</strong>i, 7 Langhirano<br />
43013 PR<br />
<strong>in</strong>fo@museidelcibo.it<br />
www.museidelcibo.it<br />
The former Foro Boario, located at the foot of the Parma hills,<br />
with their v<strong>in</strong>eyards and the towers of Torrechiara castle, houses<br />
the Parma Ham museum, which documents this prestigious<br />
pork product us<strong>in</strong>g historic documents, <strong>in</strong>struments, mach<strong>in</strong>es,<br />
and videos. The exhibits encompass the art of mak<strong>in</strong>g products<br />
from its orig<strong>in</strong>s to modern techniques, and discuss breeds<br />
of pig, the role of salt, the ancient roots of today’s delicacies,<br />
and the role of the Parma Ham Consortium <strong>in</strong> protect<strong>in</strong>g<br />
product quality. The visit ends with a taste of the <strong>in</strong>comparable<br />
sweetness of Parma Ham.<br />
The Parma Ham Museum – which also organizes workshops for<br />
schools – is part of the Food Museums Network dedicated to the<br />
typical products of the prov<strong>in</strong>ce of Parma.<br />
82
Museo Uomo-Ambiente.<br />
Il territorio nel tempo<br />
Museum of Man and the Environment.<br />
The local territory over time<br />
address<br />
phone +39 333/4504976<br />
fax<br />
e-mail<br />
web<br />
83<br />
Via Borgo, 2<br />
Loc. Bazzano<br />
Detail of the cellar: wooden spoon<br />
From hemp to cloth: the hall<br />
of rope<br />
W<strong>in</strong>e culture: the hall of v<strong>in</strong>es<br />
museo@museouomo-ambiente.it<br />
www.museouomo-ambiente.it<br />
Neviano degli Ardu<strong>in</strong>i<br />
43020 PR<br />
The Museum of Man and the Environment is located <strong>in</strong>side a<br />
13th century tower home. Its activities are run by the Il Cam<strong>in</strong>o<br />
Cultural Group, whose idea of a museum project <strong>in</strong>cludes not<br />
only the display of objects represent<strong>in</strong>g rural culture, but also<br />
the local territory, landscape, and population. The current<br />
exhibits focus on the process<strong>in</strong>g of hemp and on w<strong>in</strong>e<br />
culture. They engage the visitor’s senses as well as promot<strong>in</strong>g<br />
knowledge.<br />
The workshops for k<strong>in</strong>dergarten and elementary school children<br />
allow them to be fully immersed <strong>in</strong> the museum visit, which<br />
<strong>in</strong>volves the five senses all at once. Additionally,<br />
the museum organizes numerous local cultural events.
Castello della Musica:<br />
Museo del disco<br />
Museo di liuteria<br />
Castello della Musica:<br />
Museum of V<strong>in</strong>yl Records<br />
Museum of Lutherie<br />
address<br />
phone +39 0521/823978 +39 0521/622134 fax +39 0521/622100<br />
e-mail<br />
web<br />
Detail of the record collection<br />
Castello della Musica - Rocca San<br />
Vitale<br />
View of the halls<br />
of the Museum of Lutherie<br />
Piazza Garibaldi, 1 Noceto<br />
43015 PR<br />
castellodellamusica@comune.noceto.pr.it<br />
www.comune.noceto.pr.it<br />
Two museums, the Museum of V<strong>in</strong>yl Records and the Museum<br />
of Lutherie, are housed <strong>in</strong> an enchant<strong>in</strong>g Medieval manor,<br />
which was re-named Castello della Musica (the Castle of Music)<br />
<strong>in</strong> 2005. The Museum of V<strong>in</strong>yl Records – located on the piano<br />
nobile – displays 1,300 v<strong>in</strong>tage 78-rpm records from the Bruno<br />
Slawitz, which have recently been digitized, along with over<br />
2,000 33-rpm LPs. It has facilities for videoconferences and<br />
music listen<strong>in</strong>g stations.<br />
The Museum of Lutherie gathers together the precious artisanal<br />
<strong>in</strong>struments made by the master luthier Renato Scrollavezza and<br />
<strong>in</strong>troduces the School of Lutherie, established <strong>in</strong> Parma’s Arrigo<br />
Boito Conservatory <strong>in</strong> 1975, and currently one of the lead<strong>in</strong>g<br />
schools <strong>in</strong> this sector. It is located <strong>in</strong> the tower, from which a<br />
splendid view of the town can be enjoyed.<br />
84
Castello dei Buratt<strong>in</strong>i<br />
Museo Giordano Ferrari<br />
Castle of Puppets<br />
Giordano Ferrari Museum<br />
address<br />
phone +39 0521/031631 fax +39 0521/218876<br />
e-mail<br />
web<br />
Knight with sword, 19th century<br />
marionette<br />
Marionette display case<br />
Puppet display case<br />
85<br />
Via Melloni, 3A Parma<br />
43121 PR<br />
castellodeiburatt<strong>in</strong>i@comune.parma.it<br />
www.castellodeiburatt<strong>in</strong>i.it<br />
The Castle of Puppets/ Giordano Ferrari Museum was<br />
established <strong>in</strong> 2002 by the Municipality of Parma, <strong>in</strong> order<br />
to pro<strong>per</strong>ly care for and display the collection of the Parmaborn<br />
puppet-maker Giordano Ferrari. This <strong>in</strong>itial collection<br />
was <strong>in</strong>creased by material donated from other collectors or<br />
<strong>in</strong>dividuals work<strong>in</strong>g <strong>in</strong> the puppet sector, mak<strong>in</strong>g the museum a<br />
national reference po<strong>in</strong>t <strong>in</strong> its field.<br />
The over 500 items on display are but a small fraction of the<br />
museum’s hold<strong>in</strong>gs, which <strong>in</strong>clude, along with glove and str<strong>in</strong>g<br />
puppets , a pa<strong>per</strong> archive of primary importance available to<br />
scholars upon request, as well as a book collection listed <strong>in</strong> the<br />
OPAC of Parma libraries. The museum offers guided visits and<br />
educational workshops <strong>in</strong> collaboration with the “I buratt<strong>in</strong>i dei<br />
Ferrari” company.
Fondazione Museo<br />
Glauco Lombardi<br />
Glauco Lombardi Museum Foundation<br />
address<br />
phone +39 0521/233727 fax +39 0521/506329<br />
e-mail<br />
web<br />
Anonymous, Bust of Napoleon<br />
Bonaparte, first half of the 19th<br />
century<br />
Parisian manufacture (?), Gala<br />
dress and mantle formerly belong<strong>in</strong>g<br />
to Duchess Marie Louise of<br />
Habsburg, about 1830-4<br />
Robert J. Lefèvre, Marie Louise,<br />
Empress of the French, 1812<br />
Hall of receptions<br />
Strada Garibaldi, 15 Parma<br />
43121 PR<br />
glaucolombardi@libero.it<br />
www.museolombardi.it<br />
The museum was established thanks to the Colorno-born<br />
collector Glauco Lombardi (1881-1970). It traces the history<br />
of the Duchy of Parma and Piacenza from the mid-17th century<br />
to the mid-19th century, and focuses the attention of visitors<br />
on the historic figure of the Duchess Marie Louise of Habsburg<br />
(1791-1847).<br />
Official art works from her sumptuous Im<strong>per</strong>ial <strong>per</strong>iod as the<br />
wife of Napoleon Bonaparte are flanked with <strong>per</strong>sonal objects,<br />
valuable textiles, and various items from her long reign as<br />
Duchess, allow<strong>in</strong>g the exhibits to offer a fun and <strong>in</strong>trigu<strong>in</strong>g<br />
peek <strong>in</strong>to official and private life at a 19th century court. Ample<br />
space is given to the Lyon-born architect Petitot, the master<br />
typographer Bodoni, and the engraver Toschi; the extensive<br />
documentation <strong>in</strong> the museum’s archives is also worthy of note.<br />
86
Museo Casa Natale<br />
Arturo Toscan<strong>in</strong>i<br />
Museum of the Birthplace<br />
of Arturo Toscan<strong>in</strong>i<br />
address<br />
phone +39 0521/285499 fax +39 0521/285499<br />
e-mail<br />
web<br />
Robert Hupka, Toscan<strong>in</strong>i direct<strong>in</strong>g<br />
“His life” Hall<br />
“Images of a legend” Hall<br />
87<br />
Borgo Tanzi, 13 Parma<br />
43125 PR<br />
<strong>in</strong>fo.toscan<strong>in</strong>i@museotoscan<strong>in</strong>i.it<br />
www.museotoscan<strong>in</strong>i.it<br />
Arturo Toscan<strong>in</strong>i was born on March 25,1867 <strong>in</strong> this house<br />
<strong>in</strong> Oltretorrente, a work<strong>in</strong>g-class, music-lov<strong>in</strong>g, proud, and<br />
politically restless neighbourhood whose character bore an<br />
everlast<strong>in</strong>g <strong>in</strong>fluence upon him.<br />
The museum, which re-opened on January16, 2007, traces the<br />
life and work of the great Maestro <strong>in</strong> a totally renewed sett<strong>in</strong>g,<br />
which nevertheless ma<strong>in</strong>ta<strong>in</strong>s unchanged the atmosphere of his<br />
native home. The museum is dedicated both to memory and<br />
reflection, and <strong>in</strong>cludes historical documents, precious family<br />
heirlooms, and modern multi-media.
Casa del Suono<br />
House of Sound<br />
address<br />
phone +39 0521/031103 fax +39 0521/031106<br />
e-mail<br />
web<br />
Detail of a McIntosh amp<br />
Interior of the House of Sound<br />
with the “sound lamp”<br />
One of the museum’s niches<br />
The white room<br />
Piazzale Salvo D’Acquisto Parma<br />
43121 PR<br />
<strong>in</strong>fo.cds@casadelsuono.it<br />
www.casadelsuono.it<br />
The House of Sound focuses on the technological aspects of<br />
sound. It is an avant-garde artistic and technological project<br />
dedicated to everyone who listens to music and other sounds<br />
broadcast by technological <strong>in</strong>struments.<br />
The House of Sound features a valuable collection of sound<br />
players (from phonographs to gramophones, from radios to tape<br />
recorders, from CDs to the iPod) and looks to the future with its<br />
<strong>in</strong>novative sound players and services dedicated to artistic and<br />
scientific research, teach<strong>in</strong>g, and education.<br />
88
Museo dell’O<strong>per</strong>a<br />
Museum of the O<strong>per</strong>a<br />
address<br />
phone +39 0521/031170 fax +39 0521/031106<br />
e-mail<br />
web<br />
Some of the baroque <strong>in</strong>struments<br />
on display at the Museum of the<br />
O<strong>per</strong>a<br />
Ma<strong>in</strong> courtyard of Palazzo Cusani,<br />
home of the House of Music<br />
Museum hall<br />
89<br />
Piazzale San Francesco, 1 Parma<br />
43121 PR<br />
museo@lacasadellamusica.it<br />
www.o<strong>per</strong>amuseo.parma.it<br />
The history of the o<strong>per</strong>a <strong>in</strong> Parma began <strong>in</strong> 1628, with the<br />
<strong>in</strong>auguration of Teatro Farnese: although back then o<strong>per</strong>a<br />
<strong>per</strong>formances were special events reserved to a small elite,<br />
the stage was be<strong>in</strong>g set for them to become public events,<br />
and the most popular type of artistic <strong>per</strong>formance for the next<br />
300 years. Thus, public theatres were built <strong>in</strong> Parma as well,<br />
the Teatro Ducale <strong>in</strong> 1687 and the Nuovo Teatro Ducale, currently<br />
known as Teatro Regio, <strong>in</strong> 1829.<br />
The Museum of O<strong>per</strong>a traces these four centuries of history<br />
through a rich, fasc<strong>in</strong>at<strong>in</strong>g store of images and documents,<br />
as well as multi-media tools.
