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Vol. 15, No. 3 March 2011 - Carolina Arts

Vol. 15, No. 3 March 2011 - Carolina Arts

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at 828/262-3017 or at (www.turchincenter.org).BrasstownFolk School Craft Shop, John C. Campbell FolkSchool, Olive D. Campbell Building, Brasstown.Ongoing - Featuring the juried craftworks ofover 300 regional artists offering a wide range ofitems including woodcarvings, ironwork, jewelry,weaving, pottery, craft instruction books, historicalworks, tapes, CDs, craft supplies and muchmore. Hours: Mon.-Sat., 8am-5pm and Sun.,1-5pm. Contact: 800/365-5724 or at (www.grove.net/~jccfs).BrevardTransylvania Community <strong>Arts</strong> Center Gallery,349 S. Caldwell St., Brevard. Through Mar. 4 -"Appalachia: Artists and Crafters of WNC". Partof the Transylvania County Sesquicentennial<strong>15</strong>0th Celebration. This art exhibit will celebrateour local artists and crafters in the county andWNC. Mediums include: paintings, photos, fiber,wood, baskets, and much more. Mar. 11 - 31 -"Outdoor Adventure". Offered in conjunction withthe Banff Film Festival at Brevard College. Hours:Mon.-Fri., 10am-4pm. Contact: 828/884-2787 orat (www.artsofbrevard.org).BroadwayGallery One Pottery, 104 South Main Street,located across from the Post Office, Broadway.Ongoing - Featuring some of the finest potteryfrom NC and across the US, including worksby 40 plus artists display their works in pottery,glass and wood. Hours: Tue.-Sat., 10am-5pm &Sat., 10am-4pm. Contact: 919/258-3921 or at(www.galleryonepottery.com).BurnsvilleBurnsville Gallery, Toe River <strong>Arts</strong> Council, 102W. Main St., Burnsville. Ongoing - Featuringworks by artists from Mitchell and Yancey Countiessponsored by the Toe River <strong>Arts</strong> Council.Hours: Mon.-Sat., 10am-5pm. Contact: 828/682-72<strong>15</strong> or at (www.toeriverarts.org).Chapel Hill - Carrboro - HillsboroughThroughout Chapel Hill, Through Sept. <strong>2011</strong>- "Sculpture Visions 2010 - <strong>2011</strong> Exhibition,"featuring 14 artworks. Sculpture Visions is anoutdoor art exhibit featuring a variety of styles,themes and media. These artworks create asense of beauty, place and uniqueness that area part of the shared experience for Chapel Hill’sresidents and visitors. The participating artistsinclude: Samuel Burns, Lawrence Feir, Jim Gallucci,Mark Gordon, Peter Krsko, Michael Layne,Susan Moffatt, Sean Pace, Carl Regutti, MikeRoig, Karl Saliter, Marvin Tadlock, Adam Walls,and Davis Whitfield IV. For further info contactThe Town of Chapel Hill Public <strong>Arts</strong> Office at919/968-2749, e-mail at (info@chapelhillarts.org)or visit (http://www.townofchapelhill.org/index.aspx?page=1624).Ackland Art Museum, UNC - Chapel Hill, Columbia& Franklin Streets, Chapel Hill. ThroughMar. 20 - "Tradition in Clay: Two Centuries ofClassic <strong>No</strong>rth <strong>Carolina</strong> Pots". Pottery is <strong>No</strong>rth<strong>Carolina</strong>’s most famous indigenous art form.With highlights from the Ackland Art Museum’sesteemed and growing collection of pottery, aswell as loans from significant local collections,this exhibition presents over 100 pots and potteryvessels, including works by masters from theSeagle and Fox families, as well as Ben Owen,Mark Hewitt, and others. Through Mar. 20 - "AtWork in the Wilderness: Picturing the AmericanLandscape, 1820-1920". The exhibit examineshow American landscape painting of the nineteenthand early twentieth centuries embodiedAmericans’ conflicting ideas about the status ofland and the natural world within the rapidly modernizingnation. Artists with works in the exhibitinclude: Thomas Birch, Thomas