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<strong>in</strong><br />

<strong>Emilia</strong>-<strong>Romagna</strong><br />

<strong>Region</strong><br />

<strong>2010</strong>-<strong>2012</strong><br />

<strong>2012</strong> edition


<strong>in</strong> <strong>Emilia</strong>-<strong>Romagna</strong><br />

<strong>Region</strong> <strong>2010</strong>-<strong>2012</strong>


<strong>Istituto</strong> <strong>per</strong> i <strong>Beni</strong> <strong>Artistici</strong> Culturali e Naturali<br />

Museums and Cultural Heritage Service<br />

Director<br />

Laura Carl<strong>in</strong>i<br />

Project Coord<strong>in</strong>ator<br />

Giulia Pretto<br />

Our warmest thanks to all museums<br />

that gave their contribution with texts and photos.<br />

Graphic design and pag<strong>in</strong>g up<br />

Laura Bortoloni<br />

Matteo Guidi<br />

Translation<br />

The Office, Trieste<br />

© <strong>Istituto</strong> <strong>per</strong> i <strong>Beni</strong> <strong>Artistici</strong> Culturali e Naturali<br />

della <strong>Region</strong>e <strong>Emilia</strong>-<strong>Romagna</strong><br />

All rights reserved<br />

IBC<br />

Via Galliera 21, 40121 Bologna<br />

Phone +39 051/5276631<br />

Fax + 39 051/232599<br />

musei@regione.emilia-romagna.it<br />

www.ibc.regione.emilia-romagna.it<br />

Press Office<br />

ufficiostampaibc@regione.emilia-romagna.it


Index<br />

Card number Quality Museum<br />

Museums <strong>in</strong><br />

Bologna Prov<strong>in</strong>ce<br />

Bentivoglio<br />

1. Istituzione Villa Smeraldi<br />

Museo della Civiltà Contad<strong>in</strong>a<br />

Bologna<br />

2. Casa Carducci<br />

3. MAMbo Museo d’Arte Moderna<br />

Bologna<br />

4. Musei Civici d’Arte Antica:<br />

Collezioni Comunali d’Arte<br />

5. Musei Civici d’Arte Antica:<br />

Museo Civico d’Arte Industriale<br />

e Galleria Davia Bargell<strong>in</strong>i<br />

6. Musei Civici d’Arte Antica:<br />

Museo Civico Medievale<br />

7. Museo Civico Archeologico<br />

8. Museo Civico del Risorgimento<br />

9. Museo del Patrimonio<br />

Industriale<br />

10. Museo di Palazzo Poggi<br />

11. Museo Ebraico<br />

12. Museo Europeo<br />

degli Studenti<br />

13. Museo Internazionale<br />

e Biblioteca della Musica<br />

14. Museo Morandi<br />

14.bis Casa Morandi<br />

Budrio<br />

15. Museo Civico Archeologico<br />

e Paleoambientale<br />

16. Museo dei Buratt<strong>in</strong>i<br />

17. Museo dell’Ocar<strong>in</strong>a<br />

e degli Strumenti Musicali<br />

<strong>in</strong> Terracotta<br />

18. P<strong>in</strong>acoteca Civica<br />

Domenico Inzaghi<br />

Castenaso<br />

19. MUV - Museo della Civiltà<br />

Villanoviana<br />

Dozza<br />

20. Museo della Rocca<br />

di Dozza<br />

Imola<br />

21. Museo di San Domenico<br />

Collezioni d’Arte della Città<br />

22. Palazzo Tozzoni<br />

23. Rocca Sforzesca<br />

Monterenzio<br />

24. Museo Civico Archeologico<br />

Luigi Fant<strong>in</strong>i<br />

Pianoro<br />

25. Museo di Arti e Mestieri<br />

Pietro Lazzar<strong>in</strong>i<br />

Pieve di Cento<br />

26. P<strong>in</strong>acoteca Civica<br />

Porretta Terme<br />

27. Museo della Moto<br />

e dei Ciclomotori DEMM<br />

28. Museo Etnografico LabOrantes<br />

San Giovanni <strong>in</strong> Persiceto<br />

29. Museo Archeologico<br />

Ambientale<br />

Sede di San Giovanni<br />

<strong>in</strong> Persiceto<br />

30. Museo del Cielo e della Terra


Museums <strong>in</strong><br />

Ferrara Prov<strong>in</strong>ce<br />

San Lazzaro di Savena<br />

31. Museo della Preistoria<br />

Luigi Don<strong>in</strong>i<br />

Sant’Agata Bolognese<br />

32. Museo Archeologico<br />

Ambientale - Sede di Sant’Agata<br />

Bolognese<br />

Argenta<br />

33. Ecomuseo:<br />

Museo della Bonifica<br />

34. Ecomuseo:<br />

Museo delle Valli<br />

Cento<br />

35. Galleria d’Arte Moderna Aroldo<br />

Bonzagni<br />

36. P<strong>in</strong>acoteca Civica<br />

Il Guerc<strong>in</strong>o<br />

Comacchio - Lido di Sp<strong>in</strong>a<br />

37. Casa Museo<br />

Remo Br<strong>in</strong>disi<br />

Ferrara<br />

38. Castello Estense<br />

di Ferrara<br />

39. Museo Civico di Storia Naturale<br />

40. Museo d’Arte Moderna<br />

e Contemporanea “Filippo<br />

de Pisis”<br />

41. Museo della Cattedrale<br />

42. Museo dell’Ottocento<br />

42.bis Museo Bold<strong>in</strong>i<br />

43. Palazz<strong>in</strong>a Marfisa d’Este<br />

44. Palazzo Bonaccossi<br />

e Museo Rim<strong>in</strong>aldi<br />

45. Palazzo Schifanoia<br />

Mesola<br />

46. Museo del Bosco<br />

e del Cervo della Mesola<br />

Ostellato<br />

47. Museo Civico<br />

del Territorio<br />

Museums <strong>in</strong><br />

Forlì-Cesena Prov<strong>in</strong>ce<br />

Museums <strong>in</strong><br />

Modena Prov<strong>in</strong>ce<br />

Bagno di <strong>Romagna</strong><br />

48. IDRO Ecomuseo delle Acque<br />

di Ridracoli<br />

Bert<strong>in</strong>oro<br />

49. Fondazione Museo<br />

Interreligioso di Bert<strong>in</strong>oro<br />

Borghi<br />

50. Museo e Biblioteca Renzi<br />

Cesena<br />

51. Museo Archeologico<br />

52. P<strong>in</strong>acoteca Comunale<br />

Cesenatico<br />

53. Casa Museo Mar<strong>in</strong>o Moretti<br />

54. Museo della Mar<strong>in</strong>eria dell’Alto<br />

e Medio Adriatico<br />

Forlì<br />

55. Armeria Albic<strong>in</strong>i<br />

56. Musei San Domenico<br />

57. Museo Etnografico Romagnolo<br />

Pergoli<br />

58. P<strong>in</strong>acoteca Civica Melozzo degli<br />

Ambrogi<br />

Galeata<br />

59. Museo Civico Mons. Domenico<br />

Mambr<strong>in</strong>i<br />

Longiano<br />

60. Fondazione Tito Balestra Onlus<br />

Santa Sofia<br />

61. Galleria d’Arte Contemporanea<br />

Vero Stoppioni<br />

Savignano sul Rubicone<br />

62. Museo Archeologico<br />

del Compito Don Giorgio<br />

Franch<strong>in</strong>i<br />

Bastiglia<br />

63. Museo della Civiltà Contad<strong>in</strong>a<br />

Campogalliano<br />

64. Museo della Bilancia<br />

Carpi<br />

65. Musei di Palazzo dei Pio


Museums <strong>in</strong><br />

Parma Prov<strong>in</strong>ce<br />

66. Museo Monumento<br />

al Deportato politico<br />

e razziale nei campi<br />

di sterm<strong>in</strong>io nazisti<br />

Castelfranco <strong>Emilia</strong><br />

67. Museo Civico Archeologico<br />

“Anton Celeste Simon<strong>in</strong>i”<br />

Fiorano Modenese<br />

68. Museo della Ceramica<br />

Formig<strong>in</strong>e<br />

69. Museo e Centro<br />

di documentazione<br />

del Castello<br />

Mirandola<br />

70. Museo Civico di Mirandola<br />

Modena<br />

71. Galleria Civica di Modena<br />

72. Museo Civico Archeologico<br />

Etnologico<br />

73. Museo Civico d’Arte<br />

74. Museo della Figur<strong>in</strong>a<br />

Montese<br />

75. Raccolta di Cose Montes<strong>in</strong>e<br />

Nonantola<br />

76. Museo di Nonantola<br />

Spilamberto<br />

77. Museo dell’Aceto Balsamico<br />

Tradizionale<br />

Berceto<br />

78. Museo Mart<strong>in</strong>o Jasoni<br />

Collecchio<br />

79. Museo Ettore Guatelli<br />

80. Museo del Pomodoro<br />

Fel<strong>in</strong>o<br />

81. Museo del Salame di Fel<strong>in</strong>o<br />

Langhirano<br />

82. Museo del Prosciutto<br />

e dei Salumi di Parma<br />

Museums <strong>in</strong><br />

Piacenza Prov<strong>in</strong>ce<br />

Neviano degli Ardu<strong>in</strong>i<br />

83. Museo Uomo-Ambiente.<br />

Il territorio nel tempo<br />

Noceto<br />

84. Castello della Musica:<br />

Museo del Disco<br />

Museo di Liuteria<br />

Parma<br />

85. Castello dei Buratt<strong>in</strong>i<br />

Museo Giordano Ferrari<br />

86. Fondazione Museo<br />

Glauco Lombardi<br />

87. Museo Casa Natale<br />

Arturo Toscan<strong>in</strong>i<br />

88. Casa del Suono<br />

89. Museo dell’O<strong>per</strong>a<br />

90. P<strong>in</strong>acoteca Giuseppe Stuard<br />

Salsomaggiore Terme<br />

91. Museo Naturalistico<br />

del Parco dello Stirone<br />

Soragna<br />

92. Museo del Parmigiano Reggiano<br />

Traversetolo<br />

93. Museo Renato Brozzi<br />

Bobbio<br />

94. Museo della Città di Bobbio<br />

Castell’Arquato<br />

95. Museo Geologico G. Cortesi<br />

96. Museo Luigi Illica<br />

Piacenza<br />

97. Galleria d’Arte Moderna<br />

Ricci Oddi<br />

98. Musei Civici di Palazzo Farnese<br />

99. Museo Civico di Storia Naturale<br />

100. Museo di Ornitologia<br />

Amatoriale<br />

Pianello Val Tidone<br />

101. Museo Archeologico<br />

della Valtidone<br />

Travo<br />

102. Museo Civico e Parco<br />

Archeologico


Museums <strong>in</strong><br />

Ravenna Prov<strong>in</strong>ce<br />

Museums <strong>in</strong><br />

Reggio <strong>Emilia</strong> Prov<strong>in</strong>ce<br />

Alfons<strong>in</strong>e<br />

103. Casa Museo V<strong>in</strong>cenzo Monti<br />

104. Museo della Battaglia del Senio<br />

Bagnara di <strong>Romagna</strong><br />

105. Museo del Castello<br />

Cervia<br />

106. MUSA. Museo del Sale<br />

Faenza<br />

107. Museo Internazionale<br />

delle Ceramiche<br />

Lugo<br />

108. Casa Museo<br />

Francesco Baracca<br />

Massa Lombarda<br />

109. Museo Carlo Ventur<strong>in</strong>i<br />

Ravenna<br />

110. Museo d’Arte<br />

della Città di Ravenna<br />

111. NatuRa. Museo Ravennate<br />

di Scienze Naturali<br />

Alfredo Brandol<strong>in</strong>i<br />

112. Piccolo Museo di Bambole<br />

e altri Balocchi<br />

Riolo Terme<br />

113. Museo del Paesaggio<br />

dell’Appenn<strong>in</strong>o Faent<strong>in</strong>o<br />

Castelnovo di Sotto<br />

114. Museo della Maschera<br />

del Carnevale.<br />

Centro di documentazione<br />

e ricerca<br />

Correggio<br />

115. Museo Civico Il Correggio<br />

Gattatico<br />

116. Museo Cervi<br />

Novellara<br />

117. Museo Gonzaga<br />

Reggio <strong>Emilia</strong><br />

118. Musei Civici:<br />

Galleria Parmeggiani<br />

Museums <strong>in</strong><br />

Rim<strong>in</strong>i Prov<strong>in</strong>ce<br />

119. Musei Civici:<br />

Museo del Tricolore<br />

120. Musei Civici:<br />

Palazzo S. Francesco<br />

Rolo<br />

121. Museo della Tarsia<br />

San Mart<strong>in</strong>o <strong>in</strong> Rio<br />

122. Museo dell’Agricoltura<br />

e del Mondo Rurale<br />

Bellaria Igea Mar<strong>in</strong>a<br />

123. La Casa Rossa di Alfredo Panz<strong>in</strong>i<br />

Cattolica<br />

124. Museo della Reg<strong>in</strong>a<br />

Monda<strong>in</strong>o<br />

125. Mostra <strong>per</strong>manente<br />

delle Maioliche Monda<strong>in</strong>esi<br />

126. Museo Paleontologico<br />

Montegridolfo<br />

127. Museo della L<strong>in</strong>ea dei Goti<br />

Montescudo<br />

128. Museo Etnografico di Valliano<br />

Poggio Berni<br />

129. Museo Mul<strong>in</strong>o Sapignoli<br />

Riccione<br />

130. Galleria d’arte moderna<br />

e contemporanea<br />

Villa Franceschi<br />

131. Museo del Territorio<br />

Rim<strong>in</strong>i<br />

132. Museo degli Sguardi. Raccolte<br />

Etnografiche di Rim<strong>in</strong>i<br />

133. Museo della Città<br />

134. Museo dell’Aviazione<br />

Santarcangelo di <strong>Romagna</strong><br />

135. MET Museo degli Usi e Costumi<br />

della Gente di <strong>Romagna</strong><br />

136. MUSAS<br />

Museo Storico Archeologico<br />

Verucchio<br />

137. Museo Civico Archeologico


From the Lat<strong>in</strong> MUSÈUM,<br />

which <strong>in</strong> turn comes from<br />

the Greek MOYSEION after<br />

MOYSA (Muse). Orig<strong>in</strong>ally, a<br />

place sacred to the Muses, or<br />

Temple of the Muses; the word<br />

later <strong>in</strong>dicated an Institute<br />

established by Ptolemy II<br />

Philadelphius <strong>in</strong> Alexandria<br />

to promote culture and<br />

support men of science and<br />

letters, who lived there thanks<br />

to public funds. Today, it<br />

<strong>in</strong>dicates a gallery or collection<br />

of material noteworthy for its<br />

excellence, rarity, or antiquity.


9 Muses


Foreword<br />

Ezio Raimondi<br />

It is with s<strong>in</strong>cere pleasure that we present this<br />

vademecum to the museums of <strong>Emilia</strong>-<strong>Romagna</strong><br />

that have been acknowledged as “quality museums”,<br />

and have thus jo<strong>in</strong>ed a novel association of sorts,<br />

a virtuous community that pools <strong>in</strong>stitutions<br />

that are quite different from each other, but with<br />

shared characteristics <strong>in</strong> terms of services offered<br />

to the public, excellent <strong>in</strong>ternal management and<br />

organizations, and activities to promote their<br />

collections. For a museum, quality translates <strong>in</strong>to<br />

substance <strong>in</strong> terms of its ability to attentively adapt to<br />

its users’ needs, as an open, <strong>in</strong>teractive, and constantly<br />

evolv<strong>in</strong>g <strong>in</strong>stitution.<br />

Of course, what we are document<strong>in</strong>g today is merely<br />

the first step <strong>in</strong> a shared journey, which will <strong>in</strong>volve,<br />

over time, many more museums active <strong>in</strong> our region.<br />

A logo is ready for the first museums, and for all<br />

those that will follow <strong>in</strong> their footsteps. It was selected<br />

through a pa<strong>in</strong>stak<strong>in</strong>g competition which saw the<br />

enthusiastic participation of many young designers<br />

and graphic artists.


The logo, chosen from 70 submitted projects, plays<br />

off multiple associations of ideas, start<strong>in</strong>g with the long<br />

history of an association whose very name alludes to<br />

the n<strong>in</strong>e muses of art and science. The result<strong>in</strong>g image<br />

– fresh, stylish, and catchy all at once – represents a<br />

precise leitmotif and an excellent viaticum for a new<br />

museum season that can reaffirm the <strong>in</strong>creas<strong>in</strong>gly<br />

self-aware and o<strong>per</strong>ational role of these vital hubs<br />

of culture.<br />

Quality must also be the trademark of a style,<br />

of creative efficiency.


9 Prov<strong>in</strong>ces


The vademecum of quality<br />

Laura Carl<strong>in</strong>i<br />

Valoris<strong>in</strong>g the quality museums of <strong>Emilia</strong>-<strong>Romagna</strong><br />

is the goal of this pocket vademecum dedicated to the<br />

museums that have acquired the status of “accredited<br />

museum”. This is the first nucleus of cultural <strong>in</strong>stitutions<br />

that can guarantee the standards of function<strong>in</strong>g def<strong>in</strong>ed<br />

by the <strong>Emilia</strong>-<strong>Romagna</strong> regional government with<br />

<strong>Region</strong>al Council Deliberation n. 309/03 Approval of<br />

quality standards and goals for libraries, historical archives<br />

and museums pursuant to art. 10 of <strong>Region</strong>al Law 18/00<br />

“Norms regulat<strong>in</strong>g libraries, historical archives, museums,<br />

and cultural heritage”.<br />

The museums that obta<strong>in</strong>ed the first regional<br />

accreditation, valid for <strong>2010</strong>-<strong>2012</strong>, meet the quality<br />

requisites <strong>in</strong> the follow<strong>in</strong>g fields: legal status, f<strong>in</strong>ancial<br />

structure, facilities and safety & security, staff, collection<br />

management and care (conservation, documentation,<br />

and research), visitor services and relations with the<br />

local communities.<br />

The vademecum comprises a series of brief chapters<br />

that <strong>in</strong>troduce each museum and highlight its salient<br />

characteristics. It is the result of collaborative efforts


with the museum directors, who drafted the brief texts<br />

that present their <strong>in</strong>stitutes and highlight their most<br />

dist<strong>in</strong>ctive traits: the uniqueness and orig<strong>in</strong>ality of each<br />

<strong>in</strong>stitution; the value of their collections; the <strong>in</strong>novative<br />

or historic aspects of the build<strong>in</strong>gs that house them<br />

and of the exhibits themselves; the dedication to research,<br />

studies, and documentation; the rigour with which<br />

collections are handled and preserved; the attention given<br />

to <strong>in</strong>volv<strong>in</strong>g local communities, educational services,<br />

and the public at large; and relations with the local<br />

territory and urban systems.<br />

In order to dist<strong>in</strong>guish these quality museums, IBC<br />

has created the QUALITY MUSEUM logo, through<br />

a public competition reserved to young artists and<br />

designers work<strong>in</strong>g <strong>in</strong> <strong>Emilia</strong>-<strong>Romagna</strong>. The logo, with<br />

its visual identification system, is one of the ma<strong>in</strong> tools<br />

to consolidate the image of <strong>Emilia</strong>-<strong>Romagna</strong>’s quality<br />

museum system and to ensure maximum visibility<br />

to the accredited museums, by graphically highlight<strong>in</strong>g<br />

their <strong>in</strong>clusion <strong>in</strong> this elite group.<br />

Subsequent editions of the guide will <strong>in</strong>clude all the<br />

additional museums that have qualified for the quality<br />

designation. The procedure for accreditation rema<strong>in</strong>s<br />

open to all of the region’s museums that want to submit<br />

their candidacy, even <strong>in</strong> future years. The IBC’s Museums<br />

and Cultural Heritage Service, assisted by a work<strong>in</strong>g group<br />

made up of representatives from the museum world,<br />

was responsible for bestow<strong>in</strong>g the <strong>in</strong>itial recognitions<br />

and cont<strong>in</strong>ues its monitor<strong>in</strong>g and encouragement efforts<br />

to develop the regional museum system to its fullest<br />

potential.