P<strong>in</strong>acoteca<br />
Giuseppe Stuard<br />
Giuseppe Stuard Art Gallery<br />
address<br />
phone +39 0521/508184 fax +39 0521/218875<br />
e-mail<br />
web<br />
Enrico Band<strong>in</strong>i, Portrait<br />
of the sculptor Tommaso Band<strong>in</strong>i,<br />
mid-19th century<br />
Maestro della Misericordia,<br />
Madonna <strong>in</strong> the throne with Child,<br />
1360-70<br />
Bernardo Bellotto, Riverside town,<br />
about 1747<br />
Borgo del Parmigian<strong>in</strong>o, 2 Parma<br />
43121 PR<br />
p<strong>in</strong>acoteca.stuard@comune.parma.it<br />
www.servizi.comune.parma.it/stuard/<br />
Parma’s “Giuseppe Stuard” Art Gallery is just a few steps from<br />
the Chamber of Sa<strong>in</strong>t Paul, Correggio’s youthful masterpiece.<br />
It <strong>in</strong>cludes an archaeological section (5th to 15th centuries)<br />
that regards the orig<strong>in</strong>al Monastery of Sa<strong>in</strong>t Paul, but that also<br />
reflects Stuard’s particular taste <strong>in</strong> collect<strong>in</strong>g. Artists whose<br />
works are on display <strong>in</strong>clude the 14th and 15th century Tuscans<br />
Niccolò di Tommaso, the Maestro della Misericordia, and<br />
Pietro di Giovanni di Ambrogio along with other noteworthy<br />
artists such as Parmigian<strong>in</strong>o, Francisco de Zurbaran, Orazio<br />
Sammach<strong>in</strong>i, Bartolomeo Schedoni, Giovanni Lanfranco, Felice<br />
Boselli, Sebastiano Ricci, Giuseppe Baldrighi, Pietro Melchiorre<br />
Ferrari, Alberto Pas<strong>in</strong>i, Daniele De Strobel, and Amedeo Bocchi.<br />
The art gallery is also the doorway to some of Parma’s other<br />
important artistic monuments.<br />
90
Museo Naturalistico<br />
del Parco dello Stirone<br />
Natural History Museum<br />
of the Stirone River Park<br />
address<br />
phone +39 0524/581139 +39 339/4188677 fax +39 0524/581139<br />
e-mail<br />
web<br />
An Italian Barbel Barbus plebejus<br />
Display of fossils from the park<br />
Sparrowhawk with prey<br />
Long-eared Owl and Rob<strong>in</strong><br />
91<br />
Scipione Ponte, 1 Salsomaggiore Terme<br />
43039 PR<br />
museo@parcostirone.it<br />
www.parks.it/parco.stirone; www.parchi.parma.it<br />
The museum is located on the ground floor of the build<strong>in</strong>g that<br />
houses the Park Visitor Centre. The displays are characterized<br />
by glass cases illustrat<strong>in</strong>g the natural history of this protected<br />
area: some highlight the great diversity of fossils to be found<br />
along the Strione River, evidence of past geological areas, while<br />
others focus on the park’s wildlife, particularly with regards<br />
to identify<strong>in</strong>g animal tracks and to acknowledg<strong>in</strong>g the key<br />
role played by predators <strong>in</strong> the ecosystems. Three fasc<strong>in</strong>at<strong>in</strong>g<br />
dioramas provide detailed replicas of certa<strong>in</strong> natural habitats,<br />
such as the river itself dur<strong>in</strong>g the four seasons, and life <strong>in</strong> the<br />
thick of a reedbed. Three aquaria host native fish from the<br />
Strione River.
Museo del Parmigiano<br />
Reggiano<br />
The Parmigiano Reggiano Museum<br />
address<br />
phone +39 0524/596129 fax +39 0521/821139<br />
e-mail<br />
web<br />
Curd break<strong>in</strong>g rod<br />
Cheese knives display<br />
The large weigh<strong>in</strong>g scale and<br />
the cheese season<strong>in</strong>g “scalere”<br />
scaffold<strong>in</strong>g<br />
Milk jug<br />
Corte Castellazzi<br />
Via Volta, 5<br />
<strong>in</strong>fo@museidelcibo.it<br />
www.museidelcibo.it<br />
Soragna<br />
43019 PR<br />
In a land rich <strong>in</strong> castles and rem<strong>in</strong>iscences of Giuseppe Verdi,<br />
the thousand-year history and culture and the unparalleled taste<br />
of the “k<strong>in</strong>g of cheeses” are showcased through v<strong>in</strong>tage objects<br />
and images <strong>in</strong> the historic Meli Lupi Castle, which for centuries<br />
has been used to produce Parmigiano Reggiano. The exhibits<br />
illustrate the way milk is turned <strong>in</strong>to cheese, the way Parmigiano<br />
Reggiano is aged and marketed, the key role played by the<br />
Consortium <strong>in</strong> protect<strong>in</strong>g product quality, and end with a tast<strong>in</strong>g<br />
of this peerless product.<br />
The Parmigiano Reggiano Museum – which also organizes<br />
workshops for schools – is part of the Food Museums Network<br />
dedicated to the typical products of the prov<strong>in</strong>ce of Parma.<br />
92
Museo<br />
Renato Brozzi<br />
Renato Brozzi Museum<br />
address<br />
phone +39 0521/842436 fax +39 0521/344550<br />
e-mail<br />
web<br />
The Maestro Renato Brozzi at work<br />
Museum <strong>in</strong>terior<br />
Renato Brozzi, Luthier’s cup,<br />
1922-23<br />
Renato Brozzi, Study of duckl<strong>in</strong>gs<br />
<strong>in</strong> the gardens of the Vittoriale degli<br />
Italiani, 1931<br />
93<br />
Piazza Fanfulla, 4 Traversetolo<br />
43029 PR<br />
comune@comune.traversetolo.pr.it<br />
www.comune.traversetolo.pr.it<br />
The Museum dedicated to Renato Brozzi (1885-1963) displays<br />
the works that the artist donated to his native town to document<br />
his 60 years of activity. His artistic output was immense, both<br />
<strong>in</strong> absolute numbers and <strong>in</strong> terms of techniques and materials<br />
(pencil, charcoal, sangu<strong>in</strong>e, pastel, chalk, watercolours,<br />
gouache, and oil for illustrations; cop<strong>per</strong>, bronze, silver, and<br />
gold for sculptures and jewels). Some of his most famous works<br />
<strong>in</strong>clude landscapes of the Po Pla<strong>in</strong> and the Pont<strong>in</strong>e Marshes,<br />
his gallery of female portraits and nudes, and his collection of<br />
preparatory studies for sculptures and applied art for public or<br />
private patrons. His lengthy, close relationship with Gabriele<br />
D’Annunzio, an exceptional patron, is particularly noteworthy.<br />
Brozzi became one of his most careful and appreciated<br />
portraitists, as testified by some of the most famous likenesses<br />
of the poet known as “Il vate d’Italia” .
Piacenza
Museo della<br />
Città di Bobbio<br />
Museum of the City of Bobbio<br />
address<br />
phone +39 340/5578162 +39 340/5492188 fax +39 0523/960242<br />
e-mail<br />
web<br />
Apotropaic face<br />
Piazza Santa Fara Bobbio<br />
29022 PC<br />
<strong>in</strong>fo@cooltour.it<br />
www.cooltour.it<br />
Fresco <strong>in</strong> the former refectory of<br />
the San Colombano monastery<br />
15th century<br />
The cloister<br />
The Museum of the City aims to serve as an <strong>in</strong>troduction to<br />
the city of Bobbio, and to communicate ideas, concepts, and<br />
impressions that can help re-create the town’s historic and<br />
cultural context. Housed <strong>in</strong> the former refectory, kitchen, and<br />
cellar of the San Colombano monastery, the Museum of the City is<br />
an educational museum – featur<strong>in</strong>g a few orig<strong>in</strong>al items – with a<br />
varied array of exhibits enhanced by audio-visual and multi-media<br />
stations.<br />
The museum is divided <strong>in</strong> three sections: the first traces the<br />
life of Colombano, from his early days <strong>in</strong> Ireland to his arrival <strong>in</strong><br />
Bobbio, along with salient events <strong>in</strong> the city’s history; the second<br />
section describes the history and activities of Bobbio’s prestigious<br />
scriptorium, one of Europe’s most important <strong>in</strong> the Early Middle<br />
Ages; f<strong>in</strong>ally, the third section is dedicated to monasticism.<br />
94
Museo Geologico<br />
G. Cortesi<br />
G. Cortesi Geological Museum<br />
address<br />
phone +39 0523/805303 +39 0523/803215 fax +39 0523/803215<br />
e-mail<br />
web<br />
Cardium <strong>in</strong>dicum<br />
Latest f<strong>in</strong>d<strong>in</strong>gs from the<br />
Quaternary floodpla<strong>in</strong><br />
of the Arda torrent<br />
Hall of cetaceans<br />
Museum exterior<br />
95<br />
Via Sforza Caolzio, 57 Castell’Arquato<br />
29014 PC<br />
<strong>in</strong>fo@museogeologico.it<br />
www.museogeologico.it<br />
Although the Museum was established <strong>in</strong> 1961, it already existed<br />
as a civic collection s<strong>in</strong>ce the early 1900s. It is housed <strong>in</strong> the<br />
16th century Ospitale Santo Spirito. At the prov<strong>in</strong>cial level, it<br />
plays an important role <strong>in</strong> conserv<strong>in</strong>g, study<strong>in</strong>g, and promot<strong>in</strong>g<br />
the local paleontological heritage, with particular regards to the<br />
malacology of the Piacenzian stratotype, the fossil rema<strong>in</strong>s of<br />
cetaceans from the Pliocene, and the large vertebrates of the<br />
Quaternary <strong>in</strong> the Po Pla<strong>in</strong>. Local collections are augmented<br />
with items and collections from other geographic areas, along<br />
with a significant amount of petrographic material collected<br />
dur<strong>in</strong>g research expeditions outside of Europe. The museum also<br />
houses Environmental Education Centre that has an active local<br />
education program (Green Classrooms).
Museo Luigi Illica<br />
Luigi Illica Museum<br />
address<br />
phone +39 0523/804008 +39 0523/803215 fax +39 0523/803215<br />
e-mail<br />
web<br />
La Tosca libretto, 1900<br />
Theatre scripts with handwritten<br />
notes<br />
Orig<strong>in</strong>al stage costumes worn<br />
dur<strong>in</strong>g a <strong>per</strong>formance of Turandot<br />
Via Sforza Caolzio, 59 Castell’Arquato<br />
29014 PC<br />
biblioteca@comune.castellarquato.pc.it<br />
www.comune.castellarquato.pc.it<br />
The Museum, located next to the former home of the multitalented<br />
playwright and librettist Luigi Illica (1857-1919), features<br />
four sections promot<strong>in</strong>g o<strong>per</strong>a music. The first traces Illica’s<br />
fasc<strong>in</strong>at<strong>in</strong>g life; the second displays theatre scripts – some<br />
with handwritten notes, o<strong>per</strong>a librettos, and sheet music (Illica<br />
worked with Mascagni, Franchetti, and Pucc<strong>in</strong>i among others).<br />
The third section displays photos of Illica and some of the ma<strong>in</strong><br />
<strong>per</strong>formers <strong>in</strong> his o<strong>per</strong>as, his piano and his typewriter, postcards,<br />
letters, and other writ<strong>in</strong>gs that help frame Illica <strong>in</strong> the context<br />
of his time. Several orig<strong>in</strong>al stage costumes are particularly<br />
noteworthy. The last section features books, sheet music,<br />
audio-visual material, records, and CDs that can be exam<strong>in</strong>ed<br />
or listened to <strong>in</strong> the adjacent multi-media room.<br />
96
Galleria d’Arte Moderna<br />
Ricci Oddi<br />
Ricci Oddi Modern Art Gallery<br />
address<br />
phone +39 0523/320742 fax +39 0523/320742<br />
e-mail<br />
web<br />
97<br />
Via San Siro, 13 Piacenza<br />
29121 PC<br />
<strong>in</strong>fo@riccioddi.it<br />
www.riccioddi.it<br />
Medardo Rosso, Ecce puer, 1906<br />
Federico Zandomeneghi,<br />
Place d’Anvers, 1880<br />
Exterior of the Ricci Oddi Gallery<br />
The Ricci Oddi Modern Art Gallery documents the evolution<br />
of figurative art <strong>in</strong> Italy between the Romantic Era and the early<br />
20th century, without overlook<strong>in</strong>g some significant examples<br />
from abroad. Ricci Oddi amassed an exemplary collection <strong>in</strong><br />
terms of its overall homogeneity and the quality of the <strong>in</strong>dividual<br />
works. He was <strong>in</strong>terested <strong>in</strong> regional schools – whose particular<br />
characteristics he understood – and movements (Novecento<br />
Italiano, Lombardy’s Scapigliatura, and Symbolism) and he<br />
wanted the museum’s rooms to reflect this order. The museum<br />
displays works by artists such as Fattori, Bold<strong>in</strong>i, Hayez, De<br />
Nittis, Carrà, Boccioni, Zandomeneghi and Medardo Rosso.<br />
Particularly noteworthy is the build<strong>in</strong>g by the architect Giulio<br />
Ulisse Arata, who designed it <strong>in</strong> order to showcase the collection,<br />
with bright geometric spaces and an <strong>in</strong>novative natural light<strong>in</strong>g<br />
from above.
