CODES: - Drone Records
CODES: - Drone Records
CODES: - Drone Records
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* PYLONES AND TELEGRAPH POLES CD-R (Evelyn <strong>Records</strong><br />
eve09, 2001) € 8.00<br />
Excellent british Compilation with KARINA ESP, DUAL, NIXXOS<br />
LEXXOS, iD, CULVER, JOHANN WLIGHT, ROB GALPIN,<br />
AMBERLIGHT, ARABELLA'S PARADE, solely british experimental<br />
drone & ambient-noise-artists. Professional full-colour cover & label<br />
printing. Sold out at the label, absolutely last copies !<br />
* SURROUNDING: AN EXPERIMENTAL MUSIC COMPILATION<br />
CD-R (TRAquetO RECords TQ:006, 2004) [lim. 100] € 10.00<br />
Gute Übersicht über experimentellen <strong>Drone</strong> & Ambient aus UK, auf<br />
dem RYN-Label! Neben RYN gibt es Material von VIOLENCE BEYOND<br />
THE SNOWLINE (extreme sub-bass drones), TENHORNEDBEAST<br />
(sinister noise-ambience), HARM (dark guitar drones & low feedbacks),<br />
TROLLMAN AV ILDTOPPBERG, CULVER (great low-fi hypnosis), LEO<br />
SLAYER, und SNOTNOSED.<br />
Das Material liegt überwiegend im düster-dröhnigen, gitarrenbasierten<br />
Bereich, das label nennt das „Post-Isolationism“.... damn...<br />
Kommt als DVD-Box mit Booklet.<br />
Good overview about the new experimental drone & ambientdevelopments<br />
from UK, on the label run by RYN !!<br />
Lim. 100 in DVD box with booklet.<br />
3.2. VISUALS : DVDs / Video-CDRs / VHS /<br />
Åke HODELL -Lågsniff DVD (Hall Tjäften TJÄFT 001, 2002)<br />
€ 15.00<br />
Extremely rare obscure HODELL-DVD, back in stock !!<br />
“Directed by: Åke Hodell and Per Wiklund<br />
Photo: Per Wiklund<br />
Performers: Åke Hodell, Torsten Ekbom, Bengt Emil Johnson,<br />
Leif Nylén, Sissi Nilsson and Elisabeth Nylén.<br />
Running time: 20 minutes<br />
“This is one of the most essential DVD-releases of 2002, by the<br />
controversial Swedish text-sound poet Åke Hodell (1919-2000).<br />
"Lågsniff" is only screened once on Swedish television in 1965, and<br />
then creating such a stir that the film immediately was put into the dark<br />
vaults of SVT, where it has been hidden since. Now the amazing visual<br />
recording of the event has been made available on DVD, 37 years after.<br />
This experimental stageplay is a masterpiece in the use of live voices,<br />
(by fellow leading avantgardists of the time, Bengt-Emil Johnson, Leif<br />
Nylén a.o.) black and white cut ups and an innovative use of the<br />
camera.” [label description]<br />
* RABELAIS, AKIRA / STEPHAN MATHIEU - Quién era aquella que<br />
te amó DVD-R (Conv CNVR09, 2006) [lim. 100] € 12.50<br />
Ultra spheric drones and a mind-blowing dia-show with ultrafast<br />
subsequently appearing pictures, once you saw this in full you are<br />
overflooded with thousands of visuals, taken from all kinds of sources,<br />
this is one whole world on one piece, or thousand worlds in one world.<br />
After a while this has a stunning, hypnotic effect. The brain is simply too<br />
overloaded to « think » about what it perceives... Nearly 50 minutes of<br />
music and visuals...<br />
“Conv is proud to present this unique collaborative audiovisual work<br />
between Akira Rabelais (video) and Stephan Mathieu (audio). As with<br />
all of Rabelais' oeuvre, this one is again a deep, fundamental semiotic<br />
intrigue - or rather, an indeterable rumble with Aporia; a looking-glass<br />
tumble down a dead-end street; a non-stop magic-lantern show with the<br />
epic dimensions of the platonic cave-parabel (or of a non-stop erotic<br />
cinema program). With only the poet's initiatory words for sustenance<br />
one steps into the looking glass - the empty frame - to fall smack in the<br />
realm of the blind, unyielding and uni-directional 'drone' of life (whether<br />
lived or googled is of no essential consequence within this realm of<br />
existence). This movement though is but the substratum of a gentler<br />
phenomenology introduced by Mathieu's vibrant search for the minute<br />
detail, for the ghost in the machine, adding a new sense of perspective:<br />
a sense of the gradual calibration of the moved to the mover. The alien<br />
mechanics perpetuating the weaving-loom finally become instances of<br />
encounter with oneself - not as in a looking glass, but in an experience<br />
of unreflected recognition.” [label info]<br />
* THE SPACE VOYAGE (SOUND DESIGN BY VETROPHONIA)<br />
DVD-R [lim. 250] (Zhelezobeton ZF-1, 2006) € 12.00<br />
Der legendäre russische Science Fiction-Stummfilm SPACE VOYAGE<br />
über eine Reise zum Mond von 1936 mit zeitgemässen „retrofuturistischem“<br />
Soundtrack von VETROPHONIA (das sind die St.<br />
Petersburger NICK SOUDNICK & ALEXANDER LEBEDEV-FRONTOV<br />
- ex ZGA und LINIJA MASS). Alle Stummfilm-Untertitel sind auf<br />
kyrillisch & wahlweise englisch, der neue Soundtrack untermalt sehr<br />
passend die einzelnen Abschnitte in neo-klassisch / pompös-heroisch /<br />
post-industrieller Weise, Cover & begleitendes Booklet sind liebevoll<br />
gestaltet. Länge: 65 Minuten.<br />