137 Museums


<strong>in</strong> <strong>Emilia</strong>-<strong>Romagna</strong><br />

<strong>Region</strong> <strong>2010</strong>-<strong>2012</strong>


The quality museums<br />

<strong>2010</strong>-<strong>2012</strong>


Piacenza<br />

97-98<br />

99-100<br />

101<br />

92<br />

Pianello<br />

46<br />

Val Tidone<br />

Soragna<br />

121<br />

38-39-40<br />

Mesola<br />

102<br />

70<br />

41-42-42 bis<br />

95<br />

85-86<br />

Rolo<br />

Travo<br />

96<br />

Mirandola<br />

43-44-45<br />

87-88<br />

117<br />

Castell’Arquato<br />

89-90<br />

114<br />

Novellara<br />

91<br />

84<br />

Ferrara<br />

Castelnovo<br />

65<br />

Salsomaggiore<br />

Noceto<br />

di Sotto<br />

94<br />

Parma<br />

116<br />

115<br />

66<br />

Terme<br />

Carpi<br />

35<br />

Bobbio<br />

Gattatico<br />

Correggio<br />

36<br />

47<br />

63<br />

79<br />

118-119<br />

122<br />

Cento<br />

Ostellato<br />

80<br />

Bastiglia<br />

92<br />

120 San Mart<strong>in</strong>o<br />

26<br />

Collecchio 81<br />

<strong>in</strong> Rio<br />

64<br />

46 76<br />

Soragna<br />

Pieve di Cento<br />

Reggio <strong>Emilia</strong><br />

71-72<br />

Campogalliano 73-74 Nonantola 32<br />

121<br />

Fel<strong>in</strong>o<br />

38-39-40<br />

Mesola<br />

37<br />

70<br />

29<br />

97-98<br />

93 41-42-42 bis<br />

Sant’Agata Bolognese 30<br />

33<br />

85-86<br />

Rolo<br />

82<br />

34<br />

Comacchio<br />

Mirandola 99-100<br />

Traversetolo<br />

43-44-45<br />

Modena<br />

87-88<br />

117<br />

San Giovanni<br />

<strong>in</strong> Persiceto<br />

1<br />

Argenta<br />

97-98 89-90<br />

114<br />

Langhirano<br />

67<br />

84<br />

Novellara<br />

Piacenza<br />

83<br />

69<br />

Bentivoglio<br />

15-16<br />

99-100<br />

Ferrara<br />

Castelnovo<br />

Castelfranco <strong>Emilia</strong><br />

17-18<br />

Noceto<br />

65<br />

Neviano degli<br />

97-98<br />

Parma<br />

di Sotto<br />

Formig<strong>in</strong>e<br />

2-3-4-5<br />

Piacenza<br />

116<br />

115 101 66<br />

Ardu<strong>in</strong>i<br />

99-100<br />

68<br />

77<br />

6-7-8-9<br />

Budrio<br />

103<br />

Carpi<br />

35<br />

92<br />

10-11-12<br />

104<br />

Gattatico<br />

CorreggioPianello<br />

78<br />

36<br />

47<br />

Fiorano Spilamberto<br />

19<br />

46<br />

Val Tidone<br />

63<br />

Piacenza<br />

79<br />

118-119<br />

122<br />

Soragna<br />

13-14<br />

Alfons<strong>in</strong>e<br />

Berceto<br />

Cento<br />

OstellatoModenese<br />

121<br />

Castenaso<br />

14 38-39-40<br />

Mesola<br />

80<br />

bis<br />

120 92<br />

70<br />

San Mart<strong>in</strong>o<br />

102 Bastiglia<br />

26<br />

Bologna 31<br />

46<br />

41-42-42 bis<br />

Collecchio 81<br />

95<br />

101<br />

Soragna <strong>in</strong> Rio<br />

64<br />

76<br />

85-86<br />

Rolo<br />

Travo<br />

Pieve di<br />

109<br />

96 Cento<br />

92 Mirandola<br />

43-44-45<br />

San Lazzaro<br />

110-111<br />

Reggio <strong>Emilia</strong><br />

71-72<br />

121<br />

87-88<br />

117<br />

Mesola<br />

108<br />

102<br />

Campogalliano<br />

38-39-40<br />

73-74 Nonantola 32<br />

Fel<strong>in</strong>o<br />

Pianello<br />

Castell’Arquato<br />

70<br />

di Savena<br />

Massa<br />

112<br />

Val Tidone<br />

89-90<br />

114<br />

41-42-42 bis 37<br />

93<br />

29<br />

95<br />

85-86<br />

Soragna<br />

Sant’Agata Bolognese 30<br />

Rolo<br />

Novellara<br />

91<br />

84<br />

33<br />

Ferrara Lombarda Lugo<br />

avo<br />

Mirandola<br />

43-44-45<br />

25<br />

121<br />

38-39-40<br />

82<br />

96<br />

87-88<br />

117<br />

102<br />

34 Castelnovo<br />

Comacchio<br />

105<br />

Ravenna<br />

21-22<br />

70<br />

Traversetolo<br />

Modena<br />

San Giovanni<br />

65<br />

41-42-42 bis<br />

Castell’Arquato<br />

Salsomaggiore<br />

Noceto<br />

di Sotto<br />

94 89-90<br />

<strong>in</strong> 114 Persiceto<br />

1<br />

Parma Argenta<br />

95<br />

66<br />

Pianoro<br />

85-86<br />

20 23 Rolo<br />

Langhirano<br />

Novellara<br />

Travo<br />

116<br />

96<br />

115<br />

97-98<br />

Bagnara Mirandola<br />

43-44-45<br />

91<br />

84<br />

67<br />

Terme<br />

Ferrara<br />

87-88<br />

117<br />

83<br />

69<br />

99-100<br />

Carpi<br />

24 35<br />

Bobbio<br />

Castelnovo<br />

Bentivoglio<br />

15-16<br />

65<br />

Gattatico Castell’Arquato Correggio<br />

89-90<br />

36 114Dozza<br />

di <strong>Romagna</strong><br />

47<br />

Imola<br />

Salsomaggiore<br />

Noceto Parma Castelfranco <strong>Emilia</strong> di Sotto<br />

17-18<br />

Novellara<br />

91<br />

84 63<br />

Neviano degli<br />

Formig<strong>in</strong>e<br />

116<br />

115<br />

66 79<br />

122<br />

Monterenzio<br />

Ferrara<br />

Terme<br />

2-3-4-5<br />

118-119<br />

Cento<br />

Piacenza<br />

Castelnovo<br />

Ostellato<br />

Ardu<strong>in</strong>i<br />

68<br />

77<br />

Carpi<br />

80<br />

35<br />

120<br />

65 107<br />

Salsomaggiore<br />

Noceto Bastiglia<br />

Parma<br />

di Sotto 26<br />

Gattatico<br />

Correggio<br />

6-7-8-9<br />

Budrio<br />

103 San Mart<strong>in</strong>o<br />

Collecchio 94 81<br />

36<br />

75<br />

64<br />

47<br />

116<br />

115113<br />

66<br />

Terme<strong>in</strong><br />

Rio<br />

76<br />

Faenza<br />

106<br />

79<br />

122 10-11-12<br />

63<br />

104<br />

Fiorano Spilamberto<br />

19<br />

118-119<br />

Cento<br />

71-72<br />

Pieve di Cento<br />

101<br />

Carpi<br />

55-56<br />

35<br />

80<br />

13-14<br />

Bobbio<br />

Reggio <strong>Emilia</strong> Alfons<strong>in</strong>e<br />

Montese Campogalliano<br />

Ostellato<br />

Modenese<br />

73-74 Nonantola 32<br />

92<br />

Riolo<br />

36<br />

47<br />

120<br />

Castenaso Bastiglia<br />

Gattatico<br />

Correggio<br />

63<br />

Cervia<br />

37<br />

92<br />

San Mart<strong>in</strong>o 14 bis<br />

Fel<strong>in</strong>o<br />

26<br />

29<br />

Terme<br />

57-58<br />

Pianello<br />

79<br />

122<br />

Collecchio 81<br />

Bologna<br />

93<br />

<strong>in</strong> Rio<br />

6431<br />

76<br />

Sant’Agata 46 Bolognese 30<br />

118-119<br />

33<br />

Cento<br />

53<br />

Ostellato<br />

82<br />

Val Tidone<br />

80<br />

Soragna<br />

Bastiglia 34<br />

Comacchio<br />

Soragna<br />

Pieve di Cento<br />

Reggio <strong>Emilia</strong><br />

71-72<br />

54<br />

Campogalliano<br />

Modena<br />

120 San Mart<strong>in</strong>o<br />

Forlì<br />

26<br />

73-74 Nonantola 32<br />

109<br />

Fel<strong>in</strong>o<br />

San Lazzaro<br />

Traversetolo<br />

San Giovanni<br />

121<br />

64<br />

27<br />

76 121<br />

102<br />

Cesenatico<br />

38-39-40<br />

29<br />

38-39-40<br />

110-111<br />

Mesola<br />

Collecchio 81<br />

37<br />

<strong>in</strong> 97-98 Persiceto<br />

1 <strong>in</strong> Rio<br />

Argenta<br />

93<br />

70<br />

108<br />

di Savena<br />

70<br />

Sant’Agata Langhirano Bolognese 30<br />

Massa 41-42-42<br />

112<br />

bis<br />

33<br />

28<br />

67<br />

71-72<br />

49 Pieve di<br />

51<br />

Cento<br />

41-42-42 bis<br />

95<br />

85-86<br />

83<br />

69 95<br />

99-100 Reggio <strong>Emilia</strong> 85-86 Campogalliano<br />

Rolo<br />

Travo<br />

52Mirandola<br />

43-44-45<br />

Porretta Terme<br />

96<br />

73-74 Nonantola 32<br />

Fel<strong>in</strong>o<br />

Bentivoglio<br />

15-16<br />

82<br />

Rolo<br />

Comacchio<br />

Modena<br />

Lombarda<br />

34<br />

Traversetolo<br />

Mirandola<br />

San Giovanni 43-44-45 Lugo<br />

96<br />

87-88<br />

117<br />

25<br />

Ravenna<br />

Castelfranco <strong>Emilia</strong> 93<br />

87-88<br />

17-18<br />

117<br />

29<br />

123<br />

Bert<strong>in</strong>oro 30<br />

Castell’Arquato<br />

Sant’Agata Bolognese<br />

33<br />

Neviano <strong>in</strong> Persiceto degli<br />

21-22<br />

105 1<br />

Formig<strong>in</strong>e Argenta<br />

ato<br />

Cesena<br />

62<br />

89-90<br />

Langhirano114<br />

67<br />

82 Piacenza<br />

2-3-4-589-90<br />

114<br />

34<br />

Novellara 83<br />

69<br />

Ardu<strong>in</strong>i<br />

Traversetolo<br />

Novellara<br />

Bellaria 132<br />

91<br />

84<br />

Modena<br />

Bentivoglio<br />

15-16<br />

68<br />

77<br />

6-7-8-9<br />

Budrio<br />

San Giovanni<br />

91<br />

84<br />

Pianoro<br />

20 23<br />

Ferrara Bagnara<br />

103<br />

Savignano sul Rubicone Igea Mar<strong>in</strong>a<br />

Ferrara<br />

Castelnovo<br />

<strong>in</strong> Persiceto<br />

1<br />

133<br />

Argenta<br />

Castelnovo<br />

Langhirano<br />

10-11-12<br />

104<br />

78 24 Castelfranco <strong>Emilia</strong><br />

17-18<br />

65<br />

134<br />

101 Salsomaggiore<br />

Noceto<br />

67<br />

Fiorano Spilamberto<br />

19<br />

Neviano degli<br />

65<br />

Salsomaggiore<br />

Noceto<br />

Formig<strong>in</strong>e<br />

Dozza<br />

di <strong>Romagna</strong><br />

Parma<br />

di Sotto<br />

Imola<br />

Parma<br />

di Sotto<br />

94<br />

2-3-4-5<br />

83<br />

13-14<br />

69<br />

116<br />

115<br />

Alfons<strong>in</strong>e 66<br />

Bentivoglio 60<br />

135 15-16<br />

116<br />

Ardu<strong>in</strong>i<br />

115<br />

66<br />

Terme<br />

Berceto Monterenzio 68<br />

77<br />

6-7-8-9<br />

Budrio Modenese<br />

Terme<br />

103<br />

Castenaso<br />

14 bis<br />

92 Castelfranco <strong>Emilia</strong><br />

136 17-18 Rim<strong>in</strong>i<br />

Carpi<br />

35<br />

107<br />

Pianello<br />

Carpi Longiano<br />

35<br />

Bobbio 10-11-12<br />

Neviano degli<br />

104<br />

78<br />

Bologna 31<br />

Formig<strong>in</strong>e<br />

Gattatico<br />

Correggio<br />

Val Tidone<br />

Gattatico<br />

Correggio<br />

2-3-4-5<br />

Fiorano Spilamberto 36<br />

19 47<br />

Ardu<strong>in</strong>i<br />

Soragna<br />

63 Santarcangelo<br />

36<br />

130<br />

The 13-14<br />

79<br />

68<br />

77<br />

San Lazzaro<br />

118-119<br />

122109<br />

79 quality museums<br />

75<br />

122<br />

63<br />

113<br />

Alfons<strong>in</strong>e<br />

6-7-8-9di<br />

<strong>Romagna</strong> 110-111 Budrio<br />

121<br />

131<br />

Berceto<br />

118-119<br />

Modenese<br />

Faenza<br />

106<br />

Cento<br />

Castenaso<br />

14 102<br />

Cento<br />

80<br />

bis<br />

55-56 Ostellato<br />

78<br />

80<br />

108<br />

70<br />

Montese 120<br />

di Savena<br />

120<br />

95<br />

59 San<br />

Bastiglia 10-11-12<br />

Fiorano Spilamberto<br />

19<br />

San Mart<strong>in</strong>o<br />

Bastiglia<br />

26<br />

Riolo Bologna 31<br />

85-86Mart<strong>in</strong>o<br />

Massa<br />

129 112<br />

Riccione 26<br />

64<br />

13-14<br />

50 Poggio Rolo<br />

Travo<br />

Collecchio 81 96<br />

<strong>in</strong> Rio<br />

76<br />

Alfons<strong>in</strong>e<br />

Collecchio 81<br />

<strong>in</strong> Rio<br />

64<br />

76<br />

Terme<br />

57-58<br />

Cervia<br />

Berceto<br />

109 53<br />

Modenese<br />

Lombarda Lugo<br />

Mirandola 124<br />

Galeata 87-88<br />

71-72<br />

14 bis 117<br />

Castenaso<br />

Pieve di Cento<br />

San Lazzaro<br />

110-111 25<br />

Berni Pieve di Cento<br />

Reggio <strong>Emilia</strong><br />

71-72<br />

54<br />

Reggio <strong>Emilia</strong><br />

Ravenna<br />

Campogalliano<br />

108 Castell’Arquato<br />

21-22<br />

61 89-90Campogalliano<br />

105<br />

73-74 114 Bologna<br />

Borghi Nonantola<br />

31<br />

di Savena<br />

32<br />

73-74 Nonantola 32<br />

Fel<strong>in</strong>o<br />

Forlì<br />

Massa 37<br />

Fel<strong>in</strong>o 112<br />

Pianoro<br />

Novellara 137<br />

Cattolica<br />

93<br />

27<br />

29<br />

Cesenatico<br />

91 93<br />

84 20 23<br />

29<br />

109<br />

Sant’Agata Bolognese 30<br />

33<br />

28<br />

Lombarda Lugo<br />

Bagnara<br />

Santa Sofia<br />

Castelnovo<br />

Sant’Agata San Lazzaro Bolognese 30<br />

25<br />

Ravenna 82<br />

Verrucchio 128<br />

108<br />

82<br />

34<br />

49<br />

51<br />

<strong>2010</strong>-<strong>2012</strong><br />

Comacchio<br />

21-22<br />

105<br />

24<br />

di Sotto<br />

65<br />

Salsomaggiore Traversetolo<br />

Noceto Dozza<br />

di <strong>Romagna</strong> Modena<br />

di Savena<br />

Traversetolo<br />

Modena<br />

San Giovanni<br />

52<br />

94<br />

Imola<br />

48<br />

Parma<br />

San Giovanni<br />

Massa<br />

Porretta Terme<br />

123<br />

116<br />

115<br />

66<br />

2<br />

<strong>in</strong> Persiceto<br />

1<br />

1<br />

Pianoro<br />

Argenta Bert<strong>in</strong>oro<br />

20 23<br />

Langhirano Terme<br />

<strong>in</strong> Persiceto<br />

2567<br />

Montescudo<br />

Lombarda Lugo<br />

Langhirano<br />

67<br />

46 Cesena<br />

62<br />

Bagnara<br />

Monterenzio<br />

69<br />

Carpi<br />

35<br />

83<br />

Bentivoglio<br />

15-16<br />

Bellaria<br />

Bobbio<br />

83<br />

Bagno di <strong>Romagna</strong><br />

Gattatico 107 69<br />

Correggio<br />

125Bentivoglio21-22<br />

15-16105<br />

24<br />

Dozza<br />

di <strong>Romagna</strong><br />

132<br />

36<br />

Mesola<br />

Imola 75<br />

Castelfranco Pianoro <strong>Emilia</strong><br />

79<br />

122<br />

126<br />

63<br />

113<br />

17-18<br />

Neviano degli<br />

Formig<strong>in</strong>e<br />

118-119<br />

20 23<br />

121<br />

Castelfranco <strong>Emilia</strong><br />

38-39-40<br />

17-18<br />

Savignano sul Rubicone Igea Mar<strong>in</strong>a 133<br />

Neviano degli<br />

70 Formig<strong>in</strong>e<br />

134<br />

Faenza<br />

106 127<br />

Bagnara<br />

Monterenzio<br />

Cento<br />

41-42-42 2-3-4-5 bis<br />

80<br />

120 San Mart<strong>in</strong>o<br />

Monda<strong>in</strong>o Bastiglia<br />

2-3-4-5<br />

Ardu<strong>in</strong>i<br />

55-56<br />

68<br />

77<br />

24<br />

Montese<br />

107<br />

Dozza<br />

di <strong>Romagna</strong><br />

85-86<br />

Ardu<strong>in</strong>i<br />

60<br />

135<br />

Riolo<br />

26<br />

Rolo<br />

Collecchio 81<br />

<strong>in</strong> Rio<br />

64 Montegridolfo<br />

Cervia 6-7-8-9 Imola Budrio<br />

Mirandola<br />

68<br />

77<br />

43-44-45 6-7-8-9<br />

Budrio<br />

103<br />

136 Rim<strong>in</strong>i<br />

76<br />

78<br />

Terme<br />

57-58<br />

87-88<br />

117<br />

75<br />

10-11-12<br />

104<br />

78 The numbers on the map address the numbers of the museum cards<br />

113<br />

106<br />

71-72 10-11-12<br />

Pieve di Cento<br />

FioranoReggio<br />

<strong>Emilia</strong> Spilamberto<br />

Monterenzio<br />

53<br />

Faenza<br />

19<br />

89-90<br />

114<br />

Fiorano Spilamberto<br />

19<br />

Longiano<br />

Santarcangelo<br />

130<br />

13-14<br />

Alfons<strong>in</strong>e<br />

Campogalliano 73-74 Nonantola 32<br />

Fel<strong>in</strong>o<br />

13-14 54<br />

55-56<br />

107<br />

84 Berceto<br />

Novellara<br />

Modenese<br />

Montese<br />

Riolo Berceto<br />

Modenese<br />

Forlì<br />

Castenaso<br />

Ferrara<br />

Castenaso<br />

di <strong>Romagna</strong><br />

131<br />

14 75<br />

93<br />

Cesenatico 14 bis<br />

29<br />

bis<br />

27<br />

Cervia<br />

BolognaSant’Agata<br />

31 Bolognese<br />

113<br />

Terme<br />

57-58<br />

Castelnovo<br />

Bologna 31<br />

59<br />

Faenza 30<br />

28<br />

129<br />

Riccione<br />

53<br />

65<br />

Montese 82<br />

49<br />

54<br />

Traversetolo<br />

Modena 51<br />

Parma<br />

di Sotto<br />

66<br />

109<br />

50 Poggio<br />

52<br />

San Giovanni<br />

San Lazzaro<br />

Riolo<br />

116<br />

115<br />

San Lazzaro<br />

Porretta Terme 110-111<br />

124<br />

Galeata<br />

Forlì<br />

Langhirano<br />

Bert<strong>in</strong>oro<br />

<strong>in</strong><br />

123<br />

Cesenatico<br />

Persiceto<br />

27<br />

108<br />

Berni<br />

di Savena<br />

Terme<br />

Carpi<br />

35<br />

di Savena<br />

Cesena<br />

62 67<br />

Gattatico<br />

Correggio<br />

36<br />

28<br />

47<br />

61 Massa<br />

Borghi<br />

112<br />

137<br />

Cattolica 49 51<br />

83<br />

69<br />

Bellaria<br />

63<br />

Lombarda<br />

132<br />

Bentiv<br />

122<br />

Lugo<br />

52<br />

Castelfranco 25<strong>Emilia</strong><br />

For<br />

118-119<br />

27<br />

Savignano sul Rubicone<br />

Porretta Terme 25<br />

Santa Sofia<br />

Ravenna Verrucchio 128<br />

123<br />

Igea Mar<strong>in</strong>a 133<br />

Bologna<br />

Ferrara<br />

Forlì-Cesena<br />

Modena<br />

Parma<br />

Piacenza<br />

Ravenna<br />

Reggio <strong>Emilia</strong><br />

Rim<strong>in</strong>i


Bologna


Istituzione Villa Smeraldi<br />

Museo della<br />

Civiltà Contad<strong>in</strong>a<br />

Istituzione Villa Smeraldi<br />

Museum of Peasant History and Life<br />

address<br />

phone + 39 051/891050 fax +39 051/898377<br />

e-mail<br />

web<br />

Pick<strong>in</strong>g grapes with a wicker<br />

basket<br />

Villa Smeraldi seen from its pond<br />

Section on farmhouse kitchens<br />

Detail of the section “Timber,<br />

leaves, w<strong>in</strong>e”<br />

Via Sammar<strong>in</strong>a, 35<br />

Loc. San Mar<strong>in</strong>o di Bentivoglio<br />

segreteria.museo@prov<strong>in</strong>cia.bologna.it<br />

Bentivoglio<br />

40010 BO<br />

www.museociviltacontad<strong>in</strong>a.prov<strong>in</strong>cia.bologna.it<br />

S<strong>in</strong>ce 1973, Villa Smeraldi, surrounded by a marvellous park,<br />

has housed the collections of the Museum of Peasant History<br />

and Life that have been put together thanks to the Gruppo della<br />

Stadura Association: thousands of testimonies of life and work<br />

<strong>in</strong> the Bologna countryside, donated by farmers and former<br />

farmers. The <strong>per</strong>manent exhibition “Farmers <strong>in</strong> the Bologna<br />

pla<strong>in</strong> (1750-1950)” presents the issue of city-countryside relations<br />

from the rural po<strong>in</strong>t of view, and illustrates the history of the<br />

agricultural landscape <strong>in</strong> the Bologna area, the ma<strong>in</strong> crops,<br />

rural craftsmen, families, domestic life, and the colonial court.<br />

For over twenty years, the museum has provided educational<br />

services for schools and adults. S<strong>in</strong>ce 1999, the museum is run<br />

by the Istituzione Villa Smeraldi, established by the Prov<strong>in</strong>ce<br />

of Bologna with the support of the municipalities of Bologna,<br />

Castel Maggiore, and Bentivoglio.<br />

1


Casa Carducci<br />

address<br />

phone +39 051/4292820 fax +39 051/347592<br />

e-mail<br />

web<br />

In Elvira Carducci’s salon:<br />

the guéridon with legs made<br />

of willow wood. The table<br />

top displays portraits of the<br />

poet’s relatives and<br />

a metal calendar<br />

Carducci’s bust, sculpted<br />

by Paolo Testi and located<br />

on the studio’s bookcase<br />

shelf<br />

The facade of Casa Carducci<br />

2<br />

Piazza Carducci, 5 Bologna<br />

40125 BO<br />

casacarducci@comune.bologna.it<br />

www.casacarducci.it<br />

The <strong>in</strong>stitute is many th<strong>in</strong>gs at once: historic home with garden<br />

and Monument to Giosuè Carducci erected by Leonardo Bistolfi,<br />

library, archive, museum-home, collection of Carducci-era<br />

artefacts, documentation centre on the work of the writer (who<br />

was the 1906 Nobel laureate for literature), and a crucial stop for<br />

students of 19th and 20th century literature.<br />

The apartment on the second floor of the build<strong>in</strong>g, where Giosuè<br />

Carducci lived from 1890 until his death (1907), ma<strong>in</strong>ta<strong>in</strong>s its<br />

orig<strong>in</strong>al furnish<strong>in</strong>gs and decorations. The library, with over<br />

35,000 books, documents his wide-rang<strong>in</strong>g <strong>in</strong>terests <strong>in</strong> literature<br />

and history, and features the best of Italy’s publish<strong>in</strong>g output<br />

from the 14th to the 19th centuries, while the archives conta<strong>in</strong><br />

Carducci’s poetry, prose, and letters.


MAMbo<br />

Museo d’Arte Moderna<br />

di Bologna<br />

MAMbo<br />

Bologna Museum of Modern Art<br />

address<br />

phone +39 051/6496611 fax +39 051/6496600<br />

e-mail<br />

web<br />

Museum entrance<br />

The MAMbo’s exterior<br />

The Collection. For a history<br />

of the Modern Art Museum<br />

Via Don M<strong>in</strong>zoni, 14 Bologna<br />

40121 BO<br />

<strong>in</strong>fo@mambo-bologna.org<br />

www.mambo-bologna.org<br />

The MAMbo – Bologna Museum of Modern Art is the region’s<br />

lead<strong>in</strong>g centre for the contemporary arts: it supports cutt<strong>in</strong>gedge,<br />

<strong>in</strong>novative artistic research, and contributes to blaz<strong>in</strong>g<br />

new paths for contemporary arts with ex<strong>per</strong>imentally-m<strong>in</strong>ded<br />

exhibitions and numerous events <strong>in</strong>volv<strong>in</strong>g scholars and the<br />

general public. Through its <strong>per</strong>manent collection, the museum<br />

traces the history of Italian art from the post- World War II<br />

<strong>per</strong>iod until the present day, as seen through the prism of the<br />

former Bologna Modern Art Gallery. Located <strong>in</strong> the heart of<br />

the Manifattura delle Arti cultural district, today the MAMbo<br />

is the ma<strong>in</strong> headquarters of the Bologna Modern Art Gallery<br />

Institution, which also <strong>in</strong>cludes the Morandi Museum, Casa<br />

Morandi, Villa delle Rose, the Museo <strong>per</strong> la Memoria di Ustica<br />

and the Sandra Natali Artists Residence.<br />

3


Musei Civici d’Arte Antica:<br />

Collezioni Comunali d’Arte<br />

Civic Museums of Ancient Art:<br />

Municipal Art Collections<br />

address<br />

phone +39 051/2193998 +39 051/2195367 fax +39 051/232312<br />

e-mail<br />

web<br />

Francesco Hayez, Ruth,<br />

19th century<br />

Galleria Vidoniana<br />

Amico As<strong>per</strong>t<strong>in</strong>i, Nurs<strong>in</strong>g<br />

Madonna, first quarter of<br />

the 16th century<br />

Vitale da Bologna, Sa<strong>in</strong>t<br />

Peter and a pilgrim, about<br />

1345<br />

4<br />

Piazza Maggiore, 6 Bologna<br />

40121 BO<br />

museiarteantica@comune.bologna.it<br />

www.comune.bologna.it/i<strong>per</strong>bole/MuseiCivici<br />

S<strong>in</strong>ce 1936, the former quarters of the papal legate display works<br />

from the 13th to the early 20th centuries (Vitale da Bologna,<br />

Francia, T<strong>in</strong>toretto, Gentileschi, Nuvolone, Cagnacci, Burr<strong>in</strong>i,<br />

Crespi, Gandolfi, Hayez, Sav<strong>in</strong>i, and Morelli), furnish<strong>in</strong>gs and<br />

decorations, and Aemilia Ars lace.<br />

The museum houses the legacy of the former Gonfaloniere<br />

gallery and donations to the Senate of Bologna (17th-18th<br />

centuries). Its core collection <strong>in</strong>cludes 18 pa<strong>in</strong>t<strong>in</strong>gs by Donato<br />

Creti donated to the Senate of Bologna <strong>in</strong> 1744 and works by<br />

Pelagio Palagi and from his collection, purchased <strong>in</strong> 1860 and<br />

currently parcelled out among several of Bologna’s <strong>in</strong>stitutes. It<br />

boasts splendid views over Piazza Maggiore and the surround<strong>in</strong>g<br />

city, and is a source for the city’s heraldry, historical iconography<br />

and <strong>in</strong>formation on the architectural restoration that took place<br />

between the 19th and 20th centuries.


Musei Civici d’Arte Antica:<br />

Museo Civico<br />

d’Arte Industriale<br />

e Galleria Davia Bargell<strong>in</strong>i<br />

Civic Museums of Ancient Art:<br />

Civic Museum of Industrial Arts<br />

and Davia Bargell<strong>in</strong>i Gallery<br />

address<br />

phone +39 051/236708 fax +39 051/232312<br />

e-mail<br />

web<br />

Antonio Vivar<strong>in</strong>i, Madonna<br />

with Child, second half of<br />

the 15th century<br />

Gala carriage, 18th century,<br />

with early 19th century<br />

adaptations<br />

View of the pa<strong>in</strong>t<strong>in</strong>g<br />

collection<br />

Strada Maggiore, 44 Bologna<br />

40125 BO<br />

museiarteantica@comune.bologna.it<br />

www.comune.bologna.it/i<strong>per</strong>bole/MuseiCivici/<br />

The museum was opened <strong>in</strong> 1924 <strong>in</strong> the 17th century Palazzo<br />

Bargell<strong>in</strong>i. The seven exhibition halls still reflect their orig<strong>in</strong>al<br />

arrangement, which was meant to br<strong>in</strong>g to life an 18th century<br />

furnished apartment <strong>in</strong> Bologna; they display the Davia Bargell<strong>in</strong>i<br />

pa<strong>in</strong>t<strong>in</strong>g collection, which <strong>in</strong>cludes works such as Vitale da<br />

Bologna’s Madonna dei Denti, Simone dei Crocefissi’s Pietà,<br />

Jacopo di Paolo’s Sa<strong>in</strong>t John the Baptist and Michele di Matteo’s<br />

Evangelist, along with pa<strong>in</strong>t<strong>in</strong>gs by Pros<strong>per</strong>o and Lav<strong>in</strong>ia Fontana,<br />

Giuseppe Maria, and Luigi Crespi. Sculpture from Bologna is<br />

represented by statuettes by Giuseppe Maria Mazza and Angelo<br />

Gabriello Piò, and crèche figures <strong>in</strong> the 18th and 19th centuries.<br />

There is an important collection of applied arts and “curios from<br />

old Bologna” of various orig<strong>in</strong>s, such as wrought iron works and<br />

an 18th century pa<strong>in</strong>ted and glided carriage.<br />

5


Musei Civici d’Arte Antica:<br />

Museo Civico Medievale<br />

Civic Museums of Ancient Art:<br />

Civic Museum of the Middle Ages<br />

address<br />

phone +39 051/2193916 +39 051/2193930 fax +39 051/232312<br />

e-mail<br />

web<br />

French manufacture,<br />

Polyptych with Madonna<br />

and Child, mid-14th century<br />

Details of halls 6 and 7<br />

Pier Paolo Dalle Masegne,<br />

Fragments of the arch of<br />

Giovanni da Legnano, dead<br />

<strong>in</strong> 1383<br />

Inner courtyard of Palazzo<br />

Ghisilardi<br />

6<br />

Via Manzoni, 4 Bologna<br />

40121 BO<br />

museiarteantica@comune.bologna.it<br />

www.comune.bologna.it/i<strong>per</strong>bole/MuseiCivici<br />

The halls of the 15th century Palazzo Ghisilardi feature abundant<br />

evidence of Medieval life <strong>in</strong> Bologna, <strong>in</strong>clud<strong>in</strong>g the great statue<br />

of Boniface VIII by Manno Band<strong>in</strong>i da Siena (1301); the large 14th<br />

century English cope with stories from the life of Christ and the<br />

Virg<strong>in</strong> Mary, one of the best examples of opus anglicanum; and<br />

engraved tombstones of learned scholars and professors.<br />

There is a broad selection of French and Italian ivory objects,<br />

precious Murano glassworks, valuable arms, and extensive,<br />

otherwise rare material document<strong>in</strong>g life at the Bentivoglio<br />

court.<br />

Large sections of the museum are dedicated to Renaissance<br />

bronze and baroque sculpture from Bologna, such as a model<br />

for Giambologna’s Neptune, and rare examples of illum<strong>in</strong>ations<br />

from the 13th to 16th centuries made <strong>in</strong> Bologna.


Museo Civico Archeologico<br />

Archaeological Museum<br />

address<br />

phone +39 051/2757211 fax +39 051/266516<br />

e-mail<br />

web<br />

Head of the Lemnan Athena<br />

statue, a copy of Phidias’<br />

orig<strong>in</strong>al statue, late 1st century<br />

BC/early 1st century AD<br />

Atrium of the Museum,<br />

formerly the Church of Santa<br />

Maria della Morte<br />

Pre-history section<br />

Limestone bas-relief depict<strong>in</strong>g<br />

Nubian prisoners, from<br />

Saqqara, tomb of Horemheb,<br />

18th dynasty, reign of<br />

Tutankhamun, 1332-1323 BC.<br />

museo civico<br />

a�Cheologico<br />

bologna<br />

Via dell’Archig<strong>in</strong>nasio, 2 Bologna<br />

40124 BO<br />

mca@comune.bologna.it<br />

www.comune.bologna.it/museoarcheologico<br />

Archaeological Museum of Bologna is located next to Piazza<br />

Maggiore <strong>in</strong> the 15th century Palazzo Galvani, formerly known as<br />

Ospedale della Morte (Hospital of Death). Its patrimony is made<br />

up first and foremost by the extensive collections of material<br />

document<strong>in</strong>g Bologna’s archaeology from pre-history to the<br />

Roman era, highlighted by numerous Etruscan grave goods<br />

from the Villanovan and Fels<strong>in</strong>ian eras.<br />

Major collections are on display <strong>in</strong> the Etruscan-Italic, Greek,<br />

Roman, and Egyptian sections. The latter features over 3,500<br />

items, <strong>in</strong>clud<strong>in</strong>g masterpieces such as the bas-relief from<br />

the tomb of the Pharaoh Horemheb, and is one of the most<br />

important such collections <strong>in</strong> Europe.<br />

The museum also has a large numismatic collection, with over<br />

100,000 co<strong>in</strong>s and medals.<br />

7


Museo Civico<br />

del Risorgimento<br />

Civic Museum of Risorgimento<br />

address<br />

phone +39 051/225582 +39 051/347592 fax +39 051/225583<br />

e-mail<br />

web<br />

Anonymous, Giuseppe Garibaldi,<br />

post 1880<br />

Faust<strong>in</strong>o Joli, Colonel of the<br />

Bologna Civic Guard, about 1849<br />

Carlo Ademollo, Ugo Bassi <strong>in</strong><br />

Comacchio prison, about 1867<br />

Propaganda poster for the<br />

National Loan, 1917-1918<br />

8<br />

Piazza Carducci, 5 Bologna<br />

40125 BO<br />

museorisorgimento@comune.bologna.it<br />

www.comune.bologna.it/museorisorgimento<br />

The Civic Museum of Risorgimento focuses on the history of<br />

Bologna between 1796 and 1918, <strong>in</strong> light of national events, with<br />

references to the city’s cultural, social, economic, and political<br />

life.<br />

Napoleonic Age is illustrated by the valuable weapons of the K<strong>in</strong>g<br />

of Naples Joachim Murat, whose memory is l<strong>in</strong>ked to Bologna;<br />

Restoration plots are evidenced <strong>in</strong> documents of the Carbonari<br />

secret society; the crucial years of Risorgimento under Garibaldi<br />

are documented with weapons, uniforms, banners from the<br />

wars of <strong>in</strong>dependence, Ugo Bassi’s mementos and items from<br />

the battle of August 8, 1848. The exhibitions are completed by<br />

sections on Bologna’s urban and economic development<br />

<strong>in</strong> the decades after unification, and on World War I.


Museo del Patrimonio<br />

Industriale<br />

Museum of Industrial Heritage<br />

address<br />

phone +39 051/6356611 fax +39 051/6346053<br />

e-mail<br />

web<br />

Cam wheel patented by<br />

Bruto Carpigiani used on<br />

the ACMA 749 mach<strong>in</strong>e<br />

from 1954<br />

The Galotti Furnace,<br />

home of the Museum<br />

Technical and scientific<br />

<strong>in</strong>struments from the<br />

Ald<strong>in</strong>i-Valeriani collection<br />

<strong>in</strong> the Hoffmann furnace<br />

Via della Beverara, 123 Bologna<br />

40131 BO<br />

museopat@comune.bologna.it<br />

www.comune.bologna.it/patrimonio<strong>in</strong>dustriale<br />

The Museum of Industrial Heritage is housed <strong>in</strong> the former<br />

Galotti brick furnace, built <strong>in</strong> 1887 on the Navile Canal and<br />

restructured by the Bologna municipal adm<strong>in</strong>istration. It<br />

focuses on study<strong>in</strong>g and populariz<strong>in</strong>g the productive history<br />

of the city and its territory, from the Bologna of water and silk<br />

of the 15th to 18th centuries to the current mechanics and<br />

mechatronics district. The exhibition features five sections,<br />

and uses mach<strong>in</strong>es, plastic relief maps, function<strong>in</strong>g models,<br />

exhibits, scientific <strong>in</strong>struments, <strong>in</strong>teractive features, slide shows,<br />

and videos to illustrate the people, companies, technologies,<br />

professional tra<strong>in</strong><strong>in</strong>g efforts, techniques, and technological and<br />

product <strong>in</strong>novations that shaped Bologna’s <strong>in</strong>dustrial heritage.<br />

9


Museo di Palazzo Poggi<br />

Palazzo Poggi Museum<br />

address<br />

phone +39 051/2099398 fax +39 051/2099402<br />

e-mail<br />

web<br />

Hall of light. Inspired by Pittoni-<br />

Valeriani, Allegorical monument to<br />

Sir Isaac Newton, 1727-29<br />

View of the Hall of Anatomy with<br />

Ercole Lelli’s eight statues, second<br />

half of the 18th century<br />

Blowfish from Ulisse Aldrovandi’s<br />

16th century collection<br />

10<br />

Via Zamboni, 33 Bologna<br />

40126 BO<br />

museopoggi.organizzazione@unibo.it<br />

www.museopalazzopoggi.unibo.it<br />

The Palazzo Poggi Museum is the University of Bologna’s ma<strong>in</strong><br />

museum. Decorated by pa<strong>in</strong>t<strong>in</strong>gs by Pellegr<strong>in</strong>o Tibaldi, Nicolò<br />

Dell’Abate and Pros<strong>per</strong>o Fontana, the Museum displays the<br />

University’s most ancient collections: orig<strong>in</strong>al items from Ulisse<br />

Aldrovandi’s Theatre of Nature (16th century) and laboratories<br />

and <strong>in</strong>struments from the Bologna Institute of Science, founded<br />

by Luigi Ferd<strong>in</strong>ando Marsili, who worked <strong>in</strong> Palazzo Poggi dur<strong>in</strong>g<br />

the 18th century.<br />

Along with a collection of anatomical wax figures, furnish<strong>in</strong>gs<br />

and clay models from the schools of obstetrics, the Museum<br />

also displays ancient maps, 10 orig<strong>in</strong>al model ships, and models<br />

of fortified towns and artillery pieces from the 16th to 18th<br />

centuries.


Museo Ebraico<br />

Jewish Museum<br />

address<br />

phone +39 051/2911280 +39 051/6569003 fax +39 051/235430<br />

e-mail<br />

web<br />

Detail of synagogue ceremonial<br />

objects<br />

Section: Jewish identity<br />

Section: The Jews <strong>in</strong> Bologna<br />

The bookstore<br />

Via Valdonica, 1/5 Bologna<br />

40126 BO<br />

<strong>in</strong>fo@museoebraicobo.it<br />

www.museoebraicobo.it<br />

The Jewish Museum of Bologna was established 1999 to<br />

preserve, study, and promote the rich Jewish heritage that<br />

has deep roots <strong>in</strong> Bologna and <strong>Emilia</strong>-<strong>Romagna</strong>.<br />

The exhibition features numerous historic exhibits, which<br />

use various multimedia tools (videos, CD-ROMs, illustrated<br />

panels…) to trace the several-thousand-year history of Jewish<br />

culture. The museum aims to promote the value of Jewish<br />

culture and identity from its orig<strong>in</strong>s to the present day, and pays<br />

particular attention to the Jewish presence <strong>in</strong> <strong>Emilia</strong>-<strong>Romagna</strong><br />

<strong>in</strong> ancient times, through documents and artwork.<br />

Additionally, <strong>in</strong> its first ten years of activity, the museum has<br />

<strong>in</strong>creas<strong>in</strong>gly taken on the functions of a cultural centre, and has<br />

organized numerous <strong>in</strong>itiatives target<strong>in</strong>g a very broad audience.<br />

11


Museo Europeo<br />

degli Studenti<br />

European Museum of Students<br />

address<br />

phone +39 051/2088545 fax +39 051/2088525<br />

e-mail<br />

web<br />

Be<strong>in</strong>g a student <strong>in</strong> the 19th<br />

century: meritocracy<br />

Student self-government: the<br />

symbols of power, 13th to 17th<br />

centuries<br />

Germany, about 1890, exhibit<br />

of a student’s room<br />

The political activism of students:<br />

from Napoleon to 1968<br />

12<br />

Via Zamboni, 33 Bologna<br />

40126 BO<br />

as.meus@unibo.it<br />

www.archiviostorico.unibo.it/museostud/<br />

This is the first-ever museum dedicated to the students who,<br />

eight centuries ago <strong>in</strong> Bologna, established shared rules of<br />

co-existence and self-government, and created rituals and<br />

ceremonies that became the build<strong>in</strong>g blocks of their identity.<br />

The museum aims to promote knowledge on how students<br />

changed over the centuries, by illustrat<strong>in</strong>g their characteristics<br />

and evolution throughout Europe: student mobility, student<br />

associations, daily life, the value of meritocracy, sports, the late<br />

admittance of women to universities, political activism, and the<br />

orig<strong>in</strong>al aspects of student culture (newspa<strong>per</strong>s, music, theatre,<br />

celebrations).<br />

The museum displays photographs, diplomas, medals, posters,<br />

and postcards, and features an extensive multimedia apparatus.


Museo Internazionale<br />

e Biblioteca della Musica<br />

International Music Museum and Library<br />

address<br />

phone +39 051/2757711 fax +39 051/2757728<br />

e-mail<br />

web<br />

Lute, 16th century<br />

Hall 8: Music books and<br />

<strong>in</strong>struments 18th and 19th<br />

centuries<br />

Hall 5: Music books and<br />

<strong>in</strong>struments 16th and 17th<br />

centuries<br />

Hall 3: Friends of Father Mart<strong>in</strong>i<br />

Strada Maggiore, 34 Bologna<br />

40125 BO<br />

museomusica@comune.bologna.it<br />

www.museomusicabologna.it<br />

The International Music Museum and Library was <strong>in</strong>augurated<br />

<strong>in</strong> 2004 <strong>in</strong> Palazzo Sangu<strong>in</strong>etti. The exhibition <strong>in</strong>cludes n<strong>in</strong>e<br />

halls, which trace six centuries of European music history, with<br />

numerous pa<strong>in</strong>t<strong>in</strong>gs, ancient music <strong>in</strong>struments, and a broad<br />

selection of immensely valuable historical documents.<br />

The museum is not only a repository of classical music heritage,<br />

but also a place to cross-poll<strong>in</strong>ate, research, and promote ideas;<br />

<strong>in</strong>deed, it is available for off-beat cultural events that<br />

fall outside the traditional museum mould. It is an open,<br />

lively, multi-functional place, visited by scholars and amateurs,<br />

citizens and tourists, adults and children, with a s<strong>in</strong>gle common<br />

denom<strong>in</strong>ator: love for music <strong>in</strong> all its forms and expressions.<br />

13


Museo Morandi<br />

Morandi Museum<br />

address<br />

phone +39 051/2193338 +39 051/2193294 fax +39 051/203403<br />

e-mail<br />

web<br />

Giorgio Morandi, Still Life, 1956<br />

(V. 985)<br />

Museum entrance<br />

View of the exhibits<br />

14<br />

Piazza Maggiore, 6 Bologna<br />

40124 BO<br />

mmorandi@comune.bologna.it<br />

www.mambo-bologna.org/museomorandi/<br />

The Morandi Museum, housed <strong>in</strong> Palazzo d’Accursio <strong>in</strong> Piazza<br />

Maggiore, hosts the largest and most remarkable public<br />

collection dedicated to Giorgio Morandi (Bologna 1890-1964).<br />

The collection was established thanks to a major donation<br />

from the artist’s sister Maria Teresa, which added to a large<br />

body of works already held by the Bologna Modern Art Gallery.<br />

The Museum’s hold<strong>in</strong>gs are <strong>in</strong>creased by works from private<br />

collections that have been generously granted on temporary<br />

loans. The museum’s halls trace all the phases and techniques<br />

of the Master’s artistic career. The museum promotes a<br />

temporary exhibitions programme, which aims to compare<br />

and contrast Morandi’s activity with that of other lead<strong>in</strong>g 20th<br />

century artists. It also collaborates with important <strong>in</strong>stitutions <strong>in</strong><br />

Italy and abroad to promote Morandi’s work.


Casa Morandi<br />

Morandi Museum Home<br />

address<br />

phone +39 051/6496611 fax +39 051/6496600<br />

e-mail<br />

web<br />

Detail of the replica of Morandi<br />

studio<br />

Multi-purpose room<br />

Detail of the replica of Morandi<br />

studio<br />

Via Fondazza, 36 Bologna<br />

40125 BO<br />

casamorandi@comune.bologna.it<br />

www.mambo-bologna.org/museomorandi/casamorandi/<br />

Casa Morandi was opened to the public <strong>in</strong> 2009 after the<br />

completion of conservation restoration efforts carried out by the<br />

Municipality of Bologna with the support of Un<strong>in</strong>dustria Bologna,<br />

which converted the home where Morandi lived and worked from<br />

1910 to 1964 <strong>in</strong>to museum dedicated to preserv<strong>in</strong>g and study<strong>in</strong>g<br />

his legacy. The museum-home complements the exhibits of the<br />

Morandi Museum, and <strong>in</strong>troduces the public to the atmosphere<br />

that reigned <strong>in</strong> Morandi’s workshop, a replica of which is featured<br />

here with orig<strong>in</strong>al furniture and tools used by the artist, still <strong>in</strong><br />

their orig<strong>in</strong>al positions. A careful selection of photographs, books,<br />

and various documents traces the salient moments <strong>in</strong> Morandi’s<br />

life, while audio and video <strong>in</strong>stallations, multi-media technologies,<br />

a library, and a multi-purpose room for cultural activities help<br />

contribute to keep<strong>in</strong>g the figure and work of the great master alive<br />

and current.<br />

14 - bis


Museo Civico Archeologico<br />

e Paleoambientale<br />

Civic Archaeological and<br />

Paleo-Environmental Museum<br />

address<br />

phone +39 051/6928306 +39 051/6928279 fax +39 051/6928289<br />

e-mail<br />

web<br />

Detail of a Villanovian burial site<br />

The 14th century Torrione della<br />

Canapa<br />

Ash urn from the Villanovian era<br />

Tools for sp<strong>in</strong>n<strong>in</strong>g and weav<strong>in</strong>g<br />

hemp<br />

15<br />

Via Mentana, 32 Budrio<br />

40054 BO<br />

musei@comune.budrio.bo.it<br />

www.comune.budrio.bo.it<br />

The Museum documents the Villanovian civilization with funeral<br />

urns, jewels, and tools from the Castenaso and Budrio areas.<br />

This large section, which provides an overview of daily life<br />

dur<strong>in</strong>g that <strong>per</strong>iod, is <strong>in</strong>troduced by extensive material from the<br />

Palaeolithic and from the Bronze and Iron Ages. The exhibition<br />

ends with a detailed and rich archaeological and educational<br />

section on the Roman <strong>per</strong>iod. The museum thus illustrates how<br />

the relationship between man and the environment changes over<br />

time, and how the settlement patterns, economic activities, daily<br />

life, and burial rites of local civilizations evolved.<br />

Dur<strong>in</strong>g festivals and celebrations, visitors can see how hemp<br />

is spun and woven <strong>in</strong> the Torrione della Canapa.


Museo dei Buratt<strong>in</strong>i<br />

Museum of Puppets<br />

address<br />

phone +39 051/6928306 +39 051/6928279 fax +39 051/6928289<br />

e-mail<br />

web<br />

One of the Museum’s puppets<br />

One of the Museum’s rooms,<br />

with exhibits and display cases<br />

Traditional puppets<br />

Veronesi’s puppets<br />

Via Garibaldi, 29 Budrio<br />

40054 BO<br />

musei@comune.budrio.bo.it<br />

www.comune.budrio.bo.it<br />

Puppets and puppet theatres, backdrops and props, costumes<br />

and accessories: everyth<strong>in</strong>g that a puppeteer might need is<br />

on display <strong>in</strong> the Museum. The Via Garibaldi location displays<br />

over 100 puppets from the first half of the 20th century by the<br />

puppet-makers Amilcare Gabrielli, Arturo Veronesi and Umberto<br />

Malaguti, all from Bologna.<br />

The Cas<strong>in</strong>a del Quattrocento’s reserve collections display the<br />

extraord<strong>in</strong>ary collections of glove and str<strong>in</strong>g puppets, Sicilian<br />

“pupi”, shades, toy houses, stage sets, stage props, and<br />

documents collected by the puppeteers Vittorio Zanella and Rita<br />

Pasqual<strong>in</strong>i. The museum keeps the puppet-makers’ tradition<br />

alive through exhibitions, plays, <strong>per</strong>formances, and workshops.<br />

16


Museo dell’Ocar<strong>in</strong>a<br />

e degli Strumenti Musicali<br />

<strong>in</strong> Terracotta<br />

Museum of the Ocar<strong>in</strong>a and<br />

Terracotta Musical Instruments<br />

address<br />

phone +39 051/6928306 +39 051/6928279 fax +39 051/6928289<br />

e-mail<br />

web<br />

A historic ocar<strong>in</strong>a from Budrio<br />

The Museum’s entrance<br />

The historical section<br />

Some historic ocar<strong>in</strong>as from<br />

Budrio<br />

17<br />

Via Garibaldi, 35 Budrio<br />

40054 BO<br />

musei@comune.budrio.bo.it<br />

www.comune.budrio.bo.it<br />

The ocar<strong>in</strong>a, a small terracotta flute, has given Budrio worldwide<br />

fame. Korea and Japan are envious of this small town <strong>in</strong> the<br />

Bologna countryside, where the ocar<strong>in</strong>a was <strong>in</strong>vented. In the<br />

mid-19th century, Giuseppe Donati hand-built the very first<br />

ocar<strong>in</strong>a.<br />

Through <strong>in</strong>struments built by Giuseppe Donati, Cesare Vic<strong>in</strong>elli<br />

and Alberto Mezzetti, the Museum tells the tale of this musical<br />

<strong>in</strong>strument’s fortunes. Photographs, sheet music, and records<br />

illustrate the ocar<strong>in</strong>a folk bands that gave life to a rich musical<br />

re<strong>per</strong>toire from the 19th century to the present day. Wide<br />

attention is given to contemporary producers of ocar<strong>in</strong>as and<br />

other terracotta musical <strong>in</strong>struments <strong>in</strong> Budrio and throughout<br />

the world.