Musei Civici<br />
di Palazzo Farnese<br />
Palazzo Farnese Civic Museums<br />
address<br />
phone +39 0523/492661 +39 0523/492658 fax +39 0523/492659<br />
e-mail<br />
web<br />
Sandro Botticelli, Madonna<br />
ador<strong>in</strong>g the Child, about 1481-82<br />
Palazzo Farnese, 1559,<br />
view from the south-east<br />
Simone De’ Crocifissi, Adoration<br />
of the Magi, second half<br />
of the 14th century<br />
Calèche-barouche, 1828-30<br />
Piazza Cittadella, 29 Piacenza<br />
29121 PC<br />
musei.farnese@comune.piacenza.it<br />
www.musei.piacenza.it<br />
Palazzo Farnese is a monumental compound that <strong>in</strong>cludes<br />
Palazzo Ducale dei Farnese, designed by Jacopo Barozzi Barozzi,<br />
also known as Il Vignola, and built <strong>in</strong> 1559, and the 14th century<br />
Cittadella built for the Visconti dynasty. Vignola’s grand palace<br />
is l<strong>in</strong>ked to the older Cittadella by a massive entrance keep;<br />
today, it has for the most part been restored <strong>in</strong> order to house<br />
the art collections of the Civic Museum. The Museums <strong>in</strong>clude<br />
a historical section on Palazzo Farnese, a hall of arms, a section<br />
on the Middle Ages and the Renaissance, a section on the Fasti<br />
Farnesiani, a section on glassworks and ceramics, an art gallery<br />
(with Botticelli’s Tondo), the Museum of Risorgimento, the<br />
Museum of Carriages – one of Italy’s most renowned thanks to<br />
the size and quality of its collections – and the Archaeological<br />
Museum (Prehistory section and the Etruscan Liver of Piacenza).<br />
98
Museo Civico<br />
di Storia Naturale<br />
Civic Museum of Natural History<br />
address<br />
phone +39 0523/334980 fax +39 0523/334980<br />
e-mail<br />
web<br />
Red Squirrel <strong>in</strong> the Hillside Hall’s<br />
tactile exhibit<br />
Red Deer buck <strong>in</strong> the Mounta<strong>in</strong><br />
Hall<br />
Hedgehog <strong>in</strong> the Hillside Hall<br />
Tawny Owl <strong>in</strong> the Mounta<strong>in</strong> Hall<br />
99<br />
Via Scalabr<strong>in</strong>i, 107 Piacenza<br />
29121 PC<br />
museoscienze@comune.piacenza.it<br />
www.musei.piacenza.it/msn<br />
Piacenza’s Civic Museum of Natural History is housed <strong>in</strong> the<br />
Fabbrica del Ghiaccio (Ice Factory) at the former Piacenza<br />
slaughterhouse, whose mach<strong>in</strong>ery has been left stand<strong>in</strong>g as an<br />
example of <strong>in</strong>dustrial archaeology.<br />
The recently <strong>in</strong>augurated Museum’s core collection <strong>in</strong>cludes<br />
rocks, plants, and local ornithological material, most of which<br />
comes from Piacenza’s Regio <strong>Istituto</strong> Tecnico.<br />
The displays are entirely devoted to the geological, floristic,<br />
and faunal characteristics of the Piacenza area, with significant<br />
examples of the local wildlife on display. Visits are enhanced by<br />
multi-media tools and by the fact that visitors can handle many<br />
of the items on display.
Museo di Ornitologia<br />
Amatoriale<br />
Museum of Amateur Bird Breed<strong>in</strong>g<br />
address<br />
phone +39 0523/591522 +39 0523/593403 fax +39 0523/571613<br />
e-mail<br />
web<br />
Male Ruff<br />
Black Lark<br />
Quail<br />
Egyptian Plover<br />
Via Caorsana, 94<br />
Loc. Le Mose<br />
museo@foi.it<br />
www.museofoi.it<br />
Piacenza<br />
29122 PC<br />
Inaugurated on October 16, <strong>2010</strong>, the Museum is the<br />
outgrowth of successful collaboration between the municipal<br />
adm<strong>in</strong>istration and executives from the Federazione Ornicoltori<br />
Italiani - Onlus (FOI - Italian Bird Breeders Federation), whose<br />
<strong>per</strong>severance helped complete a project of great educational and<br />
cultural value.<br />
The museum is unique <strong>in</strong> its field, s<strong>in</strong>ce it displays birds born to<br />
amateur breeders belong<strong>in</strong>g to FOI and the World Ornithological<br />
Congress. Exquisitely beautiful cage birds, such as canaries and<br />
exotic parakeets, are on display.<br />
The museum has five different halls display<strong>in</strong>g over 1,700 birds,<br />
while a large outdoor aviary features live cage birds and is also<br />
used for rehabilitat<strong>in</strong>g <strong>in</strong>jured wild birds.<br />
100
Museo Archeologico<br />
della Valtidone<br />
Archaeological Valtidone Museum<br />
address<br />
phone +39 0523/994111 +39 335/5941459 fax +39 0523/994123<br />
e-mail<br />
web<br />
Bronze lamp-bear<strong>in</strong>g tripod,<br />
Im<strong>per</strong>ial Roman Era<br />
Museum exterior<br />
Valeria Nardis funerary stele,<br />
second half of the 1st century AD<br />
Glass case with items from an<br />
Im<strong>per</strong>ial Era villa rustica near<br />
Arcello di Pianello<br />
101<br />
Piazza Mensi, 54 Pianello Val Tidone<br />
29010 PC<br />
associazionepandora@virgilio.it<br />
www.archeomuseovaltidone.it<br />
The Archaeological Val Tidone Museum was <strong>in</strong>augurated <strong>in</strong><br />
1999 and re-arranged <strong>in</strong> May 2009. It is located <strong>in</strong> the cellar of<br />
the Pianello municipal fortress and traces the history of human<br />
settlement <strong>in</strong> Val Tidone from the Neolithic to the Middle Ages.<br />
It is the product of a successful synergy between all the relevant<br />
<strong>in</strong>stitutions and volunteer organizations, s<strong>in</strong>ce the items on<br />
display, which are state-owned, are housed <strong>in</strong> three different<br />
rooms that have been restored and made available by the<br />
municipal adm<strong>in</strong>istration. The exhibits are enhanced by an<br />
<strong>in</strong>formation apparatus put together thanks to contributions<br />
from the <strong>Emilia</strong>-<strong>Romagna</strong> regional government, the IBC, and the<br />
Prov<strong>in</strong>ce of Piacenza. Access is free thanks to the dedication of<br />
volunteers from the local Pandora Archaeological Association.
Museo Civico<br />
e Parco Archeologico<br />
Civic Museum and Archaeological Park<br />
address<br />
phone +39 333/2222739<br />
fax<br />
e-mail<br />
web<br />
Interior of the replica hut<br />
Ex<strong>per</strong>imental Area: large replica of<br />
a home with clay and wooden walls<br />
and a reed roof<br />
Archaeological Area: roofs of the<br />
houses found at the Sant’Andrea<br />
site, an example of prehistoric<br />
dwell<strong>in</strong>gs<br />
Museo: Piazzetta Trieste, 16<br />
Parco: Strada al Mul<strong>in</strong>o<br />
Loc. Sant’Andrea<br />
<strong>in</strong>fo@archeotravo.it<br />
www.archeotravo.it<br />
Travo<br />
29020 PC<br />
The Archaeological Park of the Neolithic Village of Sant’Andrea<br />
was established <strong>in</strong> Val Trebbia <strong>in</strong> 2006, thanks to the jo<strong>in</strong>t efforts<br />
of the Su<strong>per</strong><strong>in</strong>tendence, <strong>Region</strong>, Municipality, Fondazione<br />
di Piacenza e Vigevano and Associazione La M<strong>in</strong>erva.<br />
The Park <strong>in</strong>tends to promote the site of Sant’Andrea, where<br />
ongo<strong>in</strong>g research that began <strong>in</strong> the 1980s brought to light a<br />
village extend<strong>in</strong>g over at least one hectare, a unique f<strong>in</strong>d<strong>in</strong>g<br />
<strong>in</strong> the context of northern Italian prehistory. The village features<br />
an outdoor replica of a prehistoric village and real-life replicas<br />
of three wood and straw homes.<br />
The Civic Museum, housed <strong>in</strong> the Anguissola Castle – which<br />
also houses, s<strong>in</strong>ce 1997, the exhibition on “Val Trebbia from<br />
the Palaeolithic to the Roman era” – displays stone, ceramic,<br />
and bone artefacts from digs and research carried out by the<br />
Associazione La M<strong>in</strong>erva’s volunteers.<br />
102
Ravenna
Casa Museo<br />
V<strong>in</strong>cenzo Monti<br />
V<strong>in</strong>cenzo Monti Museum-Home<br />
address<br />
phone +39 0544/869808 fax +39 0544/869808<br />
e-mail<br />
web<br />
The Alfons<strong>in</strong>e nature reserve<br />
Cradle room<br />
Casa Monti exterior<br />
Via Passetto, 1 Alfons<strong>in</strong>e<br />
48011 RA<br />
casamonti@comune.alfons<strong>in</strong>e.ra.it<br />
www.atlantide.net/casamonti; www.rac<strong>in</strong>e.ra.it/casamonti<br />
The birthplace of the neo-classical poet V<strong>in</strong>cenzo Monti <strong>in</strong><br />
Alfons<strong>in</strong>e was completely restored and re-opened to the public<br />
<strong>in</strong> May 1998.<br />
Today, this handsome 18th century home plays two different,<br />
complementary functions: the up<strong>per</strong> floor is dedicated to<br />
valoris<strong>in</strong>g the works of the poet V<strong>in</strong>cenzo Monti; it displays<br />
objects that once belonged to the poet and his family, signed<br />
letters, documents, and numerous valuable first editions of his<br />
works. The ground floor hosts the Environmental Education<br />
Centre and <strong>in</strong>formation po<strong>in</strong>t of the Po River Delta Natural<br />
Park. Additionally, the home is the ma<strong>in</strong> venue for the “Pensiero,<br />
narrazione, e voce” summer narration festival.<br />
103
Museo della Battaglia<br />
del Senio<br />
Museum of the Battle of the Senio<br />
address<br />
phone +39 0544/84302 fax +39 0544/84302<br />
e-mail<br />
web<br />
Images of partisans<br />
Display of clandest<strong>in</strong>e pr<strong>in</strong>t<strong>in</strong>g<br />
press <strong>in</strong> the partisans’ room<br />
Museum exterior<br />
104<br />
Piazza Resistenza, 2 Alfons<strong>in</strong>e<br />
48011 RA<br />
museodelsenio@rac<strong>in</strong>e.ra.it<br />
Established <strong>in</strong> 1981, the Museum of the Battle of the Senio<br />
not only documents the assault on the Gothic L<strong>in</strong>e, but also<br />
focuses more broadly on the <strong>Romagna</strong> area dur<strong>in</strong>g World War<br />
II, <strong>in</strong>tertw<strong>in</strong><strong>in</strong>g military events with the history of the local<br />
populations that were profoundly affected by them. It tells a tale<br />
of armies, mechanized transport, and the local physical and<br />
human environment, which reconstructs, <strong>in</strong> all its complexity,<br />
the effects of modern total warfare on an area such as the<br />
<strong>Romagna</strong> pla<strong>in</strong>, crisscrossed by numerous waterways and<br />
still today rich <strong>in</strong> marshland. The museum displays photos of<br />
the armies, videos and record<strong>in</strong>gs from the war, propaganda<br />
material, and historic maps, all of which are fundamental <strong>in</strong><br />
order to understand the scope of wartime events and preserve<br />
them from trite rhetoric.
Museo<br />
del Castello<br />
Castle Museum<br />
address<br />
phone +39 0545/905540 +39 0545/905505 fax +39 0545/76136<br />
e-mail<br />
web<br />
Antique majolica mug<br />
The pa<strong>in</strong>t<strong>in</strong>g collection <strong>in</strong> the<br />
castle’s ma<strong>in</strong> hall<br />
The cellar, with the archaeological<br />
area, along its ma<strong>in</strong> axis<br />
Piazza IV Novembre Bagnara di <strong>Romagna</strong><br />
48010 RA<br />
museodelcastello@comune.bagnaradiromagna.ra.it<br />
www.comune.bagnaradiromagna.ra.it<br />
The Castle Museum re-evokes some of the key moments <strong>in</strong> the<br />
history of the town and surround<strong>in</strong>g territory, start<strong>in</strong>g with the<br />
first <strong>per</strong>manent settlements of over 7,000 years ago, and end<strong>in</strong>g<br />
<strong>in</strong> the Early Middle Ages, when the establishment of a village<br />
<strong>in</strong> Prati di S. Andrea marked the birth of the town of Bagnara.<br />
Dur<strong>in</strong>g the Early Middle Ages, villages gave way to fortresses,<br />
of which the keep is an emblematic rem<strong>in</strong>der. Inside the keep,<br />
the museum exhibits trace the history of the castle and of the<br />
entire defensive system centred on the majestic 14th century<br />
fortress, its walls, gate, and moats, and the events and changes<br />
that took place there over the course of the centuries, thus<br />
provid<strong>in</strong>g the means to understand the development of castles<br />
<strong>in</strong> lower <strong>Romagna</strong>.<br />
105
MUSA<br />
Museo del Sale<br />
MUSA<br />
Museum of Salt<br />
address<br />
phone +39 0544/977592 fax +39 0544/977592<br />
e-mail<br />
web<br />
Cervia salt<br />
MUSA, hall 2<br />
Camillone saltpans<br />
MUSA, hall 1<br />
106<br />
Via Nazario Sauro 24 Cervia<br />
48015 RA<br />
musa@comunecervia.it<br />
www.turismo.comunecervia.it<br />
Located <strong>in</strong> the “Torre” salt storehouse, MUSA preserves and<br />
promotes an important aspect of local history. Established<br />
thanks to the passion and dedication of the Civiltà Sal<strong>in</strong>ara<br />
cultural group, which wanted to keep alive the memory of the<br />
central importance of salt <strong>in</strong> the orig<strong>in</strong>s of Cervia, the museum’s<br />
evocative layouts trace the history of salt, saltpan workers, and<br />
the city itself.<br />
The Camillone saltpans, MUSA’s outdoor section, rema<strong>in</strong> Italy’s<br />
only artisanal saltpans with multiple harvests. Here, saltpan<br />
workers still produce Cervia’s precious “white gold” us<strong>in</strong>g the<br />
same wooden <strong>in</strong>struments on display <strong>in</strong> the museum.<br />
A visit to the museum is an excit<strong>in</strong>g ex<strong>per</strong>ience, <strong>in</strong> part because<br />
visitors are greeted by the saltpan workers themselves, who are<br />
quite happy to share their stories of life <strong>in</strong> the saltpans.
