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CODES: - Drone Records

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industrial like IN SLAUGHTER NATIVES or ATRIUM CARCERI a must<br />

!! “Brand new album of Prague chorus AGHIATRIAS overflow you with<br />

an apocalyptic orchestral dark industrial. Compared with the previous<br />

album “Regions of Limen”, newcomer “Ethos” has shorter footage, but<br />

you can expect more aggressive conception of the whole thing. Limited<br />

edition of 500 copies in digipak.“ [label info]<br />

* ALVARS ORKESTER – Interference CD (Ash International Ash<br />

6.9, 2006) € 14.00<br />

Lange bestehendes schwedisches Post-Industrial Duo mit erster CD!<br />

“Analogue sound experiments from old Sweden 1987-2006+<br />

This album is the first release in what will be the 13th anniversary since<br />

the foundation of Ash International.<br />

'Interference' by Alvars Orkester was edited by Mike Harding and Philip<br />

Marshall, who here also designs his first CD for the label. 'Interference'<br />

consists of analogue drones, interspersed with hardcore electronics,<br />

hair-raising voices and spine-chilling ambience.<br />

Alvars Orkester, was formed in 1987 in Johannishus, a small village in<br />

the south-east of Sweden by a group of young boys interested in the<br />

mysteries of psychic sickness, mental institutions, the industrial music<br />

culture and the power of sound. For the first very creative years, Alvars<br />

was very active within the independent cassette culture scene releasing<br />

their stuff (that quite soon drifted from the industrialism inspired by Test<br />

Dept, TG, SPK and z’ev to an atmospheric, psychedelic and quite<br />

ambient version of noise) on small labels in Italy, Portugal, USA etc.<br />

AO was always very closely connected to the Börft <strong>Records</strong> label, run<br />