P<strong>in</strong>acoteca Civica<br />

Domenico Inzaghi<br />

Domenico Inzaghi<br />

Civic Art Gallery<br />

address<br />

phone +39 051/6928306 +39 051/6928279 fax +39 051/6928289<br />

e-mail<br />

web<br />

Dosso Dossi (attributed),<br />

Democritus, 1497-1548<br />

Follower of Guerc<strong>in</strong>o, Sa<strong>in</strong>t Cecilia,<br />

1640-66<br />

Paolo Carracci, Annunciation,<br />

oil on canvas 1600-24<br />

The art gallery’s halls <strong>in</strong> the<br />

ancient Palazzo della Partecipanza<br />

Via Mentana, 32 Budrio<br />

40054 BO<br />

musei@comune.budrio.bo.it<br />

www.comune.budrio.bo.it<br />

How is it possible that Budrio’s Civic Art Gallery can display<br />

precious pa<strong>in</strong>t<strong>in</strong>gs by heavyweight artists as Vitale da Bologna,<br />

Tommaso Garelli, Dosso Dossi, Bartolomeo Passerotti, Lav<strong>in</strong>ia<br />

Fontana, Alessandro Tiar<strong>in</strong>i, Giuseppe Maria Crespi and<br />

Alessandro Guardassoni? Most of the gallery’s heritage comes<br />

from a donation made by Capta<strong>in</strong> Domenico Inzaghi to his fellow<br />

citizens of Budrio <strong>in</strong> 1824. This wide-rang<strong>in</strong>g collection of 14th<br />

to 19th century pa<strong>in</strong>t<strong>in</strong>gs from Bologna and the <strong>Emilia</strong> region is<br />

<strong>in</strong>creased by a rich collection of draw<strong>in</strong>gs and pr<strong>in</strong>ts from the<br />

bequeathment and subsequent purchases. The art gallery is<br />

housed <strong>in</strong> Budrio’s historic Palazzo della Partecipanza, which<br />

also houses the Teatro Consorziale. The museum’s branch <strong>in</strong><br />

Torrione del Risorgimento features exhibits on life <strong>in</strong> Budrio <strong>in</strong><br />

the 19th century.<br />

18


MUV - Museo<br />

della civiltà Villanoviana<br />

MUV Museum of the Villanovan Civilization<br />

address<br />

phone +39 051/780021<br />

fax<br />

e-mail<br />

web<br />

19<br />

Via Tosarelli 191<br />

Loc. Villanova<br />

Stele of swords, 7th century B.C.<br />

Casa Sant’Anna, home of the<br />

Museum<br />

Grave goods from the Marano<br />

burial site (7th century B.C.)<br />

muv@comune.castenaso.bo.it<br />

www.comune.castenaso.bo.it<br />

Castenaso<br />

40055 BO<br />

The MUV Museum of the Villanovan Civilization is located <strong>in</strong><br />

Villanova di Castenaso, right where <strong>in</strong> 1853 Count Giovanni<br />

Gozzad<strong>in</strong>i, a lead<strong>in</strong>g figure on the 19th century cultural scene <strong>in</strong><br />

Bologna, found the first archaeological remnants related to this<br />

culture, which he named Villanovan. Items on display <strong>in</strong>clude the<br />

extensive grave goods from the Marano burial site (7th century<br />

B.C.), with eight sandstone and limestone funerary steles, the<br />

most noteworthy of which is the stele of swords, reflect<strong>in</strong>g the<br />

orientaliz<strong>in</strong>g style of ancient Greece. It is rectangular <strong>in</strong> shape,<br />

surmounted by a disk and adorned with complex bas-relief<br />

decoration. Soundscapes, video <strong>in</strong>stallations, and <strong>in</strong>teractive<br />

stations accompany visitors on a journey through the life and<br />

rites of the Villanovan culture, and <strong>in</strong>troduce the figures of Count<br />

Giovanni Gozzad<strong>in</strong>i and his wife Maria Teresa, who actively<br />

participated <strong>in</strong> her husband’s archaeological adventures.


Museo della Rocca di Dozza<br />

Rocca di Dozza Museum<br />

address<br />

phone +39 0542/678240 fax +39 0542/678240<br />

e-mail<br />

web<br />

Room for women. Ceil<strong>in</strong>g fresco<br />

Historic kitchen<br />

Gallery on the piano nobile<br />

Rocca di Dozza<br />

Piazza Rocca, 6A<br />

rocca@comune.dozza.bo.it<br />

Museo<br />

della Rocca<br />

Dozza<br />

40060 BO<br />

www.comune.dozza.bo.it; www.fondazionedozza.it<br />

The Museum is an <strong>in</strong>tegral part of the Rocca di Dozza fortress,<br />

which was built <strong>in</strong> the Middle Ages and transformed by Cater<strong>in</strong>a<br />

Sforza <strong>in</strong>to a fortified castle; dur<strong>in</strong>g the Renaissance, two<br />

powerful senatorial families, the Campeggi and the Malvezzi,<br />

turned it <strong>in</strong>to a nobleman’s residence.<br />

The fortress is now a museum-home that offers three different<br />

tours: the Medieval and Renaissance fortress, the Renaissance<br />

residence, and the 17th century residence. The valuable pa<strong>in</strong>t<strong>in</strong>g<br />

collection, furniture, and historic objects once belong<strong>in</strong>g to the<br />

Malvezzi-Campeggi liven up the n<strong>in</strong>e rooms of the piano nobile<br />

and the historic kitchen.<br />

The Museum also houses the contemporary art collection of the<br />

Muro Dip<strong>in</strong>to (Pa<strong>in</strong>ted Wall) Study and Documentation Centre,<br />

an art show launched 1960 that has turned Dozza <strong>in</strong>to a “pa<strong>in</strong>ted<br />

city”. The ancient w<strong>in</strong>e cellar hosts the <strong>Emilia</strong>-<strong>Romagna</strong> <strong>Region</strong>al<br />

Enoteca.<br />

20


Museo di San Domenico<br />

Collezioni d’Arte della Città<br />

San Domenico Museum<br />

City Art Collections<br />

address<br />

phone +39 0542/602609 fax +39 0542/602608<br />

e-mail<br />

web<br />

Detail of the former<br />

convent library’s decorations<br />

Second cloister<br />

Gallery of the second cloister<br />

View of the ma<strong>in</strong> dormitory of the<br />

former convent of San Domenico<br />

with the new museum exhibit<br />

21<br />

Via Sacchi, 4 Imola<br />

40026 BO<br />

musei@comune.imola.bo.it<br />

www.museicivici.comune.imola.bo.it<br />

The former convent of San Domenico is strategically located <strong>in</strong> the<br />

heart of the city. This 13th century build<strong>in</strong>g was rebuilt many times<br />

before acquir<strong>in</strong>g its current aspect. The compound houses several<br />

museums, <strong>in</strong>clud<strong>in</strong>g the city’s art collections, which feature six<br />

hundred items <strong>in</strong>clud<strong>in</strong>g pa<strong>in</strong>t<strong>in</strong>gs, sculptures, pottery, draw<strong>in</strong>gs,<br />

liturgical furnish<strong>in</strong>gs, co<strong>in</strong>s, and medals: a veritable illustrated history<br />

of Imola’s figurative culture from the Middle Ages to the present. The<br />

build<strong>in</strong>g also houses the Scarabelli Museum of Natural History and<br />

Archaeology (currently be<strong>in</strong>g renovated), which was established <strong>in</strong> 1857<br />

thanks to the studies and research of the geologist and palaeontologist<br />

Giuseppe Scarabelli; it hosts archaeological f<strong>in</strong>ds from the lower<br />

Palaeolithic from the Imola hills, and Bronze Age f<strong>in</strong>ds from two local<br />

villages. The only hall <strong>in</strong> the archaeological section currently open to<br />

the public is the one dedicated to the Villanovan era <strong>in</strong> Imola, with<br />

f<strong>in</strong>ds from the Pontesanto necropolis. F<strong>in</strong>ally, the museum also hosts<br />

historical material from the Museum of Risorgimento.


Palazzo Tozzoni<br />

address<br />

phone +39 0542/602609 +39 0542/35856 fax +39 0542/602608<br />

e-mail<br />

web<br />

The library<br />

The entrance stairway<br />

The salon on the piano nobile<br />

Barocchetto apartment, alcove<br />

Via Garibaldi, 18 Imola<br />

40026 BO<br />

musei@comune.imola.bo.it<br />

www.museicivici.comune.imola.bo.it<br />

The build<strong>in</strong>g that belonged to the Counts of Tozzoni, whose lives<br />

were often <strong>in</strong>tertw<strong>in</strong>ed with the city’s history, was donated to<br />

the Municipality of Imola <strong>in</strong> 1978 and is an excellent example of<br />

a museum-home. Visits beg<strong>in</strong> with the impos<strong>in</strong>g stairway and<br />

cont<strong>in</strong>ue over three richly furnished and decorated floors. A<br />

major pa<strong>in</strong>t<strong>in</strong>g collection and numerous applied art objects are<br />

on display <strong>in</strong> the rooms, while the cellar features an ethnographic<br />

exhibit.<br />

The <strong>in</strong>terplay between the rooms and their furniture highlights<br />

the way they were used both as everyday liv<strong>in</strong>g quarters and<br />

status symbols.<br />

The library, with its many books pr<strong>in</strong>ted between the 16th<br />

and 19th centuries, is an <strong>in</strong>tegral part of the build<strong>in</strong>g, as are<br />

the extensive archives, which preserve family, political, and<br />

patrimonial documents from the 16th century to the present day.<br />

22


Rocca Sforzesca<br />

Rocca Sforzesca Fortress<br />

address<br />

phone +39 0542/602609 +39 0542/23472 fax +39 0542/602608<br />

e-mail<br />

web<br />

Detail of the fortress walls<br />

Rocca Sforzesca, view of the<br />

eastern walls<br />

Jug bear<strong>in</strong>g the Alidosi eagle from<br />

the keep’s well, late 14th century<br />

Ma<strong>in</strong> hall: the collection of arms<br />

23<br />

Piazzale Giovanni dalle Bande Nere, 1 Imola<br />

40026 BO<br />

musei@comune.imola.bo.it<br />

www.museicivici.comune.imola.bo.it<br />

Imola’s Rocca Sforzesca Fortress is a splendid example of<br />

fortified architecture built between the Middle Ages and the<br />

Renaissance. Founded <strong>in</strong> the 12th century, some of its orig<strong>in</strong>al<br />

features <strong>in</strong>clude its portal with a lancet arch, a keep with<br />

dungeon, the evocative ground floor rooms, a terrace that<br />

overlooks the entire town, and the ancient tower. Between<br />

1472 and 1484, the Sforzas entrusted their military architect<br />

Da<strong>in</strong>esio Ma<strong>in</strong>eri with renovat<strong>in</strong>g the fortress to reflect the<br />

defensive needs of the time. Once it lost its status as a military<br />

fortification, it was turned <strong>in</strong>to a prison between the 16th and<br />

19th centuries. Its halls display a collection of melee weapons,<br />

firearms, and defensive weapons, as well as the ceramic pottery<br />

that was found <strong>in</strong> the fortress dur<strong>in</strong>g restoration efforts, which<br />

shed light on daily life between the 16th and the 19th centuries.


Museo Civico Archeologico<br />

Luigi Fant<strong>in</strong>i<br />

Luigi Fant<strong>in</strong>i<br />

Civic Museum of Archaeology<br />

address<br />

phone +39 051/929766 fax +39 051/929766<br />

e-mail<br />

web<br />

Wooden house frame<br />

Ma<strong>in</strong> facade of the museum<br />

Replica of a house and its furniture<br />

Outdoor archaeological<br />

and educational park<br />

Via del Museo, 2 Monterenzio<br />

40050 BO<br />

museomonterenzio@yahoo.it<br />

www.archeologia.unibo.it<br />

The Monterenzio Museum of Archaeology, which was<br />

<strong>in</strong>augurated <strong>in</strong> July 2000, owes its existence to the successful<br />

archaeological research carried out at Monte Bibele and<br />

Monterenzio Vecchio: it is noteworthy for display<strong>in</strong>g a wide range<br />

of material from the 4th and 3rd centuries BC document<strong>in</strong>g the<br />

migration and settlement of Celts from France <strong>in</strong> Italy. Weapons<br />

and parure items are precisely matched by items from France,<br />

Germany, and the Danube area. The presence of Etruscan<br />

engrav<strong>in</strong>gs, Celtic and Magna Graecia co<strong>in</strong>s, and Ligurian<br />

material proves to the ethnic complexity of the pre-Roman<br />

community <strong>in</strong> this part of the Apenn<strong>in</strong>es.<br />

The museum also features a conservation-restoration laboratory,<br />

a classroom, and an outdoor archaeological and educational<br />

park. The Monte Bibele archaeological area – 15 km from the<br />

museum – can be visited and features <strong>in</strong>formation panels.<br />

24


Museo di Arti e Mestieri<br />

Pietro Lazzar<strong>in</strong>i<br />

Pietro Lazzar<strong>in</strong>i Museum of Arts and Crafts<br />

address<br />

phone +39 051/776927 +39 051/6529105 fax<br />

e-mail<br />

web<br />

Weights and measures<br />

Mules carry<strong>in</strong>g lumber<br />

Weav<strong>in</strong>g work<br />

25<br />

Via del Gualando, 2 Pianoro<br />

40065 BO<br />

<strong>in</strong>fo@museodiartiemestieri.it<br />

www.museodiartiemestieri.it<br />

+39 051/776927<br />

The Pietro Lazzar<strong>in</strong>i Museum of Arts and Crafts, housed <strong>in</strong> a late<br />

19th century barn, studies and collects material document<strong>in</strong>g the<br />

rural and artisanal culture of the Savena, Idice and Setta valleys,<br />

<strong>in</strong> the Apenn<strong>in</strong>e foothills of Bologna prov<strong>in</strong>ce. The displays, which<br />

revolve around dioramas, aim to reflect the traditions, lifestyles,<br />

and dialect of the Pianoro community. The museum’s exhibits are<br />

centred on the daily work of men and women, and are organized<br />

thematically: the rural home, artisanal activities, farm work,<br />

games, and puppet theatres.<br />

The museum, <strong>in</strong>augurated <strong>in</strong> 2007 and managed by Associazione<br />

Territorio e Civiltà dei Mestieri, provides educational services and<br />

opportunities for re-discover<strong>in</strong>g the local area’s cultural identity.


P<strong>in</strong>acoteca Civica<br />

Civic Art Gallery<br />

address<br />

phone +39 051/6862611 fax +39 051/974308<br />

e-mail<br />

web<br />

Antonio Albergh<strong>in</strong>i, Sa<strong>in</strong>t George,<br />

early 20th century<br />

The entrance to the Art Gallery<br />

Giuseppe Zola, Landscape with the<br />

f<strong>in</strong>d<strong>in</strong>g of Moses, about 1700-10<br />

Wu Hao, from the Efrem Tavoni<br />

graphic art collection<br />

Piazza Costa, 10 Pieve di Cento<br />

40066 BO<br />

cultura@comune.pievedicento.bo.it<br />

www.comune.pievedicento.bo.it<br />

S<strong>in</strong>ce 1980 the Civic Art Gallery has been housed <strong>in</strong> the former<br />

hospital overlook<strong>in</strong>g Piazza Andrea Costa. This build<strong>in</strong>g<br />

ma<strong>in</strong>ta<strong>in</strong>s its 18th century appearance, and also houses the<br />

public library, the ancient book collection of the Scolopi, and the<br />

town’s historical archives.<br />

The material on display is quite varied and <strong>in</strong>cludes: several 14th<br />

and 15th century statues, some splendid m<strong>in</strong>iature antiphonaries<br />

from the 14th century, a vast collection of glassworks, and an<br />

extensive pa<strong>in</strong>t<strong>in</strong>g collection subdivided <strong>in</strong>to two sections, one<br />

for ancient art, and the other for 20th century art.<br />

Some of the artists whose works are represented <strong>in</strong> the ancient<br />

art collection <strong>in</strong>clude Scarsell<strong>in</strong>o, Zallone and Zola; the 20th<br />

century section features works by Antonio Albergh<strong>in</strong>i, Alberto<br />

Mart<strong>in</strong>i, Norma Mascellani, Pirro Cuniberti and Sepo.<br />

26


Museo delle Moto<br />

e dei Ciclomotori<br />

DEMM<br />

Museum of DEMM<br />

Motorcycles and Scooters<br />

address<br />

phone +39 335/7214996 fax +39 0534/24440<br />

e-mail<br />

web<br />

Display of DEMM Scooters<br />

27<br />

Via Mazz<strong>in</strong>i, 230A Porretta Terme<br />

40046 BO<br />

iat@comune.porrettaterme.bo.it<br />

www.comune.porrettaterme.bo.it<br />

The Museum of DEMM Motorcycles and Scooters owes its<br />

existence to the passion and dedication of DEMM Vice-President<br />

Giuliano Mazz<strong>in</strong>i, who along with his son Mosè embarked on<br />

a lengthy, pa<strong>in</strong>stak<strong>in</strong>g process to recover, restore, and valorise<br />

the glorious motorcycle company’s documents, prototypes, and<br />

models. The displays feature about 100 motorcycles that took<br />

part <strong>in</strong> various Italian rac<strong>in</strong>g competitions over a twenty-year<br />

<strong>per</strong>iod beg<strong>in</strong>n<strong>in</strong>g <strong>in</strong> 1954. Foremost among them is the so-called<br />

Siluro, which set 24 world records <strong>in</strong> 1956. The Museum also<br />

displays sectioned eng<strong>in</strong>es, exploded view diagrams of eng<strong>in</strong>es,<br />

and eng<strong>in</strong>es used for <strong>in</strong>dustries, automobiles, and motorcycles,<br />

along with technical and historical <strong>in</strong>formation.


Museo etnografico<br />

LabOrantes<br />

LabOrantes<br />

Museum of Ethnography<br />

address<br />

phone +39 0534/29351 +39 335/7214996 fax +39 0534/29351<br />

e-mail<br />

web<br />

Detail of a shoe<br />

The mounta<strong>in</strong> home<br />

Votive offer<strong>in</strong>gs room<br />

Via Manservisi, 5<br />

Loc. Castelluccio<br />

iat@comune.porrettaterme.bo.it<br />

www.comune.porrettaterme.bo.it<br />

Porretta Terme<br />

40046 BO<br />

The LabOrantes Museum is housed <strong>in</strong> a w<strong>in</strong>g of the Manservisi<br />

Castle. The name LabOrantes comb<strong>in</strong>es the Lat<strong>in</strong> words for the<br />

two ma<strong>in</strong> core collections: testimonies of mounta<strong>in</strong> work, and<br />

folk religion objects.<br />

The collection of everyday and work<strong>in</strong>g tools was begun by the<br />

Pro Loco Il Faggio association to ensure that tools commonly<br />

used by peasants and artisans from mounta<strong>in</strong> communities<br />

would not be lost.<br />

The collection of sacred furnish<strong>in</strong>gs was begun to preserve<br />

sacred and folk art objects, particularly the votive offer<strong>in</strong>gs<br />

(ex voto) from the Madonna del Faggio Sanctuary and sacred<br />

furnish<strong>in</strong>gs from the Castelluccio parish oratory. Noteworthy<br />

items <strong>in</strong>clude a 17th century crèche figures and many votive<br />

offer<strong>in</strong>gs pa<strong>in</strong>ted on wooden tablets.<br />

28


Museo Archeologico<br />

Ambientale - Sede<br />

di San Giovanni <strong>in</strong> Persiceto<br />

Museum of Environmental Archaeology<br />

San Giovanni Persiceto<br />

address<br />

phone +39 051/6871757 fax +39 051/823305<br />

e-mail<br />

web<br />

R. Merlo, Centuriazione, 2004<br />

Renaissance sector<br />

Exhibits<br />

Simulated archaeological dig,<br />

educational workshop<br />

29<br />

Porta Garibaldi<br />

Corso Italia, 163<br />

maa@caa.it<br />

www.museoarcheologicoambientale.it<br />

San Giovanni<br />

<strong>in</strong> Persiceto<br />

40017 BO<br />

The Archaeological and Environmental Museum is a network of<br />

museums located <strong>in</strong> the municipalities of the western Bologna<br />

pla<strong>in</strong>, which municipalities have formed a union called Unione di<br />

Terre d’Acqua. The San Giovanni <strong>in</strong> Persiceto venue is housed <strong>in</strong><br />

the former Porta Garibaldi district prison, which was built <strong>in</strong> 1830<br />

on the ru<strong>in</strong>s of the ancient medieval gate to the city, and whose<br />

orig<strong>in</strong>al structure has rema<strong>in</strong>ed <strong>in</strong>tact. The exhibits illustrate the<br />

ma<strong>in</strong> archaeological and archeo-botanical f<strong>in</strong>ds <strong>in</strong> the Persiceto<br />

area from the Iron Age to the Renaissance, with a particular focus<br />

on the Middle Ages, highlight<strong>in</strong>g the results of archaeological digs<br />

conducted at an important 10th century castrum discovered near<br />

Crocetta di Sant’Agata Bolognese. The displays are enhanced by<br />

numerous <strong>in</strong>formation panels, images, dioramas, draw<strong>in</strong>gs, and<br />

text. Significant attention is paid to the environmental issues<br />

that help expla<strong>in</strong> the relationship between humans and the local<br />

environment dur<strong>in</strong>g the centuries.


Museo del Cielo<br />

e della Terra<br />

Museum of Earth and the Sky<br />

address<br />

phone +39 051/827067 fax +39 051/827067<br />

e-mail<br />

web<br />

Bombus terrestris on Tagetum<br />

Bora Naturalistic Area<br />

Insect Laboratory: observation<br />

equipment<br />

Astronomic Area: The Observatory<br />

Vicolo Baciadonne, 1 San Giovanni<br />

<strong>in</strong> Persiceto<br />

40017 BO<br />

<strong>in</strong>fo@museocieloeterra.org<br />

www.museocieloeterra.org<br />

The Museum of Earth and Sky is the Bologna metropolitan area’s<br />

Museum of Science. It <strong>in</strong>cludes an astronomic area (Planetarium<br />

and Observatory); the historical and educational phisics<br />

laboratory “Tecnoscienza”; the Bora ecological reclamation area,<br />

the historic “Ulisse Aldrovandi” Botanical Garden; and the Insect<br />

Laboratory, an <strong>in</strong>novative “liv<strong>in</strong>g museum” where live <strong>in</strong>sects can<br />

be observed. It also runs educational activities <strong>in</strong> the naturalistic<br />

areas of the Museum System Terred’acqua (San Giovanni <strong>in</strong><br />

Persiceto, Sant’Agata Bolognese, Calderara di Reno, Crevalcore,<br />

Sala Bolognese, Anzola dell’<strong>Emilia</strong>)<br />

The Museum has many different goals: promot<strong>in</strong>g science<br />

education through hands-on workshops for family and cultural<br />

events; scientific research; and establish<strong>in</strong>g a local presence<br />

thanks to the support of volunteer associations.<br />

30


Museo della Preistoria<br />

Luigi Don<strong>in</strong>i<br />

Luigi Don<strong>in</strong>i Museum of Prehistory<br />

address<br />

phone +39 051/465132 fax +39 051/465132<br />

e-mail<br />

web<br />

Skull of Crocuta crocuta spelaea<br />

(Cave Hyaena)<br />

Model of Bison priscus<br />

from the last Ice Age<br />

The Preistopark: life-size model<br />

of Mammuthus primigenius<br />

A cave from the Gessi Bolognesi<br />

(room 1)<br />

31<br />

Via F.lli Canova, 49 San Lazzaro<br />

di Savena<br />

40068 BO<br />

museodon<strong>in</strong>i@libero.it<br />

www.museodellapreistoria.it<br />

The Museum of Prehistory stands out thanks to its orig<strong>in</strong>al<br />

contents and the deep l<strong>in</strong>ks it establishes with the local<br />

territory’s outstand<strong>in</strong>g natural and archaeological heritage,<br />

such as the Gessi Bolognesi, the Farneto cave and the<br />

Villanovian necropolis at Caselle. It is divided <strong>in</strong>to three ma<strong>in</strong><br />

sections - Orig<strong>in</strong>s of the territory (geology, palaeontology,<br />

and karst topography of the Gessi Bolognesi area), Orig<strong>in</strong>s and<br />

evolution of man (from the Palaeolithic to the Bronze Age), The<br />

Villanovan civilization (Giovanni Gozzad<strong>in</strong>i and the discovery of<br />

the Caselle necropolis) - which feature both orig<strong>in</strong>al material and<br />

life-size, three-dimensional replicas of past landscapes, giv<strong>in</strong>g<br />

visitors a w<strong>in</strong>dow <strong>in</strong>to the past with great effectiveness and<br />

immediacy.<br />

The park adjacent to the museum hosts the Preistopark,<br />

an educational journey through the ext<strong>in</strong>ct megafauna of the<br />

Apenn<strong>in</strong>es dur<strong>in</strong>g the last Ice Age.


Museo Archeologico<br />

Ambientale - Sede di<br />

Sant’Agata Bolognese<br />

Museum of Environmental Archaeology<br />

Sant’Agata Bolognese<br />

address<br />

phone +39 051/6871757 fax +39 051/823305<br />

e-mail<br />

web<br />

M. Magoni, Terramare, <strong>2010</strong><br />

The façade of the museum<br />

Exhibits<br />

via Terragli Ponente, 2 Sant’Agata Bolognese<br />

40019 BO<br />

maa@caa.it<br />

www.museoarcheologicoambientale.it<br />

The Museum of Environmental Archaeology is a network of<br />

museums located <strong>in</strong> the municipalities of the western Bologna<br />

pla<strong>in</strong>, which municipalities have formed a union called Unione di<br />

Terre d’Acqua.<br />

The Sant’Agata Bolognese venue provides an exhaustive<br />

archaeological and paleo-environmental overview of the Bronze<br />

Age <strong>in</strong> the area between Panaro and Samoggia.<br />

The archaeological f<strong>in</strong>ds on display, exhibited <strong>in</strong> an evocative<br />

sett<strong>in</strong>g, come from the ma<strong>in</strong> Terramare sites <strong>in</strong> the Sant’Agata<br />

Bolognese and San Giovanni <strong>in</strong> Persiceto areas.<br />

Illustrations, replica objects, and <strong>in</strong>formation panels help visitors<br />

– especially children and school groups – better understand the<br />

items on display.<br />

32


Ferrara


Ecomuseo:<br />

Museo della Bonifica<br />

Eco-museum:<br />

Museum of Wetland Dra<strong>in</strong><strong>in</strong>g<br />

address<br />

phone +39 0532/808058 fax +39 0532/808001<br />

e-mail<br />

web<br />

Water pump<br />

Aerial view of Saiar<strong>in</strong>o pump<strong>in</strong>g<br />

station<br />

In the foreground: the hydrologist<br />

Giovan Battista Aleotti a.k.a.<br />

L’Argenta<br />

Turb<strong>in</strong>e room<br />

Via Saiar<strong>in</strong>o, 1 Argenta<br />

44011 FE<br />

museiargenta@comune.argenta.fe.it<br />

www.comune.argenta.fe.it<br />

The Argenta Eco-Museum is a trust between the Municipality of<br />

Argenta, the Reno River Reclamation Consortium of Bologna, the<br />

Po Delta <strong>Region</strong>al Park, and local communities. The Museum of<br />

Wetland Dra<strong>in</strong><strong>in</strong>g, completed <strong>in</strong> 2002, is a wonderful example<br />

of <strong>in</strong>dustrial archaeology and an active work site. The exhibition<br />

beg<strong>in</strong>s <strong>in</strong> the Saiar<strong>in</strong>o pump<strong>in</strong>g station: start<strong>in</strong>g from the sluice<br />

gate on the Lorgana canal, through an “archaeological walkways”<br />

featur<strong>in</strong>g mach<strong>in</strong>es used <strong>in</strong> the early 20th century, and to the<br />

ma<strong>in</strong> pump<strong>in</strong>g room – the heart of the station – where six pumps<br />

are still function<strong>in</strong>g, <strong>in</strong> the Art Nouveau build<strong>in</strong>g.<br />

The visit ends <strong>in</strong> the electric power plant, where thermal energy<br />

was once produced with boilers, and where electricity is still<br />

generated today, as it was <strong>in</strong> the past.<br />

33


Ecomuseo:<br />

Museo delle Valli<br />

Eco-museum:<br />

Museum of the Valli d’Argenta<br />

address<br />

phone +39 0532/808058 fax +39 0532/808001<br />

e-mail<br />

web<br />

Lily pond with white lotus<br />

The children’s atelier<br />

Exterior of the museum<br />

Anthropology section<br />

34<br />

Via Card<strong>in</strong>ala, 1C<br />

Loc. Campotto<br />

museiargenta@comune.argenta.fe.it<br />

www.comune.argenta.fe.it<br />

Argenta<br />

44010 FE<br />

The Museum of the Valli d’Argenta is the organizational hub of<br />

the Argenta Eco-Museum and the gateway to the Val Campotto<br />

Nature Reserve, the sixth station on the Po Delta Park tour.<br />

It also coord<strong>in</strong>ates the Museum of Wetland Dra<strong>in</strong><strong>in</strong>g and<br />

the Argenta Civic Museum, as well as the local cultural and<br />

environmental heritage.<br />

It won the Museum of the Year award from the Council of Europe<br />

<strong>in</strong> 1992 and it was renovated <strong>in</strong> 2007.<br />

The Museum has two sections: the anthropology section on<br />

the ground floor describes the relationship between man and<br />

water, typical jobs of the Valli d’Argenta, and the area’s geomorphological<br />

evolution. The natural history section focuses<br />

on the four habitats of the nature reserve: water lily ponds,<br />

reedbeds, wet meadows, and flooded woodlands; the “Hall of<br />

Senses” traces the pass<strong>in</strong>g of the seasons <strong>in</strong> the nature reserve.


Galleria d’Arte Moderna<br />

Aroldo Bonzagni<br />

Aroldo Bonzagni<br />

Modern Art Gallery<br />

address<br />

phone +39 051/6843390 +39 051/6843334 fax +39 051/6843398<br />

e-mail<br />

web<br />

Lucio Fontana, Spatial Concept<br />

(The wait - Year 2022), 1959<br />

Ma<strong>in</strong> hall dedicated to the works<br />

of Aroldo Bonzagni<br />

Aroldo Bonzagni, Mol<strong>in</strong>ari with<br />

viol<strong>in</strong>, 1918<br />

Palazzo del Governatore,<br />

home of the Gallery<br />

Piazza Guerc<strong>in</strong>o, 39 Cento<br />

44042 FE<br />

cultura@comune.cento.fe.it<br />

http://bonzagni.comune.cento.fe.it/<br />

The museum dedicated to the Cento-born artist Aroldo Bonzagni<br />

(1887-1918) was established thanks to the dedication of Elva<br />

Bonzagni. Aroldo Bonzagni was described as “an elegant yet<br />

gutsy pa<strong>in</strong>ter, a diligent and discern<strong>in</strong>g draughtsman, capable of<br />

f<strong>in</strong>e social and political satire, and the successful <strong>in</strong>ventor of the still<br />

almost new genre of advertis<strong>in</strong>g”.<br />

The exhibition follows a chronological order, start<strong>in</strong>g with<br />

Bonzagni’s pa<strong>in</strong>t<strong>in</strong>gs and cont<strong>in</strong>u<strong>in</strong>g with those of the pa<strong>in</strong>ters<br />

who knew him and shared with him the cultural climate of the<br />

first decades of the 1900s, such as Dudreville, Balla, Russolo,<br />

Sironi, Bucci, Carpi, Dudovich, and Wildt. It then showcases<br />

works from the 1950s and 1960s by Sassu, Annigoni, Cantatore,<br />

Treccani, Guttuso, Birolli, Morlotti, Pomodoro, Fontana,<br />

Capogrossi, and Reggiani, and ends with recent avant-garde<br />

artists.<br />

35


P<strong>in</strong>acoteca Civica<br />

Il Guerc<strong>in</strong>o<br />

Guerc<strong>in</strong>o Civic Art Gallery<br />

address<br />

phone +39 051/6843287 +39 051/6843334 fax +39 051/6843398<br />

e-mail<br />

web<br />

Guerc<strong>in</strong>o, Sibyl, about 1620<br />

Ma<strong>in</strong> hall with works by Guerc<strong>in</strong>o<br />

Palazzo del Monte di Pietà, 1782,<br />

which houses the Art Gallery<br />

Guerc<strong>in</strong>o, Extract<strong>in</strong>g hemp from the<br />

rett<strong>in</strong>g pit, 1615<br />

36<br />

Via Matteotti, 16 Cento<br />

44042 FE<br />

cultura@comune.cento.fe.it<br />

http://guerc<strong>in</strong>o.comune.cento.fe.it/<br />

The Art Gallery was built <strong>in</strong> the Palazzo del Monte Pietà (1782)<br />

<strong>in</strong> 1839 to house the works of art that were recovered after the<br />

Napoleonic requisitions; the Museum features the world’s<br />

largest collection of masterpieces by Giovanni Francesco<br />

Barbieri, also known as Guerc<strong>in</strong>o (1591-1666) and his followers.<br />

The halls trace the Maestro’s artistic evolution: from the<br />

impetuous, dramatic, chiaroscuro pa<strong>in</strong>t<strong>in</strong>g of his youth to the<br />

classical pa<strong>in</strong>t<strong>in</strong>g of his adulthood, with aristocratic, idealized<br />

images.<br />

Caravaggio’s Cardsharps, from Sir Denis Mahon’s collection, was<br />

recently exhibited here.<br />

The Art Gallery also features masterpieces of <strong>Emilia</strong>n Baroque<br />

art and Nordic mannerism. Particular attention is given to the<br />

sculptures of the Cento-born artist Stefano Galletti, who worked<br />

throughout Italy <strong>in</strong> the second half of the 19th century.


Casa Museo<br />

Remo Br<strong>in</strong>disi<br />

Remo Br<strong>in</strong>disi Museum-Home<br />

address<br />

phone +39 0533/315805 +39 0533/315829 fax +39 0533/315814<br />

e-mail<br />

web<br />

Mario Schifano, Untitled<br />

Atrium of the Museum-Home<br />

Arturo Mart<strong>in</strong>i, Woman sunbath<strong>in</strong>g<br />

Via Pisano, 45 Comacchio<br />

Lido di Sp<strong>in</strong>a<br />

44029 FE<br />

musei@comune.comacchio.fe.it<br />

www.comune.comacchio.fe.it; www.centri-contemporaneo-er.it<br />

The Remo Br<strong>in</strong>disi Museum-Home, on the Lido di Sp<strong>in</strong>a<br />

waterfront, was built between 1970 and 1973 by Remo Br<strong>in</strong>disi<br />

as a summer home, art studio, rendezvous, and museum for<br />

his collection.<br />

Its rigorous exterior aspect conceals a glass, steel, and lightfilled<br />

space that bears the dist<strong>in</strong>ctive mark of Nanda Vigo’s<br />

project: the <strong>in</strong>terplay and contrast with its surround<strong>in</strong>g<br />

environment – the p<strong>in</strong>e groves, the sea, and the beach.<br />

The Museum-Home tells many tales: the life and work of Remo<br />

Br<strong>in</strong>disi and his passion for collect<strong>in</strong>g, which reached its apex<br />

for his Milan-based contemporaries from the 1950s and 1960s,<br />

<strong>in</strong>clud<strong>in</strong>g the great American and French artists who exhibited <strong>in</strong><br />

the most avant-garde galleries. The culture the Museum-Home<br />

expresses rema<strong>in</strong>s lively and stimulat<strong>in</strong>g.<br />

37


Castello Estense<br />

di Ferrara<br />

Ferrara’s Castello Estense<br />

address<br />

phone +39 0532/299233 fax +39 0532/299279<br />

e-mail<br />

web<br />

Ducal Chapel – Mirror Apartment,<br />

about 1590<br />

The Castello Estense – The Lion’s<br />

Tower is <strong>in</strong> the foreground<br />

The Hall of Games – Mirror<br />

Apartment – Frescoes by S. Filippi,<br />

a.k.a. Il Bastian<strong>in</strong>o, - L. Settevecchi,<br />

L. Da Brescia, about 1570<br />

38<br />

Piazza Castello, 1 Ferrara<br />

44121 FE<br />

castello.estense@prov<strong>in</strong>cia.fe.it<br />

www.castelloestense.it<br />

Ferrara’s Castello Estense was built start<strong>in</strong>g <strong>in</strong> 1385 by the<br />

Marquis Nicolò III. The Este family – the feudal lords of the city –<br />

built a huge fortress whose first floor was transformed, start<strong>in</strong>g<br />

<strong>in</strong> the late 15th century, first for Eleanor of Aragon and then for<br />

the dukes Alfonso I, Ercole II and Alfonso II, <strong>in</strong>to a sumptuous<br />

palace with balconies, terraces, hang<strong>in</strong>g gardens, and niches,<br />

whose walls were decorated with works by great artists such<br />

as Tiziano, Bell<strong>in</strong>i, Dosso Dossi, Garofalo and Bastian<strong>in</strong>o.<br />

Today the Castle, whose layout was designed by Gae Aulenti,<br />

is a UNESCO World Heritage Site dedicated to promot<strong>in</strong>g<br />

culture and illustrat<strong>in</strong>g the history of the Este family, the city of<br />

Ferrara, and its surround<strong>in</strong>g. The more than fifty rooms are all<br />

accessible to the disabled, and the Castle also features a café and<br />

bookstore.