Museo Internazionale<br />
delle Ceramiche<br />
International Museum of Ceramics<br />
address<br />
phone +39 0546/697311 fax +39 0546/27141<br />
e-mail<br />
web<br />
Viale Baccar<strong>in</strong>i, 19 Faenza<br />
48018 RA<br />
<strong>in</strong>fo@micfaenza.org<br />
www.micfaenza.org<br />
Faenza, Bergant<strong>in</strong>i workshop, 1531<br />
Lucio Fontana, Spatial concept, 1957<br />
Hall of the Faenza Renaissance<br />
Interior courtyard<br />
The International Museum of Ceramics, founded <strong>in</strong> 1908, has the<br />
largest collection of ceramics <strong>in</strong> the world. It documents ceramic<br />
pottery worldwide over a span of five millennia, with over 30,000<br />
complete pieces and thousands of shards. It features over 8,000<br />
square meters of display space, well-equipped depositories<br />
accessible to scholars, a specialized library with over 60,000<br />
volumes, and a photo archive of Italian majolica pottery. It hosts<br />
a restoration laboratory and an educational workshop (set up by<br />
the designer Bruno Munari) the latter targets schools of all levels<br />
and teachers. The museum has a well-stocked bookshop, and<br />
s<strong>in</strong>ce 1913 it publishes Faenza, an <strong>in</strong>ternational journal devoted<br />
to majolica and glazen earthenware.<br />
107
Casa Museo<br />
Francesco Baracca<br />
Francesco Baracca Museum-Home<br />
address<br />
phone +39 0545/24821 +39 0545/38561 fax +39 0545/38534<br />
e-mail<br />
web<br />
S. Luch<strong>in</strong>i, Portrait of Francesco<br />
Baracca, 1919<br />
SPAD VII 1917 Aircraft from<br />
Baracca’s squadron<br />
Schwarzlose anti-aircraft gun <strong>in</strong><br />
Veneto, 1918<br />
Pilots from the 91st Squadron<br />
<strong>in</strong>clud<strong>in</strong>g Fulco Ruffo di Calabria<br />
and Baracca himself<br />
108<br />
Via Baracca, 65 Lugo<br />
48022 RA<br />
museobaracca@comune.lugo.ra.it<br />
www.museobaracca.it<br />
The Baracca Museum displays one of the world’s few examples<br />
of the SPAD VII aircraft, built <strong>in</strong> France <strong>in</strong> the Blériot plant <strong>in</strong><br />
1917, one of the airplanes <strong>in</strong> the squadron led by the Italian<br />
aviation ace. One side of the fuselage bears a Griff<strong>in</strong>, the<br />
emblem of the legendary 91st Squadron, while the other bears<br />
the Cavall<strong>in</strong>o Rampante (Pranc<strong>in</strong>g Horse), which, after Baracca’s<br />
death, was donated by his family to Enzo Ferrari as the logo for<br />
his automobiles.<br />
In the atrium, a Ferrari F399, driven by Schumacher <strong>in</strong> 1999,<br />
symbolically unites two legends of the 20th century, and rem<strong>in</strong>ds<br />
visitors of the Lugo-based orig<strong>in</strong>s of the Ferrari brand. The<br />
museum also displays over 500 mementos, photographs, letters,<br />
and videos.
Museo<br />
Carlo Ventur<strong>in</strong>i<br />
Carlo Ventur<strong>in</strong>i Museum<br />
address<br />
phone +39 0545/985831 fax +39 0545/985837<br />
e-mail<br />
web<br />
Punic votive steel, 3rd century BC<br />
Exterior of the cultural centre,<br />
home of the museum<br />
Hall of m<strong>in</strong>erals<br />
Viale Zaganelli, 2 Massa Lombarda<br />
48024 RA<br />
cultura@comune.massalombarda.ra.it<br />
www.comune.massalombarda.ra.it<br />
Inaugurated <strong>in</strong> 1990, s<strong>in</strong>ce 2007 the Ventur<strong>in</strong>i Museum has been<br />
housed <strong>in</strong> the eponymous Cultural Centre, which also houses<br />
the municipal library. The physician and diplomat Carlo Ventur<strong>in</strong>i<br />
looms large <strong>in</strong> the city’s history, not just because the library<br />
was founded thanks to his book collection, but also because<br />
his collection, donated at the end of the 19th century, is the<br />
most <strong>in</strong>terest<strong>in</strong>g face of the local artistic and cultural heritage,<br />
and provides an excellent illustration of the events, criteria,<br />
and ideology that motivated 19th centuries antique collectors.<br />
The collection is quite varied and heterogeneous: it comb<strong>in</strong>es<br />
coherent collections of archaeological, artistic, natural history,<br />
and numismatic material with the strange objects and curios<br />
typical of 19th century amateur collections.<br />
109
Museo d’Arte<br />
della Città di Ravenna<br />
Art Museum of the City of Ravenna<br />
address<br />
phone +39 0544/482477 +39 0544/482356 fax +39 0544/482450<br />
e-mail<br />
web<br />
Tullio Lombardo, Giudarello<br />
Giudarelli’s burial monument,<br />
detail, post 1525<br />
Domenico Baccar<strong>in</strong>i,<br />
Head of a woman, 1903<br />
The quadriportico of the 16th<br />
century monastery<br />
Giosetta Fioroni, Giosetta’s house,<br />
post 2002<br />
110<br />
Via di Roma, 13 Ravenna<br />
48121 RA<br />
ufficio.stampa@museocitta.ra.it; <strong>in</strong>fo@museocitta.ra.it<br />
www.museocitta.ra.it<br />
The Art Museum of the City of Ravenna, which has had<br />
Institution status s<strong>in</strong>ce 2002, is housed <strong>in</strong> the monumental<br />
compound known as Loggetta Lombardesca.<br />
The first nucleus of the civic art gallery dates back to 1829,<br />
with the acquisition of works belong<strong>in</strong>g to suppressed religious<br />
corporations, which made up the Gallery of the Academy,<br />
which would eventually be re-arranged by Corrado Ricci and<br />
feature over 300 works from the 14th to the 20th centuries.<br />
The re-structur<strong>in</strong>g of many rooms on the build<strong>in</strong>g’s ground<br />
floor and first floor made it possible to recover extensive<br />
exhibition space for the art gallery’s <strong>per</strong>manent collections and<br />
for stag<strong>in</strong>g <strong>in</strong>ternational exhibitions. In 2004, the International<br />
Documentation Centre on Mosaics was established to promote<br />
the study and valorisation of mosaics.
NatuRa<br />
Museo Ravennate di Scienze<br />
Naturali Alfredo Brandol<strong>in</strong>i<br />
NatuRa<br />
Alfredo Brandol<strong>in</strong>i<br />
Natural Science Museum <strong>in</strong> Ravenna<br />
address<br />
phone +39 0544/528710 +39 0544/529260 fax +39 0544/528710<br />
e-mail<br />
web<br />
Flam<strong>in</strong>gos <strong>in</strong> the Valli di<br />
Comacchio<br />
Detail of the collection<br />
Museum exterior<br />
Detail of an exhibit<br />
Via Rivaletto, 25<br />
Loc. Sant’Alberto<br />
<strong>in</strong>fonatura@comune.ra.it<br />
www.natura.ra.it<br />
Ravenna<br />
48123 RA<br />
NatuRa, the “Alfredo Brandol<strong>in</strong>i” Natural Science Museum <strong>in</strong><br />
Ravenna and the Po Delta Park Visitor Centre at the “P<strong>in</strong>eta<br />
San Vitale e Pialasse di Ravenna” station is housed <strong>in</strong> the<br />
Palazzone di Sant’Alberto, an ancient tavern from the Este<br />
era that embodies the area’s historic, cultural, and natural<br />
characteristics.<br />
Located next to the southern Valli di Comacchio, the Museum<br />
hosts a rich ornithological collection document<strong>in</strong>g the local<br />
avifauna from the early 20th century until the present day, along<br />
with valuable natural history and ethnographic material. A visit<br />
to the museum can be paired with guided tours of the local area<br />
on foot, by bicycle, or by electric bus. The museum has a wellequipped<br />
learn<strong>in</strong>g room, a hall for temporary exhibitions, and a<br />
children’s workshop featur<strong>in</strong>g creative games, which is always<br />
open dur<strong>in</strong>g museum hours.<br />
111
Piccolo Museo di Bambole<br />
e altri Balocchi<br />
The Little Museum<br />
of Dolls and Other Toys<br />
address<br />
phone +39 331/2663331 fax +39 0544/422240<br />
e-mail<br />
web<br />
Bread knead<strong>in</strong>g trough and roll,<br />
1935<br />
Museum <strong>in</strong>terior<br />
Dolls and salon, 1945<br />
112<br />
Via Fantuzzi, 4 Ravenna<br />
48121 RA<br />
<strong>in</strong>fo@museodellebambole.it<br />
www.museodellebambole.it<br />
The Little Museum of Dolls and Other Toys is located <strong>in</strong> the back<br />
of a historic build<strong>in</strong>g <strong>in</strong> the heart of Ravenna.<br />
It is a new wonderland, where visitors can travel back to<br />
childhood games when all good th<strong>in</strong>gs were possible.<br />
It is filled with celluloid, papier-mâché and ceramic dolls busily<br />
sew<strong>in</strong>g, admir<strong>in</strong>g themselves <strong>in</strong> a mirror, or tak<strong>in</strong>g tea, along<br />
with dollhouses, stuffed animals, and rock<strong>in</strong>g horses. Lenci dolls<br />
- as sophisticated and elegant as the city that gave them birth,<br />
Tur<strong>in</strong> - are also on display.<br />
A library of children’s classics, which is open to visitors, <strong>in</strong>cludes<br />
many books from the same era as the dolls (1860-1950). This<br />
little relic of a long-lost childhood is completed by notebooks,<br />
read<strong>in</strong>g books, school books, and red and blue pencils, pens,<br />
and nibs.
Museo del Paesaggio<br />
dell’Appenn<strong>in</strong>o Faent<strong>in</strong>o<br />
Museum of the Faenza Apenn<strong>in</strong>es Landscape<br />
address<br />
phone +39 0546/71025 fax +39 0546/71025<br />
e-mail<br />
web<br />
Keep of the Riolo fortress,<br />
1388-92, detail of the herr<strong>in</strong>gbone<br />
brickwork<br />
Riolo fortress, southern side<br />
Documentation Centre for the<br />
Vena del Gesso Romagnola<br />
<strong>Region</strong>al Park – Arch of memory –<br />
recently <strong>in</strong>augurated at the Rocca<br />
di Riolo Terme<br />
Piazza Mazzanti Riolo Terme<br />
48025 RA<br />
roccadiriolo@atlantide.net<br />
www.atlantide.net/roccadiriolo<br />
The Riolo Terme fortress, built <strong>in</strong> the 14th century to defend<br />
the Senio valley, is a magnificent example of military fortification<br />
reflect<strong>in</strong>g the offensive techniques of the Late Middle Ages. It<br />
houses the Museum of the Faenza Apenn<strong>in</strong>e Landscape’s unique<br />
and evocative displays, with visual exhibits, soundscapes, and<br />
relief maps depict<strong>in</strong>g the unique aspects of local history.<br />
The museum is a true study centre promot<strong>in</strong>g discoveries<br />
and activities related to a constantly chang<strong>in</strong>g landscape.<br />
The new multi-media exhibit “The Mysteries of Cater<strong>in</strong>a”,<br />
dedicated to the life, loves, and times of Cater<strong>in</strong>a Sforza, has<br />
recently been <strong>in</strong>augurated <strong>in</strong> the Sala del Pozzo. The <strong>in</strong>teractive<br />
displays help visitors <strong>in</strong>teract with the Lioness of <strong>Romagna</strong><br />
herself.<br />
113
Reggio <strong>Emilia</strong>
Museo della Maschera<br />
del Carnevale<br />
Centro di documentazione<br />
e ricerca<br />
Museum of Carnival Masks<br />
Documentation and research centre<br />
address<br />
phone +39 0522/485736 fax +39 0522/683603<br />
e-mail<br />
web<br />
Guatteri workshop (attr.), Young<br />
woman, coloured sat<strong>in</strong> mask,<br />
1810-1933<br />
Guatteri workshop (attr.), Iron<br />
press, with mould and die, used<br />
for the hot press<strong>in</strong>g of masks,<br />
1810-1933<br />
Guatteri workshop (attr.), Human<br />
faces, mould and die, 1810-1933<br />
Piazza IV Novembre, 1 Castelnovo di Sotto<br />
42024 RE<br />
cultura@comune.castelnovo-di-sotto.re.it<br />
www.comune.castelnovo-di-sotto.re.it<br />
The Museum was <strong>in</strong>augurated <strong>in</strong> 2007 <strong>in</strong>side the historic<br />
municipal fortress.<br />
At its core is an exceptional collection of masks, ancient metal<br />
moulds, and orig<strong>in</strong>al chalk models purchased by the municipal<br />
adm<strong>in</strong>istration <strong>in</strong> 1997, and <strong>in</strong>creased by a donation of masks by<br />
Eugenio Gabrielli.<br />
This unique patrimony <strong>in</strong>cludes 222 items and owes its existence<br />
to the artisanal mask factory founded by Pros<strong>per</strong>o Guatteri<br />
<strong>in</strong> Castelnovo. The works are displayed <strong>in</strong> educational exhibits<br />
which use Carnival traditions to trace the history of Carnival<br />
masks and the work required to create them.<br />
114
Museo Civico<br />
Il Correggio<br />
Il Correggio Civic Museum<br />
address<br />
phone +39 0522/691806 fax +39 0522/633017<br />
e-mail<br />
web<br />
Cornelius Mattens, Waterfowl and<br />
heron hunt, about 1585<br />
18th century hall<br />
Andrea Mantegna, Christ the<br />
Redeemer<br />
Hall of Tapestries<br />
115<br />
Corso Cavour, 7 Correggio<br />
42015 RE<br />
museo@comune.correggio.re.it<br />
www.museoilcorreggio.org<br />
The “Il Correggio” Museum is housed <strong>in</strong> the 16th century<br />
Palazzo dei Pr<strong>in</strong>cipi and provides a broad overview of historic,<br />
artistic, and cultural traditions <strong>in</strong> the town of Correggio.<br />
The <strong>per</strong>manent exhibitions take up eight rooms: the Hall of<br />
Archaeology (pre-Roman, Roman, and medieval material), the<br />
Renaissance Hall (works by Mantegna, Benzoni, Antonio Allegri<br />
also known as Il Correggio, wooden sculptures), the Gallery of<br />
the 16th Century, the Hall of Tapestries (late 17th century Flemish<br />
tapestries by Mattens, 18th century English terrestrial and<br />
celestial globes), the Hall of the 17th Century (Preti, Cignani, Il<br />
Galan<strong>in</strong>o, co<strong>in</strong>s from the Correggio m<strong>in</strong>t), the Hall of the 18th<br />
Century (Donn<strong>in</strong>i, Callani), the Hall and Gallery of the 19th<br />
Century (works by Asioli, Malatesta, Vela, Ferrari, Villa, Iesi and<br />
engrav<strong>in</strong>gs drawn from the works of Correggio).
