Greenville County Museum ofArt in Greenville, SC,Offers Works by Mary WhyteWatercolors tell the poignant storiesof people whose jobs are fading awayin the exhibition Mary Whyte: WorkingSouth, which opens to the public on Mar.9 and continues through Sept. 18, <strong>2011</strong>, atthe Greenville County Museum of Art inGreenville, SC.Working South brings together fifty watercolors,the product of a 3½-year projectby Charleston, SC, artist Mary Whyte,which resulted in the newly released bookfrom USC Press, Working South: Paintingsand Sketches by Mary Whyte. Thetheme began to develop in 2007 when shewas working on a commissioned portraitof a Greenville banker. While he wasposing for sketches, Whyte commentedon a newspaper headline about the closingof a textile mill. “In ten years,” said hersubject, “all of those jobs may be gone.”That conversation inspired a journeythrough ten Southern states, as Whyteresearched and interviewed subjects, developingthe studies that would culminatein paintings of hard-working Americans inprofessions that often fall under the radar.These are intimate portraits of workersleft behind when jobs are outsourced orshipped offshore, people who are morerelated to the “old economy” than the new.They are cotton pickers and textile millworkers, wooden boat builders, crabbersand shrimpers, and tobacco farmers,among many others.Spinner, textile mill worker, Gaffney, SCWhyte met Annie Lindsay at theSpringfield Mill in Gaffney, SC. The artistasked the woman to pose for photographsof her at work for the painting that wouldbecome Spinner. In Bishopville, SC,Whyte was working on sketches at adiner when she met an itinerant crew ofindustrial cleaners. They are presented inthe monumentally scaled Fifteen MinuteBreak. “They looked like chimneysweeps,” said the artist. “The only cleanplace on them was where they wore theirgoggles.”BeeKeeper’s Daughter, beekeeper, Simpsonville, SCWhyte found her subjects one by onewith suggestions from family, friends, andPage 18 - <strong>Carolina</strong> <strong>Arts</strong>, <strong>March</strong> <strong>2011</strong>people she met along the way. She wasn’talways welcomed, as she explained ina book she published to accompany theexhibition, “A few company executivesbristled at my request to paint a ‘vanishingindustry.’ I was shown the door more thanonce.”“I had a pretty good idea of where Iwas going with my list, and what kind ofperson I would meet,” added Whtye. “Ikept working my way south until I foundwhat I was looking for, or until it foundme. Any pre-conceptions I had wouldalmost always prove to be wrong. I wascontinually astonished by the people Imet, not only by their differences but bythe things they had in common.”Upstate South <strong>Carolina</strong> plays a centralrole in the exhibition. <strong>No</strong>t only did Whytefind several of her subjects here, but shealso spent portions of two summers paintingin a cottage in rural Simpsonville,SC. Owned by Doug and Billie Hogg,the cottage became Whyte’s home andstudio as she escaped the summer bustleof Charleston. She worked nearly twelvehours a day, taking a break at noon toshare a farm-style meal with the Hoggs,who tended bees and grew vegetablesthat Whyte found almost unimaginable.One of their daughters, Jane Bechdoldt,is featured in the painting Beekeeper’sDaughter.“There are hundreds of people I couldhave painted,” wrotethe artist. “Some of mychoices were simplysubjective. Most often,I looked for a profoundquality, a humanness,that is easily recognizedand can translateinto the simplest ofpaintings.”Born in Ohio in1953, Whyte graduatedfrom the Tyler Schoolof Art in Philadelphia,PA, with a degree infine arts and a teachingcertificate. She hasearned national recognitionin both watercolorand oil painting,but she is recognized principally for herfigurative watercolors. Whyte’s portraitscan be found in corporate, university, andprivate collections, and in museums thatinclude the Greenville County Museumof Art.Whyte is also an avid teacher whoconducts painting workshops at locationsaround the country, including anannual session at the Greenville Museum.She has written instructional books andarticles, including Watercolor for the SeriousBeginner, 1995, and An Artist’s Wayof Seeing, 2005.Here’s an excerpt from theforeword from Whyte’s bookWorking South, written by MarthaSeverens, former curator,Greenville County Museum ofArt.