Museo Civico<br />

di Storia Naturale<br />

Civic Museum of Natural History<br />

address<br />

phone +39 0532/203381 fax +39 0532/210508<br />

e-mail<br />

web<br />

Turritella fossils on host rock<br />

Bivalve fossils on clastic rock<br />

substrate<br />

A hall <strong>in</strong> the “Earth’s<br />

Environment” section<br />

Via De Pisis, 24 Ferrara<br />

44121 FE<br />

museo.storianaturale@comune.fe.it<br />

www.comune.fe.it/storianaturale/<br />

Ferrara’s Civic Museum of Natural History, established <strong>in</strong> 1872,<br />

has been <strong>in</strong> its current location s<strong>in</strong>ce 1937. It has extensive<br />

zoological, m<strong>in</strong>eral, and geo-paleontological collections from<br />

throughout the world. The “Earth’s Environment” section,<br />

<strong>in</strong>augurated <strong>in</strong> 1999, illustrates the various spatial and temporal<br />

aspects of environmental diversity us<strong>in</strong>g models, dioramas,<br />

and <strong>in</strong>teractive displays. The museum runs an ecological station,<br />

established <strong>in</strong> 1987, a specialized library open to the public,<br />

and a very active education section. The museum publishes two<br />

scientific journals and an onl<strong>in</strong>e newsletter. It also features<br />

a small bookshop and a café.<br />

39


Museo d’Arte Moderna<br />

e Contemporanea<br />

“Filippo de Pisis”<br />

“Filippo de Pisis”<br />

Museum of Modern and Contemporary Art<br />

address<br />

phone +39 0532/243415 fax +39 0532/205035<br />

e-mail<br />

web<br />

Filippo de Pisis, The great flowers<br />

<strong>in</strong> Massimo home, 1931<br />

Achille Funi, Self-portrait with<br />

mother and sister, about 1924<br />

Roberto Melli, Composition<br />

of objects, 1934<br />

Filippo de Pisis, Portrait of Allegro,<br />

1940<br />

40<br />

Corso Porta Mare, 9 Ferrara<br />

44121 FE<br />

artemoderna@comune.fe.it<br />

www.artecultura.fe.it<br />

The “Filippo de Pisis” Museum was re-designed <strong>in</strong> 1998, after<br />

the works of De Pisis formerly belong<strong>in</strong>g to Manlio and Franca<br />

Malabotta were donated to his hometown of Ferrara: about<br />

200 pieces of extraord<strong>in</strong>ary quality along with those already<br />

belong<strong>in</strong>g to the Gallery give life to the largest and most<br />

important public collection of De Pisis’ works. Along with the<br />

De Pisis collection, the museum also displays works by the most<br />

important artists who were born or lived <strong>in</strong> Ferrara <strong>in</strong> the 20th<br />

century - Aroldo Bonzagni, Achille Funi, Mimì Quilici Buzzacchi,<br />

Roberto Melli, Arrigo M<strong>in</strong>erbi, Enzo Nenci, Giuseppe Virgili and<br />

Annibale Zucch<strong>in</strong>i – and by other artists, such as Mario Sironi<br />

and Carlo Carrà, who were not from Ferrara.


Museo<br />

della Cattedrale<br />

Museum of the Cathedral<br />

address<br />

phone +39 0532/244949 fax +39 0532/203064<br />

e-mail<br />

web<br />

Cosmè Tura, Sa<strong>in</strong>t George slays the<br />

dragon, 1469<br />

Maestro dei Mesi, September,<br />

about 1225-30<br />

Jacopo della Quercia, Madonna<br />

of the Pomegranate, 1403-06<br />

G. Vendram<strong>in</strong>, Antiphonary II, c.<br />

4v, Nativity, 1477-82<br />

Via San Romano Ferrara<br />

44121 FE<br />

diamanti@comune.fe.it<br />

www.comune.fe.it/museocattedrale<br />

Established <strong>in</strong> 1929 <strong>in</strong> order to document the history of the city’s<br />

ma<strong>in</strong> place of worship, the Museum of the Cathedral is the result<br />

of jo<strong>in</strong>t efforts by the Cathedral Chapter and the Municipality of<br />

Ferrara. It is regulated by an agreement, which is an exemplary<br />

model of public-private management. In 2000, the museum<br />

moved to its new premises <strong>in</strong> the former San Romano church.<br />

Its collections feature material from the Early Middle Ages to the<br />

19th century, some of which is owned by the clergy, and other by<br />

the municipality. Highlights <strong>in</strong>clude sculptures by the Maestro<br />

dei Mesi, Jacopo della Quercia’s Madonna of the Pomegranate,<br />

the extraord<strong>in</strong>ary organ shutters pa<strong>in</strong>ted <strong>in</strong> 1469 by Cosmè Tura,<br />

and an important series of 24 illum<strong>in</strong>ated songbooks, <strong>in</strong>clud<strong>in</strong>g<br />

some by Giovanni Vendram<strong>in</strong>.<br />

41


Museo<br />

dell’Ottocento<br />

Museum of the 19th century<br />

address<br />

phone +39 0532/243415 fax +39 0532/205035<br />

e-mail<br />

web<br />

Angelo Conti, Allegory of the night,<br />

1861<br />

Gaetano Turchi, Torquato Tasso <strong>in</strong><br />

Sant’Anna, 1838<br />

Giuseppe Mentessi, Venice.<br />

San Marco Square <strong>in</strong> the even<strong>in</strong>g,<br />

1887-90<br />

Gaetano Previati, Assumption,<br />

about 1907<br />

42<br />

Corso Porta Mare, 9 Ferrara<br />

44121 FE<br />

artemoderna@comune.fe.it<br />

www.artecultura.fe.it<br />

The Museum is located on the piano nobile of Palazzo Massari,<br />

<strong>in</strong> several large rooms decorated with late 17th century frescoes<br />

by Maurelio Scannav<strong>in</strong>i and Giacomo Parol<strong>in</strong>i. The Museum<br />

traces the evolution of art <strong>in</strong> Ferrara over the course of the 19th<br />

century: from the historical and literary pa<strong>in</strong>t<strong>in</strong>g of artists such<br />

as Giovanni Pagliar<strong>in</strong>i, Gaetano and Girolamo Domenich<strong>in</strong>i,<br />

Alessandro Mantovani, Massimiliano Lodi, and Gaetano Turchi,<br />

who represented pa<strong>in</strong>t<strong>in</strong>g <strong>in</strong> the <strong>per</strong>iod prior to Risorgimento, to<br />

the rooms dedicated to famous end-of-the-century pa<strong>in</strong>ters such<br />

as Gaetano Previati and Giuseppe Mentessi, whose works made<br />

them stars of the Italian and European art scenes.


Museo<br />

Giovanni Bold<strong>in</strong>i<br />

Giovanni Bold<strong>in</strong>i Museum<br />

address<br />

phone +39 0532/243415 fax +39 0532/205035<br />

e-mail<br />

web<br />

Corso Porta Mare, 9 Ferrara<br />

44121 FE<br />

artemoderna@comune.fe.it<br />

www.artecultura.fe.it<br />

Giovanni Bold<strong>in</strong>i, Mar<strong>in</strong>a <strong>in</strong> Venice,<br />

1909-10<br />

Giovanni Bold<strong>in</strong>i, The sisters<br />

Lascaraky, 1869<br />

Giovanni Bold<strong>in</strong>i, Woman <strong>in</strong> black<br />

who watches the “Pastel of <strong>Emilia</strong>na<br />

Concha de Ossa”,about 1888<br />

Giovanni Bold<strong>in</strong>i, The lady <strong>in</strong> p<strong>in</strong>k,<br />

1916<br />

Dedicated to one of the most important Italian pa<strong>in</strong>ters of the<br />

second half of the 19th century, the Bold<strong>in</strong>i Museum is located<br />

<strong>in</strong> a true museum-home, Palazzo Massari, where all<br />

the works, furniture and objects from the artist’s Paris<br />

apartment and studio recreate the atmosphere of his home<br />

studio. The extensive collection encompasses every aspect and<br />

phase of Bold<strong>in</strong>i’s artistic production: from works from his youth<br />

and years <strong>in</strong> Florence, his Paris pa<strong>in</strong>t<strong>in</strong>gs from the 1860s and<br />

1870s, the large official portraits that gave him worldwide fame,<br />

and his most <strong>in</strong>timate ex<strong>per</strong>iments, <strong>in</strong>clud<strong>in</strong>g exquisite still lifes,<br />

splendid views of Venice, landscapes, and enchant<strong>in</strong>g <strong>in</strong>terior<br />

scenes.<br />

42 bis


Palazz<strong>in</strong>a<br />

Marfisa d’Este<br />

address<br />

phone +39 0532/244949 fax +39 0532/203064<br />

e-mail<br />

web<br />

Loggia degli Aranci<br />

The Facade<br />

Girolamo da Carpi, Leonardo da<br />

Brescia, Landscapes of Francesco<br />

d’Este’s dom<strong>in</strong>ions, Grotta’s Hall,<br />

after 1559<br />

43<br />

Corso Giovecca, 170 Ferrara<br />

44121 FE<br />

arteantica@comune.fe.it<br />

www.comune.fe.it/marfisa<br />

The Palazz<strong>in</strong>a Marfisa d’Este is an extraord<strong>in</strong>ary example of<br />

an aristocratic residence form the Este era. The build<strong>in</strong>g was<br />

commissioned by the Marquis Francesco d’Este, son of Alfonso I<br />

and Lucrezia Borgia, and construction began <strong>in</strong> 1559. It is located<br />

near the Prospettiva della Giovecca portal, <strong>in</strong> the heart<br />

of Ferrara’s Renaissance district. In 1578 the build<strong>in</strong>g was<br />

<strong>in</strong>herited by the Marquis’ daughter Marfisa, a lover of the arts<br />

and patron of the poet Torquato Tasso. Marfisa lived here until<br />

her death <strong>in</strong> 1608. The municipality acquired the build<strong>in</strong>g <strong>in</strong> 1861,<br />

and the museum itself was <strong>in</strong>augurated <strong>in</strong> 1938. Today, as back<br />

then, the museum’s ma<strong>in</strong> strengths lie <strong>in</strong> its sequence of halls<br />

decorated with grottesche, the ancient furniture, the gardens, and<br />

the galleries designed to be fundamental decorative elements, <strong>in</strong><br />

keep<strong>in</strong>g with the build<strong>in</strong>g traditions and aesthetic choices typical<br />

of aristocratic homes <strong>in</strong> the second half of the 16th century.


Palazzo Bonacossi<br />

e Museo Rim<strong>in</strong>aldi<br />

Palazzo Bonacossi and Rim<strong>in</strong>aldi Museum<br />

address<br />

phone +39 0532/244949 fax +39 0532/203064<br />

e-mail<br />

web<br />

Litoteca, 1763<br />

Anton von Maron, Portrait of the<br />

Card<strong>in</strong>al Gian Maria Rim<strong>in</strong>aldi,<br />

post1785<br />

Doves of Pl<strong>in</strong>y Mosaic, 18th century<br />

Bacchanalia, pre 1781<br />

Via Cisterna del Follo, 5 Ferrara<br />

44121 FE<br />

arteantica@comune.fe.it<br />

www.comune.fe.it/bonacossi<br />

Palazzo Bonacossi was built <strong>in</strong> the 15th century; Borso d’Este<br />

assigned it to Diotisalvi Neroni, an exile from Florence.<br />

An additional floor was added <strong>in</strong> the 16th century. In 1572, after<br />

the build<strong>in</strong>g was acquired by the Este family, a series of gardens<br />

was built that l<strong>in</strong>ked it directly with Palazz<strong>in</strong>a Marfisa d’Este and,<br />

through an exclusive passage on its southern side, with Palazzo<br />

Schifanoia.<br />

Palazzo Bonacossi still bears the name of the last family that<br />

owned it, and today it houses the central offices of the Civic<br />

Museums of Ancient Art, an art library, and the civic photo<br />

archives. Palazzo Bonacossi also houses the Rim<strong>in</strong>aldi Museum,<br />

with a collection of marble sculptures, small bronze sculptures,<br />

and exquisite furniture, mosaics, and pa<strong>in</strong>t<strong>in</strong>gs collected by the<br />

Card<strong>in</strong>al Rim<strong>in</strong>aldi (1718-1789), one of the lead<strong>in</strong>g art collectors<br />

<strong>in</strong> Ferrara <strong>in</strong> the 18th century.<br />

44


Palazzo Schifanoia<br />

address<br />

phone +39 0532/244949 fax +39 0532/203064<br />

e-mail<br />

web<br />

Francesco del Cossa, M<strong>in</strong>erva’s<br />

Triumph, March, about 1469<br />

Francesco del Cossa, Taurus<br />

and Deans, April, about 1469<br />

Francesco del Cossa, M<strong>in</strong>erva’s<br />

Triumph, March, about 1469<br />

45<br />

Via Scandiana, 23 Ferrara<br />

44121 FE<br />

arteantica@comune.fe.it<br />

www.comune.fe.it/schifanoia<br />

Palazzo Schifanoia, which was built start<strong>in</strong>g <strong>in</strong> 1385 and enlarged<br />

under Borso d’Este around 1470, is the only exist<strong>in</strong>g example<br />

of an Este residence dedicated to leisure: <strong>in</strong>deed, the name<br />

Schifanoia derives from the Italian “schivare la noia”, mean<strong>in</strong>g<br />

“escap<strong>in</strong>g boredom”. The piano nobile features the famous<br />

frescos depict<strong>in</strong>g the Cycle of the Months pa<strong>in</strong>ted between 1469<br />

and 1470 by Francesco del Cossa, Ercole de’ Roberti and other<br />

artists, one of the most renowned examples of Renaissance art.<br />

S<strong>in</strong>ce 1898 Palazzo Schifanoia has housed the collections of<br />

the Civic Museums of Ancient Art, which are displayed on a<br />

rotation basis <strong>in</strong> the 15th century halls and the 14th century<br />

w<strong>in</strong>g of the build<strong>in</strong>g. Some of the most noteworthy items<br />

<strong>in</strong>clude an <strong>in</strong>terest<strong>in</strong>g collection of Renaissance-era pottery, an<br />

extensive numismatic collection, some extraord<strong>in</strong>ary illum<strong>in</strong>ated<br />

manuscripts, and a collection of ivory and bronze bas reliefs.


Museo del Bosco<br />

e del Cervo della Mesola<br />

Museum of the Mesola<br />

Forest and Red Deer<br />

address<br />

phone +39 0533/993358 fax +39 0533/993358<br />

e-mail<br />

web<br />

The Mesola Red Deer<br />

Mesola’s Castello Estense<br />

View of the hall dedicated<br />

to the Mesola Red Deer<br />

Replica of some typical Po Delta<br />

habitats<br />

Piazza Umberto I Mesola<br />

44026 FE<br />

iat@comune.mesola.fe.it<br />

www.comune.mesola.fe.it<br />

Mesola’s Castello Estense (1578-1583), built as a summer<br />

residence and hunt<strong>in</strong>g lodge for Alfonso II d’ Este, houses the<br />

Museum of the Mesola Forest and Red Deer, which, start<strong>in</strong>g<br />

from the orig<strong>in</strong>s and evolution of the Po Delta, describes and<br />

crosses its various ecosystems, with particular attention to areas<br />

that fall with<strong>in</strong> station n. 1 “Volano Mesola-Goro”.<br />

The Red Deer Museum occupies a significant portion of the<br />

Centre, and <strong>in</strong>cludes studies, panels, and dioramas that help<br />

visitors understand, from a scientific po<strong>in</strong>t of view, the evolution<br />

of this genetically, morphologically, and behaviourally unique<br />

animal.<br />

46


Museo Civico<br />

del Territorio<br />

Civic Museum<br />

of the Local Territory<br />

address<br />

phone +39 0533/681368 fax +39 0533/681368<br />

e-mail<br />

web<br />

Panel on the evolution of Planet<br />

Earth and its transformations<br />

Museum entrance<br />

View of the ground floor<br />

View of the first floor<br />

47<br />

Strada del Mezzano, 14 Ostellato<br />

44020 FE<br />

mdtost@libero.it; museodelterritorio@atlantide.net<br />

www.comune.ostellato.fe.it; www.atlantide.net/museodelterritorio<br />

The Ostellato Civic Museum illustrates the evolution of Planet<br />

Earth and mank<strong>in</strong>d, and traces the history of the relationship<br />

between humans and the natural environment, made of mutual<br />

<strong>in</strong>fluences and transformations. The exhibition, designed<br />

especially from the former Corte Valle barn, beg<strong>in</strong>s on the<br />

ground floor with a section on the evolution of the land and<br />

of mank<strong>in</strong>d <strong>in</strong> the Po Pla<strong>in</strong>, and cont<strong>in</strong>ues on the first floor<br />

with a section on the history of the Po Delta and the changes<br />

<strong>in</strong> its landscape. A particularly excellent section deals with<br />

the Etruscan era and the town of Sp<strong>in</strong>a, beautifully evok<strong>in</strong>g its<br />

everyday life. Interactive stations with maps, photos, videos,<br />

and text provide an important learn<strong>in</strong>g tool. A wide array<br />

of educational activities target<strong>in</strong>g children and adolescents<br />

<strong>in</strong>cludes guided tours, ex<strong>per</strong>imental workshops, and creative<br />

games.


Forlì-Cesena


IDRO<br />

Ecomuseo delle Acque<br />

di Ridracoli<br />

IDRO<br />

Eco-museum of Waters of Ridracoli<br />

address<br />

phone +39 0543/917912 fax +39 0543/903733<br />

e-mail<br />

web<br />

Dam overflow<br />

Museum exterior<br />

The Ridracoli dam<br />

Borgo di Ridracoli Bagno di <strong>Romagna</strong><br />

47021 FC<br />

ladigadiridracoli@atlantide.net<br />

www.atlantide.net/idro<br />

Located with<strong>in</strong> the Foreste Casent<strong>in</strong>esi National Park, with<br />

the scenic backdrop of Ridracoli Lake, Idro has been open to<br />

the public s<strong>in</strong>ce summer 2004. The Eco-museum features a<br />

headquarters and three thematic stations: a technology station<br />

dedicated to dam construction techniques, a natural history<br />

station on the National Park’s habitats, and a landscape station<br />

dedicated to studies on the local territory. The headquarters<br />

<strong>in</strong>cludes halls on the local landscape and aquatic habitats,<br />

<strong>in</strong>clud<strong>in</strong>g a spectacular 3D video hall where the 3D movie “The<br />

water of the oracles” is screened. The Museum also features a<br />

library, bar, and well-stocked museum shop. Additionally, visitors<br />

can rent canoes, go trekk<strong>in</strong>g, ride an electric boat, or grab a bite<br />

to eat at the café.<br />

48


Fondazione<br />

Museo Interreligioso<br />

di Bert<strong>in</strong>oro<br />

Bert<strong>in</strong>oro Interreligious<br />

Museum Foundations<br />

address<br />

phone +39 0543/446600 fax +39 0543/446557<br />

e-mail<br />

web<br />

Decorations <strong>in</strong> the Hall of Islam<br />

Hall of Judaism<br />

Hall of Islam<br />

Francesco Mess<strong>in</strong>a, Adam’s tears,<br />

1929<br />

Rembrandt, Christ before Pilate,<br />

1636<br />

49<br />

Via Frangipane, 6 Bert<strong>in</strong>oro<br />

47032 FC<br />

mus<strong>in</strong>t.bert<strong>in</strong>oro@libero.it<br />

www.museo<strong>in</strong>terreligioso.it<br />

The Interreligious Museum, housed <strong>in</strong> the dungeons of<br />

Bert<strong>in</strong>oro’s 11th century Rocca Vescovile is the only museum<br />

<strong>in</strong> Italy deal<strong>in</strong>g with relations and dialogue between Judaism,<br />

Christianity, and Islam. The art collection <strong>in</strong>cludes works by<br />

Rembrandt, Lorenzo Ghiberti, Francesco Mess<strong>in</strong>a, and Giacomo<br />

Manzù, as well as precious editions of sacred texts and f<strong>in</strong>e<br />

pieces by Christian, Jewish, and Muslim jewellers. Visitors to<br />

the Museum’s dungeons will embark on a fasc<strong>in</strong>at<strong>in</strong>g journey<br />

to discover beauty and art, the true language of dialogue<br />

between the three Abrahamic religions and the peoples of the<br />

Mediterranean.


Museo e Biblioteca<br />

Renzi<br />

Renzi Museum and Library<br />

address<br />

phone +39 0541/939028 fax +39 0541/939028<br />

e-mail<br />

web<br />

Replica of a proto-historic village<br />

Roman lapidarium<br />

Exhibit on proto-history<br />

Renzi Museum exterior<br />

Via Matteotti, 27<br />

Loc. San Giovanni <strong>in</strong> Galilea<br />

museorenzi@libero.it<br />

www.museorenzi.it<br />

Ente Morale Museo<br />

e Biblioteca Renzi<br />

Borghi<br />

47030 FC<br />

The Renzi Museum, located <strong>in</strong> the gorgeous Medieval burg<br />

of S.Giovanni <strong>in</strong> Galilea, is one of Italy’s oldest museums. It is<br />

housed <strong>in</strong> the compound that belonged to the Malatesta dynasty<br />

between the 13th and 17th centuries. It was founded<br />

by Francesco Renzi and <strong>in</strong>augurated <strong>in</strong> 1879; a few years later the<br />

renowned archaeologist, Senator Giuseppe Fiorelli, facilitated its<br />

establishment as a charitable trust with the title of Renzi Museum<br />

and Library (Royal Decree of March 5, 1885). Recently restored<br />

and re-arranged, it displays valuable collections of proto-historic<br />

material (Proto-Villanovian and Villanovian cultures), along<br />

with material from the Roman era, the Middle Ages, and the<br />

Renaissance, <strong>in</strong> addition to majolica pottery, seals, and fossils.<br />

The exhibits are enhanced by illustrated panels<br />

and spectacular dioramas.<br />

50


Museo Archeologico<br />

Archaeological Museum<br />

address<br />

phone +39 0547/355727 fax +39 0547/355721<br />

e-mail<br />

web<br />

Polychrome majolica, second half<br />

of the 15th century<br />

Replica of a bronze age hut<br />

The exhibition<br />

Bronze lamp, early 1st century AD<br />

51<br />

Via Montalti, 6 Cesena<br />

47521 FC<br />

iat@comune.cesena.fc.it<br />

www.cesenacultura.it<br />

Cesena’s Archaeological Museum, housed <strong>in</strong> the magnificent<br />

Malatesta Library, was <strong>in</strong>augurated <strong>in</strong> 1969. It displays some<br />

of the most important archaeological f<strong>in</strong>ds from Cesena and<br />

its surround<strong>in</strong>gs, rang<strong>in</strong>g from the first prehistoric settlements<br />

to the Roman era, Cesena’s rebirth <strong>in</strong> the Middle Ages, and the<br />

Malatesta era.<br />

S<strong>in</strong>ce 1999 the museum has been host<strong>in</strong>g educational<br />

workshops that provide historic and artistic <strong>in</strong>formation on the<br />

city’s various eras. The students and adults <strong>in</strong>volved reproduce<br />

some of the objects typical of the various historic <strong>per</strong>iods<br />

described <strong>in</strong> the museum, and improve their manual skills and<br />

creativity. On the occasion of the re-design<strong>in</strong>g of the museum <strong>in</strong><br />

2009, a plastic replica of a hut from the late Bronze Age (middle<br />

of the third millennium BC) village of Provezza was added to the<br />

displays.


P<strong>in</strong>acoteca Comunale<br />

Municipal Art Gallery<br />

address<br />

phone +39 0547/355727 fax +39 0547/355721<br />

e-mail<br />

web<br />

Giovan Battista Salvi, a.k.a. Il<br />

Sassoferrato, Pray<strong>in</strong>g Virg<strong>in</strong> Mary,<br />

17th century<br />

Hall 3<br />

Contemporary Art Section<br />

Antonio Aleotti, Madonna <strong>in</strong><br />

a throne with Child, Anthony<br />

the Abbot and Sa<strong>in</strong>t Gabriel the<br />

Archangel, 1511<br />

Ceramic art by Angelo Bianc<strong>in</strong>i<br />

Via Ald<strong>in</strong>i, 26 Cesena<br />

47521 FC<br />

iat@comune.cesena.fc.it<br />

www.cesenacultura.it<br />

The collection of pa<strong>in</strong>t<strong>in</strong>gs owned by the municipality was<br />

acquired <strong>in</strong> the 19th and 20th centuries, but it has only recently<br />

found a stable home – after a series of moves s<strong>in</strong>ce 1883 – <strong>in</strong><br />

the former San Biagio monastery. The Art Gallery’s substantial<br />

patrimony <strong>in</strong>cludes over 300 pa<strong>in</strong>t<strong>in</strong>gs and sculpture from the<br />

15th to the 20th centuries, with works by Aleotti, Piazzetta,<br />

Sassoferrato, Veronesi, Guttuso, Schifano, and Bianc<strong>in</strong>i.<br />

For many years now, the Art Gallery has offered afternoon<br />

classes for kids and lively educational workshops for students<br />

and families, whose activities <strong>in</strong>volve adults and children and<br />

encourage them to use their senses to expresses themselves<br />

through various techniques and languages. In remembrance of<br />

these ex<strong>per</strong>iences, visitors craft various different objects, thus<br />

establish<strong>in</strong>g an <strong>in</strong>teractive relationship with the museum.<br />

52


Casa Museo<br />

Mar<strong>in</strong>o Moretti<br />

Mar<strong>in</strong>o Moretti Museum-Home<br />

address<br />

phone +39 0547/79279 fax +39 0547/79121<br />

e-mail<br />

web<br />

Mar<strong>in</strong>o Moretti <strong>in</strong> 1909<br />

Detail of the writ<strong>in</strong>g desk<br />

Exterior of the museum-home<br />

The writ<strong>in</strong>g desk with folder, <strong>in</strong>k<br />

bottles, pens, and nibs.<br />

53<br />

Via Moretti, 1 Cesenatico<br />

47042 FC<br />

casamoretti@cesenatico.it<br />

www.casamoretti.it<br />

In his 1978 will, Mar<strong>in</strong>o Moretti left his books and autographed<br />

pa<strong>per</strong>s to the Cesenatico Municipal Library. His sister Ines, <strong>in</strong><br />

keep<strong>in</strong>g with his wishes, donated his house on the canal to the<br />

Municipality of Cesenatico <strong>in</strong> 1980, so that the writer’s library<br />

and archives could be preserved <strong>in</strong> their orig<strong>in</strong>al location, for<br />

purposes of “research, teach<strong>in</strong>g, and education”.<br />

The Moretti Museum-Home was established to fulfil these two<br />

wishes, and has become an important centre of research on 20th<br />

century literature.<br />

The <strong>in</strong>stitute promotes cultural and research activities along with<br />

the conservation and promotion of its patrimony. Additionally,<br />

Casa Moretti, whose orig<strong>in</strong>al furnish<strong>in</strong>gs have been scrupulously<br />

preserved, is a museum-home open to visitors <strong>in</strong>terested <strong>in</strong><br />

Mar<strong>in</strong>o Moretti, the man and the writer.


Museo della Mar<strong>in</strong>eria<br />

dell’Alto e Medio Adriatico<br />

Maritime Museum of the<br />

Up<strong>per</strong> and Middle Adriatic<br />

address<br />

phone +39 0547/79205 fax +39 0547/79254<br />

e-mail<br />

web<br />

Interior of the museum’s land<br />

section<br />

Via Armell<strong>in</strong>i, 18 Cesenatico<br />

47042 FC<br />

museomar<strong>in</strong>eria@cesenatico.it<br />

www.museomar<strong>in</strong>eria.eu<br />

The Maritime Museum is closely l<strong>in</strong>ked to the canal port,<br />

designed by Leonardo da V<strong>in</strong>ci, which runs through the town’s<br />

historic centre and houses the museum’s float<strong>in</strong>g section, which<br />

was <strong>in</strong>augurated <strong>in</strong> 1983 and features eleven traditional Adriatic<br />

vessels, three of which are still <strong>in</strong> o<strong>per</strong>ation <strong>in</strong> order to ma<strong>in</strong>ta<strong>in</strong><br />

traditional sail<strong>in</strong>g techniques alive. The land section was opened<br />

<strong>in</strong> 2005. Housed <strong>in</strong> a pavilion designed to recall ancient arsenals,<br />

it features evocative exhibits on traditional sail<strong>in</strong>g <strong>in</strong> the up<strong>per</strong><br />

and middle Adriatic. The displays are centred on two fully<br />

equipped traditional vessels (locally known, respectively,<br />

as trabaccolo and bragozzo). The first floor illustrates ship design<br />

and construction, while the second floor is dedicated to life<br />

at sea, fish<strong>in</strong>g, sail<strong>in</strong>g, and magic and religious symbols.<br />

Several short videos can be viewed, <strong>in</strong>clud<strong>in</strong>g 3D animations<br />

and v<strong>in</strong>tage films.<br />

54


Armeria Albic<strong>in</strong>i<br />

Albic<strong>in</strong>i Armory<br />

address<br />

phone +39 0543/712606 fax +39 0543/712618<br />

e-mail<br />

web<br />

Albic<strong>in</strong>i Armory, Trophy of arms<br />

Albic<strong>in</strong>i Armory Halls<br />

55<br />

Corso della Repubblica, 72 Forlì<br />

47121 FC<br />

servizio.p<strong>in</strong>acoteca.musei@comune.forli.fc.it<br />

www.cultura.comune.forli.fc.it<br />

The museum’s hold<strong>in</strong>gs are for the most part made up of<br />

weapons collected by the Marquis Raffaello Albic<strong>in</strong>i. The<br />

collection, with items from the 15th to the 19th century, <strong>in</strong>cludes<br />

almost every type of pole weapon – falchions, partisans,<br />

billhooks, corsecas, halberds, quarrels, and lances – and<br />

numerous examples of body armour, foremost among which are<br />

parts of the tournament armour that once belonged to Brunoro<br />

Zampeschi, Lord of Forlimpopoli, <strong>in</strong> the second half of the 16th<br />

century. There are also horse bridles, cha<strong>in</strong>mail armour, morn<strong>in</strong>g<br />

stars, and war hammers, along with numerous swords, <strong>in</strong>clud<strong>in</strong>g<br />

a horseman’s longsword, Venetian schiavona swords, “paloscio”<br />

hunt<strong>in</strong>g knives, and cup-hilt rapiers. S<strong>in</strong>ce 1958, an annex to<br />

the armoury displays a collection of weapons and musical<br />

<strong>in</strong>struments from the former Belgian Congo donated by Virg<strong>in</strong>ia<br />

Pedriali.


Musei San Domenico<br />

San Domenico Museums<br />

address<br />

phone +39 0543/712659 fax +39 0543/712658<br />

e-mail<br />

web<br />

Antonio Canova, Hebe, 1816-17<br />

Art gallery, hall 12<br />

Museum exterior: the cloister<br />

Piazza Guido da Montefeltro, 12 Forlì<br />

47121 FC<br />

museisandomenico.forli@comune.forli.fc.it<br />

www.cultura.comune.forli.fc.it<br />

The prestigious San Giacomo Apostolo compound, a former<br />

convent <strong>in</strong> San Domenico that has recently been renovated and<br />

restored, is the new home of the Art Gallery and Civic Museums.<br />

Works currently displayed there<strong>in</strong> are from the 12th to 18th<br />

centuries. The right w<strong>in</strong>g of the compound houses the most<br />

ancient works: the Tryptych by the Maestro di Forlì, pa<strong>in</strong>t<strong>in</strong>gs<br />

by Beato Angelico, the funeral monument of Beato Marcol<strong>in</strong>o<br />

by Antonio Rossell<strong>in</strong>o, Palmezzano’s large Crucifixion; the left<br />

w<strong>in</strong>g houses works by Palmezzano, Baldassarre Carrari, and<br />

Francesco Zaganelli and pa<strong>in</strong>t<strong>in</strong>gs rang<strong>in</strong>g from 16th century<br />

pa<strong>in</strong>t<strong>in</strong>gs from <strong>Romagna</strong> to Mannerism. Canova’s Hebe was<br />

transferred here <strong>in</strong> January 2009, on the occasion of exhibition<br />

titled Canova: the classic ideal between pa<strong>in</strong>t<strong>in</strong>g and sculpture.<br />

56


Museo Etnografico<br />

Romagnolo Pergoli<br />

Pergoli Museum<br />

of Ethnography <strong>in</strong> <strong>Romagna</strong><br />

address<br />

phone +39 0543/712606 fax +39 0543/712618<br />

e-mail<br />

web<br />

Tavern, wall decorations<br />

Tavern<br />

Kitchen<br />

“Rust” pr<strong>in</strong>t<strong>in</strong>g press<br />

57<br />

Corso della Repubblica, 72 Forlì<br />

47121 FC<br />

servizio.p<strong>in</strong>acoteca.musei@comune.forli.fc.it<br />

www.cultura.comune.forli.fc.it<br />

The orig<strong>in</strong>s of the Museum date back to the Esposizioni<br />

Romagnole Riunite fair held <strong>in</strong> Forlì <strong>in</strong> 1921, which <strong>in</strong>tended<br />

to showcase <strong>Romagna</strong>’s agricultural, artisanal, and <strong>in</strong>dustrial<br />

output and contribute to the region’s economic and moral<br />

recovery. An exhibition on ethnography <strong>in</strong> <strong>Romagna</strong> was thus<br />

staged, which <strong>in</strong>cluded replicas of typical homes and artisans’<br />

workshops; <strong>in</strong> 1922 this exhibition was converted <strong>in</strong>to a museum.<br />

The section on the first floor of Palazzo del Merenda is still<br />

largely unchanged s<strong>in</strong>ce then, and features a kitchen, small<br />

d<strong>in</strong><strong>in</strong>g room, master bedroom, tavern, and canteen, along with<br />

some traditional artisans’ workshops such as a “rust” pr<strong>in</strong>t<strong>in</strong>g<br />

press, a luthier’s workshop, and a blacksmith’s workshop.<br />

The halls display furniture from <strong>Romagna</strong>, folk pottery, and a<br />

collection of “caveje” (decorated steel poles typical of <strong>Romagna</strong>)<br />

and wedd<strong>in</strong>g outfits from the late 19th and early 20th centuries.