Museo Cervi<br />
Cervi Museum<br />
address<br />
phone +39 0522/678356 fax +39 0522/477491<br />
e-mail<br />
web<br />
Alcide Cervi, 1960s<br />
Cervi Family <strong>in</strong> front of Campi<br />
Rossi house, end of the 1930s<br />
View of the Cervi Museum<br />
Via Fratelli Cervi, 9 Gattatico<br />
42043 RE<br />
museo@fratellicervi.it<br />
www.fratellicervi.it<br />
The Museum is located <strong>in</strong> the rural home the Cervi family<br />
moved to <strong>in</strong> 1934.The Cervi Museum has become a landmark<br />
for all who share the values of democracy and anti-fascism,<br />
thanks to the example provided by this family of tenant farmers,<br />
who participated <strong>in</strong> the Resistance and whose seven sons were<br />
executed by a fascist fir<strong>in</strong>g squad <strong>in</strong> 1943.<br />
The process that transformed the house <strong>in</strong>to a museum began<br />
<strong>in</strong> the 1950s, when thousands of visitors began to travel here to<br />
pay their respects, and ended <strong>in</strong> 2001 with the <strong>in</strong>auguration of<br />
the “Museum of the history of peasant movements and of antifascism<br />
and the Resistance <strong>in</strong> the countryside”. The house was<br />
restructured and refurbished, and it now illustrates the history<br />
of the Cervi family along with some more general aspects of 20th<br />
century history.<br />
116
Museo<br />
Gonzaga<br />
Gonzaga Museum<br />
address<br />
phone +39 0522/655426 fax +39 0522/652057<br />
e-mail<br />
web<br />
Vases from the Jesuit spicery, 16th<br />
century<br />
Wall frieze, second half of the 16th<br />
century<br />
Hall with frescoes by Lelio Orsi<br />
16th century<br />
117<br />
Piazzale Marconi, 1 Novellara<br />
42017 RE<br />
e.ghid<strong>in</strong>i@comune.novellara.re.it<br />
www.comune.novellara.re.it<br />
Novellara’s Gonzaga Museum preserves artistic and historic<br />
memories of the Gonzaga family, which, from 1371 to 1728,<br />
transformed Novellara <strong>in</strong>to an ideal small town rich <strong>in</strong><br />
monuments and works of art. The museum’s exhibits are located<br />
<strong>in</strong> the richly decorated rooms of the 16th century piano nobile<br />
on the first floor of Novellara’s fortress. Particularly noteworthy<br />
items <strong>in</strong>clude a cycle of frescoes by Lelio Orsi from the Cas<strong>in</strong>o<br />
di Sopra, a valuable pa<strong>in</strong>t<strong>in</strong>g by the same artist depict<strong>in</strong>g the<br />
Annunciation, a Flemish tapestry commissioned by Alfonso I<br />
Gonzaga <strong>in</strong> 1554 and the collection – amongst the largest <strong>in</strong><br />
Europe – of vases from the Jesuit spicery <strong>in</strong> Novellara, <strong>in</strong>clud<strong>in</strong>g<br />
pieces <strong>in</strong> Venetian and Lodi majolica from the 16th and 17th<br />
centuries.
Musei Civici:<br />
Galleria Parmeggiani<br />
Civic Museums: Parmeggiani Gallery<br />
address<br />
phone +39 0522/451054 fax +39 0522/456476<br />
e-mail<br />
web<br />
Corso Cairoli, 1 Reggio <strong>Emilia</strong><br />
42121 RE<br />
musei@municipio.re.it<br />
www.musei.re.it<br />
Cesare Detti, Venus with amor<strong>in</strong>i<br />
Detti hall<br />
Flemish hall<br />
Central hall<br />
The Parmeggiani Gallery can be considered a museum-home<br />
that displays the 19th century collection of pa<strong>in</strong>t<strong>in</strong>gs, furniture,<br />
and textiles once belong<strong>in</strong>g to the Spanish pa<strong>in</strong>ter, collector, and<br />
antiques dealer Ignacio Leon y Escosura; weapons and goldwork<br />
from the Marcy workshop <strong>in</strong> Paris; and a collection of pa<strong>in</strong>t<strong>in</strong>gs<br />
by the Spoleto-based pa<strong>in</strong>ter Cesare Detti. Luigi Parmeggiani,<br />
an anarchist converted to art and antiques, was responsible<br />
for br<strong>in</strong>g<strong>in</strong>g these three collections together, after mov<strong>in</strong>g his<br />
collection to Reggio <strong>Emilia</strong>, his native city, <strong>in</strong> 1924.<br />
The Gallery is located <strong>in</strong> an eclectic, gothic Renaissance build<strong>in</strong>g<br />
built by Luigi Parmeggiani to house his peculiar collection.<br />
118
Musei Civici:<br />
Museo del Tricolore<br />
Civic Museums: Museum of the Tritcolore<br />
address<br />
phone +39 0522/456033 fax +39 0522/456476<br />
e-mail<br />
web<br />
Green, white, and red cockade,<br />
1848<br />
First section<br />
119<br />
Piazza Prampol<strong>in</strong>i,1 Reggio <strong>Emilia</strong><br />
42121 RE<br />
musei@municipio.re.it<br />
www.musei.re.it<br />
Pietro Soliani, The Genius of liberty,<br />
1801<br />
Portrait of Bonaparte, 1799<br />
In 2004, the Museum of Tricolore (the Italian Flag) was<br />
<strong>in</strong>augurated <strong>in</strong> the rooms adjacent to the historic hall <strong>in</strong> Reggio<br />
<strong>Emilia</strong> where the flag itself was born on January 7, 1797. The<br />
Museum uses <strong>in</strong>novative historiographic criteria to document<br />
the most significant events related to the history of the Italian<br />
flag and its relationship with the history of Italian unification.<br />
The first section of the Museum uses pr<strong>in</strong>ts, pa<strong>in</strong>t<strong>in</strong>gs, weapons,<br />
mementos, replicas, and audiovisual material to document the<br />
political history of Reggio <strong>Emilia</strong> from the birth of the Repubblica<br />
Reggiana, <strong>in</strong> 1796, to 1814.<br />
The second section displays orig<strong>in</strong>al documents and mementos<br />
related to the historical events of Risorgimento up to 1897, the<br />
year <strong>in</strong> which the first centenary of the Italian flag was celebrated<br />
<strong>in</strong> Reggio <strong>Emilia</strong>, with Giosuè Carducci’s famous speech as its<br />
crown<strong>in</strong>g moment.
Musei Civici:<br />
Palazzo S. Francesco<br />
Civic Museums: Palazzo S. Francesco<br />
address<br />
phone +39 0522/456477 +39 0522/456816 fax +39 0522/456476<br />
e-mail<br />
web<br />
Via Spallanzani, 1 Reggio <strong>Emilia</strong><br />
42121 RE<br />
musei@municipio.re.it<br />
www.musei.re.it<br />
Palaeolithic Venus found <strong>in</strong> the<br />
Neolithic village of Chiozza<br />
Deer attacked by wolf, last decade of<br />
the 9th century<br />
Pros<strong>per</strong>o Sogari a. k.a. Il Clemente,<br />
The servant girl<br />
Milio Campanarius, second quarter<br />
of the 12th century<br />
S<strong>in</strong>ce 1830, the Civic Museums of Reggio <strong>Emilia</strong> have been<br />
housed <strong>in</strong> Palazzo San Francesco.<br />
Their orig<strong>in</strong> dates back to 1799, with the purchase of a collection<br />
belong<strong>in</strong>g to the scientist Lazzaro Spallanzani. The museums<br />
currently have several different sections, <strong>in</strong>clud<strong>in</strong>g collections<br />
related to archaeology (Chierici Museum, Portico dei Marmi<br />
- Roman section, Roman Museum, Roman mosaics, Museum<br />
of Prehistory and Proto-history), ethnography, art history<br />
(Fontanesi Gallery, Portico dei Marmi-Medieval section,<br />
Medieval mosaics) and natural history (Spallanzani collection;<br />
zoological, anatomical, botanical, geo-m<strong>in</strong>eralogical, and<br />
paleontological collections).<br />
120
Museo<br />
della Tarsia<br />
Tarsia Museums<br />
address<br />
phone +39 0522/658011 fax +39 0522/666953<br />
e-mail<br />
web<br />
Inlaid tabletop with geometric<br />
motifs, late 19th century<br />
Circular table-top saw used to cut<br />
the veneers used for geometric<br />
marquetery<br />
Worktable with materials and<br />
models related to the decoration<br />
of <strong>in</strong>laid tables<br />
View of the section dedicated<br />
to <strong>in</strong>laid furniture made <strong>in</strong> Rolo<br />
dur<strong>in</strong>g the Neo-classical <strong>per</strong>iod<br />
121<br />
Corso Repubblica, 39 Rolo<br />
42047 RE<br />
<strong>in</strong>fo@comune.rolo.re.it<br />
www.museodellatarsia.it<br />
In the 18th and 19th centuries the town of Rolo was an important<br />
centre of production for marquetery and <strong>in</strong>laid furniture.<br />
Evidence of this tradition, which still lives on locally, is on<br />
display <strong>in</strong> Rolo’s Tarsia Museum, whose identity rests on the<br />
study of woodwork<strong>in</strong>g and the decorative techniques of wood<br />
marquetery. The museum has five sections: the types of wood<br />
used, the build<strong>in</strong>g of furniture, decorative and f<strong>in</strong>ish techniques,<br />
the sale of products <strong>in</strong> Italy and abroad, and the exhibition<br />
gallery. Along with <strong>in</strong>terest<strong>in</strong>g, historical <strong>in</strong>laid furniture, the<br />
museum also displays tools and small mach<strong>in</strong>es, teach<strong>in</strong>g<br />
models, posters, and orig<strong>in</strong>al draw<strong>in</strong>gs of ancient workshops.