by the two core members Jan Svensson and Joachim Nordwall. Börft<br />

was a label for weird electronic experiments, noise and industrial. In<br />

1994, Nordwall left the label and Sweden (to return to the country<br />

forming the iDEAL Organisation but never to Börft and the south-east)<br />

and Svensson continued by focusing on bent acid house and dance<br />

stuff. The psychedelic aspect of the music came in though an early<br />

interest in natural drugs and the need to investigate different ways of<br />

messing with the mind. For years, AO remained silent with a few short<br />

exceptions, but in April 2005, Nordwall and Svensson recorded the<br />

'Interference' album for Ash International. Coloured by Svensson's<br />

increasing paranoia sickness and the tension between the two that<br />

have been there since their youth, they put down the aspects of the<br />

mysteries of psychic broadcasting and manipulation on tape.<br />

Long sessions during the years in the mainly analogue Studio Styrka in<br />

Johannishus built up a huge archive of recordings, most unreleased to<br />

date but slowly being brought to light by labels like Kning Disk, RRR<br />

and White Tapes.<br />

”Swedish noise combo Alvars Orkester were active in the 80s Industrial<br />

cassette underground. Interference marks the return of core members<br />

Jan Svensson and Joachim Nordwall after a long layoff. Inspired by<br />

faintly ghoulish interest in extreme mental states (both psychic and<br />

chemically induced), the duo present four highly involving pieces, some<br />

of which feature source material dating back to the group's beginnings.<br />

Their approach switches between slowly evolving electronic<br />

dreamscapes ("Field Grey") and noise constructions ("Cobra Mist");<br />

"Reality Distortion Field", the album's highlight, pits feedback whine<br />

against processed and cut-up voices, occupying a space somewhere<br />

between the two poles. There's a sense of careful restraint about<br />

Interference, evincing a reluctance on the part of the duo to be drawn<br />

into making noise for noise's sake.” [Keith Moliné / THE WIRE]<br />

* ANENZEPHALIA / INADE / OPERATION CLEANSWEEP – same<br />

CD-Box (Teito Sound Company TEITO-006, 2006) € 14.00<br />

“Great split album between the three projects Anenzephalia, Inade and<br />

Operation Cleansweep. Just over 10 minutes of all exclusive,<br />

unreleased material by each group. Unsettling drones and pulverizing<br />

frequencies done in the best fashion of all these projects. Released by<br />

Japanese label Teito to go accompany the first live appearances of all<br />

three bands in Tokyo, Japan. Comes in plastic snapcase with protective<br />

cover and an insert for each band.” [Cold Spring <strong>Records</strong>]<br />

* ANTHESTERIA – Nebesnaya CD (Der Angriff Nr. 24, 2005)<br />

[ed. of 300] € 13.00<br />

„Journal of Transfiguration“ lautet der Untertitel, und im Innencover wird<br />

GUSTAV MEYRINK zitiert: „Wir selbst sind Gebilde, aus Zeit gemacht,<br />

Leiber, die Stoff zu sein scheinen und nichts anderes sind als<br />

geronnene Zeit.“ Entsprechend fragil & melancholisch sind die<br />

manchmal zart-düsteren, neo-klassisch angehauchten Kompositionen<br />

auf NEBESNAYA...<br />

Kommt im parfumierten Cover, vergänglich wie irgendwas !<br />

“The second Anthesteria album tells a story of a journey through a<br />

fragile world of emotions and perceptions known to everyone, а sound<br />

realization of the author's diary. The atmosphere of the ghost winter<br />

city, the decadent but charming open-air museum called St.-Petersburg,<br />

which was the hero of the first CD "Beyond Nimbostratus" is still here,<br />

but it's just a scenery or background for multiplying illusions which make<br />

up the charm and value of human life. Keeping the trend established in<br />

their debut, Anthesteria added martial drums, recitative voice and some<br />

ethnic elements in a number of tracks. Raison D'Etre-like dark<br />

ambiance meets neo-classical strings and analogue synthesizers, at<br />

times the result sounds as depressive as some early Coil stuff. As its<br />

predecessor, "Nebesnaya" is also accompanied with a photo-booklet<br />

which adds a visual dimension to the album. CD comes in a full-colour<br />

aromatized fold-out digisleeve with a booklet, this edition is limited to<br />

300 copies only.” [press release]<br />

* AUBE – Comet do-CD (Cipher Productions sic23 / Troniks<br />

TRO-218, 2006) € 14.00<br />

AUBE tries to find new ways and uses on COMET „ICE“ and „SPACE“<br />

as sound-sources in order to create droney & strange-rhythmical<br />

trance-tunes, very dry space-atmospheres, especially the second disc<br />

SPACE is excellent and highly recommended !!<br />

* BAD SECTOR / ASTRO – Idio Blast CD (Insofar Vapor Bulk<br />

IVBCD10, 2005) [ed. of 500] € 14.00<br />

Eine der gesuchtesten BAD SECTOR-Veröffentlichungen bisher, da es<br />

kaum Distribution dafür gab: Diese one-tracker Collaboration mit<br />

ASTRO (45 min) ist verpackt in einen MECCANO-artigen<br />

konstruktivistischen Bausatz aus dicker Pappe, der sich zu einem 3-D-<br />

Objekt zusammensetzten lässt, in dem die CD immer noch Platz hat.<br />

IDIO BLAST verzaubert mit drones und regelrecht glitzernden Klängen,<br />

kristallin-klar und glasig-summend und mit seltsame Zwischentöne<br />

versehen...<br />

“Initial material for this released was recorded by Hiroshi Hasegawa<br />

(Astro) and then manipulated and re-organized by Massimo Magrini<br />

(Bad Sector). Resulting sound of the album reminds something Aubelike:<br />

attenuate abstract electronic waves with highly detalized structure,<br />

nothing like traditional Bad Sector sound at all. The artwork of this<br />

release deserves separate description: it's a cardboard meccano kit<br />

with engineering instruction, by following it's notes you can assemble<br />

technic-like construction of decent size, in which the CD with booklet<br />

should be put. Besides the album itself, the CD contains some extra-<br />

material from Astro in ogg format (player installer can be found on<br />

CD as well), screensaver and several wallpapers for your computer<br />

desktop.” [Artyom, ZHELEZOBETON]<br />

* BAD SECTOR – Kosmodrom “box” edition CD & maxi-CD<br />

(Waystyx WR15 & 16, 2006) [lim. 185] € 29.00<br />

Special edition of the new album with bonus maxi-CD !!!<br />

Lim. 185 copies, contains bonus-CD with 4 bonus-tracks & 6 postcards<br />

& banderole!!<br />

„Massimo Magrini aka BAD SECTOR bleibt nicht beim Erreichten<br />

stehen sondern versucht stets, seine Musik konzeptuell und klanglich<br />

zu erweitern. KOSMODROM ist inspriert vom gleichnamigen sowjetrussischen<br />

Raumfahrprogramm und tönt weitaus elektronischfuturistischer,<br />

eingängiger und rhythmischer als gewohnt; Funksprüche,<br />

Sinus-Clicks & Äther-Electronics füllen die repetitiven Grundierungen<br />

auf... kommt in einem aussergewöhnlichen milchig-weisses Plastik-<br />

Folder, mit luxuriösem, informativen Booklet... eine adäquate<br />

Umsetzung des Themas und ein weiterer sehr hochwertiger Release<br />

auf dem russischen Seitenzweig von COLD LANDS.“ [<strong>Drone</strong>]<br />

“Cherish sounds and noises from a world long lost. Comes in extra-size<br />

plastic sleeve with extensive booklet on the subject matter” [label info]<br />

“I finished the mastering of a concept album based on russian/soviet<br />

space mission, named Kosmodrom. It's less ambient and noisy that<br />

previuos works, with a bit of mechanical pseudo-rhythms inside.”<br />

[Massimo Magrini]<br />

* BAILIFF, JESSICA – Even in Silence CD (Kranky KRANK026 )<br />

€ 15.00<br />

“Words over used in music reviews; 'haunting', 'evocative', 'beautiful',<br />

and 'powerful'. Words that fit Even In Silence perfectly: 'haunting',<br />

'evocative', 'beautiful', and 'powerful.' ... The album is gentle, delicate<br />

even, with occasional harshness contrasting and complementing the<br />

whole." [Outburn Mag]<br />

“Debut album from Jessica Bailiff from Toledo, OH. " Across Even In<br />

Silence extended guitar figures float over Jessica's vocals, bass, drums,<br />

samples and percussion. The album is an affecting mix of instruments<br />

and Jessica's beautiful vocals that leave trails of melody for the listener<br />

to follow. The mix of the album allows echoing piano chords, traces of<br />

bass guitar or whiffs of percussion to emerge from the clouds of guitars.<br />

A delicately balanced mix of organ lines and rhythm is placed next to<br />

Jessica's fragile vocals, followed by deep guitar drones." [label info]<br />

* BAILIFF, JESSICA – Hour of the trace CD (Kranky KRANK038,<br />

1999 ) € 15.00<br />

„Ein Album zwischen klassischem, wunderschönem Songwriting und<br />

ernsthafter unkonventioneller Soundforschung, dominiert von den sehr<br />

emotionalen Vocals der Sängerin. Vor dem Fenster das erste

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