P<strong>in</strong>acoteca Civica<br />

Melozzo degli Ambrogi<br />

Melozzo degli Ambrogi<br />

Civic Art Gallery<br />

address<br />

phone +39 0543/712606 +39 0543/712609 fax +39 0543/712618<br />

e-mail<br />

web<br />

J. Sablet, First steps, second half<br />

of the 18th century.<br />

Palazzo del Merenda, salon<br />

Corso della Repubblica, 72 Forlì<br />

47121 FC<br />

servizio.p<strong>in</strong>acoteca.musei@comune.forli.fc.it<br />

www.cultura.comune.forli.fc.it<br />

The Art Gallery dates back to 1838, when it received the<br />

municipal adm<strong>in</strong>istration’s rema<strong>in</strong><strong>in</strong>g artwork after the<br />

Napoleonic purges. In 1922 it was transferred to its current<br />

location, which had been designed by Giuseppe Merenda<br />

and built <strong>in</strong> 1722 as a hospital for the <strong>in</strong>firm. The central hall<br />

displays large pa<strong>in</strong>t<strong>in</strong>gs by Francesco Albani, Andrea Sacchi,<br />

Guido Cagnacci, Giovanni Francesco Barbieri also known as<br />

Il Guerc<strong>in</strong>o, Carlo Maratta and Carlo Cignani. Some of the<br />

Museum’s most important collections <strong>in</strong>clude: the collection of<br />

pa<strong>in</strong>t<strong>in</strong>gs donated by Piancastelli <strong>in</strong> 1938; the Pedriali collection,<br />

with some pa<strong>in</strong>t<strong>in</strong>gs by the Flemish masters and the large Oxen<br />

cart by Fattori; the Righ<strong>in</strong>i donation, with etch<strong>in</strong>gs and three<br />

oil pa<strong>in</strong>t<strong>in</strong>gs by Giorgio Morandi; and Giuseppe Verzocchi’s<br />

collection dedicated to work, and made up of 70 pa<strong>in</strong>t<strong>in</strong>gs<br />

commissioned <strong>in</strong> 1949 to the lead<strong>in</strong>g 20th century Italian artists.<br />

58


Museo Civico<br />

Mons. Domenico Mambr<strong>in</strong>i<br />

The Monsignor Domenico Mambr<strong>in</strong>i<br />

Civic Museum<br />

address<br />

phone +39 0543/981854 +39 0543/975428 fax +39 0543/981021<br />

e-mail<br />

web<br />

Nurs<strong>in</strong>g Madonna, 15th century<br />

Grave goods from the 4th or<br />

5th century, from the Mevaniola<br />

necropolis<br />

Bas-relief depict<strong>in</strong>g the meet<strong>in</strong>g<br />

between Sa<strong>in</strong>t Ellero and<br />

Theodoric<br />

Monastery of the Order of Friars<br />

M<strong>in</strong>or <strong>in</strong> Pianetto, 16th century,<br />

home of the museum<br />

59<br />

Via Pianetto Borgo Galeata<br />

47010 FC<br />

museomambr<strong>in</strong>i@libero.it<br />

www.museocivicomambr<strong>in</strong>i.it<br />

The Museum is housed <strong>in</strong> the Monastery of the Order of<br />

Friars M<strong>in</strong>or <strong>in</strong> Pianetto, near the ancient Roman town and<br />

archaeological site of Mevaniola. The historical-artistic section<br />

features a rather heterogeneous collection of historic and artistic<br />

works, the most notable of which <strong>in</strong>clude two late-17th century<br />

Vanitas and a coat of arms <strong>in</strong> pietra serena sandstone attributed<br />

to Desiderio da Settignano. The archaeological section beg<strong>in</strong>s<br />

<strong>in</strong> the hall dedicated to the collection of Monsignor Domenico<br />

Mambr<strong>in</strong>i and cont<strong>in</strong>ues with halls dedicated to the historical<br />

and archaeological sites near Galeata (Mevaniola, Theodoric’s<br />

Villa, and the Abbey of Sa<strong>in</strong>t Ellero). The Museum has a varied<br />

programme of events (conferences, conventions, exhibitions,<br />

and guided tours), workshops, and educational activities for<br />

schoolchildren and adults, which provide a dynamic way to<br />

approach archaeology and ancient art.


Fondazione<br />

Tito Balestra Onlus<br />

Tito Balestra Foundation<br />

address<br />

phone +39 0547/665850 +39 0547/665420 fax +39 0547/667007<br />

e-mail<br />

web<br />

Ground floor hall, Giorgio Amelio<br />

Roccamonte, Desert flowers, 1972-73<br />

Maccari hall<br />

Hall dedicated to Tito<br />

Piazza Malatestiana, 1 Longiano<br />

47020 FC<br />

<strong>in</strong>fo@fondazionetitobalestra.org<br />

www.fondazionetitobalestra.org<br />

The Foundation bears the name of the poet Tito Balestra<br />

(1923-1976), whose relationships with the lead<strong>in</strong>g artists of<br />

his time, based on friendship and mutual respect, allowed<br />

him to accumulate this collection of extraord<strong>in</strong>ary works,<br />

a comprehensive overview of 20th century visual culture.<br />

The Museum is located <strong>in</strong> Longiano’s Malatesta Castle: this<br />

<strong>per</strong>fectly restored fortress houses the marvellous collection<br />

– one of <strong>Emilia</strong>-<strong>Romagna</strong>’s richest – of figurative art, which<br />

<strong>in</strong>cludes over 2,300 works by the lead<strong>in</strong>g 20th century Italian<br />

artists – from Rosai to Maccari, from Sironi to Morandi – and a<br />

valuable collection of graphic art by foreign artists such as Goya,<br />

Chagall, Matisse. The Foundation also organizes temporary<br />

exhibitions, particularly on the relationship between the highest<br />

art, literature, and poetry. The Museum is noteworthy for its<br />

educational activities.<br />

60


Galleria d’Arte<br />

Contemporanea<br />

Vero Stoppioni<br />

Vero Stoppioni<br />

Contemporary Art Gallery<br />

address<br />

phone +39 0543/975428 +39 0543/981854 fax +39 0543/970345<br />

e-mail<br />

web<br />

Mattia Moreni, La Mistura,<br />

1976-84<br />

Gallery <strong>in</strong>terior<br />

Santa Sofia sculpture garden<br />

61<br />

Viale Roma, 5A Santa Sofia<br />

47018 FC<br />

cultura@comune.galeata.fo.it<br />

www.comune.santa-sofia.fo.it<br />

The Art Gallery dedicated to Vero Stoppioni was <strong>in</strong>augurated <strong>in</strong><br />

1990 to house the pa<strong>in</strong>t<strong>in</strong>gs collected dur<strong>in</strong>g the various editions<br />

of the Campigna Award. It is housed <strong>in</strong> an early-20th century<br />

build<strong>in</strong>g, whose architecture harmoniously complements the<br />

contemporary art works.<br />

The collection showcases some of the most significant Italian<br />

artistic currents from the 1950s to the present day: Neo-realism,<br />

Pop Art, Informal Art, Abstract Art, Nouvelle Figuration, up to the<br />

latest trends.<br />

The Gallery reserves a special place for Mattia Moreni, who<br />

participated <strong>in</strong> various editions of the Campigna Award and<br />

established a close relationship with Santa Sofia.<br />

An outdoor sculpture garden associated with the Stoppioni<br />

Gallery features works by renowned artists. It is located along<br />

the Bidente river.


Museo Archeologico<br />

del Compito<br />

Don Giorgio Franch<strong>in</strong>i<br />

The Don Giorgio Franch<strong>in</strong>i<br />

Archaeological Museum<br />

address<br />

phone +39 0541/944851 fax +39 0541/944851<br />

e-mail<br />

web<br />

Marble female statue, 2nd century<br />

AD<br />

Portion of the floor of a Roman<br />

country villa, made up of small<br />

brick tiles, 1st century AD<br />

Fluted column segment, 1st<br />

century AD<br />

Via San Giovanni, 7 Savignano sul Rubicone<br />

47039 FC<br />

<strong>in</strong>fo@museodelcompito.com<br />

www.museodelcompito.com<br />

Founded <strong>in</strong> early 1930s thanks to Don Franch<strong>in</strong>i, parish priest for<br />

S. Giovanni <strong>in</strong> Compito, s<strong>in</strong>ce 1998 the museum is housed <strong>in</strong> its<br />

own build<strong>in</strong>g, next to the rural church. The ancient Romanesque<br />

church was built <strong>in</strong> the 7th century where the ancient Roman<br />

site of Ad Confluentes once stood, where the Via <strong>Emilia</strong> crossed<br />

the hill road between Sars<strong>in</strong>a and Ravenna. This ancient site is<br />

also mentioned <strong>in</strong> the It<strong>in</strong>erarium Burdigalense under the name<br />

mutaio Competu, attest<strong>in</strong>g to the presence of a horse-chang<strong>in</strong>g<br />

post. The rema<strong>in</strong>s of large columns also <strong>in</strong>dicate that a religious<br />

build<strong>in</strong>g or rural sanctuary (from the early Roman Empire) was<br />

located there; <strong>in</strong>deed, the presence of the rural church shows<br />

that the site has been <strong>in</strong> cont<strong>in</strong>uous use as a place of worship.<br />

There are also some <strong>in</strong>terest<strong>in</strong>g proto-historic items, <strong>in</strong>clud<strong>in</strong>g a<br />

group of 12 furnaces from the 7th century BC, which testify to the<br />

human presence <strong>in</strong> the area <strong>in</strong> the pre-Roman era.<br />

62


Modena


Museo<br />

della Civiltà Contad<strong>in</strong>a<br />

Museum of Peasant History and Life<br />

address<br />

phone +39 059/800912 +39 059/904866 fax +39 059/815132<br />

e-mail<br />

web<br />

L25 Land<strong>in</strong>i “hotbulb” tractor.<br />

“The priest”: a wooden bed<br />

warmer, with “nun” for the hot<br />

coals<br />

Detail of the cereal sorter<br />

Piazza Repubblica, 51 Bastiglia<br />

41030 MO<br />

museo@comune.bastiglia.mo.it<br />

www.comune.bastiglia.mo.it<br />

The Museum of Peasant History and Life – established by<br />

the municipal adm<strong>in</strong>istration <strong>in</strong> 1977 – is housed <strong>in</strong> a historic<br />

build<strong>in</strong>g. It displays and valorises collections regard<strong>in</strong>g the<br />

contemporary rural culture of the Modena pla<strong>in</strong>, as well as other<br />

items related to the history of Bastiglia, the 15th century Conca<br />

on the Naviglio canal, and the ancient Estense mill. It aims to be<br />

an ecomuseum. The museum chooses to use evocative displays,<br />

which deal with work<strong>in</strong>g and cultivat<strong>in</strong>g the soil, the process<strong>in</strong>g<br />

of agricultural and dairy products, private life and childhood<br />

<strong>in</strong> the rural world, and the role of artisanal work <strong>in</strong> the rural<br />

economy. The Agricultural Mach<strong>in</strong>ery Pavilion is associated with<br />

the museum; it displays large agricultural mach<strong>in</strong>ery, such as<br />

historic tractors (<strong>in</strong>clud<strong>in</strong>g a FIAT prototype), and a big thresh<strong>in</strong>g<br />

mach<strong>in</strong>e.<br />

63


Museo<br />

della Bilancia<br />

Balance Scale Museum<br />

address<br />

phone +39 059/527133 fax +39 059/527084<br />

e-mail<br />

web<br />

Steelyard for weigh<strong>in</strong>g barrels,<br />

detail of the shaft<br />

Gallery of platform scales<br />

and large scales<br />

Detail of the <strong>in</strong>teractive<br />

multimedia displays designed<br />

with fuse*creative_lab<br />

Museum exterior<br />

64<br />

Via Garibaldi, 34A Campogalliano<br />

41011 MO<br />

<strong>in</strong>fomuseo@museodellabilancia.it<br />

www.museodellabilancia.it<br />

The Balance Scale Museum, the only one of its k<strong>in</strong>d <strong>in</strong> Italy,<br />

documents the history of weigh<strong>in</strong>g and measur<strong>in</strong>g from the<br />

Middle Ages to the present day. It displays balance scales,<br />

platform scales, steelyards, and a wide array of documents<br />

<strong>in</strong>clud<strong>in</strong>g posters, catalogues, orig<strong>in</strong>al pr<strong>in</strong>ts, and photographs<br />

of v<strong>in</strong>tage equipment. The Museum is an <strong>in</strong>tegral part of the<br />

productive system of the area, for which it serves both as historic<br />

archive of sorts and as a hub for historic, technical, and scientific<br />

knowledge. S<strong>in</strong>ce 1991 it is also a National Documentation<br />

Centre, which is authorized to collect, organize, and dissem<strong>in</strong>ate<br />

documentation that will help broaden the scope of research<br />

on balance scales.


Musei<br />

di Palazzo dei Pio<br />

Museums of Palazzo dei Pio<br />

address<br />

phone +39 059/649360 fax +39 059/649361<br />

e-mail<br />

web<br />

E. Ximenes, Bust of Giuseppe<br />

Garibaldi, about 1890<br />

Anton<strong>in</strong> Mercié, David va<strong>in</strong>queur,<br />

1872-99<br />

The City Museum<br />

Palazzo dei Pio, Renaissance<br />

facade<br />

Piazza dei Martiri, 68 Carpi<br />

41012 MO<br />

musei@carpidiem.it<br />

www.palazzodeipio.it/imusei<br />

The Museums of Palazzo dei Pio comprise the Museum of<br />

Palazzo dei Pio and the City Museum.<br />

The Museum of Palazzo dei Pio is dedicated to Palazzo dei<br />

Pio’s art, architecture, and history, the Pio family’s rule, and<br />

the Renaissance court. It houses the most important of the<br />

museum’s collections, which blend <strong>in</strong> with the surround<strong>in</strong>gs <strong>in</strong><br />

which they are displayed: pa<strong>in</strong>t<strong>in</strong>gs, xylographs, ancient wooden<br />

pieces, and decorated ceramic pottery.<br />

The City Museum documents the history of the Carpi area, and<br />

of the establishment and development of the town itself, from<br />

the first Terramare settlements (16th century BC) until the last<br />

century, and traces its environmental, social, economic, cultural,<br />

and urban development.<br />

65


Museo Monumento<br />

al Deportato politico<br />

e razziale nei campi<br />

di sterm<strong>in</strong>io nazisti<br />

Museum and Monument of Political and Racial<br />

Deportees to Nazi Exterm<strong>in</strong>ation Camps<br />

address<br />

phone +39 059/649978 +39 059/688272 fax +39 059/688483<br />

e-mail<br />

web<br />

Hall 2: graffiti on draw<strong>in</strong>g by<br />

Alberto Longoni<br />

View of hall 11<br />

Hall 11: quote from “Letters of<br />

European Resistance Fighters about<br />

to be Executed”<br />

66<br />

Piazza dei Martiri, 68 Carpi<br />

41012 MO<br />

fondazione.fossoli@carpidiem.it<br />

www.fondazionefossoli.org<br />

The Museum and Monument of Political and Racial Deportees<br />

occupies a special place <strong>in</strong> Italian and <strong>in</strong>ternational memorial<br />

architecture. Inaugurated <strong>in</strong> 1973, it embodies a commitment<br />

to keep<strong>in</strong>g alive the memory of the victims of deportation, as<br />

documented by the Fossoli concentration camp.<br />

The museum has 13 halls occupy<strong>in</strong>g a large space on the ground<br />

floor of Palazzo dei Pio. Displays are spare: the graffiti on the<br />

walls and the symbolic images <strong>in</strong> the reliquaries blend <strong>in</strong> with the<br />

rigorous architectural structure, creat<strong>in</strong>g a highly evocative visual<br />

impact.<br />

Several renowned artists contributed to the creation<br />

of the museum: the BBPR studio for architectural plann<strong>in</strong>g and<br />

restoration, Albe and Lica Ste<strong>in</strong>er for the exhibits themselves,<br />

Guttuso for select<strong>in</strong>g the artwork, and Nelo Risi for select<strong>in</strong>g<br />

texts.


Museo Civico<br />

Archeologico<br />

“Anton Celeste Simon<strong>in</strong>i”<br />

“Anton Celeste Simon<strong>in</strong>i”<br />

Civic Museum of Archaeology<br />

address<br />

phone +39 059/959367 fax +39 059/950366<br />

e-mail<br />

web<br />

Detail of the decoration of a<br />

ceramic mug, 8th century BC.<br />

Epitaph, Age of Augusts<br />

Terracotta female head, first half<br />

of the 1st century BC.<br />

Fragment of blown glass wall,<br />

Im<strong>per</strong>ial Age<br />

Corso Martiri, 204 Castelfranco <strong>Emilia</strong><br />

41013 MO<br />

museocivico@comune.castelfranco-emilia.mo.it<br />

www.comune.castelfranco-emilia.mo.it<br />

Castelfranco <strong>Emilia</strong>’s Civic Museum of Archaeology was<br />

established <strong>in</strong> 1999 to house the material from the civic<br />

collection and from local archaeological digs.<br />

The Museum, located <strong>in</strong> Palazzo Piella, traces the history of<br />

human settlement <strong>in</strong> the Castelfranco area from proto-history –<br />

the emergence of the Terramare culture dur<strong>in</strong>g the Bronze Age<br />

– until the establishment of the Borgo Franco <strong>in</strong> the 13th century,<br />

the precursor to the modern town of Castelfranco. Of particular<br />

importance is the aes signatum deposit discovered <strong>in</strong> 1897: the<br />

embossed cast lumps of bronze it conta<strong>in</strong>ed date back to the<br />

6th century BC. The museum also stages exhibitions and hosts<br />

conferences, publishes the journal Pagani e Cristiani. Forme e<br />

attestazioni di religiosità nel mondo antico <strong>in</strong> <strong>Emilia</strong> (Pagans and<br />

Christians. Forms and attestations of religiousness <strong>in</strong> ancient<br />

<strong>Emilia</strong>) and has an educational program target<strong>in</strong>g local schools.<br />

67


Museo della Ceramica<br />

Museum of Ceramic Pottery<br />

address<br />

phone +39 0536/833412 fax +39 0536/832728<br />

e-mail<br />

web<br />

Ludovico Asirelli, Graffa, 1971<br />

Roman hall, replica of pottery kiln<br />

Replica of Bronze Age cup<br />

Contemporary hall: tile displays<br />

68<br />

Via del Castello, 12<br />

Loc. Spezzano<br />

cultura@fiorano.it<br />

www.fiorano.it/turismo/cultura/museo.shtm<br />

Fiorano Modenese<br />

41042 MO<br />

The Museum of Ceramic Pottery uses a technological approach<br />

to describe the thousands of years of history of ceramic<br />

pottery. Instruments, ceramics, and kilns, reconstructed us<strong>in</strong>g<br />

ex<strong>per</strong>imental archaeology techniques, trace the history of<br />

decorations and production techniques, while the contemporary<br />

section documents, through the eyes of the ma<strong>in</strong> protagonists,<br />

ancient <strong>in</strong>dustrial skills and the first steps of mechanization.<br />

The Museum, which is fully <strong>in</strong>tegrated <strong>in</strong>to the local<br />

manufactur<strong>in</strong>g district, displays serially-produced ceramic tiles<br />

from the pre-World War II <strong>per</strong>iod to the present day.<br />

Its Contemporary Collection features works of art, design,<br />

and architectural ceramics crafted for the Ceramics Biennials.<br />

Every day, the museum’s Manodo<strong>per</strong>a project collects and<br />

preserves documents, objects, videos, photographs and other<br />

items that help reconstruct the history of the world of ceramics.


Museo e Centro<br />

di documentazione<br />

del Castello<br />

Museum of the Castle<br />

and Documentation Centre<br />

address<br />

phone +39 059/416145 fax +39 059/416143<br />

e-mail<br />

web<br />

“Time”<br />

The registry of depositions<br />

The clock room<br />

The Castle of Formig<strong>in</strong>e<br />

Piazza Calcagn<strong>in</strong>i Formig<strong>in</strong>e<br />

41043 MO<br />

castello@comune.formig<strong>in</strong>e.mo.it<br />

www.comune.formig<strong>in</strong>e.mo.it<br />

Thanks to its over 800 years of history, the Castle of Formig<strong>in</strong>e is<br />

a formidable “time mach<strong>in</strong>e”. The Museum and Documentation<br />

Centre is dedicated to this extraord<strong>in</strong>ary voyage from the Middle<br />

Ages to the present day. It traces the history of the castle and<br />

its <strong>in</strong>habitants, whose most important aspects were uncovered<br />

by archaeological studies carried out by Venice’s Ca’ Foscari<br />

University, <strong>in</strong>clud<strong>in</strong>g the discovery of the ancient church of S.<br />

Bartolomeo, the cemetery, and the late-Medieval burg, all of<br />

which preceded the establishment of the castle. The narrative of<br />

the museum, which is located <strong>in</strong> the “rocchetta”, is <strong>in</strong>spired by<br />

the very places <strong>in</strong> which it is set.<br />

The scientific, yet captivat<strong>in</strong>g displays are made possible by the<br />

sensitive environments created by Studio Azzurro, which can be<br />

activated by a visitor’s mere presence or movement.<br />

69


Museo Civico<br />

di Mirandola<br />

Civic Museum of Mirandola<br />

address<br />

phone +39 0535/609985 +39 0535/609995 fax +39 0535/609998<br />

e-mail<br />

web<br />

Detail of the archaeological<br />

collection<br />

Guerc<strong>in</strong>o (attribuited), Madonna<br />

with Child, 1750-60<br />

Portraits of Pico family<br />

Carab<strong>in</strong>i Hall<br />

70<br />

Piazza Marconi, 23 Mirandola<br />

41037 MO<br />

cultura@comune.mirandola.mo.it<br />

www.castellopico.it<br />

The Civic Museum of Mirandola is housed <strong>in</strong> the Pico Castle,<br />

the prestigious home of the aristocratic family who ruled the city<br />

for 400 years, from 1311 to 1710. The exhibits are organized <strong>in</strong><br />

twelve sections, which trace a varied portrait of the city’s historical<br />

and artistic heritage. The museum <strong>in</strong>cludes an archaeological<br />

collection; a collection of co<strong>in</strong>s and medals belong<strong>in</strong>g to the Pico<br />

family; artwork created for religious <strong>in</strong>stitutions; portraits of Pico<br />

and Este family members along with those of illustrious citizens<br />

of Mirandola <strong>in</strong> the 18th and 19th centuries, a section dedicated<br />

to the philosophers Giovanni and Giovan Francesco Pico; a room<br />

devoted to music; works that were donated (pa<strong>in</strong>t<strong>in</strong>gs, ancient<br />

furniture, and an extensive collection of pr<strong>in</strong>ts depict<strong>in</strong>g the local<br />

area) or the local Monte di Pietà pawnbroker; and a collection of<br />

weapons from the 15th and 16th centuries.


Galleria Civica<br />

di Modena<br />

Modena Civic Gallery<br />

address<br />

phone +39 059/2032911 fax +39 059/2032932<br />

e-mail<br />

web<br />

Kathar<strong>in</strong>a Grosse, Another man<br />

who has dropped his pa<strong>in</strong>tbrush,<br />

2008<br />

Laura Renna, Moquette Area<br />

Progetto, 2007<br />

Adrian Paci, The Pr<strong>in</strong>cess, 2003<br />

Palazz<strong>in</strong>a dei Giard<strong>in</strong>i, Modena <strong>per</strong><br />

la Fotografia exhibition 2003<br />

Corso Canalgrande, 103 Modena<br />

41121 MO<br />

galcivmo@comune.modena.it<br />

www.galleriacivicadimodena.it<br />

The Civic Gallery (Palazz<strong>in</strong>a dei Giard<strong>in</strong>i and Palazzo Santa<br />

Margherita) is one of Italy’s most authoritative centres of<br />

culture. It organizes temporary exhibitions, conferences, and<br />

meet<strong>in</strong>gs on issues and people related to contemporary art and<br />

photography. It is also active <strong>in</strong> terms of collection, through<br />

the acquisition, conservation, management, and promotion<br />

of three important collections: the Contemporary Draw<strong>in</strong>g<br />

Collection, with over 4,000 draw<strong>in</strong>gs from 20th century Italian<br />

artists; the Contemporary Photography Collection, with over 3,500<br />

photographs from lead<strong>in</strong>g <strong>in</strong>ternational photographers; and the<br />

Don Casimiro Bettelli Collection, on loan from the Archiepiscopal<br />

Curia of Modena, which features about 800 works, draw<strong>in</strong>gs,<br />

and graphic art by <strong>in</strong>ternationally renowned artists from the<br />

second half of the 20th century.<br />

71


Museo Civico<br />

Archeologico Etnologico<br />

Civic Museum of<br />

Archaeology and Ethnology<br />

address<br />

phone +39 059/2033100 fax +39 059/2033110<br />

e-mail<br />

web<br />

Ceremonial feather headdress,<br />

Munduruku Indians<br />

Central Amazon bas<strong>in</strong>, first half<br />

of the 19th century<br />

Car<strong>in</strong>ated bowl, Sant’Ambrogio,<br />

Middle Bronze Age 1450-1350 BC<br />

Hall of archaeology<br />

72<br />

Largo Porta Sant’Agost<strong>in</strong>o, 337 Modena<br />

41121 MO<br />

museo.archeologico@comune.modena.it<br />

www.comune.modena.it/museoarcheologico<br />

The Civic Museum of Archaeology and Ethnology was founded<br />

<strong>in</strong> 1871. Its 19th century orig<strong>in</strong> is showcased <strong>in</strong> the current layout,<br />

which has ma<strong>in</strong>ta<strong>in</strong>ed the 19th century furniture and decorations<br />

essentially unchanged, a particularly remarkable feature on the<br />

Italian museum scene.<br />

The largest collection concerns the Terramare culture, ancient<br />

<strong>in</strong>habitants of the Po Pla<strong>in</strong> dur<strong>in</strong>g the Bronze Age. There are<br />

also extensive Etruscan and Roman collections, <strong>in</strong>clud<strong>in</strong>g f<strong>in</strong>e<br />

furnish<strong>in</strong>gs and decorations from wealthy patrician domus. The<br />

Roman Lapidarium <strong>in</strong> the atrium of the Palazzo dei Musei is an<br />

extension of the Roman section.<br />

The extra-European ethnography section <strong>in</strong>cludes items<br />

testify<strong>in</strong>g to cultures that are now ext<strong>in</strong>ct or nearly so, with<br />

material from New Gu<strong>in</strong>ea, Pre-Colombian Peru, Asia, South<br />

America, and Africa.


Museo Civico d’Arte<br />

Civic Art Museum<br />

address<br />

phone +39 059/2033100 +39 059/2033101 fax +39 059/2033110<br />

e-mail<br />

web<br />

Antonio Begarelli, Crucified Christ,<br />

1540-50<br />

The prestigious textile collection<br />

donated by Luigi Alberto Gand<strong>in</strong>i<br />

The “Giuseppe Graziosi”<br />

Gypsotheque on the ground<br />

floor of Palazzo dei Musei<br />

Largo Porta Sant’Agost<strong>in</strong>o, 337 Modena<br />

41121 MO<br />

museo.arte@comune.modena.it<br />

www.comune.modena.it/museoarte<br />

The Civic Art Museum was established <strong>in</strong> 1962 when the 19th<br />

century museum was divided <strong>in</strong>to two dist<strong>in</strong>ct <strong>in</strong>stitutes,<br />

one focus<strong>in</strong>g on archaeology, the other on history and art.<br />

Founded <strong>in</strong> 1871, s<strong>in</strong>ce 1886 the Museum has been housed the<br />

18th century Palazzo dei Musei. The collections, built through<br />

prestigious donations, acquisitions, and locally-recovered<br />

artwork, documents numerous aspects of Modena’s history<br />

and culture from the 12th to the 20th centuries through a wide<br />

array of works. Quite remarkably, the basic layout of the 19th<br />

century museum has survived to this day, thanks to museum<br />

conservation efforts carried out <strong>in</strong> the 1980s. The museum is<br />

also active locally through the conservation and valorisation of<br />

municipally-owned art, and is also responsible for coord<strong>in</strong>at<strong>in</strong>g<br />

the Modena UNESCO site, which <strong>in</strong>cludes the Duomo, the<br />

“Ghirland<strong>in</strong>a” Tower, and Piazza Grande.<br />

73


Museo della Figur<strong>in</strong>a<br />

Trad<strong>in</strong>g Card Museum<br />

address<br />

phone +39 059/2033090 +39 059/2032940 fax +39 059/2033087<br />

e-mail<br />

web<br />

Kunstschau Wien, letter seal, 1908<br />

Section on modern trad<strong>in</strong>g cards<br />

John Lennon, trad<strong>in</strong>g card from the<br />

series The Beatles, 1964<br />

Glass display case for temporary<br />

exhibition<br />

74<br />

Corso Canalgrande, 103 Modena<br />

41121 MO<br />

museo.figur<strong>in</strong>a@comune.modena.it<br />

www.museodellafigur<strong>in</strong>a.it<br />

The Trad<strong>in</strong>g Card Museum was established by the Pan<strong>in</strong>i Trad<strong>in</strong>g<br />

Card Company, thanks to the enthusiastic collect<strong>in</strong>g efforts<br />

of Giuseppe Pan<strong>in</strong>i, who founded the museum along with his<br />

brothers <strong>Beni</strong>to, Franco Cosimo, and Umberto. As part of an<br />

attempt to document the orig<strong>in</strong>s and development of trad<strong>in</strong>g<br />

cards, he collected hundreds of thousands of small colour pr<strong>in</strong>ts,<br />

which over time formed an extraord<strong>in</strong>ary collection <strong>in</strong> both<br />

quantitative and qualitative terms, which was donated to the<br />

Municipality of Modena <strong>in</strong> 1992.<br />

S<strong>in</strong>ce 2006, the Museum’s orig<strong>in</strong>al displays have aimed to recreate<br />

a sort of “trad<strong>in</strong>g card wonderland”, featur<strong>in</strong>g not only<br />

trad<strong>in</strong>g cards from the mid-19th century to the present day,<br />

but also matchboxes, letter seals, banknotes, menus, m<strong>in</strong>iature<br />

calendars, and much more.


Raccolta di<br />

Cose Montes<strong>in</strong>e<br />

Collection of Th<strong>in</strong>gs from Montese<br />

address<br />

phone +39 059/980095 +39 320/4397331 fax<br />

e-mail<br />

web<br />

Chestnut Hall<br />

American Soldiers 10a Mounta<strong>in</strong><br />

Division Hall<br />

231st Infantry Division of the<br />

Wehrmacht Army Hall<br />

Ma<strong>in</strong> entrance of the Museum<br />

Via Trebbo,1<br />

Loc. Iola di Montese<br />

<strong>in</strong>fo@sulleormede<strong>in</strong>ostripadri.it<br />

www.sulleormede<strong>in</strong>ostripadri.it/museo<br />

Montese<br />

41055 MO<br />

Established <strong>in</strong> 1992, the Museum of Iola di Montese is housed<br />

<strong>in</strong> the 17th century parsonage of the adjacent parish church. The<br />

museum was founded thanks to the efforts of the parish priest at<br />

the time, the Il Trebbo cultural group, and local <strong>in</strong>habitants. It is<br />

currently housed on three floors, with 15 rooms, each devoted to a<br />

specific theme, host<strong>in</strong>g over 4,000 objects and documents.<br />

The collections, which <strong>in</strong>clude donated and salvaged items,<br />

document the history of this part of the Apenn<strong>in</strong>es from the<br />

17th to the mid-20th centuries: art made by peasants, the World<br />

War II era, archaeological f<strong>in</strong>ds, geological items, and a series of<br />

helmets, pole weapons, rifles, and pistols from the 17th and 18th<br />

centuries, when the area was ruled by the Counts of Montecuccoli.<br />

The museum’s sett<strong>in</strong>g <strong>in</strong> a local stone house, its depictions of the<br />

history of our ancestors under different po<strong>in</strong>ts of views and over a<br />

lengthy time span, and its proximity to prist<strong>in</strong>e natural landscapes<br />

make for a relax<strong>in</strong>g and unusual cultural out<strong>in</strong>g.<br />

75


Museo di Nonantola<br />

Nonantola Museum<br />

address<br />

phone +39 059/896555 +39 059/896656 fax +39 059/896556<br />

e-mail<br />

web<br />

Fragment of polychrome graffita<br />

pottery bowl with bird illustration<br />

Gold leaf, Bronze Age,<br />

Terramara settlement of Redù<br />

Palm-shaped terracotta antefix with<br />

stylized plant elements, Roman era<br />

Notice from the Mayor<br />

of Nonantola, 1874<br />

76<br />

Via Marconi, 11 Nonantola<br />

41015 MO<br />

archivio@comune.nonantola.mo.it<br />

www.comune.nonantola.mo.it<br />

The Nonantola Museum is housed <strong>in</strong> the Torre dei Bolognesi,<br />

one of the town’s most important monuments, which dates<br />

back to 1307. The Museum’s four floors tell the tale of the town,<br />

follow<strong>in</strong>g an <strong>in</strong>verted chronological order that starts from the<br />

contemporary era and ends with the Bronze Age, focus<strong>in</strong>g on<br />

three key threads: the evolution of the town, changes <strong>in</strong> the<br />

landscape, and the development of the local community.<br />

A wide range of material is on display: archaeological f<strong>in</strong>ds,<br />

documents, photographs, everyday objects, all of which orig<strong>in</strong>ate<br />

from the Nonantola area. The exhibition ends on the top floor,<br />

which looks out over Nonantola and its constant activity and<br />

changes.


Museo dell’Aceto Balsamico<br />

Tradizionale<br />

Museum of Traditional Balsamic V<strong>in</strong>egar<br />

address<br />

phone +39 059/781614 fax +39 059/7861913<br />

e-mail<br />

web<br />

Traditional Balsamic V<strong>in</strong>egar<br />

drawn from a wooden cask<br />

Villa Fabriani attic: Consortium<br />

v<strong>in</strong>egar cellar<br />

Labelled bottle from 1785<br />

“La Botte”Hall<br />

Via Roncati, 28 Spilamberto<br />

41057 MO<br />

<strong>in</strong>fo@museodelbalsamicotradizionale.org<br />

www.museodelbalsamicotradizionale.org<br />

The Museum of Traditional Balsamic V<strong>in</strong>egar, the only museum<br />

<strong>in</strong> the world dedicated to this product, which enjoys Protected<br />

Designation of Orig<strong>in</strong>, was <strong>in</strong>augurated <strong>in</strong> 2002 <strong>in</strong> Spilamberto<br />

thanks to the founder of the Traditional Balsamic V<strong>in</strong>egar<br />

Consortium, Simon<strong>in</strong>i, under the patronage of the President of<br />

the Republic and with the support of the <strong>Region</strong>al and Prov<strong>in</strong>cial<br />

adm<strong>in</strong>istrations and the Chamber of Commerce. The museum<br />

aims to promote a product that is <strong>in</strong>timately tied to the culture<br />

of <strong>Emilia</strong>. Its halls evoke the aroma and taste of this unique<br />

product. Visitors will discover the complexities <strong>in</strong>volved <strong>in</strong><br />

its preparation, <strong>per</strong>fected with ex<strong>per</strong>ience and over time, and<br />

will be able to learn about processes that had hitherto been<br />

jealously guarded family secrets. A visit to the museum ends <strong>in</strong><br />

the Consortium’s v<strong>in</strong>egar cellar, where the Consortium’s master<br />

v<strong>in</strong>egar makers host tast<strong>in</strong>gs for visitors.<br />

77


Parma


Museo<br />

Mart<strong>in</strong>o Jasoni<br />

Mart<strong>in</strong>o Jasoni Museum<br />

address<br />

phone +39 0525/61807 +39 0525/629220 fax +39 0525/60293<br />

e-mail<br />

web<br />

Località Corchia Berceto<br />

43042 PR<br />

casacorchia@comune.berceto.pr.it<br />

www.museojasoni.it<br />

Mart<strong>in</strong>o Jasoni, “Carlon” Mill, 1929<br />

Exterior of the Jasoni Museum,<br />

Casa Corchia<br />

Hall of American watercolour<br />

pa<strong>in</strong>t<strong>in</strong>gs<br />

Mart<strong>in</strong>o Jasoni, Self-portrait with<br />

hat, 1930-40<br />

The Mart<strong>in</strong>o Jasoni Museum owes its existence to the<br />

Municipality of Berceto and the Jasoni family’s desire to promote<br />

the works and life history of Mart<strong>in</strong>o Jasoni (1901-1957). The<br />

artist’s works and life ex<strong>per</strong>ience are used to spark a debate<br />

rang<strong>in</strong>g from artistic ex<strong>per</strong>iences, existential ex<strong>per</strong>iences,<br />

and emigration issues.<br />

Located <strong>in</strong> one of Parma prov<strong>in</strong>ce’s most charm<strong>in</strong>g burgs,<br />

Casa Corchia, the home of the museum, displays about 60<br />

works (oil and watercolour pa<strong>in</strong>t<strong>in</strong>gs) from the Jasoni collection.<br />

The exhibition <strong>in</strong>cludes both works from Jasoni’s stay <strong>in</strong> the<br />

USA – dur<strong>in</strong>g his artistic tra<strong>in</strong><strong>in</strong>g <strong>in</strong> New York under the guide of<br />

John Sloan at the Art Students League – and from his return to<br />

Corchia after 1924.<br />

78


Museo<br />

Ettore Guatelli<br />

Ettore Guatelli Museum<br />

address<br />

phone +39 0521/333601 fax +39 0521/332098<br />

e-mail<br />

web<br />

Detail of the wall of hammers<br />

View of the central hall<br />

Small tractor, built entirely with<br />

discarded material<br />

79<br />

Via Nazionale, 130<br />

Loc. Ozzano Taro<br />

<strong>in</strong>fo@museoguatelli.it<br />

www.museoguatelli.it<br />

Collecchio<br />

43044 PR<br />

About 60,000 everyday objects cover the walls of the Ettore<br />

Guatelli Museum <strong>in</strong> Ozzano Taro. They are arranged <strong>in</strong> simple<br />

geometric patterns, and create a highly evocative visual impact,<br />

through an orig<strong>in</strong>al approach to museography that eschews<br />

realistic <strong>in</strong>tentions.<br />

The museum is the fruit of the collection and arrangement<br />

efforts of its author Ettore Guatelli (1921-2000), who devoted<br />

much of his life to this task. After his death, the Ettore Guatelli<br />

Museum Foundation took over the museum’s management.<br />

This private foundation, which also receives considerable public<br />

fund<strong>in</strong>g, has made it possible to develop and carry out extensive<br />

teach<strong>in</strong>g, research, conservation, and promotion efforts, as well<br />

as visitor services.


