40/numinous spirit and calms the five lakes. Onthe summit of the broad white mountains,clouds swirl and encircle." The Jade Maiden(Yunu .3i:tZ:) was a key deity of theDunhuang region with power over the localwaters. Her shrine was located to the westof the city at the Jade Maiden Spring CYu nuquan .3i3z:: ,*), the site of the legendaryconfrontation between the local deity andthe prefect Zhang Xiaosong $': whohad cut out the tongue of the dragon spiritwhich was demanding an annual sacrificeof a local boy and a local girl. The tonguewas sent to the emperor Xuanzong, so thestory went, and the name Dragon TongueZhang (Longshe Zhang %) wasbestowed in commemoration. See S.5448,Dunhuang lu, reproduced in Zheng Binglin,Dunhuang dili wenshu huijijiaozhu, p.87.See also "Song of the White Sparrow," lines27-31: "Towering for 10,000 Ii the massedGolden Moutains. White clouds congeal thefrost on the ancient holy altar; on theGolden Saddle the south-of-the-tarn treehangs long. The deity-communing WhiteRobed One assists the king's pleasure. Themountain comes forth in the southwest,alone in its beauty and height; white cloudsas a cover circle round and again. In thebelly of the mountain is a spring 10,000yards deep. The White Dragon frequentlyquakes, bringing forth waves and billows."1 38 See Cahill, Transcendence and divinepassion, p.54.139 It was also the time when hawkers letout their birds for hunting (following closelyon the time when hawks from Mongoliamigrated south through Hebei and Shanxi).See Duan Chengshi, Youyang zazu, qianji,juan 20, p.193 (translation in Schafer,"Falconry in T'ang times," p.323).140 "Song of the White Sparrow," lines 22-3:"Beneath the White Mountain Dyke, theWhite Ford is clear / A single long river issqueezed between banks of spring."141 "Song of the White Sparrow," lines 37-9:"The white-robed ministers and white-hairedofficials abundantly send forth plans andadvice to aid the One Man ... . The whiterobedgentlemen in retirement write goldenscriptures / They swear to serve the king ofthe people and not go out from the court."142 Lines 51 and 52 of "Song of the WhiteSparrow" refer to these conquests.LEWIS MAYOMother of the West and her relationship with Emperor Wu of the Han).138Autumn, in addition to being the golden time of harvest, the fulfilment ofriches, marks at Dunhuang the period when the snows on which thefollowing year's crops depend begin to accumulate in the mountains. Inaddition to being a force of death, associated with the metallic westerlywinds-so often linked to the hawk-like force of barbarian attack in centralChinese rhetoricl39-autumn and snow are thus associated in the Dunhuangarea with future growth and with the stability of the agricultural cycle basedon irrigation from the melting of snow. The "Song of the White Sparrow" isfull of references to the cooling moisture of snow-fed irrigation canals.14oThese resemble jade, another product of the mountains to the south, whichis pure and durable like the ideal political authority, but also smooth, cooland moist, a product of the feminine earth. As with the white hair of the oldhermits whom the song cites as serving the White-Robed Emperor,141 thecolour white is not here a force of killing and death, but a sign of longevityand growth. The killing powers of golden autumn are used against enemies,and to slay the scorching fiery red heat of summer with the cooling moistureof snowy whiteness, subduing opponents in the crucial lands to the southwest.142The Golden Mountains (joined with the Kunlun mountains, whichwere as noted the abode of the goddess Queen Mother of the West-andfrom which, according to the 882 monument erected by Zhang Huaishen,docile Tuyuhun brought jade as a sign of obeisance) and the season ofautumn (time of growth and of the collecting of wealth, as well as of thedefeat of enemies) therefore have a distinctive significance in terms of thegeography of power in the Dunhuang region. Through them this region isidentified not as a periphery of an empire located to the east, but as a site ofpower in its own right, a legitimate place for heavenly forces to confer thedivine registers granted to a new emperor.143The white sparrow, in addition to summoning up and drawing togetherall of these elements in the local geography, and linking other religiouslychargedelements in the surrounding region, replays a history of auspiciousevents from which new sovereignties-new hands of power-have beenconstituted at Dunhuang. White sparrows had been seen in the area duringthe Tang; more significantly, they had appeared in 403, the last time that adynasty had been founded at Dunhuang (the Western Liang (Xi Liang gsy)jOstate, set up by Li Song *) I44 The "Song of the White Sparrow" states inits preamble that the rule of the White-Robed Emperor is succeeding to theglories of the Five Liang (Wu Liang ll.r)jO, the states which had ruled in theGansu region prior to the expansion of central Chinese regimes beginning143 See preamble to the "Song of the WhiteSparrow." These are the registers offered bydivine beings as signs of legitimate investiture,especially with political office.144 See P.2005, Shazhou dudufu lujingY9>1'1f1iG'i" Iff [i [Illustrated scripture forthe Shazhou Area Command]. Transcriptionin Zheng Binglin, Dunhuang dili wenshuhuijijiaozhu, p.l7.