Doughty, JasperCropsey, Albert Bierstadt, Robert Duncanson,Jervis McEntee, Albert Blakelock, William TrostRichards, Eastman Johnson, William Boardman,Elliott Daingerfield, George Bellows, and others.Renaissance and Baroque Gallery, Ongoing- "Art and the Natural World in Early ModernEurope," features masterpieces by artists includingPeter Paul Rubens, Jan Weenix, Salomonvan Ruysdael, and a seventeenth-centurylandscape by Claude Lorrain on long term loan tothe Ackland from the Tryon Palace Historic Sitesand Gardens in New Bern, NC. This exhibit nowcombines with its neighboring gallery, Art andReligious Life in Early Modern Europe, to showcasea wide range of Renaissance and Baroquesubject matter. Hours: Wed., Fri., & Sat., 10am-5-pm; Thur., 10am-8pm; Sun., 1-5pm; and 2nd Fri,each month till 9pm. Contact: 919/966-5736 or at(www.ackland.org).Chapel Hill Museum, 523 East Franklin Street,Chapel Hill. Ongoing - "Farmer/James Pottery -<strong>No</strong>rth <strong>Carolina</strong> Art Pottery Collection 1900-1960".Pottery by <strong>No</strong>rth Carolinian and southern potters,from a significant survey collection of southernart pottery. A portion of the 280-piece collectionwill be on display permanently, demonstratingthe movement of art pottery displacing utilitarianpottery made here in NC and throughout theSouth. <strong>No</strong>ted author and folklore expert, Dr. A.Everrette James, and his wife, Dr. Nancy Farmer,have generously gifted the Chapel Hill Museumwith this significant survey collection of southernart pottery. Hours: Wed.-Sat., 10am-4pm &Sun. 1-4pm. Contact: 919/967-1400 or at (www.chapelhillmuseum.com).FRANK, 109 East Franklin Street, Chapel Hill.Through Mar. 6 - "Seeing the Figure," featuringan exhibition of contemporary work inspired bythe human form, headlined by invited artistsDennis Farber and Connie Imboden from Baltimore,MD, as well as Triangle area artists ParisAlexander and Laura Farrow, the show will alsocontain juried work from our FRANK memberartists, juried by celebrated artist BeverlyMcIver. Through Mar. 22 - Works by featuredartists, Barbara Tyroler and Keith Allen. Mar.8 - Apr. 24 - "The StoryMakers," an exhibit ofnarrative art. Featured FRANK* artists andinvited artists include: Nancy Baker, CarmenElliott *, Henryk Fantazos, Jane Filer *, PatrickFitzgerald, Charlotte Foust, Jean LeCluyse *,B Michele Maynard *, Sudie Rakusin *, LunaLee Ray *, Kirsten Stingle, Quentin Warshauer,and Aggie Zed *. A reception will be held onMar. 11, from 7-9pm. Ongoing - Featuringwork from over 70 artists, Frank offers morethan you’d expect from an art gallery. Frank isa collective, founded by the area’s finest artistsworking together to open the door for creativeinnovation in the arts. Hours: Tue.-Sat., 11am-6pm; Thur. till 8pm and Sun. 1-5pm. Contact:919/636-4135 or at (www.frankisart.com).Horace Williams House, Chapel Hill PreservationSociety, 610 East Rosemary Street, ChapelHill. Mar. 6 - 27 - Featuring an exhibit of infraredphotographs by Bill McAllister and mixed mediaworks by Madelyn Smoak. Opening Sunday, Mar.6, 2-4pm. Hours: Tue-Fri 10 am-4 pm, & Sun 1-4pm. Contact: 919/942-7818 or at (www.chapelhillpreservation.com).Well Prepared and Maladjusted, by Amy SheraldThe Sonja Haynes Stone Center for BlackCulture and History, UNC-Chapel Hill, <strong>15</strong>0South Road, Chapel Hill. Robert and SallieBrown Gallery, Through Apr. 22 - "Recommended- The Magical Real-ism of AmySherald," featuring a series of paintings thatblur preconceived notions of how “blackness”is defined within the context of American racialdogma. Hours: Mon.