“Working South is not onlythe title of a recent body ofwork by Mary Whyte, but alsoa metaphor for her personaltransition from the <strong>No</strong>rth tothe South. Through her art andsincere personality, she hasworked her way into the heartsand minds of southerners,whether natives or recent arrivals.Like the many sitters in herpaintings, Whyte is emblematicof a New South, except for thefact that her subjects representindustries that are shrinking,if not disappearing, while herreputation and horizons are everexpanding.”“This series is not her firstfocusing on southerners; for tenyears she painted members of achurch community not far from her adoptcontinuedabove on next column to the righted home on Seabrook Island near Charleston,South <strong>Carolina</strong>. Culminating in abook and a traveling exhibition, Alfreda’sWorld celebrates the warmth and generosityof spirit that embraced Whyte shortlyafter her arrival in the area. Moving fromPhiladelphia, where she had attended theTyler School of Art, she was primed for anurturing environment after a recent boutwith cancer. As she explains: ‘We knewthat we had to move to a place that wouldgive us deeper meaning to our lives - aplace where we could reinvent ourselvesand start over.’ Her encounter with Alfredaand her fellow quilt makers at the HebronZion St. Francis Senior Center on JohnsIsland was a happy accident that bore fruitin many ways.”There are several programs relatedto the exhibition in the museum’sSundays@2 series. All take place onSundays at 2pm and all are free and opento the public. On Mar. 13, Whyte will givean illustrated lecture on the exhibition. Abook signing with the artist will follow.A docent-led tour of Working South takesplace on Apr. 17 and June 19; and membersof the Emrys literary foundation willoffer poetic interpretations of the art onMay 1. A Working South Family Adventuretakes place on July 17, <strong>2011</strong>.The exhibition is sponsored by <strong>Carolina</strong>First. <strong>Carolina</strong> First Bank is a tradename of TD Bank, N.A.An exhibition of works from WorkingSouth will travel throughout the Souththrough 2013. After leaving Greenvillethe exhibit will be on view, Dec. 1, <strong>2011</strong>- Mar. 11, 2012, at the Morris MuseumFirst Citizens Bank in Hendersonville,NC, in conjunction with The <strong>Arts</strong> Councilof Henderson County in Hendersonville,NC, is presenting the exhibit, Mentors andStudents, which consists of three exhibitions:The Art of Our Children: ElementarySchool Exhibit (on view through Mar.11), Art Teachers Create (Mar. 18 throughApr. 1), and Artists of Tomorrow: SecondaryStudent Exhibition (Apr. 8 – 22, <strong>2011</strong>).Mentors and Students is sponsored inpart by Morris Broadband, First CitizensBank, WTZQ AM 1600, and the Times-News. Additional supporting sponsorsinclude: Van Winkle Law Firm, EducationFoundation of Henderson County, andof Art in Augusta, GA; May 4 - Sept. 9,2012, at the Gibbes Museum of Art inCharleston, SC; Oct. 5, 2012 - Feb. 24,2013, at the Telfair Museum of Art in Savannah,GA; and Apr. 6 - July 7, 2013, atthe Peninsula Fine <strong>Arts</strong> Center in NewortNews, VA.Study for Beekeeper, Simpsonville, SCWorking South: Paintings and Sketchesby Mary Whyte - 10” x 11 1/2”, 128 pages,55 color illustrations, 6 black & whiteillustrations, hardcover. For further infoabout the book visit (http://www.sc.edu/uscpress/books/<strong>2011</strong>/3967.html).For further information about theGreenville County Museum of Art or theexhibit check our SC Institutional Gallerylistings, call the Museum at 864/271-7570or visit (www.greenvillemuseum.org).First Citizens Bank in Hendersonville,NC, Offers Mentors & Students ExhibitWoolworth Walk in Asheville, NC, willpresent the exhibit, Creation, featuringgourd works by Debbie Skelly and works inceramics by Avian Thibault, on view in theFW Front Gallery, from Mar. 1 - 30, <strong>2011</strong>.A reception will be held on Mar. 