CODES: - Drone Records
CODES: - Drone Records
CODES: - Drone Records
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crucial this compilation is, like the first 3 installments this will make for a<br />
fantastic appendix to Ohm’s incredible “The Early Gurus Of Electronic<br />
Music” compilation – an essential purchase.“ [Boomkat]<br />
“....featuring Steve Reich, Gyorgy Ligeti, William Burroughs, Alvin Lucier<br />
Olivier Messiaen, Vibracathedral Orchestra, James Whitehead, Halim<br />
el-Balh, François Bayle + Robert Wyatt + Kevin Ayers, Loop orchestra,<br />
Jean-Claude Risset, Beatriz Ferreyra, Maja Ratkje, Laurie Spiegel,<br />
Stephen Vitiello, erik M, Wang Changcun, Chlorgeschlecht, Gottfried<br />
Michael Koenig, Milan Knizak, Ralizes Denudes......<br />
We keep goin' on our adventure with this fourth volume of our<br />
anthology. This installment is the pivoting axis of a seven-piece set. We<br />
developpe here some other tendancies includings new creations from<br />
China, Brazil, Norway, Hongria and of course some classics and<br />
(un)published material from main composers (Ligeti, Lucier). Some<br />
very rare documents too as Robert Wyatt + François Bayle. More than<br />
3/4 of the tracks are unpublished.<br />
2CD set / digipack sleeve + 52 pages book<br />
In the previous three anthologies, we mentioned the historical axes at<br />
the heart of the advent of concrete and electronic music: Pierre<br />
Schaeffer's workshop studio (in Vol. 1), the WDR Studio in<br />
Cologne (Vol. 3) and the Princeton Electronic Music Center in<br />
Columbia, New York (Vol. 2). Quickly though, the development and<br />
creation of electronic studios became a priority, with new facilities<br />
popping up around the world: throughout Europe and America, but also<br />
in Brazil, Mexico and Japan, countries where there was a will to create<br />
music that was radically new. As important as it was, the technological<br />
wave was not big enough, as Tod Dockstader's case testifies: because<br />
of his technician's background in sound editing, he was prevented from<br />
pursuing his art in the studios, which remained the musicians' turf.<br />
more than 2 h 30' of music - many rare tracks and unpublished (at least<br />
75%) + big booklet full of notes and biographical notices<br />
2CD digipack sleeve. follow-up to Anthology volume 1 (SR190),<br />
Anthology volume 2 (SR200), Anthology 3 (SR220) which become in a<br />
few years time, real 'classics' inside our catalogue” [label info]<br />
* ARCHIVES GRM 5 x CD-BOX (Ina Grm INA C 1030, 2005)<br />
€ 36.00<br />
Wieder da, nachdem die letztjährige Erstauflage sofort vergriffen war!<br />
Die monumentale Box zum 30jährigen Bestehen des Instituts enthält 5<br />
CDs mit zum Teil rarem Material aus den Archiven des GRM und ein<br />
80seitiges Begleitheft. Auch als Einstieg in die Welt der Elektro-Akustik<br />
ist dies eine fabelhafte Möglichkeit!<br />
AVAILABLE AGAIN !! Wonderful 30-year-jubilee-box with 5 cds and<br />
80p. booklet and tons of rare material from the GRM-archives,<br />
FERRARI, BAYLE, BOULEZ, XENAKIS, MESSIAEN, SCHAEFFER,<br />
DHOMONT, PARMEGIANI, ZANESI, etc. etc. Contains INA C 1031-<br />
1035 !<br />
“The roots and historical development of musique concrete and<br />
experimental electronic/tape music -- packaged in stunning form. The 5<br />
jewel cased CDs feature a total of 101 tracks (many previously<br />