“The science fiction film "The Space Voyage" was first shown in Soviet<br />
cinema theatres in January 1936. The showing was preceded by two<br />
years of work at Mosfilm studio done on a firm scientific basis - the<br />
consultant of the project was Konstantin Tsiolkovsky. With his help<br />
Soviet cinematographers managed to create a surprisingly realistic<br />
image of a journey to the Moon for that time - long before the beginning<br />
of real space research. The film narrates about the bravery of young<br />
pioneers, the willingness of Soviet women to always come to aid, the<br />
fearlessness of scientists and their determination to sacrifice their lives<br />
in the name of science. Serious approach to shooting didn't prevent the<br />
director V. Zhuravliov and the screenwriter A. Filimonov from treating<br />
the plot with humour, but in general the picture is just saturated with<br />
powerful heroic spirit!<br />
The original film had a soundtrack compiled of various classical music<br />
compositions. But what can be more appropriate to the constructivist<br />
spirit of Soviet time than the retro-futurism of St. Petersburg's noise<br />
scene classics? The Vetrophonia duet consisting of Nickolay Soudnick<br />
(ZGA) and Alexander Lebedev-Frontov (Linija Mass, Stalnoy Pakt,<br />
Veprisuicida, etc.) solved this task with enthusiasm. During 2005 while<br />
working in the ZGA studio they laboriously collected samples, recorded<br />
the parts of electronic and acoustic instruments and composed collages<br />
for each specific scene of the film. The result turned out to be beyond<br />
all praise.<br />
The DVD-R with the movie has an option of turning on English subtitles,<br />
comes with a booklet containing an article about the shooting process<br />
and is packed in a special cardboard sleeve.<br />
The release page: http://zhb.radionoise.ru/eng/zf-i.html<br />
Screenshots: http://zhb.radionoise.ru/eng/zf-i-screen.html“ [label<br />
description]<br />
4. CDs<br />
* AFFLUX – Bordeaux TNT CD (Alluvial Recordings / and/OAR<br />
and/all1, 2006) € 12.00<br />
Der französische field recording-Meister ERIC LA CASA widmet sich in<br />
letzter Zeit verstärkt Kollaborationen mit anderen Musikern, wo er dann<br />
im eher improvisatorischen Kontext arbeitet. Auf ‚Bordeaux TNT’ ist er<br />
im Zusammenspiel mit ERIC CORDIER und JEAN-LUC GUIONNET zu<br />
hören. Der gesamte Raum des Kulturzentrums TNT in Bordeaux wurde<br />
von den dreien mit Kontakt- und Feld-Mikros bestückt, und in „real time“<br />
zu einer 6-stündigen Performance gemixt. Eine unbeschreibbare,<br />
schwelende Klanglandschaft aus konkreten Material und<br />
langgezogenen Geräuschen ist daraus entstanden, das wirkt wie das<br />
unbewusste aurale Abbild eines von menschlichen Aktivitäten<br />
bevölkerten riesigen Gebäudes … One-tracker, ca. 50 min.<br />
“Your ear is an excellent microphone. Imagine to be in a crowded place,<br />
close your eyes and listen. You will pay attention to detailed sounds<br />
around you, simply because your mind allows you to ignore the<br />
surrounding sounds, those you don't want to hear. Afflux does<br />
something like that, except that they use real microphones and contact<br />
microphones in a location. TNT cultural centre in Bordeaux is<br />
apparently a big building with a bar/restaurant, offices, concert space<br />
and a top floor. Afflux attached many contact microphones to all of<br />
these places and they were connected to a 32 channel mixer and the<br />
resultant mix was played over eight speakers in the concert half. The<br />
whole concert lasted six hours. Afflux is the collaboration of Eric<br />
Cordier, Jean-Luc Guionnet and Eric La Casa, all three composers in<br />
their own right. From the six hours of recordings, Eric La Casa edited<br />
this fifty one minute CD, with just one piece. We hear sounds that we<br />
recognize, like people talking, the elevator, maybe the coffee machine,<br />
but they all appear to be far away, or embedded in a strange<br />
environment - maybe like we would hear this when we would inside<br />
such a big environment ourselves, but now the ears don't select: the<br />
selection has been made for us, by La Casa. Our ears are now<br />
focussed on this CD, and not the rain outside, or own coffee machine.<br />
This makes this into quite a strange listening affair, since we recognize<br />
the daily sounds that we would always recognize but also all these<br />
other sounds. It makes this however not an uneasy affair, but rather a<br />
fascinating one: what are these sounds, and where are they going to?<br />
It's a highly captivating soundscape that is captured here. Not so much<br />
with a 'story' or a 'composition', but ambient music in the true meaning<br />
of the word: music made of the ambience. Gorgeous music.” [FdW /<br />
Vital Weekly]<br />
* AGHIATRIAS – Ethos CD (Epidemie <strong>Records</strong> EPR054, 2006)<br />
[lim. 500] € 13.00<br />
Sehr wuchtiger, dämonisch-orchestraler Katakomben-Industrial aus<br />
Prag, ins Atonale driftender Bombast... for friends of dark neo-classic