4, from4-6pm.Debbie Skelly’s love for gourds startedwhen she moved to Maggie Valley, NC, in2005. She saw her first gourd in a galleryin Boone, NC, and from that day on sheknew that she wanted to work with gourds.Skelly’s designs are influenced by nature,Native American and Southwestern styles.She often incorporates dream catchers,bears, turtles, butterflies, hummingbirds,dragonflies, and kokopellis into her gourds.Skelly uses a variety of mediums such asleather dyes, inks, polishes, paint and clay.Carving and wood burnings are also used onmany of her gourds, and natural embellishmentsand beads often added as accents.Avian Thibault creates ceramic wall tilesembellished with sacred images. She hasalways been curious about the true inceptionof all religions, and is deeply fascinated bythe ones she finds to be enlighted around theworld. She started making “sacred tabletsfor peaceful places” in the year 2000. Sheloves creating these sacred images, describingit as a “blissful meditation”, and thrivesoff of bringing them to life for others toenjoy.For further information check our NCCommercial Gallery listings, call the galleryEconomy Drugs.The <strong>Arts</strong> Council of Henderson Countyis a community organization that promotes,advocates for and nurtures the artsin Henderson County and western <strong>No</strong>rth<strong>Carolina</strong>. The <strong>Arts</strong> Council is supported inpart by the <strong>No</strong>rth <strong>Carolina</strong> <strong>Arts</strong> Council,several funds administered by the CommunityFoundation of Henderson County,and the Henderson County Travel andTourism Bureau.For further information check ourNC Institutional Gallery listings, call theCouncil at 828/693-8504 or visit (www.acofhc.org).Woolworth Walk in Asheville,NC, Features Works by DebbieSkelly and Avian ThibaultWork by Avian Thibaultat 828/254-9234 or visit (www.woolworthwalk.com).
Hickory Museum of Art inHickory, NC, Features Works bySally Fanjoy and James LabrenzThe Hickory Museum of Art in Hickory,NC is presenting Scene Unseen, aninstallation by Fanjoy Labrenz, on view inthe Museum’s Coe Gallery, through April<strong>15</strong>, <strong>2011</strong>.Hickory artists Sally Fanjoy and JamesLabrenz transformed the gallery spacethrough the use of digitally projected stillsand video images on walls, LCD screens,as well as photographs printed on alternativematerials such as aluminum.Work by Sally Fanjoy and James LabrenzScene includes close details of the artists’immediate environment seen whilewalking or looking through a window.Scenes further develop in the stagedpoetry, music and dance responses totheir visual findings. Unseen is presentedthrough music, spoken word and dance asthe art forms convey and give life to thethings we miss. These non-two dimensionalworks give form to the symbolismpresent in the natural and the man-madelocal environment.An exhibit showcasing the work ofOak Hill Iron that includes both fine artand utilitarian wares titled, Ironology, ison view through Apr. 8, <strong>2011</strong>, at MeshGallery located in Morganton, NC. Fanjoy Labrenz see this work “as a calland response to our community.” Theyinvited other artists to contribute to theinstallation through spoken word, musicand dance, including poets Rand Brandesand Adrian Rice; musicians Marin Fanjoy-Labrenz, Austin Labrenz and the membersof the Kontras Quartet; performer NatalieThomas; and filmmaker Brock Labrenz.They also asked the local community tospeak a word or two on film for Visual Poemsthat play in the exhibition.Sally Fanjoy and JamesLabrenz are photographers,filmmakers, artists and teacherswho have lived and workedin Hickory for over 20 years.Their recent exhibits includePantone 278 at the CharlotteTrolley Museum, and MAYDAY,a collaborative event with poetDr. Rand Brandes made possible throughan Innovative Artist Project Grant fromthe United <strong>Arts</strong> Council of CatawbaCounty.The Hickory Museum of Art is locatedin the <strong>Arts</strong> & Science Center of theCatawba Valley in Hickory.For further information check ourNC Institutional Gallery listings, call theMuseum at 828/327-8576 or visit (www.HickoryArt.org).Mesh Gallery in