Museo del Pomodoro<br />

The Tomato Museum<br />

address<br />

phone +39 333/2362839 fax +39 0521/821139<br />

e-mail<br />

web<br />

Luciani bas<strong>in</strong> used to make tomato<br />

paste, about 1938<br />

Detail of a Migliavacca measur<strong>in</strong>g<br />

cup for correctly measur<strong>in</strong>g the<br />

dose of tomato paste for cans, 1950<br />

Tomato cans from the Pezziol<br />

Collection, 1938<br />

Museum entrance<br />

Corte di Giarola<br />

Via Giarola, 11<br />

<strong>in</strong>fo@museidelcibo.it<br />

www.museidelcibo.it<br />

Collecchio<br />

43044 PR<br />

Hosted <strong>in</strong> a historic food process<strong>in</strong>g plant, the museum traces<br />

the history of the tomato from its arrival from the Americas <strong>in</strong><br />

the 16th century to the first timid attempts to use it <strong>in</strong> cook<strong>in</strong>g,<br />

its varieties and cultivation techniques, and its extraord<strong>in</strong>ary<br />

diffusion <strong>in</strong> the Parma area <strong>in</strong> the 19th century, lead<strong>in</strong>g to the<br />

establishment of a major cann<strong>in</strong>g and process<strong>in</strong>g <strong>in</strong>dustry.<br />

V<strong>in</strong>tage photos and documents, rare videos, <strong>in</strong>teractive screens<br />

and models, packages and can openers, curios, and recipes from<br />

great chefs help illustrate the history of this so-called “red gold”<br />

until its f<strong>in</strong>al triumph as a ma<strong>in</strong>stay of Italian cuis<strong>in</strong>e.<br />

The Tomato Museum – which also organizes workshops for<br />

schools – is part of the Food Museums Network dedicated to the<br />

typical products of the prov<strong>in</strong>ce of Parma.<br />

80


Museo del Salame<br />

di Fel<strong>in</strong>o<br />

The Fel<strong>in</strong>o Salami Museum<br />

address<br />

phone +39 0521/831809 +39 0521/821139 fax +39 0521/821139<br />

e-mail<br />

web<br />

Big sausage mach<strong>in</strong>e, about 1925<br />

The entrance to the castle that<br />

houses the museum<br />

Interior of the large hall dedicated<br />

to the art of mak<strong>in</strong>g pork products<br />

81<br />

Strada al Castello, 1 Fel<strong>in</strong>o<br />

43035 PR<br />

<strong>in</strong>fo@museidelcibo.it<br />

www.museidelcibo.it<br />

The museum is housed <strong>in</strong> the magnificent cellar of the majestic<br />

Castle of Fel<strong>in</strong>o overlook<strong>in</strong>g the verdant landscape of Val<br />

Baganza. The museum’s exhibits trace the history of the various<br />

pork products made with black Parma pigs, <strong>in</strong>clud<strong>in</strong>g their<br />

home production and use <strong>in</strong> gastronomy, us<strong>in</strong>g v<strong>in</strong>tage images,<br />

ancient tools, and videos featur<strong>in</strong>g touch<strong>in</strong>g testimonies and<br />

depict<strong>in</strong>g production techniques, from those used <strong>in</strong> ancient<br />

times to current quality-focused technologies. Naturally, visitors<br />

to the museum will be able to taste the “k<strong>in</strong>g of salamis”.<br />

The Fel<strong>in</strong>o Salami Museum – which also organizes workshops<br />

for schools – is part of the Food Museums Network dedicated to<br />

the typical products of the prov<strong>in</strong>ce of Parma.


Museo del Prosciutto<br />

e dei Salumi di Parma<br />

The Parma Ham and Salumi Museum<br />

address<br />

phone +39 0521/864324 fax +39 0521/821139<br />

e-mail<br />

web<br />

Parma Ham brand<strong>in</strong>g<br />

demonstration<br />

Display cases with ham-mak<strong>in</strong>g<br />

tools<br />

Museum <strong>in</strong>terior with the typical<br />

structure of the hangars used to<br />

age hams<br />

The section on salt<strong>in</strong>g<br />

Via Bocchial<strong>in</strong>i, 7 Langhirano<br />

43013 PR<br />

<strong>in</strong>fo@museidelcibo.it<br />

www.museidelcibo.it<br />

The former Foro Boario, located at the foot of the Parma hills,<br />

with their v<strong>in</strong>eyards and the towers of Torrechiara castle, houses<br />

the Parma Ham museum, which documents this prestigious<br />

pork product us<strong>in</strong>g historic documents, <strong>in</strong>struments, mach<strong>in</strong>es,<br />

and videos. The exhibits encompass the art of mak<strong>in</strong>g products<br />

from its orig<strong>in</strong>s to modern techniques, and discuss breeds<br />

of pig, the role of salt, the ancient roots of today’s delicacies,<br />

and the role of the Parma Ham Consortium <strong>in</strong> protect<strong>in</strong>g<br />

product quality. The visit ends with a taste of the <strong>in</strong>comparable<br />

sweetness of Parma Ham.<br />

The Parma Ham Museum – which also organizes workshops for<br />

schools – is part of the Food Museums Network dedicated to the<br />

typical products of the prov<strong>in</strong>ce of Parma.<br />

82


Museo Uomo-Ambiente.<br />

Il territorio nel tempo<br />

Museum of Man and the Environment.<br />

The local territory over time<br />

address<br />

phone +39 333/4504976<br />

fax<br />

e-mail<br />

web<br />

83<br />

Via Borgo, 2<br />

Loc. Bazzano<br />

Detail of the cellar: wooden spoon<br />

From hemp to cloth: the hall<br />

of rope<br />

W<strong>in</strong>e culture: the hall of v<strong>in</strong>es<br />

museo@museouomo-ambiente.it<br />

www.museouomo-ambiente.it<br />

Neviano degli Ardu<strong>in</strong>i<br />

43020 PR<br />

The Museum of Man and the Environment is located <strong>in</strong>side a<br />

13th century tower home. Its activities are run by the Il Cam<strong>in</strong>o<br />

Cultural Group, whose idea of a museum project <strong>in</strong>cludes not<br />

only the display of objects represent<strong>in</strong>g rural culture, but also<br />

the local territory, landscape, and population. The current<br />

exhibits focus on the process<strong>in</strong>g of hemp and on w<strong>in</strong>e<br />

culture. They engage the visitor’s senses as well as promot<strong>in</strong>g<br />

knowledge.<br />

The workshops for k<strong>in</strong>dergarten and elementary school children<br />

allow them to be fully immersed <strong>in</strong> the museum visit, which<br />

<strong>in</strong>volves the five senses all at once. Additionally,<br />

the museum organizes numerous local cultural events.


Castello della Musica:<br />

Museo del disco<br />

Museo di liuteria<br />

Castello della Musica:<br />

Museum of V<strong>in</strong>yl Records<br />

Museum of Lutherie<br />

address<br />

phone +39 0521/823978 +39 0521/622134 fax +39 0521/622100<br />

e-mail<br />

web<br />

Detail of the record collection<br />

Castello della Musica - Rocca San<br />

Vitale<br />

View of the halls<br />

of the Museum of Lutherie<br />

Piazza Garibaldi, 1 Noceto<br />

43015 PR<br />

castellodellamusica@comune.noceto.pr.it<br />

www.comune.noceto.pr.it<br />

Two museums, the Museum of V<strong>in</strong>yl Records and the Museum<br />

of Lutherie, are housed <strong>in</strong> an enchant<strong>in</strong>g Medieval manor,<br />

which was re-named Castello della Musica (the Castle of Music)<br />

<strong>in</strong> 2005. The Museum of V<strong>in</strong>yl Records – located on the piano<br />

nobile – displays 1,300 v<strong>in</strong>tage 78-rpm records from the Bruno<br />

Slawitz, which have recently been digitized, along with over<br />

2,000 33-rpm LPs. It has facilities for videoconferences and<br />

music listen<strong>in</strong>g stations.<br />

The Museum of Lutherie gathers together the precious artisanal<br />

<strong>in</strong>struments made by the master luthier Renato Scrollavezza and<br />

<strong>in</strong>troduces the School of Lutherie, established <strong>in</strong> Parma’s Arrigo<br />

Boito Conservatory <strong>in</strong> 1975, and currently one of the lead<strong>in</strong>g<br />

schools <strong>in</strong> this sector. It is located <strong>in</strong> the tower, from which a<br />

splendid view of the town can be enjoyed.<br />

84


Castello dei Buratt<strong>in</strong>i<br />

Museo Giordano Ferrari<br />

Castle of Puppets<br />

Giordano Ferrari Museum<br />

address<br />

phone +39 0521/031631 fax +39 0521/218876<br />

e-mail<br />

web<br />

Knight with sword, 19th century<br />

marionette<br />

Marionette display case<br />

Puppet display case<br />

85<br />

Via Melloni, 3A Parma<br />

43121 PR<br />

castellodeiburatt<strong>in</strong>i@comune.parma.it<br />

www.castellodeiburatt<strong>in</strong>i.it<br />

The Castle of Puppets/ Giordano Ferrari Museum was<br />

established <strong>in</strong> 2002 by the Municipality of Parma, <strong>in</strong> order<br />

to pro<strong>per</strong>ly care for and display the collection of the Parmaborn<br />

puppet-maker Giordano Ferrari. This <strong>in</strong>itial collection<br />

was <strong>in</strong>creased by material donated from other collectors or<br />

<strong>in</strong>dividuals work<strong>in</strong>g <strong>in</strong> the puppet sector, mak<strong>in</strong>g the museum a<br />

national reference po<strong>in</strong>t <strong>in</strong> its field.<br />

The over 500 items on display are but a small fraction of the<br />

museum’s hold<strong>in</strong>gs, which <strong>in</strong>clude, along with glove and str<strong>in</strong>g<br />

puppets , a pa<strong>per</strong> archive of primary importance available to<br />

scholars upon request, as well as a book collection listed <strong>in</strong> the<br />

OPAC of Parma libraries. The museum offers guided visits and<br />

educational workshops <strong>in</strong> collaboration with the “I buratt<strong>in</strong>i dei<br />

Ferrari” company.


Fondazione Museo<br />

Glauco Lombardi<br />

Glauco Lombardi Museum Foundation<br />

address<br />

phone +39 0521/233727 fax +39 0521/506329<br />

e-mail<br />

web<br />

Anonymous, Bust of Napoleon<br />

Bonaparte, first half of the 19th<br />

century<br />

Parisian manufacture (?), Gala<br />

dress and mantle formerly belong<strong>in</strong>g<br />

to Duchess Marie Louise of<br />

Habsburg, about 1830-4<br />

Robert J. Lefèvre, Marie Louise,<br />

Empress of the French, 1812<br />

Hall of receptions<br />

Strada Garibaldi, 15 Parma<br />

43121 PR<br />

glaucolombardi@libero.it<br />

www.museolombardi.it<br />

The museum was established thanks to the Colorno-born<br />

collector Glauco Lombardi (1881-1970). It traces the history<br />

of the Duchy of Parma and Piacenza from the mid-17th century<br />

to the mid-19th century, and focuses the attention of visitors<br />

on the historic figure of the Duchess Marie Louise of Habsburg<br />

(1791-1847).<br />

Official art works from her sumptuous Im<strong>per</strong>ial <strong>per</strong>iod as the<br />

wife of Napoleon Bonaparte are flanked with <strong>per</strong>sonal objects,<br />

valuable textiles, and various items from her long reign as<br />

Duchess, allow<strong>in</strong>g the exhibits to offer a fun and <strong>in</strong>trigu<strong>in</strong>g<br />

peek <strong>in</strong>to official and private life at a 19th century court. Ample<br />

space is given to the Lyon-born architect Petitot, the master<br />

typographer Bodoni, and the engraver Toschi; the extensive<br />

documentation <strong>in</strong> the museum’s archives is also worthy of note.<br />

86


Museo Casa Natale<br />

Arturo Toscan<strong>in</strong>i<br />

Museum of the Birthplace<br />

of Arturo Toscan<strong>in</strong>i<br />

address<br />

phone +39 0521/285499 fax +39 0521/285499<br />

e-mail<br />

web<br />

Robert Hupka, Toscan<strong>in</strong>i direct<strong>in</strong>g<br />

“His life” Hall<br />

“Images of a legend” Hall<br />

87<br />

Borgo Tanzi, 13 Parma<br />

43125 PR<br />

<strong>in</strong>fo.toscan<strong>in</strong>i@museotoscan<strong>in</strong>i.it<br />

www.museotoscan<strong>in</strong>i.it<br />

Arturo Toscan<strong>in</strong>i was born on March 25,1867 <strong>in</strong> this house<br />

<strong>in</strong> Oltretorrente, a work<strong>in</strong>g-class, music-lov<strong>in</strong>g, proud, and<br />

politically restless neighbourhood whose character bore an<br />

everlast<strong>in</strong>g <strong>in</strong>fluence upon him.<br />

The museum, which re-opened on January16, 2007, traces the<br />

life and work of the great Maestro <strong>in</strong> a totally renewed sett<strong>in</strong>g,<br />

which nevertheless ma<strong>in</strong>ta<strong>in</strong>s unchanged the atmosphere of his<br />

native home. The museum is dedicated both to memory and<br />

reflection, and <strong>in</strong>cludes historical documents, precious family<br />

heirlooms, and modern multi-media.


Casa del Suono<br />

House of Sound<br />

address<br />

phone +39 0521/031103 fax +39 0521/031106<br />

e-mail<br />

web<br />

Detail of a McIntosh amp<br />

Interior of the House of Sound<br />

with the “sound lamp”<br />

One of the museum’s niches<br />

The white room<br />

Piazzale Salvo D’Acquisto Parma<br />

43121 PR<br />

<strong>in</strong>fo.cds@casadelsuono.it<br />

www.casadelsuono.it<br />

The House of Sound focuses on the technological aspects of<br />

sound. It is an avant-garde artistic and technological project<br />

dedicated to everyone who listens to music and other sounds<br />

broadcast by technological <strong>in</strong>struments.<br />

The House of Sound features a valuable collection of sound<br />

players (from phonographs to gramophones, from radios to tape<br />

recorders, from CDs to the iPod) and looks to the future with its<br />

<strong>in</strong>novative sound players and services dedicated to artistic and<br />

scientific research, teach<strong>in</strong>g, and education.<br />

88


Museo dell’O<strong>per</strong>a<br />

Museum of the O<strong>per</strong>a<br />

address<br />

phone +39 0521/031170 fax +39 0521/031106<br />

e-mail<br />

web<br />

Some of the baroque <strong>in</strong>struments<br />

on display at the Museum of the<br />

O<strong>per</strong>a<br />

Ma<strong>in</strong> courtyard of Palazzo Cusani,<br />

home of the House of Music<br />

Museum hall<br />

89<br />

Piazzale San Francesco, 1 Parma<br />

43121 PR<br />

museo@lacasadellamusica.it<br />

www.o<strong>per</strong>amuseo.parma.it<br />

The history of the o<strong>per</strong>a <strong>in</strong> Parma began <strong>in</strong> 1628, with the<br />

<strong>in</strong>auguration of Teatro Farnese: although back then o<strong>per</strong>a<br />

<strong>per</strong>formances were special events reserved to a small elite,<br />

the stage was be<strong>in</strong>g set for them to become public events,<br />

and the most popular type of artistic <strong>per</strong>formance for the next<br />

300 years. Thus, public theatres were built <strong>in</strong> Parma as well,<br />

the Teatro Ducale <strong>in</strong> 1687 and the Nuovo Teatro Ducale, currently<br />

known as Teatro Regio, <strong>in</strong> 1829.<br />

The Museum of O<strong>per</strong>a traces these four centuries of history<br />

through a rich, fasc<strong>in</strong>at<strong>in</strong>g store of images and documents,<br />

as well as multi-media tools.


P<strong>in</strong>acoteca<br />

Giuseppe Stuard<br />

Giuseppe Stuard Art Gallery<br />

address<br />

phone +39 0521/508184 fax +39 0521/218875<br />

e-mail<br />

web<br />

Enrico Band<strong>in</strong>i, Portrait<br />

of the sculptor Tommaso Band<strong>in</strong>i,<br />

mid-19th century<br />

Maestro della Misericordia,<br />

Madonna <strong>in</strong> the throne with Child,<br />

1360-70<br />

Bernardo Bellotto, Riverside town,<br />

about 1747<br />

Borgo del Parmigian<strong>in</strong>o, 2 Parma<br />

43121 PR<br />

p<strong>in</strong>acoteca.stuard@comune.parma.it<br />

www.servizi.comune.parma.it/stuard/<br />

Parma’s “Giuseppe Stuard” Art Gallery is just a few steps from<br />

the Chamber of Sa<strong>in</strong>t Paul, Correggio’s youthful masterpiece.<br />

It <strong>in</strong>cludes an archaeological section (5th to 15th centuries)<br />

that regards the orig<strong>in</strong>al Monastery of Sa<strong>in</strong>t Paul, but that also<br />

reflects Stuard’s particular taste <strong>in</strong> collect<strong>in</strong>g. Artists whose<br />

works are on display <strong>in</strong>clude the 14th and 15th century Tuscans<br />

Niccolò di Tommaso, the Maestro della Misericordia, and<br />

Pietro di Giovanni di Ambrogio along with other noteworthy<br />

artists such as Parmigian<strong>in</strong>o, Francisco de Zurbaran, Orazio<br />

Sammach<strong>in</strong>i, Bartolomeo Schedoni, Giovanni Lanfranco, Felice<br />

Boselli, Sebastiano Ricci, Giuseppe Baldrighi, Pietro Melchiorre<br />

Ferrari, Alberto Pas<strong>in</strong>i, Daniele De Strobel, and Amedeo Bocchi.<br />

The art gallery is also the doorway to some of Parma’s other<br />

important artistic monuments.<br />

90


Museo Naturalistico<br />

del Parco dello Stirone<br />

Natural History Museum<br />

of the Stirone River Park<br />

address<br />

phone +39 0524/581139 +39 339/4188677 fax +39 0524/581139<br />

e-mail<br />

web<br />

An Italian Barbel Barbus plebejus<br />

Display of fossils from the park<br />

Sparrowhawk with prey<br />

Long-eared Owl and Rob<strong>in</strong><br />

91<br />

Scipione Ponte, 1 Salsomaggiore Terme<br />

43039 PR<br />

museo@parcostirone.it<br />

www.parks.it/parco.stirone; www.parchi.parma.it<br />

The museum is located on the ground floor of the build<strong>in</strong>g that<br />

houses the Park Visitor Centre. The displays are characterized<br />

by glass cases illustrat<strong>in</strong>g the natural history of this protected<br />

area: some highlight the great diversity of fossils to be found<br />

along the Strione River, evidence of past geological areas, while<br />

others focus on the park’s wildlife, particularly with regards<br />

to identify<strong>in</strong>g animal tracks and to acknowledg<strong>in</strong>g the key<br />

role played by predators <strong>in</strong> the ecosystems. Three fasc<strong>in</strong>at<strong>in</strong>g<br />

dioramas provide detailed replicas of certa<strong>in</strong> natural habitats,<br />

such as the river itself dur<strong>in</strong>g the four seasons, and life <strong>in</strong> the<br />

thick of a reedbed. Three aquaria host native fish from the<br />

Strione River.


Museo del Parmigiano<br />

Reggiano<br />

The Parmigiano Reggiano Museum<br />

address<br />

phone +39 0524/596129 fax +39 0521/821139<br />

e-mail<br />

web<br />

Curd break<strong>in</strong>g rod<br />

Cheese knives display<br />

The large weigh<strong>in</strong>g scale and<br />

the cheese season<strong>in</strong>g “scalere”<br />

scaffold<strong>in</strong>g<br />

Milk jug<br />

Corte Castellazzi<br />

Via Volta, 5<br />

<strong>in</strong>fo@museidelcibo.it<br />

www.museidelcibo.it<br />

Soragna<br />

43019 PR<br />

In a land rich <strong>in</strong> castles and rem<strong>in</strong>iscences of Giuseppe Verdi,<br />

the thousand-year history and culture and the unparalleled taste<br />

of the “k<strong>in</strong>g of cheeses” are showcased through v<strong>in</strong>tage objects<br />

and images <strong>in</strong> the historic Meli Lupi Castle, which for centuries<br />

has been used to produce Parmigiano Reggiano. The exhibits<br />

illustrate the way milk is turned <strong>in</strong>to cheese, the way Parmigiano<br />

Reggiano is aged and marketed, the key role played by the<br />

Consortium <strong>in</strong> protect<strong>in</strong>g product quality, and end with a tast<strong>in</strong>g<br />

of this peerless product.<br />

The Parmigiano Reggiano Museum – which also organizes<br />

workshops for schools – is part of the Food Museums Network<br />

dedicated to the typical products of the prov<strong>in</strong>ce of Parma.<br />

92


Museo<br />

Renato Brozzi<br />

Renato Brozzi Museum<br />

address<br />

phone +39 0521/842436 fax +39 0521/344550<br />

e-mail<br />

web<br />

The Maestro Renato Brozzi at work<br />

Museum <strong>in</strong>terior<br />

Renato Brozzi, Luthier’s cup,<br />

1922-23<br />

Renato Brozzi, Study of duckl<strong>in</strong>gs<br />

<strong>in</strong> the gardens of the Vittoriale degli<br />

Italiani, 1931<br />

93<br />

Piazza Fanfulla, 4 Traversetolo<br />

43029 PR<br />

comune@comune.traversetolo.pr.it<br />

www.comune.traversetolo.pr.it<br />

The Museum dedicated to Renato Brozzi (1885-1963) displays<br />

the works that the artist donated to his native town to document<br />

his 60 years of activity. His artistic output was immense, both<br />

<strong>in</strong> absolute numbers and <strong>in</strong> terms of techniques and materials<br />

(pencil, charcoal, sangu<strong>in</strong>e, pastel, chalk, watercolours,<br />

gouache, and oil for illustrations; cop<strong>per</strong>, bronze, silver, and<br />

gold for sculptures and jewels). Some of his most famous works<br />

<strong>in</strong>clude landscapes of the Po Pla<strong>in</strong> and the Pont<strong>in</strong>e Marshes,<br />

his gallery of female portraits and nudes, and his collection of<br />

preparatory studies for sculptures and applied art for public or<br />

private patrons. His lengthy, close relationship with Gabriele<br />

D’Annunzio, an exceptional patron, is particularly noteworthy.<br />

Brozzi became one of his most careful and appreciated<br />

portraitists, as testified by some of the most famous likenesses<br />

of the poet known as “Il vate d’Italia” .


Piacenza


Museo della<br />

Città di Bobbio<br />

Museum of the City of Bobbio<br />

address<br />

phone +39 340/5578162 +39 340/5492188 fax +39 0523/960242<br />

e-mail<br />

web<br />

Apotropaic face<br />

Piazza Santa Fara Bobbio<br />

29022 PC<br />

<strong>in</strong>fo@cooltour.it<br />

www.cooltour.it<br />

Fresco <strong>in</strong> the former refectory of<br />

the San Colombano monastery<br />

15th century<br />

The cloister<br />

The Museum of the City aims to serve as an <strong>in</strong>troduction to<br />

the city of Bobbio, and to communicate ideas, concepts, and<br />

impressions that can help re-create the town’s historic and<br />

cultural context. Housed <strong>in</strong> the former refectory, kitchen, and<br />

cellar of the San Colombano monastery, the Museum of the City is<br />

an educational museum – featur<strong>in</strong>g a few orig<strong>in</strong>al items – with a<br />

varied array of exhibits enhanced by audio-visual and multi-media<br />

stations.<br />

The museum is divided <strong>in</strong> three sections: the first traces the<br />

life of Colombano, from his early days <strong>in</strong> Ireland to his arrival <strong>in</strong><br />

Bobbio, along with salient events <strong>in</strong> the city’s history; the second<br />

section describes the history and activities of Bobbio’s prestigious<br />

scriptorium, one of Europe’s most important <strong>in</strong> the Early Middle<br />

Ages; f<strong>in</strong>ally, the third section is dedicated to monasticism.<br />

94


Museo Geologico<br />

G. Cortesi<br />

G. Cortesi Geological Museum<br />

address<br />

phone +39 0523/805303 +39 0523/803215 fax +39 0523/803215<br />

e-mail<br />

web<br />

Cardium <strong>in</strong>dicum<br />

Latest f<strong>in</strong>d<strong>in</strong>gs from the<br />

Quaternary floodpla<strong>in</strong><br />

of the Arda torrent<br />

Hall of cetaceans<br />

Museum exterior<br />

95<br />

Via Sforza Caolzio, 57 Castell’Arquato<br />

29014 PC<br />

<strong>in</strong>fo@museogeologico.it<br />

www.museogeologico.it<br />

Although the Museum was established <strong>in</strong> 1961, it already existed<br />

as a civic collection s<strong>in</strong>ce the early 1900s. It is housed <strong>in</strong> the<br />

16th century Ospitale Santo Spirito. At the prov<strong>in</strong>cial level, it<br />

plays an important role <strong>in</strong> conserv<strong>in</strong>g, study<strong>in</strong>g, and promot<strong>in</strong>g<br />

the local paleontological heritage, with particular regards to the<br />

malacology of the Piacenzian stratotype, the fossil rema<strong>in</strong>s of<br />

cetaceans from the Pliocene, and the large vertebrates of the<br />

Quaternary <strong>in</strong> the Po Pla<strong>in</strong>. Local collections are augmented<br />

with items and collections from other geographic areas, along<br />

with a significant amount of petrographic material collected<br />

dur<strong>in</strong>g research expeditions outside of Europe. The museum also<br />

houses Environmental Education Centre that has an active local<br />

education program (Green Classrooms).


Museo Luigi Illica<br />

Luigi Illica Museum<br />

address<br />

phone +39 0523/804008 +39 0523/803215 fax +39 0523/803215<br />

e-mail<br />

web<br />

La Tosca libretto, 1900<br />

Theatre scripts with handwritten<br />

notes<br />

Orig<strong>in</strong>al stage costumes worn<br />

dur<strong>in</strong>g a <strong>per</strong>formance of Turandot<br />

Via Sforza Caolzio, 59 Castell’Arquato<br />

29014 PC<br />

biblioteca@comune.castellarquato.pc.it<br />

www.comune.castellarquato.pc.it<br />

The Museum, located next to the former home of the multitalented<br />

playwright and librettist Luigi Illica (1857-1919), features<br />

four sections promot<strong>in</strong>g o<strong>per</strong>a music. The first traces Illica’s<br />

fasc<strong>in</strong>at<strong>in</strong>g life; the second displays theatre scripts – some<br />

with handwritten notes, o<strong>per</strong>a librettos, and sheet music (Illica<br />

worked with Mascagni, Franchetti, and Pucc<strong>in</strong>i among others).<br />

The third section displays photos of Illica and some of the ma<strong>in</strong><br />

<strong>per</strong>formers <strong>in</strong> his o<strong>per</strong>as, his piano and his typewriter, postcards,<br />

letters, and other writ<strong>in</strong>gs that help frame Illica <strong>in</strong> the context<br />

of his time. Several orig<strong>in</strong>al stage costumes are particularly<br />

noteworthy. The last section features books, sheet music,<br />

audio-visual material, records, and CDs that can be exam<strong>in</strong>ed<br />

or listened to <strong>in</strong> the adjacent multi-media room.<br />

96


Galleria d’Arte Moderna<br />

Ricci Oddi<br />

Ricci Oddi Modern Art Gallery<br />

address<br />

phone +39 0523/320742 fax +39 0523/320742<br />

e-mail<br />

web<br />

97<br />

Via San Siro, 13 Piacenza<br />

29121 PC<br />

<strong>in</strong>fo@riccioddi.it<br />

www.riccioddi.it<br />

Medardo Rosso, Ecce puer, 1906<br />

Federico Zandomeneghi,<br />

Place d’Anvers, 1880<br />

Exterior of the Ricci Oddi Gallery<br />

The Ricci Oddi Modern Art Gallery documents the evolution<br />

of figurative art <strong>in</strong> Italy between the Romantic Era and the early<br />

20th century, without overlook<strong>in</strong>g some significant examples<br />

from abroad. Ricci Oddi amassed an exemplary collection <strong>in</strong><br />

terms of its overall homogeneity and the quality of the <strong>in</strong>dividual<br />

works. He was <strong>in</strong>terested <strong>in</strong> regional schools – whose particular<br />

characteristics he understood – and movements (Novecento<br />

Italiano, Lombardy’s Scapigliatura, and Symbolism) and he<br />

wanted the museum’s rooms to reflect this order. The museum<br />

displays works by artists such as Fattori, Bold<strong>in</strong>i, Hayez, De<br />

Nittis, Carrà, Boccioni, Zandomeneghi and Medardo Rosso.<br />

Particularly noteworthy is the build<strong>in</strong>g by the architect Giulio<br />

Ulisse Arata, who designed it <strong>in</strong> order to showcase the collection,<br />

with bright geometric spaces and an <strong>in</strong>novative natural light<strong>in</strong>g<br />

from above.


Musei Civici<br />

di Palazzo Farnese<br />

Palazzo Farnese Civic Museums<br />

address<br />

phone +39 0523/492661 +39 0523/492658 fax +39 0523/492659<br />

e-mail<br />

web<br />

Sandro Botticelli, Madonna<br />

ador<strong>in</strong>g the Child, about 1481-82<br />

Palazzo Farnese, 1559,<br />

view from the south-east<br />

Simone De’ Crocifissi, Adoration<br />

of the Magi, second half<br />

of the 14th century<br />

Calèche-barouche, 1828-30<br />

Piazza Cittadella, 29 Piacenza<br />

29121 PC<br />

musei.farnese@comune.piacenza.it<br />

www.musei.piacenza.it<br />

Palazzo Farnese is a monumental compound that <strong>in</strong>cludes<br />

Palazzo Ducale dei Farnese, designed by Jacopo Barozzi Barozzi,<br />

also known as Il Vignola, and built <strong>in</strong> 1559, and the 14th century<br />

Cittadella built for the Visconti dynasty. Vignola’s grand palace<br />

is l<strong>in</strong>ked to the older Cittadella by a massive entrance keep;<br />

today, it has for the most part been restored <strong>in</strong> order to house<br />

the art collections of the Civic Museum. The Museums <strong>in</strong>clude<br />

a historical section on Palazzo Farnese, a hall of arms, a section<br />

on the Middle Ages and the Renaissance, a section on the Fasti<br />

Farnesiani, a section on glassworks and ceramics, an art gallery<br />

(with Botticelli’s Tondo), the Museum of Risorgimento, the<br />

Museum of Carriages – one of Italy’s most renowned thanks to<br />

the size and quality of its collections – and the Archaeological<br />

Museum (Prehistory section and the Etruscan Liver of Piacenza).<br />

98


Museo Civico<br />

di Storia Naturale<br />

Civic Museum of Natural History<br />

address<br />

phone +39 0523/334980 fax +39 0523/334980<br />

e-mail<br />

web<br />

Red Squirrel <strong>in</strong> the Hillside Hall’s<br />

tactile exhibit<br />

Red Deer buck <strong>in</strong> the Mounta<strong>in</strong><br />

Hall<br />

Hedgehog <strong>in</strong> the Hillside Hall<br />

Tawny Owl <strong>in</strong> the Mounta<strong>in</strong> Hall<br />

99<br />

Via Scalabr<strong>in</strong>i, 107 Piacenza<br />

29121 PC<br />

museoscienze@comune.piacenza.it<br />

www.musei.piacenza.it/msn<br />

Piacenza’s Civic Museum of Natural History is housed <strong>in</strong> the<br />

Fabbrica del Ghiaccio (Ice Factory) at the former Piacenza<br />

slaughterhouse, whose mach<strong>in</strong>ery has been left stand<strong>in</strong>g as an<br />

example of <strong>in</strong>dustrial archaeology.<br />

The recently <strong>in</strong>augurated Museum’s core collection <strong>in</strong>cludes<br />

rocks, plants, and local ornithological material, most of which<br />

comes from Piacenza’s Regio <strong>Istituto</strong> Tecnico.<br />

The displays are entirely devoted to the geological, floristic,<br />

and faunal characteristics of the Piacenza area, with significant<br />

examples of the local wildlife on display. Visits are enhanced by<br />

multi-media tools and by the fact that visitors can handle many<br />

of the items on display.


Museo di Ornitologia<br />

Amatoriale<br />

Museum of Amateur Bird Breed<strong>in</strong>g<br />

address<br />

phone +39 0523/591522 +39 0523/593403 fax +39 0523/571613<br />

e-mail<br />

web<br />

Male Ruff<br />

Black Lark<br />

Quail<br />

Egyptian Plover<br />

Via Caorsana, 94<br />

Loc. Le Mose<br />

museo@foi.it<br />

www.museofoi.it<br />

Piacenza<br />

29122 PC<br />

Inaugurated on October 16, <strong>2010</strong>, the Museum is the<br />

outgrowth of successful collaboration between the municipal<br />

adm<strong>in</strong>istration and executives from the Federazione Ornicoltori<br />

Italiani - Onlus (FOI - Italian Bird Breeders Federation), whose<br />

<strong>per</strong>severance helped complete a project of great educational and<br />

cultural value.<br />

The museum is unique <strong>in</strong> its field, s<strong>in</strong>ce it displays birds born to<br />

amateur breeders belong<strong>in</strong>g to FOI and the World Ornithological<br />

Congress. Exquisitely beautiful cage birds, such as canaries and<br />

exotic parakeets, are on display.<br />

The museum has five different halls display<strong>in</strong>g over 1,700 birds,<br />

while a large outdoor aviary features live cage birds and is also<br />

used for rehabilitat<strong>in</strong>g <strong>in</strong>jured wild birds.<br />

100


Museo Archeologico<br />

della Valtidone<br />

Archaeological Valtidone Museum<br />

address<br />

phone +39 0523/994111 +39 335/5941459 fax +39 0523/994123<br />

e-mail<br />

web<br />

Bronze lamp-bear<strong>in</strong>g tripod,<br />

Im<strong>per</strong>ial Roman Era<br />

Museum exterior<br />

Valeria Nardis funerary stele,<br />

second half of the 1st century AD<br />

Glass case with items from an<br />

Im<strong>per</strong>ial Era villa rustica near<br />

Arcello di Pianello<br />

101<br />

Piazza Mensi, 54 Pianello Val Tidone<br />

29010 PC<br />

associazionepandora@virgilio.it<br />

www.archeomuseovaltidone.it<br />

The Archaeological Val Tidone Museum was <strong>in</strong>augurated <strong>in</strong><br />

1999 and re-arranged <strong>in</strong> May 2009. It is located <strong>in</strong> the cellar of<br />

the Pianello municipal fortress and traces the history of human<br />

settlement <strong>in</strong> Val Tidone from the Neolithic to the Middle Ages.<br />

It is the product of a successful synergy between all the relevant<br />

<strong>in</strong>stitutions and volunteer organizations, s<strong>in</strong>ce the items on<br />

display, which are state-owned, are housed <strong>in</strong> three different<br />

rooms that have been restored and made available by the<br />

municipal adm<strong>in</strong>istration. The exhibits are enhanced by an<br />

<strong>in</strong>formation apparatus put together thanks to contributions<br />

from the <strong>Emilia</strong>-<strong>Romagna</strong> regional government, the IBC, and the<br />

Prov<strong>in</strong>ce of Piacenza. Access is free thanks to the dedication of<br />

volunteers from the local Pandora Archaeological Association.


