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Japan Storm - Columbia College - Columbia University

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In the mid-1960s, the captain of the allmale<br />

cheerleaders had the option of being<br />

the Lion mascot. I became captain in<br />

fall 1964, and at the first football game<br />

donned the fierce and lifelike — as contrasted<br />

with the Disneyish “Roar-ee”<br />

of current years — Lion suit. As in the movie<br />

The Mask, a quiet English major was suddenly<br />

transformed into a wholly different aggressive<br />

leonine character with complete anonymity<br />

and unlimited license. I never looked back,<br />

and wore the suit for every football and basketball<br />

game and alumni event until I graduated.<br />

Among many other adventures in the Lion<br />

suit, I met and spoke with President Kennedy<br />

in the Harvard stands three weeks before his<br />

life was cut short; pawed the girl who became<br />

my wife, Sandra Lief Garrett (we’re both Leos<br />

and were married in August) and began 45<br />

years of collecting not wives but depictions of<br />

the spirit of <strong>Columbia</strong> — the King of Beasts.<br />

Our collection of lions from every culture, country and century<br />

and in every style and medium, including jewelry and clothing,<br />

exceeds (perhaps by quite a bit) 4,000 items. Through the decades,<br />

in the course of our extensive travels around the world and virtual<br />

travels on the Internet, we have amassed leonine representations<br />

including a 14th-century (and a dozen other) inkwells; a 19-century<br />

carousel figure; an elaborately carved Victorian dining room<br />

set; six different meerschaum pipes; 100 or so lion boxes; a working<br />

porcelain lion toilet; 16 door knockers; 22 pairs of cufflinks; 10<br />

sets of earrings; 30 stickpins and tie tacks; 50 broaches, pins and<br />

pendants; 90 ties; seven belt buckles; six antique pocket watches;<br />

a dozen silk scarves; countless knobs, pulls, handles and hooks;<br />

14 mugs and steins; hundreds of 18th- and 19th-century images<br />

a L u m n i C o R n e R<br />

Hoard, Lion, Hoard<br />

Obsessively collecting the King of Beasts<br />

B y mIchael garrett ’66, ’69l, ’70 BusIness<br />

The collector at home in Park Slope, Brooklyn,<br />

with a newel post.<br />

WINTER 2011–12<br />

96<br />

COLUMBIA COLLEGE TODAY<br />

on paper; four lamps; 20 bronzes; a sterling<br />

dinner service for 12; 40 Christmas ornaments;<br />

innumerable stuffed and other toys; an 18thcentury<br />

pub sign; nine medallions; 17 military<br />

medals; and large prides of lions in base and<br />

precious metals, glass and crystal, all kinds of<br />

wood, simple and semi-precious stone, resin,<br />

plastic, cloth, paper and soap. The specific listing<br />

of objects within and beyond these categories<br />

is a work in progress that currently runs to<br />

two volumes.<br />

There are myriad stories of the provenance<br />

and purchase of many of our lions. The carousel<br />

figure and dining room set came from<br />

scouring the merchandise listings in The New<br />

York Times. We found the silver service in part<br />

on eBay and in part in a most unlikely catalog.<br />

In Venice, we discovered a glass sculpture of<br />

the Lion of Venice undusted for 25 years in a<br />

dark corner of Salviati. In London, at Gray’s<br />

Antique Stalls, a friend outbid a duke for an<br />

early 19th-century rampant lion silver inkwell. A dealer bought<br />

my favorite pocket watch for me in Paris moments before an auction<br />

likely would have increased its price tenfold. In that vein,<br />

much of the jewelry, watches and art was carefully conjured<br />

away from folks who did not understand the value of what they<br />

had — a process that has become much rarer in its application<br />

since the universality of the Internet and other enemies of ignorance<br />

such as Antiques Roadshow. When I paid a sculptor in Jamaica<br />

with a large denomination bill, he tried to give me change<br />

in hash ish. Leaving Egypt, we were stopped and surrounded by<br />

armed soldiers when a large marble head buried in our suitcase<br />

appeared on the security monitor to be a large bomb. Through<br />

(Continued on page 95)<br />

From left, a working porcelain toilet, or “Still Life with Water Feature”; the collector’s kitchen, or “Lions on and over the Range”; and a special collection<br />

of small match safes, boxes, pipes and more.<br />

PHOTOS: MICHAEL GARRETT ’66, ’69L, ’70 BUSINESS

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