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<strong>Development</strong> <strong>Framework</strong><strong>For</strong> <strong>Pinewood</strong> <strong>Studios</strong><strong>Introduction</strong> <strong>to</strong> <strong>the</strong> projectBackground informationFuture considerations<strong>Pinewood</strong> <strong>Studios</strong> is located at Iver Heath in SouthBucks on a former country estate of some 37 hectares.<strong>Pinewood</strong> was established in 1936 by Charles Bootand J. Arthur Rank who wished <strong>to</strong> create a British filmstudio <strong>to</strong> rival Hollywood.Presently <strong>the</strong> <strong>Studios</strong> comprise over 100,000 sqmetres of buildings including film stages, TV studios,workshops, pre and post production facilities, officeaccommodation and o<strong>the</strong>r support facilities. It is thisco-location of facilities, technologies and businessesthat sets <strong>Pinewood</strong> apart from its competi<strong>to</strong>rs andwhich attracts producers from around <strong>the</strong> world <strong>to</strong> <strong>the</strong>UK. There is currently more demand for <strong>Pinewood</strong>’sfacilities than can be accommodated and some majorfilms and TV programmes have been turned away due <strong>to</strong>a lack of capacity.As well as sending <strong>the</strong> signal <strong>to</strong> overseas clients that<strong>the</strong> UK is ‘full’, capacity constraints also have <strong>the</strong>unintended and undesirable consequence of potentiallyharming smaller, independent productions which arecompeting for space. If capacity issues continue it mayharm <strong>the</strong> indigenous film and television industries.The government is also consulting on new, targetedtax reliefs for <strong>the</strong> animation, high-end television andvideo games industries as part of its ambition <strong>to</strong> make<strong>the</strong> UK <strong>the</strong> technology centre of Europe which willincrease demand for studio space. The consultationdocument for this new policy warns: “<strong>the</strong>re is a riskthat under-investment will lead <strong>to</strong> valuable productionsmoving overseas or not being made at all.” (HM TreasuryConsultation on creative sec<strong>to</strong>r tax reliefs June 2012p.3)Some of <strong>the</strong> most popular films in British and worldcinema have been made at <strong>Pinewood</strong> <strong>Studios</strong>, whichhas hosted direc<strong>to</strong>rs such as Michael Powell andEmeric Pressburger, David Lean, Stanley Kubrick,Ridley Scott, Tim Bur<strong>to</strong>n, Paul Greengrass and SirKenneth Branagh for over 75 years. The Bond films andPeter Rogers’ Carry On films are part of a <strong>Pinewood</strong>filmography of over 800 films that have been made at<strong>the</strong> <strong>Studios</strong>, of which 56 have been awarded Oscars and62 BAFTAs.<strong>Pinewood</strong> is recognised as a global icon of <strong>the</strong>screenbased industries. It supports a multitude of jobs,crafts and trades and makes a significant economic andcultural contribution <strong>to</strong> <strong>the</strong> UK.“The great thing about <strong>Pinewood</strong> is that it’s a one s<strong>to</strong>pshop and that’s very comforting for producers. You cancome in<strong>to</strong> a studio environment where everything’s inone place; water, filming specialists, SFX companies,computer graphics companies, lighting and cameracompanies. It’s fantastic”.Callum McDougall Exec. Producer, Casino Royale;Quantum of Solace.It is increasingly <strong>the</strong> case that producers require<strong>the</strong> cost efficiencies that come from <strong>the</strong> co-locationof creative skills, production experience andinfrastructure for which <strong>Pinewood</strong> <strong>to</strong> date has beenrenowned. <strong>Pinewood</strong> <strong>Studios</strong> is very keen <strong>to</strong> respond <strong>to</strong><strong>the</strong> opportunity <strong>to</strong> create jobs and growth in this vibrantsec<strong>to</strong>r of <strong>the</strong> UK economy.Set and external workshops for <strong>the</strong> filming of ‘Dark Shadows’Skyfall © 2012 Metro-Goldwyn-Mayer Pictures/Columbia Pictures/EON Productions. All rights reserved.An image filming <strong>the</strong> current James Bond movie ‘Skyfall’.Prome<strong>the</strong>us © Twentieth Century Fox. All rights reserved.A scene from <strong>the</strong> new film, Prome<strong>the</strong>us.Whilst <strong>Pinewood</strong> presently occupies a unique andleading position within <strong>the</strong> world film industry, itsposition is coming under increasing threat from newfacilities in Cape Town, Brazil, Melbourne, Poland,Russia and China. Established filming nations suchas <strong>the</strong> USA and France are also investing in majorfacilities and long term growth.HM Government recognises <strong>the</strong> unique contribution<strong>the</strong> UK film industry makes economically <strong>to</strong> <strong>the</strong>nation and <strong>the</strong> emerging threat <strong>to</strong> that position fromoverseas. As such it is supportive of its fur<strong>the</strong>r growthand development. In its document entitled “The Planfor Growth” <strong>the</strong> Government identifies <strong>the</strong> Digital andCreative Industries as one of a number of key sec<strong>to</strong>rsthat will be important in driving economic growth in<strong>the</strong> UK.Similarly, a review of UK film policy was commissionedby <strong>the</strong> Minister for Culture, Communications and <strong>the</strong>Creative Industries and was published in January2012. A <strong>to</strong>tal of 56 recommendations were made <strong>to</strong>Government <strong>to</strong> help ensure that film, as part of <strong>the</strong>creative industries, plays a full role in driving growth,creating jobs and stimulating inward investment.Toward a <strong>Development</strong> <strong>Framework</strong>To continue <strong>to</strong> prosper <strong>Pinewood</strong> needs <strong>to</strong> adapt,modernise and grow. To help define what is needed, arange of experts in finance, film,media and propertymatters have been appointed <strong>to</strong> advise on how <strong>to</strong>remain competitive over <strong>the</strong> next 15 - 20 years. Asynopsis of <strong>the</strong> initial findings is contained in thisexhibition. This outlines which facilities need <strong>to</strong>be replaced, what amount and type of additionalfacilities are needed, and how this relates <strong>to</strong> <strong>the</strong>previous planning permission of 2006.The growth strategy will be focussed on <strong>the</strong>international film industry but will include <strong>the</strong> widercreative industries, supporting TV, commercialsand video games. A phasing strategy is likely <strong>to</strong>be defined. It is important <strong>to</strong> be clear that somerelease of nearby Green Belt land may be needed.If so, <strong>the</strong> design process will seek <strong>to</strong> minimise <strong>the</strong>amount <strong>to</strong> be used. <strong>Development</strong> in <strong>the</strong> Green Beltis only permissible where <strong>the</strong>re are ‘very specialcircumstances’ that clearly outweigh <strong>the</strong> harmcaused <strong>to</strong> <strong>the</strong> Green Belt. It will be incumbent on<strong>Pinewood</strong> <strong>to</strong> demonstrate <strong>the</strong>se. It is also important<strong>to</strong> highlight <strong>the</strong> fact that <strong>Pinewood</strong> is not consideringhousing, leisure or o<strong>the</strong>r uses not functionally orinherently related <strong>to</strong> <strong>Pinewood</strong>’s media business.The proposals which emerge will <strong>the</strong>refore befundamentally different <strong>to</strong> <strong>the</strong> previous applicationfor Project <strong>Pinewood</strong>.


