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Using Technology in Worship Using Technology in Worship

Using Technology in Worship Using Technology in Worship

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Examples <strong>in</strong>clude websites whose purpose is to provide visualresources for worship. eg. Roots (www.rootsontheweb.com), CTBIresource pages (www.ctbi.org.uk).In the case of us<strong>in</strong>g video clips from sources like commercial films orTV news, copyright restrictions also apply. A recent help to us<strong>in</strong>gsuch clips legally has been made by Christian Copyright Licens<strong>in</strong>g(CCL). They allow churches to photocopy music words/score and alarge range of music by pay<strong>in</strong>g the appropriate fee. They havestarted to compile a list of film producers who will allow use of clips<strong>in</strong> a church context accord<strong>in</strong>g to certa<strong>in</strong> conditions. Most recentlyDisney movies have been added to this list. For churches to takeadvantage of this, an additional ‘video licence’ is purchased withCCL. Project<strong>in</strong>g song words is also covered by CCL licens<strong>in</strong>g. Somesong projection software will automatically place the church’s CCLnumber at the end of each song as well as provide a pr<strong>in</strong>t-out ofCCL of songs used. CCLI can be found at www.ccli.co.ukResources like The Methodist <strong>Worship</strong> Book for Visual Liturgy <strong>in</strong>clude alicence to reproduce the words of prayers and read<strong>in</strong>gs from boththe Methodist <strong>Worship</strong> Book and also from some of the Companions tothe Lectionary series. This <strong>in</strong>cludes the material <strong>in</strong> the <strong>Worship</strong> Bookwhich is not copyright to the Methodist Church. For example eventhe modern form of the Lord’s Prayer is technically copyright (andwe as a Church do not own this form of words).Copyright <strong>in</strong> the written word and music lasts for 70 years follow<strong>in</strong>gthe death of their creator. So you would be free to reproduce thewords to a hymn for example if this were the case. However be sureto use the orig<strong>in</strong>al words s<strong>in</strong>ce any updat<strong>in</strong>g of them <strong>in</strong> the <strong>in</strong>terimmay have created a new copyright for the person who updatedthem. You should also avoid simply photocopy<strong>in</strong>g them from a newhymn book or song collection because the publisher will also have acopyright on the typographical arrangement.F<strong>in</strong>ally, don’t forget that contact<strong>in</strong>g the copyright holders and ask<strong>in</strong>gfor permission to use their material is always an option. You mightbe pleasantly surprised at the response to your request. Sometimeseven when deal<strong>in</strong>g with large corporations (such as the BBC) theresponse can be positive and not necessarily cost prohibitive. Such aroute though does require forward plann<strong>in</strong>g and a long lead time.Page 12 ❘

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