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New T itle Architecture - Lars Müller Publishers

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<strong>New</strong> T<strong>itle</strong> <strong>Architecture</strong><br />

Available August 2012<br />

10.8 × 20.4 cm, 4 ¼ × 8 in<br />

approx. 120 pages<br />

approx. 40 illustrations, hardcover<br />

ISBN 978-3-03778-299-6, English<br />

EUR 28.– GBP 25.– USD / CAD 36.–<br />

Guido Beltramini<br />

Palladio in Private<br />

Comprehensive biography of famous architect Andrea Palladio<br />

Andrea Palladio’s villa architecture is still admired for its elegance and harmony, but<br />

little is known about the person behind the buildings. Experienced Palladio researcher<br />

Guido Beltramini has worked meticulously on material from historical documents<br />

about Palladio’s person and life, and assembled a full picture of the architect. Palladio<br />

in Private follows his career, his rise from being the ordinary miller’s son Pietro della<br />

Gondola to become the architect Andrea Palladio. Beltramini does not just explore<br />

Palladio’s origins, his training as a stonemason, and his complex relationship with<br />

powerful clients and scholars, but also his private life: his jovial character, his life as a<br />

married man with fi ve children, and not least his profound conviction that architecture<br />

can and must enrich life. The text is complemented by numerous illustrations.<br />

GUIDO BELTRAMINI, born in 1961, has been director of the Centro Internazionale<br />

di Studi di Architettura Andrea Palladio in Vicenza since 1991. He has curated<br />

numerous exhibitions at venues including the Venice Biennale, the Royal Academy<br />

of Art, London, and the Canadian Centre for <strong>Architecture</strong>, Montreal.<br />

RELATED TITLE<br />

Andrea Palladio – Unbuilt Venice, page 39<br />

Available August 2012<br />

15 × 24 cm, 6 × 9 ½ in<br />

approx. 160 pages<br />

approx. 160 illustrations, hardcover<br />

ISBN 978-3-03778-297-2, English<br />

EUR 40.– GBP 35.– USD / CAD 50.–<br />

Antonio Foscari<br />

La Malcontenta<br />

18 19<br />

s evero dectecto doluptat quis expel ilita nem ra alig<br />

1924–1939<br />

1924<br />

I in dal 1909 aveva pubblicato opere di Ezra III Basta la dedica di questo volumetto a Paul<br />

Pound), con un titolo,<br />

Rodocanachi e a Roger Quilter (oltre che alla<br />

II Tumult and Order, che esprime in modo ef- madre, che rimane risolutamente piazzata al<br />

ficace l‘aspirazione di Bertie di dare ordine suo fianco) a testimoniare come la casa di<br />

con la scrittura al tumulto di impulsi emotivi IV Rue du Centre sia ancora, dopo la guerra,<br />

che si accavallano nel suo animo.<br />

il baricentro attorno a cui ruota la vita di Ber-<br />

8 9<br />

Tumult and Order<br />

First publication on the eventful history of the famous Villa Foscari in Venice—<br />

also known as La Malcontenta—during the 1920s and 1930s<br />

La Malcontenta as a meeting point for intellectuals, artists, aristocrats,<br />

and bohemians<br />

With numerous photographs, sketches, and documents<br />

In the<br />

1920s and 1930s, the Villa Foscari in Venice, better known as La Malcontenta,<br />

became a meeting place for intellectuals, artists, and members of the nobility such as<br />

Sergei Diaghilev, Boris Kochno, Serge Lifar, Winston Churchill, Robert Byron, Diana<br />

Cooper, Bruce Chatwin, and Le Corbusier. It was an era of inspiring encounters<br />

between aristocrats, the avant-garde, snobs, and intellectuals that ended when Italy<br />

entered World War<br />

II. Antonio Foscari recounts this lively period in the building’s<br />

history and talks about its then owner, Albert Clinton Landsberger, and his friends<br />

Catherine di Rochegude, Baronesse von Erlanger, and Paul Rodocanachi, who not<br />

only lovingly renovated the villa, but made it such a lively place for the fi rst time.<br />

The text is complemented by numerous photographs dating from this exciting time<br />

that convey an impression of what was happening in the villa in those days.<br />

ANTONIO FOSCARI is an architect and has been a professor of architecture at<br />

the University of Venice since 1971. In 1973, he restored the Villa Malcontenta, built<br />

for his ancestors by Andrea Palladio, and has concentrated his research on buildings<br />

by the great Renaissance architect since that date.<br />

RELATED TITLE<br />

Andrea Palladio – Unbuilt Venice, page 39<br />

<strong>New</strong> T<strong>itle</strong> <strong>Architecture</strong>

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