<strong>Development</strong> <strong>Framework</strong><strong>For</strong> <strong>Pinewood</strong> <strong>Studios</strong>The Green BeltPlanning Policy ContextKeyNGreen Belt (NPPF section 9)Sustainable <strong>Development</strong>The National Planning Policy <strong>Framework</strong> (NPPF)confirms that <strong>the</strong> purpose of <strong>the</strong> planning systemis <strong>to</strong> contribute <strong>to</strong> <strong>the</strong> achievement of sustainabledevelopment. In response, <strong>the</strong> planning systemis required <strong>to</strong> perform three roles, which can besummarised as:- An economic role – including building a strong,responsive and competitive economy, ensuringenough land is provided of <strong>the</strong> right type in <strong>the</strong>right place at <strong>the</strong> right time is available <strong>to</strong> supportgrowth and innovation.- A social role – supporting strong, vibrant andhealthy communities, by creating a high qualitybuilt environment that reflects a community’sneeds.- An environmental role – contributing <strong>to</strong> protectingand enhancing our natural, built and his<strong>to</strong>ricenvironment, improving biodiversity, usingresources prudently and moving <strong>to</strong> a low carboneconomy.The ‘core planning principles’ of <strong>the</strong> NPPF require<strong>the</strong> planning system <strong>to</strong> proactively drive and supportsustainable economic development <strong>to</strong> deliver <strong>the</strong>country’s economic needs, <strong>to</strong> make every effort <strong>to</strong>identify and <strong>the</strong>n meet an area’s development needs,and <strong>to</strong> respond positively <strong>to</strong> wider opportunitiesfor growth. They also seek <strong>to</strong> promote <strong>the</strong> vitality ofurban areas and protect <strong>the</strong> Green Belt around <strong>the</strong>m.Building a strong, competitive economy(NPPF section 1)The NPPF confirms that Government is committed<strong>to</strong> securing economic growth in order <strong>to</strong> create jobsand prosperity, building on <strong>the</strong> country’s inherentstrengths and meeting <strong>the</strong> challenges of globalcompetition and a low carbon future. The planningsystem is required <strong>to</strong> do everything it can <strong>to</strong> supportsustainable economic growth, <strong>to</strong> encourage and notact as an impediment <strong>to</strong> sustainable growth. Localauthorities are required <strong>to</strong> plan proactively <strong>to</strong> meet<strong>the</strong> development needs of business and support aneconomy fit for <strong>the</strong> 21st century.M40M25KeySite boundaryColne Valley ParkCountry parksLocal nature reservesThe MetropolitanGreen BeltColne Valley Park<strong>Pinewood</strong> <strong>Studios</strong>Site of special scientific interestNPart of <strong>the</strong> <strong>Pinewood</strong> <strong>Studios</strong> developmentframework site is located within <strong>the</strong> MetropolitanGreen Belt, originally designated in <strong>the</strong> 1940s. As isset out in <strong>the</strong> NPPF, development in <strong>the</strong> Green Beltis restricted <strong>to</strong> a defined range of appropriate uses.O<strong>the</strong>r forms of development should not be approvedexcept where <strong>the</strong>re are ‘very special circumstances’that clearly outweigh <strong>the</strong> harm that may be caused <strong>to</strong><strong>the</strong> Green Belt. It will be incumbent on <strong>Pinewood</strong> <strong>to</strong>demonstrate any very special circumstances in thisparticular case.O<strong>the</strong>r Policy DesignationsAt a local level, planning policy is expressed through<strong>the</strong> South Bucks Core Strategy, adopted in February2011, and <strong>the</strong> consolidated South Bucks Local Plan(1999). These documents contain policy allocationsand designations, with several on and/or adjacent <strong>to</strong><strong>the</strong> development framework site.Policy E2 of <strong>the</strong> ‘consolidated Local Plan’ relates <strong>to</strong><strong>the</strong> existing <strong>Pinewood</strong> site and allocates it for filmstudio use. The national significance of <strong>Pinewood</strong>is acknowledged and <strong>the</strong> policy is permissive ofextensions <strong>to</strong> existing buildings, new buildingsand <strong>the</strong> conversion of existing buildings within <strong>the</strong>site where <strong>the</strong>y are directly connected with filmproduction or associated industries.The development framework site is identified asforming part of a ‘Biodiversity Opportunity Area’and <strong>the</strong> Colne Valley Park and, within <strong>the</strong> areaimmediately adjacent <strong>to</strong> <strong>the</strong> site and in <strong>the</strong> areabeyond, <strong>the</strong>re are various designations relating <strong>to</strong>landscape and ecology features.In bringing forward <strong>the</strong> proposals, <strong>Pinewood</strong> willhave regard <strong>to</strong> all of <strong>the</strong> relevant local designationsand o<strong>the</strong>r policies which relate <strong>to</strong> <strong>the</strong> control ofdevelopment.His<strong>to</strong>ric parks and gardensAncient & semi-natural woodlandAncient replanted woodlandAreas of attractive landscape


<strong>Development</strong> <strong>Framework</strong><strong>For</strong> <strong>Pinewood</strong> <strong>Studios</strong>The SiteSurrounding contextKeyN<strong>Pinewood</strong> <strong>Studios</strong> is located in <strong>the</strong> County ofBuckinghamshire just beyond <strong>the</strong> boundaries ofGreater London and close <strong>to</strong> <strong>the</strong> junction of <strong>the</strong> M25London Orbital with <strong>the</strong> M40. It is within an hour’sreach of Central London by road and rail, and islocated close Heathrow Airport.Site boundaryExiting studio facilitiesThe <strong>Studios</strong> is within <strong>the</strong> administrative area of SouthBucks District Council. The district is primarily rural(agriculture being <strong>the</strong> primary land use) with some87% of its entire area, including <strong>the</strong> <strong>Pinewood</strong> site,designated as Green Belt. The remaining 13% is madeup of large settlements which include Iver Heath <strong>to</strong><strong>the</strong> south of <strong>the</strong> site. <strong>Pinewood</strong> <strong>Studios</strong> sits on a 37Hectare lot sandwiched between Black Park <strong>to</strong> <strong>the</strong>west and <strong>the</strong> M25 <strong>to</strong> <strong>the</strong> east. The studios also ownan adjacent 46 Hectare plot of land that is located<strong>to</strong> <strong>the</strong> north-east of <strong>the</strong> existing studios, and which<strong>to</strong>uches <strong>the</strong> M25 along half of its eastern border.