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CODES: - Drone Records

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* PYLONES AND TELEGRAPH POLES CD-R (Evelyn <strong>Records</strong><br />

eve09, 2001) € 8.00<br />

Excellent british Compilation with KARINA ESP, DUAL, NIXXOS<br />

LEXXOS, iD, CULVER, JOHANN WLIGHT, ROB GALPIN,<br />

AMBERLIGHT, ARABELLA'S PARADE, solely british experimental<br />

drone & ambient-noise-artists. Professional full-colour cover & label<br />

printing. Sold out at the label, absolutely last copies !<br />

* SURROUNDING: AN EXPERIMENTAL MUSIC COMPILATION<br />

CD-R (TRAquetO RECords TQ:006, 2004) [lim. 100] € 10.00<br />

Gute Übersicht über experimentellen <strong>Drone</strong> & Ambient aus UK, auf<br />

dem RYN-Label! Neben RYN gibt es Material von VIOLENCE BEYOND<br />

THE SNOWLINE (extreme sub-bass drones), TENHORNEDBEAST<br />

(sinister noise-ambience), HARM (dark guitar drones & low feedbacks),<br />

TROLLMAN AV ILDTOPPBERG, CULVER (great low-fi hypnosis), LEO<br />

SLAYER, und SNOTNOSED.<br />

Das Material liegt überwiegend im düster-dröhnigen, gitarrenbasierten<br />

Bereich, das label nennt das „Post-Isolationism“.... damn...<br />

Kommt als DVD-Box mit Booklet.<br />

Good overview about the new experimental drone & ambientdevelopments<br />

from UK, on the label run by RYN !!<br />

Lim. 100 in DVD box with booklet.<br />

3.2. VISUALS : DVDs / Video-CDRs / VHS /<br />

Åke HODELL -Lågsniff DVD (Hall Tjäften TJÄFT 001, 2002)<br />

€ 15.00<br />

Extremely rare obscure HODELL-DVD, back in stock !!<br />

“Directed by: Åke Hodell and Per Wiklund<br />

Photo: Per Wiklund<br />

Performers: Åke Hodell, Torsten Ekbom, Bengt Emil Johnson,<br />

Leif Nylén, Sissi Nilsson and Elisabeth Nylén.<br />

Running time: 20 minutes<br />

“This is one of the most essential DVD-releases of 2002, by the<br />

controversial Swedish text-sound poet Åke Hodell (1919-2000).<br />

"Lågsniff" is only screened once on Swedish television in 1965, and<br />

then creating such a stir that the film immediately was put into the dark<br />

vaults of SVT, where it has been hidden since. Now the amazing visual<br />

recording of the event has been made available on DVD, 37 years after.<br />

This experimental stageplay is a masterpiece in the use of live voices,<br />

(by fellow leading avantgardists of the time, Bengt-Emil Johnson, Leif<br />

Nylén a.o.) black and white cut ups and an innovative use of the<br />

camera.” [label description]<br />

* RABELAIS, AKIRA / STEPHAN MATHIEU - Quién era aquella que<br />

te amó DVD-R (Conv CNVR09, 2006) [lim. 100] € 12.50<br />

Ultra spheric drones and a mind-blowing dia-show with ultrafast<br />

subsequently appearing pictures, once you saw this in full you are<br />

overflooded with thousands of visuals, taken from all kinds of sources,<br />

this is one whole world on one piece, or thousand worlds in one world.<br />

After a while this has a stunning, hypnotic effect. The brain is simply too<br />

overloaded to « think » about what it perceives... Nearly 50 minutes of<br />

music and visuals...<br />

“Conv is proud to present this unique collaborative audiovisual work<br />

between Akira Rabelais (video) and Stephan Mathieu (audio). As with<br />

all of Rabelais' oeuvre, this one is again a deep, fundamental semiotic<br />

intrigue - or rather, an indeterable rumble with Aporia; a looking-glass<br />

tumble down a dead-end street; a non-stop magic-lantern show with the<br />

epic dimensions of the platonic cave-parabel (or of a non-stop erotic<br />

cinema program). With only the poet's initiatory words for sustenance<br />

one steps into the looking glass - the empty frame - to fall smack in the<br />

realm of the blind, unyielding and uni-directional 'drone' of life (whether<br />