-Fri., 8am-9pm. Contact:919/962-9001 or at (www.unc.edu/depts/stonecenter).ALTERNATE ART SPACES - Chapel HillChapel Hill Town Hall, 405 Martin Luther KingJr. Blvd., Chapel Hill. Mar. 2 - Apr. 28 - Featuringan exhibit of works by David Molesky and Kim<strong>March</strong>esseault. Hours: Mon.-Fri., 8:30am-5-pm. Contact: 919/968-2749 or e-mail at (info@chapelhillarts.org).Charlotte Area<strong>No</strong>rth Davidson <strong>Arts</strong> District Gallery Crawl -From 6-9 or 10pm on the 1st & 3rd Fridays ofeach month. For info check (www.noda.org).Uptown Gallery Crawl - From 6-8pm on the1st Friday of each month.South End Art Gallery Crawl - From 6-9pm onthe 1st Friday of each month.Bechtler Museum of Modern Art, WellsFargo Cultural Campus, 420 South TryonSt., Charlotte. Through July 5 - "Four Artistsin Ascona: Benazzi, Bissier, Nicholson andValenti". The Bechtlers had a summer homein Ascona, near the studios of EnglishmanBen Nicholson, Julius Bissier of Germany, andItalo Valenti, an Italian painter and collagist.These three friends eventually got to know theBechtler family. The fourth member of this showis a sculptor, Raffael Benazzi, who is still living.Ongoing - The Bechtler Museum of Modern Artis named after the family of Andreas Bechtler,a Charlotte resident and native of Switzerlandwho assembled and inherited a collection ofmore than 1,400 artworks created by majorfigures of 20th-century modernism and donatedit to the public trust. The Bechtler collectioncomprises artworks by seminal figures such asAlberto Giacometti, Joan Miro, Jean Tinguely,Max Ernst, Andy Warhol, Alexander Calder, LeCorbusier, Sol LeWitt, Edgar Degas, Nicolasde Stael, Barbara Hepworth and Picasso. Onlya handful of the artworks in the Bechtler collectionhave been on public view in the UnitedStates. Admission: Yes. Hours: Mon., Wed.-Sat., 10am-5pm; Sun. noon-5pm; and openuntil 9pm the 1st. and 3rd. Fri. of each month.Contact: 704/353-9200 or at (www.bechtler.org).Charlotte Art League Gallery, Classes &Studios,<strong>15</strong>17 Camden Rd., South End, Charlotte.Mar. 4 - 25 - "Spring Into Art," featuring aregional juried art competition and exhibition.Ongoing - CAL offers fine art for all tastesand budgets in a variety of media: acrylics,oil, pastel, watercolor, mixed media, photographyand sculpture. Tour studios of workingartists. Hours: Tue.-Thur., 11am-3pm; Fri.,11am-3pm & 5-8pm; Sat., 11am-5pm; & Sun..1-5pm. Contact: 704/376/2787 or at (www.charlotteartleague.org).Creative Art Exchange, (formerly the IcehouseCenter for Creativity, Craft & Design) 19725Oak St., Unit 1, Oak Street Mill Village, behindthe police station, Cornelius. Ongoing - Featuringworks by local and regional artists and offeringart classes. Hours: Tue.-Fri., 11am-5pm& Sat., noon-4pm. Contact: 704/892-7323 or at(www.icehousecenter.org).Elizabeth Ross Gallery, Central PiedmontCommunity College, Central Campus, OvercashPerforming <strong>Arts</strong> Center, Elizabeth Avenueand Kings Dr., Charlotte. Ross Galleries,Through Mar. 18 - "<strong>No</strong>t My Day Job". Curatedby CPCC’s Peggy Rivers and Paula Smith, theexhibit is of work by people who make art whilepursuing professional careers unrelated to art.The exhibition will include relevant commentsby presenters about how art functions in theirlives including how it benefits them personallyand in their “day jobs.” For example, oneparticipant has explained his CEO level job issimilar to his time making art, as an exercise inexploring what “is not already there.” "<strong>No</strong>t MyDay Job" will prove to be a thought provokinginsight into why people are compelled to makeart and, perhaps, will inspire others to pick up acamera, paintbrush or chisel. Hours: Mon.