<strong>Pinewood</strong><strong>Pinewood</strong><strong>Studios</strong><strong>Studios</strong>The ClumpThe ClumpSite of special scientific interestLocal nature reserveCountry parksHis<strong>to</strong>ric parks and gardensAncient and semi-natural woodlandColne Valley ParkThe adjacent site is privately owned and containsan his<strong>to</strong>ric ‘clump’ of trees which shields <strong>the</strong> areafrom <strong>the</strong> M25 along with open land and linearhedges. Landfill cells from works associated with <strong>the</strong>construction of <strong>the</strong> M25 are located within one of <strong>the</strong>parcels of land.The existing <strong>Studios</strong> and <strong>the</strong> adjacent sites bothstand within <strong>the</strong> Colne Valley Park and <strong>the</strong> existingsite abuts Black Park which is protected by variousenvironmental designations. This being <strong>the</strong> case astrong landscape and environmental strategy will beneeded for <strong>the</strong> emerging development framework,securing a sensitive and positive response <strong>to</strong> <strong>the</strong>local landscape, visual recep<strong>to</strong>rs, biodiversity, wildlifecorridors and footpath linkages.The population in <strong>the</strong> area is growing, and made up ofa slightly greater proportion of young children (aged0-9 years), but a lower proportion of teenagers thano<strong>the</strong>r benchmark areas. The proportion of populationof working age (20-64 years) in <strong>the</strong> area is similar <strong>to</strong>that of England as a whole, but slightly greater thanSouth Bucks or <strong>the</strong> South East figures. There is aslightly lower proportion of elderly people than SouthBucks as a whole, but <strong>the</strong> proportion lies in betweenfigures for <strong>the</strong> wider compara<strong>to</strong>r areas of <strong>the</strong> SouthEast and England. Within <strong>the</strong> immediate area of <strong>the</strong>development <strong>the</strong>re are very low levels of deprivation,reflected in terms of earning figures in <strong>the</strong> areaand unemployment, which is lower than <strong>the</strong> SouthEast and England average figures. Crime levels aregenerally low.Black ParkSt MargaretsChurchQuarryFive PointsFive PointsRoundaboutRoundaboutLocal ShopsHealth CentreLibraryIver Iver Heath Junior SchoolInfant SchoolInfant SchoolSchoolsChurchLocal shopsLocal facilities


<strong>Development</strong> <strong>Framework</strong><strong>For</strong> <strong>Pinewood</strong> <strong>Studios</strong>Outcome of initial consultationWalk & Talk eventsd. Wildlife (7 comments)Two Walk & Talk events were held in Iver Heath inorder <strong>to</strong> fur<strong>the</strong>r understand <strong>the</strong> local area. Thesewere attended by a <strong>to</strong>tal of 37 local residents and<strong>the</strong> map and analysis shown here is drawn from<strong>the</strong> 17 comment maps returned by attendees. Themap records how often a comment was made inconnection with a specific location.a. Green Belt (15 comments)Preservation of <strong>the</strong> Green Belt was <strong>the</strong> foremostissue raised by attendees. Most frequentlycommented upon was a belief that Green Beltland is sacrosanct - protected forever. This wasof <strong>the</strong> upmost priority and <strong>the</strong>re are deep -seatedresponses that development should not be allowedon Green Belt land.Additional reasons raised with regards <strong>to</strong> buildingon Green Belt land include; concerns that thisdevelopment would open <strong>the</strong> doors <strong>to</strong> urban sprawloutside of <strong>the</strong> M25; it is part of Colne Valley Park; andthat buildings on any high-point of this land wouldcause visual disruption. It was also asked what plansare in place <strong>to</strong> offset <strong>the</strong> damage caused by buildingon Green Belt land?j(c1)gh(i1)lcFadfiberoute takenna1There were some concerns over disruption <strong>to</strong> wildlifeas a result of potential development on this land. Itwas noted that <strong>the</strong>re is a lot of wildlife in this area- deers, foxes, pheasants and sparrowhawks werespecifically mentioned as present in <strong>the</strong> fields.e. Use of <strong>the</strong> estate as a rat-run (7 comments)Linked <strong>to</strong> (c) concerns regarding traffic congestionin <strong>the</strong> area, <strong>the</strong> use of <strong>Pinewood</strong> Green and AshfordRoad by people working at <strong>the</strong> <strong>Studios</strong> was alsomentioned.f. A part of people’s lives (6 comments)Enjoyment, recreation, walks and memories wereassociated with <strong>the</strong> fields. There was a sense ofattachment <strong>to</strong> <strong>the</strong> area and it was felt <strong>to</strong> be animportant piece of land for <strong>the</strong> local community.Some have used it for many years and <strong>the</strong>re is asense of frustration at relatively recent restrictionson access.g. Expansion within <strong>the</strong> existing site? (3 comments)Suggestions that <strong>Pinewood</strong> can expand studio spacewithin <strong>the</strong> existing site were made. These included:a1. Green Belt - Iver Heath Fields (3 comments)- There is a studio site with outstanding planningpermission.Linked <strong>to</strong> (a) preservation of Green Belt land, IverHeath fields were also highlighted. Noting that it ismaintained by <strong>the</strong> District Council.m(c)- There is plenty of room on <strong>the</strong> existing site forfilming and development - if <strong>the</strong>y ceased lettingunits <strong>to</strong> non-film businesses.<strong>Pinewood</strong> Roadb. The Clump (11 comments)The second issue most commented upon was TheClump. The Clump was referred <strong>to</strong> as a tranquil placeof natural beauty and wildlife. It is of great culturalimportance <strong>to</strong> local community (it was noted thatthis was stated in <strong>the</strong> Project <strong>Pinewood</strong> planningapplication), <strong>the</strong>re is now significant frustrationthat The Clump has been fenced off and cannot beaccessed by <strong>the</strong> local community. O<strong>the</strong>r commentsinclude a reference <strong>to</strong> <strong>the</strong> Alice Adams memorialas a special place, also that <strong>the</strong>re should be TreeProtection Orders on some Oak trees in The Clump.c. Traffic congestion (10 comments)Local traffic congestion was a frequent concernraised. Most often noted that <strong>the</strong>re are regular holdupsat <strong>the</strong> Studio Entrance and difficulty getting on<strong>to</strong><strong>Pinewood</strong> Road in <strong>the</strong> morning. Church Road and FivePoints Roundabout were also cited as congestionhotspots (marked (c)). It was put forward that <strong>the</strong>local infrastructure is unable <strong>to</strong> cope with any largescale developments and that <strong>the</strong> main access <strong>to</strong><strong>Pinewood</strong> <strong>Studios</strong> is a heavily used single carriageroad, which is very narrow <strong>to</strong> <strong>the</strong> north (c1). In ligh<strong>to</strong>f previous housing proposals, it was asked whatwould be <strong>the</strong> difference in traffic impact betweenresidential housing and potential expansion of<strong>Pinewood</strong> as studio space?(c)k(c)Slough RoadChurch RoadSintended route(not taken)- There is available land beyond <strong>the</strong> 007 stage, whycan’t this be utilised better?O<strong>the</strong>r comments included:h. Local impact of <strong>Pinewood</strong> <strong>Studios</strong> activityi. Access <strong>to</strong> <strong>the</strong> fieldsj. Black Park / Colne Valley Parkk. No development of Five Points Roundaboutl. Road closure for filmingm. Peace Road was once a right of way, now access isrestricted by <strong>Pinewood</strong> <strong>Studios</strong>n. Mo<strong>to</strong>rway noise has a negative impactNot located / not possible <strong>to</strong> locate on <strong>the</strong> map:Concerns that <strong>the</strong>re are still plans <strong>to</strong> build houses.The opinion that <strong>the</strong> results of <strong>the</strong> public enquiry arestill applicable <strong>to</strong>day.Suggestions <strong>to</strong> move <strong>the</strong> facilities elsewhere.


