CODES: - Drone Records
CODES: - Drone Records
CODES: - Drone Records
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Gaglianò, Giovanni Iovane, & Sergio Risaliti.<br />
Audio CD : John Duncan : shortwave, processing.<br />
Catalogue and CD cover produced by Maschietto Editore.<br />
CD produced by Allquestions.<br />
„The work of John Duncan should need no introduction, as he has<br />
long been one of Aquarius' favorite sound artists; however, Paolo<br />
Parisi is something of a mystery to us. An Italian sculptor, painter,<br />
and installation artist, Parisi commissioned Duncan to compose a<br />
sound component for one of Parisi's installation. The themes<br />
behind Parisi's installation for plastic tubes and eviscerated<br />
cardboard sentry houses are far too convoluted to recount within<br />
this review; but in a shocking display of Aquarian restraint, we'll<br />
merely mention that the Panopticon, Hitchcock, Deleuze, and<br />
Duchamp all get name checked throughout the book's text<br />
celebrating Parisi's installation. The CD is all Duncan; and it's well<br />
worth the price of admission. Duncan has long been known for his<br />
use of shortwave radio sounds as the springboard for his<br />
psychologically intense compositions; but slowly, he has been<br />
introducing the human voice into his pantheon of sound sources.<br />
For Conservatory, voice is the only source he is using, in particular<br />
he's amplifying and stretching the gasps, wheezes, and hisses that<br />
occur during the act of breathing. Through his manipulation of<br />
these sounds, Duncan cultivates a vast network of gaping blasts of<br />
air that collectively build into a ghastly, frigid drone emanating<br />
from a unscrupulous cryrogenics laboratory. Another epochal<br />
release from Mr. Duncan!“ [Aquarius <strong>Records</strong>]<br />
E / I – MAGAZINE – Music Electronic<br />
and Otherwise ...<br />
* E/I MAGAZINE Vol. 4, Spring 2005 € 8.00<br />
RADIAN, ANDREW DEUTSCH & TETSU INOUE, ASMUS<br />
TIETCHENS, THOMAS DIMUZIO, COLD BLUE, VINYL ON DEMAND;<br />
etc..<br />
* E/I MAGAZINE Vol. 7, Summer 2006 € 8.00<br />
Great new issue of this nice US-mag run by Darren Bergstein, 66<br />
pages, most in full-colour !!<br />
“sutekh - troum - free103point9 - muslimgauze - john duncan -<br />
christopher willits - secede - john bischoff - victor nubla - radboud mens<br />
- another electronic musician - ellipsis by colin newman - label profiles:<br />
cajid media, confront, infraction, noise factory, rune grammofon - 150+<br />
reviews”<br />
IKONEN – Magazin für ..<br />
* IKONEN Nr. 8 mag (Ikonenverlag, 2006) € 5.00<br />
„Das Straflager in der neuen russischen Literatur von Ekaterina<br />
Vassilieva-Ostrovskaja. Strukturalistische Filme von James Benning<br />
von Mikko Linnemann. Hans Jürgen Syberberg Porträt I<br />
von Bernd Kiefer. Interview mit Peter Andersson / Raison d'ètre<br />
von Marcus Stiglegger. Interview mit Chris Carter / Throbbing Gristle<br />
von Arne Löffel. Pornokunst von Andrew Blake von Jan Volker Röhnert.<br />
Arakimentari - Araki goes Film von Ivo Ritzer<br />
Jean Amerys Schriften von Norbert Grob<br />
Georges Bataille über Nietzsche von Marcus Stiglegger<br />
THE DEVIL'S REJECTS von Ivo Ritzer<br />
HÜGEL DER BLUTIGEN AUGEN von Stefan Höltgen<br />
Rezensionen: Biosphere, The Protagonist, Jozef van Wissem,<br />
Turpentine Brothers, Tor Lundvall, In Gowan Ring, Alex Fergusson,<br />
Gustav Hildebrand, Svartsinn, Triarii, Werkraum, Bad Guy, Hardcore,<br />
Es war einmal..., Looking for Europe, Houellebecq...“ [Verlagsinfo]<br />
PHOSPHOR<br />
* Phosphor Nr. 120 mag (Phosphor, 2006) € 2.00<br />
Nice review-mag from Berlin with NOCORDS, SMALL VOICES, ACTUELLE,<br />
FIREWORK EDITION, FYLKINGEN, etc.. english language<br />
TESTCARD<br />
* TESTCARD Nr. 15: THE MEDIUM IS THE MESS BUCH (Ventil<br />
Verlag, 2006) € 14.50<br />
Aus dem Inhalt: Vom Niedergang der Radiokultur, Der kleine<br />
Plattenladen, Konstruktion von Pop-Stars, Kanon und Bestenlisten,<br />
Überlebensstrategie von Independent-Vertrieben, Internet-Labels, Krieg<br />
in der Mediengesellschaft, SPD und Pop-Politik, Musealisierung des<br />
Pop, TV-Polizeiserien und Disziplinierung, DVD-Boom und die Zukunft<br />
des Kinos, Video Games u.v.m.<br />
„....In dem Maße, in dem auch die auf Indie abonnierten Magazine<br />
