In the mid-1960s, the captain of the allmale cheerleaders had the option of being the Lion mascot. I became captain in fall 1964, and at the first football game donned the fierce and lifelike — as contrasted with the Disneyish “Roar-ee” of current years — Lion suit. As in the movie The Mask, a quiet English major was suddenly transformed into a wholly different aggressive leonine character with complete anonymity and unlimited license. I never looked back, and wore the suit for every football and basketball game and alumni event until I graduated. Among many other adventures in the Lion suit, I met and spoke with President Kennedy in the Harvard stands three weeks before his life was cut short; pawed the girl who became my wife, Sandra Lief Garrett (we’re both Leos and were married in August) and began 45 years of collecting not wives but depictions of the spirit of <strong>Columbia</strong> — the King of Beasts. Our collection of lions from every culture, country and century and in every style and medium, including jewelry and clothing, exceeds (perhaps by quite a bit) 4,000 items. Through the decades, in the course of our extensive travels around the world and virtual travels on the Internet, we have amassed leonine representations including a 14th-century (and a dozen other) inkwells; a 19-century carousel figure; an elaborately carved Victorian dining room set; six different meerschaum pipes; 100 or so lion boxes; a working porcelain lion toilet; 16 door knockers; 22 pairs of cufflinks; 10 sets of earrings; 30 stickpins and tie tacks; 50 broaches, pins and pendants; 90 ties; seven belt buckles; six antique pocket watches; a dozen silk scarves; countless knobs, pulls, handles and hooks; 14 mugs and steins; hundreds of 18th- and 19th-century images a L u m n i C o R n e R Hoard, Lion, Hoard Obsessively collecting the King of Beasts B y mIchael garrett ’66, ’69l, ’70 BusIness The collector at home in Park Slope, Brooklyn, with a newel post. WINTER 2011–12 96 COLUMBIA COLLEGE TODAY on paper; four lamps; 20 bronzes; a sterling dinner service for 12; 40 Christmas ornaments; innumerable stuffed and other toys; an 18thcentury pub sign; nine medallions; 17 military medals; and large prides of lions in base and precious metals, glass and crystal, all kinds of wood, simple and semi-precious stone, resin, plastic, cloth, paper and soap. The specific listing of objects within and beyond these categories is a work in progress that currently runs to two volumes. There are myriad stories of the provenance and purchase of many of our lions. The carousel figure and dining room set came from scouring the merchandise listings in The New York Times. We found the silver service in part on eBay and in part in a most unlikely catalog. In Venice, we discovered a glass sculpture of the Lion of Venice undusted for 25 years in a dark corner of Salviati. In London, at Gray’s Antique Stalls, a friend outbid a duke for an early 19th-century rampant lion silver inkwell. A dealer bought my favorite pocket watch for me in Paris moments before an auction likely would have increased its price tenfold. In that vein, much of the jewelry, watches and art was carefully conjured away from folks who did not understand the value of what they had — a process that has become much rarer in its application since the universality of the Internet and other enemies of ignorance such as Antiques Roadshow. When I paid a sculptor in Jamaica with a large denomination bill, he tried to give me change in hash ish. Leaving Egypt, we were stopped and surrounded by armed soldiers when a large marble head buried in our suitcase appeared on the security monitor to be a large bomb. Through (Continued on page 95) From left, a working porcelain toilet, or “Still Life with Water Feature”; the collector’s kitchen, or “Lions on and over the Range”; and a special collection of small match safes, boxes, pipes and more. PHOTOS: MICHAEL GARRETT ’66, ’69L, ’70 BUSINESS
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