<strong>Development</strong> <strong>Framework</strong><strong>For</strong> <strong>Pinewood</strong> <strong>Studios</strong>Outcome of initial consultationLocal Assets & Big IdeasLocal AssetsBig IdeasOn this board we present findings from two sources.The first map considers local assets and issuesof importance <strong>to</strong> people living or working around<strong>Pinewood</strong>. On <strong>the</strong> second some of <strong>the</strong> ‘big ideas’offered at <strong>the</strong> various pop up events. Both of <strong>the</strong>sesets of feedback were collected through use of postitnotes on a large scale maps.The maps below contain ‘word clouds’ which scale<strong>the</strong> font size in direct proportion <strong>to</strong> <strong>the</strong> degree ofrecurrence associated with <strong>the</strong> word or idea shown.This helps <strong>to</strong> build up an understanding of <strong>the</strong>issues important in both <strong>the</strong> immediate localityand <strong>the</strong> neighbourhoods around <strong>the</strong> site, while alsointimating <strong>the</strong> popularity associated with <strong>the</strong> ideasexpressed. All in all around 100 post it notes were lef<strong>to</strong>n <strong>the</strong> ‘big ideas’ map, and a similar number were lef<strong>to</strong>n <strong>the</strong> ‘local assets’ map.Here, comments were received in <strong>the</strong> vast majorityfrom people who are based in <strong>the</strong> area around<strong>Pinewood</strong> <strong>Studios</strong>, or who know it well / use itfrequently. These findings are of a similar nature<strong>to</strong> those derived through <strong>the</strong> walk and talk events(please see board later in exhibition), both expressingviews of people in <strong>the</strong> immediate locale.The countryside including Black Park, <strong>the</strong> GreenBelt and wildlife were most appreciated about <strong>the</strong>area, followed by its rural, village community feel.In contrast <strong>to</strong> this, <strong>the</strong> most frequently dislikedaspect about <strong>the</strong> area were associated with trafficcongestion, including <strong>the</strong> infrastructure’s ability<strong>to</strong> cope and residential areas being used as ‘ratruns’.Most frequent points of interest made werevaried opinions with regards <strong>to</strong> <strong>the</strong> direction ofdevelopment of <strong>Pinewood</strong> <strong>Studios</strong>.The most prevalent comments across <strong>the</strong> boardwere those <strong>to</strong> do with ‘local jobs’, ‘schools’, ‘GreenBelt’ and public ‘transport’ / ‘buses’. Overall <strong>the</strong>reare mixed messages from <strong>the</strong> ‘big ideas’ map. Whilethose based in <strong>the</strong> immediate area passionatelywant <strong>to</strong> retain <strong>the</strong> Green Belt at all costs, o<strong>the</strong>rssee <strong>Pinewood</strong> offering a means <strong>to</strong> improve careerand job prospects, particularly for young people, ifit is allowed <strong>to</strong> grow and prosper. If <strong>Pinewood</strong> couldsupport better transport connectivity, that mayimprove accessibility and quality of life for manyliving and working in <strong>the</strong> area.M40Redevelopedaway fromLOCAL ASSETSWhat do you LIKE about<strong>the</strong> area?BIG IDEAS MAPYour views and ideas on growth at<strong>Pinewood</strong>....GERRARDS CROSSDENHAMBlack ParkNot much <strong>to</strong> doCelebs coming down our road!Re-align Fulmer Common Road <strong>to</strong>make more efficient use of land.In favour of developing it - not in anybody’s wayT r a ffi cLack of senior schoolsNo street lightingIt has his<strong>to</strong>ryFacility <strong>to</strong> watchfilms and showsWhat about developingSouth of <strong>Pinewood</strong> site?Is this brown field?BlackcanteenQuietpubs andcountrysideMore signage <strong>to</strong> <strong>Pinewood</strong>Rural with access <strong>to</strong> Londonvia public transportCannot walk down<strong>Pinewood</strong> RdApplication in foro<strong>the</strong>r boundaryM2540 years + of access andwe got <strong>the</strong> M25 throughClub 7<strong>Pinewood</strong> own junctionof M25 - accessM25 is hiddenWhat do you DISLIKEabout <strong>the</strong> area?Any points of INTEREST?Iver fieldsGreen beltNoise from<strong>the</strong> M25Scruffy(Seven HillsRoad)Workers usingresidential roadsWhat are <strong>the</strong> ISSUES <strong>to</strong> consider?Ideas for LOCAL LINKS andBENEFITS?Any QUESTIONS for <strong>the</strong> team?OGSTOKE POGESgreen beltlocal jobsDon’t dose is down - it needs <strong>to</strong> surviveHow long willhousing remainclear of <strong>the</strong> site?Where are <strong>the</strong> shops in Bells Hill?FULMEROpportunitiesfor young peopleImpact on transportCommunity developmentroads need resurfacingbusesneededhorse ridingneedshopsSuggest new route forvehicles through own propertyIOSPINEWOOD STUDIOSHow manylocal people workfor <strong>Pinewood</strong>?schools Relationshipwith localresidentsWhy not redevelopon your own site?Green belt restrictions stillapply despite NIPPFIVER HEATUse green beltfor parking?Any amalgmationgreen beltwith ano<strong>the</strong>r filming site?Use current sitefor sound stageIt needs <strong>to</strong> get biggerWhat effect does <strong>the</strong> filming have on Black Park?Water pressureWhy not Birmingham?Traffic concernsATAWhat is <strong>the</strong>re for<strong>the</strong> children?What else is being considered?Do you get more income from tenants or could you replace <strong>the</strong>m?local jobsLarge roundaboutplans? 5 pointsHIVERUXBRIDGERe-instate localpride in <strong>Pinewood</strong>Expansion for industry competitionokay but not suitable for housing.Subsidisebetter cheapertransportTraining apprenticeship.Bringing <strong>Pinewood</strong> <strong>to</strong> <strong>the</strong> communityTraffic issues,redirect roads?ParkCommunity fun days,fields appreciatedpleasant neighboursas rat-runsSLOUGHIver High StreetHigh traffic - gridlockvillagefeelLitterBlack Park lakeBeing able <strong>to</strong> walk and enjoy <strong>the</strong> viewInadequate bus serviceWill Church Rd be widened <strong>to</strong> accommodate traffic?Still an element of communityconcern <strong>the</strong> whole of South Bucksruralwildlifebenefit local artists (infilm + tv industry)jobsLANGLEYbusesWalking dog but lesssince <strong>to</strong>o commercialHorse ridingDifficult <strong>to</strong> do anything about flaw without this five point roundabout being sorted outHousing not <strong>the</strong> right approachtransportBlack Park benefitsfrom filming fundRoad infrastructure