-Fri.,11am-3pm. Contact: 704-330-6668 or at (www.cpcc.edu/art_gallery).Harvey B. Gantt Center for African-American<strong>Arts</strong> & Culture (formerly the Afro-AmericanCultural Center), 551 S. Tryon St., Charlotte.Through June 19 - "What My Mother Told Me:The Art of Maria Magdalena Campos-Pons,"featuring works by this Internationally celebratedAfro-Cuban artist. Born in Mantanzas,Cuba, Campos-Pons’ work echoes the livesof African descendants rooted in Cuba andof legions of fellow travelers from around theworld. It has emerged from an early 1980sfocus on painting and the discussion of Cubanmixed cultural heritage to incisive questioning,critique and insertion of the body in contemporarynarratives of the present. The work in thisexhibition builds upon a dialogue of culture,history, art and identity and define the core ofwho Maria Magdalena Campos-Pons is as awoman, an expatriate and a Cuban. ThroughJune 19 - "John & Vivian Hewitt Collection ofAfrican-American Art". This is the first time thecollection will have been shown in its entiretyin Charlotte. The Hewitt Collection of African-American Art consists of works by renownedartists including Romare Bearden, regardedas one of the greatest American artists of hisgeneration; Henry Ossawa Tanner, one of thefirst African-American artists to achieve acclaimin both America and Europe; ElizabethCatlett; Jonathan Green; Jacob Lawrence; AnnTanksley; and Hale Woodruff. Bank of Americaacquired the Hewitt Collection in 1998 fromJohn and Vivian Hewitt, and pledged it as acornerstone of the Gantt Center's permanentcollection. Through June 19 - "Black MusicAfter 1968: The Photography of Jim Alexander,"features highlights of Alexander’s career. He isa master at capturing the expressive relationshipbetween performer and audience and hasspent almost 50 years photographing blackmusicians as far flung as jazz greats DukeEllington and Miles Davis to popular musiciansMichael Jackson and James Brown. Hours:Tue.-Sat., 10am-5pm & Sun. 1-5pm. Contact:704/547-3700 or at (www.ganttcenter.org).Lake <strong>No</strong>rman Art League Gallery, 442S. Main St., located across the street fromWooden Stone, next to Masterworks; enter atthe rear of the building, and turn right into thelobby, Davidson. Ongoing - Featuring worksby Lake <strong>No</strong>rman Art League members. Hours:Mon.-Fri., 8am-7pm. Contact: 704/620-4450 orat (www.LKNart.org).Levine Museum of the New South, 200 E.Seventh St., corner of College St & Seventh St, Charlotte. Through Jan. 22, 2012 - "COUR-AGE: The <strong>Carolina</strong> Story That ChangedAmerica". In celebration of our 20th anniversary,the Museum is bringing back "COURAGE:The <strong>Carolina</strong> Story That Changed America,"appearing in Charlotte for the first time since2004. The exhibit tells the powerful grassrootsstory of the Rev. J.A. De Laine and the otherbrave citizens of Clarendon County, S.C., whobrought the first lawsuit in America challengingracial segregation in public schools. Combinedwith four other national lawsuits, the resultwas the 1954 Supreme Court decision Brownv. Board of Education, which ruled that racialsegregation of schools was unconstitutional,subsequently initiating massive change in racerelations in the US. Ongoing - "Cotton Fields toSkyscrapers," featuring a permanent exhibitionfeaturing interactive environments that tracethe history of the New South from the end ofthe Civil War until today. Admission: Yes. Freeon Sat. Parking: next door in Seventh StreetStation. Hours: Mon.-Sat., 10am-5pm & Sun.,noon-5pm. Contact:704/333-1887 or at (www.museumofthenewsouth.org).McColl Center for Visual Art, 721 <strong>No</strong>rth TryonStreet, Charlotte.Through Mar. 19 - "WinterArtist-in-Residence Exhibits - Dan Allegrucci:Printmaking and Patricia Steele Raible: MixedMedia". Through Mar. 19 - "(Dis)Comfort,"featuring works by John Osario Buck andScott Townsend. Hours: Tue.