Museo Civico<br />

e Parco Archeologico<br />

Civic Museum and Archaeological Park<br />

address<br />

phone +39 333/2222739<br />

fax<br />

e-mail<br />

web<br />

Interior of the replica hut<br />

Ex<strong>per</strong>imental Area: large replica of<br />

a home with clay and wooden walls<br />

and a reed roof<br />

Archaeological Area: roofs of the<br />

houses found at the Sant’Andrea<br />

site, an example of prehistoric<br />

dwell<strong>in</strong>gs<br />

Museo: Piazzetta Trieste, 16<br />

Parco: Strada al Mul<strong>in</strong>o<br />

Loc. Sant’Andrea<br />

<strong>in</strong>fo@archeotravo.it<br />

www.archeotravo.it<br />

Travo<br />

29020 PC<br />

The Archaeological Park of the Neolithic Village of Sant’Andrea<br />

was established <strong>in</strong> Val Trebbia <strong>in</strong> 2006, thanks to the jo<strong>in</strong>t efforts<br />

of the Su<strong>per</strong><strong>in</strong>tendence, <strong>Region</strong>, Municipality, Fondazione<br />

di Piacenza e Vigevano and Associazione La M<strong>in</strong>erva.<br />

The Park <strong>in</strong>tends to promote the site of Sant’Andrea, where<br />

ongo<strong>in</strong>g research that began <strong>in</strong> the 1980s brought to light a<br />

village extend<strong>in</strong>g over at least one hectare, a unique f<strong>in</strong>d<strong>in</strong>g<br />

<strong>in</strong> the context of northern Italian prehistory. The village features<br />

an outdoor replica of a prehistoric village and real-life replicas<br />

of three wood and straw homes.<br />

The Civic Museum, housed <strong>in</strong> the Anguissola Castle – which<br />

also houses, s<strong>in</strong>ce 1997, the exhibition on “Val Trebbia from<br />

the Palaeolithic to the Roman era” – displays stone, ceramic,<br />

and bone artefacts from digs and research carried out by the<br />

Associazione La M<strong>in</strong>erva’s volunteers.<br />

102


Ravenna


Casa Museo<br />

V<strong>in</strong>cenzo Monti<br />

V<strong>in</strong>cenzo Monti Museum-Home<br />

address<br />

phone +39 0544/869808 fax +39 0544/869808<br />

e-mail<br />

web<br />

The Alfons<strong>in</strong>e nature reserve<br />

Cradle room<br />

Casa Monti exterior<br />

Via Passetto, 1 Alfons<strong>in</strong>e<br />

48011 RA<br />

casamonti@comune.alfons<strong>in</strong>e.ra.it<br />

www.atlantide.net/casamonti; www.rac<strong>in</strong>e.ra.it/casamonti<br />

The birthplace of the neo-classical poet V<strong>in</strong>cenzo Monti <strong>in</strong><br />

Alfons<strong>in</strong>e was completely restored and re-opened to the public<br />

<strong>in</strong> May 1998.<br />

Today, this handsome 18th century home plays two different,<br />

complementary functions: the up<strong>per</strong> floor is dedicated to<br />

valoris<strong>in</strong>g the works of the poet V<strong>in</strong>cenzo Monti; it displays<br />

objects that once belonged to the poet and his family, signed<br />

letters, documents, and numerous valuable first editions of his<br />

works. The ground floor hosts the Environmental Education<br />

Centre and <strong>in</strong>formation po<strong>in</strong>t of the Po River Delta Natural<br />

Park. Additionally, the home is the ma<strong>in</strong> venue for the “Pensiero,<br />

narrazione, e voce” summer narration festival.<br />

103


Museo della Battaglia<br />

del Senio<br />

Museum of the Battle of the Senio<br />

address<br />

phone +39 0544/84302 fax +39 0544/84302<br />

e-mail<br />

web<br />

Images of partisans<br />

Display of clandest<strong>in</strong>e pr<strong>in</strong>t<strong>in</strong>g<br />

press <strong>in</strong> the partisans’ room<br />

Museum exterior<br />

104<br />

Piazza Resistenza, 2 Alfons<strong>in</strong>e<br />

48011 RA<br />

museodelsenio@rac<strong>in</strong>e.ra.it<br />

Established <strong>in</strong> 1981, the Museum of the Battle of the Senio<br />

not only documents the assault on the Gothic L<strong>in</strong>e, but also<br />

focuses more broadly on the <strong>Romagna</strong> area dur<strong>in</strong>g World War<br />

II, <strong>in</strong>tertw<strong>in</strong><strong>in</strong>g military events with the history of the local<br />

populations that were profoundly affected by them. It tells a tale<br />

of armies, mechanized transport, and the local physical and<br />

human environment, which reconstructs, <strong>in</strong> all its complexity,<br />

the effects of modern total warfare on an area such as the<br />

<strong>Romagna</strong> pla<strong>in</strong>, crisscrossed by numerous waterways and<br />

still today rich <strong>in</strong> marshland. The museum displays photos of<br />

the armies, videos and record<strong>in</strong>gs from the war, propaganda<br />

material, and historic maps, all of which are fundamental <strong>in</strong><br />

order to understand the scope of wartime events and preserve<br />

them from trite rhetoric.


Museo<br />

del Castello<br />

Castle Museum<br />

address<br />

phone +39 0545/905540 +39 0545/905505 fax +39 0545/76136<br />

e-mail<br />

web<br />

Antique majolica mug<br />

The pa<strong>in</strong>t<strong>in</strong>g collection <strong>in</strong> the<br />

castle’s ma<strong>in</strong> hall<br />

The cellar, with the archaeological<br />

area, along its ma<strong>in</strong> axis<br />

Piazza IV Novembre Bagnara di <strong>Romagna</strong><br />

48010 RA<br />

museodelcastello@comune.bagnaradiromagna.ra.it<br />

www.comune.bagnaradiromagna.ra.it<br />

The Castle Museum re-evokes some of the key moments <strong>in</strong> the<br />

history of the town and surround<strong>in</strong>g territory, start<strong>in</strong>g with the<br />

first <strong>per</strong>manent settlements of over 7,000 years ago, and end<strong>in</strong>g<br />

<strong>in</strong> the Early Middle Ages, when the establishment of a village<br />

<strong>in</strong> Prati di S. Andrea marked the birth of the town of Bagnara.<br />

Dur<strong>in</strong>g the Early Middle Ages, villages gave way to fortresses,<br />

of which the keep is an emblematic rem<strong>in</strong>der. Inside the keep,<br />

the museum exhibits trace the history of the castle and of the<br />

entire defensive system centred on the majestic 14th century<br />

fortress, its walls, gate, and moats, and the events and changes<br />

that took place there over the course of the centuries, thus<br />

provid<strong>in</strong>g the means to understand the development of castles<br />

<strong>in</strong> lower <strong>Romagna</strong>.<br />

105


MUSA<br />

Museo del Sale<br />

MUSA<br />

Museum of Salt<br />

address<br />

phone +39 0544/977592 fax +39 0544/977592<br />

e-mail<br />

web<br />

Cervia salt<br />

MUSA, hall 2<br />

Camillone saltpans<br />

MUSA, hall 1<br />

106<br />

Via Nazario Sauro 24 Cervia<br />

48015 RA<br />

musa@comunecervia.it<br />

www.turismo.comunecervia.it<br />

Located <strong>in</strong> the “Torre” salt storehouse, MUSA preserves and<br />

promotes an important aspect of local history. Established<br />

thanks to the passion and dedication of the Civiltà Sal<strong>in</strong>ara<br />

cultural group, which wanted to keep alive the memory of the<br />

central importance of salt <strong>in</strong> the orig<strong>in</strong>s of Cervia, the museum’s<br />

evocative layouts trace the history of salt, saltpan workers, and<br />

the city itself.<br />

The Camillone saltpans, MUSA’s outdoor section, rema<strong>in</strong> Italy’s<br />

only artisanal saltpans with multiple harvests. Here, saltpan<br />

workers still produce Cervia’s precious “white gold” us<strong>in</strong>g the<br />

same wooden <strong>in</strong>struments on display <strong>in</strong> the museum.<br />

A visit to the museum is an excit<strong>in</strong>g ex<strong>per</strong>ience, <strong>in</strong> part because<br />

visitors are greeted by the saltpan workers themselves, who are<br />

quite happy to share their stories of life <strong>in</strong> the saltpans.


Museo Internazionale<br />

delle Ceramiche<br />

International Museum of Ceramics<br />

address<br />

phone +39 0546/697311 fax +39 0546/27141<br />

e-mail<br />

web<br />

Viale Baccar<strong>in</strong>i, 19 Faenza<br />

48018 RA<br />

<strong>in</strong>fo@micfaenza.org<br />

www.micfaenza.org<br />

Faenza, Bergant<strong>in</strong>i workshop, 1531<br />

Lucio Fontana, Spatial concept, 1957<br />

Hall of the Faenza Renaissance<br />

Interior courtyard<br />

The International Museum of Ceramics, founded <strong>in</strong> 1908, has the<br />

largest collection of ceramics <strong>in</strong> the world. It documents ceramic<br />

pottery worldwide over a span of five millennia, with over 30,000<br />

complete pieces and thousands of shards. It features over 8,000<br />

square meters of display space, well-equipped depositories<br />

accessible to scholars, a specialized library with over 60,000<br />

volumes, and a photo archive of Italian majolica pottery. It hosts<br />

a restoration laboratory and an educational workshop (set up by<br />

the designer Bruno Munari) the latter targets schools of all levels<br />

and teachers. The museum has a well-stocked bookshop, and<br />

s<strong>in</strong>ce 1913 it publishes Faenza, an <strong>in</strong>ternational journal devoted<br />

to majolica and glazen earthenware.<br />

107


Casa Museo<br />

Francesco Baracca<br />

Francesco Baracca Museum-Home<br />

address<br />

phone +39 0545/24821 +39 0545/38561 fax +39 0545/38534<br />

e-mail<br />

web<br />

S. Luch<strong>in</strong>i, Portrait of Francesco<br />

Baracca, 1919<br />

SPAD VII 1917 Aircraft from<br />

Baracca’s squadron<br />

Schwarzlose anti-aircraft gun <strong>in</strong><br />

Veneto, 1918<br />

Pilots from the 91st Squadron<br />

<strong>in</strong>clud<strong>in</strong>g Fulco Ruffo di Calabria<br />

and Baracca himself<br />

108<br />

Via Baracca, 65 Lugo<br />

48022 RA<br />

museobaracca@comune.lugo.ra.it<br />

www.museobaracca.it<br />

The Baracca Museum displays one of the world’s few examples<br />

of the SPAD VII aircraft, built <strong>in</strong> France <strong>in</strong> the Blériot plant <strong>in</strong><br />

1917, one of the airplanes <strong>in</strong> the squadron led by the Italian<br />

aviation ace. One side of the fuselage bears a Griff<strong>in</strong>, the<br />

emblem of the legendary 91st Squadron, while the other bears<br />

the Cavall<strong>in</strong>o Rampante (Pranc<strong>in</strong>g Horse), which, after Baracca’s<br />

death, was donated by his family to Enzo Ferrari as the logo for<br />

his automobiles.<br />

In the atrium, a Ferrari F399, driven by Schumacher <strong>in</strong> 1999,<br />

symbolically unites two legends of the 20th century, and rem<strong>in</strong>ds<br />

visitors of the Lugo-based orig<strong>in</strong>s of the Ferrari brand. The<br />

museum also displays over 500 mementos, photographs, letters,<br />

and videos.


Museo<br />

Carlo Ventur<strong>in</strong>i<br />

Carlo Ventur<strong>in</strong>i Museum<br />

address<br />

phone +39 0545/985831 fax +39 0545/985837<br />

e-mail<br />

web<br />

Punic votive steel, 3rd century BC<br />

Exterior of the cultural centre,<br />

home of the museum<br />

Hall of m<strong>in</strong>erals<br />

Viale Zaganelli, 2 Massa Lombarda<br />

48024 RA<br />

cultura@comune.massalombarda.ra.it<br />

www.comune.massalombarda.ra.it<br />

Inaugurated <strong>in</strong> 1990, s<strong>in</strong>ce 2007 the Ventur<strong>in</strong>i Museum has been<br />

housed <strong>in</strong> the eponymous Cultural Centre, which also houses<br />

the municipal library. The physician and diplomat Carlo Ventur<strong>in</strong>i<br />

looms large <strong>in</strong> the city’s history, not just because the library<br />

was founded thanks to his book collection, but also because<br />

his collection, donated at the end of the 19th century, is the<br />

most <strong>in</strong>terest<strong>in</strong>g face of the local artistic and cultural heritage,<br />

and provides an excellent illustration of the events, criteria,<br />

and ideology that motivated 19th centuries antique collectors.<br />

The collection is quite varied and heterogeneous: it comb<strong>in</strong>es<br />

coherent collections of archaeological, artistic, natural history,<br />

and numismatic material with the strange objects and curios<br />

typical of 19th century amateur collections.<br />

109


Museo d’Arte<br />

della Città di Ravenna<br />

Art Museum of the City of Ravenna<br />

address<br />

phone +39 0544/482477 +39 0544/482356 fax +39 0544/482450<br />

e-mail<br />

web<br />

Tullio Lombardo, Giudarello<br />

Giudarelli’s burial monument,<br />

detail, post 1525<br />

Domenico Baccar<strong>in</strong>i,<br />

Head of a woman, 1903<br />

The quadriportico of the 16th<br />

century monastery<br />

Giosetta Fioroni, Giosetta’s house,<br />

post 2002<br />

110<br />

Via di Roma, 13 Ravenna<br />

48121 RA<br />

ufficio.stampa@museocitta.ra.it; <strong>in</strong>fo@museocitta.ra.it<br />

www.museocitta.ra.it<br />

The Art Museum of the City of Ravenna, which has had<br />

Institution status s<strong>in</strong>ce 2002, is housed <strong>in</strong> the monumental<br />

compound known as Loggetta Lombardesca.<br />

The first nucleus of the civic art gallery dates back to 1829,<br />

with the acquisition of works belong<strong>in</strong>g to suppressed religious<br />

corporations, which made up the Gallery of the Academy,<br />

which would eventually be re-arranged by Corrado Ricci and<br />

feature over 300 works from the 14th to the 20th centuries.<br />

The re-structur<strong>in</strong>g of many rooms on the build<strong>in</strong>g’s ground<br />

floor and first floor made it possible to recover extensive<br />

exhibition space for the art gallery’s <strong>per</strong>manent collections and<br />

for stag<strong>in</strong>g <strong>in</strong>ternational exhibitions. In 2004, the International<br />

Documentation Centre on Mosaics was established to promote<br />

the study and valorisation of mosaics.


NatuRa<br />

Museo Ravennate di Scienze<br />

Naturali Alfredo Brandol<strong>in</strong>i<br />

NatuRa<br />

Alfredo Brandol<strong>in</strong>i<br />

Natural Science Museum <strong>in</strong> Ravenna<br />

address<br />

phone +39 0544/528710 +39 0544/529260 fax +39 0544/528710<br />

e-mail<br />

web<br />

Flam<strong>in</strong>gos <strong>in</strong> the Valli di<br />

Comacchio<br />

Detail of the collection<br />

Museum exterior<br />

Detail of an exhibit<br />

Via Rivaletto, 25<br />

Loc. Sant’Alberto<br />

<strong>in</strong>fonatura@comune.ra.it<br />

www.natura.ra.it<br />

Ravenna<br />

48123 RA<br />

NatuRa, the “Alfredo Brandol<strong>in</strong>i” Natural Science Museum <strong>in</strong><br />

Ravenna and the Po Delta Park Visitor Centre at the “P<strong>in</strong>eta<br />

San Vitale e Pialasse di Ravenna” station is housed <strong>in</strong> the<br />

Palazzone di Sant’Alberto, an ancient tavern from the Este<br />

era that embodies the area’s historic, cultural, and natural<br />

characteristics.<br />

Located next to the southern Valli di Comacchio, the Museum<br />

hosts a rich ornithological collection document<strong>in</strong>g the local<br />

avifauna from the early 20th century until the present day, along<br />

with valuable natural history and ethnographic material. A visit<br />

to the museum can be paired with guided tours of the local area<br />

on foot, by bicycle, or by electric bus. The museum has a wellequipped<br />

learn<strong>in</strong>g room, a hall for temporary exhibitions, and a<br />

children’s workshop featur<strong>in</strong>g creative games, which is always<br />

open dur<strong>in</strong>g museum hours.<br />

111


Piccolo Museo di Bambole<br />

e altri Balocchi<br />

The Little Museum<br />

of Dolls and Other Toys<br />

address<br />

phone +39 331/2663331 fax +39 0544/422240<br />

e-mail<br />

web<br />

Bread knead<strong>in</strong>g trough and roll,<br />

1935<br />

Museum <strong>in</strong>terior<br />

Dolls and salon, 1945<br />

112<br />

Via Fantuzzi, 4 Ravenna<br />

48121 RA<br />

<strong>in</strong>fo@museodellebambole.it<br />

www.museodellebambole.it<br />

The Little Museum of Dolls and Other Toys is located <strong>in</strong> the back<br />

of a historic build<strong>in</strong>g <strong>in</strong> the heart of Ravenna.<br />

It is a new wonderland, where visitors can travel back to<br />

childhood games when all good th<strong>in</strong>gs were possible.<br />

It is filled with celluloid, papier-mâché and ceramic dolls busily<br />

sew<strong>in</strong>g, admir<strong>in</strong>g themselves <strong>in</strong> a mirror, or tak<strong>in</strong>g tea, along<br />

with dollhouses, stuffed animals, and rock<strong>in</strong>g horses. Lenci dolls<br />

- as sophisticated and elegant as the city that gave them birth,<br />

Tur<strong>in</strong> - are also on display.<br />

A library of children’s classics, which is open to visitors, <strong>in</strong>cludes<br />

many books from the same era as the dolls (1860-1950). This<br />

little relic of a long-lost childhood is completed by notebooks,<br />

read<strong>in</strong>g books, school books, and red and blue pencils, pens,<br />

and nibs.


Museo del Paesaggio<br />

dell’Appenn<strong>in</strong>o Faent<strong>in</strong>o<br />

Museum of the Faenza Apenn<strong>in</strong>es Landscape<br />

address<br />

phone +39 0546/71025 fax +39 0546/71025<br />

e-mail<br />

web<br />

Keep of the Riolo fortress,<br />

1388-92, detail of the herr<strong>in</strong>gbone<br />

brickwork<br />

Riolo fortress, southern side<br />

Documentation Centre for the<br />

Vena del Gesso Romagnola<br />

<strong>Region</strong>al Park – Arch of memory –<br />

recently <strong>in</strong>augurated at the Rocca<br />

di Riolo Terme<br />

Piazza Mazzanti Riolo Terme<br />

48025 RA<br />

roccadiriolo@atlantide.net<br />

www.atlantide.net/roccadiriolo<br />

The Riolo Terme fortress, built <strong>in</strong> the 14th century to defend<br />

the Senio valley, is a magnificent example of military fortification<br />

reflect<strong>in</strong>g the offensive techniques of the Late Middle Ages. It<br />

houses the Museum of the Faenza Apenn<strong>in</strong>e Landscape’s unique<br />

and evocative displays, with visual exhibits, soundscapes, and<br />

relief maps depict<strong>in</strong>g the unique aspects of local history.<br />

The museum is a true study centre promot<strong>in</strong>g discoveries<br />

and activities related to a constantly chang<strong>in</strong>g landscape.<br />

The new multi-media exhibit “The Mysteries of Cater<strong>in</strong>a”,<br />

dedicated to the life, loves, and times of Cater<strong>in</strong>a Sforza, has<br />

recently been <strong>in</strong>augurated <strong>in</strong> the Sala del Pozzo. The <strong>in</strong>teractive<br />

displays help visitors <strong>in</strong>teract with the Lioness of <strong>Romagna</strong><br />

herself.<br />

113


Reggio <strong>Emilia</strong>


Museo della Maschera<br />

del Carnevale<br />

Centro di documentazione<br />

e ricerca<br />

Museum of Carnival Masks<br />

Documentation and research centre<br />

address<br />

phone +39 0522/485736 fax +39 0522/683603<br />

e-mail<br />

web<br />

Guatteri workshop (attr.), Young<br />

woman, coloured sat<strong>in</strong> mask,<br />

1810-1933<br />

Guatteri workshop (attr.), Iron<br />

press, with mould and die, used<br />

for the hot press<strong>in</strong>g of masks,<br />

1810-1933<br />

Guatteri workshop (attr.), Human<br />

faces, mould and die, 1810-1933<br />

Piazza IV Novembre, 1 Castelnovo di Sotto<br />

42024 RE<br />

cultura@comune.castelnovo-di-sotto.re.it<br />

www.comune.castelnovo-di-sotto.re.it<br />

The Museum was <strong>in</strong>augurated <strong>in</strong> 2007 <strong>in</strong>side the historic<br />

municipal fortress.<br />

At its core is an exceptional collection of masks, ancient metal<br />

moulds, and orig<strong>in</strong>al chalk models purchased by the municipal<br />

adm<strong>in</strong>istration <strong>in</strong> 1997, and <strong>in</strong>creased by a donation of masks by<br />

Eugenio Gabrielli.<br />

This unique patrimony <strong>in</strong>cludes 222 items and owes its existence<br />

to the artisanal mask factory founded by Pros<strong>per</strong>o Guatteri<br />

<strong>in</strong> Castelnovo. The works are displayed <strong>in</strong> educational exhibits<br />

which use Carnival traditions to trace the history of Carnival<br />

masks and the work required to create them.<br />

114


Museo Civico<br />

Il Correggio<br />

Il Correggio Civic Museum<br />

address<br />

phone +39 0522/691806 fax +39 0522/633017<br />

e-mail<br />

web<br />

Cornelius Mattens, Waterfowl and<br />

heron hunt, about 1585<br />

18th century hall<br />

Andrea Mantegna, Christ the<br />

Redeemer<br />

Hall of Tapestries<br />

115<br />

Corso Cavour, 7 Correggio<br />

42015 RE<br />

museo@comune.correggio.re.it<br />

www.museoilcorreggio.org<br />

The “Il Correggio” Museum is housed <strong>in</strong> the 16th century<br />

Palazzo dei Pr<strong>in</strong>cipi and provides a broad overview of historic,<br />

artistic, and cultural traditions <strong>in</strong> the town of Correggio.<br />

The <strong>per</strong>manent exhibitions take up eight rooms: the Hall of<br />

Archaeology (pre-Roman, Roman, and medieval material), the<br />

Renaissance Hall (works by Mantegna, Benzoni, Antonio Allegri<br />

also known as Il Correggio, wooden sculptures), the Gallery of<br />

the 16th Century, the Hall of Tapestries (late 17th century Flemish<br />

tapestries by Mattens, 18th century English terrestrial and<br />

celestial globes), the Hall of the 17th Century (Preti, Cignani, Il<br />

Galan<strong>in</strong>o, co<strong>in</strong>s from the Correggio m<strong>in</strong>t), the Hall of the 18th<br />

Century (Donn<strong>in</strong>i, Callani), the Hall and Gallery of the 19th<br />

Century (works by Asioli, Malatesta, Vela, Ferrari, Villa, Iesi and<br />

engrav<strong>in</strong>gs drawn from the works of Correggio).


Museo Cervi<br />

Cervi Museum<br />

address<br />

phone +39 0522/678356 fax +39 0522/477491<br />

e-mail<br />

web<br />

Alcide Cervi, 1960s<br />

Cervi Family <strong>in</strong> front of Campi<br />

Rossi house, end of the 1930s<br />

View of the Cervi Museum<br />

Via Fratelli Cervi, 9 Gattatico<br />

42043 RE<br />

museo@fratellicervi.it<br />

www.fratellicervi.it<br />

The Museum is located <strong>in</strong> the rural home the Cervi family<br />

moved to <strong>in</strong> 1934.The Cervi Museum has become a landmark<br />

for all who share the values of democracy and anti-fascism,<br />

thanks to the example provided by this family of tenant farmers,<br />

who participated <strong>in</strong> the Resistance and whose seven sons were<br />

executed by a fascist fir<strong>in</strong>g squad <strong>in</strong> 1943.<br />

The process that transformed the house <strong>in</strong>to a museum began<br />

<strong>in</strong> the 1950s, when thousands of visitors began to travel here to<br />

pay their respects, and ended <strong>in</strong> 2001 with the <strong>in</strong>auguration of<br />

the “Museum of the history of peasant movements and of antifascism<br />

and the Resistance <strong>in</strong> the countryside”. The house was<br />

restructured and refurbished, and it now illustrates the history<br />

of the Cervi family along with some more general aspects of 20th<br />

century history.<br />

116


Museo<br />

Gonzaga<br />

Gonzaga Museum<br />

address<br />

phone +39 0522/655426 fax +39 0522/652057<br />

e-mail<br />

web<br />

Vases from the Jesuit spicery, 16th<br />

century<br />

Wall frieze, second half of the 16th<br />

century<br />

Hall with frescoes by Lelio Orsi<br />

16th century<br />

117<br />

Piazzale Marconi, 1 Novellara<br />

42017 RE<br />

e.ghid<strong>in</strong>i@comune.novellara.re.it<br />

www.comune.novellara.re.it<br />

Novellara’s Gonzaga Museum preserves artistic and historic<br />

memories of the Gonzaga family, which, from 1371 to 1728,<br />

transformed Novellara <strong>in</strong>to an ideal small town rich <strong>in</strong><br />

monuments and works of art. The museum’s exhibits are located<br />

<strong>in</strong> the richly decorated rooms of the 16th century piano nobile<br />

on the first floor of Novellara’s fortress. Particularly noteworthy<br />

items <strong>in</strong>clude a cycle of frescoes by Lelio Orsi from the Cas<strong>in</strong>o<br />

di Sopra, a valuable pa<strong>in</strong>t<strong>in</strong>g by the same artist depict<strong>in</strong>g the<br />

Annunciation, a Flemish tapestry commissioned by Alfonso I<br />

Gonzaga <strong>in</strong> 1554 and the collection – amongst the largest <strong>in</strong><br />

Europe – of vases from the Jesuit spicery <strong>in</strong> Novellara, <strong>in</strong>clud<strong>in</strong>g<br />

pieces <strong>in</strong> Venetian and Lodi majolica from the 16th and 17th<br />

centuries.


Musei Civici:<br />

Galleria Parmeggiani<br />

Civic Museums: Parmeggiani Gallery<br />

address<br />

phone +39 0522/451054 fax +39 0522/456476<br />

e-mail<br />

web<br />

Corso Cairoli, 1 Reggio <strong>Emilia</strong><br />

42121 RE<br />

musei@municipio.re.it<br />

www.musei.re.it<br />

Cesare Detti, Venus with amor<strong>in</strong>i<br />

Detti hall<br />

Flemish hall<br />

Central hall<br />

The Parmeggiani Gallery can be considered a museum-home<br />

that displays the 19th century collection of pa<strong>in</strong>t<strong>in</strong>gs, furniture,<br />

and textiles once belong<strong>in</strong>g to the Spanish pa<strong>in</strong>ter, collector, and<br />

antiques dealer Ignacio Leon y Escosura; weapons and goldwork<br />

from the Marcy workshop <strong>in</strong> Paris; and a collection of pa<strong>in</strong>t<strong>in</strong>gs<br />

by the Spoleto-based pa<strong>in</strong>ter Cesare Detti. Luigi Parmeggiani,<br />

an anarchist converted to art and antiques, was responsible<br />

for br<strong>in</strong>g<strong>in</strong>g these three collections together, after mov<strong>in</strong>g his<br />

collection to Reggio <strong>Emilia</strong>, his native city, <strong>in</strong> 1924.<br />

The Gallery is located <strong>in</strong> an eclectic, gothic Renaissance build<strong>in</strong>g<br />

built by Luigi Parmeggiani to house his peculiar collection.<br />

118


Musei Civici:<br />

Museo del Tricolore<br />

Civic Museums: Museum of the Tritcolore<br />

address<br />

phone +39 0522/456033 fax +39 0522/456476<br />

e-mail<br />

web<br />

Green, white, and red cockade,<br />

1848<br />

First section<br />

119<br />

Piazza Prampol<strong>in</strong>i,1 Reggio <strong>Emilia</strong><br />

42121 RE<br />

musei@municipio.re.it<br />

www.musei.re.it<br />

Pietro Soliani, The Genius of liberty,<br />

1801<br />

Portrait of Bonaparte, 1799<br />

In 2004, the Museum of Tricolore (the Italian Flag) was<br />

<strong>in</strong>augurated <strong>in</strong> the rooms adjacent to the historic hall <strong>in</strong> Reggio<br />

<strong>Emilia</strong> where the flag itself was born on January 7, 1797. The<br />

Museum uses <strong>in</strong>novative historiographic criteria to document<br />

the most significant events related to the history of the Italian<br />

flag and its relationship with the history of Italian unification.<br />

The first section of the Museum uses pr<strong>in</strong>ts, pa<strong>in</strong>t<strong>in</strong>gs, weapons,<br />

mementos, replicas, and audiovisual material to document the<br />

political history of Reggio <strong>Emilia</strong> from the birth of the Repubblica<br />

Reggiana, <strong>in</strong> 1796, to 1814.<br />

The second section displays orig<strong>in</strong>al documents and mementos<br />

related to the historical events of Risorgimento up to 1897, the<br />

year <strong>in</strong> which the first centenary of the Italian flag was celebrated<br />

<strong>in</strong> Reggio <strong>Emilia</strong>, with Giosuè Carducci’s famous speech as its<br />

crown<strong>in</strong>g moment.


Musei Civici:<br />

Palazzo S. Francesco<br />

Civic Museums: Palazzo S. Francesco<br />

address<br />

phone +39 0522/456477 +39 0522/456816 fax +39 0522/456476<br />

e-mail<br />

web<br />

Via Spallanzani, 1 Reggio <strong>Emilia</strong><br />

42121 RE<br />

musei@municipio.re.it<br />

www.musei.re.it<br />

Palaeolithic Venus found <strong>in</strong> the<br />

Neolithic village of Chiozza<br />

Deer attacked by wolf, last decade of<br />

the 9th century<br />

Pros<strong>per</strong>o Sogari a. k.a. Il Clemente,<br />

The servant girl<br />

Milio Campanarius, second quarter<br />

of the 12th century<br />

S<strong>in</strong>ce 1830, the Civic Museums of Reggio <strong>Emilia</strong> have been<br />

housed <strong>in</strong> Palazzo San Francesco.<br />

Their orig<strong>in</strong> dates back to 1799, with the purchase of a collection<br />

belong<strong>in</strong>g to the scientist Lazzaro Spallanzani. The museums<br />

currently have several different sections, <strong>in</strong>clud<strong>in</strong>g collections<br />

related to archaeology (Chierici Museum, Portico dei Marmi<br />

- Roman section, Roman Museum, Roman mosaics, Museum<br />

of Prehistory and Proto-history), ethnography, art history<br />

(Fontanesi Gallery, Portico dei Marmi-Medieval section,<br />

Medieval mosaics) and natural history (Spallanzani collection;<br />

zoological, anatomical, botanical, geo-m<strong>in</strong>eralogical, and<br />

paleontological collections).<br />

120


Museo<br />

della Tarsia<br />

Tarsia Museums<br />

address<br />

phone +39 0522/658011 fax +39 0522/666953<br />

e-mail<br />

web<br />

Inlaid tabletop with geometric<br />

motifs, late 19th century<br />

Circular table-top saw used to cut<br />

the veneers used for geometric<br />

marquetery<br />

Worktable with materials and<br />

models related to the decoration<br />

of <strong>in</strong>laid tables<br />

View of the section dedicated<br />

to <strong>in</strong>laid furniture made <strong>in</strong> Rolo<br />

dur<strong>in</strong>g the Neo-classical <strong>per</strong>iod<br />

121<br />

Corso Repubblica, 39 Rolo<br />

42047 RE<br />

<strong>in</strong>fo@comune.rolo.re.it<br />

www.museodellatarsia.it<br />

In the 18th and 19th centuries the town of Rolo was an important<br />

centre of production for marquetery and <strong>in</strong>laid furniture.<br />

Evidence of this tradition, which still lives on locally, is on<br />

display <strong>in</strong> Rolo’s Tarsia Museum, whose identity rests on the<br />

study of woodwork<strong>in</strong>g and the decorative techniques of wood<br />

marquetery. The museum has five sections: the types of wood<br />

used, the build<strong>in</strong>g of furniture, decorative and f<strong>in</strong>ish techniques,<br />

the sale of products <strong>in</strong> Italy and abroad, and the exhibition<br />

gallery. Along with <strong>in</strong>terest<strong>in</strong>g, historical <strong>in</strong>laid furniture, the<br />

museum also displays tools and small mach<strong>in</strong>es, teach<strong>in</strong>g<br />

models, posters, and orig<strong>in</strong>al draw<strong>in</strong>gs of ancient workshops.


Museo dell’Agricoltura<br />

e del Mondo Rurale<br />

Museum of Agriculture and the Rural World<br />

address<br />

phone +39 0522/636726 fax +39 0522/695986<br />

e-mail<br />

web<br />

Tower clock, 20th century<br />

Display <strong>in</strong> section 2 “The rural<br />

world and agricultural production”<br />

Display <strong>in</strong> section 12 “A<br />

landown<strong>in</strong>g family: the Bertanis”<br />

Museo dell’Agricoltura<br />

e del Mondo Rurale<br />

Corso Umberto I, 22 San Mart<strong>in</strong>o <strong>in</strong> Rio<br />

42018 RE<br />

museo@comune.sanmart<strong>in</strong>o<strong>in</strong>rio.re.it<br />

www.museodellagricolturaedelmondorurale.it<br />

The Museum of Agriculture and the Rural World is housed <strong>in</strong><br />

the Este fortress, a monumental build<strong>in</strong>g <strong>in</strong> the town centre set<br />

<strong>in</strong> a vast park. It collects, preserves, studies, and promotes the<br />

testimonies and life ex<strong>per</strong>iences of peasants, landowners, and<br />

artisan <strong>in</strong> the middle and up<strong>per</strong> Po Pla<strong>in</strong> east of Reggio <strong>Emilia</strong><br />

prior to agricultural mechanization and <strong>in</strong>dustrial production.<br />

The museum is very active <strong>in</strong> work<strong>in</strong>g with schools, families, and<br />

adults. School projects and educational exhibits are borne out of<br />

a constant dialogue with all of the area’s educational <strong>in</strong>stitutions.<br />

For adults and families, the Museum organizes even<strong>in</strong>g classes,<br />

visits, games, workshops, and Sunday afternoon tast<strong>in</strong>gs.<br />

122


Rim<strong>in</strong>i


La Casa Rossa<br />

di Alfredo Panz<strong>in</strong>i<br />

The Alfredo Panz<strong>in</strong>i’s Red House<br />

address<br />

phone +39 0541/343746 +39 0541/341642 fax +39 0541/345844<br />

e-mail<br />

web<br />

Casa Rossa<br />

Le Vele (banners)<br />

Detail of the exhibition<br />

Via Pis<strong>in</strong>o, 1<br />

Loc. Cagnona<br />

musei@comune.bellaria-igea-mar<strong>in</strong>a.rn.it<br />

www.casapanz<strong>in</strong>i.it<br />

Bellaria Igea Mar<strong>in</strong>a<br />

47814 RN<br />

The Casa Rossa stands atop a sand dune; the sea and the hills of<br />

<strong>Romagna</strong> could once be seen from its w<strong>in</strong>dows. The writer Alfredo<br />

Panz<strong>in</strong>i (Senigaglia 1863 – Rome 1939) spent much of his life <strong>in</strong><br />

this villa after purchas<strong>in</strong>g it <strong>in</strong> 1909, and it became a hub for friends<br />

and writers. For Panz<strong>in</strong>i, it provided a privileged <strong>in</strong>sight <strong>in</strong>to the<br />

rural world that seeped <strong>in</strong>to his writ<strong>in</strong>g. Visitors to the museum<br />

are welcomed by banners bear<strong>in</strong>g Panz<strong>in</strong>i’s words, and exhort<strong>in</strong>g<br />

them to sail on the seas of memory. Items on display <strong>in</strong>clude the<br />

famous bicycle – the austere Opel - from La Lanterna di Diogene<br />

and country out<strong>in</strong>gs. The home itself is a museum, with ceramic<br />

tiles <strong>in</strong>scribed with the titles of Panz<strong>in</strong>i’s best known works.<br />

A Mediterranean garden still surrounds the Casa Rossa, while<br />

beyond the ditch the outbuild<strong>in</strong>gs (which are now part of the<br />

museum) formerly comprised the farmhouse of the sharecrop<strong>per</strong><br />

F<strong>in</strong>otti, a stable for the horse, and a shed for the cart.<br />

123


Museo<br />

della Reg<strong>in</strong>a<br />

Reg<strong>in</strong>a Museum<br />

address<br />

phone +39 0541/966577 fax +39 0541/967803<br />

e-mail<br />

web<br />

Greco-italic amphora from<br />

archaeological digs at Nuova<br />

Darsena, 3rd century BC<br />

Archaeological section: dolia and<br />

Oscar Dom<strong>in</strong>guez’s <strong>in</strong>stallation<br />

Die for mask of Dionysus<br />

Mar<strong>in</strong>e section: traditional<br />

ship (balance lug sails),<br />

model of trabaccolo lugger<br />

124<br />

Via Pascoli, 23 Cattolica<br />

47841 RN<br />

museo@cattolica.net<br />

www.cattolica.net/retecivica/italiano/cultura<br />

Inaugurated <strong>in</strong> April 2000, the Museum of the Reg<strong>in</strong>a has two<br />

different sections: an archaeological section and a mar<strong>in</strong>e<br />

section.<br />

The former houses a collection of material found <strong>in</strong> the city’s<br />

two ma<strong>in</strong> archaeological digs, with the recent addition of ceramic<br />

pottery from the Nuova Darsena; this material is from the 3rd<br />

century BC to the 3rd century AD. Medieval and post-medieval<br />

notations and objects complete the story of the city’s history,<br />

with the Via Flam<strong>in</strong>ia as its common thread.<br />

The thematically-oriented mar<strong>in</strong>e section takes <strong>in</strong>to account<br />

the technical characteristics and construction styles of<br />

ships, the different approaches to sail<strong>in</strong>g, and related ethnoanthropological<br />

aspects. The natural harbour at the mouth of<br />

the Tavollo River, the birth of the port, and its changes over time<br />

provide a narrative backdrop.