<strong>Development</strong> <strong>Framework</strong><strong>For</strong> <strong>Pinewood</strong> <strong>Studios</strong>Outcome of initial consultationArea descriptionsAs with <strong>the</strong> previous board, <strong>the</strong> comments, thoughtsand ideas collected and represented on <strong>the</strong> largemap presented <strong>to</strong> <strong>the</strong> right, were ga<strong>the</strong>red at <strong>the</strong> 9‘external’ pop up events and one ‘internal’ pop-upengaging staff and tenants at <strong>Pinewood</strong> <strong>Studios</strong>.These comments were made in direct response <strong>to</strong> aquestion on <strong>the</strong> canvass card, of which we received197.Once again ‘word clouds’ are used <strong>to</strong> portray <strong>the</strong>ideas expressed, with <strong>the</strong> size of <strong>the</strong> font directlyrepresenting <strong>the</strong> frequency with which <strong>the</strong> commen<strong>to</strong>r idea was expressed. A large font indicates thatmany individuals shared <strong>the</strong> thought while smallerfonts indicate smaller levels of interest and, at <strong>the</strong>smallest, individual suggestions.Overall <strong>the</strong>re is strong agreement so far as <strong>the</strong>description of <strong>the</strong> neighbourhoods are concernedwith ‘pleasant’, ‘green’, ‘peaceful’ and ‘rural’ holdingsway. However, Denham also offers ‘busy’ whileUxbridge suggests ‘community’ and S<strong>to</strong>ke Poges,‘nice’.Special qualities are felt, across <strong>the</strong> board <strong>to</strong> be‘proximity <strong>to</strong> London’ while enjoying a generally ‘rural’existence or simply, <strong>the</strong> ‘countryside’. ‘Green’, ‘greenspaces’ and ‘Green Belt’ are also mentioned oftenas <strong>the</strong> special characteristics of <strong>the</strong> place. Lessfrequent but telling comments also praise <strong>the</strong> lowcrime rates, <strong>the</strong> good local schools and <strong>the</strong> qualityand character of local villages and <strong>the</strong> surroundingcountryside.In responding <strong>to</strong> <strong>the</strong> question ‘what is missing’ manyneighbourhoods reply ‘nothing’, including GerrardsCross, Fulmer, S<strong>to</strong>ke Poges, Slough, Langley and Iver.Denham identifies ‘local amenities’ as missing whileUxbridge suggests <strong>the</strong>re is a lack of ‘development’and Slough and Iver Heath, that <strong>the</strong>re is a dearth of‘public transport’ connections. Langley bemoans<strong>the</strong> poor ‘employment’ prospects while S<strong>to</strong>ke Pogeswould like <strong>to</strong> see ‘local shops’.Overall <strong>the</strong> picture that emerges is one of basiccontentment with a general hankering for betterpublic transport and bus connections and a desirein some areas for better local amenities, in o<strong>the</strong>rsfor shops (S<strong>to</strong>ke Poges) and in Langley, for betteremployment prospects.Area descriptionYour views and ideas on growth at <strong>Pinewood</strong>....Describe this area in three words.What is special about this area?What do you feel is missing from <strong>the</strong> area?boringSLOUGHsemi-ruralneglectedneed more workdiversequietimportantcountrysidepotentialruralbeautifulworking classurbanlivelyfamily orientedfriendlypleasantirritatingbusinessgood links<strong>to</strong> <strong>the</strong> roadsand airportfantasticgreenbeltpleasantstudios would be goodpublictransportGERRARDS CROSSSTOKE POGESlocal shopsgood shoppingnothingclose <strong>to</strong> London butbenefits of countryjobopportunitiesnot enoughpedestrian prioritygood schools populargreentraditional village atmosphereaffluentbeautifulgood communication networksgood housing semi-rural quiet expensive respectablepleasant with green spacewell looked after by residentsheritageenvironmentalFULMERrural quietcommunity minded trafficpicturesque greencountryside ruralcommunitygood links spirithigh speedbroadband nothingquiet - reduce trafficquality ofhousingbusesneededgood schoolsquiet arealow crime ratestrives <strong>to</strong> retain characteractive representation forall sectionsrecreational / outdoor spacenothinggood museums andshopsjobsattractionsbettervillagelifeschoolscultural heritageBlackunchangingcommunityParkaccess <strong>to</strong> Londontransport employmentnothingschools bankactivities for adults and childrenlibrarysecuritycountrysideeasy accesssemi-ruralcleangreensafe boringlack of communitychurchsports and artscommunity spirita centregood mixturefunof peopleentertainment likepeaceful music concert,swimming poolyoung artistsrarehomelynicepeacefulsupermarketidyllictrafficno core picturesqueneed for conservationdiscrete spread out enterprisingchangingruralrestaurantsfriendlyspaciouscommutercommunitygood schoolsconvenient opportunitiesvillage overcrowdedpeacefulisolatedcommuter beltwalkable affluent lack of employment friendlyneed for investment semi-urban family oriented<strong>Pinewood</strong> <strong>Studios</strong>transportsecludedposhruralaccessiblepleasantyouth involvementLANGLEYjust niceit’s what youmake of itidyllic communitygood shopsspiritinfrastructure quietwon’t take it familyruralresidential orientatedpleasant countryside close <strong>to</strong> Londonfun home busy family and countrysideloud village oldparkspoor greenhelpful community spiritquietconvenienthorse ridingvarietygreen beltAATIVER HEATPINEWOOD STUDIOSopen access <strong>to</strong>common landactivities foryoung peopleHgreen spacesoasis of countryside in <strong>the</strong> overcrowded estategood schoolsun<strong>to</strong>uchedcollegemo<strong>to</strong>rway and airportemploymentplaces for parentsand childrennothingvillagecommunitypleasantbest of both worldshopstransportIVERDENHAMquieter place than citygreenaccessibilitygoodschoolslots of differentthings <strong>to</strong> docommutable <strong>to</strong>LondonBlack Parkcountrysidewildlifevillage lifeLangley Parkgreen beltlack of peace and quiet(<strong>to</strong>o much traffic)people who care for where <strong>the</strong>y