BIRDS AND THE HAND OF POWER41with the Northern Wei and ending with the Tang.145 It is thus part of therestoration of a local dynastic tradition. White sparrows had also been presentin central China when the first emperor of the Tang had set up his newdynastyl46 and, like the white sparrow visiting the palace of the White-RobedEmperor, they pointed to a political and geographical axis that ran fromNorth-east to South-west (from the Taiyuan ::t:J1¥-: homeland of the Tangdynasty's founder to the Sui imperial capital of Daxing cheng *, laterto become the Tang capital Chang'an). There was a long history of whitesparrow auspices in central China from the pre-Tang era,147 and Daoistaffiliatedmaterial collected in the mid-9th century by Duan Chengshi (whosefalconry treatise was compiled shortly before the arrival of the Ganjun shanbirds in Chang'an) granted the bird a distinguished place in the shiftingcelestial hierarchy of the Daoist pantheon, where it was again associated withthe change of dynastic fortune, albeit in the divine realm.148White birds were ruled by-and were emanations of-historical andgeographical forces. They marked the movement of history through theoscillation of powers (directions, colours, elements, seasons) in which oneorder of sovereignty, one hand of power, displaced another. <strong>History</strong>, as asuccession of legitimate imperial bodies produced by the descent lines ofdynastic families, was ruled by these elements. Geography, as a structure ofnuminous spaces organised by directional principles (which involved themovements of the seasons and stars and the shifting signs of auspiciousfavour) was both the object of sovereign control and the source of it. Thegeographical gazetteers from Dunhuang recorded auspices and miraculousappearances of animals manifesting themselves around the oases at varioushistorical periods. The lives of birds, like the lives of other beings in this area,from people to wolves, were historically and geographically ordered-whichmeans that they were politically ordered. If white sparrows had the capacityto constitute a new sovereign order, a new moment in history and a newpolitical geography, it was because they were themselves constituted bypolitical forces. Birds existed not outside the movements of history andpolitical force but within them. There was a political order of birds in whichwhite sparrows had a privileged position. 149 They were associated with theradical transformation of status: amongst the everyday mob of ordinary duncolouredsparrows, the albino bird is a miraculous inversion of expectation.When a person moves from subordinate or delegate to the status of emperor,a similar inversion of the everyday takes place.For such powers to transform the order of sovereignty, to be able toremake history, geography, ceremonies and politics, in short to operate,there must be a linguistic apparatus: these signs have their meaning becausethey are already recorded. As noted, the accounts of Dunhuang geographyfound in the treatises that were compiled to show the region's place in theoverall system of Tang imperial territory list the previous appearances ofwhite sparrows. The white sparrow in the song thus fulfils a destiny whichthe written record affirms to have been previously present in the local145 See "Song of the White Sparrow," line 3.For a study of the history of the Five Liangdynasties see Qi Chenjun , Wu Liang shi We[A brief history of the Five Liang] (Lanzhou:Gansu Renmin Chubanshe, 1988). I thankQi Chenjun if ri* for giving me a copy ofhis book.146 See Wechsler, Offerings ojjade and silk,pp.64 and 67. Wechsler notes that whitebirds were symbols of the west (p.64).147 Some indication of the centrality of thecataloguing of these auspices at this periodis given by the large number of referencesto sightings of white sparrows collected inthe official history of the Liu Song (I£U 7R)dynasty, extending back as far as the Han.See Song shu *iI [Song <strong>History</strong>], juan 29(Beijing: Zhonghua Shuju, 1974), pp.843-8.148 See Duan Chengshi, Youyang zazu,qianji, juan 12, p.128.149 See Schafer, "The auspices of T'ang,"Journal of the American Oriental Society 83(1963): 198-9