immer stärker ökonomischen Sachzwängen unterworfen sind, verliert<br />
sich allerorts das Profil, die Inhaltsverzeichnisse und sogar die Arten<br />
der Berichterstattung haben sich angeglichen. Parallel zur<br />
offenkundigen Gleichschaltung von Top-Ten-Radio und Klingelton-TV<br />
hat sich so ein Indie-Mainstream ausbreiten können, der suggeriert, es<br />
gäbe nur noch die Alternative zwischen "Schnappi" und Franz<br />
Ferdinand. "Über Avantgarde kann man jedenfalls nicht mehr in Pop-<br />
Zeitschriften schreiben", merkte Diedrich Diederichsen verbittert in<br />
seinem neuen Buch Musikzimmer an. Der Satz gilt längst nicht mehr<br />
nur für Avantgarde im herkömmlichen Sinne, sondern für jegliche Musik<br />
ohne Lobby. Sie findet sich nur noch am Rande in den<br />
Musikzeitschriften behandelt, im Fernsehen und Radio hierzulande fast<br />
gar nicht mehr.“ [aus dem Vorwort]<br />
* Asmus TIETCHENS „Monographie“<br />
BOOK/CD (Auf Abwegen aatp16, 2006) [ed. of 600] € 39.90<br />
2300 pp. paperback book, plus 70 minute audio cd, 600 copies<br />
delivered in shrinkwrap, cd only available as part of the book<br />
“MONOGRAPHIE ASMUS TIETCHENS is the second, revised and<br />
expanded edition of our book about the music of german electronics<br />
composer ASMUS TIETCHENS. The book has been carefully edited by<br />
kai u. juergens. the language of the text is GERMAN with a few<br />
exceptions (the discography and some essays are in english).<br />
the book is roughly din a4 in size, b/w, colour cover. an image can be<br />
seen at www.aufabwegen.com<br />
the book includes:<br />
- introductory texts by kai u. juergens, okko bekker and till kniola<br />
- four ficticious texts about "professor tietchens" by ditterich von<br />
euler-donnersperg<br />
- eight essays by asmus tietchens that appeared in various journals in<br />
the last 10 years<br />
- essays and short texts on asmus tietchens by guido sprenger, marcel<br />
bayer, vidna obmana, jon mueller, kai u. juergens, till kniola<br />
- the section "aus gespraechen", compiled from different interviews with<br />
asmus tietchens - a fully commentated discography (in english) up to<br />
december 2005, giving full track info, explanations and background info<br />
(i.e. instruments used, etc.)<br />
- an index of all tracks and releases<br />
- a bibliography<br />
- the 70 minute audio cd "verstreutes 2" including the following tracks<br />
from tape and cd compilations from 1984-1995<br />
tracklisting<br />
VERSTREUTES 2<br />
16 Beiträge für Kassetten- und CD-Zusammenstellungen 19841995<br />
1. Zersendet 4’42“ from OBJEKT 2 • Ladd-Frith • without number •<br />
USA 1984<br />
2. Medienlandschaft 3 7’05“ from SECURITY • Undergrowth Tapes<br />
Canada 1986<br />
3. Klavierstück 1 1’58“ from VOICES IN A DARK ROOM •<br />
Honeymoon Production • Honey 04 • The Netherlands 1989<br />
4. Klavierstück 2 1’35“ from VOICES IN A DARK ROOM •<br />
Honeymoon Production • Honey 04 • The Netherlands 1989<br />
5. Fehlzündung durch Scybala 3’29“ from NO MACHINE IS SILENT<br />
• Realization Recordings • • USA 1995<br />
6. Post-Katholische Himmelfahrt 6’31“ from CONSTRUCTIVE<br />
MUSIC 1990 • U.P.D. Organization • U.P.D. 004 • Japan 1990<br />
7. Karma Finanz 3’22“ from MOUVEMENTS • La Légende des Voix •<br />
LDV 3 • France 1990<br />
8. Studie für Gong 7’44“ from ALTERED STATES OF<br />
CONSCIOUSNESS • U.P.D. Organization • U.P.D. 006 • Japan 1991<br />
9. Nachtgalle 6’49“ from SOUND FROM HANDS • Minus Habens<br />
<strong>Records</strong> • MHCD 003 • Italy 1992<br />
10. Die wahre Nachtgalle 6’43“ from OHREN DES KAISER<br />
HIROHITO • DOM • DOM CD 77-14/15 • Germany 1993<br />
11. Beutelgestell 2’30“ from WHAT? • Curious Music • Curio 2 • USA<br />
1992<br />
12. Wenn die 3’15“ from HARE HUNTER FIELD • Johnny Blue •<br />
JOY 004 • Portugal 1992<br />
13. Charisma perdu 3’36“ from THE MEMORIAL ELVIS PROJECT •<br />
Odd Size • CD OS 03 • France 1992<br />
14. Der Sessel brennt 3’58“ from THE PASSING GODS • Play Loud •<br />
PL 01 • Portugal 1993<br />
15. Bombenhund 4’52“ from SOUNDWORKS EXCHANGE •<br />
Shinkansen/Goethe-Institut • SWE CD 01 • GB 1995<br />
Bonus track<br />
16. Und wenn C.S. nun ein Hippie wäre? 3’31“ unreleased • 1998<br />
Musik: Asmus Tietchens Produktion: Okko Bekker<br />
CD-Master: Tom Fleischhauer. Aufgenommen in den Audiplex Studios,<br />
Hamburg.“ [label info]