Museo dell’Agricoltura<br />
e del Mondo Rurale<br />
Museum of Agriculture and the Rural World<br />
address<br />
phone +39 0522/636726 fax +39 0522/695986<br />
e-mail<br />
web<br />
Tower clock, 20th century<br />
Display <strong>in</strong> section 2 “The rural<br />
world and agricultural production”<br />
Display <strong>in</strong> section 12 “A<br />
landown<strong>in</strong>g family: the Bertanis”<br />
Museo dell’Agricoltura<br />
e del Mondo Rurale<br />
Corso Umberto I, 22 San Mart<strong>in</strong>o <strong>in</strong> Rio<br />
42018 RE<br />
museo@comune.sanmart<strong>in</strong>o<strong>in</strong>rio.re.it<br />
www.museodellagricolturaedelmondorurale.it<br />
The Museum of Agriculture and the Rural World is housed <strong>in</strong><br />
the Este fortress, a monumental build<strong>in</strong>g <strong>in</strong> the town centre set<br />
<strong>in</strong> a vast park. It collects, preserves, studies, and promotes the<br />
testimonies and life ex<strong>per</strong>iences of peasants, landowners, and<br />
artisan <strong>in</strong> the middle and up<strong>per</strong> Po Pla<strong>in</strong> east of Reggio <strong>Emilia</strong><br />
prior to agricultural mechanization and <strong>in</strong>dustrial production.<br />
The museum is very active <strong>in</strong> work<strong>in</strong>g with schools, families, and<br />
adults. School projects and educational exhibits are borne out of<br />
a constant dialogue with all of the area’s educational <strong>in</strong>stitutions.<br />
For adults and families, the Museum organizes even<strong>in</strong>g classes,<br />
visits, games, workshops, and Sunday afternoon tast<strong>in</strong>gs.<br />
122
Rim<strong>in</strong>i
La Casa Rossa<br />
di Alfredo Panz<strong>in</strong>i<br />
The Alfredo Panz<strong>in</strong>i’s Red House<br />
address<br />
phone +39 0541/343746 +39 0541/341642 fax +39 0541/345844<br />
e-mail<br />
web<br />
Casa Rossa<br />
Le Vele (banners)<br />
Detail of the exhibition<br />
Via Pis<strong>in</strong>o, 1<br />
Loc. Cagnona<br />
musei@comune.bellaria-igea-mar<strong>in</strong>a.rn.it<br />
www.casapanz<strong>in</strong>i.it<br />
Bellaria Igea Mar<strong>in</strong>a<br />
47814 RN<br />
The Casa Rossa stands atop a sand dune; the sea and the hills of<br />
<strong>Romagna</strong> could once be seen from its w<strong>in</strong>dows. The writer Alfredo<br />
Panz<strong>in</strong>i (Senigaglia 1863 – Rome 1939) spent much of his life <strong>in</strong><br />
this villa after purchas<strong>in</strong>g it <strong>in</strong> 1909, and it became a hub for friends<br />
and writers. For Panz<strong>in</strong>i, it provided a privileged <strong>in</strong>sight <strong>in</strong>to the<br />
rural world that seeped <strong>in</strong>to his writ<strong>in</strong>g. Visitors to the museum<br />
are welcomed by banners bear<strong>in</strong>g Panz<strong>in</strong>i’s words, and exhort<strong>in</strong>g<br />
them to sail on the seas of memory. Items on display <strong>in</strong>clude the<br />
famous bicycle – the austere Opel - from La Lanterna di Diogene<br />
and country out<strong>in</strong>gs. The home itself is a museum, with ceramic<br />
tiles <strong>in</strong>scribed with the titles of Panz<strong>in</strong>i’s best known works.<br />
A Mediterranean garden still surrounds the Casa Rossa, while<br />
beyond the ditch the outbuild<strong>in</strong>gs (which are now part of the<br />
museum) formerly comprised the farmhouse of the sharecrop<strong>per</strong><br />
F<strong>in</strong>otti, a stable for the horse, and a shed for the cart.<br />
123
Museo<br />
della Reg<strong>in</strong>a<br />
Reg<strong>in</strong>a Museum<br />
address<br />
phone +39 0541/966577 fax +39 0541/967803<br />
e-mail<br />
web<br />
Greco-italic amphora from<br />
archaeological digs at Nuova<br />
Darsena, 3rd century BC<br />
Archaeological section: dolia and<br />
Oscar Dom<strong>in</strong>guez’s <strong>in</strong>stallation<br />
Die for mask of Dionysus<br />
Mar<strong>in</strong>e section: traditional<br />
ship (balance lug sails),<br />
model of trabaccolo lugger<br />
124<br />
Via Pascoli, 23 Cattolica<br />
47841 RN<br />
museo@cattolica.net<br />
www.cattolica.net/retecivica/italiano/cultura<br />
Inaugurated <strong>in</strong> April 2000, the Museum of the Reg<strong>in</strong>a has two<br />
different sections: an archaeological section and a mar<strong>in</strong>e<br />
section.<br />
The former houses a collection of material found <strong>in</strong> the city’s<br />
two ma<strong>in</strong> archaeological digs, with the recent addition of ceramic<br />
pottery from the Nuova Darsena; this material is from the 3rd<br />
century BC to the 3rd century AD. Medieval and post-medieval<br />
notations and objects complete the story of the city’s history,<br />
with the Via Flam<strong>in</strong>ia as its common thread.<br />
The thematically-oriented mar<strong>in</strong>e section takes <strong>in</strong>to account<br />
the technical characteristics and construction styles of<br />
ships, the different approaches to sail<strong>in</strong>g, and related ethnoanthropological<br />
aspects. The natural harbour at the mouth of<br />
the Tavollo River, the birth of the port, and its changes over time<br />
provide a narrative backdrop.
Mostra <strong>per</strong>manente<br />
delle Maioliche Monda<strong>in</strong>esi<br />
Permanent exhibition of Monda<strong>in</strong>o majolica pottery<br />
address<br />
phone +39 366/2078470 fax +39 0541/982060<br />
e-mail<br />
web<br />
Decorated majolica, first half of the<br />
17th century<br />
Majolicas with olive wreath<br />
decorations, late 16th century<br />
Replica of a 16th century majolica<br />
factory<br />
Majolica with central medallion<br />
decorated with helmeted male<br />
bust, second half of the 16th<br />
century.<br />
Via Secondaria Levante Monda<strong>in</strong>o<br />
47836 RN<br />
musei@monda<strong>in</strong>o.com<br />
www.cultura.prov<strong>in</strong>cia.rim<strong>in</strong>i.it<br />
The longstand<strong>in</strong>g pottery-mak<strong>in</strong>g tradition that has<br />
characterized Mondiano s<strong>in</strong>ce the second half of the 15th century<br />
is fully documented <strong>in</strong> this museum, which displays the fruits of<br />
casual discoveries, targeted archaeological surveys conducted<br />
near the city walls and at the Malatesta fortress, and searches<br />
for discarded pottery <strong>in</strong> the talus slopes just outside of town.<br />
An extensive collection of pottery fragments from the 14th to the<br />
16th centuries confirms restores Mondiano’s rightful position as<br />
a leader <strong>in</strong> the history of Italian majolicas. The visitor’s attention<br />
is also drawn to the function of majolica objects and their<br />
construction, through replicas of tools, sounds, and music <strong>in</strong> the<br />
reconstructions of a majolica craftsman’s workshop and of a set<br />
table.<br />
125
Museo Paleontologico<br />
Museum of Palaeontology<br />
address<br />
phone +39 366/2078470 fax +39 0541/982060<br />
e-mail<br />
web<br />
Detail of a fish fossil<br />
View of the second hall<br />
Some aspects of the exhibits, with<br />
a replica of a pelagic scene <strong>in</strong> the<br />
background<br />
Fossil fish <strong>in</strong> its host rock<br />
126<br />
Piazza Maggiore, 1 Monda<strong>in</strong>o<br />
47836 RN<br />
musei@monda<strong>in</strong>o.com<br />
www.cultura.prov<strong>in</strong>cia.rim<strong>in</strong>i.it<br />
Set <strong>in</strong> the Malatesta fortress, the architectural backdrop for<br />
the city’s museums, the Museum of Palaeontology travels<br />
far back <strong>in</strong> time to the ancient mar<strong>in</strong>e landscapes and liv<strong>in</strong>g<br />
be<strong>in</strong>gs that characterized this area of the Apenn<strong>in</strong>es dur<strong>in</strong>g the<br />
up<strong>per</strong>most Miocene (about 6 million years ago). It displays a<br />
rich fossil heritage, <strong>in</strong>clud<strong>in</strong>g fish fossils, rema<strong>in</strong>s of leaves,<br />
and bird fossils from the peculiar sedimentary rock known<br />
as tripoli, with a typically mealy, lam<strong>in</strong>ar texture, created by<br />
siliceous microorganisms deposited dur<strong>in</strong>g the early Mess<strong>in</strong>ian.<br />
The museum’s exhibits frame the valuable f<strong>in</strong>d<strong>in</strong>gs from the<br />
Monda<strong>in</strong>o fossil deposit <strong>in</strong> geological and evolutionary terms,<br />
with<strong>in</strong> a broader regional context.
Museo della L<strong>in</strong>ea<br />
dei Goti<br />
L<strong>in</strong>e of the Goths Museum<br />
address<br />
phone +39 0541/855320 +39 0541/855054 fax +39 0541/855042<br />
e-mail<br />
web<br />
Flyer Encourag<strong>in</strong>g the local<br />
population to fight alongside the<br />
German Army, 1944<br />
English armoured vehicles on the<br />
Montegridolfo hills, September<br />
1944<br />
Propeller from a US bomber that<br />
fell <strong>in</strong> the Adriatic Sea <strong>in</strong> spr<strong>in</strong>g<br />
1944<br />
Poster Threaten<strong>in</strong>g death for<br />
partisan fighters, 1944<br />
Via Borgo Montegridolfo<br />
47837 RN<br />
<strong>in</strong>fo@museol<strong>in</strong>eadeigoti.it<br />
www.museol<strong>in</strong>eadeigoti.it<br />
The museum uses the orig<strong>in</strong>al name given by Hitler to the<br />
defensive l<strong>in</strong>e between the Adriatic and Tyrrhenian seas built<br />
by the Germans <strong>in</strong> 1943-44: Gotenl<strong>in</strong>ie, or “L<strong>in</strong>e of the Goths”,<br />
later known as the Gothic L<strong>in</strong>e<br />
The Museum has two different sections: the first displays<br />
war relics, most of which were donated by the citizens of<br />
Montegridolfo, and a collection of the weapons used by the two<br />
oppos<strong>in</strong>g armies. The sequence of events is illustrated by ample<br />
photographic documentation.<br />
The second section displays a collection of models of Allied<br />
and German military vehicles. The wall display cases feature<br />
propaganda posters from both sides from 1943 to 1945, grouped<br />
accord<strong>in</strong>g to theme and with detailed captions. Other display<br />
cases feature newspa<strong>per</strong> headl<strong>in</strong>es from the crucial events of the<br />
war.<br />
127
Museo Etnografico<br />
di Valliano<br />
Valliano Museum of Ethnography<br />
address<br />
phone +39 0541/864014 fax +39 0541/984455<br />
e-mail<br />
web<br />
Frescos show<strong>in</strong>g <strong>in</strong>fluences from<br />
the Umbria-Marche school,<br />
mid-15th century<br />
Sanctuary of S.Maria Succurrente<br />
Museum <strong>in</strong>terior<br />
The cart restored by the Laboratorio<br />
Il Calesse workshop<br />
128<br />
Via Valliano, 23 Montescudo<br />
47854 RN<br />
<strong>in</strong>fo@comune.montescudo.rn.it<br />
www.comune.montescudo.rn.it<br />
The Museum of Ethnography <strong>in</strong> Valliano di Montescudo,<br />
annexed to the magnificent 15th century Sanctuary of S.Maria<br />
Succurrente, is set <strong>in</strong> an enchant<strong>in</strong>g valley rich <strong>in</strong> centuries-old<br />
olive trees. The museum depicts the country home as the heart<br />
of the rural world and helps visitors discover the trades, ways,<br />
and traditions of peasant history and life.<br />
Activities promoted by the museum <strong>in</strong>clude the Il Calesse<br />
educational workshop, a pilot project launched <strong>in</strong> 2006 by the<br />
IBC: its activities focus on the preservation, restoration and <strong>in</strong><br />
situ ma<strong>in</strong>tenance of multi-material objects and tools, thanks to<br />
the valuable help of local volunteers who, under the guidance of<br />
professional conservators, br<strong>in</strong>g back to their ancient splendour<br />
the farm<strong>in</strong>g tools on display <strong>in</strong> the Museum’s extensive outdoor<br />
exhibition.
Museo Mul<strong>in</strong>o Sapignoli<br />
Sapignoli Mill Museum<br />
address<br />
phone +39 0541/629701<br />
fax<br />
e-mail<br />
web<br />
Millstone detail<br />
Museum exterior<br />
New millstone hall<br />
Via Santarcangiolese, 4631<br />
Loc. Santo Mar<strong>in</strong>o<br />
museo@comune.poggio-berni.rn.it<br />
www.comune.poggio-berni.rn.it<br />
Poggio Berni<br />
47824 RN<br />
The Sapignoli Mill Museum welcomes visitors with its open<strong>in</strong>g<br />
hall, featur<strong>in</strong>g millstones that can still turn wheat <strong>in</strong>to flour. The<br />
voice of an old miller tells visitors how a typical day at the mill<br />
unfolds, while photographs and other mementos help set the<br />
atmosphere.<br />
The Museum aims to help the general public appreciate the<br />
ethnographic patrimony of mill<strong>in</strong>g traditions, to highlight<br />
existential and professional ex<strong>per</strong>iences <strong>in</strong> this sector, and to<br />
recover historical memories <strong>in</strong> the Poggio Berni area.<br />
The Sapignoli Mill Museum can be considered a small cultural<br />
hub, s<strong>in</strong>ce it hosts the municipal library and the Museum of<br />
Mill<strong>in</strong>g Arts, slated to be completed with outdoor exhibitions<br />
featur<strong>in</strong>g a <strong>per</strong>fectly preserved Fossa Viterba, which will be<br />
accessible to the public.<br />
129
Galleria d’arte moderna<br />
e contemporanea<br />
Villa Franceschi<br />
Villa Franceschi<br />
Modern and Contemporary Art Gallery<br />
address<br />
phone +39 0541/693534 fax +39 0541/475668<br />
e-mail<br />
web<br />
Enrico Baj -Untitled<br />
Interior of Villa Franceschi, Hall 4<br />
Educational workshop<br />
130<br />
Via Gorizia, 2 Riccione<br />
47838 RN<br />
museo@comune.riccione.rn.it<br />
www.comune.riccione.rn.it<br />
The Gallery, <strong>in</strong>augurated <strong>in</strong> 2005, is housed <strong>in</strong> Villa Franceschi,<br />
an elegant early 20th century beach house that has been<br />
carefully restored and converted to museum use. It displays,<br />
<strong>in</strong> <strong>per</strong>fect harmony with part of the orig<strong>in</strong>al decor, the civic art<br />
collection and the prestigious “Arcangeli Collection”, deposited<br />
here by the <strong>Emilia</strong>-<strong>Romagna</strong> regional government. The works<br />
are representative of important aspects and trends <strong>in</strong> Italian<br />
figurative art dur<strong>in</strong>g the second half of the 20th century, and<br />
testify to Italy’s ma<strong>in</strong> artistic currents, particularly with regards<br />
to those of the Po Pla<strong>in</strong>. Thanks to the flexibility of its layout,<br />
the Villa promotes a popular series of temporary shows and<br />
exhibitions. It also regularly carries out educational workshops<br />
and <strong>in</strong>itiatives.