-Sat., 11am-4pm.Contact: 704/332-5535 or at (www.mccollcenter.org).Mint Museum Randolph, 2730 Randolph Road,Charlotte. Through Apr. 3 - "Mary Cassatt’sMadame X: A Masterpiece from the Charlotteand Philip Hanes Collection". The exhibitionwill give visitors an intimate look at "Madame XDressed for the Matinée" (1878), which comesfrom the collection of Charlotte and Philip Hanesof Winston-Salem, NC, who have generouslyplaced it on long-term loan at the Mint. Theexhibit examines the painting’s place in Cassatt’soeuvre, discuss the sitter’s identity, and presentperiod fashions and decorative objects from theartist’s era. After the exhibition closes, the paintingwill be integrated into the American art galleriesat the new Mint Museum Uptown. ThroughDec. 31, <strong>2011</strong> - "Of Hounds and Men: RockinghamPottery from the Lewis Collection". The term“Rockingham” refers to a rich brown glaze thatreceived its characteristic color through the additionof manganese. It was first made in Englandin the late eighteenth century, but a few decadeslater the technique spread to the United States,where it became a standard of many potters—especially those in the <strong>No</strong>rtheast, Maryland, andOhio. American potters initially followed the Englishexample of dipping their wares in the glazeto achieve a solid brown surface, but they soonswitched to dripping, sponging, or splattering theglaze on the ceramic body in order to achievea pleasing, mottled effect. By 1845, Rockinghampottery dominated the American ceramicsindustry, and it remained immensely popularfor the rest of the century. Through Dec. 31,<strong>2011</strong> - "Threads of Identity: Contemporary MayaTextiles". Maya peoples of Guatemala and southeasternMexico are renowned for their time-honoredtradition of magnificent attire. Throughoutthe world, clothing transforms the biological bodyinto a socio-cultural being, integrating the personinto the community. Among the Maya, dress is anoutward expression of cultural pride. Dress alsoconveys one’s place in the world, signaling socialidentity and geographic origin or current community.Through Dec. 31, <strong>2011</strong> - "The GoldenAge of English Art". The 18th century witnessedthe “Golden Age of English Art” in which artistsexplored the variety and abundance of the times.Portraiture ranked high as ordinary individuals,like those in the upper ranks, sought to have theirlikenesses and achievements documented byartists of note. Satire came into vogue in whichart was used to lampoon individuals and situationsfrom those royal to everyday mundane. <strong>No</strong>aspect of English life was exempt from the artist’seye, which recorded the triumphs, achievementsand changes that occurred in society. ThroughDec. 31, <strong>2011</strong> - "Chinese Court Robes: The MintMuseum Collection". In 1644, the Manchu-Qingnomads took control over China. To further exerttheir power over the defeated Han population,the Manchu imposed dress codes for their rulingimperial family to distinguish these individualsfrom the general citizenry. Court robes of this eradisplay a rich ornamentation of symbolism anddecorative representations of the Manchu cosmos.Through Dec. 31, <strong>2011</strong> - "The TransformedSelf: Performance Masks of Mexico". Publicperformances of epic tales, historical events andreligious narratives are a key part of modern lifein Mexico. The performer’s mask is a vehicle oftransformation that physically and psychologicallyconverts the wearer into the character portrayedcontinued on Page 48<strong>Carolina</strong> <strong>Arts</strong>, <strong>March</strong> <strong>2011</strong> - Page 47

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