livebetter transportschoolsnothingopportunities for locals<strong>to</strong> visit <strong>Pinewood</strong>villagegreensjobsbusroutesleisure facilitiesschoolslocalamenitieslocaljobssupermarketsfriendly areagreat location quietparksgood mix ofhousing andopen spacehis<strong>to</strong>rysense of communityeasy access <strong>to</strong> everywhereclose <strong>to</strong> Londontransportfriendlycountrysideurbanrelaxednimbyishnaturalboringactivities foryounger peoplegood for kidspicturesquepeacefulsecurity from developmentlocal jobsnothinglocal take-awaycommunity facilitiesprogressgreenthrivingconservativeusedfriendlygood forchildrenvillageybusysafesemi-ruralruralcountrysideresidentialcommunicationgreenquietthreatenedcommunityunspoilt near <strong>to</strong>wnsnicebeautifulgreenresidentialrelaxingamenities (lack)scenicprofitableprettysunenjoyablebusyaccessibletransportmany opportunitieBlack ParknoisesmallUXBRIDGEcommunitygreen beltboringmessywell connecteduniversity <strong>to</strong>wnshopscountryyouth and localactivitiesflowers in public realmquietgreen and pleasantgood facilities for film industryaccess <strong>to</strong> Londonand countrysidejobsdevelopmentbigger focus on TVproductionbeautifulcaringin need of changeinvestmentpublic transporttransport <strong>to</strong> <strong>Pinewood</strong>Horlicks fac<strong>to</strong>rybusynothingsense of community<strong>the</strong>atrePINEWOOD STUDIOSindustriousniceenvironmentparkingattractivecountrysideconnection <strong>to</strong> Londonschoolspublic transportgood facilitiesfriendlycycling excitingwoodlandneeds developmentgreen spacessocial life after workculturenothingruralfilmheaven, helland in betweengood studiofilm heritagejobstranquilgreentraininga shower


<strong>Development</strong> <strong>Framework</strong><strong>For</strong> <strong>Pinewood</strong> <strong>Studios</strong>His<strong>to</strong>rical Context<strong>Pinewood</strong> <strong>Studios</strong> 1936 – Present Day- Hea<strong>the</strong>rden Hall estate was bought at auction in1934 by Charles Boot, J Arthur Rank and Lady Yule,and in 1935 construction began on transforming<strong>the</strong> estate in<strong>to</strong> film studios.- On 30th September 1936 <strong>Pinewood</strong> <strong>Studios</strong> wasofficially opened• The 1940s was a very successfuldecade for <strong>Pinewood</strong> <strong>Studios</strong>. Films producedincluded David Lean’s Oliver Twist and Powelland Pressburger’s The Red Shoes. The <strong>Studios</strong>were bringing <strong>to</strong>ge<strong>the</strong>r advanced film studioinfrastructure and high profile production units.- During <strong>the</strong> 1960’s five new stages were built,designed for <strong>the</strong> dual use of TV and filmproduction. The 60’s also saw <strong>the</strong> beginning of<strong>Pinewood</strong> Studio’s association with James Bond.This association helped <strong>to</strong> boost <strong>the</strong> <strong>Studios</strong>reputation for cutting edge special effects.- Throughout <strong>the</strong> decades, <strong>Pinewood</strong> <strong>Studios</strong>has remained at <strong>the</strong> forefront of <strong>the</strong> British filmindustry. In order <strong>to</strong> remain on <strong>to</strong>p, <strong>Pinewood</strong><strong>Studios</strong> has had <strong>to</strong> adapt and respond <strong>to</strong> shifts insociety, politics and technology.Structuring discussion and thinking- The growth of <strong>the</strong> studios since its opening in 1936is also evident in <strong>the</strong> his<strong>to</strong>rical maps below, whichhighlight <strong>the</strong> expansion of <strong>Studios</strong> over time.Early aerial pho<strong>to</strong>graphMarch 2008 – The site reaches capacity1920’s 1960’s 1970’s Today1980’s


<strong>Development</strong> <strong>Framework</strong><strong>For</strong> <strong>Pinewood</strong> <strong>Studios</strong><strong>Pinewood</strong> as it is nowCurrent site activityHow is land used at <strong>Pinewood</strong>?Summary of site constraintsSince 2010 <strong>Pinewood</strong> has been working at fullstretch with a number of film contracts being turneddown due <strong>to</strong> lack of capacity. Research by AmionConsulting, outlined elsewhere in this exhibition,suggests that demand from <strong>Pinewood</strong>’s existingclient base will soon reach <strong>the</strong> equivalent of five‘blockbusters’ <strong>to</strong> be produced within <strong>the</strong> same year,quite possibly simultaneously.Currently <strong>the</strong> site can typically accommodateproduction of two major films at any one time, thoughthis requires complex logistics and results in areduction in <strong>the</strong> efficiency of activities.The map <strong>to</strong> <strong>the</strong> right illustrates how land ispresently used at <strong>Pinewood</strong>. This shows that, while<strong>the</strong>re is some space within <strong>the</strong> site available fordevelopment, it is very limited. The impression ofopenness is misleading, as <strong>the</strong> back-lots, trailer andcar parks are much needed studio assets.Stages, Film& TV <strong>Studios</strong>WorkshopsOfficesThese are <strong>the</strong> core facilities hired on aweekly basis for film and tv productions.There is currently not enough stage andstudio space <strong>to</strong> allow more than twolarge budget films <strong>to</strong> be produced at <strong>the</strong>same time.The workshops are used <strong>to</strong> create setsand props. They are spread throughout<strong>the</strong> site close <strong>to</strong> <strong>the</strong> stages. There iscurrently not enough workshop space <strong>to</strong>allow more than two large budget films<strong>to</strong> be produced simultaneously.Offices are used by a wide variety ofbusiness including those working on filmand tv production, permanent anchortenants and SMEs, most of whom aredirectly linked <strong>to</strong> <strong>the</strong> creative industries.- <strong>Pinewood</strong> <strong>Studios</strong> opened in 1936 and soonbecame <strong>the</strong> most prolific film studio of this era.Its inception predated <strong>the</strong> Green Belt by over adecade.- The current site is partly Green Belt and partlynon- Green Belt. That part which is in <strong>the</strong> GreenBelt is used for temporary sets and installationsor forms part of <strong>the</strong> parkland.