Museo<br />
del Territorio<br />
Museum of the Local Territory<br />
address<br />
phone +39 0541/600113 fax +39 0541/698182<br />
e-mail<br />
web<br />
Diorama of the Pleistocene lake <strong>in</strong><br />
Conca River<br />
Hemiskeleton of a Pleistocene<br />
bison<br />
Roman era grave goods<br />
Roman burial amphora<br />
Via Lazio, 10 Riccione<br />
47838 RN<br />
museo@comune.riccione.rn.it<br />
www.comune.riccione.rn.it<br />
The Museum, founded <strong>in</strong> 1989, collects noteworthy natural<br />
history and archaeological material from Riccione and its<br />
surround<strong>in</strong>gs. Thanks to numerous habitat replicas, a visit to<br />
the museum unfolds like a trip back <strong>in</strong> time, from the orig<strong>in</strong>s<br />
of life on Earth to the first prehistoric human settlements, and<br />
f<strong>in</strong>ally to the Roman era. Particularly noteworthy is the section<br />
on the Pleistocene, documented by the skeletal rema<strong>in</strong>s of a<br />
massive pre-historic bison, along with those of elephants, bears,<br />
rh<strong>in</strong>oceroses, and giant elk liv<strong>in</strong>g <strong>in</strong> the Riccione area thousands<br />
of years ago. The Museum has a rich programme of events that<br />
highlight its role as a “liv<strong>in</strong>g deposit” of the memory of the entire<br />
Riccione community. It is also engaged <strong>in</strong> cont<strong>in</strong>uous education<br />
workshops with specific tra<strong>in</strong><strong>in</strong>g courses.<br />
131
Museo degli Sguardi.<br />
Raccolte Etnografiche<br />
di Rim<strong>in</strong>i<br />
Museum of Glances.<br />
Rim<strong>in</strong>i Ethnographic Collections<br />
address<br />
phone +39 0541/751224 +39 0541/704421 fax +39 0541/704410<br />
e-mail<br />
web<br />
132<br />
Via delle Grazie, 12<br />
Loc. Covignano<br />
Peru, Moche culture, Vase<br />
depict<strong>in</strong>g an ancestor, 450-600 AD<br />
Pre-Colombian textiles and pottery<br />
Africa hall<br />
musei@comune.rim<strong>in</strong>i.it<br />
www.museicomunalirim<strong>in</strong>i.it<br />
Rim<strong>in</strong>i<br />
47923 RN<br />
The Museum of Glances, dedicated to the culture, ethnology,<br />
and archaeology of Africa, Oceania, and Pre-Colombian America,<br />
houses one of Europe’s most important collections <strong>in</strong> these<br />
fields. Inaugurated <strong>in</strong> 1972 as the Museum of Primitive Arts/D<strong>in</strong>z<br />
Rialto Collection, <strong>in</strong> honour of its founder, it was housed <strong>in</strong> Castel<br />
Sismondo until 2000 and subsequently moved to Villa Alvarado,<br />
the former Missionary Museum of Graces, under the name of<br />
Museo degli Sguardi (Museum of Glances)/Rim<strong>in</strong>i Ethnographic<br />
Collections, with Marc Augé as its scientific directors. The<br />
“glances” are those of Westerners who, from their first meet<strong>in</strong>g<br />
to the present days, have looked to other cultures <strong>in</strong> various<br />
ways. The museum’s multi-cultural outlook encourages<br />
reflections on our relationship with the culture and art of other<br />
peoples.
Museo<br />
della Città<br />
Museum of the City<br />
address<br />
phone +39 0541/793851 +39 0541/704421 fax +39 0541/704410<br />
e-mail<br />
web<br />
Giovanni Bell<strong>in</strong>i, Pietà, about 1460<br />
Giovanni da Rim<strong>in</strong>i, The Last<br />
Judgement, about 1310<br />
The Surgeon’s Domus<br />
(2nd or 3rd century AD)<br />
Monuments from the Roman<br />
Republic <strong>in</strong> the Roman lapidarium<br />
Via Luigi Ton<strong>in</strong>i, 1 Rim<strong>in</strong>i<br />
47921 RN<br />
musei@comune.rim<strong>in</strong>i.it<br />
www.museicomunalirim<strong>in</strong>i.it<br />
The Museum of the City is housed <strong>in</strong> the 18th century Jesuit<br />
College. The garden hosts the Roman lapidarium, the orig<strong>in</strong>al<br />
core collection from the recently completed archaeological<br />
section, which traces the history of human settlement <strong>in</strong> the<br />
area from prehistory to late antiquity. The decorated geometric<br />
floor mosaic, representative of the Roman era and late antiquity,<br />
is the ma<strong>in</strong> highlight of the lapidarium. Other noteworthy items<br />
<strong>in</strong>clude a rare polychrome glass pa<strong>in</strong>t<strong>in</strong>g and the largest known<br />
set of surgical tools from antiquity, discovered <strong>in</strong> the Surgeon’s<br />
Domus, the ideal cont<strong>in</strong>uation of a visit to the museum, as it<br />
is only a short walk away. The medieval and modern sections<br />
<strong>in</strong>clude works from the 14th century Rim<strong>in</strong>i school, masterpieces<br />
from the Malatesta era, pa<strong>in</strong>t<strong>in</strong>gs by 17th century artists<br />
<strong>in</strong>clud<strong>in</strong>g Guerc<strong>in</strong>o, Cagnacci and Cent<strong>in</strong>o and end<strong>in</strong>g with René<br />
Gruau’s advertis<strong>in</strong>g artwork.<br />
133
Museo<br />
dell’Aviazione<br />
Museum of Aviation<br />
address<br />
phone +39 0541/756696 fax +39 0541/905148<br />
e-mail<br />
web<br />
DC3-Dakota<br />
View of the park<br />
134<br />
Via Santa Aquil<strong>in</strong>a, 58<br />
Loc. Cerbaiola<br />
DC-3 Dakota formerly belong<strong>in</strong>g<br />
to the American actor Clark Gable,<br />
who purchased it from the United<br />
States Navy<br />
<strong>in</strong>fo@museoaviazione.com<br />
www.museoaviazione.com<br />
Rim<strong>in</strong>i<br />
47923 RN<br />
With its 100,000 square meters, the Aviation Theme Park is the<br />
largest private structure of its k<strong>in</strong>d <strong>in</strong> Italy and Europe. Along<br />
with over fifty aircraft from various countries, it also displays<br />
numerous crafts used by several different armed forces after<br />
World War II.<br />
The Pavilion houses the largest exist<strong>in</strong>g collection of flight suits<br />
and pilot uniforms (from the early 20th century to the present<br />
day), along with honours and medals conferred upon the lead<strong>in</strong>g<br />
aviators of the time. The park also houses the Monument to the<br />
Aviator and a Monument commemorat<strong>in</strong>g the Ramste<strong>in</strong> tragedy,<br />
along with Italy’s fist model airplane museum.
MET<br />
Museo degli Usi e Costumi<br />
della Gente di <strong>Romagna</strong><br />
MET<br />
Museum of <strong>Romagna</strong> Folk Customs and Traditions<br />
address<br />
phone +39 0541/326206 +39 0541/624703 fax +39 0541/622074<br />
e-mail<br />
web<br />
Mill (part.)<br />
Section ...and I will tell you who<br />
you are<br />
Welcome area<br />
Symbols. Puppet and mask<br />
Via Montevecchi, 41 Santarcangelo<br />
di <strong>Romagna</strong><br />
47822 RN<br />
met@metweb.org<br />
www.metweb.org/met<br />
The Museum of <strong>Romagna</strong> Folk Customs and Traditions def<strong>in</strong>es<br />
itself as a liv<strong>in</strong>g entity pursu<strong>in</strong>g research and knowledge on folk<br />
culture. Its ma<strong>in</strong> <strong>in</strong>terest lies <strong>in</strong> the various aspects that make up<br />
folk traditions (symbolism, social relations, work, and rituals) <strong>in</strong><br />
southern <strong>Romagna</strong>.<br />
A museum of exhibits and testimonies, whose task goes beyond<br />
display<strong>in</strong>g objects and images to communicat<strong>in</strong>g ideas.<br />
A museum of ideas’ display must illustrate a series of real facts,<br />
relations, and solved and unsolved scientific problems.<br />
In such a layout, objects become tools to prove ideas; they<br />
lose some of their <strong>in</strong>dividuality and become part of the broader<br />
framework of the culture of a people.<br />
135
MUSAS<br />
Museo Storico Archeologico<br />
MUSAS<br />
Museum of History and Archaeology<br />
address<br />
phone +39 0541/625212 +39 0541/624703 fax +39 0541/622074<br />
e-mail<br />
web<br />
Jacobello di Bonomo, Madonna<br />
with Child and sa<strong>in</strong>ts, 1385<br />
The ma<strong>in</strong> products of<br />
Santarcangelo’s furnaces<br />
136<br />
Via della Costa, 26 Santarcangelo<br />
di <strong>Romagna</strong><br />
47822 RN<br />
met@metweb.org<br />
16th century hall: Luca Longhi,<br />
Madonna with Child between Sa<strong>in</strong>t<br />
Francis and Sa<strong>in</strong>t George, 1531<br />
www.metweb.org/musas/<br />
The Museum of History and Archaeology of Santarcangelo di<br />
<strong>Romagna</strong> (MUSAS) was established 2005 <strong>in</strong> order to preserve<br />
and promote the archaeological, historical, and artistic heritage<br />
of the town and its surround<strong>in</strong>gs.<br />
The archaeological section is set up to reflect over a century<br />
of archaeological and historical research which has confirmed<br />
many times the fertility and high productivity of the local<br />
countryside, which required markets both near and far <strong>in</strong> which<br />
to sell excess production. The historic and artistic section<br />
features works from the Middle Ages up to the 19th century from<br />
Santarcangelo and its surround<strong>in</strong>gs.