unreleased, others never released on INA before; most are edits to<br />
some degree). Provides a captivating overview of decades of<br />
breakthrough developments in sound/architexture, and is a totally<br />
essential artifact in its own right. Vol. 1 artists include: André Hodeir,<br />
Pierre Boulez, Jean Barraqué, Darius Milhaud, Roman Haubenstock-<br />
Ramati, Henri Sauguet, Edgar Varèse, André Boucourechliev, Claude<br />
Ballif, Iannis Xenakis, Olivier Messiaen.” [label info]<br />
* ARKTINEN HYSTERIA – SUOMI AVANTGARDEN<br />
ESIPUUTARHUREITA CD (Love <strong>Records</strong> LXCD 635, 2001)<br />
€ 15.00<br />
Unglaubliches Material aus der finnischen Experimental- und prä-<br />
Noise/Trash-Szene der 60er, (sowohl „Underground“ als auch „seriöse“<br />
Komponisten), z.B. Rülps-Folk von 1961 von einem Trio um TOMMI<br />
PARKO, kirre machender free jazz, dadaistische sound poetry,<br />
cut-up Collagenwahn, superschief gesungener Tango (bei dem<br />
nichtmal die KAURISMÄKI-Brüder mithalten könnten), etc. etc.<br />
kommt mit dickem Booklet , alleine die Fotos darin wären schon die<br />
Anschaffung wert…<br />
“the arktinen hysteria compilation that came out in november 2001 was<br />
compiled by jukka lindfors, based on his series of radio documentaries<br />
for finnish broadcasting company. together here are gathered for the<br />
first time some seminal tracks usually considered the milestones of<br />
early finnish electronic music; being the real predecessors of the<br />
sounds of mika vainio, pan sonic & et al.; combined with some rarities<br />
and previously unpublished tracks. the album concentrates mostly<br />
around the output of the now-legendary love records label, varying from<br />
electronic music to avantgarde sounds, free-jazz and experimental rock.<br />
here one can witness some truly timeless electronic pioneering works,<br />
delving into the real finnish analogue roots of glitch, clicks & cuts and<br />
even modern laptop sounds.” [label info]<br />
* DEATH ODORS III CD (Slaughter Productions SPCD57, 2005)<br />
€ 15.00<br />
Third part in this dark ambient & death industrial - compilation series by<br />
the ATRAX MORGUE-label, with unreleased tracks by KRAKEN,<br />
NEGRU VODA, BAD SECTOR, STATVM TERROR, SCHLOSS<br />
TEGAL, FOLKSTORM, TODAY I’M DEAD, DESIDERII MARGINIS,<br />
I.R.M., etc..<br />
* DEBRIS FIELD CD / BOOK (Bolton Museum / ICR 53, 2006)<br />
€ 16.00<br />
Katalog und -CD zum Thema “Trümmer” einer Ausstellung, die von<br />
April bis Juni in einer Kunstgalerie in Bolton (UK) stattfand und von<br />
PHIL MOULDYCLIFF kuratiert wurde. Abbildungen von Bildern,<br />
Skultputuren, Zeichnungen, Texte & Biographien der hier vorgestellten<br />
13 Künstler, sowie ein 48+ minütiger feinstofflich-ambientöser<br />
Installationssoundtrack von LOREN CHASSE, PHIL MOULDYCLIFF,<br />
COLIN POTTER und KEITH ROWE machen dies zu einer äusserst<br />
sehens- und hörenswerten Publikation.<br />
“This is the CD and catalogue for the 'Debris Field' exhibition at Bolton<br />
Museum curated by Phil Mouldycliff. The CD is an edited version of<br />
'Debris Field ambient wash', a 48 minute piece that is split into 3<br />
movements. The catalogue includes an essay by Mouldycliff titled<br />
'Tracing paths through debris fields' which gives some insight into the<br />
exhibition and CD. Also includes photographs of some of the exhibits<br />
and artist biographies for those involved including Colin Potter, Keith<br />