Morganton, NC,Features Works from Oak Hill IronOak Hill Iron was born out of necessityand driven by true talent and sheerdetermination to create beautiful products.Founded over a decade ago by Deancontinued above on next column to the right Curfman, Oak Hill Iron produces customironwork that meets the needs of countlessutilitarian applications as well producingworks of fine art that are at home in agallery space. Both high art and craft areintegral parts of a healthy arts communityand with Ironology Oak Hill Iron willdemonstrate it’s ability to wear both thosehats.Oak Hill Iron is staffed by a team ofProvidence Gallery in Charlotte, NC,will present, The Everyday Extraordinary,an exhibit featuring landscape compositionsby three women: Ann Watcher, LitaGatlin, and Isabel Forbes. The exhibitionkicks off with an Artist’s Reception, whichwill be held at the gallery on Friday, Mar.11 from 6-9pm. The show will be on displaythrough Mar. 31, <strong>2011</strong>.The gallery’s newest artist, Ann Watcher,presents a series of paintings depictingrural <strong>Carolina</strong> landscapes harkening backto our agricultural roots, bringing attentionto the fact that our past is rapidly beingencroached upon by urban development.Watcher says her choice of subjectmatter can be traced back to childhood, foreven then she was fascinated by abandonedbuildings, a prominent element found inmany of her paintings, and the sense of isolation,nostalgia and personal connectionshe felt when discovering these forgottenplaces. The artist’s attraction to “age ofplace” makes Tuscany, with its deep agrarianroots and rich history, a natural destinationfor exploration on canvas.Lita Gatlin expresses her love of natureby using her canvas to capture the splendorof nature’s colors and how those colorsare always in flux due to changes in theatmosphere. Her paintings depict areas inthe southeastern US and Europe.Gatlin has earned her status as a leadingregional artist and her work is included ina number of distinguished corporate artcollections in Charlotte, NC, including,highly trained artistic craftsmen and offersa wide selection of ironwork for bothresidential and commercial projects. Thereis no job that is considered too big or toosmall.For further information check our NCCommercial Gallery listings, call thegallery at 828/437-1957 or visit (www.meshgallery.com).Providence Gallery in Charlotte, NC, OffersWorks by Ann Watcher, Lita Gatlin, & Isabel ForbesDuke Energy, the <strong>No</strong>rth <strong>Carolina</strong> DanceTheater, Marriott Hotels, and Senior LivingCommunities. Gatlin is also an AssociateMember of the Oil Painters of America.Isabel Forbes began her art education atRingling College of Art & Design in Sarasota,FL, where she earned a Bachelor ofFine Art Degree. Upon graduation, Forbesworked as a graphic designer and illustratoruntil 2007 when she devoted herself tofine oil painting full time.Forbes’ urban landscape paintings focuson the beauty that is often overlooked ineveryday day. Her paintings include streetlights,signage, railroad crossings and otherthings we pass by on a daily notice withouttruly taking notice.Forbes is a founding member of theCharleston Outdoor Painters Association(COPA), an Associate Member of OilPainters of America (OPA), and a boardmember of the Artists’ Guild of Spartanburg.While these three diverse artists differin their choice of subject matter and painterlytechnique, they have one importanttheme in common: each seeks to engagethe observer and persuade them to lookat the world surrounding them daily withfresh eyes, hopefully enabling the viewerto see the things in a new, more appreciativelight.For further information check our NCCommercial Gallery listings, call 704/333-4535 or visit (providencegallery.net).<strong>Carolina</strong> <strong>Arts</strong>, <strong>March</strong> <strong>2011</strong> - Page 19
- Page 1 and 2: ABSOLUTELYFREEYou Can’t Buy ItVol
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- Page 41 and 42: Dobbin Gallery, in Freshfield’s V
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- Page 45 and 46: Karen's Korner, Gateway to the Beac
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