Museo Civico<br />
Archeologico<br />
Civic Archaeological Museum<br />
address<br />
phone +39 0541/670280 +39 0541/670222 fax +39 0541/679570<br />
e-mail<br />
web<br />
Engraved throne from the “Lippi<br />
89” tomb, late 8th century BC<br />
Museum exterior<br />
Throne room<br />
Via Sant’Agost<strong>in</strong>o Verucchio<br />
47826 RN<br />
iat.verucchio@i<strong>per</strong>.net<br />
www.comunediverucchio.it/museo<br />
The Verucchio Archaeological Museum displays a wide array of<br />
grave goods found <strong>in</strong> the Early Iron Age (9th to 7th centuries BC)<br />
necropoles of Verrucchio, represent<strong>in</strong>g the Villanovan civilization<br />
<strong>in</strong> the <strong>Romagna</strong> area.<br />
Thanks to the exceptional nature of the archaeological f<strong>in</strong>ds<br />
(<strong>in</strong>clud<strong>in</strong>g wooden furniture, wool textiles, wicker baskets,<br />
valuable amber jewel), this unique patrimony makes it possible<br />
for several unusual issues to be tackled scientifically.<br />
The exhibition has been designed <strong>in</strong> order to be accessible to as<br />
broad a public as possible, at several levels of detail. Additionally,<br />
the museum’s displays are constantly updated <strong>in</strong> order to reflect<br />
the f<strong>in</strong>d<strong>in</strong>gs from its <strong>in</strong>tensive research and study activities.<br />
137
The procedure to accredit museums on the<br />
basis of quality standards and goals is regulated<br />
by:<br />
REGIONAL LAW 18/00 “NORMS REGULATING<br />
LIBRARIES, HISTORICAL ARCHIVES,<br />
MUSEUMS, AND CULTURAL HERITAGE”<br />
REGIONAL COUNCIL DECREE 309/03<br />
“APPROVAL OF QUALITY STANDARDS<br />
AND GOALS FOR LIBRARIES, HISTORICAL<br />
ARCHIVES, AND MUSEUMS PURSUANT TO<br />
REGIONAL LAW 18/00 “NORMS REGULATING<br />
LIBRARIES, HISTORICAL ARCHIVES,<br />
MUSEUMS, AND CULTURAL HERITAGE”<br />
REGIONAL COUNCIL DECREE 1888/08<br />
“APPROVAL OF CRITERIA AND GUIDELINES<br />
FOR ACCREDITING REGIONAL MUSEUMS<br />
ON THE BASIS OF QUALITY STANDARDS<br />
AND GOALS PURSUANT TO REGIONAL LAW<br />
18/00 “NORMS REGULATING LIBRARIES,<br />
HISTORICAL ARCHIVES, MUSEUMS, AND<br />
CULTURAL HERITAGE”<br />
The first accreditation of the museums was<br />
adopted with<br />
REGIONAL COUNCIL DECREE 2049/09<br />
“FIRST ACCREDITATION OF THE MUSEUMS<br />
OF THE EMILIA-ROMAGNA REGION ON<br />
THE BASIS OF QUALITY STANDARDS AND<br />
GOALS PURSUANT TO REGIONAL LAW<br />
18/00 “NORMS REGULATING LIBRARIES,<br />
HISTORICAL ARCHIVES, MUSEUMS, AND<br />
CULTURAL HERITAGE – YEAR 2009”<br />
REGIONAL COUNCIL DECREE 1662/10<br />
“FIRST ACCREDITATION OF THE MUSEUMS<br />
OF THE EMILIA-ROMAGNA REGION ON<br />
THE BASIS OF QUALITY STANDARDS AND<br />
GOALS PURSUANT TO REGIONAL LAW<br />
18/00 “NORMS REGULATING LIBRARIES,<br />
HISTORICAL ARCHIVES, MUSEUMS, AND<br />
CULTURAL HERITAGE – YEAR <strong>2010</strong><br />
REGIONAL COUNCIL DECREE 1837/11<br />
“FIRST ACCREDITATION OF THE MUSEUMS<br />
OF THE EMILIA-ROMAGNA REGION ON<br />
THE BASIS OF QUALITY STANDARDS AND<br />
GOALS PURSUANT TO REGIONAL LAW<br />
18/00 “NORMS REGULATING LIBRARIES,<br />
HISTORICAL ARCHIVES, MUSEUMS, AND<br />
CULTURAL HERITAGE – YEAR 2011”<br />
The work<strong>in</strong>g group for the accreditation of<br />
regional museums on the basis of quality<br />
standards and goals, as set out <strong>in</strong> <strong>Region</strong>al<br />
Council Decree 1888/08, was established with<br />
managerial decree 185/<strong>2010</strong>.<br />
The work<strong>in</strong>g group has the follow<strong>in</strong>g members:<br />
Maura Grandi (Civic Museums of the<br />
Municipality of Bologna, municipal delegate);<br />
Angelo Andreotti (Ferrara Civic Museums of<br />
Ancient Art, municipal delegate); Luciana Prati<br />
(Civic Art Gallery of Forlì, municipal delegate);<br />
Ilaria Pul<strong>in</strong>i (Modena Civic Museum of<br />
Archaeology and Ethnology, municipal delegate);<br />
Antonella Gigli (Palazzo Farnese Museums<br />
of Piacenza, municipal delegate); Francesca<br />
Masi (NatuRa Museum of Ravenna, municipal<br />
delegate); Elisabetta Farioli (Civic Museums of<br />
Reggio <strong>Emilia</strong>, municipal delegate); Maurizio<br />
Biordi (Rim<strong>in</strong>i Municipal Museums, municipal<br />
delegate); Claudia Pedr<strong>in</strong>i (Imola Civic<br />
Museums, Bologna prov<strong>in</strong>cial delegate); Ner<strong>in</strong>a<br />
Baldi (Ecomuseum System of the Municipality of<br />
Argenta, Ferrara prov<strong>in</strong>cial delegate); V<strong>in</strong>cenza<br />
Bambi (Silvestro Lega Art Gallery of Modigliana,<br />
Forlì Cesena prov<strong>in</strong>cial delegate); Manuela Rossi<br />
(Civic Museums of Carpi, Modena prov<strong>in</strong>cial<br />
delegate); Anna Mavilla (Brozzi Museum of<br />
Traversetolo, Parma prov<strong>in</strong>cial delegate); Carlo<br />
Francou (Piacenza Natural Science Museum<br />
and Geological Museum of Castell’Arquato,<br />
Piacenza prov<strong>in</strong>cial delegate); Eloisa Gennaro<br />
(Museum System of the Prov<strong>in</strong>ce of Ravenna,<br />
Ravenna prov<strong>in</strong>cial delegate); Gabriele Fabbrici<br />
(Civic Museum of Correggio, Reggio <strong>Emilia</strong><br />
prov<strong>in</strong>cial delegate); Maria Luisa Stoppioni<br />
(Reg<strong>in</strong>a Museum, Cattolica, Rim<strong>in</strong>i prov<strong>in</strong>cial<br />
delegate); Gilberta Franzoni (Director of the<br />
Office for Cultural Institutes of the Prov<strong>in</strong>ce of<br />
Bologna, UPI delegate); Gian Pietro Cammarota<br />
(Bologna National P<strong>in</strong>acotheque, delegate of the<br />
M<strong>in</strong>istry for Cultural Heritage and Activities);<br />
Enrico Bertoni (Bert<strong>in</strong>oro Interreligious<br />
Museum Foundation FC, private museums<br />
representative); Micaela Lippar<strong>in</strong>i (Cultural<br />
Department, regional delegate); Laura Carl<strong>in</strong>i<br />
(Director of the IBC Museum Service) and<br />
the follow<strong>in</strong>g IBC staff members: Valent<strong>in</strong>a<br />
Galloni; Marvet Michela Guar<strong>in</strong>o; Fiamma<br />
Lenzi; Giovanni Battista Pesce; Margherita<br />
Sani; Iolanda Silvestri; Patrizia Tamassia; Valeria<br />
Villani.
Photo credits<br />
Unless otherwise <strong>in</strong>dicated, the photos belong to the<br />
museums or come from the Catalogue of Cultural<br />
Heritage <strong>in</strong> <strong>Emilia</strong>-<strong>Romagna</strong>.<br />
p. 1: Museo della Civiltà Contad<strong>in</strong>a Archive;<br />
p. 2: Costant<strong>in</strong>o Ferlauto, IBC (left) and Andrea<br />
Scardova, IBC (top, middle, right);<br />
p. 3: Matteo Monti, MAMbo - Museo d’Arte<br />
Moderna di Bologna;<br />
p. 9: R<strong>in</strong>o Bertuzzi, Museo del Patrimonio<br />
Industriale, Photo Archive;<br />
p. 11: Matteo Monti;<br />
p. 12: Raffaello Scatasta (top and left) and Pier<br />
Paolo Zannoni (middle and right), MEUS;<br />
p. 13: Studio Pym Nicoletti/Studio Cesari;<br />
p. 14: Matteo Monti (left) and Bruno Bani (right),<br />
Museo Morandi;<br />
p. 14bis: Roberto Serra (top and left) and Matteo<br />
Monti (middle and right), Casa Morandi;<br />
pp. 15, 16, 17, 18:<br />
Vittorio Bonaga, Pierluigi Mioli and Sergio<br />
Orselli, Musei civici di Budrio;<br />
p. 20: Federico Labanti;<br />
p. 21: Andrea Scardova, IBC (middle) and Musei<br />
Civici di Imola Archive;<br />
p. 23: Marco Ravenna (top and left), Marcello<br />
Bertoni (middle) and Sergio Orselli (right);<br />
p. 25: Tomaso Mario Bolis (top and right) and<br />
Mauro Bacci (left);<br />
p. 26: Luciano Calzolai;<br />
p. 27: Luciano Marchi;<br />
p. 28: Stefano Semenzato;<br />
p. 29: Fabio Lambert<strong>in</strong>i (left and middle) and E.<br />
Rizzoli (right);<br />
p. 30: Antonio Marzocchi (top), Andrea Morisi<br />
(left), Bett<strong>in</strong>a Maccagnani (middle) and<br />
Romano Serra (right);<br />
p. 31: Museo della Preistoria Luigi Don<strong>in</strong>i;<br />
p. 32: Fabio Lambert<strong>in</strong>i;<br />
pp. 33, 34:<br />
Sergio Stignani;<br />
p. 37: Costant<strong>in</strong>o Ferlauto, IBC (left) and Sergio<br />
Orselli (top and right);<br />
p. 38: Le Immag<strong>in</strong>i multimedia – Ferrara;<br />
p. 49: Salvatore Mirabella;<br />
p. 53: Casa Moretti Photo Archive (top and right)<br />
and Costant<strong>in</strong>o Ferlauto, IBC (left and<br />
middle);<br />
p. 54: Costant<strong>in</strong>o Ferlauto, IBC;<br />
pp. 55, 57, 58:<br />
Giorgio Sabat<strong>in</strong>i;<br />
p. 56: Giorgio Sabat<strong>in</strong>i (top and left) and Luca<br />
Massari (right);<br />
p. 59: Anna Gamber<strong>in</strong>i (top, left, middle) and<br />
Tommaso Raffoni (right);<br />
p. 60: Matteo Rossi - Viterbo Fotoc<strong>in</strong>e, Longiano;<br />
p. 61: Roberto Nanni (right) and Costant<strong>in</strong>o<br />
Ferlauto, IBC (top and left);<br />
p. 63: Gabriele Melloni, Modena Prov<strong>in</strong>ce;<br />
p. 64: Giorgio Giliberti (top, left and right) and<br />
Gianni Grappi (middle);<br />
p. 66: Luigi Ottani, Modena Prov<strong>in</strong>ce;<br />
p. 67: Paolo Terzi, Modena Prov<strong>in</strong>ce;<br />
p. 68: Luigi Ottani;<br />
p. 69: Franco Bertolani (top, left and middle) and<br />
Alberto Lagomaggiore;<br />
p. 71: Galleria Civica di Modena (top, middle<br />
and right) and Maurizio Malagoli, Modena<br />
Prov<strong>in</strong>ce (left);<br />
p. 73: Paolo Terzi, Museo Civico d’Arte di Modena<br />
Photo Archive;<br />
p. 74: Maurizio Malagoli (left and right);<br />
p. 75: Walter Bellisi;<br />
p. 76: Paolo Terzi, Modena Prov<strong>in</strong>ce;<br />
p. 77: Rocco Bizzarri (top) and Alessandra<br />
Chemollo (left and right);<br />
p. 78: Mauro Davoli (top and right) and Ernesto<br />
Bern<strong>in</strong>i (left and middle);<br />
p. 79: Mauro Davoli;<br />
p. 80: Luca Rossi;<br />
p. 81: Fabrizio Dell’Aquila (top), Alessandro<br />
Gandolfi (left) and Luciano Galloni (right);<br />
p. 82: Edoardo Fornaciari (top), Alessandro<br />
Gandolfi (right), Fabrizio Dell’Aquila (middle)<br />
and Luciano Galloni (right);<br />
p. 85: Costant<strong>in</strong>o Ferlauto, IBC;<br />
pp. 87, 88, 89:<br />
Lucio Rossi;<br />
p. 91: Enrico Turillazzi;<br />
p. 92: Alessandro Gandolfi (top and middle), Luca<br />
Rossi (left) and Fabrizio Dell’Aquila (right);<br />
p. 93: Luca Trasc<strong>in</strong>elli;<br />
p. 98: Alessandro Bersani;<br />
p. 101: Gianluigi Barani and Vittorio Dordoni by<br />
curtesy of M<strong>in</strong>istero <strong>per</strong> i <strong>Beni</strong> e le Attività<br />
Culturali – Sopr<strong>in</strong>tendenza <strong>per</strong> i <strong>Beni</strong><br />
Archeologici dell’<strong>Emilia</strong>-<strong>Romagna</strong>;<br />
p. 103: Luciano Cavassa (top);<br />
p. 104: Museo della battaglia del Senio Archive;<br />
p. 105: Andrea Scardova, IBC;<br />
p. 106: Sandro Capatti (top), Studio La Foto Cervia<br />
(left and middle) and Circolo fotografico<br />
24/36 (right);<br />
p. 114: Marco Menozzi;<br />
p. 115: Pietro Parmiggiani, Museo Il Correggio<br />
Archive;<br />
p. 116: Museo Cervi Archive;<br />
p. 118: Musei Civici, Reggio <strong>Emilia</strong> Photo Archive<br />
(top) and Luigi Ghirri (left, middle, right);<br />
p. 119: Paola De Pietri, Claudio Cigar<strong>in</strong>i (left) and<br />
Claudio Cigar<strong>in</strong>i (top, middle, right);<br />
p. 120: Marco Ravenna (top), Carlo Vann<strong>in</strong>i (left and<br />
right) and Musei Civici, Reggio <strong>Emilia</strong> Photo<br />
Archive (middle);<br />
p. 123: Claudio Ballestracci;<br />
p. 124: Roberto Macrì (top and middle) and Dorigo<br />
Vanzol<strong>in</strong>i (left and right);<br />
p. 127: Terzo Maffei;<br />
pp.128, 135, 136:<br />
Emilio Salvatori.
www.ibc.regione.emilia-romagna.it