Rowe, Max Eastley, Tom Philips etc” [ICR]<br />
“ 'Debris Fields' was curated by Phil Mouldycliff and deals with<br />
'remains', the debris after the act. It's not an exhibition about music per<br />
se, as it includes paintings, drawings, prints, sculptures and also music.<br />
Some of the participating artists are also musicians, such as Loren<br />
Chasse, Keith Rowe and Phil Mouldycliff and they all delivered some<br />
music to Colin Potter, who presented 'Debris field Ambient Wash', a mix<br />
of all the sounds into a 'discreet, constantly changing audible<br />
environment' to fill up the space with the exhibits. While flipping pages<br />
of the catalogue at home, this music fills also up the private space, and<br />
the big advantage is of course you can turn up the volume much louder<br />
and enjoy things perhaps better than in the public space. The music<br />
alone is worth getting the catalogue for.” [FdW / Vital Weekly]<br />
* FROZEN LIGHT CD (Essentia Mundi EM002, 2006) [lim.<br />
100] € 8.00<br />
Auch in Rumänien breiten sich geräuschhafte <strong>Drone</strong>-Aktivitäten aus<br />
(wenn man das so nennen kann) – dies ist die erste Compilation des<br />
noch jungen ESSENTIA MUNDI-Labels von Casian Stefan aka<br />
ABBILDUNG mit sehr philosophischer Ausprägung.<br />
‚FROZEN LIGHT’ ist eine Compilation zum Thema LICHT, das ist<br />
sowohl im physikalischen Sinne als auch im geistigen (als<br />
erleuchtendes Wissen oder Gedankenfeuer) zu verstehen. In dunkles<br />
Pulsieren mischen sich hereinbrechende Klangobjekte, metallurgenes<br />
Aufleuchten, mächtige Echo-Implosionen, summende Gitarrenwände,<br />
rauschende Wasserhöhlen, illuminierte Sphärendrones,<br />
phosphoreszierende Wohlklang-Schwingungen, gleitende Räume mit<br />
gallerartigen Wänden, die sich langsam wie Licht-Vorhänge bewegen...<br />
ähnlich gutes Material wie die kürzlich erschienende CRYOSPHERE-<br />
Compilation, gutes bis sehr gutes haben uns die Stücke von OBJEKT4,<br />
NEXUS SUN, SAMSA, CHROMASCOPE, OENYAW gefallen.... limitiert<br />
und nummeriert auf nur 100 Stück, und es wäre nicht verwunderlich,<br />
wenn diese Comp. in ein paar Jahren ein gesuchtes Teil geworden ist !!<br />
1.Abbildung - Walk Within<br />
2.Objekt 4 / Wolfskin - Winter Robed In Somber Unlight<br />
3.Nexus Sun - Black <strong>Drone</strong><br />
4.Samsa - Drawing Oceans<br />
5.Wapstan - Burnt By Frost<br />
6.Chromascope - The Earth Shall Inherit The Weak<br />
7.Oenyaw - The Tutor Of Achilles<br />
8.Nehmödt - A Curious Centerpiece<br />
9.Audioemetic - Rayleigh<br />
10.Fractaled - Slow Light Pulses<br />
”A collective research work about the light, both physical light and<br />
the "light" of knowledge - indeed it can be icy.<br />
About 76 minutes of dark ambient and drone soundscapes.<br />
Pro. print CDr limited to 100.” [label info]<br />
* IT JUST IS. IN MEMORIAM: JHONN BALANCE do-CD (Fulldozer<br />
<strong>Records</strong> FDCD20, 2005) € 16.50<br />
Russisch-Ukrainische Tribute-Comp. für JHONN BALANCE, mit<br />
entsprechend vielen ost-europäischen Beiträgen, aber auch einem<br />
neuen Stück von PETER CHRISTOPHERSON mit thailändischem<br />
Chor!<br />
“Fulldozer <strong>Records</strong> presents: the international compilation dedicated to<br />
memory of Jhonn Balance (tribute to COIL).<br />
After the tragic death of Jhonn Balance - COIL had abolished. In one<br />
moment a musical epoch was gone. But the memory is alive. The idea