Mostra <strong>per</strong>manente<br />

delle Maioliche Monda<strong>in</strong>esi<br />

Permanent exhibition of Monda<strong>in</strong>o majolica pottery<br />

address<br />

phone +39 366/2078470 fax +39 0541/982060<br />

e-mail<br />

web<br />

Decorated majolica, first half of the<br />

17th century<br />

Majolicas with olive wreath<br />

decorations, late 16th century<br />

Replica of a 16th century majolica<br />

factory<br />

Majolica with central medallion<br />

decorated with helmeted male<br />

bust, second half of the 16th<br />

century.<br />

Via Secondaria Levante Monda<strong>in</strong>o<br />

47836 RN<br />

musei@monda<strong>in</strong>o.com<br />

www.cultura.prov<strong>in</strong>cia.rim<strong>in</strong>i.it<br />

The longstand<strong>in</strong>g pottery-mak<strong>in</strong>g tradition that has<br />

characterized Mondiano s<strong>in</strong>ce the second half of the 15th century<br />

is fully documented <strong>in</strong> this museum, which displays the fruits of<br />

casual discoveries, targeted archaeological surveys conducted<br />

near the city walls and at the Malatesta fortress, and searches<br />

for discarded pottery <strong>in</strong> the talus slopes just outside of town.<br />

An extensive collection of pottery fragments from the 14th to the<br />

16th centuries confirms restores Mondiano’s rightful position as<br />

a leader <strong>in</strong> the history of Italian majolicas. The visitor’s attention<br />

is also drawn to the function of majolica objects and their<br />

construction, through replicas of tools, sounds, and music <strong>in</strong> the<br />

reconstructions of a majolica craftsman’s workshop and of a set<br />

table.<br />

125


Museo Paleontologico<br />

Museum of Palaeontology<br />

address<br />

phone +39 366/2078470 fax +39 0541/982060<br />

e-mail<br />

web<br />

Detail of a fish fossil<br />

View of the second hall<br />

Some aspects of the exhibits, with<br />

a replica of a pelagic scene <strong>in</strong> the<br />

background<br />

Fossil fish <strong>in</strong> its host rock<br />

126<br />

Piazza Maggiore, 1 Monda<strong>in</strong>o<br />

47836 RN<br />

musei@monda<strong>in</strong>o.com<br />

www.cultura.prov<strong>in</strong>cia.rim<strong>in</strong>i.it<br />

Set <strong>in</strong> the Malatesta fortress, the architectural backdrop for<br />

the city’s museums, the Museum of Palaeontology travels<br />

far back <strong>in</strong> time to the ancient mar<strong>in</strong>e landscapes and liv<strong>in</strong>g<br />

be<strong>in</strong>gs that characterized this area of the Apenn<strong>in</strong>es dur<strong>in</strong>g the<br />

up<strong>per</strong>most Miocene (about 6 million years ago). It displays a<br />

rich fossil heritage, <strong>in</strong>clud<strong>in</strong>g fish fossils, rema<strong>in</strong>s of leaves,<br />

and bird fossils from the peculiar sedimentary rock known<br />

as tripoli, with a typically mealy, lam<strong>in</strong>ar texture, created by<br />

siliceous microorganisms deposited dur<strong>in</strong>g the early Mess<strong>in</strong>ian.<br />

The museum’s exhibits frame the valuable f<strong>in</strong>d<strong>in</strong>gs from the<br />

Monda<strong>in</strong>o fossil deposit <strong>in</strong> geological and evolutionary terms,<br />

with<strong>in</strong> a broader regional context.


Museo della L<strong>in</strong>ea<br />

dei Goti<br />

L<strong>in</strong>e of the Goths Museum<br />

address<br />

phone +39 0541/855320 +39 0541/855054 fax +39 0541/855042<br />

e-mail<br />

web<br />

Flyer Encourag<strong>in</strong>g the local<br />

population to fight alongside the<br />

German Army, 1944<br />

English armoured vehicles on the<br />

Montegridolfo hills, September<br />

1944<br />

Propeller from a US bomber that<br />

fell <strong>in</strong> the Adriatic Sea <strong>in</strong> spr<strong>in</strong>g<br />

1944<br />

Poster Threaten<strong>in</strong>g death for<br />

partisan fighters, 1944<br />

Via Borgo Montegridolfo<br />

47837 RN<br />

<strong>in</strong>fo@museol<strong>in</strong>eadeigoti.it<br />

www.museol<strong>in</strong>eadeigoti.it<br />

The museum uses the orig<strong>in</strong>al name given by Hitler to the<br />

defensive l<strong>in</strong>e between the Adriatic and Tyrrhenian seas built<br />

by the Germans <strong>in</strong> 1943-44: Gotenl<strong>in</strong>ie, or “L<strong>in</strong>e of the Goths”,<br />

later known as the Gothic L<strong>in</strong>e<br />

The Museum has two different sections: the first displays<br />

war relics, most of which were donated by the citizens of<br />

Montegridolfo, and a collection of the weapons used by the two<br />

oppos<strong>in</strong>g armies. The sequence of events is illustrated by ample<br />

photographic documentation.<br />

The second section displays a collection of models of Allied<br />

and German military vehicles. The wall display cases feature<br />

propaganda posters from both sides from 1943 to 1945, grouped<br />

accord<strong>in</strong>g to theme and with detailed captions. Other display<br />

cases feature newspa<strong>per</strong> headl<strong>in</strong>es from the crucial events of the<br />

war.<br />

127


Museo Etnografico<br />

di Valliano<br />

Valliano Museum of Ethnography<br />

address<br />

phone +39 0541/864014 fax +39 0541/984455<br />

e-mail<br />

web<br />

Frescos show<strong>in</strong>g <strong>in</strong>fluences from<br />

the Umbria-Marche school,<br />

mid-15th century<br />

Sanctuary of S.Maria Succurrente<br />

Museum <strong>in</strong>terior<br />

The cart restored by the Laboratorio<br />

Il Calesse workshop<br />

128<br />

Via Valliano, 23 Montescudo<br />

47854 RN<br />

<strong>in</strong>fo@comune.montescudo.rn.it<br />

www.comune.montescudo.rn.it<br />

The Museum of Ethnography <strong>in</strong> Valliano di Montescudo,<br />

annexed to the magnificent 15th century Sanctuary of S.Maria<br />

Succurrente, is set <strong>in</strong> an enchant<strong>in</strong>g valley rich <strong>in</strong> centuries-old<br />

olive trees. The museum depicts the country home as the heart<br />

of the rural world and helps visitors discover the trades, ways,<br />

and traditions of peasant history and life.<br />

Activities promoted by the museum <strong>in</strong>clude the Il Calesse<br />

educational workshop, a pilot project launched <strong>in</strong> 2006 by the<br />

IBC: its activities focus on the preservation, restoration and <strong>in</strong><br />

situ ma<strong>in</strong>tenance of multi-material objects and tools, thanks to<br />

the valuable help of local volunteers who, under the guidance of<br />

professional conservators, br<strong>in</strong>g back to their ancient splendour<br />

the farm<strong>in</strong>g tools on display <strong>in</strong> the Museum’s extensive outdoor<br />

exhibition.


Museo Mul<strong>in</strong>o Sapignoli<br />

Sapignoli Mill Museum<br />

address<br />

phone +39 0541/629701<br />

fax<br />

e-mail<br />

web<br />

Millstone detail<br />

Museum exterior<br />

New millstone hall<br />

Via Santarcangiolese, 4631<br />

Loc. Santo Mar<strong>in</strong>o<br />

museo@comune.poggio-berni.rn.it<br />

www.comune.poggio-berni.rn.it<br />

Poggio Berni<br />

47824 RN<br />

The Sapignoli Mill Museum welcomes visitors with its open<strong>in</strong>g<br />

hall, featur<strong>in</strong>g millstones that can still turn wheat <strong>in</strong>to flour. The<br />

voice of an old miller tells visitors how a typical day at the mill<br />

unfolds, while photographs and other mementos help set the<br />

atmosphere.<br />

The Museum aims to help the general public appreciate the<br />

ethnographic patrimony of mill<strong>in</strong>g traditions, to highlight<br />

existential and professional ex<strong>per</strong>iences <strong>in</strong> this sector, and to<br />

recover historical memories <strong>in</strong> the Poggio Berni area.<br />

The Sapignoli Mill Museum can be considered a small cultural<br />

hub, s<strong>in</strong>ce it hosts the municipal library and the Museum of<br />

Mill<strong>in</strong>g Arts, slated to be completed with outdoor exhibitions<br />

featur<strong>in</strong>g a <strong>per</strong>fectly preserved Fossa Viterba, which will be<br />

accessible to the public.<br />

129


Galleria d’arte moderna<br />

e contemporanea<br />

Villa Franceschi<br />

Villa Franceschi<br />

Modern and Contemporary Art Gallery<br />

address<br />

phone +39 0541/693534 fax +39 0541/475668<br />

e-mail<br />

web<br />

Enrico Baj -Untitled<br />

Interior of Villa Franceschi, Hall 4<br />

Educational workshop<br />

130<br />

Via Gorizia, 2 Riccione<br />

47838 RN<br />

museo@comune.riccione.rn.it<br />

www.comune.riccione.rn.it<br />

The Gallery, <strong>in</strong>augurated <strong>in</strong> 2005, is housed <strong>in</strong> Villa Franceschi,<br />

an elegant early 20th century beach house that has been<br />

carefully restored and converted to museum use. It displays,<br />

<strong>in</strong> <strong>per</strong>fect harmony with part of the orig<strong>in</strong>al decor, the civic art<br />

collection and the prestigious “Arcangeli Collection”, deposited<br />

here by the <strong>Emilia</strong>-<strong>Romagna</strong> regional government. The works<br />

are representative of important aspects and trends <strong>in</strong> Italian<br />

figurative art dur<strong>in</strong>g the second half of the 20th century, and<br />

testify to Italy’s ma<strong>in</strong> artistic currents, particularly with regards<br />

to those of the Po Pla<strong>in</strong>. Thanks to the flexibility of its layout,<br />

the Villa promotes a popular series of temporary shows and<br />

exhibitions. It also regularly carries out educational workshops<br />

and <strong>in</strong>itiatives.


Museo<br />

del Territorio<br />

Museum of the Local Territory<br />

address<br />

phone +39 0541/600113 fax +39 0541/698182<br />

e-mail<br />

web<br />

Diorama of the Pleistocene lake <strong>in</strong><br />

Conca River<br />

Hemiskeleton of a Pleistocene<br />

bison<br />

Roman era grave goods<br />

Roman burial amphora<br />

Via Lazio, 10 Riccione<br />

47838 RN<br />

museo@comune.riccione.rn.it<br />

www.comune.riccione.rn.it<br />

The Museum, founded <strong>in</strong> 1989, collects noteworthy natural<br />

history and archaeological material from Riccione and its<br />

surround<strong>in</strong>gs. Thanks to numerous habitat replicas, a visit to<br />

the museum unfolds like a trip back <strong>in</strong> time, from the orig<strong>in</strong>s<br />

of life on Earth to the first prehistoric human settlements, and<br />

f<strong>in</strong>ally to the Roman era. Particularly noteworthy is the section<br />

on the Pleistocene, documented by the skeletal rema<strong>in</strong>s of a<br />

massive pre-historic bison, along with those of elephants, bears,<br />

rh<strong>in</strong>oceroses, and giant elk liv<strong>in</strong>g <strong>in</strong> the Riccione area thousands<br />

of years ago. The Museum has a rich programme of events that<br />

highlight its role as a “liv<strong>in</strong>g deposit” of the memory of the entire<br />

Riccione community. It is also engaged <strong>in</strong> cont<strong>in</strong>uous education<br />

workshops with specific tra<strong>in</strong><strong>in</strong>g courses.<br />

131


Museo degli Sguardi.<br />

Raccolte Etnografiche<br />

di Rim<strong>in</strong>i<br />

Museum of Glances.<br />

Rim<strong>in</strong>i Ethnographic Collections<br />

address<br />

phone +39 0541/751224 +39 0541/704421 fax +39 0541/704410<br />

e-mail<br />

web<br />

132<br />

Via delle Grazie, 12<br />

Loc. Covignano<br />

Peru, Moche culture, Vase<br />

depict<strong>in</strong>g an ancestor, 450-600 AD<br />

Pre-Colombian textiles and pottery<br />

Africa hall<br />

musei@comune.rim<strong>in</strong>i.it<br />

www.museicomunalirim<strong>in</strong>i.it<br />

Rim<strong>in</strong>i<br />

47923 RN<br />

The Museum of Glances, dedicated to the culture, ethnology,<br />

and archaeology of Africa, Oceania, and Pre-Colombian America,<br />

houses one of Europe’s most important collections <strong>in</strong> these<br />

fields. Inaugurated <strong>in</strong> 1972 as the Museum of Primitive Arts/D<strong>in</strong>z<br />

Rialto Collection, <strong>in</strong> honour of its founder, it was housed <strong>in</strong> Castel<br />

Sismondo until 2000 and subsequently moved to Villa Alvarado,<br />

the former Missionary Museum of Graces, under the name of<br />

Museo degli Sguardi (Museum of Glances)/Rim<strong>in</strong>i Ethnographic<br />

Collections, with Marc Augé as its scientific directors. The<br />

“glances” are those of Westerners who, from their first meet<strong>in</strong>g<br />

to the present days, have looked to other cultures <strong>in</strong> various<br />

ways. The museum’s multi-cultural outlook encourages<br />

reflections on our relationship with the culture and art of other<br />

peoples.


Museo<br />

della Città<br />

Museum of the City<br />

address<br />

phone +39 0541/793851 +39 0541/704421 fax +39 0541/704410<br />

e-mail<br />

web<br />

Giovanni Bell<strong>in</strong>i, Pietà, about 1460<br />

Giovanni da Rim<strong>in</strong>i, The Last<br />

Judgement, about 1310<br />

The Surgeon’s Domus<br />

(2nd or 3rd century AD)<br />

Monuments from the Roman<br />

Republic <strong>in</strong> the Roman lapidarium<br />

Via Luigi Ton<strong>in</strong>i, 1 Rim<strong>in</strong>i<br />

47921 RN<br />

musei@comune.rim<strong>in</strong>i.it<br />

www.museicomunalirim<strong>in</strong>i.it<br />

The Museum of the City is housed <strong>in</strong> the 18th century Jesuit<br />

College. The garden hosts the Roman lapidarium, the orig<strong>in</strong>al<br />

core collection from the recently completed archaeological<br />

section, which traces the history of human settlement <strong>in</strong> the<br />

area from prehistory to late antiquity. The decorated geometric<br />

floor mosaic, representative of the Roman era and late antiquity,<br />

is the ma<strong>in</strong> highlight of the lapidarium. Other noteworthy items<br />

<strong>in</strong>clude a rare polychrome glass pa<strong>in</strong>t<strong>in</strong>g and the largest known<br />

set of surgical tools from antiquity, discovered <strong>in</strong> the Surgeon’s<br />

Domus, the ideal cont<strong>in</strong>uation of a visit to the museum, as it<br />

is only a short walk away. The medieval and modern sections<br />

<strong>in</strong>clude works from the 14th century Rim<strong>in</strong>i school, masterpieces<br />

from the Malatesta era, pa<strong>in</strong>t<strong>in</strong>gs by 17th century artists<br />

<strong>in</strong>clud<strong>in</strong>g Guerc<strong>in</strong>o, Cagnacci and Cent<strong>in</strong>o and end<strong>in</strong>g with René<br />

Gruau’s advertis<strong>in</strong>g artwork.<br />

133


Museo<br />

dell’Aviazione<br />

Museum of Aviation<br />

address<br />

phone +39 0541/756696 fax +39 0541/905148<br />

e-mail<br />

web<br />

DC3-Dakota<br />

View of the park<br />

134<br />

Via Santa Aquil<strong>in</strong>a, 58<br />

Loc. Cerbaiola<br />

DC-3 Dakota formerly belong<strong>in</strong>g<br />

to the American actor Clark Gable,<br />

who purchased it from the United<br />

States Navy<br />

<strong>in</strong>fo@museoaviazione.com<br />

www.museoaviazione.com<br />

Rim<strong>in</strong>i<br />

47923 RN<br />

With its 100,000 square meters, the Aviation Theme Park is the<br />

largest private structure of its k<strong>in</strong>d <strong>in</strong> Italy and Europe. Along<br />

with over fifty aircraft from various countries, it also displays<br />

numerous crafts used by several different armed forces after<br />

World War II.<br />

The Pavilion houses the largest exist<strong>in</strong>g collection of flight suits<br />

and pilot uniforms (from the early 20th century to the present<br />

day), along with honours and medals conferred upon the lead<strong>in</strong>g<br />

aviators of the time. The park also houses the Monument to the<br />

Aviator and a Monument commemorat<strong>in</strong>g the Ramste<strong>in</strong> tragedy,<br />

along with Italy’s fist model airplane museum.


MET<br />

Museo degli Usi e Costumi<br />

della Gente di <strong>Romagna</strong><br />

MET<br />

Museum of <strong>Romagna</strong> Folk Customs and Traditions<br />

address<br />

phone +39 0541/326206 +39 0541/624703 fax +39 0541/622074<br />

e-mail<br />

web<br />

Mill (part.)<br />

Section ...and I will tell you who<br />

you are<br />

Welcome area<br />

Symbols. Puppet and mask<br />

Via Montevecchi, 41 Santarcangelo<br />

di <strong>Romagna</strong><br />

47822 RN<br />

met@metweb.org<br />

www.metweb.org/met<br />

The Museum of <strong>Romagna</strong> Folk Customs and Traditions def<strong>in</strong>es<br />

itself as a liv<strong>in</strong>g entity pursu<strong>in</strong>g research and knowledge on folk<br />

culture. Its ma<strong>in</strong> <strong>in</strong>terest lies <strong>in</strong> the various aspects that make up<br />

folk traditions (symbolism, social relations, work, and rituals) <strong>in</strong><br />

southern <strong>Romagna</strong>.<br />

A museum of exhibits and testimonies, whose task goes beyond<br />

display<strong>in</strong>g objects and images to communicat<strong>in</strong>g ideas.<br />

A museum of ideas’ display must illustrate a series of real facts,<br />

relations, and solved and unsolved scientific problems.<br />

In such a layout, objects become tools to prove ideas; they<br />

lose some of their <strong>in</strong>dividuality and become part of the broader<br />

framework of the culture of a people.<br />

135


MUSAS<br />

Museo Storico Archeologico<br />

MUSAS<br />

Museum of History and Archaeology<br />

address<br />

phone +39 0541/625212 +39 0541/624703 fax +39 0541/622074<br />

e-mail<br />

web<br />

Jacobello di Bonomo, Madonna<br />

with Child and sa<strong>in</strong>ts, 1385<br />

The ma<strong>in</strong> products of<br />

Santarcangelo’s furnaces<br />

136<br />

Via della Costa, 26 Santarcangelo<br />

di <strong>Romagna</strong><br />

47822 RN<br />

met@metweb.org<br />

16th century hall: Luca Longhi,<br />

Madonna with Child between Sa<strong>in</strong>t<br />

Francis and Sa<strong>in</strong>t George, 1531<br />

www.metweb.org/musas/<br />

The Museum of History and Archaeology of Santarcangelo di<br />

<strong>Romagna</strong> (MUSAS) was established 2005 <strong>in</strong> order to preserve<br />

and promote the archaeological, historical, and artistic heritage<br />

of the town and its surround<strong>in</strong>gs.<br />

The archaeological section is set up to reflect over a century<br />

of archaeological and historical research which has confirmed<br />

many times the fertility and high productivity of the local<br />

countryside, which required markets both near and far <strong>in</strong> which<br />

to sell excess production. The historic and artistic section<br />

features works from the Middle Ages up to the 19th century from<br />

Santarcangelo and its surround<strong>in</strong>gs.


Museo Civico<br />

Archeologico<br />

Civic Archaeological Museum<br />

address<br />

phone +39 0541/670280 +39 0541/670222 fax +39 0541/679570<br />

e-mail<br />

web<br />

Engraved throne from the “Lippi<br />

89” tomb, late 8th century BC<br />

Museum exterior<br />

Throne room<br />

Via Sant’Agost<strong>in</strong>o Verucchio<br />

47826 RN<br />

iat.verucchio@i<strong>per</strong>.net<br />

www.comunediverucchio.it/museo<br />

The Verucchio Archaeological Museum displays a wide array of<br />

grave goods found <strong>in</strong> the Early Iron Age (9th to 7th centuries BC)<br />

necropoles of Verrucchio, represent<strong>in</strong>g the Villanovan civilization<br />

<strong>in</strong> the <strong>Romagna</strong> area.<br />

Thanks to the exceptional nature of the archaeological f<strong>in</strong>ds<br />

(<strong>in</strong>clud<strong>in</strong>g wooden furniture, wool textiles, wicker baskets,<br />

valuable amber jewel), this unique patrimony makes it possible<br />

for several unusual issues to be tackled scientifically.<br />

The exhibition has been designed <strong>in</strong> order to be accessible to as<br />

broad a public as possible, at several levels of detail. Additionally,<br />

the museum’s displays are constantly updated <strong>in</strong> order to reflect<br />

the f<strong>in</strong>d<strong>in</strong>gs from its <strong>in</strong>tensive research and study activities.<br />

137


The procedure to accredit museums on the<br />

basis of quality standards and goals is regulated<br />

by:<br />

REGIONAL LAW 18/00 “NORMS REGULATING<br />

LIBRARIES, HISTORICAL ARCHIVES,<br />

MUSEUMS, AND CULTURAL HERITAGE”<br />

REGIONAL COUNCIL DECREE 309/03<br />

“APPROVAL OF QUALITY STANDARDS<br />

AND GOALS FOR LIBRARIES, HISTORICAL<br />

ARCHIVES, AND MUSEUMS PURSUANT TO<br />

REGIONAL LAW 18/00 “NORMS REGULATING<br />

LIBRARIES, HISTORICAL ARCHIVES,<br />

MUSEUMS, AND CULTURAL HERITAGE”<br />

REGIONAL COUNCIL DECREE 1888/08<br />

“APPROVAL OF CRITERIA AND GUIDELINES<br />

FOR ACCREDITING REGIONAL MUSEUMS<br />

ON THE BASIS OF QUALITY STANDARDS<br />

AND GOALS PURSUANT TO REGIONAL LAW<br />

18/00 “NORMS REGULATING LIBRARIES,<br />

HISTORICAL ARCHIVES, MUSEUMS, AND<br />

CULTURAL HERITAGE”<br />

The first accreditation of the museums was<br />

adopted with<br />

REGIONAL COUNCIL DECREE 2049/09<br />

“FIRST ACCREDITATION OF THE MUSEUMS<br />

OF THE EMILIA-ROMAGNA REGION ON<br />

THE BASIS OF QUALITY STANDARDS AND<br />

GOALS PURSUANT TO REGIONAL LAW<br />

18/00 “NORMS REGULATING LIBRARIES,<br />

HISTORICAL ARCHIVES, MUSEUMS, AND<br />

CULTURAL HERITAGE – YEAR 2009”<br />

REGIONAL COUNCIL DECREE 1662/10<br />

“FIRST ACCREDITATION OF THE MUSEUMS<br />

OF THE EMILIA-ROMAGNA REGION ON<br />

THE BASIS OF QUALITY STANDARDS AND<br />

GOALS PURSUANT TO REGIONAL LAW<br />

18/00 “NORMS REGULATING LIBRARIES,<br />

HISTORICAL ARCHIVES, MUSEUMS, AND<br />

CULTURAL HERITAGE – YEAR <strong>2010</strong><br />

REGIONAL COUNCIL DECREE 1837/11<br />

“FIRST ACCREDITATION OF THE MUSEUMS<br />

OF THE EMILIA-ROMAGNA REGION ON<br />

THE BASIS OF QUALITY STANDARDS AND<br />

GOALS PURSUANT TO REGIONAL LAW<br />

18/00 “NORMS REGULATING LIBRARIES,<br />

HISTORICAL ARCHIVES, MUSEUMS, AND<br />

CULTURAL HERITAGE – YEAR 2011”<br />

The work<strong>in</strong>g group for the accreditation of<br />

regional museums on the basis of quality<br />

standards and goals, as set out <strong>in</strong> <strong>Region</strong>al<br />

Council Decree 1888/08, was established with<br />

managerial decree 185/<strong>2010</strong>.<br />

The work<strong>in</strong>g group has the follow<strong>in</strong>g members:<br />

Maura Grandi (Civic Museums of the<br />

Municipality of Bologna, municipal delegate);<br />

Angelo Andreotti (Ferrara Civic Museums of<br />

Ancient Art, municipal delegate); Luciana Prati<br />

(Civic Art Gallery of Forlì, municipal delegate);<br />

Ilaria Pul<strong>in</strong>i (Modena Civic Museum of<br />

Archaeology and Ethnology, municipal delegate);<br />

Antonella Gigli (Palazzo Farnese Museums<br />

of Piacenza, municipal delegate); Francesca<br />

Masi (NatuRa Museum of Ravenna, municipal<br />

delegate); Elisabetta Farioli (Civic Museums of<br />

Reggio <strong>Emilia</strong>, municipal delegate); Maurizio<br />

Biordi (Rim<strong>in</strong>i Municipal Museums, municipal<br />

delegate); Claudia Pedr<strong>in</strong>i (Imola Civic<br />

Museums, Bologna prov<strong>in</strong>cial delegate); Ner<strong>in</strong>a<br />

Baldi (Ecomuseum System of the Municipality of<br />

Argenta, Ferrara prov<strong>in</strong>cial delegate); V<strong>in</strong>cenza<br />

Bambi (Silvestro Lega Art Gallery of Modigliana,<br />

Forlì Cesena prov<strong>in</strong>cial delegate); Manuela Rossi<br />

(Civic Museums of Carpi, Modena prov<strong>in</strong>cial<br />

delegate); Anna Mavilla (Brozzi Museum of<br />

Traversetolo, Parma prov<strong>in</strong>cial delegate); Carlo<br />

Francou (Piacenza Natural Science Museum<br />

and Geological Museum of Castell’Arquato,<br />

Piacenza prov<strong>in</strong>cial delegate); Eloisa Gennaro<br />

(Museum System of the Prov<strong>in</strong>ce of Ravenna,<br />

Ravenna prov<strong>in</strong>cial delegate); Gabriele Fabbrici<br />

(Civic Museum of Correggio, Reggio <strong>Emilia</strong><br />

prov<strong>in</strong>cial delegate); Maria Luisa Stoppioni<br />

(Reg<strong>in</strong>a Museum, Cattolica, Rim<strong>in</strong>i prov<strong>in</strong>cial<br />

delegate); Gilberta Franzoni (Director of the<br />

Office for Cultural Institutes of the Prov<strong>in</strong>ce of<br />

Bologna, UPI delegate); Gian Pietro Cammarota<br />

(Bologna National P<strong>in</strong>acotheque, delegate of the<br />

M<strong>in</strong>istry for Cultural Heritage and Activities);<br />

Enrico Bertoni (Bert<strong>in</strong>oro Interreligious<br />

Museum Foundation FC, private museums<br />

representative); Micaela Lippar<strong>in</strong>i (Cultural<br />

Department, regional delegate); Laura Carl<strong>in</strong>i<br />

(Director of the IBC Museum Service) and<br />

the follow<strong>in</strong>g IBC staff members: Valent<strong>in</strong>a<br />

Galloni; Marvet Michela Guar<strong>in</strong>o; Fiamma<br />

Lenzi; Giovanni Battista Pesce; Margherita<br />

Sani; Iolanda Silvestri; Patrizia Tamassia; Valeria<br />

Villani.


Photo credits<br />

Unless otherwise <strong>in</strong>dicated, the photos belong to the<br />

museums or come from the Catalogue of Cultural<br />

Heritage <strong>in</strong> <strong>Emilia</strong>-<strong>Romagna</strong>.<br />

p. 1: Museo della Civiltà Contad<strong>in</strong>a Archive;<br />

p. 2: Costant<strong>in</strong>o Ferlauto, IBC (left) and Andrea<br />

Scardova, IBC (top, middle, right);<br />

p. 3: Matteo Monti, MAMbo - Museo d’Arte<br />

Moderna di Bologna;<br />

p. 9: R<strong>in</strong>o Bertuzzi, Museo del Patrimonio<br />

Industriale, Photo Archive;<br />

p. 11: Matteo Monti;<br />

p. 12: Raffaello Scatasta (top and left) and Pier<br />

Paolo Zannoni (middle and right), MEUS;<br />

p. 13: Studio Pym Nicoletti/Studio Cesari;<br />

p. 14: Matteo Monti (left) and Bruno Bani (right),<br />

Museo Morandi;<br />

p. 14bis: Roberto Serra (top and left) and Matteo<br />

Monti (middle and right), Casa Morandi;<br />

pp. 15, 16, 17, 18:<br />

Vittorio Bonaga, Pierluigi Mioli and Sergio<br />

Orselli, Musei civici di Budrio;<br />

p. 20: Federico Labanti;<br />

p. 21: Andrea Scardova, IBC (middle) and Musei<br />

Civici di Imola Archive;<br />

p. 23: Marco Ravenna (top and left), Marcello<br />

Bertoni (middle) and Sergio Orselli (right);<br />

p. 25: Tomaso Mario Bolis (top and right) and<br />

Mauro Bacci (left);<br />

p. 26: Luciano Calzolai;<br />

p. 27: Luciano Marchi;<br />

p. 28: Stefano Semenzato;<br />

p. 29: Fabio Lambert<strong>in</strong>i (left and middle) and E.<br />

Rizzoli (right);<br />

p. 30: Antonio Marzocchi (top), Andrea Morisi<br />

(left), Bett<strong>in</strong>a Maccagnani (middle) and<br />

Romano Serra (right);<br />

p. 31: Museo della Preistoria Luigi Don<strong>in</strong>i;<br />

p. 32: Fabio Lambert<strong>in</strong>i;<br />

pp. 33, 34:<br />

Sergio Stignani;<br />

p. 37: Costant<strong>in</strong>o Ferlauto, IBC (left) and Sergio<br />

Orselli (top and right);<br />

p. 38: Le Immag<strong>in</strong>i multimedia – Ferrara;<br />

p. 49: Salvatore Mirabella;<br />

p. 53: Casa Moretti Photo Archive (top and right)<br />

and Costant<strong>in</strong>o Ferlauto, IBC (left and<br />

middle);<br />

p. 54: Costant<strong>in</strong>o Ferlauto, IBC;<br />

pp. 55, 57, 58:<br />

Giorgio Sabat<strong>in</strong>i;<br />

p. 56: Giorgio Sabat<strong>in</strong>i (top and left) and Luca<br />

Massari (right);<br />

p. 59: Anna Gamber<strong>in</strong>i (top, left, middle) and<br />

Tommaso Raffoni (right);<br />

p. 60: Matteo Rossi - Viterbo Fotoc<strong>in</strong>e, Longiano;<br />

p. 61: Roberto Nanni (right) and Costant<strong>in</strong>o<br />

Ferlauto, IBC (top and left);<br />

p. 63: Gabriele Melloni, Modena Prov<strong>in</strong>ce;<br />

p. 64: Giorgio Giliberti (top, left and right) and<br />

Gianni Grappi (middle);<br />

p. 66: Luigi Ottani, Modena Prov<strong>in</strong>ce;<br />

p. 67: Paolo Terzi, Modena Prov<strong>in</strong>ce;<br />

p. 68: Luigi Ottani;<br />

p. 69: Franco Bertolani (top, left and middle) and<br />

Alberto Lagomaggiore;<br />

p. 71: Galleria Civica di Modena (top, middle<br />

and right) and Maurizio Malagoli, Modena<br />

Prov<strong>in</strong>ce (left);<br />

p. 73: Paolo Terzi, Museo Civico d’Arte di Modena<br />

Photo Archive;<br />

p. 74: Maurizio Malagoli (left and right);<br />

p. 75: Walter Bellisi;<br />

p. 76: Paolo Terzi, Modena Prov<strong>in</strong>ce;<br />

p. 77: Rocco Bizzarri (top) and Alessandra<br />

Chemollo (left and right);<br />

p. 78: Mauro Davoli (top and right) and Ernesto<br />

Bern<strong>in</strong>i (left and middle);<br />

p. 79: Mauro Davoli;<br />

p. 80: Luca Rossi;<br />

p. 81: Fabrizio Dell’Aquila (top), Alessandro<br />

Gandolfi (left) and Luciano Galloni (right);<br />

p. 82: Edoardo Fornaciari (top), Alessandro<br />

Gandolfi (right), Fabrizio Dell’Aquila (middle)<br />

and Luciano Galloni (right);<br />

p. 85: Costant<strong>in</strong>o Ferlauto, IBC;<br />

pp. 87, 88, 89:<br />

Lucio Rossi;<br />

p. 91: Enrico Turillazzi;<br />

p. 92: Alessandro Gandolfi (top and middle), Luca<br />

Rossi (left) and Fabrizio Dell’Aquila (right);<br />

p. 93: Luca Trasc<strong>in</strong>elli;<br />

p. 98: Alessandro Bersani;<br />

p. 101: Gianluigi Barani and Vittorio Dordoni by<br />

curtesy of M<strong>in</strong>istero <strong>per</strong> i <strong>Beni</strong> e le Attività<br />

Culturali – Sopr<strong>in</strong>tendenza <strong>per</strong> i <strong>Beni</strong><br />

Archeologici dell’<strong>Emilia</strong>-<strong>Romagna</strong>;<br />

p. 103: Luciano Cavassa (top);<br />

p. 104: Museo della battaglia del Senio Archive;<br />

p. 105: Andrea Scardova, IBC;<br />

p. 106: Sandro Capatti (top), Studio La Foto Cervia<br />

(left and middle) and Circolo fotografico<br />

24/36 (right);<br />

p. 114: Marco Menozzi;<br />

p. 115: Pietro Parmiggiani, Museo Il Correggio<br />

Archive;<br />

p. 116: Museo Cervi Archive;<br />

p. 118: Musei Civici, Reggio <strong>Emilia</strong> Photo Archive<br />

(top) and Luigi Ghirri (left, middle, right);<br />

p. 119: Paola De Pietri, Claudio Cigar<strong>in</strong>i (left) and<br />

Claudio Cigar<strong>in</strong>i (top, middle, right);<br />

p. 120: Marco Ravenna (top), Carlo Vann<strong>in</strong>i (left and<br />

right) and Musei Civici, Reggio <strong>Emilia</strong> Photo<br />

Archive (middle);<br />

p. 123: Claudio Ballestracci;<br />

p. 124: Roberto Macrì (top and middle) and Dorigo<br />

Vanzol<strong>in</strong>i (left and right);<br />

p. 127: Terzo Maffei;<br />

pp.128, 135, 136:<br />

Emilio Salvatori.


www.ibc.regione.emilia-romagna.it

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