- All permanent development is located on land thatis not part of <strong>the</strong> Green Belt, but was ‘ring-fenced’in recognition of <strong>the</strong> studios precedence.- Some of <strong>the</strong> Green Belt land is used as “back-lots”where temporary facilities are constructed.2012 Breakdown of businesses based at<strong>Pinewood</strong> <strong>Studios</strong> - by sec<strong>to</strong>r30%serviceproviders1% agents43%equipmentproviders13%productioncompanies13%productioncraftsBack-lotsParking &logisticsPost ProductionThese large areas provide essentialspace for film producers <strong>to</strong> buildtemporary sets, create flexible workingareas and <strong>to</strong> park cars and trailers inclose proximity <strong>to</strong> <strong>the</strong> set.The film industry uses technologyextensively and this requires space foron site logistics, car parking and hardstanding.Post production facilities provide editing,special effects, sound-track and o<strong>the</strong>relements <strong>to</strong> refine captured film footage.It uses many digital technologies.- The use of this land is considered critical <strong>to</strong> <strong>the</strong>studio’s film-making capabilities.- Almost all land on <strong>the</strong> existing, ring-fenced site isin use already, be in built upon, back-lot, parking,circulation or o<strong>the</strong>r use. There is potential foradditional built development as infill, however it isfairly limited, and does not permit ei<strong>the</strong>r <strong>the</strong> likelyscope or arrangement of <strong>the</strong> new facilities <strong>to</strong> beas required.- It is possible that some land can be used moreefficiently. Property Consultants CBRE arecarrying out audits of <strong>the</strong> existing land use <strong>to</strong>advise on this. Some of <strong>the</strong> information that hascome <strong>to</strong> light as regards user requirements isshown in this exhibition.Fur<strong>the</strong>r breakdown of on-site serviceproviders5%marketing4%insurance4%health & safety13%financial3%security5%travel23%on siteservcie2%transport3%catering15%construction22% creative2%freightAmenities& ServicesRetainedWoodland &<strong>For</strong>malGardensThese range from security services <strong>to</strong>recreation, cafe and canteen facilities.The studios need <strong>to</strong> be self sufficient<strong>to</strong> achieve efficient use of time andfacilities.Elements of retained woodland arescattered across <strong>the</strong> site, but <strong>the</strong> majorarea of green space is <strong>the</strong> garden <strong>to</strong> <strong>the</strong>south of <strong>the</strong> site. The garden are usedfor filming - recently <strong>the</strong> village in HarryPotter and exterior sets for Snow Whiteand <strong>the</strong> Huntsman have been beenfilmed here.- It is possible that some buildings can bedemolished <strong>to</strong> allow more efficient development.CBRE are also considering this.- The potential for new development within<strong>the</strong> existing site will be closely considered asthis would reduce <strong>the</strong> scale and impact of <strong>the</strong>development framework.- A fur<strong>the</strong>r piece of analysis is being carried outwith respect <strong>to</strong> <strong>the</strong> consented 2006 Masterplan.The next board looks in<strong>to</strong> this in more depth.


<strong>Development</strong> <strong>Framework</strong><strong>For</strong> <strong>Pinewood</strong> <strong>Studios</strong><strong>Pinewood</strong> masterplan 2006Previous planning consentPotential areas of developmentIn 2003 <strong>Pinewood</strong> <strong>Studios</strong> commissioned aMasterplan <strong>to</strong> capture <strong>the</strong>ir needs over <strong>the</strong> nextdecade. The architect’s brief was <strong>to</strong> restrictredevelopment <strong>to</strong> <strong>the</strong> existing built area and not <strong>to</strong>extend on<strong>to</strong> <strong>the</strong> surrounding Green Belt land.As a result, <strong>the</strong> Masterplan increased <strong>the</strong> density,mass and height of <strong>the</strong> existing built area and did notexpand it.The Masterplan was granted outline planningpermission in 2006 and was implemented by <strong>the</strong>construction of a new film processing labora<strong>to</strong>ry forTechnicolor in 2008.This outline permission allows <strong>Pinewood</strong> <strong>to</strong> submitdetailed or ‘reserved matters’ applications for newbuildings that fit within <strong>the</strong> parameters of footprintand height shown on <strong>the</strong> diagram opposite. However,<strong>the</strong> requirements of <strong>the</strong> industry have changed since<strong>the</strong> Masterplan was first conceived in 2004.Logistics and parkingBack LotsExisting BuildingsPotential build out against 2006 consent<strong>For</strong> example, <strong>the</strong> Richard Attenborough Stage, a newsoundstage completed this year and immediatelyoccupied by a major production of Les Misérables,needed <strong>to</strong> have a minimum stage floor area of 30,000sq ft. There was no building ‘block’ in <strong>the</strong> right areawithin <strong>the</strong> Masterplan that could accommodate thissize of stage so <strong>Pinewood</strong> had <strong>to</strong> depart from <strong>the</strong>outline permission and submit a new full application.The outline permission for <strong>the</strong> Masterplan expires in2014: by that time <strong>Pinewood</strong> must submit detailedapplications for all <strong>the</strong> remaining building ‘blocks’ in<strong>the</strong> consented scheme, even though some of <strong>the</strong>mare no longer fit for purpose.1The <strong>Development</strong> <strong>Framework</strong> now being consideredwill <strong>the</strong>refore replace <strong>the</strong> Masterplan. It will makefull use of <strong>the</strong> quantum of floor space offered by <strong>the</strong>2006 consent though it may seek <strong>to</strong> change land usesin some area, depending on <strong>the</strong> final results of <strong>the</strong>research that is now under way.The diagram <strong>to</strong> <strong>the</strong> right shows <strong>the</strong> footprints of <strong>the</strong>buildings that consent was granted for.


