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KIRKHAMFurniture-Making1982.pdf

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Edward Joy's (l.A. thesis, 'Some Aspects of The London Furniture<br />

Industry In The Eighteenth Century', 1955, devoted approximately twenty<br />

thousand words to furniture craftsmen and the structure of the London trade<br />

in eighteenth century London 3 but there is no similar study for the<br />

nineteenth century. J.L. Oliver's The Development and Structure of the<br />

Furniture Industry, 1965, adds little to previous studies of the eighteenth<br />

century while his analysis of the structure of the industry in the<br />

nineteenth century is based mainly on locational changes 4 . Nevertheless,<br />

Oliver provides a detailed account of those changes and useful comparative<br />

data are given for 1859 and 1872, the two years he studied in detail.<br />

Since 1964, a more scholarly approach to the history of furniture<br />

and furniture-making has been apparent, largely through the efforts of the<br />

Furniture History Society, founded in that year 5 . A series of articles<br />

as well as lengthier studies, including Karin-Il. Walton's M.Phil. thesis<br />

on eighteenth century upholstery 6 , have provided a more solid base for<br />

wider studies such as the present work. However, certain aspects of the<br />

subject remain neglected. There is no clear account of the various crafts<br />

which constituted furniture-making nor of the ways in which they were brought<br />

together within firms. Apprenticeship and other aspects of the guild<br />

system have not been studied in detail from the point of view of furniture-<br />

making but perhaps the most neglected area of all is the history of the<br />

craftsmen who made the fLrniture. Labour history is now an accepted area<br />

7<br />

of historical study but, with few exceptions , little attention has been<br />

paid to furniture-makers. It is hoped that this thesis will shed some<br />

new light on these topics.<br />

There has been a considerable amount written about individual<br />

firms and designers but these studies have remained isolated, with little<br />

analysis of either the entrepreneurial role of the furniture-maker or the<br />

6

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