lived or googled is of no essential consequence within this realm of<br />

existence). This movement though is but the substratum of a gentler<br />

phenomenology introduced by Mathieu's vibrant search for the minute<br />

detail, for the ghost in the machine, adding a new sense of perspective:<br />

a sense of the gradual calibration of the moved to the mover. The alien<br />

mechanics perpetuating the weaving-loom finally become instances of<br />

encounter with oneself - not as in a looking glass, but in an experience<br />

of unreflected recognition.” [label info]<br />

* THE SPACE VOYAGE (SOUND DESIGN BY VETROPHONIA)<br />

DVD-R [lim. 250] (Zhelezobeton ZF-1, 2006) € 12.00<br />

Der legendäre russische Science Fiction-Stummfilm SPACE VOYAGE<br />

über eine Reise zum Mond von 1936 mit zeitgemässen „retrofuturistischem“<br />

Soundtrack von VETROPHONIA (das sind die St.<br />

Petersburger NICK SOUDNICK & ALEXANDER LEBEDEV-FRONTOV<br />

- ex ZGA und LINIJA MASS). Alle Stummfilm-Untertitel sind auf<br />

kyrillisch & wahlweise englisch, der neue Soundtrack untermalt sehr<br />

passend die einzelnen Abschnitte in neo-klassisch / pompös-heroisch /<br />

post-industrieller Weise, Cover & begleitendes Booklet sind liebevoll<br />

gestaltet. Länge: 65 Minuten.<br />

“The science fiction film "The Space Voyage" was first shown in Soviet<br />

cinema theatres in January 1936. The showing was preceded by two<br />

years of work at Mosfilm studio done on a firm scientific basis - the<br />

consultant of the project was Konstantin Tsiolkovsky. With his help<br />

Soviet cinematographers managed to create a surprisingly realistic<br />

image of a journey to the Moon for that time - long before the beginning<br />

of real space research. The film narrates about the bravery of young<br />

pioneers, the willingness of Soviet women to always come to aid, the<br />

fearlessness of scientists and their determination to sacrifice their lives<br />

in the name of science. Serious approach to shooting didn't prevent the<br />

director V. Zhuravliov and the screenwriter A. Filimonov from treating<br />

the plot with humour, but in general the picture is just saturated with<br />

powerful heroic spirit!<br />

The original film had a soundtrack compiled of various classical music<br />

compositions. But what can be more appropriate to the constructivist<br />

spirit of Soviet time than the retro-futurism of St. Petersburg's noise<br />

scene classics? The Vetrophonia duet consisting of Nickolay Soudnick<br />

(ZGA) and Alexander Lebedev-Frontov (Linija Mass, Stalnoy Pakt,<br />

Veprisuicida, etc.) solved this task with enthusiasm. During 2005 while<br />

working in the ZGA studio they laboriously collected samples, recorded<br />

the parts of electronic and acoustic instruments and composed collages<br />

for each specific scene of the film. The result turned out to be beyond<br />

all praise.<br />

The DVD-R with the movie has an option of turning on English subtitles,<br />

comes with a booklet containing an article about the shooting process<br />

and is packed in a special cardboard sleeve.<br />

The release page: http://zhb.radionoise.ru/eng/zf-i.html<br />

Screenshots: http://zhb.radionoise.ru/eng/zf-i-screen.html“ [label<br />

description]<br />

4. CDs<br />

* AFFLUX – Bordeaux TNT CD (Alluvial Recordings / and/OAR<br />

and/all1, 2006) € 12.00<br />

Der französische field recording-Meister ERIC LA CASA widmet sich in<br />

letzter Zeit verstärkt Kollaborationen mit anderen Musikern, wo er dann<br />

im eher improvisatorischen Kontext arbeitet. Auf ‚Bordeaux TNT’ ist er<br />

im Zusammenspiel mit ERIC CORDIER und JEAN-LUC GUIONNET zu<br />

hören. Der gesamte Raum des Kulturzentrums TNT in Bordeaux wurde<br />

von den dreien mit Kontakt- und Feld-Mikros bestückt, und in „real time“<br />

zu einer 6-stündigen Performance gemixt. Eine unbeschreibbare,<br />

schwelende Klanglandschaft aus konkreten Material und<br />

langgezogenen Geräuschen ist daraus entstanden, das wirkt wie das<br />

unbewusste aurale Abbild eines von menschlichen Aktivitäten<br />

bevölkerten riesigen Gebäudes … One-tracker, ca. 50 min.<br />

“Your ear is an excellent microphone. Imagine to be in a crowded place,<br />

close your eyes and listen. You will pay attention to detailed sounds<br />

around you, simply because your mind allows you to ignore the<br />

surrounding sounds, those you don't want to hear. Afflux does<br />

something like that, except that they use real microphones and contact<br />

microphones in a location. TNT cultural centre in Bordeaux is<br />

apparently a big building with a bar/restaurant, offices, concert space<br />

and a top floor. Afflux attached many contact microphones to all of<br />

these places and they were connected to a 32 channel mixer and the<br />

resultant mix was played over eight speakers in the concert half. The<br />

whole concert lasted six hours. Afflux is the collaboration of Eric<br />

Cordier, Jean-Luc Guionnet and Eric La Casa, all three composers in<br />

their own right. From the six hours of recordings, Eric La Casa edited<br />

this fifty one minute CD, with just one piece. We hear sounds that we<br />

recognize, like people talking, the elevator, maybe the coffee machine,<br />

but they all appear to be far away, or embedded in a strange<br />

environment - maybe like we would hear this when we would inside<br />

such a big environment ourselves, but now the ears don't select: the<br />

selection has been made for us, by La Casa. Our ears are now<br />

focussed on this CD, and not the rain outside, or own coffee machine.<br />

This makes this into quite a strange listening affair, since we recognize<br />

the daily sounds that we would always recognize but also all these<br />

other sounds. It makes this however not an uneasy affair, but rather a<br />

fascinating one: what are these sounds, and where are they going to?<br />

It's a highly captivating soundscape that is captured here. Not so much<br />

with a 'story' or a 'composition', but ambient music in the true meaning<br />

of the word: music made of the ambience. Gorgeous music.” [FdW /<br />

Vital Weekly]<br />

* AGHIATRIAS – Ethos CD (Epidemie <strong>Records</strong> EPR054, 2006)<br />

[lim. 500] € 13.00<br />

Sehr wuchtiger, dämonisch-orchestraler Katakomben-Industrial aus<br />

Prag, ins Atonale driftender Bombast... for friends of dark neo-classic

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