<strong>Development</strong> <strong>Framework</strong><strong>For</strong> <strong>Pinewood</strong> <strong>Studios</strong>The future of <strong>Pinewood</strong>Possible future development<strong>Development</strong> <strong>Framework</strong> and potential phasingThe <strong>Pinewood</strong> team, advised by Amion Consultingand CBRE, are assessing market drivers, a businessplan and property requirement issues over <strong>the</strong>next 15 – 20 years in connection with <strong>Pinewood</strong>’sneeds for strategic growth. A ‘do nothing’ scenariois also being thoroughly tested, and initial resultssuggest that this would lead <strong>to</strong> decline, which,when contrasted with <strong>the</strong> growth of overseascompetition, could result in <strong>the</strong> loss of <strong>the</strong> UK’spre-eminence in this field. Currently <strong>the</strong> studiesare at a preliminary stage. It is intended <strong>to</strong> sharea synopsis of <strong>the</strong> findings of <strong>the</strong> full tests in duecourse.The diagrammatic plan <strong>to</strong> <strong>the</strong> right shows <strong>the</strong>existing <strong>Pinewood</strong> site and <strong>the</strong> adjacent site,shown <strong>to</strong>ge<strong>the</strong>r with <strong>the</strong> preliminary thoughtson <strong>the</strong> broad scale of floor plate need for stages,workshops and offices (<strong>the</strong> latter of which willalso need <strong>to</strong> include allowances for ancillaryaccommodation such as dressing rooms andwardrobe areas) arranged in three broad phases asshown. It should be borne in mind that <strong>the</strong>se maychange in response <strong>to</strong> <strong>the</strong> findings of <strong>the</strong> studiesand consultation with business, <strong>the</strong> communityand public authorities.Three phases of developmentdelivered over a 20 year period.(Floor areas belowshown <strong>to</strong>same scale as <strong>the</strong> site )Phase 1Phase 2Phase 1- 3 new stages on <strong>the</strong> existing site- Car park on existing site- On and off-site works for <strong>the</strong> new site- 4 new stages on new site- Ancillary production accommodation for stages ona 1:1 ratio[NB: assumes existing consents are developed aspart of <strong>the</strong> phase 1 period –stage on South Dock andancillary space along with Media Park on <strong>the</strong> frontagesite]Phase 3Phase 2Key- 3 new stages on new site- Ancillary production accommodation for stages ona 1:1 ratio- Media Park office and ancillary accommodationNew stagesNew workshopsPhase 3- 3 new stages on new site- Media Park office and ancillary accommodationNew office /ancillary space


<strong>Development</strong> <strong>Framework</strong><strong>For</strong> <strong>Pinewood</strong> <strong>Studios</strong>Global trends and marketsWorld contextThe UK Film Market is <strong>the</strong> 3rd LargestCurrent capacity is exceededLand requirementsin <strong>the</strong> World<strong>Pinewood</strong> <strong>Studios</strong> is one of <strong>the</strong> foremostscreenbased facilities in <strong>the</strong> world. The <strong>Studios</strong>comprise over 100,000 sq metres of buildingsincluding film stages, TV studios, workshops,pre and post production facilities, officeaccommodation and o<strong>the</strong>r support facilities. Itis this co-location of facilities, technologies andbusinesses that sets <strong>Pinewood</strong> apart from itscompeti<strong>to</strong>rs and which attracts producers fromaround <strong>the</strong> world <strong>to</strong> <strong>the</strong> UK.At <strong>the</strong> present time, <strong>the</strong>re is more demand for<strong>Pinewood</strong>’s facilities than can be accommodatedand some major films and TV programmes have beenturned away due <strong>to</strong> a lack of capacity.As well as sending <strong>the</strong> signal <strong>to</strong> overseas clientsthat <strong>the</strong> UK is ‘full’, capacity constraints also have<strong>the</strong> unintended and undesirable consequenceof potentially harming smaller, independentproductions which are competing for space. Ifcapacity issues continue it may harm <strong>the</strong> indigenousfilm and television industries. The governmentis also consulting on new, targeted tax reliefsfor <strong>the</strong> animation, high-end television and videogames industries as part of its ambition <strong>to</strong> make<strong>the</strong> UK <strong>the</strong> technology centre of Europe which willincrease demand for studio space. The consultationdocument for this new policy warns:“<strong>the</strong>re is a risk that under-investment will lead<strong>to</strong> valuable productions moving overseas or notbeing made at all.”(HM Treasury Consultation on creative sec<strong>to</strong>r taxreliefs June 2012 p.3)To compete with o<strong>the</strong>r studios around <strong>the</strong> worldand remain a successful studio and asset <strong>to</strong> <strong>the</strong> UKcreative industries, <strong>Pinewood</strong> <strong>Studios</strong> need <strong>to</strong> beable <strong>to</strong> accommodate 4 or 5 major films at one time,double what <strong>the</strong>y are currently able <strong>to</strong> offer.13CHINAThe UK is one of <strong>the</strong> world’s most desirable locations for shooting,regularly providing <strong>the</strong> backdrop for scenes in films, including bigbudgetUS pictures and “Bollywood” movies. London is also a keylocation for <strong>the</strong> launching of films.The UK has <strong>the</strong> third-largest filmed entertainment market in <strong>the</strong>world, after <strong>the</strong> US and Japan. It was worth some £3.8 billion in 2010,up 2.3 per cent on 2009.The costs of filming in <strong>the</strong> UK are extremely competitive whencompared <strong>to</strong> both established production centres and low-costcountries.Film education in <strong>the</strong> UK has rapidly expanded in recent years. In2010, <strong>the</strong>re were over 7,000 A-level film studies candidates, 4,252higher education film studies students and 6,612 school film clubsacross <strong>the</strong> UK involving 204,972 pupils.(Sourced from UK trade and Investment website: http://www.ukti.gov.uk/uktihome/item/281785.html2<strong>Pinewood</strong> are typically able <strong>to</strong> allow two major films <strong>to</strong> beproduced at <strong>the</strong> same time. The table below compares howmuch space <strong>Pinewood</strong> can offer compared <strong>to</strong> <strong>the</strong> space thatfilm producers require.The table shows that <strong>the</strong>re is already a shortfall of stage andworkshop area, particularly for large productions.area in square feet400,000350,000300,000250,000200,000150,000100,00050,000stages, film& tv studiosExisting area availableAverage area needed for two filmsMaximum area needed for two filmsExisting area availableofficesAverage area needed for two filmsMaximum area needed for two filmsworkshopsExisting area availableAverage area needed for two filmsMaximum area needed for two filmsThe table below compares <strong>the</strong> amount of space <strong>Pinewood</strong>can offer now with <strong>the</strong> amount required <strong>to</strong> produce 4-5films at <strong>the</strong> same time.area in square feet600,000550,000500,000450,000400,000350,000300,000250,000200,000150,000100,00050,000stages, film& tv studiosExisting area availableAre need for 5 filmsofficesExisting area availableAre need for 5 filmsworkshopsExisting area availableAverage area needed for two filmsdigitalproductionFigures are based on current analysis and masterplanning, and are subject <strong>to</strong> changeExisting area availableAverage area needed for five filmsStatistics originally sourced from British Film Institute)Aerial pho<strong>to</strong>graph of <strong>Pinewood</strong> <strong>Studios</strong>Aerial pho<strong>to</strong>graphs of <strong>Pinewood</strong> <strong>Studios</strong> when in use by a major production

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